#like how are there so many parallels

[fugottron]

Me just now realizing that Hannibal while in Italy went by the name Dr. Fell and rebounds on a guy who looks like Will named Anthony

This show ended in 2015 yet the good omens coincidental references!! How?!!

[riickgrimes]

I know who you are. You're Fire and Ice, right? Which one's which?

CHALLENGERS (2024) dir. Luca Guadagnino

[erynalasse]

Fingon is the archetypical hero. He does great deeds of valor and daring, notably Maedhros’ rescue and rushing out to defeat Glaurung. He is not terribly afraid of consequences, which is wonderful when he is the only one he’s responsible for. His talent is forging ahead and inspiring everyone to follow him.

Fingolfin is the archetypical king. He is the one that holds his people together across the Helcaraxë and brokers peace with Maedhros after he’s rescued. He’s incredibly aware of every possible consequence, which is wonderful when he’s responsible for a whole kingdom. His talent is uniting everyone and inspiring them to move forward together.

When Fingolfin dies, he acts as the hero, not the king. He tries to borrow his son’s talent for incredibly inadvisable stunts, but it isn’t in his nature. He believes the Noldor are doomed, and thus dies in despair fighting Morgoth because he does not see another path forward, only defeat.

When Fingon dies, he acts as the king, not the hero. He tries to borrow his father’s talent for forging political unity, but it isn’t in his nature. The Nirnaeth’s forces are disunited from their conception to their defeat, and Fingon dies full of hope fighting Morgoth because he does not see any other path forward, only victory.

Fingolfin’s legacy was despair, though he left a lasting blow against Morgoth. Fingon’s legacy was hope, though he did not so much as touch Morgoth.

[thesweetnessofspring]

There's a quality of goodness that's hard to overlook, but still...and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd--no, a country--to his side with the turn of a simple sentence.

I realize only one person will be damaged beyond repair if Peeta dies. Me.

HungerTown 10/?

[essektheylyss]

2x97 "The Fancy and the Fooled" vs 3x94 "Where The Red Fearne Grows"

Plus emotional leveling up:

(Bonus:)

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[skywalker-swift]

btw cause I think some people still need to hear this, but the rose colored glasses coming off and the ‘revision’ to the meanings of her songs about joe was always gonna happen. with travis around or not. so saying she should focus on her new relationship is not the dunk you were thinking it is. like I keep saying it but she wrote him into her world, she included him in the world she wrote music in, and when she needed to, she wrote him out. why would he get to stay when he hasn’t earned that anymore? she would have kept him in, she even would have left the bad stuff in a box, but he didn’t seem like he wanted that part of her life. please can we all just realize that this is just such a normal reaction and end to a relationship and Taylor doesn’t need to ‘take the high road’ or whatever just because she’s in a new relationship. the reckoning of what happened was always going to be closing the chapter of the story she wrote for them. she’s releasing it whether you’re ready to reckon with her or not.

[letallthetrashraindown]

there’s so much love in the world. so much love you could drown in it.

Fred W. McDarrah, outside the Stonewall Inn in June 1969 / queering the map / Marie Ueda, “1977 San Francisco Gay Day Parade” / Wilfred Owen to Siegfried Sassoon / the Lovers of Modena / James Schuyler to John Button / John Boskovich, "Electric Fan (Feel it Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" / Vita Sackville-West to Virginia Woolf / Joan E. Biren / Saphho, Fragment 147 / @orpheuslament, “The Second Coming, or Jesus at the Gay Bar”

[beaulesbian]

I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.

first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.

and then his funny scene - his legs are like jelly that he tries to get under control,

he stumbles, falls, rolls into a mix of all his limbs and eyes,

and then only the cloud behind him cushions his fall

- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.

It's just fascinating!

[layla-carstairs]

thought about the livvy & jace/janus parallels again 378 dead 2992 injured... like wdym they were killed by the exact same sword, with jace being stabbed in the back & livvy stabbed in the front. wdym they were raised on the shores of the exact same lake almost exactly five years apart. wdym they were both came back wrong. the way livvy and janus share the common goal of just wanting to get what they lost too, and they both spend their gotsm stories watching their loved ones with no way to properly interact with them despite how badly they want to.

it's arguably one of the things that terrifies me the most going into twp like literally what does it all mean... what does this mean for livvy...

[makerofmadness]

I swear I have something I've found something

From "the making of" (with the earthbound Halloween hack)

you know how sometimes people will take their old bad fanworks and remake it into something like actually good and also probably an original work? I've done that a few times. Anyway:

Can you see what I'm getting at here?

"Varik is almost dead, and yet he can't stop moving because you keep pushing those buttons."

[turtleblogatlast]

I’ve gone on and on about how Leo wants to be who Splinter finds is the ideal person (which just so happens to be Splinter’s ideal version of himself) but I have yet to really touch upon how Donnie is the one who most directly parallels Splinter himself to an honestly shocking degree, Raph’s taking from Splinter’s teachings and parenting has resulted in an unhealthy mixup in the different dynamics of a family versus a team, and Mikey is the one who is simultaneously the most focused on family and the most intrinsically himself which both leads to his better grasp of mystics and honestly what just might be the healthiest dynamic with Splinter.

[inkerii]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[eight-pointed-star]

[minnieposting]

2 things ive noticed about sunday and robin bc i can no longer subject my poor best friend to paragraphs on paragraphs and I want this out of me

1. Designs

Sunday features dull, muted colors and has a lot of sharp edges. He's also got darker colors in general. Robin is so much brighter, bouncier, and has a lot of rounded/organic shapes in her design.

2. Sunday constantly in the shadows, Robin always in the spotlight

Goes hand in hand with their designs tbh, which I find cool

He's just always in the back!!!!!! Pretty much speaks for itself...

I'm so curious to know their deal in just a few days, because this has been killing me this week, on top of their baby trailer 😭😭

[floccinaucinihilipilificationa]

Are you still active on tumblr?

YES I am!! Sorry friends for dropping off the face of the earth, I got a job and I had to move and it was a lot. But I am less stressed now and I hope I can get back to posting more regularly!! I really missed it (ﾉ^ヮ^)ﾉ*:・ﾟ✧

I will never leave tumblr because there is no other place on the internet where I can tell people that 80% of the time when I try to introduce myself to someone in the office that I haven’t met yet I get so focused on smiling and holding eye contact that I forget the part where I actually have to introduce myself (°□°)