#like he's literally one of the main characters

[pastabaguette]

sorry for all the posts today, but this one is very important: alternian video game edits.

i actually have reasonings for all of their blood types, and a few classpects, so i'll dive into them here:

monika: i'm thinking that early in the game, during acts 1 and 2, she maybe masqueraded as a jadeblood or higher. only during act 3 does she reveal herself as a fuchsia to the protagonist.

gordon and alyx: gordon is probably a tealblood, or somewhere around there. fairly high, but not too high, i think. alyx is an olive, and eli is an indigo. azian was probably a gold. (or lime?) i did have to keep gordon’s orange HEV suit, though. surely you understand. okay, troll half life lore: i think on alternia, all the main characters in the half life franchise are like, olive or above. the rebels in follow freeman and the guards are all lowbloods, so that the player doesn't feel too bad about sacrificing them, or something like that. i think this would be something that would happen in an alternian video game, at least.

agent 47: 47 is actually a mutant, due to being manufactured in a lab. he's a weird ice-blue color. he's still got that piercing stare. i felt a little sad changing his iconic red tie, but i do have some thoughts on that as well. obviously, red in human culture tends to symbolize passion, among other things, and in this case, violence and aggression, because it's the color of blood. however, because trolls all have different blood colors, i think they might have different meanings attached to colors than humans typically do. i think that typically, the colors that would most commonly represent aggression in alternian culture would be blue (cobalt and indigo) and purple. now, i know that the sea dwellers exist, but since the vast majority of trolls are lowbloods, they would have a lot more contact with the land-dwelling highbloods, rather than the fish. so, 47’s tie is blue. (i also just think it looks cool matching his eyes)

chell: I made chell a bronzeblood. she’s a test subject, but not one of the special ones (astronauts, olympians, etc). she’s just another lab rat. (also, a lot of her outfit is orange…)

now for classpects! i only have two i’m sure of as of now:

gordon freeman is an heir of hope. this one is fairly obvious to me. a common belief is that heirs have the ability to become their aspect, in a way. in half life 2, gordon quickly becomes the main symbol of the resistance on earth. for the rebels, he himself IS hope.

agent 47 is a prince of life. again, it’s a common interpretation that princes are themselves void of their aspect, and they destroy that aspect in others. this is really literal, obviously, but as a hitman, 47 kills people. literally destroying life. as for his own lack of life in himself, it’s pretty simple as well. 47 is almost always described as entirely void of emotion and empathy. others often remark on his soulless stare, a lack of life behind his eyes. so, as a prince, he fulfills both criteria there.

holy hell, that was a lot of words. i didn’t intend to talk this much. feel free to add your own thoughts; i’d like to hear what others think. these descriptions were a bit rushed, and i don’t really consider myself to be very good at communicating my thoughts, so a lot of things may have been lost in translation. i’d be happy to try and elaborate on my reasonings for any of them.

(oh, also, please no alyx spoilers. i haven’t played it yet!)

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[mossyeyeballs]

TW: mentions of pretty much everything terrible. 🍇, trafficking, all of the above.

CLASS OF 09 RANT, FLIP SIDE SPOILERS

Ok not my usual post (I’ve posted twice ik but shush) but what the freak was the flip side??….. I was a huge fan of class of 09 + the re up but this game was so.. what’s the word….. dog shit? Even if we ignore half of the game being about the creators weird foot fetish, the sl@ve ending was so unnecessary. I feel like the only thing in that route that was worth writing was the issue in retail work and that wasn’t even the star focus, let alone side focus. The main plot of that route was the counselor having some weird illegal 🌽 warehouse, jecka finding it, and then him blackmailing her into human 🚙 🚙 ing?

The only ending I thought was necessary IF THAT was when Jecka found Nicole after the sue a side ending from re up. I thought it did a decent job at talking about sue a side victims, and how nobody really cares about them until it’s too late, And even then they only care for a week or so and then move on.

But the Jeffery dying one was the most out of place in my opinion (unfortunately it beats the foot ending.) For starters, Nicole was really out of character imo, like yeah she’s talked about wishing Jeffery was dead before, but her actually killing him just out of boredom is so odd. Her entire character is “I don’t put effort into anything unless it benefits me.” Killing Jeffrey was not only ALOT of effort, but she gained absolutely nothing. On top of that, saying it’s different than doing. Like how she talked about wishing her mom was dead, but then when she had a heart attack, she panicked. Plus, she PLANNED on making Jecka take some of the blame on his death, which she stated in past games she wouldn’t do. She literally never put Jecka in harms way, let alone jail if it didn’t also benefit them both. But this didn’t, she just did it to do it.

While we’re talking about Nicole being out of character, I feel it valid to mention her and Jeckas dad. For obvious (and gross) reasons, I won’t be detailing this, but her doing that to Jecka wasn’t fully out of character, but still odd. Like I mentioned earlier, Nicole never really did anything to spite Nicole, so I find it odd that she did in this game. You could blame it on “oh she’s a sociopath she doesn’t care.” But I don’t think that’s inherently true. Yeah, I guess it’s canon she’s a sociopath, but in that case they do a bad job at consistency. She’s shown in both games 1 and 2 caring about people she’s close with, whether it’s Jecka, her mom, or even Emily in one segment. So I find it completely random that she did this to Jecka over something as small as not sharing how she got into foot work. Jeckas done much worse stuff to Nicole, and Nicole just didn’t care because they were friends, or didn’t feel the need to put effort into doing something if she did care. So yeah, Nicole basically screwing Jeckas dad over something so little felt out of character.

One of the few things that bothered me the least, but I feel the need to mention was the foot work stuff. Not because it was out of character, i fear I’ve seen worse stuff mentioned in that game. But I guess the way it was portrayed as less of a story plot and more of the creator trying to live out his fantasies. He himself has stated Jeffrey is basically a self insert, so the whole being sexually obsessed with Jecka and her feet felt REALLY weird. Compared to Nicole’s my space favor thing, this just felt dirty. For comparison. Both Jecka and Nicole took up sex work to keep a home life or lackthereof, they both got money from strangers to do sexual things, and they both hated doing it. But why did Jeckas feel so much more personal and gross? Because the actual sex work was shown. In graphic detail. And all of Jeffrey’s (the creators) personal thoughts were stated with no backlash. Jeffery literally asked Jecka if she would 🍒feed him, and he was excused. When Nicole was asked the same hing from the same guy, he was insulted, yelled at, even told to leave.

So, creepy creator who’s obsessed with his barely legal characters, Jecka being sold to 🚙 🚙ing agaisnt her will, Jeffrey being murdered for no reason other than a giggle or two from his haters, Jecka accidentally killing Ari cause she was drunk driving, feet fan service, and fan service in general aside, the game is left only with the regular drug and alcohol abusage we always see. which in the game that was advertised as a new experience felt really stale and honestly left me bored. The ONE SINGULAR time during this game that I giggled was when the hat man appeared in the Ari route.

If you’ve fully ignored everything I said in this, maybe didn’t care, or didn’t even read it. Id just like to mention for everyone that the creator of this game said that anybody who disliked him, his games, his writing, or his humor were kid diddlers. In full seriousness. So yeah, no shock this game was bad, but I guess I shouldn’t have expected better from someone who thinks his haters are all child likers. All this being said, I enjoyed class of 09, and the re up. I’m hoping the anime episode that comes out soon with be a decent save. all of THAT being said, I don’t support this creator. I don’t support his actions, I think he’s a shitty person who’s made some shitty jokes, but made some not so shitty games that I decently enjoyed. I also haven’t bought them, so none of my money has gone towards him or his projects. I in NO WAY support him. Thanks for reading.

Feel free to comment down some of your own opinions if you feel so inclined, I’m interested in what everyone else thought of this game :))

[kentuckyfriedmegumi]

i’m PISSED about the way gege handled megumi’s character and i wrote an entire 1k-word analysis/rant on it

i think what makes me especially mad in the way that gege has handled megumi’s character is just in how much set up we were being given. yes, megumi was taken over and suppressed for 50 chapters, but we see how he haunts the narrative.

yuji is CONSTANTLY fighting, working to get him back, it is his MAIN focus in this entire fight. yes, he wants to kill sukuna, but it’s BECAUSE he wants megumi back.

“wake up, fushiguro.” (chapter 251)

i’ll do it as many times as it takes! “wake up, fushiguro!” (chapter 263)

in addition to the long, drawn-out “save megumi” arc, we had megumi’s growth as a character before then. he starts off as someone who does not see value in his life. he would rather sacrifice himself to save his friends bc he believes that their lives are worth more than his.

we see this in how willing he is to throw away his life and summon mahoraga. he’s NOT suicidal, it’s just that he would rather that HE be the one to die than anyone else that he cares about when it comes to a deadly situation (sukuna, finger bearer, etc.)

haruta is an entirely different thing, he was already dying. people who think he was stupid for summoning mahoraga on haruta don’t realize he was literally on the verge of death when haruta pulls up and slashes him from behind.

megumi’s mindset is also PERFECTLY defined in the baseball episode and in his flashback talk with gojo in the OoBO. he’d rather play support and sacrifice himself than have someone else sacrifice themselves for him. he needs to learn to be more selfish, greedier, if he ever wants to grow as a sorcerer.

but that contradicts with how he wants to live. he’s living for tsumiki, he’s a socercer for tsumiki. he doesn’t care about getting strong or being the best, he just wants to do what he can to support her, so he doesn’t mind if he’s the sacrifice play.

until yuji. yuji comes in and he dies in the detention center, and we see meg slowly morph into this desire to become stronger. he wants to be strong so he can save people, which is something that he never really cared about doing before, but he doesn’t know how.

then we get to the exchange event, the fight with hanami, and him getting taken out by the bud curse, and he realizes that he NEEDS to be stronger so he can save people like yuji and tsumiki. this is the start of his arc and after his fight in OoBO, he never summons maho again til shibuya

after shibuya (bc there wasn’t a TON of meg development-focused stuff in that arc), we see he’s had a MAJOR growth in his abilities and CT. he’s a lot more confident in how he fights, he’s very dynamic and cunning, and he’s using the shadows in a new way.

but on the other side of it all, he’s struggling a lot internally. tsumiki is awake, but she’s been roped into the CG. he’s wavering and he needs support. he’s stronger now, but he’s not strong enough. he wants to save tsumiki, but he doesn’t know how.

“so start by saving me, itadori!” (chapter 143)

after megumi is taken over sukuna, we see him fight back. he does originally and he suppresses sukuna’s technique in order to protect yuji. however, sukuna acts specifically in a way to sink his soul and submerges him in darkness.

this is the lowest point on megumi’s character. it leads directly into chapter 251 where megumi has entirely given up. he sees no purpose in living, his entire reason for being a sorcerer is dead. yuji tries to pick him up but sukuna cuts them off and we’re left with megumi no longer wanting to live.

this makes his recovery THAT MUCH more important. this makes his character arc SO MUCH more impactful. this is why whenever we get to ch. 266, and yuji and megumi FINALLY talk, it’s a beautiful convergence of their emotions as they talk about their loss and why they feel the way that they do.

this is why it entirely pisses me OFF that after we finally, FINALLY get megumi back, he is immediately sidelined with the rest of the B cast. we don’t get any post-battle discussions, we don’t get a continuation of “i’ll be lonely without you,” we don’t even get a proper conversation between him and yuji.

all of this buildup, this setup, this constant tension between megumi and yuji saving each other and yuji doing literally anything and everything to get megumi back, it all comes to a boiling point, it’s about to spill over the pot, and then it just… ????

i actually get so SO mad thinking about the way that megumi’s character has been concluded. unless this final chapter really does touch on him, his outlook on life, and his motivations now, megumi’s character was just entirely wasted and thrown to the side of the sake of other conclusions and new plot introductions.

we don’t even get a further explanation of “i’ll try to live for someone else.” we know it’s for yuji, we know he comes back because yuji tells him he’ll be lonely. but megumi deciding to live for another person is just putting him back at square one. UNLESS we learn that it’s different.

maybe meg is living for yuji but without the self-expectation and pressure he had when he was living for tsumiki. maybe he realized that even a simple life is worth living, so he will use yuji as a crutch as he finds his purpose again again.

something. ANYTHING. any sort of convo that indicates that megumi has NOT retracted into his old self. it probably is the case where he chooses to live for yuji, but is determined to live for himself, but JESUS can we not get a convo about that????

in conclusion, megumi’s character has been so BEAUTIFULLY written. he is so tragic with so many complex motivations and ideas. and we get all this converging together at the very end and it just… disappears. it’s immediately sidelined. how fucking frustrating is that.

[cosmerelists]

Renarin Ranks Starting Places For New Readers of the Cosmere Series

"Renarin ranks something" requested by @themoonstonechronicler :)

Fans often argue about where new readers should start in the Cosmere: which book is the best starting place? In this list, Renarin will rank various options. Because if any character can break the fourth wall, it's either Hoid (of course) or Renarin with his funky corrupted Future Sight.

[Contains Stormlight Spoilers through Rhythm of War!]

1. Way of Kings

"Starting with Way of Kings is like jumping into a 4 versus 1 Shardblade duel armed with a sword that screams when you touch it after a lifetime of not really being allowed to train in real combat scenarios due to your blood weakness. Will you be in over your head? Yes. Might the experience harm you? Very possibly. Will Kaladin's presence save you? Absolutely. Is it a bad idea? Objectively yes. BUT does this choice make you inherently cool? I think so. At least, I have no regrets."

...

"Make that very few regrets."

"I give this an 8/10."

2. Elantris

"Listen...I get it. You want to start from the beginning. Proceed chronologically. I think my cousin Jasnah would be inclined toward this. But speaking as a 'funky time guy,' as Adolin called me once, I have to say that the past doesn't necessarily predict the future and uh...this one just might be a little tough to start with. In my opinion."

"4/10."

3. Tress of the Emerald Sea

"I think...I think I like Wit. Mostly. There was that one time he tried to make everyone think I was hooking up with, like, multiple women at once, which was...weird. But he also made fun of me. Which does not sound good, but it meant he respected me in a Wit way. In any event, this book is like sitting and listening to Wit for hours. Is it good if that is the first thing you ever do? Maybe? The little rat is cute."

"9/10."

4. Yumi and the Nightmare Painter

"This one is Wit too. Just to get that out of the way. And I think it might be a little bit confusing for a first-time reader since it is clearly being told to a Rosharan, which is not something a new reader would understand."

"But on the other hand, it is maybe...refreshing to have a main character who hasn't yet realized what he's good at, and another main character who hasn't yet realized that not all aspects of her religion should restrict her as much as they do."

"So a confusing place to start, but not necessarily a bad one."

"6/10."

5. The Emperor's Soul

"This one is short! That might be good for someone who is looking for less of a commitment. Plus, it involves a lot of research into how things work, if that appeals to you. But I think the real benefit is that if someone is reading it to you, it would probably only take a few hours."

"10/10."

6. The Sunlit Man

"This book is like seeing into the future, since it is literally about the future. It's also very painful. Which, in my experience, the future often is. The future can be changed...but not in this case, because now it's written down. So I would say: start here at your own risk. On the other hand, it will probably seem less sad if you read it without any backstory. But it will make other things sadder later, trust me."

"3/10."

7. White Sand

"This one can be good if you're a man, since there are a lot of pictures. There are also a lot of words, of course, but if you're just starting out on the reading thing, then having the pictures would help a lot I'd imagine."

"6/10."

8. Warbreaker

"Speaking as someone who...well, I can't say that I deliberately make dramatic reveals, but I have been known to do things like scrawl warnings on a wall or appear suddenly from the shadows or, you know, stuff like that. So I might actually recommend reading this before you read our books, just so you can have those, 'Wait, it's YOU!' moments over and over again."

"Seriously, why did so many of those characters end up in our series?"

"I'm not answering the question, though. This one is standalone, and not too long, yet still manages to have a pretty big cast of characters and a bunch of storylines. It is like Sanderson training."

"8/10."

9. The Final Empire

"This is what everyone always tells you to do. Sometimes it can get frustrating when everyone is SO SURE that they know what's good for you, especially your dad, who won't listen when you tell him that you don't want to become an ardent even though he thinks it's the best. And you know what? In the end, I am a fighter, but also a scholar, since men can do both now. So sometimes what people say is good, but only when it happens in the way you want it to and...I think I lost the thread. Um. You can do what people tell you that you should do IF you want to. "

"If you start here, I imagine you'll like it. Sometimes what everyone tells you to do is a good idea...but only if it's what you want too."

"9/10."

10. The Alloy of Law

"Starting with Mistborn Era 2 is like bonding a corrupt spren. It's almost what everyone agrees is a good thing to do (start with Mistborn / bond a spren), only you're going about it in a...different way. But different is not necessarily bad! Yes, I have abilities that are maybe from Odium and that give me a maybe sacrilegious ability to foretell the future...but when given the chance, I immediately recommended my best friend do the same thing."

"Being different can be good. 7/10."

[radiation]

My Thoughts On MORPHEUS

Rewatched The Matrix yesterday. Everyone knows that Morpheus is fucking dope, but few realize he is one of the most moe characters of all time. Here is why:

Ok so at the beginning of the movie, Morpheus really appears to be this mythical figure, and that's how a lot of ppl view him. But something often overlooked is that, as the movie progresses, the more you see Morpheus acting mundanely, dressing normally, making mistakes, and getting the absolute shit beaten out of him & needing to be saved. Seriously, the gap between how he comes off when he first contacts Neo (larger-than-life, near-omnipotent) and when he gets kidnapped (totally fallible & vulnerable) is huge. You also see other characters doubt his absolute faith in Neo and it’s like wow yeah. This is really just some dude who is incredibly driven and passionate, and dedicated to his own ideals to a fault. He acts the way he does because he has a very clear image of the role he needs to play and has structured his life around it, choosing to embody this whole badass character in order to fulfill it. And from the way his appearance of perfection is shattered later in the movie in moments of monotony or when things spiral out of his control, I really believe how he acts when he meets Neo is suuuuper scripted. Like he has spent so much fucking time planning the perfect way to present himself and rehearsing exactly what he will say and do and how he will dress. And its funny to watch The Matrix knowing how totally badass & collected he is seen as in pop culture because he truly is incredibly incredibly dorky

This goes without saying but I also believe he is gay as fuck for Neo, but I need you to understand that the way he goes about it is sooo cute. I mean ok everything surrounding "You are The One and I've been searching for you for years" kind of speaks for itself. But also think about when Neo talks to the Oracle, she says this thing about like "knowing you're The One is like knowing you're in love". We can naturally really easily extend this metaphor to Trinity's explicit prophecy of her falling in love with The One, and knowing that's the case that also extends the metaphor to Morpheus knowing Neo is the one = Morpheus being in love with Neo. And I think how excited he acts around Neo, how physically affectionate he to him, arguably flirting with him during the dojo scene and shit bla bla bla sounds lame as fuck to write but I do think yeah whether literally or metaphorically that's kind of what's up. I think we can be confident that Morpheus loves Neo, and I think romantic love is a close approximation, or at the very least there are certainly real & valuable parallels to be drawn to it

But back to the previous paragraph, the specific kind of devotion towards Neo that Morpheus experiences where he is putting on all kinds of airs trying to mystify Neo, viewing himself as a supporting figure to prop up Neo as the savior -- Morpheus's underlying adoration is expressed through the language of respect, restraint, and selflessness, and a kind of self-sacrifice he is like...excited about. Feels very similar to the whole "best friend who is in love with the main character, but nobly tries to get him another love interest / somehow make his life better without any respect to his own desires". It's very sweet and well-intentioned, but totally excessive. Nobody else is asking you to go this far man this is just you. And it also comes off as a really big obfuscation of at least quasi-romantic feelings, both externally and internally, lacking a lot of self-awareness, so it makes it feel like Morpheus has this like elementary school crush he doesn't quite understand yet and it's really funny and delightful

There is definitely a certain writing style in The Matrix that is dramatic, over the top, and mythological, but compared to Morpheus, Neo and other ppl in his crew speak and act in ways much more grounded. Something I noticed a lot is just how much doubt and disillusionment all of the characters express in living life outside the Matrix, in the effectiveness of the revolution, and of Neo being The One, but Morpheus is totally an exception to this. The only person who puts on nearly as much airs, acting as dramatically and poetically as according to plan as Morpheus is Agent Smith, and like the dude isn't even a person he's a program. But even then Agent Smith expresses disappointment in his own life, and Morpheus doesn't. Seriouusly Morpheus is like the only guy in the movie who does this shit. By seeing himself as a mechanism in a prophecy to save the world and minimizing his own wants and discomforts for the greater good, he has kind of dehumanized himself in a way that's kind of sad. I think it's very easy to buy into it and take his self-perception at face value, and I think most people have, but there are a lot of moments in the movie where you can see through that. That underneath the appearance of a pure legend is a real person who means the absolute best, who is endlessly dedicated and adoring, but suffers from a one-track mind makes Morpheus a really fucking cool and unique character, and has one of the greatest impacts in making the movie's scenario feel believable. And also makes him sooooooooo cute. Anyways I forgoet what happens in the other mvoies this is only about the first one. Rewatch The Matrix 1 and open your eyes and you weill see the truth.

Also another thing I wanna mention that but its only tangentially related -- I think its very interesting how Neo is treated as a protagonist. I can't place exactly why but way the movie is written and shots are framed, he really isn't treated as an audience insert, and many moments in the movie are from other characters' perspectives (including their perspectives towards him, bereft of Neo's own expression). The movie honestly, more than identifying with Neo, expresses empathy and adoration towards him. So it kind of feels like literally everyone in the movie has a crush on him and so should you LOL. Morpheus is definitely a part of this, but I also appreciate the romance between Trinity and Neo feeling equally or more from Trinity's perspective, neither of them really being the object of desire, but if you had to choose one it'd definitely be Neo

Well let me know what you think & Dont try to troll this post because this is real shit

[lostinthewoodsomewhere]

I think one of my favourite things about the 'North Star' Night Springs episode, is that the two parts of Jesse's character it showcases the most are:

Jesse loves her brother more than anything, and he is her main motivation.

Jesse quite literally trusts Polaris with her life, and will do anything she tells her to do.

Like, that's it, that's Jesse Faden!

I feel if you hadn't actually played Control yet, North Star is the perfect little introduction to Jesse. The whole episode is such a perfect, condensed little insight into her character, from how she acts with Tim, to the world around her, and I just love it and everything about her in this episode!!!

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[karisantics]

since stranger things revolves around its main characters being outcasts, here’s the primary ways that make the suspected endgame couples outcasts in season 5:

(my opinions are very much included!!)

jopper

I couldn’t start this without mentioning the fact that hopper is a literal fucking fugitive & joyce is his partner in crime for harbouring said fugitive. besides russian soldiers, they also have the US military to be worrying about next season, as they are also both parents to children who are connected to the upside down.

byler

stranger things follows “freaks” & outsiders on their journey to fight against supernatural fources & exploitation from government officials, to save the people around them. I don’t believe for a second that wills love for mike was written for it to be unrequited, leaving the character that started it all without a love interest, whilst his straight friends have all found love. will has been outcasted for being gay from children at school & even his own father, from as early as season 1. it is clear from season 4 that he struggles from already accepting. it is also clear from season 4 that mike struggles from denial, which (imo) is why it looks like “he doesn’t feel the same way.”

we know that vecna uses people’s greatest fears & struggles against them so I imagine this could play a big part in how stranger things manages to address the feelings that come alongside homosexuality within a small heteronormative town in the 80’s. I think that the plan was always to show the difference in struggles between a character who does know that he is gay & a character who does not acknowledge that he is. a lot of people argue that they’ve already showed this struggle with robin & vickie but keep in mind the stranger things ending has been planned from season 1, but robin only asked to portray her character as a lesbian - after joining in season 3 - because it felt right when she was acting as robin.

also is there some sort of town rule that I’m unaware of that prevents more than one gay person acquiring a love interest lmao????

jancy

next up we have the og outcast couple! (looking a bit like their younger siblings in the picture above)

in season 4 it’s revealed that jonathan does not want to go to college because he is worried about leaving his family, which has been a major cause of stress for him since season 1. after wills disappearance, jonathan was under a lot of pressure to find will & take care of joyce, but even before wills disappearance, he worried about will & joyce due to lonnie being an abusive father. the stress of caring for his family & simultaneously lying to his girlfriend, eventually led him to start smoking. he had no friends before argyle & he’s never had a support system. he was outcasted in school for not fitting in with the other teenagers but now his decision to stay with his family whilst his old classmates move on to college, puts him in another isolated position.

a very common theme for nancy’s character has been the misogyny she’s faced as a young woman. in season 1 she is slut-shamed for accepting help from jonathan after being left alone & drunk by her boyfriend & in season 3 it’s a struggle for her to be taken seriously in an workplace run by men, no matter how hard she tries to show them that she is hardworking & capable. in season 4 we see her come into her own as a reporter & we learn she is accepted into her dream school but we also see her convince robin to change her clothes in order to be taken seriously in front of dr. hatch. I imagine season 5 will touch on this again as nancy’s story comes to an end.

lumax

we saw that the hawkins high basketball team had it out for lucas in season 4 but now that jason’s dead due to vecna’s portal splitting hawkins, I can only imagine how determined the team will be to take their anger out on lucas; especially since they believe lucas & his friends are to blame for what is happening to hawkins.

season 4 ended with max in a coma, after vecna consumed her to make the portal, which makes me believe she will be awoken after the main characters stop vecna & where she is throughout the coma will probably play an important role in stopping him. putting aside the impact of max having this near death experience after we discover her wish to “follow [billy] into death”, the injuries she sustained will be life altering. even if max is healed after vecnas death, I imagine we’ll see her having to readjust to life after the physical & mental trauma. “the eyes are the windows to the soul” we also don’t know if her eyesight will return with her soul or if she will be blind. on top of all this, her mental health struggles played a big part last season & we saw how isolated she was feeling. I wonder how that will effect her story next season. (also that photo!! I love lumax sm)

[lovemyromance]

your posts are literally the elriel bible, I don't think i've disagreed with a single one.

In general, elriels agree on a lot of things which is why it's so odd to find EL/GAs fighting with themselves over "elriels say elains gonna be a warrior" and "elriels say elain's gonna save illyria" because I have never EVER seen a single elriel say such a thing. I saw a long post from some elucien about how elriels self-insert and then they listed a long list of things about what canon elain is - except i don't think elriels would even disagree with what they were saying?

It got kind of muddy when they started trying to claim that "canonically azriel only lusts after elain" but whatever - you get the point. Why are they putting words in our mouths?

Thank you :) I know I always excessively post about elriel (because I'm pretty sure I have the attention span of a squirrel), but some days these petty arguments really make my eye twitch.

Idk why antis seem to think Elriels want Elain to be some warrior, savior of Illyria, High Queen type character. I thought we've all been pretty vocal in wanting to keep her femininity and her kindness and finding strength in her compassion.

If it's because the fanarts....well I think we've all established that nobody is really claiming fanarts to be canon. I think that goes without saying when we have fanart of an Elriel family with Illyrian offspring - or when Eluciens have fanart of Elain looking happy around Lucien lmao. Both are not canon. Who cares - it's fanart? It's not like we really going to pretend that all their fanart is canon either?

Because canonically - Elain can't stand Lucien. Canonically, Azriel has literally never touched Gwyn.

There are basic traits to these characters that nobody can deny. But the antis always have a way of adding additional, personal bias into things. They say Elain's not a warrior - cool, that's true, that's canon – but then they take it a step too far and try to claim its canon that she abhors all violence and she would never touch a dagger and she would hate Azriel because he's a warrior.

Canonically, Elain killed the fucking King of Hybern. She might not crave violence (oh- also what an odd thing to claim - that ANY character loves violence, btw), but she has already proven to be violent when needed.

Canonically, Elain does use a dagger. Not just any dagger - Truthteller.

Nobody's saying she out here training as a Valkyrie at the HOW - but she's not just sitting here in frolicking in a meadow while the rest of her friends and family go to war. She was literally taken AWAY from the main battle in ACOWAR and she still showed back up to pull the most badass move in the books, saving everyone.

Idk what about that is so hard to understand. No Elriel has said she's gonna save Illyria (lol), no one has claimed she's going to be Enalius the Second, nobody is out here waiting for her to take part in the BR and also become a Carthyian.

Elriels like Elain as she is. And even though she's not a warrior, even though she doesn't enjoy violence, even though she isn't a Cartyhian – Azriel still adores her. Azriel still wants her enough to question his religion. That's literally in the books. I can give you the exact page number and quote. I don't need to do any "extra analysis"

You want to talk about canon? Let's talk about how Elain is so perfect that she has even the most brooding warrior falling for her. Let's talk about how Azriel was willing to fight in a blood duel for her. Let's talk about how she was so ready to have a tryst with the Spymaster under everyone's watchful eyes.

We don't need to change anything about Elain, certainly not to have her end up with Azriel. Elriel having feelings for each other is already canon. Elriels did not have to change a single thing about them for them to find each other. That was SJM, so take it up with her.

I mean - she kind of ate when she summed up their relationship in ACOWAR with that scene in the garden...they might not make sense on paper but there's something poetic about them

[creatingblackcharacters]

here's a threefer if that's okay, all from Codename: Kids Next Door (early 2000s cartoon network show about kids with wacky technology who fight against adult tyranny)—since their stories are pretty well intertwined, and i can't really talk about just one without including the others here's Numbuh 5/Abigail Lincoln, one of the 5 main characters (Sector V of the titular Kids Next Door organization). she's the voice of reason and the "cool" one of the group.

she's the one who holds the group together most of the time, and has great leadership skills—though she refused to be the official leader of Sector V due to an Incident when she was younger. at the end of the show, though, when the actual leader Numbuh 1 leaves for space, he requests that she become the leader of the sector again. she accepts, and eventually then goes on to become the Supreme Leader of the entire KND. love to see a girlboss winning!!

she also has an adventurous side—there's an arc where she goes on various treasure hunts for rare, mystical candies, and i think that's hella cool.

then there's her older sister, Cree. (yes, named after Cree Summer! she voices both her and Abigail.)

cree is a recurring villain—a teenager, one of the natural enemies of the KND. what's unique about her compared to the other villains is that she used to be a member of the KND herself, before betraying the organization on her 13th birthday and escaping "decommissioning" (the process through which all KND operatives have their memories of the organization removed when they turn 13, i.e. are no longer kids).

aside from being just as cool and skilled in combat as her sister, she and her sister have an incredibly compelling dynamic. back when she was a kid, she and numbuh 5 used to be good friends and partners in adult-tyranny-fighting. in fact, 5's signature hat used to be cree's, which she gave to her out of pride for 5 having completed her second mission. in the present, though, their relationship has done a complete 180˚. they're at each other's throats constantly, now that cree had grown into the very type of person she used to be fighting against, WITHOUT memory alteration to boot.

...or so it seemed. in the episode OPERATION: VIRUS when cree was infected with the KND's "unpoppable zit" virus on the night of her prom, 5 actually went to lengths to get the antidote for her because even she thought it was "too far". in 5's words, "you may be my archenemy, but you're still my sister."

so yeah! they actually still care about each other deep down. aughhhhhh. this is just a headcanon but i imagine that to numbuh 5, her hat is a reminder of the good days when she worked together with cree. perhaps she holds on to it as hope that they can reconcile someday? idk

and finally, here's numbuh 9/Maurice. he was also on abby and cree's team back in the days.

his episode literally made me cry, man. it's focused around his 13th birthday and his decommissioning, which everyone in the KND is tearful about since he was one of the greatest and most beloved operatives in the organization's history. seeing him going from a cool kid operative, dedicated to his organization's mission, to an average, kinda dickish teenager was a bit heartbreaking when i watched it at first

one thing i love about this show is how it's a satire of the childhood experience and the pains of growing up that imo is best understood by ppl who've actually gone through it. the trope of decommissioning, as well as the whole conflict between teens and kids, really hammers in the pain of the end of childhood and how fast things change for you as you grow up. how so many decomm'd operatives had unfinished business that they never get to finish. in real life it's like, there was a moment when you put down your favorite toys or hung out with that one childhood friend for the last time, but never knew it was the last at the time. it's so tragic and juicy aughhhh. a line numbuh 5 says to cree during this episode illustrates it best: "you're a teen...maurice's a teen...soon i'm gonna be a teen...why keep fighting it"

however, it turns out he wasn't actually decommissioned! but rather he kept all his memories and was brought on as a secret undercover teen operative, thanks to all he accomplished while he was in the KND. no one is supposed to know about this except the highest of the higher-ups in the KND, but he trusts numbuh 5 with this info thanks to the bond they had. so he continues his legacy as a heroic figure. i really, really love his character, his dynamics with both numbuh 5 and cree (the latter of whom he pretends to ally with and date), and all the show's themes he represents.

also fun fact he's voiced by Khary Payton, who also did Cyborg from Teen Titans!

Hot Chocolate loves this show, so imma pass it off to him. Though first imma say that I do remember how as a kid I was shocked that it was allowed for your character to have your real name lol, I always thought that was so groundbreaking and taboo. Like aww! Her name is Cree, and so is her character! Now to him:

Hot Chocolate: SOMEONE GETS IT. These three black kids had me ready to join KND, kick butt, and steal ice cream. Numbuh 5 was my favorite! Always cool, and a fantastic leader. I forgot about her becoming supreme leader though, so you know what that meeeeeaans- time for a rewatch. Anyway, her relationship with Cree was so interesting and sad like come on, we were homies! It doesn't have to be this way! 😭😭 Especially because even though Cree was "evil" my young self has a crush on her 🤣.

Anyway the commentary on growing up and becoming old and boring caught me for a while, so I made sure I had as much fun as I could. But then they showed Maurice's episode and I was ready to take on the world. Anything to remain a cool agent of the KND. That being said everyone should give that show a try, it's old but still funny. Think I'll start it again for the Eleventynth time

[the-way-astray]

What's your favorite cannon thing you truly like about Keefe Sencen

I DARE you 😈

i've been dared . . .

definitely my favorite thing is the fact that in flashback/legacy he was 100% not only supportive of sophie and fitz's relationship despite having a crush on sophie, but also actively tries to keep sophie from doing something that could even be interpreted as implicative. there was a poll a while ago about whether people thought sophie and keefe were (even unintentionally) emotionally cheating on fitz, and i answered a hard no. and the main reason for that was because of keefe. he does so much to try to keep sophitz together during that time, including telling sophie to confide in fitz, telling her to tell him about the matchmaking thing, shutting ro down (or at least doing his best to), and generally speaking, he did not have to do all that. like, yeah, any decent person would be supportive and not actively try to break their two friends in a relationship up, but keefe goes way beyond that and actively tells sophie exactly what to do in order to keep her relationship with fitz intact. every time fitz "catches" him with sophie it's lowkey painful to think about what keefe must be feeling because he spends so much time trying to prevent that exact thing from happening. there's even a line in legacy where sophie admits this herself. one of the only times he uses his empathy not dubiously is at the end of legacy, where sophie "tells" him (i use the term loosely) that she and fitz broke up. and he immediately says "i'm sorry", expressing out loud his sympathy for their relationship's end.

(one thing i've heard people misinterpret a lot in anti keefe things is the "blond hottie" line, which they say is an inappropriate thing to say about someone in a relationship. that was not said by keefe. that was said by ro. she says that when she's trying to convince sophie that bronte can't be her bio dad, to which keefe then says "unless she gets that from her mom". that's all he says. sophie then wonders whether that meant he agreed with the blond hottie assessment, but that doesn't come from anything he actually says.)

it surprises me that i haven't seen keefe lovers talk more about the fact that fitz literally commissioned him to draw him and sophie in a very romantic pose in a very romantic spot and keefe did it. so i'm going to talk about it. once again, this is not just baseline "my crush is in a relationship, oh well, guess i won't interfere" stuff. this is going above and beyond to keep sophie and fitz together. again, keefe has a crush on sophie. i'm not an artist, but obviously art doesn't just pop up out of thin air. he spent some time making that drawing. and all that time is yet another reminder that his crush is in a relationship. he could've told fitz no, made up some excuse as to why he couldn't do it, and that would've been well within his right. but he didn't. so that's a thing worth mentioning. (i'm going to just say i don't like the argument that fitz knew what he was doing when he asked keefe for the drawing, though. i think fitz just thought "sophie likes keefe's drawings! let me get her one of those" which is sweet in and of itself.)

in unlocked, keefe thinks something like "he definitely should not be happy that two people close to him were going through a rough patch. but, if he was being honest, he wasn't really sad" or something to that effect. and i like that. he has a crush on sophie, so of course part of him will be happy she's now single again. it's realistic. i've definitely talked about this before, but jealousy isn't a character flaw to me. it's only the actions that a character does because of their jealousy that defines whether or not it's a bad thing. but the thing with keefe is that he never allows the fact that he likes sophie to outwardly affect sophie and fitz's relationship in any negative way when they're tentatively dating. sophie and fitz fell apart for a lot of reasons, but the reasons were entirely on sophie and fitz, and had nothing to do with keefe himself. in fact, you could argue they only lasted as long as they did because of keefe.

i complained a lot about how much he doesn't shut up about his hair in my rant. but that was mostly at his humor style and the fact that he literally talks about it at the weirdest times (in his registry file . . . ) more so than the fact itself. and truthfully, he doesn't even talk about it that much. but i think it makes a lot of sense that he takes pride in it. it's the physical manifestation of rebellion against his parents who have controlled every other aspect of his life. he's also an artist, and i think it's a pretty neat thing that that extends to the way he styles his hair. also it looks good. i will die on this hill. just don't look at the laura art. jason chan is my king and keefe's hair is very cool and- *gunshot*

there's also a handful of moments where keefe uses his humor appropriately, to ease tension. best example i can think of is the one katie brought up in this post which is the moment in flashback right before the celestial festival (climax). magnate leto gives them all these sparkler things to light if they're in danger, and keefe sets off a couple prematurely "just to make sure they work" *wink wink nudge nudge* and sophie specifically says the "bit of levity" helped tame the "monster" she's been battling the whole book. when he's able to use his humor appropriately, and not at weird times about weird things, he can be a valuable source of comfort. these moments are unfortunately few and far between, but they do exist.

keefe is also good at calming sophie down when she's panicking, when he's not using his empathy to force her to tell him her feelings. i personally like it more when he's comforting her using his words than his emotional breezes, because that speaks more to his personality than it does to his ability to use his emotional breezes to calm her down. another example katie discusses in the post above is when he's talking to her about the bronte-is-her-bio-dad theory. sophie was panicking because she was thinking about the implications of it (prentice, him acting horrible to her, etc.) and keefe brings her back down to earth with his reassurances that this doesn't change anything about her. when she says bronte can't know she knows, he immediately gets her to reconsider in a gentle way, because like. that's the entire point of her search for her bio parents. he does all this using his words (actually i just checked and he does use his emotional breezes a couple of times but his words do have an impact on their own so we're disregarding that), which does prove that he's very good at knowing what to say to keep her calm.

(also the fact that he was even helping her search for her bio parents is another example of him going above and beyond to keep her relationship to fitz intact. he didn't have to do that at all.)

and lastly, i think i mentioned this in my rant and maybe a couple other places, but i think keefe's jealousy when it comes to family is written very realistically. in neverseen, he's jealous of fitz, biana, sophie, and dex when they hug their parents, and there's a line where he specifically says "i hate watching it. them and della" (them referring to fitz and biana). in unlocked, he's again jealous of dex's family and wishes he'd been born into a family like his. and i think that's written really well. it's pretty subtle and not really shoved in your face, too. i'm pretty sure there's a total of three times it gets brought up: the "them and della" line, one line at the end of neverseen where sophie and dex are hugging edaline and kesler, and then the line in unlocked. very blink and you miss it but i like that. it's one of the few things the narrative doesn't dump a truckload of pity on keefe for, and it makes the few times it is brought up even sadder.

oh, and also i think he's handsome. sue me.

[year2000electronics]

If you could, how would you have made Wendy be included in the secret basement scene at the end of Not What He Seems? She was the only main character left out and I always thought that was unfair.

OH GREAT QUESTION! so, when you look into behind the scenes stuff for really plot heavy episodes like not what he seems and atots, you kinda end up realizing that pacing is REALLY important and they need to use every second of those 22 (and 30 in ATOTS’ case) minutes as effectively as they possibly could. not what he seems is a very tight episode and i think it’s hard to fit in stuff in there, especially considering i think that wendy is the “weakest link” of the show character wise, but if i HAD to pick, i think id have wendy be in manly dan’s truck when he swerved into agent trigger’s car!

i mean think about it. dan is already in that episode, and wendy seeing her friends in a STRANGE GOVERNMENT VEHICLE that they literally got her dad to RAM to escape, uh, yeah i think she’s gonna make it her problem now! i think you could possibly shave off the kerpranked bit to put wendy in? or like other bits i don’t know. maybe just a moment or two where wendy’s like “what is going ON, is mr pines in trouble? are you in danger??” and then she can join the kids at the shack

it’s hard though. it’s definitely hard. because i think that wendy as she is now really couldn’t fit into the emotional core of the episode, which is, of course, the turmoil between the kids (as well as the viewers) and this secret about stan that’s rapidly spreading to them out of his control and they’re learning all the wrong stuff first and the tension between stan not even being stan and the kids trusting their uncle is like, JUICY-

but, like, wendy? we know she likes working at the shack, but that’s because she’s Cool and likes to slack off there. she slacks off and she’s like “meh” to stan a lot. i mean, she slacks off at the pool, too, when she gets that job. does she like stan because he lets her slack off? that can’t be right because stan doesn’t really let her, it just sorta happens. how did she even get the job from stan? did she ask? was he hiring? does she find him annoying because he’s always telling her to do her job? does she find it odd that stan would bring two kids up to his place for the summer? we don’t really know.

i can’t imagine her being stuck between these two extremes for stan because she never seems invested in stan. she must always be the aloof one, the cool one, never made to be vulnerable because being vulnerable is Not Cool. her only appearance in not what he seems being her going “nope i’m not going into work today that’s too much for me” is so telling in all the worst ways. and it can be frustrating

[mychemisgay]

The copium is gone I have to face the reality that this manga won't end in a way I even remotely like

Like the only parts I liked are the start at the grave and the one where Gege hinted at Kenny being alive (?)

The rest is useless yapping about conclusions I don't care about. It would have worked as a closing to an arc but a whole ass story? Nah.

So Sukuna is just dead and gone and they are just gonna keep his remains forever. So there's no chance Yuji is gonna 'eat' him and actually concluding his story.

Actually what about Yuji? It's like Gege refuses to write about him. Does he know Kenjaku was/is his mother? Does he know he's the son of a part of Sukuna's soul? Does he know he was created to be his vessel? How does he feel about anything? Did anybody even talk to him after he literally defeated the King of Curses and held his remains in his arms? He's the "main character" but we get no conclusion to his story either.

I said this before but I think Yuji should've eaten Sukuna (again). So Sukuna could've learned "not to curse someone, but to live on with someone". Gege set this up perfectly and fumbled it so hard. The story started with Yuji and Sukuna, it should have ended with them.

Even if that did not happen, we should have gotten some closure to their shared story. And Yuji looking sad while we don't even get to see Sukuna truly pass away, then jumping straight to the academy and Yuta is not closure.

The only miniscule hope I have left is that they reincarnate as brothers/twins/lovers/whatever together.

[lk0727]

I think when it comes to the "is leona a feminist" debate we're missing the broader context of why the narrative would push any ideology.

His disney counterpart is a very female centric character (even if unintentionally) who relies on women, yet he dominates them in his pride once he leads it. He's ultimately defeated by an ambitious, focused woman, and his regime is carried on similarly (twice) by a militaristic, ambitious woman. In real life lionesses are the hunters, and in the literal sense of home makers, a pride is only a pride when lionesses are involved, with just men it's called a "coalition" btw. This is probably the main reason why others see him as feminist, because women are woven into the fabric of his story and given attention, despite it being ultimately Leona's story. But then that's an arguement you could make, is it really feminism if it's not intentional?

What makes a feminist? In what context does it stop being feminism and rather a natural reaction in a gynocentric society?

Twst has a habit of exploring motivation over actions, and that's how (I think) people should address Leona's claims. Like for instance, Vil is obsessed with reaching a physical zenith of beauty, and that's portrayed as her being overly ambitious, which is what she uses to save Idia and Ortho. Although she's not the hero of book 5 like she is in book 6, her ambition is reframed as jealousy over being ostracized (in childhood) and passed over for roles. In the same book we learn that Niege has had an even harder life, and the fruits of his labor are manifested when he procures roles that Vil seemingly can't. The narrative isn't asking if Vil is wrong or right in her actions, but rather if her ambition should be considered as valid as Neiges. To twist real life phenomena and explore them through a lens of "cultural favoritism and privilege" is essentially the point of every conflict. Like, should Jamil be forgiven when given the full context of his situation, or why is it fine for the Shrouds to be punished for the actions of an ancient ancestor, aren't necessarily asked by the narrative, but rather why are these conflicting truths valid when seen from another, more socially acceptable perspective?

This, to me, is what's missing in the heart of the "Is Leona a feminist" debate. The story isn't asking for you to confirm if he is or isn't one, but rather to reflect on your real life understanding of feminism in regards to patriarchy. Leona is considered a feminist by fans in the sense that he allows women's feelings to take precedence over his own, and how they view him being important to him as well. He can blow off Kifaji, someone who seemingly raised him, but God forbid he miss a call from his sister-in-law (who he picks up for, but ignores the calls of his nephew.) His criticisms of women are always shallow observations or misdirection because he has an image to uphold. He's a feminist in the sense that he doesn't contest female supremacy in any meaningful ways, and that's a very loose (yet valid) definition of feminism.

Leona double speaks on the idea of being considered "extra nice" to women, but even his answer doesn't necessarily malign them in a way that would be seen unfavorably by beastmen society. From what we’ve seen, being aggressive, dominating, physically imposing, strong-willed, are traits that the best possess. (He even inadvertently criticizes his brother for lacking these traits by implying he’s not cunning and too friendly.) If anything, it makes sense for him to not want to incur the wrath of a demographic if he deemed them in any way above himself. After all, he doesn't mince words with those beneath him, or even on a similar level to him like speaking poorly of Kalim to his face or the constant bickering with Malleus! I don't think his exasperation with women is fake, it must be annoying having to submit to somebody placed above you unfairly, but these are regulations he imposes on himself. When considering how Leona behaves and what he believes, (only the fittest should rule/everybody has their strengths but others just have much more) it makes great sense that his view of women is influenced by their societal performance and their ability to serve him.

When you contrast traits that Leona finds noteworthy in women, you get this understanding of a "gender-flipped" society, and the real question that should be asked ends up being "is Leona's respect of women not valid because of the conditions that it exists under? What makes his feminism less realistic than someone who only pays women lip service without taking real action?" Like Vil, Jaml, and Idia, Leona's foil is somebody who exposes hypocrisy but also bridges a gap in understanding of societal expectations. 

So, in essence, I think the conversation should switch from "is Leona a feminist" (we're talking in circles) and move towards "What does he get from being one / does his motivation make his resolve less valuable?" (we can explore his actions and dissect his character further)

[failyaoi]

Khaos Reigns Spoilers my thoughts on everything xd

well starting off there's a lot I'm upset about and a lot I'm happy about. so I'll air out my grievances first -

I'd like to say I actually had a feeling from the start that Sektor was genderbent in order to be shipped with Bi-Han...but I didn't feel that was fair to her so I didn't really say anything... when I saw this I just had all my fears confirmed 😭 WB didn't want to do a gay relationship so they just genderbent Sektor. I'm honestly really upset about this because it's just.........weird. it makes me scared for the future of lgbtq rep in MK..... as a bi & trans person it's honestly saddening to see that happen, especially because they took classic subscorp from us. I don't have a problem with girl Sektor or Cyrax at ALL btw. I love them, this is just really crappy on WB's part another thing I'm upset about is the lack of our main characters and the introduction of new ones- I don't like the multiverse stuff as much as I did when Mk1 first released because it made sense. but I personally didn't feel bad for Emperor Rain or Tanya, because I don't Know Them (their designs were really cool though) and new variants coming from different timelines and being the main focus feels........ODD. for mortal kombat. I was expecting a lot more focus on Raiden and Lao but we didn't really see much of them. not impressed with Titan Havik's defeat. he felt very weak after being hyped up the entire time. I actually like Titan Havik as he is a really good mix of chaotic, silly, and evil. he had a lot of cool things like the maze (which I would've REALLY loved to see the earthrealm champions in, btw) and the pit. seeing Noob/Bi-Han defeat him THAT easily with not even an invasions style boss or anything was really disappointing but 😭 for the last thing... I'm actually a little disappointed no main character actually died . I was expecting maybe Smoke or Lao to die because... THIS IS MORTAL KOMBAT 😭😭 like main characters tend to die, and they're just not, and it doesn't feel right because this franchise has had a lot of angst over the years and missing that feels empty NOW FOR THE THINGS I LIKE!!! :3

The visuals in this dlc are amazing

the attention to detail is really cute-

and as always I'm so happy to see all the characters again >_< BI-HAN'S SMIRK

OKAY I actually really , reallyyyyy liked the writing with these 4 here, it shows more into their friendship and that they've obviously been friends for a while now. I got so emotional seeing them hanging out again

glad to see Orin back but she's terrifying omfg. WHAT DID HAVIK DO TO HERRRRRRRRRRRRRRR

beautiful wife appreciation:

GERLIU AHHJAFHAWJFBWF THEY HEARD MY PRAYERS THEY HEARD MEEEEEEEEEE the way Liu didn't even flinch oh myyg gdododdffdd

also Kenshi eye scars confirmed ???? WE WIN ??? WE LITERALLY WIN ?????? the animalities are really really cool and I'm actually about to go play some mk1 ranked and try out all of Lao's new moves and stuffs and to check out all the new junk....I'm very excited and happy at where this game is at game-play wise ^_^ I LOVE YOU MORTAL KOMBAT!!!!!!!!!!!!!!!!!