#like critique on all ends deserved but my point is like

[elytrafemme]

also btw. just wanted to point out how Boundless Sands and the Las Nevadas Finale (no matter HOW u feel about them) both made attempts and imo did a GOOD JOB at handling the conversation about recovery. neither c!Wilbur nor c!Quackity were perfect and clearly in the beginning or in the midst of a messy road to healing but w the letters and w Friend being in limbo + c!Wilbur going home we see like. the characters were WORKING on healing and being better as people. and that to me was not only a testament to how much cc!Wilbur and cc!Quackity loved their damn characters, but was also something that really reassured me. you know as someone who has had their own mental health issues too (clearly) and has been in the throes of the recovery process for a while. shits messy and shits unclear and you relapse but you TRY and cc!Wilbur and cc!Quackity did a good job being both gentle & real about the trying part.

versus the fucking “DSMP vol 1 finale”, aka a stream that was clearly coordinated (bold word choice of mine, implying anything here was really planned) by Dream and only included some of the biggest streamers (For all the DSMP season 3 / prison break stream had faults, at least more than 5 fucking people were on the server doing things !!!), had HORRIBLE messaging about the process of healing. Ppl have gone back and forth about how bad the whole Tommy Dream “reconcilation” thing was, and I didn’t watch the stream so I only know bits and therefore can only be taken w a grain of salt here. BUT i think that the fact that (1) Tommy was even entertaining the thought of making amends, or if you think that he was making amends at the time, with Dream NOT APOLOGIZING and no follow up to show that forgiving abusers doesnt absolve their guilt and also u dont have to forgive abusers and also Tommy wasnt at fault  . and also (2) that the finale involved THE ENTIRE SERVER BLOWING UP which not only signifies that these characters NEVER got a chance to heal but also ensured everyone excluding like c!Q and c!Wil NEVER COULD. Is fucking horrific and disgusting to me. 

and not to even talk about Dream as a person bc I have so many fucking thoughts about how all that makes the messaging surrounding power dynamics in the finale So much worse (and is the reason I have yet to watch the stream bc I will just trigger myself thinking about that). 

So fucking disgusting to see how the dsmp finale happened, with NO regards to the majority of other streamers, just Dream and whoever could mindlessly tag on that happened to have pretty big viewer counts (shocker), and completely throwing out the characters and the story that have been built for YEARS. Versus how streamers like Quackity and Wilbur handled things, INCLUSIVELY and COMPASSIONATELY and fucking EXCELLENTLY, in my opinion.

[rtnortherly]

People who make game ambience are the real ones. I'm here, drawing away, and I get to listen to seagulls and waves and the lovely music of DOS2 and drink tea and it's one of my most appreciated parts of fandom. Like. Damn. It's just nice, ya know?

Anyway, if you all want to vibe to some Fort Joy Beach Ambience (really it's not as nice a place as this may make you think), then credit where credit is due

[phddyke]

Thinking about different parts of Hazbin Hotel and the different parts of Christianity they critiqued.

For one, I saw some people say that they were surprised that Vaggie was maimed and kicked out of Heaven for sparing one singular demon child. That didn’t surprise me in the least. It’s very clearly a one strike you’re out situation, and for fundamentalists, they do believe some people deserve to die (yes, even children). If you don’t believe me, crack open the Bible. God kills plenty of children there. Furthermore, I like that Vaggie is a lesbian who was kicked out of Heaven. She’s literally a lesbian, but she was kicked out of Heaven for not obeying the rules, making one mistake—her story works on a literal and metaphorical level, and I love that. I don’t just like when it’s a metaphor for some type of discrimination, the literal should be there too. And I’m a lesbian, so I like relating to her.

For two, the moving of the goal posts in regard to Angel Dust. Adam came up with three completely random things, but clearly no one in that courtroom expected Angel Dust to do them. When he did, suddenly it’s “not everything is spelled in ink” and “why isn’t he here then.” Which is exactly what I expected them to do. If Angel Dust did somehow meet their arbitrary standard, they’d just dismiss it outright or come up with something else he didn’t do. Par for the course.

For three, the fact that Sera told Emily she needed to stop questioning things because if she did she’d end up Fallen like Lucifer. Because that is, once again, a Christian belief: that questioning things is a sin. You’re supposed to just accept it. It sounds bizarre, but it is true.

I think it was an excellent job in terms of critiquing Christianity and pointing out a lot of the flaws inherent. For people like me who were raised Catholic, the rhetoric and things the characters did were all-too-familiar. Even Sera describing the extermination as “a hard decision” was exactly what my grandfather said about his decision to not come to my wedding. (Which, yeah, thanks, asshole.)

[oneatlatime]

Lake Laogai

This Lake had better have Appa in it. With little water wings on.

Skipping the commentary as usual.

The Previously On section suggests that a whole lot of plot threads are about to crash into each other. Strap in folks.

Lefty Sokka!

Beat up Sokka quota fulfilled by his sister's critique of his art skills. It's not like he had paper to practice with at the South Pole.

Sometimes I forget that Aang is 12, then he does something like attempt to rescue his pet from a nefarious city-wide conspiracy of silence with lost cat posters.

"Good tea is its own reward." That means no, he isn't paid enough.

Remember what I said in my last post about Iroh bringing too much attention to himself?

"senior executive assistant manager" someone on the writing team has worked retail I see. Nothing like meaningless promotions with no raise attached! It's right up there with employee pizza party.

I have to pause here and point something out. This whole scene with Iroh? This is an adult fantasy. I don't mean dirty, I mean this whole scene was put in specifically to appeal to the adults who got roped in to watching this kids' show by their children. A rich man walks through the door of your shitty retail job, immediately spots your natural greatness, and offers you a much better paying job with unlimited creative freedom and a better house to go with it? Find me a burnt out retail worker who hasn't conjured up this fantasy five times a shift.

And so the plots come crashing back together. This won't end badly.

"patience really pays off" I checked. He waited literally three seconds.

Shout out to Toph in the background playing catch with a ball she can't see. Casual flex of epic proportions.

Remind me never to go to Lake Laogai. Sounds like it's lousy with Ju Dees.

So the Ju Dees don't know about each other? Because she seems honestly confused. Does Ju Dee think she's the only Ju Dee? What happens if two Ju Dees run into each other in the street?

Posters are illegal but I haven't heard a peep about recarving a bunch of fields into a zoo.

This is maybe the second time Aang's blown up over Appa. Frankly he deserves more blow ups about the whole situation.

I don't think knocking down walls will help find Appa, but I applaud Toph's spirit.

They took out a whole wall and then exit by the door anyways. That's funny.

I really hate this guy, but I have to admit that he may be the first truly competent villain of the series.

'The Jasmine Dragon' also lets anyone with half a brain know that you're Fire Nation. Try the Jasmine Badgermole instead.

Zuko really can't catch a break, huh? He wasn't happy being a tea server, but at least he was resting. But every time he gets five minutes to himself, the main plot reappears to drag him back into the action, whether he wants to or not. Although he hasn't figured out that he doesn't want to be dragged back yet.

Every line of dialogue in this scene is a good point. Zuko's right, Iroh's right. The Zuko's right again, then Iroh's right again.

YES YES YES GET HIS ASS

That was satisfying!

I'm not understanding why Sokka is the voice of reason here. Is he incapable of holding a grudge? He's the one that had all the animosity with Jet to begin with. Shouldn't it be Aang who wants to hear him out?

Toph is a living lie detector now? I can't think of an example off the top of my head, but I'm sure that could have come in handy previously. Any other incredibly useful skills we should know about?

Jet is oddly defensive for someone who claims to know he did wrong.

Ever get so excited that your spine malfunctions?

Sokka just has a metre long map in his pocket. Good friend to have in a pinch.

Avatar first! Katara is rude to an old person!

I'm going to have fun with Toph's new ability.

Toph, you have never been more right. It is the worst city ever. You are really shining this episode.

I know this is a serious scene, but I need to point out that Jet's guyliner is on point.

This shot is jarringly out of place. I think it's because it both black and white, and live action. Those have to be real clouds.

So the Blue Spirit can talk after all. Careful, your Zuko is showing.

Wow Zuko is good at sewing. And fast too.

Sokka is having far too much fun with this whole 'prompt Jet's memory' thing. Maybe he does have a bit of a grudge after all.

Katara can reverse brainwashing now too? Everyone's levelling up this episode.

This scene with the planks is a very cool and disorienting visual.

Didn't have 'the gaang breaks into a brainwashing facility' on my ATLA bingo card.

Pretty.

OMIGOD IT'S AP- did Zuko just break the fourth wall?

Everyone always forgets to look up.

So this fight is going to be Toph v. all of the Dai Li while everyone else tries not to get in Toph's way.

That's a boat.

Toph could probably take all these guys out faster if she wasn't having to constantly break off to save everyone else from them.

The Dai Li prancing up walls is a really cool visual. It's very Ty Lee of them.

I love watching her work.

Why don't you let Long Feng escape? He's no longer threatening you, and you're down there to rescue Appa. Just let him go.

The security on Lake Laogai is a joke.

Big words from someone who also had no plan whatsoever at the North Pole.

Zuko knows that Iroh's right. He knows, and that's important. I don't think Iroh is saying anything that Zuko hasn't thought and then hurriedly pretended to have never thought about before. It's why he says 'stop it' rather than being completely confused as to what Iroh is referring to.

Poor Appa's like 'can you have a crisis of self after you free me please?'

'You've chosen your own demise." No. You chose it for him. That's some top tier deflection/victim blaming right there.

Longshot can talk!

That's one hell of a set up and pay off re: Toph's lie detecting abilities.

Poor Jet. A double tragedy: to be likeable only when you're brainwashed, and to dedicate your life to wiping out the Fire Nation yet being killed by the Earth Kingdom.

Hi Appa. It's about time buddy.

Shockingly in character for Appa's first actions to be to single handedly save the Gaang from a threat.

You skip that bastard like a stone.

Everyone go and listen to the sound Appa makes when he spits out Long Feng's shoe. It's delightful.

I am framing this.

And this too.

I can tell there's some shmymbolism here, but it's gone right over my head.

Final Thoughts

Appa is back. The Gaang has Appa back. I have Appa back. Ok. I can relax now. With any luck, this means we can leave Ba Sing Se.

This episode felt like City of Walls and Secrets, Part 2. I think it was a good decision to have a couple of episodes between the two, but I think there would be some tonal whiplash if you binged this section of season 2. Which wouldn't have been a problem for a show designed to air once a week, so it's a moot point.

So Zuko freed Appa from his chains, and presumably pointed him in the direction of a door or something. Or maybe not; Appa has a ridiculously hard head, he could have busted his way out. Either way, Zuko broke the chains. Thanks Zuko!

In season 1, Zuko finds the Avatar the world had lost. In season 2, Zuko finds the Sky Bison the Avatar had lost. So in season 3, Zuko will find something Appa has lost. I wonder what that will be?

Jet being killed by the Earth Kingdom is so deliciously ironic, and tragic, yet very in character for the Earth Kingdom's approach to this war. It's also literally this:

Smellerbee and Longshot have really gotten the short end of the stick over and over this season. They were the only ones to decide to stick with Jet. Presumably they were the only ones who believed that he had had a legitimate change of heart. And they were kind of wrong. They get to Ba Sing Se only for Jet to immediately backslide way past even where he was at his worst in Season 1. He completely discounts and dismisses their legitimate concerns for his methods and his overall health. Then Jet gets arrested and disappears for two (?) weeks. So what do they do now? Get jobs? Steal so they don't starve? Then suddenly Jet's back but he doesn't even remember them. Then suddenly Jet's dead. The whole point of coming to Ba Sing Se just died, in a way that shows very clearly that their desire to help with the war is not welcome at all in the city. So what now? Do they leave and try to fight in the war from outside the walls? Do they settle down and try to forget about the war? Things did spiral completely out of Jet's control once the Dai Li got involved, but you have to admit that he's left his only remaining friends up a creek.

Sokka had some good jokes but was oddly ok with this episode's events. Toph had some great lines and got to shine with a new skill that any writer with half a brain will bring back in future episodes. She felt like the audience substitute this episode, which is usually Sokka's role. Toph was episode MVP for sure. Poor Aang took a bit of a back seat this episode. Zuko finally hit the crisis point, and may well have made his first indisputably correct decision of the series. But, as previous episodes have gone out of their way to show me that Zuko being good always goes badly for Zuko, I'm sure freeing Appa will somehow come back to bite him.

Iroh's question of "who are you? And what do you want?" was Zuko's entire character arc this season. He took a shot at answering the "who are you?" portion in Zuko Alone, and sort of halfway got there before messing up at the end of the episode. As for the "what do you want?" Zuko will tell you (often and repeatedly) that he wants his honour back. But I think he just wants to go home. The thing is, I strongly suspect that the home Zuko wants to return to hasn't existed since his mother left, if it ever existed at all. Which means that while "who are you?" has an answer Zuko can work towards, "what do you want?" has an answer that is kind of impossible. So Zuko is going to have to learn to want something new.

RIP Jet. Your life was fucked to Hell long before you were old enough to try and salvage it. You'll probably be missed by more people than you strictly deserve. War sucks, amirite?

[bunnyshideawayy]

cassian. great man, wonderful friend, absolutely terrible mate.

we have seen Nesta’s sisters, who arguably have less of a reason, defend her more than Cassian has ever thought about. HELLO?

my issue with cassian acosf and onward is that we are truly expected to believe they he deeply understands Nesta when he’s been shown time and again to never stick up for her and never fully trust her. he does nothing to help her over come and face her traumas / depression, she’s left to do that on her own, but best believe he’s down to fuck and make her hike! (no sarah sex and physical exercise are not cures)

after reading the entire series once and now twice seeing Rhys threatening anyone who dares breath wrong in Feyre’s direction under the guise of just “protecting his mate” i find it extremely hard to believe cassian allowed or even sides with anyone who speaks ill of/to Nesta or threatens her- all of which Rhysand and most of the IC (besides her sisters and Az) do, most of the time while directly in front of cassian in conversations he’s involved in. the most he does is…pout a little? throws a hissy fit? the two times i can remember him even remotely stick up for Nesta he immednantly backtracks as soon as Rhysand pushes back, both times the final decision being put in Feyre’s hands, this continues even into CC3 (and let’s thank the mother Feyre loves her sisters which is something ik yall nesta haters can’t stand.)

let’s move onto something i know yall don’t want to talk about, his verbal abuse. “oh but nesta also said-“ we know what she said, that is not the point. if this man knew all along nesta was his mate and truly wanted to help her heal from her traumas and depression why did he take every chance he could to provoke her? Nesta called Rhysand an asshole, and he IS especially to Nesta, and instead of keeping silent as he does when Rhys/the IC harshly critique her, he immediately gets angry and in her face to defend him. funny he can’t do that with her, his MATE? or let’s talk about this scene

oh okay! that’s totally something you say unprompted to your mate who is severely depressed and traumatized because she won’t eat! she’s totally not shaking because she’s triggered! then to add the lecture “we’ve been here before, too” oh okay! so you admit you know what she feels like (very doubtful although i’m not going to compare their traumas, both are valid he just does not understand her like he thinks he does) it’s patronizing and a little frustrating. she doesn’t want to be there in the first place, purposely throwing a sensitive subject in her face will not magically motivate her or cure her- she is simply doing what she has no choice in. she has been stripped of all autonomy, humanity, and “normality”- she feels alone and valuable in a way she as never felt before and she has NO HELP. none!

i’ll end with the hike. yay more physical activity as punishment- but if i said that was abuse yall will bring up the pregnancy so ill do it for you! Yes, Nesta was wrong to tell Feyre THE WAY SHE DID, she had every right to tell Feyre about her own body and pregnancy, it just shouldn’t have happened the way it did. everyone knew it was wrong to keep it from Feyre, even Cassian, so instead of forcing her to hike a mountain as punishment to ware her down mentally and physically he couldve stood up for both Feyre and Nesta to Rhysand the moment he threatens to KILL NESTA. a simple “hey buddy you knew it was wrong to keep that from Feyre you can’t kill my mate for telling her even if it was out of anger” would suffice. not once during their entire hike or during her breakdown does he reassure her, not even when she is tearing herself apart because she doesn’t feel worthy. don’t even get me started on what happens in CC3.

over all i think Nessian is great and they have some great moments, the end of ACOWAR lives rent free in my mind but i am incredibly disappointed with Cassian. i do feel like Nesta deserves better from everyone (besides Feyre and Elain who, again, are the only ones who i truly believe love her unconditionally.)

anti nesta’s this is not a safe space for you.

[lakesbian]

ok Worm Bigotry Breakdown in more detail for @silverflyingpikachu

tl;dr: author is Cishet White Guy From Canada In 2011. he ostensibly thinks he is progressive. this does not change his proclivity for tossing his Cishet White Guy From Canada Biases into the books and then saying even more bigoted things in defense of those writing decisions on forums. wildbow is just some cunt on the forums with bad opinions on wildbow's writing. the book is 1.7 million words long but i believe in my ability 2 categorize this shit with decent accuracy. everyone who has ever said worm's CWs can't be categorized, including wildbow himself, is a lying ass bitch. this will include some vague spoilers, because i can't really go in-depth without a few examples, but i'll stay away from anything too plot-critical.

racism:

- worm is fundamentally a book abt systems of power and the ways in which they suck. some of the critiques worm issues--e.g, its depiction of how school systems enable bullying, inspired by wildbow's own experiences w/ the school systems as a deaf kid--are viscerally accurate and incredibly compelling. but wildbow fundamentally doesn't understand how certain systems of oppression work--e.g policing--and subsequently, his attempts at depicting them occasionally fall flat onto their face and land in racist territory. this gets particularly nasty when combined w/ the White Guy Author propensity for racist stereotypes--for example, his chosen face of police brutality is a black girl portrayed as predatory & animalistic.

- who is also one of the only black people in the book overall, alongside--for example--an addict portrayed as having less interiority & being less deserving of empathy than A Literal Fucking Nazi. also, the main characters have to team up with the nazis "for the greater good" (defeating the mean asian villains) at one point. it is a mercy to the readers when this part of the story ends. - there are two black characters in the main cast. for the first, wildbow just Straight Up Forgot to include the most compelling aspect of their background + characterization in the text (it was provided via WoG instead, which i provide to all wormreaders like a fuckin' DLC patch when they get to where it's relevant) & entirely forgets they exist towards where the end of their character arc should have been. the second is introduced w/ the most misogynoiristic description on the planet but blessedly has a largely compelling and well-written arc as the book goes on. - depiction of china is just like. fox news level sinophobic "it's all a brainwashed indistinguishable evil cult" shit. not relevant for very long relatively speaking but insufferable to read. asian characters are also like. we got Brutal Yet Honorable Asian Man. we got Fiery Asian Girl With Blue Eyes. it fucking blows it's not good

- oh yeah forgot this one someone mentioned in the tags. #it's an insignificant paragraph and nobody talks about it but the part where it goes #“yeah literally EVERY cape in South America is with a cartel and the heroes are barely distinguishable from the villains” #fuck you #not that the others aren't bad the fatphobia gets really gross but nobody mentions this and that one got me so yeah typical Insufferable Awful Imperial Core Author Understanding Of What Other Countries Are Like - i could make this section one million bulletpoints long but the gist is summarized i think--wildbow's varied racist biases leak fucking everywhere, into character design, into narrative assumptions about who's deserving of interiority/empathy or not, into attempts at Saying Anything About Society, into which characters he prioritizes, into who he offers validity via the narrative, etc etc etc.

homophobia: - theres a girl named amy dallon in it and she is the worst lesbophobic stereotype ever known to man. no other Problematic Lesbian™ you can think of has anything on this girl. the worst part is that she genuinely has a decently compelling character concept and arc, which her being awful is integral to, so you might accidentally find her interesting anyway and then she'll move into your brain - wildbow kept accidentally writing characters that scan as massive dykes and then got really mad about f/f ships for the book being popular in the fandom. he responded by making a deranged forum post involving the phrase "pandering is pandering" insisting everyone (but the bisexual "hedonist") is straight and writing a scene into the book where one of the characters literally turns to the camera and tells the readers "not to get the wrong idea" about her hugging her friend. - over the course of 1.7 million words he finds excuses to loudly inform you that all of the relevant female characters are straight and it's sooo shoehorned in you can always tell when he's doing it - basically worm is like if naruto was about homoerotic teenage girls who do violent terrible things, in terms of levels of unintentional homoeroticism, and the author responds to ppl going "lmao gay" about the unintentional homoeroticism with poorly restrained seething rage

fatphobia: - generic brand of fatphobia you'll see in p much all mainstream media where only side/bg characters are fat and it's obliquely used as a descriptor to indicate that someone has negative personality traits or should be viewed as sort of gross

anti-addict shit: - wildbow generally likes writing about how social circumstances--i.e neglect from society, oppression, failure on behalf of systems--causes crime. he generally likes demonstrating the ways in which the villainous main characters are traumatized teenagers failed by society fumbling to keep existing & holding each other up through The Horrors. unfortunately all of this intelligent writing flies out the nearest window when addicts are involved. there is a gang comprised entirely of addicts, all of whom are portrayed as disgusting, violent, dangerous, and of course often racially stereotyped. it is a mercy to the readers when they're no longer relevant to the story. - on a more subtle level, characters are every so often just like. a little more anti-drug than they would realistically be and you can tell it's wildbow's opinions leaking into their characterization. this is largely what the anti-addict writing is kept to after The Addict Villains leave the story iirc.

if youre wondering wellwhy does anyone read this book then. to that i would say that unfortunately despite it all it'sa fucking excellent book. so we all carry on reading the parts that suck and thinking about how they suck and then reading the parts that fuck and going "ouuugh my god" and rolling down 20 flights of stairs about how hard they fuck.

[iintervallum]

Sometimes I think about how the dndads cast should be on tumblr, with them having a subreddit(you know how they can be) and dndadstwt being like 10 people, tumblr would be the perfect place for them to see more of the fandom, if they wish to that is. Since quite a lot of people on here are way less honed in on negativity than reddit and twitter.

My edit of this is getting long lol so I'm putting it under a cut

Especially reddit, the people on there honestly I think just get too attached to a specific format or way of doing things, its a common pattern in any long running show fandoms i've been in where its reddit that constantly complains about the "good ol' days" and hate any new changes made. I would sometimes drop in and just see a lot of Scary hate at times, or people getting very irritated with the rule breaking, or just complaining that they're "forcing" the humor. I saw a post like that when i just started s2 and that couldnt have been more incorrect (yeah the piss jokes got a bit much but every other part was golden!...pun not intended)

There were absolutely points where I felt my interest wanning, but I think people would get pretty vicious about it and make a lot of mean spirited accusations. Like if anything the things I really enjoyed about this season was how different it was to s1, the contrast was really nice and i liked a lot of the story choices made, i still think about the apollo four teens and the fucking goof realm episodes, they were amazing. Which is why I remember thinking it was odd that they suddenly started involving the dads from s1 more, but knowing now that Anthony was struggling with people not liking this season as much it makes perfect sense.

Idk if it were just me, but i liked the earlier parts of the season for how the teens were still kind of discovering more about themselves and through gathering each anchor, learning more that their parents are people too, with their own fuck ups revealed and the teens have to clean up after them, so having it shift to be about Willy again was a little odd if i'm being honest(I didnt hate it but a repeat villian is hard to do, and for what its worth i think Willy did get the end he deserved and i loved the finale).

Funnily, in its own way it fits the theme of being a teenager and having to live up to your parents expectations. In a meta sense this being the successor to the first season and it being awkward at points and having issues with its identity is very fitting and just like how teenhood actually is.

I've gotten off topic but my point is fandom is just fandom, and letting it influence the way creators can view their own work is an interesting side effect of the internet and the way we navigate with the media we enjoy or hate. And spaces like reddit are grown in a way to encourage more brutally critical ways of analysing media which has very little consideration for the creator. By no means am I saying that the creators of things should be coddled, heck I literally airing my own annoyances with the podcast in space where i'm uplifting the positivity of tumblr over those spaces lol. I just mean that seeing the more genuine side of the fanbase would be more of a better time for them.

EDIT: (I just phrased things better, fixed the spelling and grammer errors and added more thoughts) The more I ruminate on this the more I think that it would honestly be a good idea. Like I do get the base worry of being too close to the more intense side of the fandom, as people on here are unafraid to gush about the show in ways that can be a little much and theres parasociality and all that jazz.

But it would be really good at least to see some actual genuine positivity, so many people provide their thoughtful meta and theories that even if widely off base are just interesting to read through because of how various different people see themselves in the characters they play. And even the critiques people give are not unkind, they come from a place of wanting to understand the choices made better.

I mentioned this in the old version of this post but having a blacklisted tag that only the people who don't wish their post to be seen by the cast use, something along the lines like how the magnus archives fandom has "do not archive", would be a very useful tool to create a barrier in the fanbase. I know i'm someone who feels very nervous about creators seeing the posts I make. Something like "not safe for dads" could work well or any other joke or pun about it being hidden. I doubt it would be filled with discourse or whatever it would mainly be people hornyposting since i know fandom well enough lol.

[txttletale]

what is it that makes an episode top 10 bad for you? i ask cuz quite a few on your list don't even click my radar, they're just bland rather than infuriating (for me)

rosa -- spectacularly ill-conceived plot that contrives to have the doctor and friends sit on the rosa parks bus (!). hinges the stakes of its plot on a deeply minimizing and racist view of rosa parks and the civil rights movement

arachnids in the uk -- overwhelming reaction was 'why am i watching this'. episode that made me give up on chibnall who. all the characters potter around a hotel for forty five minutes before realizing that the problem goes away on its own and everything we've watched has been a huge waste of time

spyfall part 2 -- inexplicably makes it so that the only historical figure friends the doctor has to mindwipe are women, throwing s9 and s10's much-deserved critique of nuwho's mindwiping habit in the trash. the first master of colour is a nazi. most racist moment in the show's history. huge letdown of any potential spyfall part 1 indicated

the battle of ranskoor av kolos -- boring. bad. there's no battle and ranskoor av kolos doesnt mean anything. characters walk around with paper-thin motivations. central conflict is stupid and is resolved in a stupid way. sub-childlike understanding of its own morality

the timeless children -- i once heard this episode described as 'the master spends 45 minutes forcing the doctor to look at his powerpoint presentation' and yeah

victory of the daleks -- nothing but nauseating british jingoism and churchill worship until the new daleks get revealed with a bunch of fanfare only to spend their debut story standing perfectly still in color coded order. then amy saves the world because she's Woman and knows about Romance

the crimson horror -- doctor-lite episode about my least favourite recurring comic relief characters until the doctor shows up at which point he's a sex pest

the bells of st. john -- what if phones but too much

a good man goes to war -- like a bad version of journeys end where instead of beloved characters teaming up to save the day its a pirate wh oshowed up in one episode, a blue guy who sold river a gun or something once, and three guys we've never seen before, showing up to resolve the unbearalbe amy pregnancy plot with a stupid twist that goes nowhere and means nothing

name of the doctor -- after half an hour of Going to a Place clara steps into a hole. a lame resolution to the lamest arc in the show's history. i dont care abouyt anything that happens. at this point we're so buried in incomprehensible moffat nonsense that every other line in this episode is a reference to some ongoing arc words or another. like shut up about trenzalore i dont caaaare

[badaziraphaletakes]

Somebody pointed out that it's rude to call out other fan's headcanons and call them untrue or worse. However, I feel like there is a subtle difference in, this is how I perceive the canon story and its characters, and this is my own take on something within the story. Am I being an idiot? I've never been a member of a fandom before, Aziraphale is very dear to me and I feel hurt when he's misunderstood and mischaracterised. I'm not saying I or people I particularly like have a direct view into Neil's brain, but we do have the right to defend how we see him, right? Cos if I see one more take on how Az should suffer in S3 cos he didn't suffer enough, he's never felt the kind of loss that Crowley felt when he walked into the bookshop... or when Crowley was heartlessly told 'I forgive you'... etc etc, I'm going to honest to God cry.

In general, yes I agree that critiquing other people's interpretations of the characters is rude. One of the most beautiful things about this show is that the characters are so relatable that they can be seen in hundreds of different ways, and that is valid.

HOWEVER.

There's interpretation, and then there's completely flat-out ignoring both the show itself and the cold hard statements that the showrunner and the actor who plays the character have both made, because you didn't like the way season two ended. Michael Sheen never said "Aziraphale loved Crowley as an angel." He said, "Aziraphale loves Crowley." He said this dozens of times, in dozens of ways. Neil Gaiman said that it's a love story, and that they love each other. There's not a lot of room for interpretation there. And that's not even including the dozens of looks and touches and statements that Aziraphale has made all through season two. In no objective reality do the show or the storytellers tell us that Aziraphale only loved Crowley as an angel.

I feel like it's a subset of Perfect Victim Syndrome to make statements like this about Aziraphale. We see PVS all the time in real life when the victim of a crime (especially when committed by someone in authority) is analyzed and scrutinized by the public to decide whether they did something to "deserve" it. I feel like people are giving Aziraphale some of this same treatment when they say things like "He needs to suffer in season three" or "He needs to open his eyes" or "He didn't love Crowley enough to stay with him." Because Aziraphale said strange, inexplicable things that hurt Crowley's feelings in the Final Fifteen, suddenly that justifies not sympathizing with him on what has got to be the worst day of his existence.

It's easy to blame the victim when bad things happen, because it helps us maintain our illusion that the world is just and everything bad happens for a reason, and furthermore bad things won't happen to US, because we're Not Like That. It's harmful in real life, and it's hurtful when it's done to a fictional character who is an important coping mechanism for many of us.

(Oh, and if your brother ever kisses you like that, you should call somebody.)

[i4bellingham]

LOVE MADE OF GLASS: jude bellingham x reader (angst)

CONTENT: cheating, jude is a dickhead on this one, explicit language (mostly coming from the reader), you deserve better here tbh :’( mentions of grinding and kissing, no jude redemption era on this one !

NOTES: i’ve had a handful of people sending me requests while i explicitly stated in my description and nav that requests are still closed prior to this :(( please make reading a habit, that's it. i hope you still have a good day/night tho! stay hydrated and safe as always everyone <33

You knew of the baggage that came with dating an athleteㅡ a famous and loved one at that.

You were aware of the heavy media presence in the relationship; thousands of eyes following your every move, every post and every word that comes out of your mouth. You were aware of the criticism and harsh remarks you received along the way because out of everyone else, Jude decided to settle down with a normal, commoner girl like you.

You used to be bothered by it, always ending your days with tears overflowing from your eyes as you try your hardest to ignore the comments and not let it get to you. And for a while, you just learned to cope up with it. Until their words that was typed and uttered with venom no longer pierced through your self-esteem and consciousness as you grow mentally numb to their critiques.

It was a difficult situation to be in, but you never once let it be the reason to end the relationship you had with Jude. You loved him, and for you that was enough of a reason to hold on despite the mentally-draining position you have as a constant presence in your boyfriend's life.

But that tight grip you have in the relationship was snapped easily by a simple, gracious mistake Jude made.

“It’s not what it looks like.”

You scoff. “Is that not a bit overused for situations like this-?”

“Love just listen to me please, it wasn't like tha-”

You turn around, pausing from shoving your clothes inside your luggage as you point a finger at his chest, voice entailed with anger, exhaustion and sadness as you spoke. “That what? That it didn't look like you let some random girl in the club grind on you? Is that it? Or was it that it didn't look like you had a different whore on your lap on the booth who you let kiss you? Take your pick because there's a fucking plenty of videos circulating the internet to prove that it wasn't what it looks like.”

Jude grows silent, solemnly casting his eyes anywhere but you.

“I’m sorry.”

“Yeah, I’m sorry for my fucking self too.” You reply before hastily packing your remaining items, speed walking around the room to take your stuff and shoving them haphazardly inside the luggage.

Jude simply stood beside the door, hopelessly watching silently as you packed away, knowing all too well that he can't do anything to keep you from leaving.

He finds his voice when you're rushing to get out of the door, two luggages on tow.

“I really am sorry...”

His apologies will never be enough, you both know that, and you remind him of how this downfall in your relationship weigh on you more than it ever will to him.

Just as before you reach the door, you turn around, grip on your suitcase tight as you try to keep your voice from quivering.

“I gave up a lot for you... I tolerated so many fucking things just to be with you, and I fucking regret that now.” You tell him, watching as his face fell and you continue to jab him with your words deep. “I fucking love you, and I really, really feel so sorry for myself for thinking that I was gonna be enough for you because obviously that's not the case here. Let’s hope we never cross paths again. Good bye Jude.”

His eyes never left your figure as you slam the front door shut, eyes fixated on the spot where his eyes saw you last. And Jude only grasps the situation he placed himself in as the silence of the house prevailed even after an hour you left, slowly drowning in the realization that he's wasted four years with you in a single mistake he shouldn't have done in a single night.

[sherl-grey]

dangerous words I fear but I’m craving some OFMD critical but civil discourse… s2 finale spoilers included below the cut. this is incredibly long FYI bc I’m truly desperate to get all my thoughts out

I want to preface by saying I loved S2. I think I loved it more than s1, I think there were some absolute GENIUS moments this season (the entire Calypso episode was *chef’s kiss* my favorite), and I think the cast, crew, and DJ deserve a lot of love and, of course, a renewal for another season.

I know there’s been a lot of anti-finale-critiquing posts out there (and yeah, I also don’t want to see baseless hate or, god forbid, people trying to interact with the cast/crew with anything less than love and respect) but personally, I think the biggest sign that I love a show is me wanting to pick it apart. I think digging into the writing and decision-making and characters of a show means you really appreciate the choices that were made even if you don’t agree with them, because you’re working to understand the story on a level most people only dive to if they’re forced to in an English class. No story is going to be perfect. No story is going to be written specifically for me unless it’s literally by me. But sometimes I still want to study it like a bug under a microscope, you know?

So here we go: I didn’t like the finale, and I didn’t think it fit very well with the rest of the season/show. Weirdly enough I didn’t feel a need to discuss online until I started reading the interviews DJ has been giving about the finale (specifically the choice to kill Izzy and Ed/Stede’s ending) and I’m so curious as to whether others interpreted things the same way. (Yes, they’re DJ’s characters. No, I don’t think all viewers are obligated to interpret things the same way as writers did—that’s half the beauty of storytelling and media consumption.)

Izzy’s Death

Let’s unpack the big one first. I think a lot of what DJ/finale defenders (if I may respectfully call fans who enjoyed s2e8 that) have mentioned is that Izzy’s arc was over and he’d served his narrative purpose. I’ve got a few different issues with this:

1. Part of what I love(d?) about this show is that I did not think this was a show that kills characters once they’ve served their narrative purpose, or a show that kills characters as punishment/retribution for mistakes/earlier actions. To me, OFMD symbolizes the idea that everyone is deserving of love, forgiveness, and second chances. I truly trusted that no one on the Revenge crew would die in this show, and to be proven wrong was a bit disheartening, to say the least. Will talk more on the suicide notion in the next bit because I think it was symbolic, but Izzy also now represents a suicidal character who finds the will to live again. I’d argue that a “full arc” for a character like that should be ending in happiness, not death (and especially not with a line like “I want to go” or whatever the specific words were).

2. DJ seems to describe Izzy’s role as being a mentor to Blackbeard, which I personally struggle to see at all. Despite the Captain/First Mate status difference, I think most signs have pointed towards them being roughly equals—the unrequited love Izzy feels for Ed, the way the two of them stand right up to each other when everyone else would be afraid to, the clear shared history and longevity of their friendship/companionship. (If anything, I’d argue Izzy takes on the mentor mantle for Stede in s2, though it’s a bit glossed over because of how crunched for time everything was.) I certainly have trouble seeing the “father figure” relationship that DJ mentions in interviews, because I think Izzy is the one crew member that puts himself on even ground with his captains.

But even humoring that, Ed’s story has been about shedding Blackbeard. And DJ has a great quote in the Entertainment Weekly interview where he says that Izzy and Ed are both Blackbeard, that the two of them together are what makes Blackbeard “happen.” So in theory, if we’re killing Izzy off to further Ed’s storyline, it’s to ultimately kill Blackbeard, right? Especially since his line at the end is to “just be Ed.”

Except we already have metaphorically killed Blackbeard, several times. I think S2E3 is a really interesting episode because in season 1, it can be argued (and is, by Chauncey Badminton) that Stede kills Blackbeard in his own pirate-y way—with kindness. The crew is also somewhat a part of this, as they all accept and love Ed for who he is and not only because he’s Blackbeard; the crew follows the example of their captain and it changes who Ed is as a person. S2E3 is a crew under Blackbeard, and they also kill Blackbeard following the method of their current captain—violence. And this “death” is, in my mind, the death of Blackbeard while Stede symbolically saves the part of him that is just Ed. (Bonus: we also get Ed trying to sink his leathers, and while it might just be because he’s on a damn boat, it’s interesting that Blackbeard’s clothes are drowned/sunk while Ed’s metaphorical comeback was being saved from drowning by Mer!Stede.)

So Ed’s half of Blackbeard is dead. If we stand by DJ’s idea that Blackbeard is half Izzy, we’ve still got half of Blackbeard left, right? Well, that would’ve been right immediately post-S1, but then they gave Izzy a beautiful arc that seems to be a shadow of Ed’s S1 track. Ed and Izzy are very similar characters, but in S1 Ed is on the receiving end of love, acceptance, and admiration—namely from Stede, but also from the crew. Meanwhile, Izzy is subject to contempt and hostility… once again, namely from Stede, and also from the crew. Ed blossoms under the love during S1 until that’s taken away; Izzy simply moves in the reverse direction. He continues to be an antagonist while being treated like one, but once others start treating him with kindness (Fang hugging him, Jim and Archie amputating his leg while Frenchie lies for him, the whole crew making him the unicorn leg), he too becomes a part of the family. And wouldn’t you know it—Izzy has a near death scene as well, a suicide no less. Izzy is the one who is responsible in S1 for “bringing back Blackbeard,” so the symbolism of him pulling the trigger on himself is huge. This is Izzy killing his half of Blackbeard! Because Izzy Hands continues to live, even if it takes him some time to remember how to live without Blackbeard at first, and his relationship with Ed effectively dies here.

(As a side note, this growth arc and the way Izzy fully transforms into a member of the Revenge crew afterwards—whittling Lucius a shark and talking to him about forgiveness, dressing up in drag and singing to the crew, cracking silly jokes about Ed and Stede’s relationship—are also why I find the “Izzy Hands is the symbol of traditional piracy and his death is symbolic of traditional piracy dying” argument to be weak. In season 1, he was that definition, but we’ve literally watched him grow out of it. He’s no longer symbolic of something stagnant that will remain the same or be destroyed—he’s symbolic of something that grows and adapts to the new situations, that survives when all of the rules change on him.)

And then we have the return of Blackbeard: Pop-Pop pushing Ed to go back to doing “what he’s good at,” Ed fishing his leathers out of the ocean, Ed killing a ton of people because he thinks Stede is likely dead or at minimum in captivity/grave danger. This bit seems to go against everything the season was building towards; Blackbeard was almost entirely gone, but Ed is now the one who brings him back because he thinks Blackbeard is the one who can save Stede. And that’s fair, but what does that have to do with Izzy at this point? Why does he need to die for Ed to put that part of him away again? While we’re not owed a main character having a death that serves a narrative purpose, I’d hope for that to be the case, and I struggle to interpret what happens to Izzy as beneficial to either plot or character.

3. I think the actual core arcs of the show are character arcs and not plots. I get that they might’ve been trying to wrap plots with Zheng and the British in case they aren’t renewed, but I don’t think it was necessary—the pirating has always been secondary to the rom com and the found family, IMO. In S1, we had two main characters, but I’d argue Izzy got enough focus and attention to be a third this season. Which left us with a great character-driven story: we’re watching all 3 of them come into their own and discover who they are individually, while also discovering that the changes in themselves are causing friction between them now that they’re growing into new people. Which is an amazing story to tell, if you ask me, but the fulfillment of that story requires all three characters to be there. The conflict to be resolved is how these characters can become the people they want to be and still coexist together, because on some level they’re family now. Notably each pair combination of these characters grows together or apart (or in Stede/Ed’s case, both) during this season. Ed and Izzy are growing apart because they hold each other back from becoming the person they want/need to be; to complete this narratively, I would’ve expected the next challenge to be finding a way to become friends again as their new selves while letting go of the fact that they used to have a toxic relationship when they used to be different people.

Ed and Stede’s S2 Ending

So Izzy’s death is the big talking point, but I also think DJ’s take on Ed and Stede was interesting. He said that they deserved a happy ending for the work they put in this season. I agree with him in theory, but I’m curious as to whether others agree that they put in a lot of work. I think Stede followed through with his goal to come back and tell Ed how he feels, and to stay instead of running away from his problems. I think Ed followed through with trying to understand who he is and what his needs are while also trying to find the courage to open himself up to love again. But critically, they never talk. E7 makes a point to highlight the miscommunication/lack of communication between them, and then in E8 they still aren’t shown talking.

(I realize part of the issue is the limited amount of time and the amount of plot shoved into episode 8. I get it; personally, I think the plot should’ve been sacrificed for the characters. At this point, we were 7 episodes into a very character/relationship-heavy season. Plot could’ve waited for a potential S3.)

What’s more—there’s a huge, glaring gap between where they left off and where they end up. Ed left in S2E7 after he begins panicking and realizing Stede is becoming deeper entrenched in pirate life just as he’s finally finding his way out of it. Not once do they talk about this, but suddenly they’re retiring together? And right after Ed says Izzy was his only family and Izzy calls the crew his family (which… is also an unearned line, as Ed and the crew have almost no bonding or forgiveness this season, since we focused mainly on Izzy with the crew and Ed with Stede), they leave the crew to do their own thing? They’re all relatively minor things that could be fairly easily addressed by dialogue, but they fact that they’re not only serves to underscore the way that Ed and Stede really aren’t on the same page.

I want them to get their happy ending. They deserve it. I’m just not sure that I agree that they earned it to the degree that it was received, with retirement alone together without their crew, if that makes sense.

Positivity Tax: Calypso Love 😊

I’ve probably got more to say but those were the big ones on my mind after reading the Vanity Fair and Entertainment Weekly interviews. Just to counterbalance some of the more critical things I’ve said, I wanted to share some loving analysis of the Calypso episode:

1. It’s a minor thing, but the way this episode shows that Ed’s actions as Blackbeard had consequences is amazing. Despite him arguably committing the more grievous wrongs in S1, he’s the one we get the least redemption for in this season (his apology to the crew wasn’t great, and most of his screen time is spent repairing his relationship with Stede), so for him to have to face something that happened because of his past actions is cool, especially because it was done in a way that doesn’t further damage his standing with the crew.

2. The way Stede saves the day is incredible. Competent Stede this season has been an absolute joy to watch, and his success in this episode is twofold: first he wins his way, with signature Gentleman Pirate flair. He listens to Ned’s crew, helps facilitate communication between them, and encourages them to stand up for themselves and demand better treatment. That’s a very classic Stede win. But then he wins in the traditional pirate way, and it’s absolutely glorious; he’s been working towards becoming a better pirate, both in terms of stomaching violence and building up the necessary skills. Ned’s crew can be taken down with kindness, but Ned himself is a pirate and will only be matched by another. I genuinely cannot think of a more perfect way to show that Stede is still himself while also showcasing the newer side of him that he’s been working towards this whole time.

3. Speaking of that newer side of him, the way this episode starts to open up Ed’s insecurities? The combination of seeing his least favorite parts of himself reflected in Stede as well as watching Stede grow into the career that he’s trying to leave? Amazing conflict development.

4. I’ve already talked so much about Izzy but the way this truly caps off the crew’s acceptance of him as part of the family is gorgeous. He’s an entirely new man at this point and there’s no jokes made, no friendly ribbing… just love and acceptance. It highlights both his newfound comfort and familiarity with the others as well as the extent to which they care about him.

5. Less analytical, but it’s also just a really pretty episode.

Considering the fact that I have zero OFMD mutuals and this was a whole essay (I’m on mobile and can’t see how long this is but I’m honestly scared), I would be shocked if someone made it down this far, but if somehow people are here and open to civil discussion… I’d love to know how you felt about this, if you thought DJ was right, if you were a little more on my wavelength and thinking things weren’t adding up, etc. Realistically I’m not sure if anything could change my mind as I’ve done a lot of stewing, particularly about Izzy arc, but new perspectives are always refreshing. Much love to the fandom and of course the creators, who hopefully never see this and get their s3 renewal 🤞🏼

[talkingparrotkee]

After seeing disagreeable claims critiquing the end of Wakanda Forever float around for the nth time, I felt like organizing my qualms and putting them neatly into another blog. These are just my musings.

"Shuri should've killed Namor! Sparing him was wrong!" I apologize for my harsh phrasing, but this is a horrible and brainless take, especially when it's from begrudged shippers or anti-Wakanda Forever recasters 😭. Whenever I see it, I can't help but wonder if anyone who says this or agrees genuinely likes and (especially) understands Namor and/or Shuri's actual characters. And no, I do not mean the surface aesthetic of or attraction to them.

If you knew and understood what kind of character Shuri (at least in the MCU) is, you would know why she spared Namor's life after nearly taking it. If you understood the important messages carefully baked into the film, you'd understand the writing choice of Shuri sparing Namor and Namor not being the "incorrigible villain who deserves death."

Asking the silly question of why she didn't kill him in the form of critique, or worse, saying she should have or somehow should give him hell after the fact (fortunately, a regressive immaturity neither character has), is a clear show of media illiteracy. It neglects both characters and at least one pillar theme of Wakanda Forever. If Shuri killed Namor, Talokan and Wakanda would unnaturally be eating away at each other for eternity, allowing the surface colonist nations to swoop in as the destabilization process was done for them. The true villains and enemies that put them in that situation where they collided with one another would gain access to their vibranium and technology. Game over.

Shuri Was Never In Her "Villain Era"

The simple answer, Shuri is not Wanda Maximoff 😊. Goodnight. (Author's note because someone was troubled by this tongue and cheek remark: I don't hate Wanda at all. I meant what I wrote: Shuri is not Wanda, just Wakandan. People want her to be Wanda and have a Wanda arc when she is not and will not. 🫡)

Even at the lowest of her low, Shuri is no villain. Shuri was just a young woman trying to find what kind of leader she was in the midst of grief, inner turmoil, and human anger. I don't know why some fans say she had a "villain era" or want her to canonically have a "villain era," but ok. That is not Shuri, nor would it have filled the hole in Shuri's heart, as said by Nakia. It was not just because it endangered Wakanda and would spearhead them in an eternal war either. Although, that is reason enough for Shuri not to kill Namor.

Who Princess Shuri Truly Is

Princess Shuri is a natural healer, teacher, and creator. Shuri loves, designs, creates, innovates, builds, and protects. Shuri has people who would die for her and trusts her to make the right choice in the end, faithfully standing beside her even when they recognize that the trajectory she currently set them on wasn't a good one. Why do you think this is? Because they know and trust Shuri. They know her brain is as big as her heart.

Shuri is not inherently destructive. That was the uncharacteristic result of her gripe with death (thinking it meant gone) and destructive handling of her grief. Ryan Coogler even pointed out how Shuri's state was unhealthy and dangerous. Shuri and Namor were both grieving and asking themselves painful questions.

That is why Killmonger is who appears to her. Killmonger is a violent, radical character (made that way by neglect, grief, loss, militaristic molding, and the suffering African Americans face) who almost carelessly sent Wakanda spiraling into mayhem. He became the people he hated, in the wise words of T'Challa, and was an unworthy king, in the wise words of Shuri. If such a man is comparing himself to Shuri and is who her subconscious elicited on the Ancestral Plane (which Shuri seems to be taking to her grave now, refusing to tell Nakia), maybe she's not doing alright? Just a thought!

This is also why Ramonda took her out by the river. It's why M'Baku said what he said at Ramonda's funeral. It is so she can mourn properly. So she could heal properly. Something she wasn't doing since the day T'Challa died.

Killing Namor would've destroyed her, not just her people. It wouldn't have sated her despite in her rightful anger, feeling it would. It would've just sent her past a point of no return.

"Show him who you are." Ramonda told her this after she struggled on her own with killing Namor. Why do you think Shuri hesitated even without Ramonda's influence (which was just her presence and reminding Shuri who she already was) yet? It didn't feel "right" to Shuri as their moment together (watching the Talokan sunrise), how Namor paralleled her, and how their people were alike flew through her mind's eye. Shuri hesitated, not because she was "soft" or "nonsensical mushy writing." Shuri saw what they were and what this was. She thought beyond herself. As Editor Michael P. Shawver said, Namor's line of, "only the most broken people can become great leaders" is what they focused on. It is what Shuri finally realizes at the bitter end. They relate. The narrative, characters, and actors all recognize this; I don't see how some audience members do not.

She and Namor were perpetuating the destructive cycle of grief and vengeance while setting that example for their people, but she was strong enough to pull herself up and break that chain. Then she offered her his hand for the sake of not only themselves, but their people. She saw firsthand the beauty of Talokan. Like Namor admired Wakanda in the beginning, she admired Talokan. She remembered her visit to Talokan in the mix of her nation's beauty.

"Vengance has consumed us. We cannot let it consume our people."

Not "my" people. Not "your" people. Our people.

Shuri realized many simple yet, at the same time, humanly complicated truths of how they had connectivity and were broken, trying to be the best leaders they could be. Neither of them was the villain but are what they were due to the bitter hand life dealt them and the situations they faced.

The Real Theme of Black Panther's Wakanda Forever

This movie also had clear themes of:

A) how POC/indigenous infighting sucks and is counterproductive

B) connectivity of black and brown, from culture to shared wounds

C) the scars of colonialization

Shuri killing Namor would defeat the carefully woven narrative and betray all these well-built things. I know some of you guys don't like to hear this, but Namor is not of the archetype of Killmonger, nor is he the real "villain," so he was handled accordingly.

“We talked to so many experts and really made relationships with them, because there was a lot to go through,” says Beachler. “There are a lot of parallels between Africans and Latin Americans as far as the colonization of their communities and cities, the enslavement of their people, the lies that were told about their culture, the misinterpretation of their words, and the ways they were made out to look demonized in order to elevate a European country.”

Shuri Getting Her Lick Back

"Shuri should've beaten Namor until-" or "She let him off the hook unpunished!" If you paid attention to the movie, you'd see she literally beat him within an inch of his life? She definitely did get her lick back just as Namor got his. Wanting her to get "more" licks after the fact is regressive.

Shuri:

isolated and trapped Namor to weaken and drain his energy

ferally clawed both of his wings, taking out his ability to fly

made him bleed and bruised him up

roasted him in a firey explosion, effectively charring him and rendering him temporarily paralyzed

Shuri didn't play patty cake with him; she made an immortal bleed and fear death. She had him gasping for air on his back at the mercy of her spear tip. She made him yield and call off the troops. She made an ally out of him on her terms who exalted her strength and is currently bandaged up, flightless, and awaiting to aid her (rather than striking first, waging war as originally wanted). It's more than enough and was the best course of action. What do you mean? What are you talking about?

[khruschevshoe]

Jim and Oluwande got the worst end of the deal. I'd even say they regressed as both characters and partners and anything they had built up in s1 was almost completely stripped away from them. The way they're portrayed together and apart in s2 is not only unlike the characters we saw in s1, but their rich storyline was reduced to extreme side characters used only as plot devices in a way they absolutely did not have to be used. I LOVED them in s1, and I was so disappointed by what s2 did to them and their potential growth, which I think applies to pretty much everything in s2, not only them.

Mind if I piggyback of this ask to go into all my critiques of the handling of Jim/Olu in Season 2? Thanks!

OFMD Critique: Tealoranges, Dropped Storylines, and Wasted Potential

God, the issues I have with the writing of Season 2 extend in so many directions. Jim's character, I felt, was well-handled for at least the first two episodes but then slowly starts skewing wrong as early as episode 3 (I am still chewing glass over the way their reunion scene with Oluwande was written- or, rather, NOT written). Episode 4 was good, but everything after that? Someone said that Jim in the back half of the season feels more like Vico than Jim, and though I do love and appreciate Vico, it's completely true. Jim doesn't feel like the same character we've come to know, whether from Season 1 or even what is set up in early season 2.

And yet, I STILL feel like they're written better than Olu, if you can believe it? So, I haven't talked about this much, but I feel like Olu is done dirty from almost the moment he is introduced in Season 2. At least Jim (through editing alone, but hey, we'll give the show the smallest benefit of the doubt) gets an acknowledgement that they miss Olu during that flashback sequences while they talk to Archie- Olu doesn't even get that. I read about a deleted scene that would have had Pete and Olu desperate to reunite with Lucius and Jim in episode 1 and I feel like that was DESPERATELY needed to make the Season 1 finale -> Season 2 jump make any sort of sense. I like Zheng, but for the love of God, her romance with Olu (which I had my own issues with for the disservice it does both their characters) is not worth destroying the tealoranges build up from Season 1. Just cut something from the first episode or one of the Zheng/Olu scenes from the second episode to make it make sense.

Then, moving onto later in the season- I've posted about how Olu and Jim deserved the grand, epic reunion otherwise 1x10 and everything set up with them in Season 1 doesn't make sense. Could the writers of the show have possibly redistributed some of the glorious cinematography from Ed and Stede over to Jim and Olu? All I need is one shot of their reunion (a proper, emotional one, not played for laughs or friendship or whatever) framed by the sun to parallel Ed and Stede's being framed by the moon and I would have been happy on that front.

And then later in the season...I was down for the poly elements if they could have been executed better. Fanfics have shown that the Archie plot could have been executed well. But the fact that Zheng is straight up NOT MENTIONED until 2x7 by Olu? And then Jim says that he's been pining for her the whole time? I'm sorry, but it doesn't compute. Show, don't tell. There's a reason why I'm down for Jim/Archie/Olu (if executed well), but can't see Zheng/Olu at all.

But of course, 2x7 comes along and we get the "family who fucked" line. And the implication that Olu could have ever left the Revenge without Jim, when in Season 1 he became a wreck because Jim left for A FEW DAYS, much less was FORCEFULLY SEPARATED from him for MONTHS. Then in the finale, at the lupete wedding, they were separated out, him with Zheng and them with Archie, and, well, at that point...I was tired. I'm not gonna lie. Because this wasn't questionable or problematic writing, it just fundamentally DIDN'T MAKE SENSE.

And this is just on a romantic relationship POV. I hated seeing Olu lose his leadership arc from Season 1 and his loyalty to Jim and his nuanced emotional level-headedness/sense of logic. Season 1 really felt like it was slowly building up the idea that the ideal Captain was neither Stede nor Blackbeard but someone a bit more rational, a bit more grounded, a bit more communicative with his crew- someone like Olu. And he gets shoved into the back in Season 2 and reduced to the guy who can't sort scrolls or know that the BOATS ON A MAP MATTER. He gets no influence on plot or major decisions when he was often the voice of reason in Season 1 (we all remember Lucius being a romantic voice of reason in Season 1, but rarely remember that Olu was a major supporting deciding factor in a number of decisions made on the Revenge).

And as for Jim, I wanted more exploration or even just acknowledgement of their trauma post episode-4. I wanted an actual organic continuation of their character arc post-vengeance quest and post-Blackbeard, not just them getting defined by "funny knife thrower with a girlfriend and an ex-boyfriend who they want to get with his crush." They were so much more than that, and it killed me to see the two people who were basically main character 3 and 4 in Season 1 get shoved aside for unneeded subplots about Ricky and Zheng or Gentlebeard's three separate breakups when Jim and Olu's plotline had so much more potential than any of that. They weren't just star-crossed lovers- they were a slow burn ship built of absolutely interesting, complicated, and well-developed characters who brought out the best in each other with a DEVASTATING midpoint to their arc and it honestly would have made a better season not just for them as characters, but for the show overall if someone had just realized that the parallels between a couple that fights and claws to stay together no matter what (tealoranges) and a main ship that was still figuring itself out (Gentlebeard) would have SLAPPED.

(I am now picturing a version of this season where instead of the Izzy fakeout death/Gentlebeard reunion in the beginning of the first episode, we get an Olu/Jim reunion in episode 3 to parallel whatever reunion the writers wanted to slap together for Stede/Ed. I would have actively cried over the Olu/Jim reunion and it would have drastically improved the season.)

[zoe-oneesama]

ONE MORE EPISODE LEFT TO WRITE! CONGRATULATIONS!! 🎉🎊 Based on everything we’ve seen up to this point in-show, what are your thoughts on Nathalie, her Catalyst akuma and Mayura villain persona, and the Heroes’ Day Season 2 two-parter after your fresh rewatch of the episodes?

I'll be watching both parts at once, but since I'll probably have to rewatch part 2: "Mayura" when I finish my own part 1, I'll mostly focus on Part 1: "Catalyst", with some bleed in from Part 2. I'll be taking a linear critique of the episode in a stream of consciousness way.

To start, "Heroes' Day" is not a real French holiday, yet Marinette's parents say it's come again "just like every year", implying that this has been going on for multiple years? Implying that a Hero Day based off your local superheroes have been happening for YEARS while Marinette and Adrien are in the same class, in the same school year....make it make sense.

Of course, this could be a totally in universe regular holiday that USED to be about just doing good deeds for a day that they adopted to theme around their superheroes, what do I know.

About those good deeds...Marinette deserves slack here. She does good deeds for her friends all the freaking time, but the first part of the two episodes puts a lot of pressure for her to not only do a Good Deed but a Good Enough Good Deed, which to me defeats the purpose of a good deed. You're supposed to do good deeds for the sake of being kind and improving the world, not for...recognition. Or maybe they're being graded...

This feels like a dropped plot line, which is a shame because this was actually a decent lesson for Marinette for once about taking on too much and pressuring herself. Except for Chloe, Marinette is the only person demanding Marinette do a Good Enough Deed, to the point of making a promise she couldn't keep. (Though it's dumb she feels pressured thanks to CHLOE of all people, when all the richest girl in Paris is offering is her own autographs). Yet they only go part way and nearly completely drop this plot line in the second half.

You know, instead of that scene of Adrien meeting Marinette on the steps and assuming he's not invited, they could've used that time for Marinette to admit to Adrien that she panicked and is struggling to keep to her word. Marinette could've actually confided in Adrien, showing their friendship by allowing her to be vulnerable with him about how she was feeling inadequate compared to everyone else and how these feelings spurred her into trouble. This also would've been a great lead in for the end of the two parter:

In Part 2, the picnic/taste testing that Marinette promised but had no time for? It still happens. How? According to Adrien at the end of his speech, the class "jumped at the chance to help". Would've been nice to see any of that, or see any REAL conclusion to Marinette's issue in these episodes, which was putting too much pressure on herself and not telling the truth when it became overwhelming. Even her mom tells her that bravely admitting when you've messed up is heroic, but...Marinette never tells anyone.

On screen anyway.

By having Marinette tell Adrien, Adrien could've rounded up the class to make the picnic happen. And Marinette should've been distraught - this was supposed to be HER good deed yet THEY did all the work! She failed! And then the class disagrees. She does good deeds all the time! Checking in on Ivan after he was an akuma! Breaking Juleka's picture curse! Bringing Marc and Nathaniel together! A single day can't compare to the number of things she's done for everyone here! And now it's their turn to do something for her!

And then she's brought to tears and kisses his cheek in thanks blah blah blah you've seen canon. Instead it's treated as a "oh yeah, we did that thing with Marinette in the first part, uhhh, that's resolved now, okay?" What a waste.

Actually I'm sure this is a completely dropped plot line because Adrien says "Like Rose said earlier" when she didn't say anything.

Where were we? Oh right, Lila's first sighting in a whole season.

Alya here says Marinette is jealous of Lila for trying to hit on Adrien (or in the French, "seduce"~ lol). I'd just like Alya to remember that for later when she actually believes Lila when she says she doesn't have feelings for Adrien, but we all know continuity doesn't live here.

Speaking of, I'm not surprised how many salt fics paint Lila's (first) mom as an idiot. Right after Lila tells her mom that Principal Damocles is also stuck as an akuma thanks to Ladybug's "incompetence", a giant floating balloon of Ladybug floats past her bedroom window.

Woman, how you gonna believe that Paris' heroes are incompetent on the word of your daughter while Paris throws a Macy's Thanksgiving Day Parade in her honor? (I also assume this woman doesn't talk to anyone other than Lila despite apparently being out of the house so often that they don't even share breakfast together. Sure ZAG.) But at least I get to enjoy Gabriel deliberately poking the bear by bringing up Volpina when she was completely and utterly irrelevant. That did in fact make me laugh.

Oh, this is something that I only just put together, but Alya says her good deed was going to the Mayor and getting him to sign off on making the school accessible for disabled students, and we see in this episode on-wards that the school has a ramp. I HAD noticed the ramp in Season 3, but I had completely forgotten that Alya talked about it here at the end of Season 2. So, wow! Good continuity detail, Zag! You get one gold star. ⭐

(though that ramp is hella steep)

I was about to also praise the continuity of Gabriel bringing up financing a Ladybug movie, since that seemed to be setting up "Animaestro"...but then he says it's playing that day (on EVERY tv channel?!). But..."Animaestro" was the movie's premiere...So I guess there's another in universe Ladybug movie ( funded by a fashion director?) that we'll never see. U_U

Damn, I was gonna point out the nepotism of hiring your primary sponsor's son to voice act the male lead, but I guess I can't anymore, bummer 😗

I do make a mental note of the things Lila is calling Ladybug as she's cycling through news coverage. "Liar. Traitor. Coward." Just...interesting. Where did Ladybug lie? Where did Ladybug betray Lila? Where did she run and hide? Interesting, interesting, interesting.

And betrayals only happen when there's trust between you, in order for Ladybug to "betray" Lila she would've had to have Lila's trust or loyalty to begin with.

Even here she didn't accept the akuma as willingly as she did in "Chameleon", but she still greeted Hawkmoth like an old friend, and is DELIGHTED to ruin everyone's Heroes' Day and traumatize them with her illusion for a chance to help Hawkmoth succeed, just to get back at Ladybug. Yikes.

Lmao, not the unfinished png photoshop background on the flute. Great quality check, guys.

I do think this is the first time I actually thought Hawkmoth did something smart. After putting all his eggs in the Audrey/Style Queen basket and then handing the basket to Chloe/Queen Wasp, I wasn't too impressed with him, but this plan was actually good. (I mean it should've PARTIALLY fallen apart once people saw both the Unakumatized Ladybug AND Chat Noir now that we know people can reject their akumas, but sure. We didn't know it at THIS point, so it seems smart.)

But all this energy could've just been channeled into making the ultimate doctor akuma. I mean, you literally made a Miraculous Holder Power Booster with Catalyst, so I'm just saying what we've all been saying~

"I know, it wouldn't be very heroic to use my powers on my personal business" - GIRL at this point YOU'VE EARNED IT, SCREW what Tikki says!

This does make it the second time someone's told Marinette to just come clean to her friends. Why did they drop this plot line after pushing it so hard?!?!?!

"You don't have enough cake for me, do you?" Sir, did you pull a muscle with that leap?! I guess the intention of this scene was that Marinette was ABOUT to come clean to her friends but Adrien's excitement put the pressure for her to pull off the picnic back on. Again, there is no solid conclusion for this part of the story, Marinette just festers on it until there's akuma stuff to deal with. Wait, maybe the mass akuma outbreak is how she really got out of it... "Sorry guys I TOTALLY had this whole thing planned, but, you know. Akumas. Lots of them. Couldn't do it."

How satisfying. 🙃

"Heroes' Day is now...meaningless!" This is like in Christmas movies when people say Christmas is RUINED because a tree caught fire or Santa didn't come. Did the Whos in Whoville teach you nothing, that's the not the true meaning of Christmas and Superheroes are not the true meaning of Heroes Day when you set it up as a reoccurring holiday where people go the extra mile to be kind to one another!

Sorry, this is nit picky, like really nit picky, but don't create a fictional holiday that's about joy and kindness and then "ruin" it by something only tangentially related. I know it's totally just to get the plot going forward, but I'm too old and have seen this too many times (mostly in Christmas media) and it starts to grate on you. Just make the holiday a new one in tribute TO the heroes, then it can be ruined by the heroes turning bad, otherwise you're killing your message about the Everyday Heroes doing Good Deeds to Keep the World a Kind and Happy Place by putting all the weight on the SUPERNATURAL EXTRAORDINARY FIGURES THAT NORMAL HUMANS COULD NEVER COMPARE TO!

*huff huff*

So...Sabrina should know what's up with Lila at least a little, right? Since Ladybug firmly believes Volpina was involved, right? Well, based off some spoilers, MAYBE (strong maybe, this is speculation entirely), Sabrina might finally be using this knowledge. You know, 3 Seasons later. Maybe. They've been doing pretty decent at pulling stuff from earlier seasons, even if it DOES feel too little too late, so it's possible that Sabrina will FINALLY remember this moment with Ladybug.

"You're Rena Rouge and you didn't tell me?!" You didn't tell her you were Carapace either, but I see this is where it freaking starts with you young man. I remember this being a funny moment but hindsight has ruined it, so, thanks for that "Rocketear". 🙃

See, THESE are the Adrien/Chloe moments that I wanted: annoying sibling energy 100%. But alas, this is ALSO ruined. Chloe is calling it her Miraculous, give me MY Miraculous, putting down Chat Noir as Ladybug's "underling". This was never going to work.

Wow, Nora totally nailed it: "If he's talking to Ladybug, then Ladybug and Mr. Whiskers are still on the good side!" I thought she was supposed to be the dumb one?

Anyway, that's part 1 (or at least most of what I have to say about it). As a stand alone, this feels like a huge lead up, which I think gets mostly paid off on the akuma side of things...and definitely not on the Marinette side of things. Wah wah.

I don't have many feelings on Nathalie, Catalyst, or Mayura since they're barely in the first part (or not in it lol) and when she is in it she feels very OOC - smiling a lot, shy glances to the side, all in to go full Team Rocket with Hawkmoth. Up until now she's been so peripheral that seeing her main stage (though again, just barely) is so jarring.

Well, we'll see her "shine" in the next part I guess.

[zagreuses-toast]

I come from a place of sheer curiousity and I just wanna ask genuinely- you say that you're a fan of 13s/ the chibnall era. Why? Doctor who is my favourite show and I've connected with every incarnation deeply and immediately, but have never been able to "click" with 13, despite my best efforts. What is it that you like about her? What is it that you like about chibnalls writing? I want to know and I want to like her/it too, but as of right now, I just... don't. Obviously you're not obligated to, but can you explain why?

Ok so this ended up being a Long Post, so I'm putting my response under the read more. Also I'm assuming you've actually watched the Chibnall era up to The Power of The Doctor, if you haven't then heads up for spoilers and stuff that might not make much sense without context.

Oh and I'm gonna @ @rearranging-deck-chairs and @ssaalexblake because I see their DW opinions all the time and they're really good and they can probably give more nuanced answers on some things. (Idk how well I did on explaining why I liked some of them, and it really is up to personal preference on some things)

Thirteen herself:

There are a lot of reasons I like Chibnalls era, but one of the biggest ones out the gate is definitely Jodie and her acting in the role of the Doctor. I think the way she balances bouncy gregariousness with the colder more angry and mean aspects of the Doctor is great. She does this thing where she can just make her eyes go dead and then smile like it's a threat, like she's gonna bite, especially when going up against villains. It's great. And Jodie herself is a delightful person.

Beyond just physical acting choices, I find the thirteenth Doctors struggle between her anger and secrecy, vs her desire to connect and her joy at life very very compelling. She keeps this distance that's really interesting I think, where she's genuinely attached to and trying to be a friend to the Fam, but still trying to keep her whole past out of the deal, which doesn't work that well, as we see in s12 and Flux. She's surrounded by death and haunted by the knowledge of how little time she has with her friends, (Grace, and she just came back from bill) but she still wants and needs that connection, and she learns to live in the present a bit. I made a whole post about her final regeneration speech here. I love her arc a lot even if it hurts. Also she's such a horrible hypocrite about so many things, which also makes her a fun character to rotate in my head and study like a bug. I do see it as being on purpose, some people seem to think it's just bad writing that she contradicts herself but imo that's a big part of her character.

Chibnalls writing:

I personally like the timeless child plot because :

There are a lot of stories and ideas in the Chibnall era I like, and a lot more I find very compelling. Whatever your opinions on the writing (and I definitely have had a lot of critique for some bits), there were a lot of ideas introduced that were fun and interesting. One of the weaker points of the era IMO is having so much fun stuff set up, but only shallowly or quickly exploring it, and then adding more stuff on top.

A lot of things didn't get the exploration/screen time I thought they deserved (especially characterization and interaction/dialogue wise). But that just gives my brain more to chew on at the end of the day, and I do love what was done during the seasons itself, not just all the potential stuff.

1) I can connect with it, I know Chibnall was coming at it from a place of being an adoptee, but as a native person the story of a kid taken and raised into an imperial/colonial society, who had their history stolen and their body exploited to further that societies ends, hits very close to home.

And 2) I have a "everything is true at once" approach to canon and I think the more origin stories we make for the Doctor the funnier it is.

This era had a lot of repeating themes, ideas that showed up and we're explored in a lot of different circumstances, often with a rule of 3 aspect to it. One is themes of Empire and Exploitation. Particularly through the stenza in s11 (empire using up planets, introduced to us basically doing foxhunts for clout, but with People instead of foxes), the dalek specials, the Cybermen in s12, and Division/the timelords in flux (as well as the sontarans &co).

Within that there's the repeating motif of how by exploiting people or their beliefs for power the imperial power/bad guys sew the seeds of their destruction. From Tzim Sha using the Ux and them turning against him, to the Division being destroyed by the Ravagers, who they tried to use to get rid of the Doctor/the old universe (and the doctor and even the master going rogue in the first place). Hell even Kerblam! (I know I know) Has a version, where the AI system being used to do terrible things is the one to call the doctor for help!

Another standout are themes of breaking cycles, Ryan is estranged from his dad and was distancing himself from Graham, but they both put in the work and grow extremely close over their two seasons. He also chooses to leave the TARDIS when he realizes he's absent from his friend's lives and wants to be present. And the Doctor gets to break the cycle of exploitation that Tecteun started, when she meets a vulnerable being with mysterious power (the energy being from TPOTD) she helps it free itself, on a way she wasn't helped.

Individual character stuff:

Going again into more individual character stuff I love, I've gotta give it to Sacha Dhawan for being a fucking superb Master. His acting is bonkers amazing and he does a great job portraying the sorta huge personal crisis the master is going through, and externalizing via evil schemes. At the end of Twelves run we saw Missy try to be like the doctor, to get her friend back (and even succeed a bit) but end up dying for it. Now we come back to a master who died trying to be like the person they see as their only equal, and has discovered (wrongly) that they were never equal to begin with, that the doctor is so much more than them. So he tries to make her like him instead, and If she won't become like him and kill them both along with the rest of gallifrey, then he will become her properly this time (by body snatching), ruin her legacy, and die with her eventually (overtaking her in the same way his whole existance has now been caused/overtaken by the doctor in his eyes, because of her being the source of regeneration)

Also can we talk about the Yaz?? I've been dying to talk about Yaz!!! I love her a lot and I find her fascinating, shes probably my favorite companion based on just sheer amount of time spent Thinking about her. Her doctorification/character arc is so good

Yaz is into the travelling and saving the day lifestyle the Doctor gives her for the responsibility of it all, for feeling useful and capable and good. Her early characterization Monet's include her complaining about not having more interesting jobs as a cop because she wants responsibility, she wanted to be important and helpful (that's the entire reason she became a cop, to help people like she was helped when she was in a dark place, and she finds a better way of doing that with the Doctor). And she GETS THERE, narratively and on a character level, she spends three years on earth with her own companions! She co-pilots the TARDIS and can fly her herself! She saves the day when the master steals the doctors body! And most of all SHES EXTREMELY SAD AT THE END BECAUSE THE PERSON SHE LOVES DIED BEFORE HER!! JUST LIKE THE DOCTOR !! (ugly crying) (I could write a whole other post about thasmin, good and bad, but a lot of people have put it better than me)

Also, I'm a big TARDIS girlie, she has somehow ended up being one of my favorite characters in doctor who, and the chinball era does so much fun stuff with the TARDIS!! Different writers take different approaches to the TARDIS, and how alive vs inanimate, or how active vs passive she is. I think the Chinball era had something special in terms of the way the TARDIS was depicted, and I loved it a lot. We never really get to see past the control room but it's a gorgeous control room! And throughout the era the TARDIS just feels so alive, it's always humming and beeping and chirping, I especially love the moments when the lights change color to match the doctors mood (mostly to blue, for sadness, sometimes red to yell at that dalek that one time). And speaking of the doctor, starting with ghost monument thirteen has a bunch of sweet moments of banter or just ~emotions~ with the TARDIS. I genuinely teared up a bit when she entrusted the timeless child memories to the TARDIS,and before her regeneration speech when she asked the TARDIS to look after her. Because who can she trust with her past AND her future except her oldest truest friend.

I could add a lot more of specific things from the era I love (solitract my beloved) but I think this is getting long enough as is lol.

[doomspiral]

Doom's Movie Rec List

Some of these are bangers, some of these are the worst thing I have ever seen in my life, but I think they are all worth watching and enjoying one way or another. Sometimes the enjoyment is cringe and sometimes its staring at a wall for three hours. <3

The seventh seal (1957)

Classic chess game with Death film, I presume the entire thing is Bergman staring into the soul of the viewer in dead silence until you can read his mind.

The cabinet of Dr. Caligary (1920)

Strange, lurching, I watched this in German without knowing enough to keep up and I believe my confusion added to the experience.

Atomic blonde (2017)

This is my favorite movie. This is the one that I can't stop rewriting in my fics. I can't get the "lies" soliloquy out of my mind. My soul is tied to this fillum. Hot insane woman does a lot of violence, kisses women, beats up a guy who truly deserves it. Iron Curtain Spy Nonsense.

Hackers (1994)

Am I depressing you? Good, watch Hackers to experience child-like wonder and also see a grown man skateboard down a foggy street in the middle of the night to harass the homosexual teenagers (and slim shady) he's beefing with.

The core (2003)

This is not a good movie. But there is a little freak in there named "Rat" who I am obsessed with.

Angel's egg (1985)

This is the kind of movie where you have to not try to figure out what's going on and instead let it take you by the hands, just experience it, just keep your mouth shut and your mind at rest and you can consider the implications afterward when its safe.

Princess mononoke (1997)

I watched this as a child and saw those beasts dissolve into bloody worms and apparently that left a lasting mark on my brain.

Nausicaä of the valley of wind (1984)

I actually read the manga for this one but this is a movie rec list, so please go watch this for the death and rebirth vibes, and some mild foeyay yuri.

Invasion of the body snatchers (1978)

Horror movie that's odd and disturbing and clearly betraying some better dead than red fears, worth it for the horrible despicable freakish noise the guy makes at the end while pointing at the viewer.

Strange days (1995)

Please read up on this before watching it, it revolves around a fictional, then-futuristic critique of the adult film industry, HEAVY focus on the capitalistic dehumanization and devaluing of human life.

Underworld (2003)

Bad asses in leather fighting monsters. Core memory.

Blade (1998)

Bad asses in leather fighting monsters but maybe you need a break from how white this whole movie list is overall. That's okay, I see you, this vampire flick fucks severe.

Fright night (1985, 2011)

The first movie is pretty campy (fun) but the remake dug into my actual stressors and fears and scared the lights from my eyes for a day or two. Welcome... to FrrrighT NighT.

Dracula (1931, 1992)

First movie is a classic, this is thee one with the guy crawling around like a lizard and there's armadillos for no reason. The 90's version has no business being as deranged as it is and for this it is a core personality trait movie.

Fast&furious: Tokyo drift (2006)

Not sure I would say this is peak cinema but it's a racing movie that falls in line with the F&F tradition of being clearly in love with the entire premise, location, and cast. Rent free.

Drive (2011)

I like this movie because it is not about the guy getting the girl, it is about doing the right thing every single time because that's what it takes to be a real human bean. being. whichever. I was so obnoxious about this movie when I watched it with my now-ex gf that I wish I could siphon the memory of it out of her brain, because I kept pointing at actors I knew.

Green room (2015)

This is the best punk parable I can think of. Litany against not reading the room, litany against being the hero when there's no one to save, litany against thinking shared trauma is gonna get you any pussy.

Lords of chaos (2018)

I'm obsessed with the band Mayhem there is no other explanation.

There will be blood (2007)

WILD WEST TOXIC YAOI. I'm not apologizing for this summary and I'm not elaborating.

Butch Cassidy and the sundance kid (1969)

I don't know. I watched this in the wee hours of the morning with my best friend and actually cried about it. Doomed criminals and a famous final stand.

Saw (2004)

I used to watch Saw movies when I lived in the trailer park while hiding from my family in a neighbor's place so I don't know if these movies are good or if I needed to watch tortureporn to relax bcs the roof leaked on my bed when it rained? But I think everyone should at least watch the first movie or how are you going to play any games?

Chernobyl diaries (2012)

I walked out of this movie shaking head to toe and couldn't think about anything else for months. I don't think I'd be as scared now but I can't say if that's because I'm not 16 anymore. Warning against going into a dangerous situation with a guy you met off Craigslist.

Constantine (2005)

Demon hoards, evil angels, catholic bullshit, 9/10.

The neverending story (1984)

Well after all that let's reinstate some whimsy into our souls again bcs this is the Jim Henson Power Hour. This one is just a solid entry point into "puppets are fun and practical effects are my best friend".

The dark crystal (1982)

My babysitters put this on for me as a bed-time story when I was five (5) years old and I do not believe I slept, I think they regretted this and had to tell my parents what they did. But now I will never stop making Skeksis noises at people I love.

Labyrinth (1986)

Y'know the phenomenon of alt teens and preteens dating young adult men who are total and complete losers, including actual band members? It's not that this pre-dates any of that, but I believe it does a good job representing it through the lens of a modern fairy tale. Like when you watch this you have to realize this is wish fulfillment for people who want to be Sarah because their age-gap goth boyfriend in the real world is a manipulative disappointment.

Pacific rim (2013)

Love letter to the mecha and kaiju genre(s). Makes no sense, compels me though.

Eurotrip (2004)

This is the movie "Scotty doesn't know" is from. Some high schoolers fuck off to Europe and have the most misadventure possible. It's somehow exactly the kind of cringe humor you would expect from the 00's without being cruel or overly disgusting. I used to watch a lot of really bad 00's comedies and this is a good one I promise. Scussie.

Hamlet (1996)

Personality point, I think this is the best version on film because the guy actually looks like how I envisioned Hamlet. Ignore your girl! Avenge your dad!

Advantageous (2015)

This movie goes in on the connection between race and class in a sci-fi future where you can change the former through predatory, dangerous cosmetic surgery.

Gravity (2013)

This is my go-to movie when I need to sob like a sick little baby. Space travel as a metaphor for motherhood, spaceships as the womb, scientists are the babies who left their babies back on earth. It's about what you give up in the name of fulfilling your human urge for the unknown.

All clear on the western front (2022)

Thee anti-war fillum. Very well done. I never recovered from one of the final scenes to the point I wrote a final paper on it. Without spoiling it, the Ending gave me the feeling of when you're a kid and you want to go play, but you're grounded and you fall asleep listening to your friends outside in the street. I hope this sentence ruins your life if you watch this movie.

Inglorious basterds (2009)

They lock some nazis in a theatre and set them on fire, good cinema.

Shadow dancer (2012)

Domhnall Gleeson in one of his classically pathetic twink roles but its about British imperial violence and Irish reactionary violence.

Logan (2017)

Good art film, a story about dementia, legacies, and why putting children in cages is fucking evil.

The batman (2022)

Weird art film, next question.

Joker (2019)

I do not care about the opinions of straight men who watch things uncritically, this is a good movie because of the depictions of poverty in the US. I don't believe this needed to be about the DC Joker this should have been a standalone art film about a mime.

Dragonheart (1996)

Medieval era dragon nonsense, I will never be convinced this is a bad movie.

Sleeping beauty (1959)

Personality trait was rooting for the dragon.

Snow dogs (2002)

I'm not defending this one it stands on its own, please watch this movie if you wanna see Cuba Gooding Jr. bite a husky's ear so it'll stop ruining his life.

Luck of the irish (2001)

This movie is genuinely so bad I have considered it some kind of hate crime since the day it came out, because I watched this the day it was a direct-to-TV movie. I think I was too young to feel insulted but I was deeply, deeply bemused.

Black swan (2010)

There is a woman inside her and she is trying to crash the plane. Can I get away with calling this foe-yay yuri also? I'm going to.

I, tonya (2017)

Sufjan Stevens' song "Tonya Harding in Eb major" makes me so unreasonably emotional, so one day I watched this movie and then the film of the 1988 Calgary Olympics in the living room while all of my housemates had to sneak around in the dark. This is just a solid movie about ambition, betrayal, abuse, tragedy, and having to get over it and move on because you're not dead yet.

Phantom of the opera (2004)

Whatever was going on in Labyrinth, this is the adult version. Weird man in a sewer possessing a soprano. I think there's some gender happening here but it gets a little lost under the love(?) triangle.

A knights tale (2001)

Just go watch some more medieval nonsense, it's good for you, its fun.

White chicks (2004)

I'm not defending this choice, it's a good movie. "You were thinking it" "Yeah but you said it" there are some phrases you could use to see if I had been replaced with a body double and this is one of them.

Heathers (1988)

Ouughhgh ough oh. Personality trait. Watched this because I kept listening to the musical soundtrack, love both but agree the themes are much tighter in the movie. This is just a fun schlock to tell teens life is stupid and difficult and bad things will happen, so don't abandon your friends.

Priscilla queen of the desert (1994)

Classic homo fillum, if you wonder why I write Gilbert Like That it's partially because of the mean little fruit from this movie. It's about the Aussie drag scene and who belongs in the queer community.

300 (2006)

I'm not sure that I would call this a "good" movie, but it's a classic as far as I'm concerned. This is the "THIS IS SPARTA" movie.

The foreigner (2017)

I actually don't remember the plot of this one too solidly but the suspense and action were solid, and I enjoyed the setup. Good for if you wanna be really pissed off for two hours.

Conan the barbarian (1982)

Look at me. Look into my eyes. You're going to watch this movie. You're going to think about the wheel of pain and you're going to go wow, this is so stupid. Don't look away I'm not done. You're going to watch this movie and then you're going to get a couple of paper towel tubes and find someone to beat the shit out of each other with the tubes.

Law abiding citizen (2009)

I don't know I think watching this movie changed my brain chemistry in very special ways. Guy fucking loses it and becomes a problem for his local community by kidnapping and torturing people who killed his family. Cathartic and vile.

Black dog (1998)

:D DO YOU WANNA WATCH AN ACTION MOVIE ABOUT AN 18-WHEELER?

The hunt for red october (1990)

Almost forgot this one. Lithuanian Submariner off the shits, goes rogue, I'm not sure what accent Sean Connery is going for, I get the impression he just showed up to gigs and did whatever he wanted.