#like what parts to keep and what parts to get rid of

[enviedear]

LOVING ALONE IS WHAT YOU MAKE IT

₊ ⊹ JASON TODD

🧸ྀི REQUEST | jason having (what he thinks is) an unrequited crush

CW | lovesick!jason with issues accepting love, just-a-buncha fluff. 1.6k words. 🎧ྀི

your eyes flicker to your window for the hundredth time in ten minutes. there's an attempt at forcing your gaze back to your book, but your concentration on it has long since shattered. it's impossible to concentrate on anything other than him, perched on your fire escape right outside your window—JASON TODD.

he thinks he’s so subtle, as if you'll never notice when he parks himself on your fire escape like some sort of gargoyle. you smile slightly at the thought, heart pounding a little faster than it should. a condition that makes itself apparent far too much when your mind drifts to him.

he's silently taken on a sort of sworn protector role, separate from his nightly redhood rendezvous. you count yourself lucky to have his presence around your domicile so often. you truly never got over the culture shock that was gotham, but jason helps. even if he decides to go to great lengths to try and hide it.

outside, in the frigid and everpresent putrid gotham air, jason todd sits in complete rumination. he has goosebumps marring his arms beneath his leather jacket, but he pays them no mind. no, he's far too busy listing all the reasons he should just leave, why sitting outside under the guise of guard is utterly stupid, but still, he sits.

he runs a gloved hand through his hair, tugging slightly. he feels pathetic. how can he meet death, the criminally insane, survive things that would kill most—and somehow, he's shocked still with nerves at the very idea of knocking on your window.

in his head he has it all pictured, if it went perfectly. you'd come to the window, a confused look on your face until you spot him. he'd pull some stupid line, something he heard dick use once, and it'd make you laugh. he loves hearing that, more than anything. then he'd crawl in—spend the rest of his night with you, doing anything. and in his head, that's perfect.

but the underbelly of that dream keeps him rooted to your fire escape. to him, there's no way you could ever share his sentiments. you refer to him as a friend and no matter how much he wishes for something else, he can't change reality. can't force himself to make something more out of what you give him.

between the blood on his hands and the rage he can never seem to fully rid himself of, he's come to the aimless conclusion that you deserve someone better. someone more delicate, someone who doesn’t live with one foot in the grave. but every time you laugh or shoot him an easy smile, it gets easier to admit that he’s too far gone.

you deign the separation foolish, but still, you give yourself one more attempt at reading before you put your book to the side. really—you just wish he’d just say something. you’ve thought about saying something yourself, more times than you care to admit, but the timing never feels right. besides, there’s a part of you that wonders if jason even realizes you’ve been waiting out for him.

every time you joke or tease, you can see some struggle behind his eyes. as if he wants to let go and laugh with you, but something—himself—holds him back. your very own sisyphus—his very own boulder to carry up a labyrinthine mountain.

maybe it’s his past and the walls he’s built around himself, but you’re over him expecting you to be afraid of him. you wonder how much more evident you need to be. if anything, you wish he could see himself the way you do—intense, yes, but also loyal and good, even if he doesn’t believe it.

he proves it every night when he stands watch outside your shitty apartment.

with a sigh, you stand up from the couch, moving toward the window. he’s always so close, and yet there’s a distance he keeps in place—you’ve had enough of that.

you slide the window open, leaning out just enough to catch him mid-step as he’s about to leave—flee moreso. “going somewhere?”

he turns on his heels, red helmet in his hands, "figured you'd be asleep."

you hum, eyes narrowing, "already? it's six pm on a saturday."

“just didn’t want to bother you.” he admits, voice low, almost timid. he doesn’t meet your eyes, and it’s frustrating how hard he tries to hide, even from you.

“you’re not bothering me, jason.” you say softly, leaning on the window frame. “you never do.”

jason looks at you then, something uncertain flickering in his gaze. his lips dart out to quell his chapped lips—you hold his stare, hoping he can see what you’re trying to tell him, wordlessly.

that you want him here, that you’ve been wanting him all along.

“i can stop by for a few.” he finally says, adding a shrug to the end of his sentence.

you smile, opening the window fully as invitation. jason crawls in, a rather innocuous task but given his stature, always surprises you.

“i have pizza and brownies. saturday special.” you tell him, a persuasion. you want him to eat.

“sounds good.” he’s in the middle of slipping out of his redhood garb, clad in a skintight athletic tee and his cargos—mask sitting on your coffee table. “i’m gonna change in the bathroom, i’ll be right back.”

before his fingers can grab his duffle you start, “why don’t you shower here? i know you don’t have any of your usual stuff but—”

he cuts you off, “i couldn’t. i’m already eating your food…and using your fire escape as a landing spot.”

“jason, seriously. shower here. i’ll heat up the food and put on some tv. it’s a saturday.” you’re not one to beg, but this is treading the line.

his shoulders sag, but there’s a small smile on his face, “thanks, sweetheart. you’re too nice to me.”

his tone is sarcastic, self-deprecating, and that annoys you slightly. you want him to know that he’s welcome here, wanted. needed.

“i like it when you’re here, you know.” you feel like sparking a match, timid flames sparkling. “i miss you when you’re gone and everything.”

he quirks a brow, "what are you tryin' tell me?"

you feel silly at his question, the air around you seemingly buzzing. jason peers down at you with a raised brow, as if he's genuinely confused by the sentiment. as if he's baffled by the notion he could be someone to miss.

your breath hitches as you debate your next move. you're walking a thin line between saying too much and not enough. you could play it safe, keep your cards close to your chest—or you could be honest. near painfully so.

when you find your voice, it comes out soft, "i'm trying to say that i like it better when you come inside instead of sitting on my fire escape. i don't want to be a landing spot for you, i want... more."

he clears his throat, shifting on his feet, "you don't want that." he seems to take a step back, not physically, but mentally. his face goes still, chest breathing even, mind anywhere but the present.

you groan, annoyance evident, "i do though. you have to see that in some way by now." you step towards him, "sometimes i think you feel the same way."

jason’s gaze flickers toward the floor, and for a moment you wonder if you’ve crossed the line, if he’ll pull away entirely. but then he looks up, eyes darker, severely sincere. “you have no idea what you’re asking for.” he cautions, but his voice is lower, almost a whisper.

you smile softly, finally letting your hand touch his arm, feeling the solid warmth beneath. “maybe i do. maybe i’ve been waiting for you to realize it.”

“don’t say that unless you mean it,” he murmurs, his voice rough.

“i mean it.” you reply, sincere in your admission. “i’m not afraid of you, jason. i’m afraid of what happens if you keep shutting me out.”

he grumbles at that, a half-willed attempt to argue against your point. you stay quiet, urging him to continue where you left off. you watch his face contort through a realm of emotions—confusion, fear, and then, thinly masked and wistful poignancy.

“i’m not shutting you out. if anything, i’m protecting you.” he finally decides, arms crossing over his chest, eyes scanning the wall behind you. nervous.

you shake your head, fingers reaching for his twisted expression, finding home on his pink-tinted cheeks. “i don’t need you protecting me from you. i need you to want me as bad as i want you.”

your words are bold, maybe overconfident, but you mean them to the fullest extent. you’re so beyond exhausted of attempting to disregard or conceal your feelings. even if jason’s not, you think he deserves to know.

jason todd looks you over. his eyes raking you up and down like you’re some high valued product—and he’s unsure wether to take the bid or let it pass by. in the time you’ve known him, even in the thralls of his vigilante persona, he’s studied things. eyes pointedly and silently assessing his situation, no matter how far removed he is from his upbringing—his “father” lingers in his antics.

finally, he chuckles, low and more timid than usual, “you don’t know how badly i want you, sweetheart. but…” he stops himself, and you’re grateful because you would have done it yourself if he had continued on with some rebuttal. “fuck. you’re all i want.”

it comes out like a beg, pleading that rarely works it’s way onto his features. you smile, and pull him closer. his arms uncross, opting to gingerly hold your shoulders. still timid, unsure.

“you should know how much you mean to me. you do such a good job of showing me…keeping watch and never letting me eat alone. it’s sweet, you’re sweet. i want you to know it.” you keep his gaze when you speak, hopefully drilling each sentiment permanently into his consciousness.

he leans into your touch, eyes fluttering shut, “i believe you. swear. i just… this is new. i never thought…” he falters off, equal parts unsure and dumbstruck. “i like you a lot. i didn’t know you felt the same, sweetheart.”

you grin, inching your face closer to his, “well i do. deal with it.” your tone is teasing, playful. pulling him back into the safety of reassurance—what you want him to anticipate from you.

it seems to put jason back in his element, “oh? you have demands? usually that’s my thing.”

you laugh, “could always be our thing. the demanding couple—sounds inspired, don’t you think?”

“something like that…” his smile is soft, “but for now, i think i’m fine with just being yours.” he says it so earnestly, no thought to it. just the truth, and it feels damn good. it envelops you just the same as his arms, wraps you up in utter victory. love hard fought—and it feels so sweet.

[lovelookspretty]

lover of mine

drew starkey x actress!reader au

— in which drew and y/n, secretly exes, must fake date in order to keep the peace at a mutual friend’s wedding, but the forced proximity makes them question whether they ever truly moved on.

warnings: girl bye this whole part is just screaming n crying omg be prepared

one | two | three | four | five | six | seven | eight

authors note: wanted to make a little unexpected visit at the end given his character but yk 😋 let me know if u arent on the tag list yet !! interact w me thru replies, anons, or dms !! notifications are always on <3

long story short, the group collectively agree to postpone this dinner night because of what happened. just as you left the restroom, drew was gone and were instead met by leila who told you they were leaving to eat at the pearl some other time.

you feel terrible that they had to witness what they did, and you assume they must’ve seen you and drew talking in the hallway for them to make this decision. they know something’s wrong between you two, and you almost break on the spot. it’s like the whole plan is crashing down and you don’t know what to do, how to move forward.

you and drew travel in different cars on the way home but to end off the night, the group splits up. some dress down and head back to explore the town at night or there are others who choose to stay home, just keep a respectful distance.

you rid of your clothes and step into the shower to collect your thoughts, and it takes everything in you not to cry from frustration. the steam curls around you, the hot water beating down your back like it’s trying to wash the weight of everything away—but it doesn’t.

no amount of heat or scrubbing can erase the guilt, regret, and shame that engulf you.

when you finally step out, your skin is red from the heat, and you wipe a hand over the fogged mirror, catching a glimpse of your own tired reflection. your new clothes cling to your still-damp skin, and your hair hangs heavy and wet down your back.

when you step out of the bathroom, the cool air bites at your skin, but that’s not what makes you freeze. you see him—drew—walking toward your shared room. he’s freshly showered, his hair slightly wet, and you realize he must’ve used the bathroom across the hall that gia and roman share.

for a split second, your eyes meet, and you have to bite down on your emotions, hard, before you can speak. before you can let it all flood out.

you get to the door first, quietly letting yourself in, then leaving it open so he comes in too. the air between you feels heavy—like there are words unsaid. you can hear the faint sound of music downstairs, theo’s voice talking low, maybe to leila, but it’s distant. they must be trying to let you talk without feeling like you need to worry.

you step into the room, moving toward the dresser on your side of the room. your hand rests on top of it, gripping the edge for balance, as if the solid wood can keep you grounded. your back is to him, but you can hear him enter. he stands there for a moment, probably watching you, probably waiting for you to say something.

the silence is unbearable.

“why didn’t you just tell me?”

your voice comes out quietly, almost too low for him to hear. you don’t turn around, your eyes focused on the lamp in the corner of the room, as if looking anywhere but at him will keep you from falling apart. your hand tightens on the dresser as you wait for him to answer.

you hear him shuffle behind you, his breath catching like he didn’t expect you to speak first. “i . . . i don’t know,” he says, his voice just as quiet as yours. “i didn’t want to hurt you.”

you swallow hard, blinking rapidly as the familiar burn of tears threatens again. you know he’s trying to be honest, but that answer—it’s not enough. it doesn’t fix anything.

“you didn’t want to hurt me?” your voice wavers, and you finally turn, facing him. he’s sitting on the edge of the bed, looking at you like he doesn’t know how to fix the mess he’s made. “this wasn’t even just a few days either. this has been weeks—weeks of us talking, planning, pretending . . . and the whole time, you were lying.”

as you walk over to him, he opens his mouth to respond, but you can see the guilt weighing him down, making it impossible for him to speak right away.

“not only were you lying to them,” you gesture loosely, meaning the others, everyone, “but you were lying to me.” you point to your chest as your voice cracks, weak and filled with betrayal.

his face tilts slightly to the side, and though he’s staring at you, his eyes are glossing over. you can see the weight of what he’s done finally sinking in, and it’s tearing him apart. he swallows hard, his throat tight.

“i didn’t mean to,” he whispers, his voice trembling now. “i never wanted—”

but he stops, his words catching in his throat, and you can see the tears threatening to spill. his jaw tightens as he forces himself to keep looking at you, even though it’s breaking him inside.

“no, but you did,” you tell him. “you made this decision. you created this plan when you had mila back home, drew.”

he winces at her name. you can see it. but you don’t stop.

every day, every conversation, every moment you’ve spent together, he knew. and he said nothing.

your words slow down though, and the weight of them sinks in deeper. “i had finally gotten to a point after we broke up where i felt like i was free of us,” you say, voice quieter now, but raw. “i didn’t have to worry about things like this anymore. i was finally done with us.”

drew’s lips part like he’s about to say something, but he can’t, and you don’t give him the chance. “but here i am.” you let out a short, breathless laugh, as though even you can’t believe the mess you're in. “i mean, i didn’t think agreeing to this plan was going to work out perfectly, but—”

you stop, searching for the words, your throat tight with emotion. it takes everything in you to keep from crying. you look away from him, your voice going numb, the exhaustion seeping through. “but i didn’t think i’d end up feeling like this. like none of it ever really ended.”

you stand there for a moment, letting the weight of everything hang between you two. you wipe at the corner of your eye, then shake your head slightly, more in disbelief than anything else.

“so why?” you ask, “why didn’t you just tell me? why didn’t you say something from the beginning, when we started this whole thing?"

he looks at you, his jaw clenching, but his eyes are filled with guilt. he takes a deep breath, his face turned slightly to the side like he's trying to hold himself together.

“i fell in love with you,” he says, and you scoff. oh, he’s just now fallen in love? he realizes his mistake and gets up when you start to walk away, but he grabs you by the arms, “no, no, no, y/n please, i fell in love with this life—being with you again. i didn’t want to lose that. i’m still in love with you. i always have been. i just realized it too late.”

you can’t believe him. “but you did lose it, drew.” your voice is quieter now, but no less intense. “you lost it the moment you decided to lie. you didn’t just ruin this plan, this stupid fake relationship.”

you shrug him off of you.

“i thought,” your voice cracks, “i thought telling our friends the truth would make everything worse. i was so scared they’d feel like they had to walk on eggshells around us, like it’d be awkward if they knew what happened. but you know what? i wish i’d just told them. instead of this. instead of . . . all of this.”

“and it’s not just about mila,” you say, “even when you’re supposed to be my fake boyfriend, you’re still making decisions for me. you speak for me, like you always know better, like i can’t speak for myself.” you can feel your frustration bubbling to the surface, the heat rising in your chest as you push forward. “it’s like . . . no matter what happens, you still feel like you need to control everything.”

drew’s mouth opens slightly, like he’s about to respond, but you can’t stop now. the words tumble out, each one hitting you harder than the last.

“i mean, do you know how exhausting that is?” your voice rises, and you can feel your emotions slipping, coming out faster than you can stop them. “you made up the plan, you pulled back the moment i was getting comfortable again, even our breakup was your decision.”

his expression hardens, and you can see the conflict raging behind his eyes. “i thought we agreed there wasn’t any point in keeping up something that was barely there,” he says. “we were hardly talking or communicating, y/n. i mean, trying to keep up a relationship for us that wasn’t even really there? was it . . . do you think it would’ve been better if we didn’t break up? i mean—”

“yes! yes, it was worth it! i didn’t care if we weren’t always together!” you blink, caught off guard for just a second, but the fire inside you flares back to life. “and you said there wasn’t any point; not me. we’re busy people, drew, lives like ours don’t get spent every day how these two weeks are supposed to be. you have to know that. so i’m sorry that you felt enough was enough for us but you shouldn’t have had to decide what you thought was best for both of us and make that decision on your own without telling me!”

as you speak, you notice the way his face shifts, confusion and regret flickering in his eyes.

you exhale, shutting your eyes. “trust me, i spent nights worrying about us when we were together, replaying every moment, every doubt.” your voice lowers, becoming more vulnerable, almost a whisper. “and i told myself, ‘okay, that’s normal. that’s normal maybe. so you didn’t get a fairytale relationship; grow up.’”

“but i understood that . . . no matter what, i wouldn’t have left you because i loved you,” you cry, “i stayed because that’s what you do when you love someone.”

drew’s face crumbles at your words, and his gaze drops to the floor. you take a deep breath, steadying yourself as you meet his gaze again. “look, i’m not going to say anything to anyone about mila,” you say. “but you need to figure this out, how we move on from here, and whether you’re going to tell her about this plan because i’m not gonna keep doing it if she’s not comfortable with it.”

drew nods slowly. he’s quiet, visibly processing everything. “i’ll do it,” he says, almost to himself, but you nod anyway. he takes a shuddering breath, his voice barely above a whisper as he finally speaks. “i didn’t mean to lose you,” he says, staring at the ground. “but i did. i know that now.”

you watch him for a moment, the weight of his confession hanging between you, before you turn away. your hand reaches for the door, and this time, you don’t hesitate.

“yeah, you did,” you whisper, voice broken as you open the door and hurry through, leave him standing there alone. “you did.”

drew stands there, frozen in place as the silence settles around him. he watches when you walk away until the laughter from outside fades into a distant echo, and he sinks down onto the edge of the bed, his body heavy with regret.

“—fucking—” he mutters under his breath, his voice barely audible. he leans forward, elbows digging into his thighs, and cradles his head in his hands while tears spill from his eyes. in that moment, he’s completely alone, engulfed by the realization that he pushed away the one person who mattered most.

“i’m gonna be back, okay?” libby tells you. you’re sitting in her bed, her and leila feeling like it’s only reasonable for her to step up, and she would’ve no matter what.

“hey,” you say before she goes, your fingers reaching her arm. she halts, looking at you again as she settles back down on the edge of the bed. “thank you for letting me sleep here tonight.”

she gives you a knowing look. “there’s no need y/n. my job is to make sure you’re comfortable and okay. your job is to get under my covers and drool on my pillows ‘til morning.”

“shut up,” you murmur and consider whacking her in the face with one of said pillows, but she leans forward to give you a hug. it’s gentle at first, and you’re relieved to feel a warmth from someone at a time like this. you feel like you can stay there forever, but she pulls away to leave the room.

there’s a knock at the door that startles you a bit, and you wait anxiously for who’s behind it. they open it quietly and peek their head in—roman?

he lets himself inside with cautious steps, and before you can speak he shushes you.

“keep it down, stupid,” he says, and you furrow your eyebrows at him. he takes maybe two steps forward and then stops there. “i just wanted to say sorry for not saying anything before at the peel.”

“the pearl.” you nod, your lips pursed. “thanks.”

he deadpans at you. “i don’t do this very often so i’d appreciate more than just a thanks, you kn—” he pauses to rephrase his words, and you can see the gears shift in his head. he sighs. “i fully saw that you were upset and i didn’t do anything. part of it was because i didn’t know if i should’ve but the other was that the food was just really good—”

“roman,” you try to tell him to get out, but he persists.

“no,” he tells you. he tries to search for the right words before continuing, “i’m just sorry. i don’t want to make it seem like i don’t care or that you don’t have anybody to talk to. and i’m not gonna jump the gun or be all enthusiastic the next time this happens but . . . i just won’t be quiet anymore.”

you’re taken aback by roman’s unexpected display of concern. you can’t tell if you’re imagining this. this has to be the first time you’ve probably ever known him that he’s being like this. but you nod slowly, absorbing his words. “thank you, roman,” you say softly, appreciating the effort he’s making. “it means a lot that you care.”

he shifts on his feet, clearly uncomfortable with the emotional territory but pressing on anyway. “good,” he replies, his voice a little firmer. “because i might not always show it, but i do care. just . . . don’t think you have to go through stuff alone, alright? we’re friends, i guess, even if i don’t always act like it.”

you smile faintly, still surprised that he’s even still standing there. “i get it. i appreciate you saying something.”

“goodnight, y/n,” he says. just as he’s about to leave, he glances back, a knowing look in his eyes. “and just so you know, i get that things are complicated with starkey, but it’s pretty obvious you two aren’t really together. you don’t have to pretend around me.”

your heart skips a beat, and you feel a rush of vulnerability. how much does he really know? but before you can question him further, he’s already slipping out the door.

at the same time, libby slides past him with mugs of hot cocoa, “ew, what are you doing here?” she says to roman, avoiding him like he’s her brother. “get out of here.”

she kicks the door closed behind her, and her mood switches to a smile. “what was all that about? oh my god— did he hurt you? did he infect you?” she asks, feigning concern as she plops down next to you and handing you a mug. you take the mug and just shake your head with a grin.

@rubixgsworld @itgirlbrina @thepopcultureaddict @icaqttt @samsmelodrama @kissfinalgirl @itsamegazaddysworld @willowpains @toterry @wearemadeofstardust0 @cl4uus @maybankslover @itneverendshere @httpsdrewstarkey @ilyrafe @sunny1616 @pillowprincess4him @yootvi @matthewswifeeee @uwuemlwlrld @l4venderia @chenslucy @darkreymbow @congratsloserr @skyslowalking @behindviolettwrites @allthoughtsmindfull

[kiame-sama]

Fun fact for my TWST Monster AU;

Until the Lions have their own historian, history will always glorify the hunter.

Gnolls (Hyena people), Werewolves, Nemean Lions, Driders, Kelpies, and Harpies were the worst species about eating humans over history. Technically, Trey, Vil, and Rook should be treated with as little trust as the others treat Ruggie, Jack, and Leona regarding Humans, but it was assumed that Sunset Savana was the main location of the Human-meat black market given Sunset Savana didn't explicitly have laws against the general consumption of Humans as they were traditionally a food source long before the Kingdom itself was established. Since Leona is prince of Sunset Savana and Ruggie is a Gnoll (who were assumed to be the worst about attacking and devouring Humans in broad daylight) they are not trusted to be alone around the Human. Alternately, Jack- who is from the Shaftland- is also not trusted alone around the Human despite being considered a 'tame' species due to his affiliation with Leona and his more beastly appearance.

Falena works tirelessly to change the views others have of his Kingdom as it has been half a millennia since a Human was present in Twisted Wonderland let alone one being eaten. Leona knows he is a member of one of the last holdout species that ate Humans (as Humans were traditionally only a meal Nemean Lion royalty were technically allowed to have even in Sunset Savana), but he believes keeping this new Human safe and getting them to Sunset Savana would absolutely help change the way other Kingdoms view the Sunset Savana. Falena would be thrilled to hear a Human still lives and will be very keen to establish a positive relationship with this Human in order to aid his Kingdom. Sunset Savana is likely one of the most land and resource rich Kingdoms in Twisted Wonderland, so they can survive independently, but Falena knows there is a cruel stereotype against his people due to the poor decisions of Kings before him.

There was another group that was notorious for eating humans and that was actually a Merfolk Kingdom known as the Abyssal Sea Kingdom. That Kingdom has since been dissolved following the extinction of Humans by the other Merfolk Kingdom and Queendoms in retaliation for their crimes against Humans. Sunset Savana is what is considered an old Kingdom as they predate many of the current Kingdom and Queendoms still present in Twisted Wonderland.

Leona has zero interest in actually hurting the Human, more he wants to scare them away because he knows the way others look at him especially when the Human is involved and he doesn't want to be blamed should anything happen. He also understands that if he does actually cause harm to the Human, it will deeply impact his Kingdom. He may not be next in line for king anymore, but he sure as hell does not want his Kingdom to suffer from his actions.

It is quite possible that this little Human can help rid Twisted Wonderland of the stereotypes against Sunset Savana and other traditionally 'beastly' species like Gnolls (which are now found in every Kingdom, not just Sunset Savana) and Werewolves which are most commonly found in the Shaftland part of the world.

[rascalentertainments]

Wish Granted Magic System ✨✨✨

Given that we're two chapters away from the halfway point of the story, its about to time I delve into the magic system of this AU.

So magic in this AU is powered through emotion. The more a person feels a certain emotion, the more it affects the magic they use daily. Let's start off with...

Magnifico and Amaya's Magic: 🐺🐍✨

Both of them have studied magic for years, together and apart. However, they still developed their own techniques to use it.

• Magnifico's magic is fueled by negativity and hate. (its a bit obvious, lol) He's been searching for a way to have ultimate power for years. And each time he's failed, that disappointment has fueled him. The angrier he is towards somebody or someone, the stronger it is. He learned to harness and control magic since his early 20's, and while it was substantial for the time, his desire to have more kept growing and growing until it became impossible to ignore. So much so that when he destroys his own home by accident, he's completely blind to his own destruction and blames the books for not giving him enough information. So he turns to dark magic.

•Dark magic gave Mags the boost he needed, but its still not enough. The more he becomes paranoid losing his power, and the more he gained power, he became more spiteful towards non-magic users. As Magnifico got older, his powers were solely used selfishly, under the guise of it helping others to get whatcha wants. Mags' magic is incredibly destructive when its not controlled, which is why Amaya keeps him in check. He could easily kill anyone with a snap of his fingers, or crushing a person's wish. He completely ignores the face that its slowly making him sick as well.

•Mags' magic specifically works well in deception, especially when it comes to stealing people's wishes, which is the polar opposite of Star's magic. And Star's magic terrifies him in a way. Mags uses magic on these performances during the Wish ceremonies to deceive people into thinking giving their wishes to him is a great thing. Its kind of like a parlor trick to hide the truth. However, mo matter how much he magic uses, its nothing compared to a star's. In fact, when Asha's father details his perceived connection to the stars, and how he feels they give him the power and inspiration to help others in his life, that's when the king got the idea to catch the magic of a star itself. He could finally achieve ultimate power! But he had to get rid of that damn philosopher first and make it look like an accident....

•Amaya's magic works with manipulation, both mental and physical. While she doesn't use her powers to the extent of her husband, she does aid him through the use of her potions. As a shout-out to Yzma, she keeps a collection of various potions in a large cabinet, and uses them when creating concoctions to give him the power boost to take a star from the skies. The other kinds deal with changing one living thing into another. Most of them were also animal experimentations, either to change unsavoury animals into ones she desired, or even changing their natural habits an entirely animal's, making said animal like other creatures.

• The Queen has always used her words of persuasion to get what she wanted. In most cases, she used her magic to make her words influence the minds of others. Amaya uses this to put the people at ease when they asked too many questions or started to worry about their wishes. She even used this on visiting royals from other countries, so that they didn't see or hear anything connected to the people's misfortune or rumors of the two being evil. This is why she was able to get into Star's head in chapter 6. She paid close attention to the pair's behavior around each other, and seeing part of herself and Magnifico in the two wanting to protect each other, she turned it against him. Adding a little bit of magic to it, he was completely influenced by her words.

•Amaya has used magic on Sabor, but not to harm him. (Sometimes she did heal him if he was sick or injured) Only so she could use him as a sort of watchdog, keeping an eye on any suspicious activity or possible traitors. (Which Sabor fully accepted) She created the "Sight Beyond Sight" type of spell so she could see what Sabor sees when he returns. This is how she trusted him to find the Hamlet without raising suspicion.

Star/Cosmo's magic 🌟😁

This fun ball of energy is indeed powerful, just as Magnifico feared, but he can't exactly do everything he wants. He has limits, which is mostly by his own imagination and a dash of classic Disney magic.

• Star's magic is fueled by all his emotions, but mostly joy. It can change depending on his emotions. When he's happy, all his magic reflects it. Joyful magic works on Disney classic energy, so talking animals, moving furniture, shape shifting into various creatures and even his human form are all homages to the past films. He can't turn into different people, so this form he usually is in is it. Mostly because he's had a wish to be a human on Earth for so long, he just took his astral look and applied human characteristics to it. Its also rear unusual for a star nomad to get attached to one place instead moving from place to place. As for other emotions, he feels them like the fairies from Peter Pan: one at a time. When he's sad, he's miserable. When he's angry, its absolute fury. But the longer he stays on Earth, they start to get more complex dealing with humans, since we can feel several emotions at once. Which is also why its a slow process for him to realize his love for Asha is different from his love for Earth.

•Like the rest of the star nomads, he has flight and its powered by thinking happy thoughts. That's incredibly easy for him, so it's why he can fly so high and quickly. However, he starts to slow down after Magnifico stabs him and takes a little of his power in chapter 7. He's only just a little faster than a human, and it kind of bothers him not being able to move as quickly. And he starts getting used to walking, which is unusual for a star nomad to do instead of flying.

• Star's shapeshifting can be done as long as he can clearly think of the animal he wants. He's seen animals from all over the world, but the catch is that he can't perfectly replicate one. He's always yellow with a white tuft of hair so he doesn't blend in with other animals. Plus Star can add or exaggerate different features as well. He can't turn into extinct animals like dinosaurs because he's never seen them.

There will be another post explaining more about the star nomads and how their different from "royal stars". It'll also come up later to explain why Star isn't a prince like most other Disney male leads. Its really the only insecurity he has.

And more art is coming, plus the Royal redesigns! Then I'll get started on chapter 9. 😉

Thanks for reading!

@oh-shtars @signed-sapphire @chillwildwave @your-ne1ghbor

@tumblingdownthefoxden @ishadow246 @annymation @kenihewa

@natsuki208 @uva124 @cocoapowderpictures @emptyblog7

[autistichalsin]

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

[giildedgold]

can you yap about ro more pls i love him too :3333

anon i love you, I absolutely can omg

honestly I have so many thoughts on Ro but I will offer you a piece of my mind on him. specifically duality and how they've changed through season 4

duality duo both change in the story and it happens specifically during the castle arc. for ro, I just want to study him on why he changed and how it happened. I know it was during that time but I keep feeling like I miss a vod where it's shown. for mapicc it's a bit more obvious to me

during the confrontation of team awesome's disbanding as zam destroyed their god shulkers, it's roshambo who wants to keep zam around and he genuinely tries to have all three of them stay together.

( "We're a team, Zam. Team Awesome. You can trust us." | "What do you mean? He's part of the team. I'd trust Zam with my life." | "I still care about him." )

and here it is mapicc that quite literally responds with "he doesn't care about you." to the last one. mapicc mentions multiple times that he just wants to get it over with and get to the fight already. he clearly wants to get rid of zam

the part of mapicc wanting to get rid of zam kind of shows through the castle arc as well. we're constantly wondering when mapicc is going to kill zam, because we all know it is coming eventually. but it doesn't and it doesn't (excluding the accidental ban).

until princezam's final stand arrives. (iirc, oops?) and there he fights against duality. obviously, he loses. but that isn't exactly what interests me. what is interesting to me is the way ro reacts to zam's invitation:

"I'm not stopping until I'm banned, so you can come finish it at my castle if you want." / "I'm down."

here, in my eyes, we see the shift in duality. it is ro who is oh so willing to come and finish zam, to put him down once and for all. he almost does. he gets zam to two hearts while mapicc is telling him "ro, stop." and "leave him alone."

eventually, ro does stop. but i don't think it's because he wanted to spare zam. I think there's something about the sentence "we're Gods, not demons." that makes him change his mind. he says it like it's a reminder to himself before he leaves zam. like he needs to remember that to be god, he must be merciful. he's not going to be a demon like the rest are. he's better than them.

then there's this interesting part that still connects to their shift in dynamic. during the team awesome meeting, ro says that it's his duty to keep mapicc in check and to contain him. to make sure that mapicc doesn't destroy everything. he blames himself for the destruction that mapicc caused in his absence, as he wasn't there to keep him under watch.

and once again, during the castle arc, it is mapicc keeping ro back from banning zam. it is mapicc who managed to get through to ro and keeps him from killing him.

this is shown again when mapicc betrays ro during the utopia part. it's his way of keeping ro in control, to keep him from being destructive. and what better place to keep ro in than the dimension where there's no one but him?

because while mapicc destroys the world, ro destroys its people.

[miraculouslbcnreactions]

I think the original idea was to have more of a rogue’s gallery. The animated PV features Mr. Pigeon and The Mime more than they do Hawkmoth, who isn’t transformed.

The movie also has Hawkmoth grant powers to a bunch of criminals who already have visual gimmicks.

This would seem to set up a show with small recurring cast of villains that have a central master mind that can empower them for big fights Rita Repulsa style since the butterfly is transmission so it empowering a villain to be able to match a miraculous could make sense.

But in the actual show we end up with both the butterfly and peacock making their users empaths and let them grant any random power they want. Tho iirc word of god the victims decide their powers and outfit not hawkmoth. Not sure how that works with things like ubiquity or catalyst. The end result is something weird and in between where the big bad can create any unique or creative villain of the week but due to time/budget the writers keep going back to the same handful which makes it seem like certain characters are in desperate need of therapy.

(Post that spawned this ask)

In the original post, I only mentioned that nerfing the butterfly would let you do a rouges' gallery. I didn't get into ideas for how to do a rouges' gallery with a butterfly nerf, but you brought up the bones of how I'd do one so I'll talk about it really quickly to add something fun to your already quite complete analysis.

If you nerf the butterfly so that it no longer has the mind control aspect and it's just whatever power the owner wants to grant, then that is actually a good setup for a rogues' gallery because Gabriel would have to find people who are willing to work with him. Really minor change, but one that has a lot of potential. The movie even kind of did this by implying that Gabriel was akumatizing criminals.

This lets you maintain Gabriel's need to be part of every fight while also having other villains, though it does add the complication of, "why would these criminals hand over the miraculous after they get them?" But that's pretty easily solved by having Nathalie's job be to track every fight, which works no matter what the peacock's power is so you could get rid of the oh so convenient BS of the villains having the only truly ranged and passive-once-it's-active miraculous.

[t3a-tan]

Pursuit of Gnosis (1/?)

No, not that one Scaramouche-

Here's what I wrote for Ryker's birthday! I will probably write a second part, possibly more, we'll see. G/t interactions appear pretty late into this, but I hope you enjoy ^^ Let me know what you think!

---

“Órale, my Zorrito is all grown up! Come here mi vida, I need a kiss before you go…”

Ryker held back a groan as his mother pulled his face down to her level and began to pepper him with affection.

“Mama, I'm not a child anymore—” He protested, though he couldn't help that a chuckle escaped his lips. Even now, when he was standing at the precipice of discovery, going out into the world to take his research even further, she still insisted on treating him like he was a baby.

Once he was allowed his face back he cleared his throat to get rid of the embarrassment that was starting to heat his cheeks, instead throwing on his jacket and picking up his bag. Most of his belongings were already packed and being sent to his new home beyond the walls of Nirgend.

“Will you be okay out there on your own without your mama, eh?” She asked warmly as she fussed with the buttons on his jacket, doing it up and flattening any wrinkles down. Ryker smiled reassuringly when she looked up and met his gaze.

“Of course, mama. I'll be fine, and I will come back to visit. A palabra.” He promised.

“Ah! Vaya, mi vida… I just remembered, I found your old journals in a box under your bed. I know the carriage ride will be long, so I thought you might like to take them with you— to flick through. They're just collecting dust here after all.” She turned and picked up another bag with some difficulty, and Ryker was quick to bend down and take it from her.

“Careful with your back…” He scolded lightly, before glancing down at the bag of books he was now carrying. I have to admit, it would be interesting to read through… I probably have some old theories in here too. He looked at his mother again and leaned down, kissing her on either cheek. “Thank you, mama.”

He waved to her as the carriage left; his bags now settled beside him rather than weighing him down. He blew a kiss, smiling as she caught it and placed that hand on her cheek, blowing her own kiss back. He mimicked the gesture and waved again before sitting back on the carriage bench with a sigh.

His gaze was drawn to the bag of journals again. She's right…it will be a long while before reaching my destination. I may as well start now. Reaching down into the bag, he felt around for a few moments, searching for the first one. Just how many are in here?

Keeping journals was something he started when he was young, and now he made sure to write something down every day that he could. His more recent journals had already been moved over to his new home, and it hadn't even occurred to him to bring his older ones as he didn't even know where they were.

Until now.

He pulled out a scrappy looking journal that had some scribbles on the front. Ryker chuckled to himself, recalling the moment that Ines found his journal and drew pictures all over the cover. He had been mortified when he found that out, making sure to hide his journals much better from them on to prevent anyone else from reading it, despite her assuring him that she hadn't looked inside.

Turning to the first page, Ryker started to read.

.

.

.

- - -

Journal 1, Entry 001.

- - -

Hello! My name is Zorro.

I turned thirteen years old today, and my mama gave me this journal as a gift! I got some other cool presents too, like the pencil I'm writing with and a cupcake for later.

She said this journal was made by people on the outside. One day, I would like to go outside the walls and see the big cities. I heard they're as big as a whole country!

I'm gonna be a famous scientist someday, and then the Sovereign will have to let us all out. Mama can have a nice house in a forest like she's always wanted, and I'll get myself a pet gryphon and fly wherever I want.

- - -

Journal 1, Entry 062.

- - -

I read in the paper that Queen Seraphina will be ascending today. Mama is excited, but I can't help but notice that the next in line is very young to assume such responsibilities.

Seraphina has been Queen since even before my mama was born. Opa said that he was twelve when she took the crown.

I know she isn't our queen, Anderna do not have our own ruler because we live under the Sovereign of Gahenn, but I know she is nice. When mama was little, Seraphina greeted our kind from outside the gates. Mama said she even waved at her.

I wonder what it would be like to fly like the angels do. I know that shifting is against the Sovereign’s law, but sometimes I wish I could just to see what it would be like.

We have a new neighbour on the floor above us. Mama said there's a girl my age, and she invited the new family over for dinner. I hope we can be friends.

- - -

Journal 7, Entry 011.

- - -

I managed to finish with the top grades in my classes when it comes to sciences, literature, and mathematics. I've already started searching for further education so I can focus on magic research. Ines has been helping me apply for things.

She is going to be an artist. Although I am not usually one for the arts, I have to admit that her paintings are very beautiful. Though, I prefer she doesn't paint near my work, due to the many times she has ended up spilling paint on the papers.

Although I feel a bit anxious about moving out, I know I cannot stay living with mama forever, as much as she claims she wouldn't mind. I will make sure to visit— not that it's difficult in this city.

- - -

.

.

.

“Dr. Ryker?”

“Hm?” He hummed, not even looking up from the entry he was reading when he heard his name being spoken. It has been hours since the carriage had first set off, but Ryker had hardly noticed; too focused on reading.

“Do you need help with getting your bags on the boat, sir?”

Now that got his attention. He realised that the carriage was now stationary…and that his stomach was beginning to complain from a lack of food.

“Ah. No, that's alright. Just a moment…” He held out a hand placatingly before starting to put the journals he had read through back into the bag. Once everything was secure he picked his luggage up, bending down to get through the door and step out of the carriage.

At this point the sight of the carriage driver's nervous expression no longer fazed him; he knew that the rest of Gahenn was still prejudiced towards Anderna, and he was just appreciative that they weren't being combative. Many people had already taken issue with an Anderna moving into their country.

He had stopped listening to the news for that reason, growing tired of how often they liked to complain about his kind as if they were a plague spreading throughout the land rather than him being a scientist seeking to better the lives of everyone. It was the new hot topic that everyone seemed to have an opinion about.

“Thank you for the ride.” Ryker nodded his head towards the driver in appreciation, receiving a hesitant nod in response. He watched silently as the carriage headed off, turning and going back in the direction it had come from. Once he could no longer hear the hooves trotting against the dirt road he turned, walking to the dock and boarding the boat.

It would still be another day or two before he would reach his destination, so upon reaching his room and having himself a meal, he started to read through his journal entries again.

.

.

.

- - -

Journal 12, Entry 201.

- - -

It's so refreshing to work alongside people as passionate as I am about the potential sciences behind magic. Some more so than others, but regardless I enjoy it greatly.

Although we have made no discoveries that would change the way our world views magic entirely, I feel that we are close. I cannot sleep some nights because I just want to write hypothesis after hypothesis, and then I become too excited over actually testing these hypotheses to rest. Ines always scolds me for it.

Souls are still something that we don't fully grasp. They are difficult to observe and any papers made on them offer very little or very inconclusive data on how souls work. Souls are linked to magic but how exactly they are linked and why some races can perform certain kinds of magic whilst others can't is still a mystery.

I think too many people are looking at it through a theological perspective, thinking about why the gods gave certain races souls with high magic capabilities, and others ones with low capabilities. I personally believe that a biological approach would be best, as much as my peers disagree.

Because of the fact that Anderna cannot travel outside of Nirgend, our access to research is limited. Although this is a frustrating setback, I know that the Sovereign's law cannot be changed without some convincing. Once I make a breakthrough and show the world outside that Anderna are not to be feared, I hope that everyone will be able to go wherever they please.

Tonight I'll be going out for drinks with my coworkers, and no doubt I'll be looking after them all since it seems none of them have gotten past their university phase when it comes to pacing themselves. It will be fun anyway since Ines agreed to come along. At least I won't be mostly sober alone.

- - -

Journal 17, Entry 046.

- - -

I've made a breakthrough.

We have been looking at things all wrong— magic isn't something that is created; it is ever-present, like oxygen in the air. Souls are just the conduit for activating the magic that's already around us— and genetics play a key role in determining what the output is.

I need to observe this phenomenon further before taking it anywhere. Once I have a more solid hypothesis I will bring it to the others’ attention. Magic researchers tend more towards theology than biology and I don't want my own discoveries to be muddied by this factor.

Perhaps a new department may even be created? A new field of research entirely? I could be at the forefront of history, leading not just the Anderna but all of Gahenn to a new realm of scientific understanding!

A great woman once said that, “Scientific discovery is not the unveiling of truth, but the relentless pursuit of understanding—each answer leading to new, uncharted questions.” - Syl Sheridan.

I can only dream of the paths and questions that will follow.

Ines is just as excited as me about it. I really love her. Maybe one of these days I ought to tell her as much.

I've heard some things on the radio that there are tensions between the Sovereign and Queen Mary. Ines seems to be getting a lot about it, but I don't know much. Politics were never an interest of mine, but I theorise that it's not much to worry about. The news is likely blowing things way out of proportion for shock value.

- - -

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.

.

Finishing the last entry, Ryker let out a sigh of relief. It had taken much longer than he thought it would; his entries later on had become much longer winded and in depth, but it still felt nice to get back into the headspace of a younger him. Now he was thirty-two, and had much more responsibility on his shoulders.

His research and findings on magic had gained him great fame and reputation all over Gahenn, and he had even heard rumours that Syris was taking an interest in his research too. When he was a young boy with ambitions to be a famous scientist, there was a time in his life that he felt it was just a pipe dream…

And yet, now he was outside of the walls, exploring the world and taking on new ventures with the same ambition he had all those years ago. Sure, Anderna were still not allowed outside of Nirgend, with him being the only exception, but he hoped that would change with time. If he lived well and did good, people would understand that his kind were not to be feared.

He arrived at his new home; a large house that was in the middle of nowhere. It was an hour journey to get from his house to the city by carriage, but he didn't mind. Most of his research involved field work, and once he developed a hypothesis and gathered material that was when he actually needed a lab.

It took only a few days to unpack everything; mostly books. The furniture had already been set up beforehand by the same people who brought the rest of the boxes. As soon as he was finished unpacking he hastily grabbed a bag, a notebook and pencil, as well as some equipment to collect samples and readings, before heading out of his front door.

He requested to be placed in this particular area for one main reason; Gortoa. It was a mere twenty minute walk away from his doors, and that fact made him giddy with excitement. He had always wanted to do a more in depth analysis on the magical phenomena within the ancient forest, so having it so close was convenient.

Ryker could hardly contain his excitement, keeping his pace at a slight jog just to get there faster. The main thing he was hoping to find were wisps; he had many theories about what they were, and if he was right then it may be the most accurate way to study souls because they could be observed more easily.

He entered the forest, marvelling at the sight surrounding him.

The ancient forest was flourishing and bursting with life. The grass was soft, wildflowers and clovers dotted all across the forest floor, as trees as tall as tens of metres tall towered overhead. The canopy of golden leaves was so thick that it allowed almost no sunlight through— and yet the forest was illuminated by glowing moss hanging onto the trunks of the trees.

The gentle sound of a babbling brook could be heard in the distance, alongside the singing and chirping of birds flying high above his head. It was truly breathtaking. Now I understand why Ines wants to paint here so badly.

The sight of a faint blue glowing flower in the distance caught his attention and he hurried over to the water, eyes widening. Is that…?

Kneeling down beside the gorgeous iridescent flower, he reached down and let his fingers brush against the delicate petals, feeling the magic contained within.

“A mage lily… this is incredible.” They were rare flowers that were sought after not only for their beauty, but also for the astonishing amount of energy stored inside. If I bring it with me I will be able to use the magic stored inside to test ways to artificially activate it!

His clawed fingers delicately grasped the stem as he prepared to pick the lily, only for a shout from below to stop him in his tracks.

“Stop!”

He jolted back, eyes snapping open in shock as he heard the flower seemingly protest his actions.

“Oh my gods. Did the mage lily just speak..?” He gasped in surprise, leaning down and peeing at the flower more closely with growing interest. If the lily was sentient, did that mean magic could bring things to life? Could plants really have souls? How was it capable of speaking anyway??

His breath hitched as he saw a tiny figure step out from under the petals of the lily, with pale almost blueish skin and petals rather than hair. She looked kind of like a mage lily, if it grew legs and came to life. Ryker's mouth was agape as he stared down at the little person, his fingers twitching with the desire to pick them up.

What are they? A pixie? No…pixies haven't been seen for centuries now. And this…thing, doesn't have wings. His mind raced with question after question, a desire to know more filling him and making it almost impossible to think clearly. Just as he was resolving himself to pick up the tiny figure, she spoke again.

“Hello…” Her voice was smooth and serene, like the water surrounding the lily pad she was stood upon. Her weight seemed practically non-existent, or at the very least not enough for the lily pad to register it. Despite Ryker's temptation to grab her he refrained as he met her teal gaze, recognising her personhood. There was a soul in that gaze.

“What are you?” He blurted out the question before really registering her greeting, eyes shining with intrigue as he let his hands rest against the grass again instead of hovering so menacingly close to the tiny being. If he kept them like that he was sure he would have given into temptation sooner or later.

“U-um…” She edged a little closer to the water before looking up at him again and responding. “My name is Suiren.”

Ryker frowned slightly.

“I am Zorro. Although most call me by my last name, Ryker.” He introduced himself, placing a hand against his chest sincerely before humming. “But that didn't answer my question. I asked what you are, not who.”

There was a beat of silence between them, with him waiting intently for an answer and Suiren hesitant to give one. She sat down on the edge of the lily pad, letting her legs hang in the water. He watched with great interest as the legs that went into the water seemed to become part of it, completely invisible.

“Don't pick the mage lilies… the magic inside them just ends up spilling out and it can disrupt the balance of magic in this part of the forest.” She explained, still avoiding the question, and now avoiding his gaze too.

“...I see. Well I won't pick it then.” Ryker assured, as much as it disappointed him. He didn't want to be too hasty and end up ruining his research in the process. He could find another magic source so long as he was patient.

Wait a minute…

“Ah— wait. How would you know that it disrupts the balance of magic? And what exactly do you mean by that?” He was no longer interested in the flower at all, more fascinated over the tiny being who seemed to have a deeper knowledge of magic. It was doubtful that she was a scientist like himself, so he needed to know why.

As he leaned down closer, his face now hovering right above the tiny figure he bristled when she suddenly fell into the water.

“Wait!” He attempted to make a grab at the tiny flower person, not wanting them to get away before he could get his questions answered, but his hands grasped nothing but water. How did..?

Ryker's lips pursed together in disappointment, brows furrowing as he watched the ripples from his hands eventually steady once more. Just like her legs before, it seemed her whole body could become invisible in the water…or maybe she became the water? Whatever it was, he desperately wanted to know more.

I don't think she'll come back…not at the moment at least. I'll see if I can find any information about what she might be later, but for now I should continue to look for wisps.

He sighed and stood up, looking down at his warped reflection in the water and straightening his jacket once he realised the collar had popped up. He took out his notebook and scribbled down as many notes about the tiny being's appearance as he could before snapping the book closed again and shoving it into his bag. Stepping away from the water's edge, he resumed his search.

He didn't notice the teal eyes peeking out of the water and watching him leave.

[yappingbitch73]

since the beginning of time, the ultimate hot girl activity has been laying about! modern society is trying to take our culture away from us DONT LET THE ART OF BEING LAZY FADE AWAY pliz!

to all the girls who still practise and keep the art alive: u are so brave, and I love u! they will try to stop u... everyone will get in the way... BUT DO NOT LET THEM BE AN OBSTACLE!!!! I believe in u, as an active member of the laying ab and of real nyph dissent, ik the struggle fr... I desire clean grass and flowers to lay on, but society SOCIETY!!! men want to conquer nature, women wanna be part of its beauty, that's the difference between smelly smelly yucky ew masculinity and being an actual angel (girl) and sadly as they have been successful in literally burning the planet alive and making nature extinct and isolating humanity from it, they have also disconnected us from where we belong!!!! WE NEED A RESISTANCE TO THE UNSTOPPABLE FORCE OF MEN AND THIER UGLY DICKS AND DESIER FOR A DISTOPIAN UGLY MINIMALIST FUTURE WITH AI WHORES REPLACING WOMEN!!! cuz god forbid their sex toys wanna take a walk in nature once in awhile and be a conscious being.... so, if u wanna join, our first course of action for a future closer to nature:

go to ur local park and lay around nude and get other women to join u (if we ALL do it I won't he weird frfr) who's with me guys 🙌🙌🙌 I can't be the only one tired of living in a world made from men for men w the only space for women being the domestic environment wich also is taken over by men somehow... I feel as if only nature is a truly feminine space rn... AND MEN ARE LITERELY TRYING TO GET RID OF IT!!!!! so tired of fast passed life, importance placed on achievement, the concept of "genius", "success", sensitivity being fought, art being stale, distractions, career driven lives... can i draw listen to music make movies read books swim around lay around be friends with everyone in the world and that be all? that be life? I don't need more, human connection, love, nature, art and being content is all I want out of life... and I'm tired of ppl thinking I'm stupid for it, or that it's not enough? are u stupid? that's all we need (mentally ofc) also I'm 15 why would I want anything more rn 😭

I just don't agree with most ppls definition of what is "great" "grand" "important" "worthy of attention and praise", idc what empire concurred more land! I care which one was most advanced in art philosophy and community! idc for ur "genius" technological guy, I think being content in life is the most admirable thing a person could ever do! and being an artist is also admirable to me!

so anyway, why would we wanna succeed in what men decided is success? let's make our own definition cuz ew wtf are they on ab w careers? I think knowledge and emotional intelligence should be the definition for us! also, community is very important so don't be a bitch ok? THATS EXACTLY WHAT THEY WANT!!! US TO BE AGAINST EACHOTHER AAAA

ty fr if u made it this far and could handle my insane yapping. I hope u enjoyed! like and subscribe ♡♡♡ (the start was half satirical, tho I believe most of what is said, BUT IM NOT INSANE OK)

[adhd-fandom-hyperfocus]

✧₊⁺ This Was Not In The Codex ✧₊⁺

Pairing: demetrian titus x reader(f)

Summary: Titus is on a much-needed leave on Macragge. While there he runs into you, or rather you run into him escaping terrible punishment for being unable to tell a lord no.

Part 1/?

Arthur's Note: I am terrible at keeping POV when writing in the third person and try to do omniscient, but again I am no real writer.

Warnings: Pregnancy (reader is pregnant), mentions of SA, and general gimdarkness.

18+ Minors DNI

★。------ ＼｜／------。★

There were several reasons Titus was planet side, from a wound he sustained that required more rest than normal, and Calgar seemed all too aware that with everything that had happened, there was still lingering broken trust among his brothers. Moving Leandros to Chaplin was a means of stopping the boy from doing more harm, but it wasn't a move Calgar hadn't been overly pleased with.

But Titus seemed to understand the will of their Gene-sire better than most, and his humanity despite it all remained intact. Something Guilliman wanted to make sure was nurtured.

Titus lumbered through the streets, drawing eyes as he did. Even within the great Macragge people were still awe-struck to see an Astartes. It was odd the monotonous sounds of everyday life felt more overwhelming than the loud cacophony of war. Though the smells were much more desirable. Scents of smoked meat were pulling the large man along when his ears picked up commotion and then something small bumped into him.

Oh the pitiful creature that had run into him. You looked worn beyond your years, weak from malnourishment and shaking like a leaf in the wind looking up and seeing what you ran into. Your lips busted and scabbed over from dry blood. Your feet are torn and broken apart from no proper footwear.

The thin rag you call a dress barely hides your bump. Your hands instinctively wrapped around it, as if you could protect your unborn child from such a giant. A smell rose into his nose as he heart the faint trickling of liquid. You were so terrified you were urinating yourself. Titus had seen this fear in warzones. What in the Throne had you so scared. His size aside.

Titus could see law enforcement coming up, chasing her. But they weren't local militia, these were private. His mind reeled all the practicals and theoreticals there could be to this situation.

"Can you get behind me, please? Are you able to move?" he asked quietly, as gently as he could, though with some urgency.

You nodded weakly and moved behind him, his massive body hiding you.

The guards stop short of Titus gazing upon the Asartes. His aura gave them great pause, mostly seeing how you were hugging one of his large legs.

"I see you are one of the Emperor's angels. Lord, she is a wanted criminal, and have been tasked to bring her back to our lord's estate." one guard finally spoke, but there was a shakiness to his voice.

"Wanted? On what charges, and why back there and not turned over to proper authorities?" Titus pressed. The rough timber of his voice becoming more pressing against the guards.

The guard looked uneasy and agitated, going between the two emotions rapidly, "This matter is hardly of note for one such of you My Lord, please, let us take her."

Titus shook his head, "No. You have not answered my questions. What is her crime and why is she to be taken to your lord?”

“Is not enough that she is a serf who has abandoned her duties?” the main guard responded, “She is to be taken home and punished. On top of that she is to be questioned by the Inquisition for heresy for seducing our lord with foul magic.”

Titus choked down a snarl at the mention of the Inquisition. Of course, a group of religious zealots could be tricked into seeing a poor serf as a heretic, so a piss poor excuse of a lord could get rid of his dirty laundry.

Perhaps his primarch was right and this Imperium was a rotting corpse.

“Then this is cause for my concern. I will take her into custody and our librarian will see to her.”

You start to plead and move away, as vain as you know it to be, but a large hand stops you. Holds you in place. It is firm, but not harsh.

The guard tried once again to argue but Titus cut him off, this time not holding back so much on his voice's power, “Are you challenging a member of the Astartes guard? I am not beholden to you, and she is in my charge now, so she is no longer either. Tell your lord if he so wishes to continue this nonsense he can do so with me. Now leave unless you wish a more physical understanding of my words.”

The warning was understood and the men scattered, and after a moment the crowd that had gathered went about their daily lives. Sounds of a busy community returned.

Titus turned to you, his hand still upon you. He knelled so he might be close to your eyes, “Hello, Little One. I am Lieutenant Titus, of the Ultra Marines. Would you allow me to carry you back to our fortress? You are safe. I give you my word.”

What choice did you have? None really. He could crush you with no effort, and you were dead anyhow. You just hoped when he decided to end you, it would be quick, and he would spare your baby.

You nodded, but sob quietly, “My Lord...I...” you were ashamed, “I soiled myself, I would not want that on you.”

Titus smiled, “Hush now,” he spoke cradling you in one arm and standing, “Far worse has been on me. There is no shame. I will see you get some clean clothes, food in your belly, and a Medicae Mortus to see to you.”

A soft chuckled rose from him, it was unnerving, yet comforting. This angel, was being so kind to an undeserving serf like you.

“Our Apothecaries are not specialized in baseline human needs. I am not even sure they know how babies are made, or how they grow inside you. But ask them about how to deal with a wound from a spawn of the warp? Collect gene-seed? Well then they don't shut up.”

You looked up at him with some confusion, “you do not know where babies come from?”

Titus felt warm suddenly, and adverted his gaze, “I mean. Well. It was not something they deemed important for us to know.”

You could only hum a response. Resting in his powerful harm. Held so delicately and carefully. It was dangerous. You knew this, but it was still the safest you felt in months and your worn body, gave out and forced you into a sleep that was deeply needed.

[andyoullhearitagain]

People get so mad at Marie Kondo for someone who's thesis is just "If you don't like it then don't keep it 🤷‍♀️"

[quietwingsinthesky]

like not to turn into a rhack blog for a minute (holy shit this game came out in 2014, does anyone even still ship these two) but. Extremely gay for a guy to try and take over your body, trap you in the crashing space station you’ve sentenced him to die in, insert himself back into your skull just for a chance to choke you out even if it means killing himself in the process, and then get on his knees begging you not to kill him again.

[bambiraptorx]

AO3 keeps blipping in an out so I'm not running the risk of trying to send a comment rn BUT I adore how you wrote Hueso. Polite but still dangerous. Also having Draxum as a head of security is rather interesting, I guess it makes sense, but considering how the Counsel feels about his experiments it's almost a wonder he's kept that position (or he hasn't and Hueso just doesn't know that yet haha)

It's worth mentioning that Draxum's exact role is, specifically, dealing with threats to the safety and security of the Hidden City/yokai-kind as a whole. As far as the Council of Heads is concerned, this means that he is supposed to protect the city by keeping it secret. (This is not what Draxum thinks his job is. He sees 'protect yokai' and 'keep the city secret' as two separate parts of the job description, which causes problems.) This means he has more of an auxiliary/ emergency role in protecting the city; if, say, a team of EPF soldiers discovered and broke into the city, it's Draxum's job to take care of them by any means necessary.

The Council actually wouldn't really have as much of problem with him creating mutants if it weren't for the fact that he's explicitly planning to use them against humanity, which as far as they are concerned, puts yokai at risk of discovery. Illegal genetic manipulation? Everyone needs a hobby. Using said genetic manipulation to mutate humans/attempting to annihilate humanity? That goes directly against what they want him to be doing.

As for Hueso, he's definitely working with information that's a bit outdated, not to mention that the fact that large portions of his clientele are criminals in some form or another so what he does hear is often a bit skewed. The yokai living on the surface are the likeliest source of the City and/or yokai being discovered, so they're pretty notably skittish around Draxum even if they aren't doing anything illegal. After all, it's literally his job to eliminate any threats to the city's security.

[my-thoughts-and-junk]

thinkbing about. him

[simplyghosting]

My family mocks my trash heap until they need my trash heap. Weep before my throne of broken wires.

[mako-island-moon-pool]

Personally of the belief that live action fans who go onto animanga posts uninvited like 'I DESPERATELY NEED YOU TO KNOW THAT I THINK THE ART STYLE IS UGLY EVEN THO THIS OPINION IS IRRELEVANT TO THE POST' should be hit with a big rock. We already moved past this ten years ago, get with it or get lost. Swallow the hunger inside of you that demands everything be palatable to you. Maybe you could stand to be a little uncomfortable for a while