dominique pelicot frequently upskirted young women. he tried to rape a 19 years old girl when he was 28 and is now charged with rape and murder of Sophie Narme. he was training another man to make his wife be sexually abused by tons of men - him included (he raped her a lot of times). he also took naked photos of his daughters-in-law and of his own daughter. all this without counting the fact that he carefully crafted a rape ring around his drugged, 70 years old wife for 10 years, with 70 different men. he gaslit her and you know what? the only thing he said is that " he did nothing wrong, he drugged her because he did not want her to suffer". he does not see the rape ring he created as immoral.
theres AT LEAST 90 men IN THE ZONE GISELE PELICOT LIVES who would rape a 70 years old woman if they could. those men are ordinary. you can not recognize them as outwardly bad. they are nurses, truck drivers, firefighters, fathers, boyfriends, husbands.
it blows my mind everytime i think of it. i cant wrap my head around it. dominque pelicot could be my father. could be my brother. my uncle can be part of a rape ring association and i could never know about it. how many of the men i pass on the street would rape someone the age of my mother, if they could? it makes me vomit. there is no rehabilitation. why isnt it the most important topic on the news?
is it because they can't find ways to blame the woman?
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“Hey, Hueso.”
Hueso sighs.
Moving his gaze to his left, he sees Leo casually leaning up against the wall next to him. The turtle isn’t looking at him, instead he seems to be staring at nothing at all. Strange, but not necessarily unheard of from him.
“We’re closed, Pepino.” Hueso states, moving a little away to continue closing down his restaurant-
“Can any portal be portal-jacked?”
Hueso pauses.
It’s a simple enough question, one that Hueso’s fairly certain he’s given an equally simple - if not a bit harsh - answer to. Granted, it was more in regard to the likelihood of bad portals being jacked rather than any at all, so maybe now that Leo has admittedly become much more competent with his portals, he’s just worried it’ll happen again.
The invasion certainly made the boy more…cautious. Quieter, too.
“Well…” Hueso runs a bony hand down his face, “From what I know, the possibility always exists, Pepino. However, it is far, far more unlikely to be portal-jacked when the portal is made by a master, rather than some reckless amateur.”
Leo nods his head, almost vacantly. If Hueso wasn’t paying so much attention he may have missed the way Leo seemed to look a little sick. Despite himself, concern builds within him.
“So-“ Leo starts, his voice soft in a worrisome way before he clears it, “So…if the portal was just- really strong, it could still be jacked if made by a beginner?”
Hueso watches closely even as he nods in answer, “Sí. Your own portals are strong, no?”
Leo shakes his head, “No, like- imagine a portal way stronger than mine ever were. Something huge and stuff. More, uh. More locked up dimensions and time, less…just space.”
“Hm.” Hueso frowns, considering the strange question. “Well, in truth I have yet to come across many portals on that level, but there’s nothing to say that it’s not possible-“ The smallest furrow of Leo’s brow makes Hueso hurry to add, “-ah, but there’s also nothing that says it is possible.”
“So…it could happen? It’s not a definitive “no”?” Leo asks, the smallest of shakes present in his tone.
Hueso puts a hand on Leo’s shoulder. “No lo sé, Pepino. I haven’t come across such portals enough to give a good answer to you.”
Something in him hurts a bit when Leo visibly plasters on a grin. “Ah, man. Well- Gracias, Hueso, this was just a stupid thing to get all hung up on anyway.”
Hueso looks closer at this annoying, insufferable, horribly quiet and reserved boy. He sees the dark circles peaking, barely visible thanks to the mask. He sees the scars of healed injuries never to be forgotten displayed all across the boy’s body. He sees the look in Leo’s eyes, a depression and worry that is…hard to look at, in someone so young.
He sees all of this in Leo, and as much as he sometimes wishes to deny it, he cares enough about him to gently ask. “Are you okay, Pepino?”
“Oh- yeah, yeah, don’t worry, Hueso, I’m not about to whine to you again or anything.” Leo laughs, backing away out of Hueso’s reach. “It’s just a little question, just something that’s been bothering me, y’know? Wanted to ask an expert.”
“Pepino-“ Hueso starts, not quite sure what to say. The words “you can come to me whenever you need to” are true, and yet he can’t bring himself to say them before Leo already is swinging a katana.
In the light of his blue portal, Leo sends Hueso his signature, manufactured grin. “Thanks for listening, Hueso!”
And then he’s gone. Just like that. Standing tall and confident with not a shred of that worry and reservation and fear left behind. It was the look of a soldier heading off to a battle he knew was terrifying, but one he also knew he needed to keep a brave face for.
It would have been a commendable look, if not for the fact Leo was heading home.
Hueso stares at the residual sparks of the portal for just a moment longer before moving to continue closing. Next time, because there will always be a next time, Hueso will have a fresh pizza waiting.
And, hopefully, a bit of that insufferable turtle he knows so well comes back to grab a slice.
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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I think something that often gets overlooked about the Lonely is that it isn’t just the fear of being rejected, abandoned, and unloved.
It is that, but it’s also the heavy sense of dread that settles in your bones when you realize that whatever danger you’re in, you have to deal with it on your own. It’s the realization that no one is around to hear you scream and that no one is coming to save you. It’s the feeling of calling emergency services (911, 119, etc.) and asking the operator when help is coming, only to be told that no one is coming, because they’re all tied up on other calls right now, so it may be another hour or so before anyone gets to you. It’s the visceral terror you feel when you finally realize that the help you need is never going to come, or if it does, they won’t be there until it’s already too late for you. It’s realizing that you’ll never see your loved ones again, and wondering if anyone will ever find your body, if anyone is going to care that you’re gone, if anyone is ever going to find out what happened to you, if anyone is even going to realize that you’re dead.
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