Ed: Is this yours
*Damian clinging on his leg*
Bruce: Yes, I was wondering where he went
Ed: *Sighs* It's the third time this week
Bruce: You try raising four children
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warm welcome
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so I'm working on the outline for the "sam hunts in college" au because I have no self control/am cursed and like
a huge chunk of the support structure of this fic is the constant comparison of dean and jess and what each means to sam. and it's obvious and visceral and constant since she's not a dead concept but a living person stealing dean's fries
and it was supposed to be gen but at this point it's like. this is way more creepy and uncomfortable if they don't want to fuck actually
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Halflife ponies. Btw.
A warning to any MLP enjoyers: if this ends up on derpibooru or any similar site I'll gnaw you into splinters like a cheap plastic dog toy. I'm on the DNP lists under animatorfun and I'll request a new link for this blog specifically if I havw to. Please stop reuploading my shit 💀
Edit: i forgot to reenable the layer with Gordon's glasses it's so over. I was wondering why she looked weird oughhgggh
Edit2: fixed gordon <3
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when ppl see this & this, directed by the same person, and think the narrative is "anakin is evil" not "anakin is a steward of the balance, a force demi god, as was foretold on Mortis" 😂
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
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✨ Dragon Supremacy ✨
these guys r all i draw and literally plague my brain 24/7 plz send help-
anyway tho, these cuties belong to @paintedkinzy-88 (go check them out they’re cool and yes this is a threat 💥🔫)
if some of them look more detailed than others is cause they r and most of these were doodles i did in class lol
not Reaper tho, i put some time and effort into him haha cause he requires many MANY references to look good
i’ve also been trying to play around with wings and different poses so some look a little wonky but i think they work for the most part
also i realize i made everyone but Life noooo but she’s so pretty how could i do this to herrrrr 😩
don’t worry i’ll fix that soon enough lol
enjoy this fr ig but i’ll be back 😈
ALSO #ERRORSWEEP ALL THE WAY BABYYY HE’S GETTING FIRST THIS YEAR RAAAAAAAA
tho i’d be suuuuuper funny and iconic either way if he gets second for the third time in a row lmaooo
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You and your annoying uni friend slash occasional roommate Endo who likes to crash at your place unprompted and unannounced at random times. Despite your pouts and groans you enjoy his presence as much as he does.
He’s an impressive artist with wonderful line work, his newest works always has you waiting to see the end result, watching with great focus as he works on them on your floor in the dead of the night
And he’s great company too. A beer cracked open, snacks all around and it’s just the two of you shittalking others, gossiping and being mean just because you can and oh—
is it not fun to spend time with him like that- to the point he has become perhaps the closest to you. Each others confidants, secret keepers, the number one victim to drag when the other one is trying something new or going to a new place.
So it’s no surprise when you whine about how boring and lonely things have gotten lately and you just miss a good ol heated making out session. Maybe a little handsy if türe feeling up to it, maybe even a little grinding if the night looks promising.
Before the two of you know, your hot breaths are all over each other, Endo’s hands at both sides, pulling you into his lap with strength and pressing you against that aching spot in his pants just to relieve himself as you bite into his neck and mark him up in red
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i love merlin being so enamored by life and nature and all the beauty of the world around him, but as magic incarnate (a force that is neither good nor evil, it just is) i would love to see morally grey merlin. like ik we kinda get that with him killing people in arthur’s name and forsaking his people for the man he loves, but i mean like sorta dark and unnerving merlin who finds beauty in death and destruction and is fascinated by it. merlin who was conditioned on right and wrong but who still feels a pull to what others would consider wrong. finding wolves gorging on a carcass in the woods and feeling this pull to join them, to revert to a wild thing, to be animalistic and uninhibited. just forest nymph merlin where he’s so natural he’s unnatural.
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Honestly I wonder if anyone’s ever read Chilchuck’s “I cheated on her” admission as an implicit reference to prioritizing alcohol over his marriage and feeling guilty abt it.
Ohh… "I cheated on her" as a half-truth because something ended up taking priority over their marriage, because emotionally he was elsewhere… "I cheated on her" because after having all the time in the world to think about it now that he’s alone, he realizes that that might have been how she felt, and that’s how it felt like to him too.
Love that. I def think he’s ironically someone who deflects guilt a lot, in a similar way that he compulsively goes "You’re wrong! I don’t care about you guys at all! I’m an asshole!" he flees emotions by making the problem something else that’s fake, a burden easier to bear, he’s so used to being seen for what he’s not after all.
I went into it a bit in one of my fics and in a couple meta posts, but when it comes to his wife he was very much like an ostrich with his head in the sand, seeing her fall into a bad mood on the outing before she left him but dismissing it as something "sudden" that’s not worth thinking deeper about. Overdrinking is a problem for future Chil. I think he did a lot of "You want me to drink less and you’re afraid for my health? Get over it lol" and "I should be less strict with the girls and raise my voice less? My father was a strict drunk and look at me, I turned out functional and great! The girls are literally fine and love me" and "Oh? My drinking is affecting our family? No it’s not smh smh get off my back"< Drunk a significant portion of the time he spends at home since he’s off-work and somewhere he can relax.
Type of guy to always dismiss any issues that might exists because he prefers ignoring them as if they’ll go away. All his problem solving energy is spent during work and the issue is with his family he already likes things as they are, they’re his comfort zone and change is scary, he doesn’t want the change, even if it’d be better. He doesn’t want to change, his unhealthy habits are guilty pleasures he wishes people didn’t try to make him feel guilty for
BUT POINT IS he struggles with guilt and like. Letting it be a feeling that he gets sometimes, so it’s all bottled up and festers and gets twisted into frustration or such like how his worry usually does. I like this take, wether it’s something he’s already thought a lot about or it’s something he’s repressed that came suddenly pouring out of him like blood out of a wound, now that he’s putting it into words with someone for maybe the first time.
It’s interesting how he didn’t refuse going up to the bicorn, I’m sure part of him wanted to see if it would like him, like the virtue test it is. Would a monster that loves despicable men be magnetized to him? Would it confirm his fears?
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
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Julian's line of "I needed another womb for the baby, and the only two other people on board were Major Kira and me." is already very. That Man Is Trans. and listen yes you can interpret it as him saying Kira was the only choice, but then it's literally followed up by Sisko saying "I think you made the right choice, Doctor." which I know is supposed to be a joke but the implication IS there that there WAS a choice and basically Julian is trans
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*bursts into the ted lasso tag covered in blood*
THE WHOLE GOAL OF BEING A MANAGER OF PEOPLE IS TO COACH THEM TO THE POINT WHERE THEY NO LONGER NEED YOU! GOOD MANAGERS KNOW THEY ARE SUPPORTING CAST AND NOT THE MAIN CHARACTER! IT’S A LOT LIKE PARENTHOOD BUT IT’S NOT A SUBSTITUTE! TED MISSED HIS KID! HE WANTED TO BE THE STABLE AND LOVING PARENT HE NEVER HAD! HE CHOSE TO DO BEST BY HIS SON BUT ALSO BY HIMSELF! JUST BECAUSE YOU LOVE A THING DOESN’T MEAN IT’S MEANT TO BE PERMANENT! GOODBYES CAN BE SAD AND HARD BUT STILL THE RIGHT THING TO DO! BEING A GOOD COACH - AND PARENT - IS ABOUT KNOWING WHEN TO LEAN IN AND KNOWING WHEN TO LET GO!
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The villain dying at the end of a show?
Expected
The villain dying at the hands of his surrogate daughter?
Fucked up, exciting, love it
The villain dying at his daughter's hands AFTER PROVING HE WOULDN'T ABANDON HER?
Insane actually, peak fiction
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Maybe it’s the Jacob Portman hater in me but I can’t help but think the series would have been a thousand times better with any other main character…
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