#like the narrative potential of these two

[chaifootsteps]

Okay, why the hell weren’t the Vs heavy Season One antagonists?

Forgive me if I’m wrong, but even though Viv would definitely fumble the bag and spill it’s contents all over the floor in a gigantic mess, which sounds cooler for a potential Season Two plot line; Fighting against All Powerful Heavenly officials who don’t believe in Charlie’s cause and actually have the ability to actually pose as a threat, or Three Dickheads who shouldn’t even be much of a problem anymore, because there’s at least four people on the Protagonist team that have the power to absolutely decimate them at any given point in time?

See, very easy escalation of the plot. But we know Viv couldn’t do that, because she wants to talk about heaven right now! Who cares about hokey things like “natural plot progression” and “understandable stakes”? If she followed silly writing tools like that, we wouldn’t have gotten more of those Valentino abusing Angel Dust that Raph and Vi- I mean, the audience absolutely love!

Viv's like that experiment where you give a baby a marshmallow and tell it that if it doesn't eat it for five minutes it can have 10 marshmallows. She could have a narratively richer plot with even more gay romance and even more abuse fetish, but she just has to stuff the entire thing into her mouth right this second.

[class1akids]

Honestly at this point it's our own fault for expecting to not be disappointed by theses chapters apperantly hori can only gives good moments to irrelevant characters therefor said moments are also irrelavent and don't have the impact they would have if given to someone that mattered

I've come to not expect anything else really anytime hori does something axtuly good it's followed by a million not (his characters and stories have so much potential and there all wasted like way are fanfics so much more impact full than the main story 😢

Although I'm a little confused as to what happened to the todorokis?

The leaks came in truly bad quality this week, but even so, it's evident that Hori is still trying to "hide" what happened fully.

All we know for sure is:

Endeavor and Shoto were awake enough to respond to the back-up call and come through the portals (this to me is not a surprise. Shoto especially is in relatively good condition. He only overstretched his quirk but had time for cooldown).

They come from two different portals, but at the same time to do a Flashfire Fist to drive back AFO away from Izuku. (It's a pretty basic move for both of them, and not very powerful, and it maybe because they are down to the last scraps or because of the crowd, they can't do AoE moves).

And then there is this cryptic flashback:

It looks like the robots are putting Rei (?) on a stretcher, while Natsuo is still moving. Toya is hidden. Using pikahlua's TL because the scanlation look inaccurate:

"Quickly, to where Recovery Girl is...!" "The old lady is also at her limit with injured persons... Whether or not anything can be done..."

-> This could refer to either Rei or Toya (or likely both) - basically implying that they are in critical condition and the family is trying to get them to Recovery Girl...

Then Natsuo says - I think talking to specifically to Enji (because he uses "anta") and not to Shoto:

"Even with you here, mom and the others will only be hot."

This confirms pretty much that Toya is there too.

Enji hesitated whether to take the portal or go with his family.

Natsuo basically says that there is nothing Enji can do and his presence could be even harmful - implying that Enji is still overheated (which if you look at both Shoto's and Endeavor's pupilless eyes makes me wonder if they absorbed a lot of Toya's heat)

"So go. Even if it's [just] a little, if you can muster [any] strength..."

Even if it's just a litte is written over Enji's panel, which may imply that he's on his last fumes and his presence here is not necessarily to boost the fight, but for whatever narrative conclusion purpose

if you can muster [any] power - this part is on Shoto's panel. As the Japanese uses "chikara", as in the famous "kimi no chikara" moment between Deku and Shoto, I'm guessing it foreshadows a more powerful attack from Shoto at a later stage (which could include a quirk upgrade if he absorbed Toya's heat - it would make sense or it could include a combo with Toya if he'll show up, which I have a strong feeling he will).

So I think the important thing is that Toya's fate, just like Toga's is left in limbo, as well as there is a strong sense that the Todorokis are running here on fumes, just like everyone else.

My personal feeling is that Hori is setting up a quite hopeless fight with a moment where the star arrivals to the battlefield will be the LoV (possibly because Kurogiri decides that this is the boost Tomura needs), and it will be the tipping point to bring Tomura back who will be essential in stopping / defeating AFO together with Deku (and maybe the other Origins - Bakugou and Shoto).

Bringing in the LoV would achieve tying in the efforts to save Toga and Toya (and Spinner) into the final main conflict, tying together Deku reaching Tenko's/Tomura's fused desire to be the hero of the villains and also for the civilians to see the villains fight against the big bad. It could also foster final conclusion of the big character arcs, including for Enji, Toya and Shoto.

[akimojo]

wild to think about how square enix had more fleshed out female characters in ffv (1992) than they do in xv (2016) and xvi (2023)

[watcherintheweyr]

suddenly considering a tamlin x eris fic

….

i think i see potential here

[daringdarlingdt]

me, before starting to rewatch dr who: I can be normal about david tennant as the doctor

me now:

[my-current-obsession]

Dunno if it's a hot take, but I think the "platonic" path for Chihiro (as in making the "wrong" choices early on so she doesn't even confess, not just rejecting her when she does) was actually WAY better than her romantic rank 9.

Instead of getting insanely jealous of the thought of Mitsuru and MC spending time together (for the sake of HELPING HER), she's actually totally fine with that and begins to leave before stopping because she's upset AT HERSELF for continuing to rely on others. Her motivation to confront the teacher is entirely about taking action herself rather than it being centered on a desperate attempt to fix things quickly to keep the guy she likes away from another girl.

The way she celebrates with MC on the rooftop afterwards is really cute too. She acknowledges her growth in being able to confront an adult male by herself while also recognizing she still has a ways to go and this is kind of just the beginning. It's just really good character development and very wholesome, how her FRIENDSHIP with MC helped her become more confident and capable. Meanwhile her romance has that character "development" tied entirely to her being very jealous/possessive. She was only able to confront the teacher because she was terrified to let MC be alone with Mitsuru. That's not really growth, and it's certainly not a healthy foundation for romance.

[time-is-restored]

more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol

cw: discussions of misogyny + abuse

god the more i think abt it the more exhausted i get by the gender politics of ted lasso.

like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.

but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!

like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.

but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????

like. god. and then it fucking infects every other woman on the show!

sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.

shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).

barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???

i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.

i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...

but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!

and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.

like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!

im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE

[theambivalentagender]

Something I've noticed in the SDV fandom is how, despite being ~~controversial~~ in the general fandom, lots of really fantastic artists/writers in the community gravitate right to Shane. And I'd like to propose one theory as to why:

ConcernedApe: Oh, the snarky, scrungly asshole who hates you at first but has a secret soft side and implied tragic backstory? Yeah, let's make him romancable.

Stardew Valley fan writers/artists:

[carehounds]

I all want the best for the trio to get their freedom in the end in some way but how that would pan out is a thinker for me. What is considered freedom or real to them? would they still stay together? Is the real world just a wasteland with nothing in it? How the hell are they gonna adjust to a new life if they ever were to escape as walking living felt puppets.

[kairospy]

Wait 👀 I thought I knew canon Reg pretty good, how do we know about him being slightly shorter than Slughorn?

I ADORE your posts!!! You’re saying everything I’ve been too shy to say. Thank you thank you thank you!

hi!!

You know that horrible, terrible, nightmare-inducing pic of Regulus from the movies?

The actor that played Slughorn (Jim Broadbent) is 1'88 cm, so roughly 6'2, and in that photograph they're standing side by side and Regulus doesn't look much shorter than 2 inches (~5 cm) at most.

I'm grasping at straws here, honestly, but everyone in the Black family is described as tall (Bellatrix is literally around 6 ft, and so is Sirius in the books), so Regulus being tiny would make no sense

And thank you so much!! I've honestly just reached a limit, seeing people speak of his character like he'd be someone with social anxiety and fear of setting boundaries and nonsense of the sort. It's true he's 90% fanon made, but let's at least be honest and not project this much -- it wouldn't fit at all into the context we have of the Black family (and what little we know of Regulus from canon)

[lionbearfox]

unsure if i want to color this before i post the full thing but very fond of this lil bailu so have a gift <3

[lvllns]

odysseus in this musical like “please don’t make me kill the infant” like my good dude you are the one who launches astyanax off the wall in most of versions of the mythos

[pomellon]

One of my favorite things to show people who aren’t familiar with digimon are the digimon evolution lines. Because most people will be familiar with pokemon and know linear evolutions, but the digimon lines look like this:

Or if we start from baby stages, like this:

It’s because they’re literallyTamagotchis, as in they literally started out as Tamagotchi virtual pets but marketed towards boys. So they have a bunch of different evo trees depending how well or bad you raise them, how much battle experience they have, how much they weigh, etc. Which is so much fun :D 

[mishtershpock]

.

[weirdbabs]

doom 2005 is actually a good movie. its plot is solid enough that anyone could watch and follow what going on, the characters are introduced in a way that lets you get a good understanding of what theyre like, its got fun action scenes and is over all an enjoyable movie to sit down and watch. i think it just suffers from not being a “doom” movie. its a resident evil movie calling itself doom

[designernishiki]

sue me but i just really don’t wanna see someone try to rectify that terrible cliche out of character love triangle again like. if they chose to cut that out all together (not cutting YUMI out all together, obviously, just the romantic implications) then they’d probably have my attention. but let’s be real that’s probably not gonna happen