#like i get you don’t wanna reveal Everything about a story in the trailers but My God. this feels like false advertising.

[wickedghxst]

finally finished sottr. 4.6/10 that marketing campaign did this game dirty by making me think it’d be good. no wonder i ignored it for 6 years…

[prettysymbiosis]

I’ve been trying to get these thoughts out for days but basically I feel like the unifying theory of s16 (as I see it) is a conscious exploration of the dichotomy between sunny as a classically bold and brash pee pee poo poo comedy and sunny as a thoughtful, nuanced and subtle show about flawed people and also about itself, at times (by that I mean the meta isn’t always about macdennis or the other characters but about sunny itself - win an award, clip show, big mo, etc). the trailer actually captures this dichotomy well through the dialogue clips and animations, as well as the pinned comment which said “get ready for a whole lot of subtlety.” it’s still so baffling to me that sunny can simultaneously read as one of the most loud, obnoxious, unsubtle shows ever on television, OR it can be so subtle and allegorical in the writing of later seasons that most viewers would think people like us are crazy for reading so much into it even though we’re really not. this kind of self-reflective flavor is another product of the rewatch/podcast project which has been almost universally agreed to have had a very positive effect on the writing.

anyway having said that, I want to just share my notes on the first two episodes without trying to edit them too much. I’m bolding the points that I personally haven’t seen anyone else mention yet and putting a 😎 next to ones that evoke a Classic Sunny VibeTM because that’s important to the experiment of this season.

the gang inflates

macden fun/domestic/DUMB again 😎

something something never committing to the couch when it was absurd not to and it ended up costing them so much macdennis blah blah

dennis hanging up on dee was so funny to me oops 😎

and the WHOLE dee (as a character and specifically the female character) thing about being minimized to an absurd degree. I like to think the bog was a turning point for dee and the show is gonna do better by her now hopefully by recognizing her plight in a more serious way, like the way the guys have been doing?

are mac and dennis…… you know…… like for real??? as many have said, it could totally be revealed kind of retroactively to undercut the shock and be like “honestly we’re surprised you didn’t notice sooner” I feel like that is something rcg would do. suggestive clues:

“I don’t wanna talk to you about–” “a TON”

or is dennis like well that’s news to me jealous vibes??

“I figured you were man” ??

“I’m getting a little concerned about our nut”

“you truly have no reason to be sleeping with frank”

they specifically put a lil reaction shot of dennis after mac says “that’s a lotta blowin” a la the lil grin in gets romantic and, well, I just think that’s a choice that was made

“it’s not homophobic” is that so?????

when mac is like “you think we got rid of our furniture too soon/that the business plan won’t work” it’s kinda like no it’s not the committing to what they have, it’s that mac still has big denial problems and dennis can’t work with that… maybe? but so does dennis tbh

in a show-meta sense it’s like, we should be less worried about whether the gay gay-ass love story will alienate people and more worried about how these characters are too ridiculous to even let the love story play out effectively. they need mental health days if we are ever to have nice things

it’s possible mac denying his reaction to the allergy has to do with his body dysmorphia?

also it occurred to me that maybe part of why rob is clean-shaven this season is so they could do those prosthetics more easily?

those handprints though…. I hate everything

oh also just the bed scene. its existence

the zoomed in neck touch of course

“I’m not going to do it!” “..okay” dennis keepin his cool :)

mac’s shirt! COOLER HEADS PREVAIL

just the sheer silliness of inflatable furniture - is there some metaphor here lol?

in a general sense could inflates be taken to mean flanderizes? also maybe it’s just implied but I noticed I hadn’t actually seen anyone mention inflation as a sexual kink and like, that was part of the intention right? if so, 😎

charlie “uhhhhhhhh… yep.” poor charlie :( he doesn’t want to live in a maze (like a rat)

“well then you’re just like being a predator” :( so here for charlie calling out bullshit with frank and mrs. mac and even his own mom so far in these first two eps

charlie just giving up and yelling in frustration which is kinda what bonnie does in ep2 (and ep3 based on trailer)

the gross horny male objectifying thing 😎

rob put his whole pussy into this episode

charlie saying “I don’t get why he doesn’t take me seriously” and dee saying “that’s gotta be maddening” 🙃

cats in the alley my loves 😎

gluing dee a pillow on the wall <3

“consider it an offering” “of war??” this says so much. must everything be a conflict?

charlie’s hair looks so crazy and good in the sleepover scene and also he’s so smart

charlie asks frank to “return everything to the status quo” by the end of the episode, sitcom style. full reset, no progression. except charlie is asking that frank not endlessly take advantage of the fact that mac and den can’t figure their shit out, not totally push dee out just because it’s easy, not make light of the trauma charlie has from what happened to him. all that stuff IS the status quo! so what is he really asking for? this is one of the bits of writing that I think is also about the show as a show, and how they’ve approached these dynamics forever. 

it’s funny that people are saying this season is such a return to form because it is, but it’s also so much more self-aware of what that form is/was and how deeper elements can coexist within it. they’re really walking with a foot in both worlds here and they’re doing it well. love this for them and for us, the people who know what it’s always sunny in philadelphia is REALLY about

“we’ll take you to the hospital, and they’ll have nuts. and you can– you can die there.” hahahah

[laprimera]

ABOUT THE MUN - ooo I got tagged ooOooo

what made you pick up the current muse(s) you have?

fixation as soon as the second trailer with her reveal came? Like the little snippets that was known about the game already weaved a pretty intricate (and disproven lol) plot and personality.

Even after everything got debunked I still kept my original lore + now I live and love the idea her ideal, picturesque self is actually a front for how clutzy and forgetful she really is as a super busy champion who's passionate about her region.

is there anything you don’t like to write?

bad/sad unnecessary endings or forks in the road?? I know it's silly in context like "well stories arent all happy-" BUT THIS IS POKEMON AR PEE AND I PARTIALLY CONTROL THE NARATIVE AND I WANT MY PROTAGS TO GO THROUGH IT BUT COME OUT AT THE END GETTING EVERYTHING THEY WANT. IS IT SO BAD I DONT WANT TO PARTICIPATE IN BITTER SADNESS EVEN IN A FANTASY MADE-UP SCENARIO? REALITY IS HELL AS IS I DONT WANNA BE SAD ALL DAY OVER INTERNET BARBIES, I HAVE BILLS AND TAXES TO DO.

so I make sure to plot with long term plot partners so we all get that character growth and exciting story with something good they can all take away in the end. No, the character doesnt have to die to prove a macab point. No the loving couple doesnt have to break up for some story twist. And thats what AU's are for if we're looking to explore something else so it's easy to separate from 👍

is there anything you really enjoy writing?

plot novellas 👀 I see a partner reply instantly to a plot thread and I jive for days on end until the next reply for real-- each one is a really juicy cliffhanger and a lot of them still haunt the back of my mind.

how do you come up with headcanons? 

most come with interactions or thoughts stemming from the game or story itself. Eventually they branch out and more ideas happen and a lot comes from looking at dash and bringing up some really interesting points!

do you write in silence or do you play music? 

Ambiance and music helps esp when silence is actually really distracting (thoughts wandering and what not-adhd be like that). The mood even influences the reply.

do you plan your replies or wing them?

planned for plot driven replies but ic bouts and simple replies are winged!

do you enjoy shipping? 

YES YES YES YES, though recently I have to be a little more careful about saying Im completely open to shipping on whim. At some points the plot involves the other person too much and it gets hard to move a story along esp with the nature of the rpc and the lifespan of interest in the muse/rpc (which is natural ofc!).

You're okay to show and express interest in shipping so we can take a direction with our muses interaction wise but I say it's not for certain until they develop some more long term. Who knows, maybe it was just a crush or a fling sort of thought :' 0

what’s your alias/name? 

Leche leche leche leche leche milk

age?

30

birthday? 

may!

favorite color?

red and greens

favorite song? 

Sugar, You by the Oh Honey has taken a lot of real-estate in my head lately--

last movie you watched?

I,,,havent watched a movie in a really long time Ill be honest OTL,, I dont have the attention span to sit down for more then twenty minutes if that.

last show you watched?

Aggretsuko final season! That,,,was awhile ago. See above oop--

last song you listened to?

Dont know the last song that played on my car radio 🤔

favorite food? 

spaghetti and meatballs and cereal < 3

favorite season?

spring 🌼

do you have a tumblr best friend?

ooh I dont want to make anyone feel left behind. My moots have a special place regardless of hobby or not <3

tagging: uh...

[revserrayyu]

2.1 Penacony thoughts [part5]

**BIG STORY SPOILERS** Chatting up until the end of the current story so if you haven’t finished it yet then I’d encourage you to do so before reading any further.

Before all the big reveals happen, I appreciate these few dialogue options we get right after the Aventurine fight. It sounds like they’re all asked in rapid succession and the last one is completely valid considering how often we actually switched viewpoints during this update.

Once Sam appeared, I knew it was finally going to be the moment where we learn who he truly is. As they list out the other hunter’s specialties and his own lack of one, he mentions “there is only one method that I use,” and I wanna say it’s deception..

..because lo and behold, everyone was completely right and the person beneath the armored suit is indeed Firefly herself. I’m not surprised, just interested in learning about her reasons. Was that death of hers planned and why? Has she always been Sam, even way back during the Jepella Rebellion trailer? Or does that device in her hand allow her to appear as Sam? Because didn’t we hear to talking to a “mecha” in that one dreamscape last patch? She just seems so out of place among the other Stellaron Hunters but I’m eager to learn more about her once we pick up here next update.

Also, I’m just gonna say it.. I wasn’t truly upset over her “death.” I feel like we were kinda forced to care for her after she gave us a tour of Penacony, but that alone wasn’t enough for me to get properly attached. That time was real brief and only took up a small section of the previous update. Not to mention the many weeks in between updates where I spent much time thinking about almost everyone else aside from her. Most other characters we’ve met on this planet received trailers, drip marketing and so much more to get me invested into learning about them while Firefly’s presence was short lived. I would genuinely be upset if anything bad happened to Black Swan, Acheron or Sparkle and I’m already emotional over Robin, Aventurine and maybe even Sunday. There’s stuff going on with Gallagher and Misha that I’m still curious about and we haven’t even properly met Boothill yet but I’m so excited to see him. Maybe my opinion on Firefly will change during the next update, but for now I really don’t have any strong feelings about her other than simple curiosity. I am pleased to see her still alive for the Trailblazer’s sake, but if she somehow survives this entire story and Aventurine doesn’t..hmpf.

All that aside, the scene with Gallagher and Sunday was.. a lot to take in, but once again we have someone else calling Sunday crazy. Perhaps he should go to therapy.

The framing of this scene is nice and sorta confirms those purple nightingales do in fact see everything happening on Penacony, acting as Sunday’s eyes and reporting back to him. At least that’s the vibe I’m getting.

This is quite unexpected? Honestly I feel like every time Sunday is involved there’s a new plot point that’s introduced into this giant story. Both sides definitely have it out for each other, that’s for sure.

What in the hell is this twist??

Sunday thinks Gallagher is in disguise, but after the hound tells him to take a closer look, Sunday starts to notices all these little details about him that seem reminiscent to 52 other members of the Family.

I wish I could say this idea is foreign to me, but it actually reminds me of Kamui from the second season of Psycho Pass and how his body is made up of 184 different people and 7 personalities. Kamui was also unable to be detected by any scanners and that also reminds me of Gallagher and how almost no other Bloodhound knows who he is.

And I haven’t the faintest idea on what Sunday means here but I noticed the voice over doesn’t even say “minion of the Enigmata” no matter how many times I tried to replay this line over.

It’s at this moment where I started to waiver with my distrust towards Sunday and actually start to feel bad for him a little bit solely because of the strong emotion in his voice when he questions why Robin had to be killed. It at least prevents me from thinking he had any part of it.

Then we head into a cutscene and dear god, things happen quick. This one shot of Gallagher reminds me of his light cone just because of the lighter.

This frame of Sunday looking down on him feels so intense and I kinda love it with both the intense shadows and harsh light.

And then..? Our angelic and handsome man gets killed?? Presumably by another memory zone meme I guess I dunno it happened in an instant and all I have to show for it is splatters of goo??

Oohhh my goodness.. this story took such a turn. Many of them actually. Seeing how Sunday is a puddle on the floor similar to what happened to Firefly, I wanna believe that he’s gonna be okay? If she could survive, surely he can too. Maybe? I’m still not to sure about Robin’s condition and I’m being so darn hopeful that Aventurine is alive somehow. That’s definitely the death that hurts most for me if true. Anyways, I’ll end it here and just say there’s many answers to look forward to with the next update. As always, I’m not trusting anyone! Astral Express family only!

(originally written on 3/30)

[anti-porn-unicorn]

Daisy Edga r Jo nes is making a name for herself because she’s a very talented actress. I’ve been seeing trailers for her new movie I just think about how young she looks, and is. It makes me sad because her FIRST lead role a couple years ago required full frontal nudity and a ton of x rated scenes. (I didn’t watch the show but found out about it all because it made her a big name). I HATE that that’s what it took for such a talented girl to get her big break and prove herself as a “real” actress. I HATE that the first thing that pops up on reddit when you search her name are from porn subreddits. I HATE that she, and many more young actresses, are gaslit and gaslight themselves into thinking the scenes are not sexual and they are being respected as humans by the audience and directors. She said herself how hard the decision to do the show was and prior to that she didn’t even like changing in front of other girls in the locker room. You cannot convince me that someone who says that can go from 0 to 60 without them feeling some pressure that they need to do this to be successful in their career. On top of that, the intimacy coordinator in for the show talked about how despite already having filmed previous sex/nude scenes for the show and supposedly being used to it and comfortable by then, there where times before scenes where she was feeling compromised and her, the intimacy coordinator, and director would go over her concerns about it together. But I’ll bet you ANYTHING never once was the option of not doing that scene given to her. Because she signed a contract. The director now owns her and her body right? So screw her if she REALLY stands up for herself. When asked about the first day filming the sex scenes and if it was no big deal because of all the rehearsals, precautions put in place leading up to it she said nothing can prepare you for on camera nudity. And despite saying how proud she is of the show, how safe she felt, doesn’t regret it, etc she says she’s not sure if she’ll ever do something like that again. I think there are unspoken rules in the industry about actors sticking to a certain narrative when in interviews but little lines like that reveal the truth and it’s heartbreaking to me. And these young actresses are basically coerced into doing porn and can’t admit, because of industry pressure, to their exploitation. Or aren’t even willing to admit the truth to themselves because it’s a scary thought. That you were taken advantage of and put on display to the world for their sexuality gratification and that should have never happened. But no “sex positivity” I guess, the real life women and girls being exploited be damned.

“Oohhh but it’s based of a book where the sex scenes tell the story so you can’t cut them out!” 1. Hollywood tricks so that you don’t force your actors to be naked for real. 2. Well then maybe not EVERYTHING has to be converted to tv where you get real life people involved?? Ever thought of that?! F this show, the directors, and the production team.

I first noticed for her film Fresh, and she seems GREAT and very smart. And now after finding all this out, when I look at her promoting her other projects and getting the recognition she deserves, it hurts knowing how she had to get her big break and the disgusting truth that without her doing that she’d probably still be struggling in her career. And she’s so young. It’s all just… painful. I really despise this industry.

A side note: I fully believe young women are extremely disproportionately exploited by this industry which is why I don’t spend time talking about male actors much, but if we wanna mention that side too: her male lead costar was also required to do full frontal and this was if first role EVER. He’s said how he couldn’t sleep all night leading up to the first scene and that he hates and feels dirty because of all the screenshots online but can’t really complain because “it comes with the territory”. So yeah, F this industry. You can’t tell me it’s the same as filming action stunts with a stunt coordinator because while there might be some nervousness prior it’s mixed with excitement like going on a roller coaster. Not the nervousness that terrifies you and makes you sick to your stomach. And it certainly does attract the same objectifying and disgusting comments from the audience. Which btw are the comments the production team is HOPING for to gain buzz. They’re just lying and manipulating their actresses.

Yes to all of this. The only thing I can add is that there’s absolutely no consent like sex pizzeria think. If your options are “get naked to get your dream job” or “refuse and get mocked in the media, no money, and lose your reputation” I think most people are gonna choose the first one even if they are uncomfortable!

[anime-grimmy-art]

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too. 

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them. 

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast. 

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

[taikanyohou]

[1/2] so i love codependency as a trope. the whole us-against-them, i-will-watch-the-world-burn-as-long-as-i-can-keep-you-safe thing really works for me. love it when two characters are like, i have ONE person, YOU are that person, fuck everything else. love it best when it’s acknowledged in-universe that it’s not quite healthy but they just do. not. give. a. shit. it’s my jam and i eat it by the spoonful.

so i love that akktheo are codependent, i love that akk is theo’s one and only person, i love that akk puts theo above everything and everyone else, even his own happiness, i love it because it’s 100% mutual, one is not more obsessed or more unhinged than the other, they match perfectly in their yearning and intensity. all they want is each other. all they need is each other. despite what akk thinks, theo has never and will never want anyone the way he wants akk. despite what theo fears, akk will never ever leave theo’s side unless theo himself asks it of him. they are it for each other

and yeah. some people might find it unappealing, unhealthy, toxic even. and that’s valid. codependency in real life is not romantic at all and it can be very damaging. but we all have tropes we don’t like. me? cannot stand power imbalances. not overly fond of enemy-to-lovers even though it’s probably one if not the most popular trope. but you know what? 1) no one forces me to consume content i dislike and 2) i don’t make assumptions about people based solely on the content they enjoy

[2/2] the other issue i think some people have with Enchanté is that it didn’t turn out to be what they expected. like, unlike what the trailer had led us to believe, it didn’t turn out to be a harem story where the boy lets himself be courted by his four suitors before realizing at the 11th hour that his pining bff was his One True Love all this time. i think most people were happily surprised by that. but then, some folks wanted it to be a journey of self-realization, of choosing reality over fantasy, of theo choosing akk over enchanté. but the reveal shattered all that. instead it turns out to be the story of a boy so lonely and so desperately in love that he does this one very stupid and selfish thing to keep the boy he loves by his side. and i can understand how some people would be put off by that, i do, but to me it’s chef’s kiss because friends-to-lovers is one thing. but true mutual pining? unhinged yet un-acted upon yearning? excruciating slow burn not because of contrived misunderstandings but because of a deep seated fear of losing the one person that matters the most? we don’t see that often. and perhaps for good reason, going by the many many people who find akktheo boring or frustrating or unrealistic. but me? it hits me where i live.

so anyway, this is the longest and most convoluted way to say that 1) you are not alone in your deeply unhinged love for akktheo and the equally messy and unhinged love they have for each other, and 2) you should not be made to feel bad or ashamed or guilty about it wtf. i love how much you love them because that’s how much i love them. i love coming to your blog to partake in this shared obsession. life is fucking hard, man. if these boys bring you joy and solace and a reprieve from reality then that’s great. that’s amazing. i want that for you. you fucking deserve it. - tee ♥️

hiiiiiiiii my love!!!

SHFBSICOAJ THIS ASK. CAN WE HANG THIS ASK IN THE LOUVRE.

like. HONESTLY. co-dependency like you said ISNT everyone's thing, bc it can get V V extreme sometimes. but i think the reason why i Get It with akktheo is bc ... they are CHILDHOOD BEST FRIENDS. they are ALL that they have. they are ALL that they have known. there's a whole other layer to it that being childhood best friends adds. and not only that. but they're NEIGHBOURS too. like. even when they dont wanna see each other, they still do. imagine being in love ... in THAT sense.

but yeah. i'm just SO glad that enchante went the way it did. i would have Not Liked it if theo had courted all 4 ambassadors and Then realised it was akk all along. by having it BE AKK as the ONLY ONE for theo from the START, where theo didnt give A Shit about any of the other 4, just makes it sooooo much more .... intense and sensical to me. like you SEE theo yearn, and then you find out he's enchante, and it hits that much more deeper. ALL THE WHILE as we see akk Go Through It too. its the pure ... mutual-ness of it all.

and i think. like. the thing is. theo in hindsight REALISES that it WAS a pretty stupid thing to do. he WASNT proud of it. there IS an acknowledgment on his part that this whole thing which was only meant to be a small in-house thing snowballed and snowballed and it spiralled. and i Love that theo .. ugh. i Love that theo is this MESSY character. i love it SO SO much bc of how it REMOVES HIM COMPLETELY from this first impression we have of him being this absolute Angel. i WANT messy. i LOVE messy.

anyway man like. idgaf what people have to say about me or anyone else liking enchante. we shouldnt be made to feel shitty or guilty about it. i'm just glad enchante isnt as Big as other gmmtv shows are bc honestly .... who needs that stress of fandom wars man when real life is So Damn Stressful as it is. so in a way im glad its lowkey and that it isnt ~everyone's cup of tea~ in whatever sense that may be (they find it boring or slow or book's french accent is bad or forcebook look too alike or that theo is a manipulative psycho or whatever). there's plenty of other shows out there to watch if you dont like enchante!

[madlori]

Coming soon: “Strike Anywhere”

Sooooo like a month ago I had a fun lil plot bunny and banged out a short Schitt’s Creek fic called “Burn Out the Night.” In it, Patrick is a firefighter and David is a city engineer and they do Not Get Along, in fact they are infamous for their fights at calls. Except this night, a warehouse fire goes badly, and in the course of the situation Patrick is injured, at which point it’s revealed that these two bitter enemies are in fact married. Everyone is SHOOK. SEEKRIT HUSBANDS. It’s also super fun to have both these guys really lean in to their latent troll tendencies.

People were into this concept, and I jibed so much with the premise that I launched into a prequel story about how these two met and came to be seekrit husbands. I expect to finish it in the next few days and start posting soon (one chapter per day). So I thought I’d post a lil trailer!

Title: Strike Anywhere Fandom: Schitt’s Creek Rating: E Length: 65K Tags: David Rose/Patrick Brewer, Firefighter AU, Enemies-to-Lovers, Secret Relationship, First Responders, Hurt/Comfort, Patrick Brewer/OMC, Patrick Brewer Is Gay (and has been out for awhile), these are just temporary tags the real ones will be on the actual story with content warnings (none of the Big Four)

------

Patrick Brewer would always remember the first words ever spoken to him by the man who he would eventually marry, because they were “What the fuck are you doing? Are you an idiot?”

He straightened up, blinking dust and grime out of his eyes, a futile attempt given that he was standing in the middle of a destroyed store with a car through the front of it, holding a pneumatic cutter. The man who’d just called him an idiot was lurking on the sidewalk, peering in through the jagged hole in the storefront, dressed in expensive-looking shoes and massive white-framed sunglasses, his impressive eyebrows halfway to his hairline. “I’m baking a cake,” Patrick said, dryly, and went back to what he was doing.

-----

Once the woman in the car had been extracted and whisked off to the hospital, Patrick left the scene to the police, the tow trucks and the insurance adjusters and toted his equipment back out to the fire truck parked outside. He stowed the pneumatic cutters, spotting David Rose standing with Ronnie by her truck. Pique rising in his chest, he stalked over to them. “Okay, somebody wanna explain to me who this guy is and why he gets to barge into my rescue?”

Rose turned to face him, tipping his sunglasses up on top of his head. “Who are you, sturdy wee man? An intern, or something? Does the fire service have interns?”

“I’m Captain Brewer of the 315,” Patrick said, flatly. “I’m in charge here.”

----

Patrick went back to his truck, tossing his helmet into the back with more force than was probably recommended by its manufacturer. Shit, he thought. This is going to suck, a lot. Having someone hovering over everything he did, second-guessing every decision he made, would be bad enough. But that wasn’t even the worst part.

The worst part was that he’d be suffering the unwanted interference of possibly the hottest guy he’d ever seen, and there wasn’t a damned thing he could do to make that not true.

----

“Ugh, I had the worst day. I spent three hours driving around with that snotty Captain from the 315.”

“You mean Brewer? The one you won’t shut up about?”

“Complaining about! Bitching about!”

“Sure.”

“He’s a self-righteous prick and I deserve some kind of peace prize for not flinging myself across the car and throttling him to death with my bare hands.”

“I’m sure that keeping yourself from, uh, flinging was a real struggle.” Stevie picked up David’s tablet and started Googling something. “You know when you told me about this horrible Captain Brewer, your arch-nemesis, I pictured some grizzled, crotchety old guy. You neglected to mention...this,” she said, brandishing the tablet with a flourish.

On the screen was an article from the paper with the headline “Toronto Fire Services Promotes Youngest Captain in its History,” above a very nice photo of Patrick in uniform, arms crossed, smiling and looking like a recruitment poster.

“What, exactly, did I neglect to mention? Young guys can be grizzled and crotchety.”

“You neglected to mention that Captain Brewer is a snack.”

“If he is, he’s one of those tasteless low-carb sugar-free snacks full of xylitol that’ll give you explosive diarrhea and make you wish you’d never been born.”

-----

“Why’d you do it, anyway?” David suddenly exclaimed, coming off the wall to stand right in Patrick’s face.

“Do what?”

“Save my life, you fuckhead!”

“That’s my job! What was I going to do, just stand there and let the truck fall on you?”

“Great! Except now I have to, like, be nice to you.”

“I am begging you not to be nice to me, I might drop dead of a heart attack from the shock!”

David’s lip curled in a sneer. “I don’t know what kind of carnage I committed in a past life to deserve this. Look at you with your fireman outfit and your respectably-gay undercut and you probably have a modest tattoo somewhere under there and I could axe-murder you, I really could, you just had to be the big damn hero, throwing me to the ground like some damsel in distress, and that isn’t even the worst part!”

“What’s the worst part?”

“That a guy I can’t stand saved my pointless life and it was so goddamn hot that I might have to jump off a cliff!”

------

...coming soon!

[max-vandenburg-is-life]

Long Loki rant incoming

Ok first things first I've always liked Loki a lot as a character but I don't consider myself a really really big fan mainly because I haven't read the comics. So all this rant is gonna be only about mcu loki and loki in the mcu has been written differently depending on the movie so yeah. And on that note let's go!!!!

So today I'm gonna talk about what I liked and what I didn't like about the Loki show. This is obviously just my opinion, you can disagree with me! I'd love to hear your opinions!

First I wanna talk about is the writing of Loki's character. So previously it has been established in the mcu that Loki doesn't do bad things just because he's a bad guy or because he wants power above everything else, but because after all the manipulation and lying he went through as a child, the abuse, always been seen as less than those around him and being taught to hate himself for who he was (a Jotun). He wants validation and being treated the same as the others, he doesn't really care about ruling or being king. His actions are a result of his trauma. So the show painting him as "He's a bad guy!! He's evil he can't help it it's in his nature!! He just wants to be king!!!" felt off to me since it completely goes against all the previous canon. Apart from that, I feel the show also erased other aspects of him that had always been essential to his character, such as him being very smart and always having a plan, and his powers (he BARELY used his powers throughout the season and he's supposed to be the best sorcerer in the nine realms. Please). So yeah there's that. I didn't absolutely despise his character in the show or anything like that, he generally seemed more happy and chill and that was good, I just felt some aspects of the character seemed inconsistent.

Apart from Loki, something I loved about the show were all the new characters that we were introduced to. Sylvie was absolutely fantastic, she had a well written tragic backstory, she had a goal and she had layers. She was a really well written character. Also she was just really cool overall, she had a cool personality and seeing her use her powers was very fun. (Sylvie your hand in marriage) (I guess I can talk about the "betrayal" now. So yeah not gonna lie I don't think it was that bad. She had a goal she had been pursuing her whole life and she obviously prioritized that before a guy who she met a few days ago. She did hurt him of course but still it's easy to understand her decision.) Mobius was also really cool, in the first episode I didn't like him much but I started liking him a lot later on. He's just a good guy, he wants to help people. (HE ONLY WANTED A JETSKI MARVEL). And I liked his story a lot, he was forced into working for the tva because his memories were erased and he was told what he was doing the right thing when killing all those people, but once he finds out all of it was false he immediately starts going against it and trying to help as many people as he can. Ravonna was also a good character (I keep saying all of them are good characters lol they're well written ok). Like okay she was a little bit evil but I liked her. I really liked her ambition and her confidence. I would have loved to know more about her life at the tva, because it seemed like because of her position she knew some things that most didn't. Hunter B15 was also really good, loved her character development. Casey only appeared in the first two eps but for some reason I liked him a lot idk why. Casey my beloved. Kang was mind-blowing good, he absolutely carried the episode. He was so fun to watch and a very interesting character. This is how you do villains Marvel. And then all the Loki variants were amazing. Classic Loki was great, he was more mature and wiser than the Loki we're used to watching and I felt really sad about his whole situation (aka trying and failing to find his brother because he missed him, getting pruned and then dying). Kid loki was a BLAST, I really liked the little funky dude and I would love to know more about his life. Boastful Loki didn't appear for long but I liked him a lot, he looked like a really funny guy I wish he had had more screen time. And then there was the Lokigator which was also great. President Loki was also cool (meaning he had the coolest outfit), but we didn't see much of him. I think that's a big problem with the show, because they made it seem like it was gonna be more about the other Loki variants and their timelines (that's what it seemed to me from the trailers) but then we barely got that. Sad shit.

Now let's talk about the writing of the show in general. The writers definitely went off with the philosophical conversations, I enjoyed them greatly (Loki's and Mobius' talk in the second ep and Loki's and Sylvie's talk in the third ep were amazing). Something I didn't like at all about the show (this is probably my biggest complaint) is that the writing of the show throughout the episodes didn't seem consistent, like each episode seemed to be a different genre, and that made the whole story feel weird. What I'm trying to say is: the first episode was about Loki learning more about his life and reflecting on why he does the things he does. There was more to the episode but it was mainly that. It was a very emotional episode. The second episode looked like a cop show, they investigated a crime scene in the beginning, they did some detectiving, they had a great breakthrough and found out were the villain was hiding in the end. The third episode was an action episode. It gave me the vibes of mid season episode that isn't too relevant to the plot in which the characters go on some short mission. The fourth episode I can't exactly categorize it I think it was kinda like episode 1 but with some more action. The fifth episode was also a mix, they had a lot of reflecting on Loki's character like in the first episode and then also some action. And the last episode was mostly just exposition and a tiny bit of action at the end, very philosophical and stuff. It also felt like in the first two episodes they were indicating that the show was gonna be about free will and good and evil but that kind of disappeared for a big part of the show. I'm trying so hard to explain myself well, I hope what I say makes sense. Now my opinion on the episodes, my favourites were definitely ep 1, 3 and 5 (haha odd numbers go brrrr). The pilot was absolutely amazing, and I loved the direction the show seemed to be taking (YES MARVEL explore his trauma mmmm that's some good shit right there). It was really emotional but like in a good way. The third episode was great. I think it balanced really well the action and the dialogue, seeing Loki and Sylvie going on their shenanigans, using their powers and fighting was really fun, and then the train talk scene was absolutely amazing (bi loki yay! Gonna talk about this later). The fifth episode was great mostly because seeing all the other Loki variants and how they contrasted between each other was fantastic and I loved it. I really hope we see more of the variants in the next season. The other eps, the second and fourth were okay, the one I think was the worst one was the last one. Damn that episode. It was a very slow episode. Thank god the guy who plays Kang was really good because otherwise the episode would have been impossible to watch. There was so much exposure but it felt like we already knew most of it? They talked about how multiple timelines existing was bad because chaos and stuff, and they talked about the war in which the different timelines battled each other. Ok we already knew this. I feel like the only important thing to take from that whole talk was that Kang's variants are very powerful and dangerous and they were introducing the villain to the mcu. The whole episode felt like instead of giving closure to the characters or ending some storylines, the main thing it was doing was introducing the concept of the multiverse for the next marvel movies.

Something that surprised me a lot about the show is how important it is for the mcu storyline. Like in the first episode they talked about how the tva (and of course Kang) was much more powerful than the Infinity Stones, when basically all previous marvel movies were about them and about their power. And then Kang was revealed to have created a sacred timeline, he controls absolutely everything that happens. All of this is so important and for some reason I didn't think the show was gonna be like this. Not that I'm complaining, this is great. And I feel like a lot of people are not realising how big it is? Like I don't see much talking about how this is literally the greatest power in the universe.

Damn this is getting long sorry.

I suppose I'll have to talk about it because it has been this big thing. I'm talking about the loki x sylvie pairing. I didn't like it too much, it felt a lot like the writers went "he's a guy she's a girl so they have to fall in love", like I felt they had a very different dynamic and when they said that I was mostly surprised and confused. Because they were variants of each other their romance felt weird to me, and the fact that they made a character genderfluid and then made a woman and a man version fall in love also rubbed me the wrong way (I'll talk about the genderfluidity later). I did like the mobius x loki pairing more, but still I don't think they should have got any romance this season, I feel like there has to be a lot more progress in that relationship before any romance. I generally feel like Loki should first start getting some friends and then later on we can start with romance. But yeah this is just my opinion. And all the drama and discourse there has been over this???? Some of you guys look ridiculous not gonna lie.

Ok now let's talk about representation. I'm not poc myself so I don't feel like I'm in the position to say if something was good or bad, so I'm not gonna talk about poc rep. The show did a good job with female characters, many of the main characters were women and they were very well-written, not sexualized and cast appropriately for their age (I can't believe I'm praising this, this should be the bare minimum. Why is media in general so bad. Like please just.) About the bi rep now. I'm sure that the writers or directors of the show had to fight really hard with marvel so that they could make loki canon bi, so yeah cheers to that guys good job. Obviously it's not enough, and I really hope his bisexuality is explored more later. But yeah we finally have a queer character in the mcu this is big. Now about the genderfluid rep. OOF. I have a lot to say about this. It was bad. Really bad. I don't know if they just don't know what genderfluid means but that's what it looks like after watching the show. Not only were all of the variants cis, but they also went on to say that Loki as a woman was a weird and uncommon thing. Oh my god. And what angers me the most is the fact that Marvel used the so called genderfluid confirmation to their benefit. They exploited so much that little piece of paper that said his sex (not even gender) was fluid. I saw SO MANY articles praising marvel for making him canon genderfluid, and then it was absolutely shit. Absolutely shit. Out of everything in the show this is definitely what I hate the most.

Gotta calm down now. The soundtrack of the show was amazing, the actual songs they used were perfect and then the music they composed for the show was just *chef's kiss* (i have no idea how they're called but the song that plays during the title sequence WHAT A BANGER and the one that plays when loki and mobius are looking at the whole tva from the balcony in the first ep WHAT A BANGER). The aesthetic of the show was also great, the colours were really pretty (Lamentis bi colours my beloved) and I think it had some really cool shots. The acting was great, I'm gonna highlight Kang because I thought he was amazing. The costumes and that stuff were also really cool, I really liked seeing all the different versions of outfits they gave to the Loki variants (if anyone is interested I made another post reviewing all the variants' outfits) and Kang's funky costume was great too. The design of the places and that stuff (I have no idea how to call these lol I'm trying so hard but I don't know any of the technical words) was great: Lamentis was really beautiful, the void was also very cool and the tva was really well designed.

Ok y'all I think this is it. I'm so sorry this is much longer than I expected and if anyone actually reads all of it i love you and PLEASE tell me your thoughts (if anyone wanna chat about the show with me privately send me a message!!! I love talking with y'all). A little final note, English is not my first language, nor my second, so yeah sorry if I can't explain myself well. Bye!!!!

[flowervolcano]

It’s finally time I sat down and just wrote this whole thing so I can get it off my chest and maybe help flesh things out for the majority of the fanbase.

Black Widow Spoilers are upcoming, scroll past if ya don’t wanna be spoiled.

Let’s start with “Hello, I am a Tony Masters fan, I adore him and his personality and generally everything about him, of course I am going to be upset that his character suffered such poor writing and adaptation, because it was insulting and gut punching to see a character you love be poorly executed.“

continue reading please because I’m trying to be reasonable here and share what a majority felt when viewing Black Widow (it may differ from yours but I hope it enlightens a few who may be confused or whatnot about this topic, generally it’s how I feel the fanbase as a whole had been handling it poorly)

quick side note, no one wants to feel their opinion doesn‘t matter, so be mindful the next time you fight someone just because you disagree, I love debating and talking so you can come at me if you disagree, I like educating myself on these things too in case someone can bring up actual arguments that prove their side and reasoning, on the other hand if I hear one more “it’s because she’s a girl huh?” I might very well scream.

Is it bad because he turned out to be a woman? Why is this the first thing that gets debated??

Let me explain just how annoying it is that this is the debate whenever it cuts down to it.

The answer is yes and no, I will explain why, because I don’t believe the gender should always matter to a character.

Although everything great about Tony was stripped from him, all of it, only the title “Taskmaster“ and I guess the color scheme if you will, stayed the same, it would’ve been the same trash written character even if he wasn’t a girl, because they had no personality no resemblance of the beloved character in the first place, which is why it is a bad idea to have changed him into a woman, why you may ask?

it’s the image, it creates an idea that women cannot be as great as men, that a female version of Taskmaster would just suck, be terrible and useless, it paints Antonia to be bland plot device character to show Black Widow‘s pain and suffering. The character herself has no substantial personality or drive, nothing, she’s just a victim. And yeah it is a tragic story I won’t say it isn‘t but it didn‘t work for me, and for a lot of fans as I’ve witnessed.

It would’ve been more effective to had foreshadowed the possibility of her being alive only to find that she had died and Natasha would then have to live with the fact that she murdered her for ”nothing” but no instead we decided that she would survive, only she was brainwashed, so there’s no real vendetta or motive as to why she tried to kill Natasha, it would’ve been more impactful if Antonia was angry with her attempt to kill her, wanting to show she could best her in every well possible. Like trying to tarnish her Avenger status.

There were variables on how to make Taskmaster a better written character, there is potential but I personally would like the Mandarin effect (which I love the comic Mandarin I was so mad in IM3 so I can’t believe they did it x2)

On top of it the fact that the plot twist you could see coming a mile away also felt like the biggest after thought in the whole movie, it felt like they had a different direction they were originally going to go, but they took the easy bait of “we need a big twist” which Marvel has suffered for years on, always with some twist and it’s getting sickening to see it happen every movie.

Besides the point, it doesn’t go over well a lot of the fanbase is conflicted, angry and there are actual debates, which it happens we have differing opinions, its hard to find a thing we all agree on… and yet the only defense I’m seeing is “it’s because she’s a girl now?“ “you just hate women.” I’m tired of being told it’s sexism when it’s not, this version of Taskmaster was already doomed, they didn’t wanna go a comic accurate to begin with, you can tell by how ugly the suit was. (no cape?? not even the mask was cool)

I had already suspected from the beginning of the first trailer that was NOT Tony Masters, something about it just felt like Blindstrike from Stretch Armstrong to me (they kept making it seem like a dude only to reveal it was a woman, although they executed that perfectly please give it a watch)

I had already called it, we barely even met Taskmaster yet I knew it from the trailer, I didn’t enjoy the movie it played out exactly how I expected (which my expectations were low)

I found it insulting for a few reasons, it made it seem like Black Widow is either too good or not good enough to fight a man, it felt like they wanted to push how powerful women are, which I’m all for, women are very powerful I would know because I am one.

But it rubbed me the wrong way that she can’t have an enemy go toe to toe with her unless it’s a woman?? It didn’t sit right with me, is this meaning she can’t have a rival that’s a man because men or stronger or weaker… that’s where my head went, the gender shouldn’t matter to her ever, we know Natasha can take out anyone, so why the sudden change of a character whose always been a male?

I understand the MCU wants to be diverse, but there are more female characters than a lot of the fanbase realize, the MCU has barely scratched the surface, instead of changing other characters drastically in the name of “diversity” they should just pull actual diverse characters, or create some, this version of Taskmaster doesn’t feel anything like Tony Masters, they lacked all flair, the fact that it’s just Winter Soldier and Ghost from AMATW 2.0 is just lacking.

it’s something we have seen before, and this wasn’t needed to “full circle” Natasha‘s story.

It’s not because Taskmaster is a girl that is the problem it’s the general writing that felt like they didn’t really care about the character and changing it to be a girl was like leading a lamb to the slaughter, so many fans were going to be enraged because they ruined everything about the character, so you should be mad they put the actress in this position, they chose to do that to the character and it feels like it was done on purpose, just for the reaction.

The character was already bad making it a girl just made it worse because it just felt bad. It gave me the impression that a female version of Anthony Masters is just boring, that is not what we should think but so many are, and yes a lot of people are mad just because it’s a woman because they might get the idea that the character would’ve been better if he was written to be a male, but what we all really want is just a good adaption of the character, that’s all, he very well could’ve been a woman and everyone might’ve been alright (some might be iffy or mad you cannot avoid this) but I know with good writing I would’ve been fine if it was Toni Masters, not this Antonia Dreykov.

And that is what I really could not tolerate and handle with what they did to Taskmaster.

It didn’t feel like they had plans to flesh the character out they were just marking boxes on “what comic character can we use for Black Widow” checklist.

I freaking love Tony Masters and he (and she) deserved better writing all around than what the MCU gave them (and us)

There was more I was going to add on but in my frustration I began to forget where I was going with this and didn’t get to properly express my feelings.

Now next time you see someone complaining over Taskmaster don’t just assume they are sexist, there’s so much more depth to the character which is why we’re so angry over this iteration, and the fact that people defend the character just because it’s a girl doesn’t go well for me, that’s a poor excuse for people who had more pressing reasons why the character was a failure, not because they’re a woman but because it feels like we can’t dislike them because they’re a woman.

Imagine if your favorite suffered the poor writing just for a different characters development, it is a terrible feeling and having people tell you not to be upset or say you’re sexist for being upset is so invalidating.

Not to mention that the MCU continues to erase many traits and personalities of characters and on top of that, their sexualities (where is that diversity??) is already frustrating but it’s starting to feel like the writers don’t even value the characters they have.

[amaryllisblackthorn]

theory/thoughts on maligula’s identity based on everything revealed so far (psychonauts 2 spoilers!!)

similarly to my other post, this basically involves an indepth look on things revealed in the peaks we’ve gotten into the game so spoilers especially if you don’t want to know what what may happen in the story beforehand based on close inspection of trailers and other stuff (including like, spotting concept art in the background of a video and such)

so based off of everything revealed about the game so far

lucrecia is almost definitely maligula. the only thing that’s an obstacle is the concept design of current lucrecia as a small old lady, but rn there’s so much indicating lucrecia’s maligula. there’s the imdb voice credit, there’s the fact that it’s the “psychic six” and not the psychic seven -- that lucrecia is the only one from the stumps at camp to be excluded from the stone tablet mural in hq while still having a depiction in the game on a stamp in ford’s mailroom mind level connected with the others which means she’s still relevant -- !!! 

basically: she’s excluded, and also relevant in the game, which means there’s a significance to her being excluded.

maligula is also described in the recent  Psychonauts 2 Developer Showcase as being one of the first enemies the Psychic Six fought. that certainly fits a former member-turned enemy, along with everything else. 

maligula is absolutely related to the galochios, which means lucrecia mux is related to the galachios.

my current tentative theory is that lucrecia/maligula is zalto galachio’s wife who lost herself to grief after her daughter died and. became murderous i guess. 

theoretically she could also have been a galachio who married out? but that’s why i said tentative theory.

the recent developer showcase stating that raz’s family history and the founding of the psychonauts being close/connected and the showing of the confrontation scene of maligula, helmut, and who i’ve been tentatively thinking is ford but could be someone else (like potentially lazarus or even  some random dude) being shown when tim schafer talks about how ‘the aquatos have been cursed by a mysterious figure to all die in water’ seems to further support this. in fact, it seems to suggest that maligula and not zalto was the one to curse the aquatos -- which honestly kind of reminds me of how they changed the second head of psychonauts from being Herndon to Hollis.

technically there could be another reason for the galachios to hate the aquatos and kill raz’s grandfather other than the death of augustus’ mother since the backstory from the lipo document isn’t technically canon and is liable to changes (like ford’s backstory + involvement with the psychonauts for instance) but i really hope they keep that  because i  really like the whole twisted aspect of the galachios (whether it be maligula, zalto, both) tormenting the descendents of their daughter out of projected blame and hate when it’s also their family too like. i really dig that so i hope that stays the same. 

maligula/lucrecia is also probably the reason helmut’s brain is separated from his body//that his location is ‘at the bottom of a frozen lake’ in grulovia -- where the aquatos were cursed to die in water -- on the letters in the mailroom level.

i’m sure there’s more to it and that im missing stuff but this is my tentative theory for now -- and i’m sure there are more  people who had similar thoughts. 

there is that concept design of current lucrecia as a small old lady that poses a possible threat -- maybe the lucrecia/maligula connection ends up being a redherring or something idk -- but maybe they ended up changing their minds during development or something. or maybe something else. idk. and that’s why i’m excited for the game haha

before i go i kind of wanna mention that before we really knew much about maligula and that she was a confirmed “mass murderer” i hoped it was gonna be marona/augustus’ mother than zalto would raise from the dead but she’d either turn on him bc he literally killed her and then her husband and did the opposite of  caring for her son so why wouldnt she??? or do something akin to Mary Rose by J.M. Barrie where she’s  kind of mindless/destructive with only focusing on finding her  son who is still a baby to her; also there’d be a level inside zalto’s mind where raz would eventually make him deal with his grief and the guilt he’s been projecting and not dealing with for killing his daughter. i’m kind of sad this isn’t the case --- although i know whatever it’s actually gonna be is gonna ne great !!!! dont get me wrong  -- but i still think this was a kind of neat idea so i wanted to write it down somewhere lol. basically i really want the marona’s descendants/galachio family connection existent and explored, which hopefully we’ll get no matter who maligula ends up being.

phew this was much longer than i intended it to be and kind of a mess but i kind of wanted to write my thoughts down before the game came out haha and the recent showcase kind of cemented some of my thoughts which stimulated me to do it

oh before i end i just remembered something i forgot that i thought about. i wonder why lucrecia's excluded from the mural tablet thing in HQ and from the "psychic six" but not from camp via the stumps?? interesting.

[an-american-teen-against-crime]

Why You Should Watch CW: Nancy Drew

Now hear me out- if you’re reading this post, you’re either one of three people. 

1. You’ve already seen the show! So you can either skip this or read it to reminisce about the show

2. You don’t give a flying fig about this show and haven’t really interacted with it much

3. You’ve seen some stuff about the show, at least enough for you to decide it looks like crap 

Well, allow me to recount why this show is actually amazing and you should give it a chance/second chance :) (heheh since that’s...that’s yakno....second chance...okay im sorry) 

Preface:

Now, I was really skeptical about this show at first too, don’t get me wrong. When I heard it was going to be on the CW I was like “.....good luck with that.” I have watched a lot of CW back in the day and they are certainly deserving of their reputation. I saw the casting and I was like WHAT !?!??!!? 

When the trailer came out, like everyone else I was salty about the inclusion of ghosts/the supernatural and hoped this wasn’t just another Supernatural taking on the name of Nancy Drew. (I enjoyed the first few seasons of Supernatural but not after and also these are two very different stories)

However, the trailer was indeed intriguing and made me decide to give it a chance, despite it having that darker undertone. 

I watched the first episode, and while still a little skeptical, I was hooked. 

The Actual Show Content:

Writing:

The actual structure of the show is really well done. It has an overarching plot, in fact, several plots, two intertwined mysteries, as well as character and relationship development. There is a balance of answers given to the viewer over the course of the season, while still leaving questions to keep you intrigued so that it doesn’t get frustrating while also not revealing everything at once, so every reveal feels earned. 

The mysteries are also very well written, leaving clues along the way, that helped me solve what was going on but on the times I missed the clues I could re-watch and see what I missed. They are set up well in a way that the viewer can figure it out themselves, but not so much that it’s crazy obvious. And honestly making theories and predictions about this show is one of the many fun parts. The ending to the mystery is ultimately very satisfying which made me happy.

Sure, you have your classic CW relationship drama, but I think it was actually toned down for this show. There are a lot of changes, but the show has a very distinct feel to it, and I think ultimately holds the core feelings of what makes Nancy Drew such a special character. They have so many references to the books, and show so much care for the character’s lore and despite the changes, there were so many times I really felt I could see the original character coming out in them- it’s a different version, but honestly ever form of Nancy Drew media is different- this is just this specific version. 

Before I get into characters, I would like to mention the fact that while there is an additional element of the supernatural, it works really well for the plot and ..... no spoilers but I’m actually so glad they put it in. Despite the supernatural angle it still very much works as a mystery structure which is the most important thing to me.

Characters:

I love Nancy so much in this version. Kennedy McMann is what I think of when I think of what Nancy’s face looks like. She’s a lot colder than the Nancy I’m used to, but that’s understandable considering her circumstances- and I think you see her grow and open up over the course of the show. 

She IS Nancy though in my mind- her witty remarks, putting the case above her own well being, the breaking and entering, the clever tricks to find information, putting the pieces together, all that. And the emotion Kennedy is able to portray is amazing- this show made me cry. You really feel for Nancy. 

One of my favorite things about this show is the classic “I work alone” and a bunch of friends being like “do you now”. But it works so well as you see the group grow to trust each other and work together and care for one another. I am a SUCKER for found family stories and the Claw gang is wonderful. 

Bess is her usual bubbly self, probably the casting I was the most disappointed with, but the actress does a wonderful job. Her whole story is a lot different and she’s not George’s cousin, but the personality??? Is perfect. 

George is probably one of my favorite characters to come out of this show. Well... I love them all so much but she really sticks out to me. She had a completely different arc from what I was expecting and at first I was like “really...this is what they’re going for...” but honestly I think they really turned it around and.....I just love George and I care about her and want her to be happy. Also she does seem a bit different but she has that brash, kind of tough personality that I feel is classic George. :) 

Nick/Ned: I still forget to call this man Nick, but oh well. I love him. Probably one of the best actors on this show. He’s so sweet. Like so many times there are things he says and I’m like OMG THATS NED!!!!!!! Like one time they ask him what he found out from following someone and he just replies “that I don’t like following people.” Like tell me that’s not something Ned would say. He’s. He’s a great man. I would date him. He is a comforting soul.

Ace is a new character for the show that made me so confused I was wondering why he was here- but the Claw gang...Claw Crew would not be complete without him. He’s got some of the best lines and is basically this show’s version of Joe Hardy. He’s also really smart,,,,, and got some secrets but I’ll leave them for you to find out. ;) 

Also side note Carson is amazing and honestly perfect. On point. Very solid characterization. 

Anyways....I love this show. If you wanna try it out before season two comes later this month, it’s free to binge the full season on the CW website, or you could probably buy or rent it if you’re feeling boojee. 

Please go watch the show and then come talk to me about it!! Or live blog your reactions. Either ways, just please get in on this great piece of content. :D

Also I wanna tag @naancypants and @nancydrew-onthecase queens of this show and the Nace ship :3 

[hope-faith-love-abide]

I haven’t been keeping up with Heartland season 14 updates the past few months, but I decided to catch up on some of it since the premiere date is coming up and the teaser trailer was released recently. And I noticed some interesting speculation about what might happen in the new season, and I have...a lot of thoughts about it, haha. I think I need to write it out in order to really sort out my thoughts and feelings on it, but I think it might get kinda long since it’s pretty major, so I’m going to put it under a cut. 

[NOTE: This post was written approximately a week or so ago, and I’ve been just sitting on it trying to decide if I wanna post or not. But having watched the full trailer for Season 14 now...I’m like 95% certain that this seems to be the route that the season is going. Still have about 5% doubt because trailers can be misleading and I could just be reading into it. We won’t really know for sure until we see the first episode, and I’m so torn between being somewhat excited just because I want to know for certain and nervous because I know I will still be sad if it’s true.

Either way, I wanted to get my thoughts down before the season premieres so here it is I guess lol]

So...it’s actually possible that Ty might die/be dead when this season begins? Which is utterly bizarre to think about because I never would have considered this to be an actual possible situation for the show. Even when there was that summary that leaked earlier this year, I still didn’t think it was a real possibility. I thought for certain that was fake, because this is Heartland. It’s one thing for a side character to disappear from the show or to be killed off, but a main character? A main character can be hurt, injured, and on the verge of death, but they won’t actually die. Especially not a character who is in one of the two major ships on the show.

Until now?

Of course, if this does happen, I don’t think it’s something anyone on the show wanted, not even the writers. In an ideal world where every actor wanted to be in every episode of the show, I imagine they’d be perfectly happy continuing to write that story.

But in cases where an actor no longer wants to be a main character on the show -- well, obviously I can’t say definitively that this is the case, because as far as I know he has never specifically said this in an interview, but from an outsider’s/fan’s perspective, it feels like that is a possibility. I don’t know the reasons behind it though, and I’m not going to go that far into speculation.

But let’s go with this scenario hypothetically. Because it does sometimes happen with television shows, where an actor for one reason or another no longer will be part of a show. 

What do you do with that character?

The character could be recast, I suppose, but I don’t think that would work in a show like Heartland. How would we explain in-universe why Ty suddenly looks different when everyone else is still the same? Even if you can find an actor that looks similar enough, we know what Ty looks like after 13 seasons, and I don’t think anyone would be fooled into thinking it’s the same guy. I guess it could be explained with the trope that he got into such a bad accident that they had to reconstruct his face, but that feels cheap and too much like a soap opera. 

So that’s a no.

The character could be written out in other ways. Ty could just be off screen somewhere...all the time. He’s at the clinic, he’s spending the day with Lyndy, he’s at a vet conference, he’s gone back to save wolves from poachers again, he’s gone back to Mongolia for the third/fourth/fifth/ten billionth time. 

That, honestly, would be frustrating. It’s maybe the least painful short term option, but long term, it’s not very enjoyable. It’s like when important side characters suddenly disappear from the show, occasionally mentioned but never seen on screen again, only 10 times worse.

Or he could be written off by...y’know, breaking up him and Amy. Which, frankly, is the absolute worst option in my opinion. It would immediately, retroactively, destroy the entire show, past, present, and future. Ty and Amy aren’t the only important part of the show, but they are a major part of it. The show has spent 13 seasons building up this relationship (with obvious ups and downs throughout, but I’m not focused on analyzing their whole relationship in this post), so to suddenly turn around and have them divorce would be an absolute trainwreck. 

What would even be the reason? Even with some of my disagreements in the writing of certain decisions the characters have made (*coughtheMongoliaplotcough*), I don’t think those are reasons enough for these two characters to break up over it. So something new would have to be invented, and it would likely be something completely ridiculous and out-of-character for them both and also likely ruin their character development from past seasons. 

Which leads us to yet another option: Ty dying. A year ago this was something I never would have considered for the actual show (or any of those other options, frankly). It could be interesting to explore in a fanfic, but on the show? No way.

But...things change. Reality sometimes gets in the way of a television show’s ideal storyline, which is one of the difficulties of the medium, especially a live action one. And just because one actor hypothetically doesn’t want to be on the show anymore doesn’t mean it should be derailed for all the other actors and crew who are on board.

So you get rid of the character. It isn’t hard to do. Probably the hardest part will be the very first episode when it’s revealed to the audience. How did it happen? Did it happen before the season begins, or does it happen in the first episode? Or if it happened before, do we get any flashbacks? 

Is it due to complications from the gunshot at the end of season 13? A freak car/motorcycle accident? An accident during a vet call? Depending on what it is and the context of it, it can be a strong final note on the kind of person Ty has become. If during a vet call/because of an animal, it happens while he’s doing what he loves, taking care of animals. If from the end of S13, it’s from him protecting his wife. If a car accident, maybe he was going to pick up Lyndy to spend time with her after leaving a vet call, because he’s a loving father. All of those are inline with Ty’s character and still support the growth that he’s had from the first episode to now. 

And then there’s all the story potential and character growth that it opens up for all the other characters. Because this is something that majorly impacts the entire family. And the description of season 14 that was put out does talk about a “life-changing challenge,” particularly for Amy for obvious reasons.

How does she deal with losing her husband? They’ve been together for so long, not just as romantic interests but as best friends. What does her life look like without him in it? How does this affect her work? Is her work with horses a comfort for her, or does it remind her too much of him? How does she guide Lyndy through this? 

And then the rest of the family. How does Jack deal with his loss? Considering Ty became like a son to him and “officially” joins the family when he marries Amy, how does it affect Jack to lose him? Especially if it was in something like a car accident, similar to Marion. How does it affect Jack and Lisa’s relationship? 

Not to mention Lily, and Lou, and Georgie, and Tim, and Caleb, and Scott, and Cass. Ty was a huge part of all their lives, so this will affect them in major ways too. 

Again, it’s not ideal. But I do feel like this option provides the best story opportunities without ruining the characters in the process the way certain other choices would. 

And, of course, this is all purely speculation. We won’t really know what’s going to happen until the season actually airs, and it’s entirely possible that the “life-changing challenge” will be something completely different, and Ty will be fine. And if so, that’s okay with me. 

But if Ty is gone...I think I could learn to be okay with it. Though it does still depend on how they handle it. Like if everyone’s sad about it for one or two episodes, but then everyone immediately moves on and everything’s fine, then I wouldn’t be happy with that. We don’t need a whole season of everyone crying all the time, but we also don’t need this to be something that’s swept under the rug. We, the audience, will need time to grieve along with the characters. Because this is a main character that we could be losing here, not just a minor side character like Mr. Hanley for example. So I hope we get to see all of the characters going through the stages of grief and processing their loss in their own ways throughout the season.

Anyway, it was nice to write through my thoughts on this. It’s kinda funny thinking about how not that long ago, I would’ve been completely 100% against this idea ever happening in the show, but now I’m like almost on-board with it. Maybe it’s the effect of 2020 or something lol

[destiny-smasher]

“But I can't walk on the path of the right, because I'm wrong.”

So, The Last of Us Part 2 is out. It’s about 25 hours long. I’ve played it. I loved it, but it’s got its flaws. I think the hype buildup was overblown, and I think the zealous hate from the leaks was also overblown. This is a beautifully produced game that is trying to do much more than the typical AAA game tries to do, and in so trying, it’s messier, muddier, and more complicated than its predecessor. I love it for that, despite my issues with how the game ultimately resolves things.

I think Naughty Dog was either intentionally misleading audiences (which, given the marketing, is possible) or perhaps Neil himself has a different concept of the game he directed than what was actually delivered. Despite how it was advertised, The Last of Us Part 2 is not inherently about ‘hate’ or ‘revenge.’ It’s not just a revenge story.

It's a story about empathy, about how human beings and their interactions have layers, and how we are better when we extend blind empathy to others instead of blind hatred. I gotta talk about this. SPOILERS FOR THE ENTIRE GAME to follow.

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Seriously, final warning for SPOILERS.

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This game is simply too big, too complex, and has too much going on for me to write a single piece going over everything there is to talk about, but there are some things I need to say that inherently rely on discussing the entire game in a spoiler-filled way.

Let’s start with the most noticeable thing that has hit me over this game’s reception: people like Joel way more than I would’ve expected. SO much of this game’s negative reception seems to be over Joel’s character and the circumstances around his death. I was not at all surprised that he died - I was a bit surprised at when and how he died, in the moment, but even by the end of the next scene, it had washed over me how much sense it made. He died in the same way everyone else dies in this series. He had it coming in the same way anyone else in this world has it coming. He was never a hero. If you truly look at Joel as a ‘hero’ figure but don’t extend that same logic to Ellie and Abby, you do not make sense to me.

I’ve seen a LOT of hate getting thrown at Abby, and frankly, I do not understand it, and if you hate her but do NOT hate Joel or Ellie similarly, then I inherently don’t respect your opinion? You’re being blatantly biased and unreasonable in exactly the way this game is arguing you should not be. Straight up. Get your transphobic jokes the fuck outta here. Get your homophobic takes on Ellie and Dina the fuck outta here. Get your xenophobic complaints about the MUCH more diverse cast of characters in this sequel the fuck outta here. The ONE case where I could see a reasonable thing to be conflicted about is Lev’s character, because they are a transgender kid who gets deadnamed by some NPCs. As a transgender person, I personally found this to just...make sense and feel organic to the world, and none of the actual characters in the narrative with names or roles in the story ever deadname Lev. Lev is fucking precious and I love him, and I think his inclusion adds inherently more to this game than otherwise, despite the understandable conflict some might feel about his backstory. To ME, the fact that all of what Lev goes through and how Yara and Abby do what they can to look for him, that says to me, “protect trans rights” and I am glad it is there. Trans people have to deal with that shit sometimes, I think it’s fine having it be PART of a wider narrative. It doesn’t define Lev’s story, it doesn’t dictate the plot of the game, it’s a spark that sets some events off and I think that adds more than it could potentially take away, as does the overall representation in the game.

Getting back to this element of bias, though, I get that you “went on a journey” with Joel and Ellie in the first game. I get that. But you spend about as much time with Abby in this game as you did with Joel in the first game. And I see a lot of people are SOMEHOW totally fine and chill and cool with Joel going on a murder rampage in the first game, specifically killing at least one man who was specifically trying to save humanity - they cite that Joel is a morally gray person who has done bad things and is trying to become a better person. Sure, cool, OK. And Ellie, sure, ya’ll will think her going on a bloodthristy revenge quest is cool, fine, A-OK, because Joel was murdered. But somehow they are physically incapable of extending that same empathy to Abby, even after the game bends OVER BACKWARD in every reasonable way it could. Why is this? One person tweeted at me the simplistic, reductive idea, 

“ I know the sensible thing that naughty dog was aiming at was that we'd feel sorry for abby and eventually grow to like her, but for me I just don't. I loved Joel and I love Ellie. They didn't kill anyone who I loved as a character. Abby did. “

At least they’re being honest with themselves in that they literally missed the entire point of the game. You having personal bias you cannot remove yourself from does not make for “A DEEPLY FLAWED STORY” or whatever the fuck people have been tossing around.

I personally don’t buy any of that bullshit until we get into the final hours of the game during the epilogue, but we’ll get to that.

Everything in the first 20-ish hours of this game felt organic and believable and completely in line with the first game to me, and the fact that ALL OF IT happens as a direct after-effect of Joel’s selfish act at the end of the first game really contextualizes how/why it was called ‘Part 2.’ So honestly, all of this nonsense about this sequel being ‘badly written’ is just...bonkers. I will agree it’s not some master class in writing - neither was the original game. But both games are very similar in writing style, tone, and the world presented is consistent, while character motivations are realistically complicated. Naughty Dog has never been great at plot, but the real quality of their work comes through in how much effort they go to in order to present realistic feeling worlds and characters, and from the environments to the actors to the extra animations on top, I think the details and the context they create are where they shine.

To better understand where I am coming from with this game, let me lay this on you.

During the scene in that basement, when Abby shot Joel in the leg, and Ellie shows up...I realized what was about to happen. Ironically, it was exactly what I had originally predicted was the thing going on WAY back when the game’s reveal trailer was dropped -- that Joel was dead, and was motivating Ellie’s revenge quest. If you’ve read what I have written of Arcadian Rhythms, you will have some idea of my feelings on Joel and Ellie’s relationship -- in short, I think it is complicated, and just as damaging as it is good. That’s real life. That’s how reality is for many relationships, especially ones between parents and their kids, especially in my experience. When I realized Joel was about to be murdered, my feelings and thoughts were not jumping to ‘oh fuck what an asshole I wanna kill these people’ or ‘oh no not Joel’ but rather, my immediate gut thoughts were ‘yupppp Joel kinda deserves this, he literally did this to who knows how many other people, but why are THESE people, specifically, out to get him?’ 

When Ellie later cites to Dina that there’s ‘no point’ in speculating as to why these people murdered Joel, because it could be for one of many possible reasons, I found that to be interesting -- Ellie herself acknowledging that Joel had fucked over many other people, while still pursuing revenge herself.

I do think the theme of ‘the cycle of violence’ is very core to this game and arguably is its strongest central theme, specifically because violence in wholly integrated into its gameplay. But narratively and structurally, empathy is, I would argue, even more paramount. This game spends about 12 hours of its runtime (so about half of the entire game) actively trying to encourage you to understand, relate with, and empathize with Abby. The developers COULD have had you swapping back and forth between both characters, which might have resulted in better pacing, but I think it would’v taken away from what they were going for. It’s that long, slow burn that makes Abby’s side of the story work, in much the same way the long, slow burn of the first game does what it does, and the way the long, slow burn of Ellie’s revenge quest helps us see just how far gone she is.

But “arghh I hated Ellie she kept making bad decisions that made no sense” some of you say, “they did her DIRTY” some of you say.

No.

Joel did her dirty.

The Fireflies did her dirty.

And it’s this exact concept -- that our actions and choices have consequences and ripple outward beyond what we can initially imagine - that is at the heart of why I think I love this game so much. Most video games depict a pool of water that is either a constant whirlpool, a raging clash of waves, or stone dropped in the middle and the ripples spreading out. The Last of Us Part 2 is more like a series of ripples all happening simultaneously, and not all of them are as apparent or even important, but it’s just...a bunch of ripples all happening all over the place.

And it breaks my heart, during 2020, a year when human rights, systemic racism, a worldwide pandemic, late capitalism, and entire countries submerged in protests because their government is fucking them over...has people shutting off or refusing to turn on their empathy to anyone outside of their bubble. In 2020, when the world needs empathy more than any other year I’ve experienced in my life thus far, a game like this goes SO FAR above and beyond what most games try to do, in a very risky and controversial way, to actively invite its players to fucking STOP AND CONSIDER for a damn moment that there’s more to the world than JUST YOU and what you care about. That your actions have consequences beyond your singular perspective.

Ellie is fueled by rage for a number of reasons, and we don’t even understand all of them until literally the final moments of the game, which I found to be appropriate as it ends on a note of reminding us that there is ALWAYS something we don’t know, something we don’t understand, motivating someone else’s decisions.

Ellie was robbed of agency, of purpose, by both Joel and the Fireflies. Joel robbed both Ellie and the Fireflies of their purpose. And the Fireflies robbed Ellie and Joel of theirs. In return, Ellie is left without purpose, and all she’s really left with is a broken man who desperately wants to be a dad again, to the point that he will murder and lie to hold on to that. Don’t get me wrong - I don’t necessarily hold it against Joel that he murdered people to save Ellie. I will always defend the idea that it was a fucking selfish decision that would realistically lead to consequences. But in the same way Marlene points out to Abby’s dad, ‘What if it was your kid?’ ie ‘What if it was someone you loved?’ I get that, that’s the beauty of how the first game ended. It presents a zero sum game where there is no ‘correct’ choice that everyone can agree on, but in the back of our heads -- and Part 2 actually states this as a point of fact -- we all know Ellie would have CHOSEN to sacrifice herself, had she been asked.

So it was deliciously realistic to me to see Ellie grappling with the frustration, distrust, and anger of Joel having not only robbed that purpose from her, but having lied to her about it. And in the end, it was also wonderfully realistic that part of why she hated Abby so much was that Abby inadvertently robbed her of her chance to try and rebuild and repair that broken relationship.

But here’s the thing, though - the thing I see fucking NO ONE talking about, and I can’t decide if it’s because no one is picking up on it or what.

Both Ellie and Abby are haunted and driven by broken men making selfish choices. Their selfishness keeps both characters kind of locked in to desperately grasping at violent acts to justify a purpose.

Some will play the flashbacks with Joel and will feel warmth and nostalgia and admiration. Some will play the flashbacks with Owen and feel disinterest or disgust because ‘why should I care about these people?’

For me, I couldn’t help bu draw parallels to how both Owen and Joel were men trying to be good, you know, not being specifically evil people, but men who were a bad influence on the women around them, who were great and good and charming and all that until things didn’t go the way they wanted, pushing and prodding with passive digs and pressure to reaffirm their own hopes that despite their mistakes, they’re ‘good men.’ Owen is admittedly much less well developed in this regard, partly because his arc just isn’t as deep or interesting, partly because he didn’t exist in the previous game. But I still could not quite shake it. I grew up with men like Joel and Owen as my father figures, so there’s personal bias there.

I literally had an actual nightmare that woke me up in the middle of the night partway through playing through this game because Joel was in it and I said or did a thing he did not like, and his reaction spooked me awake, in part because I LIVED that growing up. (not murder, but violence, passive aggressive manipulation) I absolutely adore the depth given to Joel’s character, that he has LAYERS to him, and I loved seeing Tommy similarly expanded upon. (him passively prodding at Ellie to try and make good with Joel felt a little manipulative, given that he KNOWS what Joel did; and even his wife’s prodding at Ellie at the game’s outside to ‘make good’ with some old jerk who seems all expectant about being rewarded for basic apologizing, ech)

Last of Us is a horror game, Part 2 even moreso, but it was the feeling of men like Joel who do bad things and then try to justify them after the fact that actually creeped me out more -- all the more creepy because I KNOW Ellie and Abby will give up on better choices to try and ‘do right by them’. I was relieved when Abby began to break free from these old, poor choices, even shortly after making more fo them during her half of the story. This brings me to another fascinating aspect of this game: how Abby’s story is a combination of both Joel’s and Ellie’s.

Dunkey (of all people!) recently praised this game and compared Ellie’s and Abby’s narratives to TLOU1 and Uncharted 4, and I agree with him in a lot of regards, there, but I think what the team was more going for was for Abby’s story to feel like a combination of Joel’s and Ellie’s while simultaneously being directly impacted by Joel and Ellie’s story.

Abby grew up in a military community, even though she expressed an interest in science -- just like Ellie. The death of her father drives her on a quest for revenge -- just like Ellie. She does some horrible shit to people all in the service of trying to protect a kid as some desperate attempt to feel better about all of the bad shit she’s done -- just like Joel. She starts to let herself be empathetic to other people and tries to become a better person because of the kid she takes under her wing -- just like Joel.

In a way, you could argue Part 2′s overall story is kind of repetitious. Ellie’s quest for revenge is a bit too narrow-minded and blind in her rage, and Abby’s story kind of recycles many components we have already seen up until that point. I think what’s there still generally accomplishes what it set out to do: get us to question and try to understand why people do what they do, and consider our own place in that cycle, in those ripples.

I think many aspects of this game that look circumstantial on the surface are not accidents.

I think the recurring imagery of water is an allegory for how we can let rage, anger, and hate drown us. The game’s title starts with a boat drifting in water, and the title changes after the ending to a boat that is beached. The Seattle arc shows a gradually increasing focus on water flooding the environments, culminating in a big rainstorm with crazy waves. The final fight sequence (which tbh I hated but we’ll get to that) takes place literally IN water, involves Ellie trying to drown Abby, and ends with the two of them going separate ways in their boats.

I think it’s no accident that Abby and Ellie’s desire for vengeance is ultimately caused by the same specific moment, and I think it’s interesting that many people seem to skip RIGHT OVER the idea that Ellie feels such a deep sense of rage at Abby killing Joel only because Joel made the decision that caused Abby to kill him in the first place -- and the good and bad that came from that. It’s just a brilliantly complicated web, I think, and that further highlights that none of these characters are inherently good or evil, which is pretty much the entire point of this world in the first place.

I think it’s interesting that both Ellie and Abby grumble insults all of the time over the people they’re killing, and both try to justify their violence with thoughts like “well we’re better then that, we don’t do THOSE kinds of things,” which is, ya know, literally the kinds of mental hoops actual real human beings jump through to justify doing bad shit to each other.

I liked the idea of the trading cards until fairly early on when I found the ‘Dr. Uckmann’ card, which...made me roll my eyes a little at first, until I read the description, which then made me feel more actively uncomfortable than maybe anything else in the entire game, to be quite honest. Partly because it rang of entitled self-importance, but partly because of the reports of Naughty Dog crunch culture.

And on that note, let’s talk about how this game arguably crunched its employees way more than it needed to while simultaneously making its story more bloated than it needed to be.

Don’t get me wrong, I love indulging in more STUFF than it required. I can totally see the appeal of writing extra stuff to a story like because you can, because it’s interesting, because it’s fun to MAKE shit. But when you are a AAA game development studio who is potentially crunching your employees into burnout, maybe a fairly pointless epilogue on top of a game that is already arguably a bit too long in the tooth is...maybe not the best way to go?

On the upside, I enjoyed playing the Santa Barbara location, I loved getting some more Abby/Lev time, I liked seeing Ellie a bit older, I LOVED the scene at the farm with her, Dina, and JJ. I loved the gameplay challenge that was the Rattler’s base. I loved that this game had noticeably larger environments to explore.

But tbh a LOT of content could’ve been cut from this game to make a smoother, better paced experience while simultaneously putting less strain on the developers. I do think the extended flashback sequences focused on non-violent gameplay is important enough to justify itself, but I think a lot of the more violent or unnecessary parts of the game (like the entire sequence on the Seraphite’s island and the Santa Barbara sequence) all feel like...EXTRA? Which on the one hand is great because hot DAMN more beautifully rendered locations, content, etc. but on the other hand I’m not sure it adds as much to justify the real life pain and misery I’m sure some developers went through to create it all, and in a way, it doesn’t quite justify its own existence if we’re being critical.

I get what they were going for with the Seraphites and the WLF but neither group is developed enough to really accomplish the goals of empathy. I think focusing on specific members OF those groups is better, because that is ultimately how real life people break down their walls of bias, -isms, etc. -- they just interact with and befriend people from these groups and realize organically “oh hey we’re all...people, huh.” The game’s attempts at naming NPCs and dogs don’t do much when the game actively rewards you for killing them (speaking of which, I played on Normal and there were way too many items imo, we’ll see how that is on higher difficulties). We could get into the role of violence and gameplay but that’s a WHOLE other can of worms.

But the Rattlers in the final act are even worse. After this entire game of being actively encouraged to empathize with other people from other groups and let yourself consider they aren’t evil, the game just...shoves an objectively worse group of people at you, asks you to murder them, and then...discards the whole thing without a second thought. I found this to be fun from a gameplay perspective (sorry Neil, playing your game actually IS FUN when you put so much work into making the violence fun to engage with) but I found it weird and frustrating from a storytelling perspective, as if the whole thing was an undercooked, unfinished final act that they cobbled together because they just...wanted enemies with helmets and an environment depicting southern California. Hell, tbh I don’t even get why Ellie had to be there other than the developers didn’t think players would be OK just...letting Ellie live a life in peace on a farm or that players would be OK NOT playing as Ellie at the end and letting her beat the shit out of Abby.

I actually LOVED the farm sequence, it felt so...weird for a while. Like you’re just waiting for the hat to drop. And when it does...it’s just PTSD. And that felt right. That felt good, that even though Ellie was spared, after all the shit she did, because she let go and spared Abby in return, she got to live this peaceful life...except life’s not that simple and old scars can still hurt.

I loved when Tommy showed up and we got to see that darker side to him we KNOW has been there this entire time, but Ellie maybe hasn’t been forced to see it. All the way up until this point, I felt I could understand where the characters were coming from and what motivated their decisions.

And then Ellie decided “no, actually, maybe if I throw all of this away I can maybe get rid of this PTSD I got from throwing everything away before.” And then it got worse when after she breaks into this fucking slave house to free people, after she saves Abby and Lev from dying on posts, she STILL wants to fight. ANd Abby’s where I’m at -- that ‘fucking REALLY?’ feeling. I utterly disliked the fight scene in the water. It was the one time in the whole game that actually felt like misery porn to me. I was honestly going into it expecting that maybe Ellie’s stab wound from the trap would cause her to be too weak to fight, and she’d literally drown from bleeding out because of her own unrelenting pursuit of revenge. But nah, we’re put through a pointless, brutal fist/knife fight that...doesn’t really have purpose imo. WHatever you wanted to accomplish here, you could’ve done back in the theater in Seattle. (on that note I LOVED the Ellie boss fight, what a fun gameplay thing and also just tense all around since you really couldn’t tell what was going to happen, but I LOVE that Lev stopped Abby from killing Dina, even though she had every reason to)

I can imagine different versions of the Santa Barbara sequence that offer a more edifying conclusion while still working in the environmental and gameplay components they seemed insistent on working in. It’s the one major portion of the game that, now that I’ve had time to process, I feel the most conflicted about.

Neither Ellie nor Abby “deserve” a happy ending in much the same way Joel didn’t “deserve” a happy ending. This game has no true protagonists or villains (anyone who is presented as a ‘villain’ is minor, and we don’t find out much about them anyway). I think Joel was lucky to get the time he got to live in community once again, to rediscover his humanity (look at all of those flowers they left at his house, this man who fucked over humanity and murdered countless people had a chance to live a few years of peaceful life again), I think Ellie was lucky she got time to even live what she did on that farm with Dina and JJ, and was lucky to still be alive at the end of the story. I think Abby was lucky to have been able to break free from a life of militaristic bullshit and rediscover some of her own lost humanity.

I think a lot of people admire Joel as a hero when it’s clear he was never one.

I think a lot of people admire Ellie and try to idolize her as the smarmy kid she could never permanently exist as.

I think a lot of people hate on Abby for EXISTING (and being a woman -gasp- WITH MUSCLES) and I’m pretty pleased with Laura Bailey getting to play this role (and Ashly Burch getting a supporting role in this game, too, for that matter).

I think The Last of Us is not ‘about Ellie and Joel.’ I think The Last of Us is about humanity, and exploring it through different angle. Sometimes needlessly gritty and dark ones, but Part 2 gave us even more light-hearted, pelasant moments than I could have expected. I think people who look so reductively at this game -- now officially a ‘series’ -- as ‘Joel and Ellie 100x forever’ and literally anything outside of that being bad and a waste of time fundamentally missed the entire purpose of this game, ironically ignoring what it is trying to passionately to convey. I think Naughty Dog’s marketing of the game actively misled people in ways that are rare for the industry, and I do think that is a bit shady - but on the other hand, being misled actively improved my experience with the end product (which is arguably why they did it). I think the way Sony has latched on Joel and Ellie as ‘Playstation Icons’ and encouraged people to buy up TLOU merch depite there not being much TO turn into merchandise says something.

Also? Frankly?

I am SO FUCKING TIRED of “angry sad dad” games.

Like. I loved TLOU 1, I loved the new God of War, etc. etc.

But God of War took basically NO RISKS and had NOTHING TO SAY that countless other pieces of media have said to death. That’s fine, there’s nothing wrong with that, I really enjoyed it and look forward to the next. But this game actually has challenging thoughts, complicated things, it is trying to get players to consider, and most everyone I see shitting on the game either hasn’t played it or doesn’t seem interested in games that exist for something beyond making them feel good about themselves? I dunno.

I think at the end of the day, TLOU as an entire series, and specifically the sequel, isn’t about Joel and Ellie, that was just the more focused lens the original game had. For its messier, muddier experience, Part 2 strives for nothing more than many pieces of media have but for something that is still rare in the space of AAA video games.

It takes some risks, it makes some missteps in getting where it goes, for sure, and it’s by no means some holy gift to mankid, but it passionately goes to GREAT lengths to explore and express a fairly simple idea: 

empathy is a choice, understanding others is a choice,

and we are all inherently better off when we choose to blindly accept understanding than when we blindly choose hate and violence.

Just because we can’t walk ‘the path of the right,’ and just because ‘we’re wrong’ doesn’t mean we should let the phantoms in our lives continue to keep a hold on our future. Just because someone does some good things doesn’t erase the consequences and ripples of the bad they have done, and just because we do bad things doesn’t mean we can’t do good.

The way to end the cycle of violence is empathy.

It’s simplistic in concept, but if you look around at not just the reception to this game even before people could play it, but just the STATE OF THE WORLD IN 2020, you will see that maybe we still need such basic, simplistic concepts to continue to be explored in big budget media.

[scoobydoominuscoobydoo]

Alright, I guess we should talk about Scoob!

So Scoob! was digitally release nearly a month ago and Mod Silas and I finally got around to watching it. 

For anyone who liked it and don’t wanna read me heavily criticize it then I’ll just spoil you right now:

I did not like Scoob! at all.

And it was really disappointing because this is the first wide release film Scooby has gotten in 16 years. That’s a long time to think of bringing Scooby to the general public who don’t go out of their way to watch every single direct-to-video movie. The announcement of a new feature length film was two or three years ago and I was really excited to hear it because I was expecting some high-quality content.

My opinion of it quickly dropped a lot when it was revealed that the original voice cast wouldn’t be in it. That’s fine all on it’s own but they did it without even letting the original cast know they wouldn’t be a part of this (Besides Frank but he wasn’t even cast as who he originally played). Seeing both Matthew and Grey’s responses to this made me sad and I was significantly less excited for this movie. 

Suddenly the concept of this movie not being that good became very real to me. How much passion can you have for Scooby-Doo when you ignore the original cast and hire people who have never done anything for the franchise before that.

Despite all of that, I was giving Scoob! the benefit of the doubt because I really wanted this movie to be good. I wanted this movie to open up the potential for more major Scooby projects. And while this movie did well financially I find myself so disappointed that after 16 years this is what we got.

Since I hated almost everything about this movie I’m gonna break it up into a numbered list (otherwise I’ll be ranting endlessly).

#1: This movie fails at telling a story.

When the trailer was dropped I remember being like, “Great. Lets recycle the whole Scoob and Shag friendship as a central narrative. Not like they’ve done that a million times before.” And then next thing you know, they’re on the Falcon Fury and I was so not excited. That was two plot-lines they’ve played with before and I can’t remember the last time anyone cared about the Blue Falcon. It’s one of the weaker movies and nobody talks about that one episode of MI that he’s in.

But again, I was going to let it slide because it’s still possible to create a good story out of something recycled.

The movie opens up with them when they were kids and I was already bummed because this movie is taking place in present times and not the 70′s or the 80′s. They allude to the fact that Shaggy enjoys stuff from that time period (while he’s scrolling through a smartphone) but that’s not the same. This concept bugged me for the rest of the movie because the majority of scenes where the gang is solving something they just Google it and the the scene is over. As opposed to it taking place before the internet and writers would have to get creative. And while I love the gang as kids because when it’s done in the show they have so much charm and life the beginning scenes are kinda pointless and don’t establish anything major. I think they were trying to show that the gang have been really close since they were little but it doesn’t come off that way. Not to mention the whole scene with the gang together feels really stiff and I was salty that Shaggy wasn’t wearing a Commander Cool costume instead of his Blue Falcon outfit.

At this point I was waiting for the character conflict to be introduced because that’s a key convention in every Scooby movie. There’s always a man in a mask to chase but that’s not where the story comes together. The story comes from some sort internal conflict within the characters.

The phantom dinosaurs in Legend of the Phantosaur are awesome but that’s not what the movie is about. It’s about Shaggy overcoming his own internal hurdles.

That’s been a consistent pattern in the best of the Scooby films (even all four of the live action ones do this) and I was waiting for it to be identified. And then next thing I know we’re twenty minutes into the movie and I’m not sure what it’s even about. The scene where the gang talk about wanting to become a legitimate business happens so fast and it took me like five minutes to be like, “Wait is this our conflict?” A fight between the gang about Shaggy and Scooby’s usefulness to the cause? (Which is also a recycled plot but whatever.) Their fight happens so fast and isn’t taken all that seriously so Shag and Scoob’s anger seems more played for a laugh than anything else.

But then they cut to the bowling alley and the two of them seem genuinely upset. And I can’t help but think if you had let the earlier scene escalate into an actual argument that I would have bought the hurt feelings. But then none of it matters because Shag and Scoob are immediately attacked and rescued by the Blue Falcon and someone’s OC. And when the rest of the gang find out they instantly feel bad and so I guess the tension between the gang wasn’t supposed to be the central conflict.

Now it’s back to being about Shaggy and Scooby and their millionth time being the chosen one.

Shaggy becomes pretty upset because Scooby is getting into the whole superhero thing and isn’t giving Shag a second thought. But the thing is, none of this was built up. The villain and Simon Cowell tell Shag he isn’t special and both of those times aren’t even remotely emotional. They briefly mention that Shag has some self confidence issues and that turns into him getting mad at Scooby for taking off his collar and playing hero. Ignoring the fact that this is not in character at all it’s clear that the story is now forcing conflict because we’re 45 minutes into the movie and all we’ve done is slapstick.

Shaggy and Scooby’s falling out is ridiculous because they’ve only been mad at each other for like ten minutes of the whole movie so there aren’t any stakes at all. You know they’re gonna make up because this fight came out of nowhere and wasn’t built up at all. Shag and the gang reuniting isn’t emotional at all and Shaggy breaking up the fight could have been so much better if it was just done better.

And that’s how this whole movie is, this plot had the potential to be great scenes could have gotten something from me but nothing is built up and it can’t stay consistent.

By the final battle of the film we’ve only had two things resembling character arcs in Shag and the Blue Falcon and neither of them have any weight. The movie tells us what we already know, that Shaggy is indeed useful to the gang and I just want this movie to be over.

And I guess because they wanna tug on your heartstrings the writers threw in a little self-sacrifice. And I’m not against that at all I think that’s a good resolution to the arc they were trying to give Shaggy but the thing is there’s no stakes or tension in the scene. It just happens and we’re meant to be sad about it but I can’t because nobody else in the scene seems to think it’s all that depressing besides Scooby. And like two minutes later the conflict is resolved and we get our obligatory dance party at the end. 

That whole thing is not a story, nothing is really accomplished by the end and nobody has really gone anywhere. 

There was no Point A which takes us to Point B which brings us to Point C. This was an insane labyrinth of lines running through as many points as they could and then calling it a day. There was no natural progression and none of the conflicts presented even mattered because they were immediately resolved anyway. That makes sense for a TV show but this is a feature length film. I honestly could not believe they were going to release that in theaters because there is no way it’s worth the money. 

It was so devoid of the Scooby-Doo charm and this movie felt more lifeless than anything I’ve watched in a long time.

#2: The movie does a bad job of portraying the gang’s friendship.

One of the fandom’s favorite parts of the Scooby-Doo franchise is the friendship between the gang and the way their characters interact.

But in this movie they behave more like coworkers than anything else. They try to play up the gang feeling guilty and missing the guys but it’s really not convincing. And it’s clear that the fight was more or less to contribute to Velma, Daphne and Fred’s story rather than the whole gang. They spend most of their scenes talking about the mystery or what Shaggy and Scooby would be doing if they were there. The one time in the movie where I can buy them being best friends is when we watch that accidentally took a video instead of a selfie. I thought that was really cute and showed the gang’s dynamic effectively.

The end of the movie where Shaggy is supposedly sealed in the Underworld forever is so underwhelming because Scooby is the only one reacting. Like that’s supposed to be their best friend of ten years who they don’t think they’ll ever see again and they barely bat an eyelash until they go to comfort Scooby.

My first thought was, “There is no way the gang would just let Shaggy sacrifice himself.” And I kept wondering why no one else was trying to stop him or hold him back. 

It’s annoying because I like when the whole gang’s relationship a key part of the plot rather than just Shaggy and Scooby + the other three who are also here.

#3: The villain and the Blue Falcon are pointless.

You could have taken Brian and Dick Dastardly out of the movie and replaced them with anyone and the movie would not have changed at all.

The Blue Falcon squad add nothing to the story and are mainly just there for ......nostalgia I guess??? But nobody even remembers the Blue Falcon??? 

The scenes with Dastardly are easily the worst parts because he’s just a copy-paste villain who sometimes says semi relatable things and it’s meant to be hilarious. His whole plan to open the Underworld just to get his dog back could have been interesting but obviously it wasn’t because nothing is properly built up in this movie.

Their first mistake was immediately revealing who their villain was right off the bat. I won’t be salty that they used actual supernatural forces because Scooby has done that plenty of times. I am salty that they just up and tell you who the puppetmaster is without any goal at anonymity which just goes against everything Scooby is about.

And they’ve done this multiple times. Whenever real supernatural forces are brought into the mix that does change anything because the forces are almost always being controlled by a man in a mask. This sticks to the Scooby belief that the real evil in our world comes from man and not fictional monsters.

#4: This movie’s presentation is not good.

I will quickly say that I actually liked Shaggy’s design in the movie even though Mod Silas already drew Shag with a long sleeve under his shirt and I think that’s a lot better looking. Whatever, I thought he was cute.

I was talking about how stiff the opening scenes felt, well the whole movie looks pretty stiff as well. 

The character designs are distracting (every girl in this movie with their hair down looks like they’re just wearing a wig it looks so bad I don’t understand hair hasn’t looked back in animation for like a decade) and the animation is pretty sloppy. The directing and camera movements also don’t make any half the time and only make everything more jarring. I have nothing against CG animation but I feel like this movie was trying to be 2D in a 3D space and and was just not working out.

Also the voice acting in the movie is really not good. Like idk how this movie managed to get a bad performance out of these pretty renowned actors but none of them sound like they wanna be there or even really care. Which is funny because if they had kept the original cast you know they would have given it 110% since they actually have passion playing these roles. If the performances were actually good I feel like I would have enjoyed the movie a little more.

They also play some standard pop songs and that confused me because they literally played the original theme song at the beginning. Like you guys have the What’s New theme which everyone loves, a plethora of other theme songs, and two Hex Girls songs you could have played. 

When the dance party at the end happens Mod Silas pointed out that it was a wasted opportunity because instead of having the Blue Falcon be a DJ they could have just brought in the Hex Girls or Simple Plan.

But they didn’t do that and I honestly wonder if the people who made this movie care about Scooby-Doo at all.

#5: The things that I actually liked.

Again, I liked that scene where they do that cute selfie thing, I thought was adorable and accurately showed their dynamic.

I also liked that Daphne was the one to point out what Shag and Scoob contribute to the team because I’m biased.

When they address that Shag and Scoob are they ones that make sure the gang is eating I like that, I thought it was very in character and made a lot of sense.

I like when Captain Caveman showed up for literally no reason and was voiced by Tracy Morgan. Simply because it was so dumb I had to laugh.

I like the gang’s group hugs because those always showcase how tall Shag is compared to everyone and they all deserve a hug.

Any of the lines Fred said because they were the majority of the actually funny jokes in the movie.

The scene where Shag, Scoob and Daph are split off and she keeps getting her spare Scooby Snacks stolen by Scooby. I just love that trio for obvious reasons and it was the only part of the movie where I felt happy.

At the end when Shaggy yells at the gang and tells them what to do because I just always like it when he does that, it always throws the rest of the gang off and it’s funny.

The scene where they unmask Dastardly and it’s Simon Cowell and then they unmask Cowell and it’s Dastardly again. Like the smartest joke the movie had.

The Hex Girls poster at the carnival because it tricked me into thinking we’d see them at some point.

I liked DynoMutt, I though his design was cool and he got the other half of the actually funny jokes.

When Blue Falcon does that phone gag and is all like, “Adventure is calling!!” And the scene is supposed to be exciting but then Shag immediately is like, “No thanks.” I thought that was in character and pretty funny before being taken back because conflicts are resolved instantly in this movie.

Conclusion:

When you’re passionate with something as underground as Scooby-Doo you find yourself getting very protective of the legacy it leaves behind.

Granted this franchise has always had some black marks on it’s record but that’s to be expected since it’s a 50 year-old series.

Scoob was going to bring Scooby-Doo back into the limelight after such a long time remaining on CN or Boomerang respectively. And was just so devoid of the passion that even MI had, it felt like more of a cash grab than anything else. And it bums me out because there are so many good things that we could have gotten from an animated theatrical release.

But instead we got an hour and forty-five minutes of nothing and that isn’t what Scooby deserves at all. I can only hope that someone will want to try again and this time, they’ll actually care.

(Feel free to share your own thoughts on the movie and maybe discuss point I made that you agree/disagree with.)

[just-dreaming-marvel]

ONE HUNDRED FORTY ONE - RETURNING (3)

LEGACY: A Tony Stark Daughter Story

FULL STORY MASTERLIST

ENDING THREE MASTERLIST

< previous (make sure you’ve read the previous chapter. even if you think you have, double check.)

Word Count: 1,725ish

Summary: Steve goes to return the Stones.

Over the next few days, our yard and the forest around us started to become home to the homeless Avengers. RV trailers were brought in and everyone found a place to call their temporary home. I could tell that Pepper appreciated all of it, the friends and the distraction to help. Clean up of the destroyed compound also started, with Rhodey heading it. Bruce and I got the nano bots out of my head as well as built another quantum portal with Rocket’s help. Rocket, the other Guardians, and Thor left for space soon after that. It was a hard good bye. But Nebula and Rocket gave me a device so that I could get a hold of them anytime I wanted to. 

We all supported each other, all of us understanding that none of us should be alone. Everyone was especially attentive to Morgan, making sure that all her needs were met. Bucky was the best with her, surprisingly. Always willingly playing with her and making sure that she was okay. I could tell that sometimes he was just doing it to appease her. She was definitely a Stark, pushing other peoples limits. Bucky also kept a careful eye out on me. It was all very much appreciated. 

Clint and I thought that doing a memorial for Nat would be good. We held it at his farm, with his family, Rhodey, Happy, Pepper, Morgan, Bruce, Sam, Bucky, Wanda, and Steve. It was nice and very thoughtful. I got a few weird looks because of the lack of tears, but Wanda and Pepper understood why. I had seen her, talked to her since she passed. I knew that she was okay. That she was at peace and taking care of Tony for me. 

Soon, the day finally arrived when the quantum portal was finished and Steve was ready to take the Stones as well as Mjolnir back. We built the portal a little ways away from the cabin, in the woods near Steve and Sam’s trailer. Steve, Bucky, Sam, Bruce, and I were the ones there to see him off, with only Bucky and I knowing Steve’s true intentions. Bruce and I were plugging some last things into the machine when I noticed that he was struggling. Him using the gauntlet rendered his right arm useless and scared him up to his face. I tried to help heal him, but the Hulk part wouldn’t allow it.

“Here,” I said, moving over to finishing typing for him. “I got it.”

“Thanks,” he said.

As we finished, I felt another presence close by. A familiar one, I pushed it down though as Steve walked up to us, thinking it was probably just him anyway. 

“Remember…” Bruce started. “You have to return the stones at the exact moment you got them. Or you’re gonna open up a bunch of nasty alternative realities.” 

“Don’t worry, Bruce,” Steve reassured. “Clip all the branches.”

“You know, I tried. When I had the gauntlet, the stones, I really tried to bring her back.” Bruce looked at Steve. “I miss them, man.” 

“Me, too.” Steve looked away from Bruce and focused on me. “Me too.”

I could feel the pain and conflict within him. I shook my head, trying to clear it, and made my way towards Bucky. If he was that conflicted, he wouldn’t stay back with her, but I didn’t really have hope for that. I used to think that when it came down to Steve choosing people two people, he’d always choose the side Bucky was on. But I was wrong. He’ll always choose the side Peggy’s on.

“You know,” Sam walked up besides Steve as he made his way towards Bucky, “if you want, I can come with you.” 

“You’re a good man, Sam. This one’s one me, though.” 

Steve walked up to Bucky. Bucky was still a bit angry at Steve for what he had done to me--what he was doing to me, and that he was leaving him. But he still cared for him. Steve was still his best friend, his brother. 

“Don’t do anything stupid ‘till I get back,” Steve said.

With that line, their memories flashed through my mind. 1942. The night before Bucky shipped off. 

Everything was so different then. So much simpler. 

“How can I?” Bucky responded. “You’re taking all the stupid with you.” They hugged each other.

“Gonna miss you, Buddy.”

“It’s gonna be okay, Buck.”

Steve looked at me, but I kept my gaze on the portal. I really didn’t want my emotions to get the best of me, and I knew that if I looked at him that I would lose it. I was still in love with the man. Him breaking off the engagement still hurt like hell. Steve came up to me and kissed my cheek, holding it there probably a little longer than he should have.

“Thank you, Bailey Stark,” he whispered in my ear. “For everything... I will always love you too.”

Steve then walked over to the portal and donned the quantum suit as he got onto it. My heart rate began to speed up. I reached out for Bucky’s metal hand, firmly grabbing it.

“How long is this gonna take?” Sam naively asked.

“For him? As long as he needs,” Bruce answered. “For us? Five seconds.” Steve picked up the case holding the stones and Mjolnir. “Ready, Cap?” He gave a nod, his eyes never leaving Bucky and I. “Alright. We’ll meet you back here, okay?”

“You bet,” Steve answered. 

“Going quantum. Three, two, one…” Steve disappeared and I took in a deep breath, trying to not cry. Bucky gave my hand a gentle squeeze. “And returning in, five, four, three, two, one…” When Steve didn’t reappear, Bruce began to frantically look around the equipment. 

“Where is he?” Sam asked.

“I don’t know. He blew right by his time stamp. He should be here.”

I noticed that I was still feeling the other presence from earlier. Still holding onto Bucky’s hand, a turned a bit towards the presence I was feeling. I looked at the edge of the lake to see an old man sitting on a log. I immediately knew who it was. I tugged on Bucky’s arm to get his attention. I pointed to the old man as Sam and Bruce kept yelling about bringing Steve back.

“Sam,” Bucky demanded the man’s attention, still looking at the old man on the log. 

The three of us walked over, Bucky never letting go of my hand. Bruce stayed behind, understanding that this was something just the three of us needed to do. The closer we got, the more it hit me why the presence felt so familiar. The three of us stopped a little ways behind the man.

“Go ahead,” Bucky urged Sam, with a small smile forming on his face. 

Sam walked over. Completely recognizing the old man as his dear friend, Steve Rogers.

“Cap?” Sam wondered.

“Hi, Sam,” Steve looked over to his old friend.

“So did something go wrong, or did something go right?”

“Well, after I put the stones back, I thought… Maybe… I’ll try some of that life Tony was telling me to get.” 

I remembered that conversion from years ago, right after Ultron. The memory played through my mind before I could refocus on the scene in front of me.

“How did that work for you?”

“It was beautiful.”

“I’m happy for you. Truly.”

“Thank you.”

“Only thing bumming me out is the fact I have to live in a world without Captain America.”

“Oh.. That reminds me…” Steve pulled out a round leather case and unzipped it, revealing his shield. “Try it on.” 

Sam looked over to Bucky, who nodded in approval, before trying it on. 

“How’s it feel?”

“Like it’s someone else’s.”

“It isn’t.”

Sam tried to hold back his tears. “Thank you. I’ll do my best.”

“That’s why it’s yours.” Steve and Sam shook hands. 

Those watching noticed the wedding band on his finger. 

“You wanna tell me about her?”

“No.” Steve smiled. “No, I don’t think I will.”

Images of a younger Steve, my Steve, and Peggy dancing in her living room flashed through my mind. Peggy was crying tears of joy. 

The only thing that brought me out of it was Bucky giving my hand a squeeze.

“You keep going somewhere, doll,” he whispered, keeping his eyes on Steve who was looking out towards the lake. “Mind telling me where?”

“I’m sorry… He just… he did it… He got to be with Peggy…”

Bucky looked at me. I closed my eyes, trying so hard to stop the cascading tears. Bucky pulled me into him, allowing me to break into sobs into his chest. Steve and Sam turned towards us when they heard my cries.

“Bailey…” Steve stood up. 

I shook my head against Bucky’s chest. “I can’t do it, Buck…” I whispered. “I can’t talk to him… I’m not ready.”

“That’s okay.” Bucky quietly responded before speaking up to talk to Sam and Steve. “I’m going to take her to the house.”

The men nodded, knowing that it wasn’t worth trying to stop Bucky or me. Steve sadly watched as Bucky guided me into the house and into Pepper’s waiting arms. She saw some of it and noticed the older Steve, it didn’t take her long to put together what had happened. Once I was in Pepper’s loving care, Bucky walked back to his two friends.

“I’m happy for you pal,” he stated once he reached them. “I just wish that she didn’t have to pay the price.”

“I never stopped loving her, Bucky. And I always had an eye on her.”

“How is that suppose to help? You didn’t intervene when her parents decided to sell her to HYDRA. Or when she decided to runaway and ended up getting kidnapped. Or how about when she turned herself in. What use was watching her if you didn’t do anything to help her?” Steve simply sighed and looked away. “I can forgive you for leaving me. I understand it, a bit… But I don’t know if I can ever forgive you for leaving her. I’m sorry, Steve.”

“If I didn’t know better, I would say that you’ve started to have feelings for the girl,” Sam stated, looking directly at Bucky.

“I just care for her. She’s been through too much and deserves much better. I feel that I owe her one too… She forgave me for all I did to her and her family… Plus…” He turned back towards the house to faintly see me crying in Pepper’s arms through the window. “She lost her closest family… Natasha, Stark, and you.” He pointed to Steve. “She needs someone right now. And that someone might as well be me.”

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