#like that scene was so heartbreaking :'(

[martymcflown]

I cannot understand how a whole ass group of men watched the scene where Walt gaslights his way back into the house, trapping Skyler in an impossible and emotionally devastating situation where she can't seek help from anyone (up to and including the law enforcement she called to the house), and thought to themselves "Yeah you know who's the problem? THAT BITCH, SKYLER."

[seanflnnerty]

"How many times am I going to hear you say 'family' tonight? Do you really mean it? Family means us, together."

[littledemo0n]

So excited for the movie and definetely not at all dreading whats to come :))))

[benevolenterrancy]

finally in the process of reading the Guanyin Temple scene and holy shit if WWX isn't the protagonist of all time. We're in the Big Final Confrontation and so far my man has done fuck all except cuddle in LWJ's lap while everyone else is losing their shit and when he DOES finally do something he summons an army of naked, writhing, moaning sex corpses that even his allies just desperately wish Were Not There. stupendous, no notes

[tanukiimo]

anything for you

[a2zillustration]

.

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[microclown]

I've been stuck on viewing Maggie as Crowley's mirror, and for most of the show I like that interpretation. But once I started thinking of Nina as Crowley's Mirror in the ball scene specifically, I made a connection....

Aziraphale is playing God here. He has a vision- a happy romantic evening where people speak Victorian English, dress nicely, dance, and fall in love -and he wills everyone present to conform to his plan. But Nina doesn't conform. Nina feels like something isn't right. She asks questions.

She asks Aziraphale what's going on, why she doesn't feel sad when she knows she's sad, and Aziraphale doesn't give her a satisfactory answer. He tells her that the important thing is that she's here. She's here to play a role in his great plan. To dance in his ball.

So she expresses her concerns to Maggie. Maggie hadn't seen the issues at first, but she listens to Nina, and Nina gets her to acknowledge the absurdity of the situation just a little bit. Listen to their conversation at the dance again. It sounds SO MUCH like the conversations we've heard Crowley and Aziraphale have a thousand times during their 6000 year dance. Crowley calling out heaven, asking questions, trying to get Aziraphale to consider the absurdity of it all. Aziraphale mostly defending heaven, but listening, and sometimes acquiescing.

And this all falls in line with a point I've made before - In season 2, Crowley's relationship with Aziraphale begins to mirror his relationship with heaven. Aziraphale shows a pattern of not listening to Crowley the whole season, but especially in this scene. Crowley tries to ask him what is going on, and alert him to very real danger, but Aziraphale is dismissive. He is blinded by his desire to see his plan to fruition.

And just so we're clear, this is not an Aziraphale hate post. Rather, I think it might give us some insight into where God is coming from. Because Aziraphale's actions may be dismissive and controlling, but they are motivated by love. Misguided, certainly, but with all the best intentions. I have a feeling, when we finally meet God, it will be a similar story. And maybe both She and Aziraphale will learn that sometimes to love means to let go.

[toneelspeelster]

i love your hair so much. i love your eyes. i love ...

charlie spring through nick nelson's eyes

[somewhereincairparavel]

Jason and Reyna are so "Best friends to strangers" coded it's tragic.

that one scene in boo where Jason and Piper arrive at the camp half blood battle, and Reyna just doesn't spare a glance at Jason, and he was shocked to realize that Reyna was addressing Piper like they'd known eachother forever, but not Jason.

Like. Omg. I wish Rick expanded more on how Jason was feeling at that particular moment. Because it definitely hurts not getting acknowledged by your old friend whom you thought you were on good terms with.

IDK about y'all but that just HURT like hell :( Reyna was initially upset that Piper and him were dating but she even ended up making peace with Piper, but not Jason.

gosh the tragedy of Jeyna's friendship just gives me all the feels.

[rogloptimist]

LAKE MISSOULA x JONAS VINGEGAARD

credits under cut!

lake missoula - richy mitch and the coal miners // jonas vingegaard - team presentation, tour de france 2024 // jonas vingegaard, tadej pogacar, and remco evenepoel - podium ceremony, tour de france 2024 (belga images) // tadej pogacar and jonas vingegaard - tour de france 2024 // wayward son - rainbow rowell // jonas vingegaard - stage 21, tour de france 2024 // it's down to legs - caley fretz // jonas vingegaard - stage 20, tour de france 2024 // jonas vingegaard - tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 // a poem on hope - wendell berry // jonas vingegaard and remco evenepoel - stage 19, tour de france 2024 // quora user shulamit widawsky // jonas vingegaard - stage 21, tour de france 2024 (getty images) // jonas vingegaard - stage 21, tour de france 2024 post-race interview (flobikes) // 'now the fight is over': jonas vingegaard concedes tour de france battle for yellow, but still aims for second - adam becket // jonas vingegaard - stage 19, tour de france 2024 post-race interview (flobikes) // video: jonas vingegaard and matteo jorgenson consoled after heart-breaking end to stage 19 of 2024 tour de france for team visma | lease a bike - kieran wood // jonas vingegaard - tour de france 2024 // jonas vingegaard - tour de france 2024 // 'probably the hardest moment of my career'-- jonas vingegaard on his crash and fight to be ready for the tour de france - stephen farrand // jonas vingegaard's tour de france was a venn diagram - iain treloar // rise up and salute the sun: the writings of suzy kassem - suzy kassem // jonas vingegaard - tour de france 2023 // jonas vingegaard - stage 21, tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 // vingegaard exhausted after tour de france: may cut season short - sjoerd valkering // jonas vingegaard and tadej pogacar - stage 20, tour de france 2024 (belga images) // the thing is - ellen bass // "if you had told me four months ago that i would be second, i wouldn't have believed you" - jonas vingegaard disappointed but proud of his tour de france - ondrej zhasil // jonas vingegaard and tadej pogacar - stage 11, tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 post-race interview (nbc sports) // alfred lord tennyson // jonas vingegaard and tadej pogacar - stage 11, tour de france 2024 // remco evenepoel and jonas vingegaard - stage 21, tour de france 2024 // jonas vingegaard and tadej pogacar - tour de france 2024 // matteo jorgenson and jonas vingegaard - stage 19, tour de france 2024 // matteo jorgenson and jonas vingegaard - tour de france 2024 // jonas vingegaard and tadej pogacar - podium ceremony, tour de france 2024 // jonas vingegaard and wout van aert - tour de france 2024 (team visma | lease a bike)

[skrrtscree]

I'm going to do it! 😀 this time, Im really serious! 😀

(lyrics from 'everyone adores you (at least I do)' by matt maltese)

[mobius-m-mobius]

Most purpose is more burden than glory. And trust me, you never wanna be the guy who avoids it ’cause you can’t live with the burden.

LOKI APPRECIATION WEEK 2023 | for @dailyloki Day 6 : Favorite Quote

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[comfied-chriterature]

The parallels between Hananene and Mitsukou!??!? Mitsunene dreaming of leaving everything behind, just the two of them, not bothering to think about the how or what comes after, only wanting to be happy and carefree with their partners, trying to find a solution no matter how unrealistic so neither of them have to stress anymore… and Hanakou still cautious and skeptical and so worried, bringing the other back down to earth, thinking of their safety and the future, knowing it will hurt, yet they still go along with their partner in the end…

[ash-and-starlight]

i need a radiant emperor rewrite called “none of that happens to ma xiuying” where none of that happens to ma xiuying

[wikitpowers]

kit almost died in qoaad and his first thought on what he thought was his death bed was to apologise to ty and tell him he loved him again and-