#like when I say I didn't like the film I MEAN it I really really didn't

[emphistic]

MEDDLE ABOUT

SYN. Being co-stars with your ex-boyfriend of three months is basically hell; or at least, that's what you think. AKA: Sukuna wants you back, whether he's acting or not.

TAGS. actor AU, fem!Reader, mean!Sukuna, exes to lovers, forced proximity, sharing a cigarette, smoking, arguing, eventual smut, Sukuna likes to shut you up with his dick, cockwarming, answering the phone during séx, orgasm denial, dacryphilia, porn w/o plot, use of pet names: baby, sweetheart, pretty girl, my dear (mockingly)

WC. 5.4k (please read anyway 😞)

AN. requested by anon (you didn't specify any genre, so i just freestyled 🤷‍♀️), animated dividers by @/cafekitsune; i'm a sucker for actor AUs; available on ao3; MDNI

“I know you wanna kiss me,” you smiled, leaning closer to Sukuna’s face. Your noses were barely apart, and you couldn’t tell where his breath ended, and where yours started. To be honest, this was far more intimate than any other kiss scene you ever had to film.

“Yeah?” Sukuna grinned, getting equally as close. “And what’re you going to do about that, pretty girl?”

“. . .Fucking slap you, that’s what.” 

“CUT!” The director yelled, groaning in exasperation. “C’mon, people. I know it’s been a long day, but put your differences aside for the sake of one movie, will ya? When you receive your paycheck, you’ll regret all of this ‘huffing and puffing’ you two are both doing right now.”

You exhaled, pulling away from Sukuna. It’s not that you couldn’t remember your correct lines, it’s just. . . You couldn’t take it anymore. Being in the same room as him, breathing in the same air as him, starring in the same movie with him. Fuck, you hated this.

You and Sukuna had broken up exactly three months ago despite having what seemed like a pretty healthy relationship. Seemed is the key word.

Of course, you two had your ups and downs, like an ordinary couple, but what differentiated you two from a normal couple was the fact that you guys both juggled busy careers as an actor and actress. Being booked with interviews, PR stunts, and in general, movies, you and Sukuna didn’t have the ability to spend much time together. And, as if that wasn’t enough, there was constantly a multitude of women on his arm during movie premieres. Yeah, you knew those were all for PR, but still, it hurt to see your boyfriend standing with a woman that wasn’t you every day.

At first, you thought you could take it. Being an actress yourself, you had your fair share of rumors and made up scandals. But it came to a point where you couldn’t take it anymore. You and Sukuna broke up, consequently, and fans immediately voiced their opinions and concerns, bombarding Twitter with trending tags, and posting videos on several apps. The internet had been obsessed with you guys as a couple since the first movie you two co-starred in—which was years ago—so their complaints definitely weren’t for naught.

Originally, you thought that your relationship with Sukuna would end on good terms, but boy, oh boy, were you wrong. Sukuna, just mere days after your breakup, was spotted by paparazzi walking around the city with his arm around a girl you definitely did not recognize as one of his current co-stars. And to make matters worse, he had the audacity to hit you up and ask if he could come over to your penthouse right after.

Men, am I right?

You two may or may not have slept together as exes a few times after your inevitable argument about him and that new girl, but rest assured, you did eventually break things off permanently. Well, you thought you did. As if by fate, you and Sukuna were casted as co-stars in an up-and-coming romance movie that had your fans just dying in anticipation of finally being able to see their favorite (broken up) couple together on screen again.

To be frank, you were originally going to pass up the role as the female lead—seeing as your luck had landed you as co-stars with Sukuna—but your manager apparently really, really wanted you to work on the film, saying things like Think of how elated your fans will be and It’s an adaptation from a book that made millions and Just imagine all of the PR and promoting you could do. It took a while of convincing—and coercing—to get you to finally agree to the role since, after all, PR was the main reason for your and Sukuna’s breakup. But, honestly, you would be lying if you said there weren’t any feelings left for your ex-boyfriend, Sukuna.

“I think we should all take a breather,” Sukuna began, jeering, “before someone gets all hot and bothered by just being on the same set as me. Wouldn’t you agree?” Sukuna turned to you, an expression on his face that just made you want to punch him in the nose.

“‘Hot and bothered’, seriously? Don’t make me laugh.” You rolled your eyes, crossing your arms over your chest.

Sukuna tilted his head to the side, grinning. “Do you think I’m joking? I could feel the way your heart was racing earlier, when we had to shoot that hugging in the rain scene. Just admit it, this isn’t acting for you.”

He was definitely self-projecting, you scowled just by the thought of it.

“Oh, don’t give me that look, sweetheart. We all know how you really feel,” Sukuna teased, leaning down to your eye-level. His breath fanned your reddening ear as he whispered, “You want me so bad it makes you look fucking stupid.”

And when he pulled away, Sukuna added one last remark, “I know it’s been a long three months for you. Say, how’s that blondie treating you, hm? I bet his dick is as small as his future in acting.”

“Ryomen, just stop.” You shook your head. “It’s not like that with him, and you know that. Just leave me alone.”

You shoved at his chest as you walked off set, your assistants following you promptly with water bottles and towels.

In all honesty, you remembered it like it happened yesterday. Before you and Sukuna became boyfriend and girlfriend, your first meeting was in a movie that you both starred in as the female and male lead. It was a romance movie, of course, that was about a couple meeting on an island while both on individual vacations. You two spent most of your days on set in swimsuits and bikinis, consuming fake alcoholic beverages, and, consequently, sleeping together—after the tension just grew unbearable.

On and off camera, Sukuna had been growing an attraction towards you. I mean, who could blame him? You two had to be near each other while being basically half-naked. And, if your pretty face wasn’t enough to beguile Sukuna, your ass definitely was. From the moment he shook hands with you at your first meeting as co-stars, he knew he had to have you—acting or not.

That movie was the start of the skyrocketing of both your and Sukuna’s career in acting. Fans quickly noted how much chemistry the two of you had together, and how well you two could act out emotions and intimate scenes. What the audience didn’t know, though, was that you and Sukuna had started seeing each other a few weeks after shooting together.

Sukuna had invited over the whole cast and team for drinks after a successful movie premiere, and you two ended up talking and conversing in his kitchen whilst a little under the influence. You two hit it off, and learned that being an aspiring actor wasn’t the only thing you two had in common. One glass turned into two, and two turned into stumbling into Sukuna’s bedroom after everyone had responsibly ordered a cab home.

Waking up the morning after, and deciding it wasn’t just going to be a one night stand, you and Sukuna thus began your new relationship. At first, you two avoided being spotted in public together, but it came to a point where your relationship just couldn’t be hidden anymore and you both decided to go public. The internet responded almost immediately with cheers, enthusiasm, and occasionally, expressions showing how un-surprised they were. I mean, you two had been shipped together almost constantly; making it official was almost expected. 

Years passed, the honeymoon stage was over, your careers were more demanding and busy than they had ever been, and, well, you know the rest.

—

“Fancy seeing you here.” 

A grimace immediately made its way onto your face at the sound of Sukuna’s voice calling out to you from behind. 

“Hilarious,” you deadpanned, turning to face Sukuna as he sat down beside you and slung an arm around the back of the couch, “I was hoping the next time I saw you would be at your funeral.”

“A little harsh, don’t you think?” chided Sukuna, as he brought out a cigarette and lit it.

You crossed your arms over your chest, leaning back against the couch. “What do you want?”

“Isn’t it obvious?” Sukuna leaned his face closer to yours, his eyes running down your face and naturally drifting to your lips.

“Unless you’re being your usual asshole-self, and here to annoy me in my dressing room, I’m afraid not.”

After you stormed off set, the director decided it was best to just call it a day and continue filming tomorrow. You went outside for a bit to get some fresh air, before deciding to return to your dressing room and get unready. Stripping down and putting on nothing but your robe, you had sat yourself down on the couch and picked up a magazine, planning on spending a few minutes relaxing before making your way home. Sukuna barging in, despite being off the clock, was something you definitely weren’t expecting. He wasn’t supposed to be here, and if someone found out. . .

“You’ll be in a lot of trouble if my makeup artist comes in here and sees you,” you commented. “Go smoke somewhere else.”

At this, Sukuna’s eyes flickered up to your own, and he removed the cigarette from his lips before blowing out the smoke right in front of your face. Your nose scrunched up, as if on instinct, and Sukuna booped your nose with a shit-eating grin on his face.

“I swear,” you began, snatching the cigarette out of Sukuna’s hands, “if I don’t kill you, I hope these will.” Now was your turn to put the cigarette between your lips. You inhaled, and took a deep breath. But, only moments after, the cigarette was out of your hands and abruptly stubbed on a nearby ashtray.

Sukuna looked at you with an intent look on his face. “As much as I find that hot, I’d rather I be the one damaging my lungs. Not you.”

“Looking out for little old me? How cute,” you smiled, your tone sarcastic. “I see you’re not over us, yet, hm? Did that new girl change your mind?”

You leaned closer to Sukuna, your shoulders brushing ever so slightly.

As soon as you mentioned that other chick, Sukuna rolled his eyes. “Oh, please. It was nothing, we didn’t even hold hands. C’mon, all we did was sit next to each other at a party, and now you’re on my ass about her?”

You shrugged, picking up the magazine you had previously discarded and flipping through the pages with faux interest. “Oh, really? Didn’t look that way to me. You two sure seemed buddy-buddy.”

“Like hell we did. Fuck, do you want me to bring up that twig you were with last week? Kid’s got no meat on his arms. Can’t even call him a man. Is that seriously how low you’re willing to go, babe?” Sukuna scoffed at your lack of attention to him. “Shit’s even worse than a downgrade.”

“You can think that all you want. But I definitely disagree.” You struggled to stifle a giggle.

Sukuna, furrowing his brows, narrowed his eyes at you. “The fuck do you mean by that? Don’t tell me you’ve seen his dick.”

“I dunno, have I?” You turned to Sukuna, meeting his gaze with an equal amount of irritation.

“Must’ve been pretty small, though, if you can’t even remember it,” Sukuna pressed, leaning closer to you, your noses touching, before pulling away. “Whatever, this is boring. Say, how about we get back to where we left off, and practice that kissing scene, hm? I think it’s a great idea.”

“Ryomen, let’s not. You know we’re done. Been done. We’re through.”

“You don’t really mean that.”

“Oh, is it not obvious? I think it was pretty obvious when you had the nerve to get with a new girl just days after we broke up. And then you have the balls to call me right after the paparazzi catches you two. Really, Sukuna? I don’t mind the idea of us ending on neutral terms, but . . . 48 hours? Two days after we broke up, and you’re already fucking some girl? Way to go, Sukuna.”

“Don’t get ahead of yourself there, baby. We didn’t even kiss, did you see any pictures of us kissing? No. And, besides, it’s called provocation. Honestly, you should be praising me, because it worked in the end, didn’t it? I came ‘crawling back’ like one of your little bitch boys, and what happened? Oh, I remember; you let me right the fuck in to your apartment.”

As much as you hated to admit it, you couldn’t deny Sukuna. He was right. And, just the mere thought of what you two did after he hit you up brought heat to your cheeks.

The very same night after pictures of Sukuna and that new girl started circulating around the internet, Sukuna decided to text you:

hey pretty girl,

you up?

You were drying yourself off with a towel when you received two notifications on your phone, and when you saw the contact name, you frowned and turned off your phone without giving a response. Minutes after, there was a ring on your doorbell, and when you checked the camera, lo and behold, stood none other than the last pink-haired man you wanted to see that evening.

When you opened the door, wearing nothing other than a towel around your still dripping body, Sukuna couldn’t help but shamelessly check you out, deciding then and there that this definitely wasn’t going to be the end of your relationship. Of course, an argument ensued soon after, because that’s what life was like dating a dick like Sukuna. Luckily for you, however, Sukuna’s bulge in his pants was bigger than his ego, and so it made up for all of the playful bullying and teasing remarks that he frequently gave.

Sukuna—because he wasn’t born yesterday—knew his looks and charms fairly well, and often used them as a weapon or bargaining chip. That’s why, after you spent a minute or two berating and yelling at Sukuna near your front door, it only took the man one look into your eyes and one sultry comment to have you both stumbling into the . . . bedroom? No, you two had been apart for two days too long, and just decided to utilize your expensive kitchen counters for purposes completely unrelated to cooking.

The next morning, you two woke up—after getting just half an hour of sleep—and didn’t untangle from each other’s limbs until your manager called you nearly a hundred times, and forced you to get up and attend some interview or something. That, however, was not your last night with Sukuna. You two met up—intentionally or not—within the same week, whether it be at interviews or just random outings, and meddled with the other until one of you would fold (usually Sukuna) and consequently do something you would end up not fully regretting the next morning.

This affair continued until you finally came to your senses and blocked Sukuna out from your life in all ways possible. But, due to his bank account, Sukuna did end up purchasing multiple different phones just to be able to contact you. You may or may not have given in a few times, but in the end, you did end up leaving Sukuna for good.

“Reminiscing, are you? It’s okay, I’ve been doing that every night since you left the penthouse,” Sukuna laughed, noticing the way you went silent. You hated the way he referred to his place as The penthouse, and not, simply, his penthouse because, to be frank, for the years you both spent as a couple, you practically lived together despite having individual residences.

“What the hell, Sukuna. Just—Why are you even—?”

Sukuna cut you off, rolling his eyes. “I find it pretty hard to believe that not a single part of you misses me. Don’t lie; lying is a sin, y’know.”

“Sukuna—Excuse me? Don’t give me that shit. ‘Lying is a sin’ my ass. You must have to ask for God’s forgiveness pretty often, then. I can’t believe you want to call me a sinner, I mean, just—just look at you! You’re no saint, either, and you know that damn well.”

Sukuna raised his hands in defense, humoring you. “Woah, looks like I’ve been caught,” he laughed, before getting a little more serious. “But, don’t try to avoid the fact that you’re not innocent. Okay, we broke up due to not being able to make time for each other, and because of how much women I had to be around. Yeah, I get that. But it’s not like I was the only one taking up PR stunts. You did the same, too, didn’t you? So don’t try and paint me out to be the bad guy, when, at the end of the day, we did the same fucking thing.”

Irritated, you pinched the space between your brows. “I barely have any energy to say something to your stupid face right now. We broke up because of that, but also because of how much of a fucking dick you were and are. I knew you weren’t a total angel when we got together but—”

“Look. Do you want a nice guy?”

“. . .”

“Don’t feel pressured to answer, baby. We all know how you really feel.”

“Go. to. Hell. Sukuna. Seriously. This? Again? Do you even know how much of an ass you are? I should deserve an award for putting up with your shit for so long, God—”

“Yeahh, just keep talking,” said Sukuna in a teasing manner, as he leaned back against the couch, spreading his legs apart. You had never wanted to sit somewhere so bad.

“Are you fucking kidding me—mmph!”

You would’ve continued yelling and cursing Sukuna out for being such a dick had he not roughly pressed his lips against yours, immediately shutting you up. Because you still had some self-respect left, you fought back, throwing weak punches at his chest; but when Sukuna caught your wrists in his hands, you knew it was game over. Your muffled complaints soon turned to whimpers and sighs, as you shut your eyes and let your body do the talking.

Minute after minute, you gradually turned to putty in Sukuna’s hands. Fuck, as much as you hated to admit it, you had truly missed this. The feeling of his large, coarse hands roaming your body, tracing your curves, the feeling of his soft, but unruly hair under your fingertips, but most importantly, the feeling of his lips on yours.

At this point, you couldn’t even remember why the two of you broke up.

“Sukuna,” you murmured, pulling away for a moment to breathe. “We’re not together anymore. We shouldn’t—”

“Shouldn’t?” repeated Sukuna, eager to get back to where you left off. “Are you in a relationship with someone else? Am I in a relationship with someone else? No, and no. So enlighten me, my dear, why should we stop?”

“. . .” It was like he was challenging you, except, this time, it was a battle you could afford to lose. You wanted Sukuna, you really did. But admitting it was the hard part. You chewed on your bottom lip, contemplating every outcome, as Sukuna continued to stare at you with so much desire you could practically feel it.

“Are you hesitating because,” Sukuna paused, “—because you fucked someone else while I was gone?”

You sighed, swallowing the lump in your throat; you had never been more conflicted in your life. Placing your hands on Sukuna’s shoulders, you pushed back until Sukuna was sitting on the couch, and you were sitting on top of him—seated on his lap. As if on instinct, his hands made their way from your hips to the curve of your ass.

Sukuna gripped the globes of fat and muscle with a purpose, and let out an exaggerated groan at the missed feeling of you practically sitting on his dick. You were wearing nothing but a dainty, silky robe, and you clearly didn’t cross it over your chest too well, as Sukuna could see almost everything he had been missing out on during the past few months.

“Don’t even think about lying to me. I can feel you throbbing on my thigh, y’know.”

“. . .And?” You raised a brow; whispering in Sukuna’s ear, “What about it?”

Biting your lip, you let your hands wander up and down Sukuna’s neck, the spot you knew he liked you touching. When you broke things off with Sukuna, you didn’t know you could miss being able to trace his tattoos as bad as you did.

“Oh?” asked Sukuna. But when his fingers wandered up your robe, there was a sudden change in Sukuna’s demeanor, and he sucked in a breath.

“Adorable,” you laughed. “Cat got your tongue?”

“Shit, baby,” Sukuna groaned, “I bet you were expecting me to come and visit your little dressing room, huh. Even planned ahead and gave me a little surprise. Cheeky thing.”

Just seconds earlier, Sukuna’s fingers had been teasingly ghosting where you wanted him most, but when he noticed the lack of underwear you had on, he nearly lost it. You clearly weren’t making it easy for Sukuna to stay composed, he was sure of that much. Despite all of his belittling and teasing remarks, he definitely wasn’t as unaffected as he let himself seem to be.

“We’ve just been apart for so, so long.” You looked into Sukuna’s eyes, a faux pout on your lips as you looped your arms around his neck and pressed your tits up against his chest. “Can you blame me?”

“Fuck, girl,” Sukuna kissed his teeth. “You’re dripping wet. All for me?”

“Who the fuck else?”

Sukuna’s fingers danced around your entrance, collecting your slick as you pressed your thighs together, trapping his hand between your legs (not like he was complaining, though; that was probably the closest to Heaven Sukuna would ever get in his lifetime). “Mmm, that’s what I like to hear.”

It wasn’t a surprise when you pressed your lips against Sukuna’s, bringing him in for another zealous kiss. In an effort to get impossibly closer, your body curved into his, like you were puzzle pieces molded and created just for each other. You two moved in sync, as if you had both rehearsed this before; but, in truth, you two had just made out too many times to count, so kissing Sukuna was basically like breathing air. You needed it to survive, and, it was light work. What more could you say?

The tension and lust between you two grew, and your dressing room soon filled with the sound of sensual desire, moans and quiet gasps, and the creaking of the framework of your unfortunate couch, which had the misfortune of being beneath the two of you.

From the moment you had begun straddling his lap, you had pretended not to notice the growing erection below you; but, by now, it was pretty hard to ignore the bulge pressing against your ass. It was like, during the months you two spent apart, Sukuna’s dick was growing even larger than before. You didn’t remember it being so big. And, just the sight of it was enough to make you lick your lips in fear? Anticipation? . . .Definitely a mix of both.

As Sukuna made a show of removing his belt and pants, he grinned at the evident look of unfamiliarity on your face. “Scared?”

“Of course not,” you quipped, trying to put up a front, but your body betrayed you, displaying otherwise.

“Naturally,” Sukuna mocked, “that’s why I can practically feel your arousal, right?”

You bit your lip, “Shut up.”

Sukuna laughed, pushing the ends of your robe up to rest on your hips, and sliding his hands to your ass, squeezing each cheek with an equal amount of force. Damn, thought Sukuna, he had missed his favorite girls.

“Just because we haven’t done this in a while doesn’t mean you have to be afraid of it. C’mon,” Sukuna slowly repositioned and lowered your hips and spread your legs apart, easing his dick through your cunt, “there’s nothing to be shy about. I know you’ve been missing this.”

It was true, you and Sukuna hadn’t fucked in three whole months, and your body was definitely starting to forget how he felt. The feeling of your walls stretching to accommodate Sukuna’s length and size burned pleasurably, and you bit your lip to stifle a moan, which, in turn, just came out as a whimper instead.

Bracing yourself, you planted both palms on Sukuna’s broad shoulders as your lashes fluttered and your eyes shut tight. “So—nngh—So big, Sukuna. God.”

“Bet you’re real glad you decided to accept this role, after all, huh.”

Your eyes snapped open, and you glared at Sukuna. “Will you just shut—oh!”

Just as you were about to yell at Sukuna, he decided it was the absolute perfect time to give a rough thrust; and you could’ve sworn you felt him in your womb. Throughout all the years you two had been together, you rarely had the opportunity to actually sit on his dick, and, now that you had the chance, you realized how full you felt in this position compared to how you two usually fucked. Sukuna knew you liked it rough, but this . . . was like nothing you had experienced before.

Sukuna—laughing—leaned down just enough to whisper in your ear, “You were saying?”

“Fuck,” you gritted your teeth. “Just move, Sukuna, goddamnit. What’s the holdup? Don’t tell me the late twenties are catching up to your libido.”

“Ha! in your dreams. I was just thinking of a new way we could have fun. Let’s see, just how long can you go without moving, hm?”

You gulped. “W-What? Why would you—?”

“Because it’s exciting, and spices up things. Don’t you think so?”

“. . .”

As the minutes idly passed by, you grew hot and bothered, and exasperated. You couldn’t believe Sukuna was making you do this. Nearly ninety days you two spent apart, and now that you had gotten back together, he had the audacity to leave you high and dry? In a final attempt at getting any satisfaction, you moved to roll your hips, desperate to create any amount of friction to free you from this everlasting state between Heaven and Hell; but two rough hands abruptly caught you in motion, and swiftly held you down.

“Ah, ah, ah,” tutted Sukuna, in a mocking tone. “Did I say you could move?”

Clearly frustrated, you let out a whine; but as your hands move to give punches against Sukuna’s chest, he catches your wrists in his hands with ease, an evil smile on his face, like a predator that had successfully cornered their prey and was just seconds away from latching their teeth in.

The belt was already pretty loose, so when one of the sleeves on your robe slipped down your shoulder, revealing your bare chest, no one was that surprised.

“Oh?” Sukuna began. “What have we here?” His scarlet eyes roamed up and down your figure, as his grip on your wrists turned almost deathly.

“You . . . bastard,” you—suddenly feeling a bit shy—tried to tug your wrists out of his grasps, in order to cover yourself up, but your attempts were futile. “Let go of me—hnngh, shit.”

Your back arched, body curving closer to Sukuna’s as his lips abruptly wrapped around one of your already hard nipples, catching you off guard. You had never felt so overwhelmed; the feeling of Sukuna sucking on a tit while his dick was buried inside of you—unmoving—was nearly enough to make you cum, despite the lack of movement that Sukuna allowed.

Bringing you out of your dazed state was the sudden ringing of your phone on the table beside the ashtray. Your eyes widened in surprise, as you softly pushed Sukuna off of you. “Just—Just ignore it. It’s not important.”

“Right. But where’s the fun in that, huh?”

“You don’t mean. . .”

“You know what I mean. Answer it, on speaker,” Sukuna pressed. His tone told you he wasn’t going to repeat himself.

With shaky fingers, you reached for the phone, answered the caller, and put it on speaker. “H-Hello? Katayama?”

Katayama was the name of one of your co-stars. Or, in other words, the blonde dude, which Sukuna kept mentioning earlier.

“Hey, you! It’s pretty late right now, perfect time for us to go out and get some drinks, y’know? I’m a bit bored, as of lately.”

You were about to respond with an apologetic declination to his offer, but Sukuna cut you off as he roughly lifted up your hips and abruptly slammed them back down, causing you to choke back a moan, and cover it up with a faux series of coughs. “I’m, ah, a little . . . busy,” you whimpered, wincing at the tight grip on your hips—which was sure to leave a bruise in the morning, “right now.”

“Are you sick?”

“Uhm, no—I mean, yes!” You let out another fake cough just to seal the deal. “Yup, just a little under the weather.”

You bit your lip, trying to suppress a string of moans and curses as Sukuna continued slamming your hips up and down onto his.

“Well, if you’re ever in need of an extra warm blanket, don’t be afraid to—”

“Hahh.” A breathy moan slipped past your lips, and you could practically see the surprised look that was probably on Katayama’s face right now.

“—call . . . me. Uhm, are you sure you’re sick? You sound like you’re in the middle of . . . something. Is everything okay—?”

“Yup! Yeah, everything is totally okay,” you forced out, with an enthusiastic tone. Gripping Sukuna’s shoulder with your free hand for leverage, you shut your eyes tight as you quickly ended the call. “I’m a little occupied at the moment, I’ll call you ba—I’m gonna go. Bye!”

As swiftly as you hung up the call, you threw your phone across the couch, and let out all of the noises you had been previously bottling up.

“I’m so c-close.” You mewled, now even more desperate than you were before.

“If you dare cum,” Sukuna began, his voice low, “I’ll stop.”

“Sukuna!” You whined, scratching at his back and leaving little crescent shaped marks from your nails on his tricep. “I need to—ahnn!”

Squeezing your eyes shut, you held onto Sukuna’s shoulders for dear life as he quickened his pace. Lifting your hips up with ease, and slamming them back down with equal force. Fucked out of your mind was not enough to describe your current state, as your eyes rolled back into your head, and your lipstick was smudged across your mouth.

Sukuna leaned down to whisper into your ear, never stopping his movements. “Bet the little blondie didn’t fuck you like this, huh?”

It was obvious that Sukuna wasn’t an insecure guy; I mean, he had no reason to be. He had nice muscles, a good body, overall, sharp features, tempting eyes, and tattoos for days. But, you had to admit, the spark of jealousy was definitely a good look on Sukuna, one that you wouldn’t mind seeing every once in a while, if it meant seeing him like . . . this.

“. . .S-Sukuna, we never—we never even fucked in the first place.”

“Oh, yeah? How long you been without cock, then, huh? Must be why you’ve been acting like such a bitch. I almost feel bad; all this time, my baby’s just been depraved.”

“. . .F-fuck you,” you shivered, body practically shaking with need.

“No need to state the obvious, sweetheart. Fuck, even your tears taste sweet,” Sukuna groaned, licking a stripe up your cheek. “It’s as if you were literally made for me to devour.”

“Please, please let me cum! I’m so—hnngh—close.”

“Yeah, no. C’mon, I know my girl can last just a little longer, can’t you?” Sukuna grinned, biting his lip as he admired your dazed state. He hadn’t been able to touch you in three months, ninety days, 504 hours. If anyone was going to get their fill, it was him.

—

“Oh!” Your stylist exclaimed, after walking into your dressing room and noticing you lying asleep on the couch. “You’re already here. And, Sukuna’s here, too. Wait. . . SUKUNA’S HERE, TOO!?”

[beatrixstonehill2]

Veronica was enjoying her time at a pool in a luxurious hotel when a woman named Gina approached her, eyeing her in an accusatory way. "What do you think you're doing?" Gina asked.

"What do you mean?" Veronica asked in a soft, feminine voice.

"Disgusting, another dumb little fakegirl here to ogle us real women and fantasize about doing god knows what to us."

"Huh!? No, I think you made a mistake, I--"

Gina pulled off Veronica's clothes, starting with her top, revealing her large breasts for everyone to see, then pulled off her bottoms, sizing the disrobed girl up. "Well, well, well, look what we have here." Gina said, shaking her head at the sight of Veronica's small cock held in place with body tape.

"There's no rules against trans girls staying here! I.... wasn't ogling anyone or being a perv! I just haven't gotten around to removing my cock...."

"Uh-huh, heard it a million times, princess. You're so disgusting. I saw you when you arrived yesterday. Since you don't pass whatsoever it was obvious you were a boy. Since then I've caught you filming pregnant girls in bikinis on your phone, filming upskirts, staring at countless girls' asses and breasts, you accidentally bumped into and touched the breasts of about a dozen girls staying here, and I even caught you rubbing your cock through your bikini as you watched that group of pregnant college girls celebrating their victory in some gymnastics competition. I also followed you in the bathroom and heard you jerking off."

"Ummmm..... it's.... not true? I didn't mean to..... those girls were really hot and showing off their moves, their breasts kept falling out and oh my god their asses were so juicy and fat--oh!" Veronica covered her mouth, her cock throbbed against the tape holding it in place.

"You poor perverted boy. Let mommy take you in and take care of you. Show you some discipline. Wouldn't you like that?"

"Ummm......would I have to stop being a girl?"

"Idiot. You aren't a girl now. Just a confused, perverted boy.... Come on, let me help break you free of your confusion, OK?"

Veronica nodded, taking Gina's hand as she walked her naked through the hotel, back to her room....

"It's been a year since I met my mistress, Gina, and detransitioned for her, finally giving up my perverted fantasy of being a girl. Gina started by making me get rid of my "breasts", which were just oversized moobs that grew unnaturally big because my parents tricked me into taking synthetic hormones because I liked dressing as a girl. Now they're growing back because my mistress funnel feeds me so much.... if they look too much like a girl's breasts Mistress Gina says she'll make me get another reduction.

I used to goon in private to so many pretty girls online, and I was something of a voyeur.... I also took a new guy home almost every night, I'd go to all kinds of nice hotels and sleep with as many men as possible, while watching all the pretty rich girls..... But now Gina controls when I'm allowed to cum. Only after I do good and meet my monthly weight gain milestones and don't complain when she pegs me with her.... intimidatingly big strap ons. I'm just her boy-toy hog who only exists to fatten for her amusement, until she gets bored of me, which she told me she will. I never get to fuck her of course, only watch her get fucked or peg other girls, as well as a bunch of other former t-girls she forced to detransition.

I have to stuff my face and eat as I watch her have an active sex life, if I slow down she stops what she's doing to scold me or paddle me if I'm really disobedient. She makes eye contact with me the whole time she pegs or gets fucked, never with her partner. She just watches me eat and encourages me to keep stuffing my dumb, hog mouth and get nice and fat so I can cum like a good boy. It's kind of funny but she's way more perverted than I ever was as as trans girl.... even if I was pretty out of control. Now I have no choice but to get as fat as possible for my mistress until she finally gets bored with me and drops me off at my parents' house.... That's going to be a fun conversation. Telling them I detransed after living as a girl since the second grade, and got so fat I can't walk.... Hope they don't mind taking care of me and keep me as well fed as Mistress Gina.... Fuck, I've got to stop thinking about it or I might accidentally cum. I've been getting punished enough lately.... Keeping Mistress Gina satisfied gets harder and harder the fatter I get, I can barely keep up with my weight gain goals, but having Mistress Gina jerk me off at the end of every month makes it all worth it. Her eyes staring into mine as she calls me a gross, disgusting boy who never passed as a girl, and a fat useless hog who's never gonna make a girl cum, who's gonna be too fat to fuck or masturbate.... I cum soooo fast, then she makes me lick the cum off her hand, afterwards she slaps me and tells me to do better next month, that I'm gaining pathetically slow.... I have to do better for my mistress. I already can't even remember ever being a fakegirl with big bouncy tits......"

[abirdie]

Gael García Bernal in Letters to Juliet (2010, dir. Gary Winick)

(these gifs also feature Amanda Seyfried)

Gifs are all 540px wide so you can click to see larger.

[other gael filmography gifsets]

[mariocki]

Michael Craze pops up as Vince Kelly, a teenage runaway from a borstal centre, in Gideon's Way: Boy With Gun (1.23, ITC, 1966)

[cassmouse]

Me, walking out of the cinema after watching Frozen Empire: Well that was terrible and forgettable and disappointing and I didn't like it at all.

Me, over a month later: I have LITERALLY not thought of anything but Phoebe and Melody and the other silly little characters in this film for like five weeks straight it's becoming a slight problem- What? Oh yeah, I didn't like the film at all. anyway here's my Checkmatch playlist and all the fanfic I've read-

[maddy-ferguson]

Ngl, I really think that these bylers that are crying 24/7 about "purity culture" or whatever, are playing dumb when they start with their "but Nancy and Steve were 16 and 17 in that scene of s1!!!1" like... We got introduced to these characters at that age and the people playing them were already adults. So yeah, sorry but I think it's easy to see why most viewers would be uncomfortable with a more sexual scene of Mike and Will and it's not automatically homophobia, I think that would be the case with any of the kids since we got introduced to these characters when they were 12 and the actors were babies as well. We literally saw those kids grow. And I'm not saying byler should only get to peck or hold hands, It'd be cool if they have their epic kiss or whatever, but Will hasn't even had his first kiss yet and some of these people are already talking about sex scenes, like... Be for real 😭

funny you should say that...because i've used the nancy was 15-16 in season one argument (last tag) before while also saying that i understand why people find the sex part of their sexualities uncomfortable to discuss. and i wanna reiterate that, again, i totally understand that people feel like they've seen them grow up etc etc and that they still think of the actors themselves as children even thought they're not anymore.

i don't think it's all homophobia because like you said, people would probably feel the same about lucas and max and discussions of sex (i don't know if anyone is discussing that because there's much less discourse to have there and you can't argue that people are homophobic if they disagree with you) but i don't think it would be justified either. the "but we knew the characters when they were little" argument makes me think me of an ancient disney channel/abc show that old people and girl meets world fans who watched it for the first time in the 2010s will know, boy meets world (1993-2000). classic comic of age show, look at these kids. and eric in the back (he's fifteen).

they're eleven at the start of the show and then, what happens in any coming of age story happens, you guessed it...

they grow up. this is them in the later seasons, when the main characters are still in high school i think. they grow up, they talk about sex and about having sex at prom in season five and then they don't have sex right away because they figure it's not the right time yet or something like that, and then they have sex later and get married, the details don't matter. but my point is, who watches a show for five seasons, over years and years and gets upset at the main characters having sex because "this is crazy they used to be children"? isn't that the point of coming of age stories that cover multiple years or that focus on the latter years of adolescence, that they're not children forever and that at one point the characters "come of age" which usually includes their first sexual experiences?

i don't think the having sex part is particularly important in stranger things but also it doesn't have to be for it to be portrayed (see jonathan and nancy), teenagers have sex, it's just the way the world works. i'm not advocating for sex scenes of any kind especially because stranger things isn't a show that features a lot of sex in general, the only "explicit" sex scene being nancy and steve in season one with cuts to barb dying, but i genuinely don't think the duffers would have any qualms about portraying teenage sexuality in general with the party. if they did, they wouldn't have included erica threatening lucas to tell dustin what she found under his bed (it wasn't the communist manifesto) and they wouldn't have had max looking at a shirtless steve for an amount of time that's supposed to make the audience laugh. it's been 7 years. if they do a time jump, the babies will be about 17, played by actors who will all be around 20, the age natalia was when filming season one. the characters are teenagers, babies grow up. it happens to the best of us. i get why people would find it uncomfortable and maybe i would find it uncomfortable too but i wouldn't be scandalized. the duffers had no problem having a child actor portray everything will goes through in seasons one and especially two, i really feel like sex is fine and...not traumatizing or hard to watch compared to every single thing will's gone through lol. and again, i'm not even expecting them to have sex lmao, but i wouldn't cry myself to sleep if they revealed that everyone in the party actually knows what sex is.

last question: do we have any indication that jonathan had talked to more than one other girl (the girl at the halloween party being the one girl i'm counting for him) before he got together with nancy. i'm just asking because of your last sentence, because if we don't he should have slowed down also😭

[medicinemane]

Really really don't get why so many people seem to have this burning hatred for Ukraine where they'll just... bring them up randomly purely to drag them through the mud and it's like... ok... but... do you actually know a single thing about Ukraine or what's been happening there?

Do you for instance remember when a major dam was destroyed by russia causing massive ecological damage?

Like I'm dead serious here, can you tell me a single thing that's happened in Ukraine in the last 2 years? Can you in any way demonstrate any basic understanding of the situation?

Cause if not... why do you think you should have an opinion on it, especially if your opinion is gonna be how awful people getting bombed are?

Just legit bothers me and... even more so bothers me the number of smart and caring people I see doing this. Basically I'm not even trying to be rude here, I'm trying to remind you to pay attention and remember that not everything you read on the internet is true, a tumblr post isn't a source unless they're giving you a reputable source

Cause like me? I can go track you down articles about the Nova Kakhovka dam being destroyed, and I can talk about all the reason why it's pretty clear that russia destroyed it

Can you do the same for me? Can you back up your claim about Ukraine with something concrete?

In many ways I'm not even asking you to support Ukraine, I get we have a limit to how much we can focus on, it's ok if you focus on your cause and I focus on mine and... both of us giving our undivided attention, maybe we both make some small impact on the world

What I'm asking is you don't be an asshole for no reason. You don't need to throw Ukraine under the bus. Don't you think your cause stands up on it's own two feet?

And again I'm not Ukrainian, I don't know as well as someone there, though... I spare you a lot of the stuff that crosses my dash because I don't want to burn people out with horrible stuff, but please understand it's worse than you probably think

So no, not Ukrainian, but I'll tell you why I'm still worth listening to: I've followed this every day since the invasion began. I keep my ear to the ground. I do know a fair bit and again can back what I have to say up

Anyway, my plea is to just not be a dick to people for no reason. The correct number of bombed civilians is zero, that's my stance

[theheadlessgroom]

@beatingheart-bride

The invitation in the mailbox surprised Randall when he checked it: He never got mail, never-why would he? Were it not for the beautiful scarlet wax seal emblazoned with an elegant cursive G, he might have just disregarded it and thrown it away.

Taking it inside as he fixed himself a cup of coffee, he was in the midst of taking a sip when his eyes registered the invitation, and he very nearly choked on his coffee as he realized what he was being invited to. Through watery eyes, Randall stared at the invitation (a very lavish-looking one, reserved no doubt for the Gracey's wealthiest friends), before looking to the additional letter, penned by Dorian, explaining his little plan and assuaging any fears his best friend may have had about attending the engagement party.

(A good thing too, because Randall was initially reluctant to accept, worried his presence might spoil everything-Dorian really had thought of everything, really, reassuring him that everything would be just fine.)

Still, as he looked over the letter and the invitation, certain now that he'd be there with bells on, he still couldn't help but think to himself: What would I wear? It wasn't like he could afford to run out and buy a new suit just for the party...

...but he could afford to make himself something new.

Reinvigorated, Randall grabbed his sketch journal and a fresh cup of coffee as he rushed upstairs to his sewing machine (a hand-me-down from his mother), grabbing an armful of fabric as he opened the window, allowing the mercifully cool breeze (and the nearby band music wafting through the air) to fill his room as he sat down, took a swig of coffee, and got to work.

[myassbrokethefall]

tree of life: ehhhhhhhhh i guess

[unproduciblesmackdown]

yo what the fuck lmfao not the tiny little actor kid playing eddie in the it movies voicing alberto a la luca. zero recognition like kind of could deepfake it in my head litchrelly i mean like those actor children being quite small & then even recording something a few years later like alright yeah voice just dropped a ways already but i definitely had to stare intently at the [looking that up] textual confirmation. absolutely zero resonance at the time a whole like month ago lol go figure. congrats on the bisexuality too he/they king

[sirfrogsworth]

How do you take a photo of time?

I've been watching the track events at the Olympics since I was a wee lad. It was a tradition in our family. We'd gather around our ancient low-definition 19 inch CRT television and watch tiny blobs compete against other tiny blobs and root for our country.

It was a bit like watching YouTube on your phone in 144p.

Several heroes emerged.

Jackie Joyner-Kersee was amazing.

You can't forget about Flo-Jo.

And then the Olympics decided NBA players were allowed in the competition.

Which formed... The Dream Team.

Was this fair?

Well... they won each game by an average of 44 points.

So... no. It was not fair.

Though it became more fair as time went on.

But, umm... yeah. The other teams looked like the Washington Generals and the US looked like the Harlem Globetrotters if they stopped screwing around half of the game.

But my absolute favorite Olympian was a runner named Michael Johnson.

He was cool as heck.

For one thing... gold shoes.

But he also had this crazy, upright, Tom Cruise-ish sprinting style that just made him look like a running robot on the track.

And in the 1996 Atlanta games he just trounced EVERYONE. I mean, it wasn't even close.

Yikes. Those losing blobs are probably really embarrassed.

Last night I decided to invigorate my nostalgia and watch the track events again. And I got to see one of the wildest races in history.

It didn't even last 10 seconds but it was one of the most exciting sporting events I've ever witnessed. Almost every runner won the race.

After I saw that initially, I was like... who the heck won???

Even in slow motion I wasn't sure.

This was one of the closest finishes in history. There has never been a race where all 8 runners were within this margin.

The arena was silent as the winner was being confirmed. The runners just kind of paced around waiting for official word. My best guess was the Jamaican runner, Kishane Thompson. But then the loudspeaker announced Noah Lyles.

The last tiny morsel of American pride burst out of me with a big "Wooooo!"

I forgot what it was like to be proud of my country. I wish it happened more often. But this young man, despite being last place in the first 3rd of the race, turned on the afterburners and won in a photo finish.

And that's when my inner nerd took over.

Because when they showed the photo finish image, it looked super weird.

Why is the track white?

Why do all of the runners look all warpy like that QWOP game?

So I went down a research rabbit hole to figure this out.

Photo finishes are actually fascinating. The first photo finish captured the end of a horse race in 1890. But that was mostly luck and timing. The actual photo finish mechanisms weren't used until 1937.

Originally they would film the finish line through a physical slit.

And the first horsie head that appeared in that slit would be the winner. This technology ended a huge aspect of corruption in horse race fixing almost overnight.

But we have come a long way since then. And I'd like to introduce you to the Omega Scan 'O' Vision Ultimate.

This slow motion camera sits fixed on the finish line of every race. The concept of the photo finish has remained remarkably similar to the 1930s approach. The camera sensor is specially designed to only record a vertical slit.

Only the finish line itself is actually captured.

And because it limits what it records to only that slit, it can capture 40,000 frames per second to get amazing temporal resolution.

So why don't the photo finishes just look like, well... this?

That is because the camera takes a picture of time more-so than dimensional space. I guess it would be more accurate to say it *assembles* a picture of time.

As the runners cross the finish line, the camera combines all of the little strips of pictures into a single image.

It's almost like if you tried to reassemble a piece of paper after it had been shredded.

Imagine each strip of paper is a picture of ONLY the finish line, just at a slightly different point in time.

What if someone stopped on the finish line and didn't move... what would that look like?

Once they got there, the same part of their body would just be repeated.

So the right side of the photo finish picture represents earlier in time and it just assembles the image strip by strip as time passes and you literally get a picture of time itself.

NEAT!

Okay, but how do they determine the winner from the photo finish?

I mean, that shoe looks like it is ahead of Noah Lyles!

Clavicles!

The IAFF rules state the foremost part of the torso must cross the finish line first. And the endpoint of the torso is the outer end of the clavicle.

So if you get this bone across the finish line first, you win the race.

Two more fun facts!

The start of the race is actually just as carefully timed as the end of the race. There are sensors in the starting blocks of each runner.

The starting gun also has an electronic sensor.

They have determined the fastest a human can react to the sound of a gun is roughly 100 milliseconds. So if you start running before 100 milliseconds they know you didn't actually hear the gun, you just got antsy and started running too early.

And the final fun fact...

Did you notice the Omega logo at the top of the photo finish?

That isn't superimposed or added after the fact. That is captured by the camera.

But if this image is composed only of tiny little slivers, how did they get the Omega logo to show up?

That is a little display. And it is synchronized with the Scan 'O' Vision Ultimate to show a little sliver of the Omega logo for each frame captured.

So when the final image is stitched together, it looks like a cohesive logo at the top of the photo.

Pretty clever, Omega!

[khaopybara]

whatever you do do not allow yourself to become a JoongDunk girlie I promise you FK are safe and good, one minute JD are blatantly not speaking, vague-posting to each other on X the next they're saying obscene things in each others instagram comments. The whiplash is ridiculous 🙃🫨

who doesn't love a good push-and-pull rs with their ships, am i right?

[oveliagirlhaditright]

So, the Walt Disney (company) 100th anniversary special that was on TV last night was really good. Oh my gosh.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[maddy-ferguson]

in the last like 7 years there's been two reality tv guys i really liked i found them very entertaining i thought they were funny etc thought this for years. 2/2 have been accused of rape now i need to stop treating these people like they're characters they're being very genuine when they're awful

[fictionalmenmistress]

I haven't seen anyone else talk about it, so I wanted to share that Logan's rant monologue insulting Wade in the Honda Odyssey, before Wade decides to beat him up and they ~fight~ all night... that so clearly to me, was Logan projecting. It started as a tempered rant to cope with how annoyed and pent up he was, with the heat of everything and with Wade's muchness that makes him, him, but the longer he went on, the more he started ranting and exposing himself in the process.

"THE XMEN REJECTED YOU, AND THEY'LL TAKE FUCKING ANYONE!!!" That was my first hit, that he was referring to himself. He sees himself so lowly, so failed, that's canonical to the film. And canonically, he didn't even quite originally feel worthy or want to be with the XMEN. Didn't feel like there was a place for him there, a place for him anywhere. One of his biggest healings was Professor X not giving up on helping him believe that he deserved to be there, was wanted, was worthy, was a good guy. That's canon to his character. So we know he was speaking about himself. He was chewing Wade out, but he was also talking and focusing moreso on what upset him about himself. (He sees himself as just any jo shmo, when he IS literally THE X MAN ㅠㅠ)

He was seeing himself in Wade, how he "can't even save a relationship with a gd stripper", (he sees himself as not able to save anything either, and he's angry for that more than anything else he's angry or annoyed at) projecting SO HARD as he pieced together saying it out loud, that Wade was exactly like him. Logan hated himself for not saving anything. For being a "loser", a "failure", for all of the same reasons he was lashing out at Wade for. He was so angry and annoyed by Wade reminding him of himself, because he related to him. Wade was his reflection, in his eyes, calling him out so loudly with his own behaviors. And he hated himself. He deeply was suffering with that hatred for himself, and as a result, he lashed out on Wade when really he was chewing out himself, inside, admitting it.

"God's CRUELEST JOKE, IS THAT YOU *WONT* DIE ALONE. BECAUSE YOU! CANT! DIE! SO THE REST OF US HAVE TO SUFFER YOU THE REST OF OUR EXISTENCE!" (something along that.)

He didn't know for sure that Wade can't die. He picked up on that Wade can't be killed. Logan is the one who can't die. They are two flipped sides of the same immortal power coin. When he finished his screaming at him, and everyone was silent at how cruel and shocking the confrontation and his words were, I was sinking with a very empathetically whispered "oh, Logan..." Because I felt his misery. I immediately picked up on him really talking about himself, and I think that was genius and layered. I was upset for how awful that was to say to Wade, heartbroken for Wade taking that to heart, and I was heartbroken that Logan was saying that because he believes that about himself. Because they are, oddly, a lot alike. Very compatible.

This scene here:

I read that Hugh said that Ryan wrote that. He's brilliant with these films. It was so genius. I really needed to share this and bring this thought, meta, analysis to light. For all of us to have.

Is Logan mad at God's "cruel joke" of his immortality, yet ability to feel so much pain through it still? Yes. He punched the roof in rage, because it's not fair. Venting his own pain. He sees his powers, his own and Wade's too, empathetically, as their curse. The curse of being the one who lives, and the guilt with that. The one who can't die. The one who lives, who is forced to live, while everyone who "deserves to live" dies. And WILL die, around them.

"And You can't die. That's on all of US!" Logan says, clearly referring to himself living forever... And "us" being the people HE loved. He saw himself as a burden for existing with them, for them. He deflected that onto Wade, as if the people in Wade's life must feel that way too, but didn't really mean that. He meant it about himself. Logan believes he was a burden on the people he loves, the people he lost. That's probably why he left too, and didn't come back when they called out for him to. He distanced himself to protect them, and protect himself from that fear of rejection that he feels is so imminent, and them not having him, is the one element that led to none of them surviving without him. He was always the key. He was always wanted, and he was always important and needed. He just couldn't ever believe that.

Man, that's why it became so personal for Logan too, when he was shown Wade's photograph of his family. Because HE had a family, and he would do anything now to save them. Just like Wade. He held that photograph all night, he went and got it when it fell out of the car, he kept looking at it. It became personal for him, when he identified with it. That Honda scene really was their turning point of everything. That's when Logan cared with everything. He got it. Wade is the him he couldn't be. But now he can.

I dropped some heat with this one.

Extra little personal context/thought notes: Maybe I just spotted it because I have a natural knack for psychology, I'm hyperobservant, highly empathetic and deeply feeling, and I'm also years experienced of my parents and whole family treating me the same exact toxic lashout way almost every other day. That's a workweek for me to see through toxic lashout anger BS. These are not my gifs!!! They were created by another amazing account. I will refind their @ and tag them!! >>> It's @landoslastnerve ! Thank you friend! 🤍

Also wanted to include someone's tags from those gifs:

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