Owl House is a surprisingly dark show but still very much kid appropriate. I think the themes about grief and self harm as well as like. exploring topics like ableism, religion, death, and abuse is really neat.
I do think it'll be funny in five to ten years when people who were lil while watching the show revisit it later and are like WHat the fuck did I watch about certain things tho, because I really didn't pick up on the Vibes with Terra and Raine or like some of the nuances and I was already 19 when the show started coming out HAUIH.
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I do think it's funny that the pjo fandom has kind of modernized a lot of characters looks/aesthetics with the changing time even if it's just subtle things like their haircuts or graphics on their shirts, but not Will.... like we have been drawing this kid with the same haircut for 10+ years and we still make him wear bootcut jeans with flip flops. It's so amusing, we hold up all these characters and we're like "look how they've grown and changed!" I'll see Hazel drawn with butterfly locs! Annabeth in fics now wears clothes like what I see women wearing on home design shows! Sometimes people give Nico a modern mullet or a fluffy tiktok haircut! I no longer see people drawing Piper in the babydoll dress and jeans combo! But for whatever everyone across the fandom seemed to look at Will and go "this boy shall only ever belong in the 2010s" and its funny as hell to me.
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Thinking about what the Grid/MRU storyline would look like to the viewers, since obviously very few people in-universe are aware of the existence of digital life. 'Cause like, in order for the Grid to operate the way they do they have to be an actual indie animation studio with their own Youtube channel like Glitch Productions, and their tech company branch in the Mushroom Kingdom has obviously been showing up in episodes, most notably Astra's introduction and major role in the Racing Arc, and some hints to them possibly being the organization that took Tari that one time. (Also I haven't actually said this in a post yet but I've been imagining that the Grid's channel has been up for a while doing their own unrelated animation content so as to be less suspicious).
So people already think the two studios are working on something together, possibly some kind of ARG, because what other logical explanation is there for the SMG4 series to be casting this random up-and-coming animation channel as some kind of greater scope villain? And well, Luke can't just come out and say he has no idea how they got into his show, because then he'd have to explain how that's even possible, which is a bad idea since it would involve revealing:
Computer programs can and often do become fully sapient living beings
The only people who know this decided to record them for entertainment purposes instead of telling anyone
The actual real life multiverse is real
We only know this because an alternate version of the show's creator's self-insert main character nearly destroyed all of reality
Time travel is also real but only digital beings can do it
Digital beings are able to enter the real world (though it's extremely hard to do intentionally and there's a very short list of people who know how). It's unclear if IRL people can enter the digital world.
Several of the digital beings known to exist are bizarre parody clones of actual real life people
The vast majority are copyrighted characters and the companies that own them probably won't be too keen on getting them legally recognized as people
It would be chaos if not handled carefully. So GP decides to just let things play out for now, and both sides end up semi-unintentionally playing into the Massive Secret Collab assumption.
And then, of course, the video showing Tears of the Kingdom's activation goes up.
And the fans
go
nuts
An official, canon side series, made by another animation studio on their own separate channel? That's insane! Nobody could've seen that coming! It manages to blow the AvA Sticks being plot relevant to the Goomba Arc completely out of the water, and that was pretty massive itself!
And, just like during the buildup, the Glitch team can't say anything to the contrary without revealing Everything before it's safe to do so, and the Grid knows it.
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ok so i watched the new superman show. thought it was just okay romance wise, nothing very exceptional. the animation was weak in a few areas, i think they should have just gone all out and animated it like an anime, like in the myx episode. loved that battle sequence too!! the rest of the animations with the fight scenes were kind of clunky imo.
character wise i think they’re all pretty predictable and fall into the same boring stereotypes. tenacious and ambitious/spunky ‘tomboy,’ goofy comedic relief third wheel black friend, OP main character who’s main trait is being both responsible for all conflict and saving people from said conflict…yeah. it’s literally danny phantom but instead of being ‘sassy’ clark kent just has anxiety.
HOWEVER…taking into account the episode with the loving and kind gay gorilla and his robot-body-but-human-brain-scientist-husband, clark kent being quite possibly the most peggable fictional character to exist, casually depicting lesbian moms, and most importantly being very obviously and overtly anti US government means i objectively have to give it a 10/10 and say it’s the best tv show i’ve ever seen in my life.
also…it’s definitely a kids show (like probably ages 10+) and i can only assume it’s on adult swim because the people at cartoon network are fucking cowards. let cool stuff back on prime time air and stop shoving it all to after hours!!! sometimes midnight is too damn late!
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the history of animation in a nutshell
Early 1900s: hey what if comic strips could like move?
Late 1910s early 1920s hey what if we mashed this up with live action people?
late 1920s: hey what if this thing had sound?
Early to mid 1930s: hey what if this had people actually talking and also color?
late 1930s: hey you know that super cool movie that one lady animated with paper cut out silhouettes? What if we did that with painted cells? Would people even pay to see that? Never mind it turns out the answer is yes.
1940s: ah shit most of our animators got drafted and/or hate us now cause we weren’t paying them. IT’S PROPAGANDA TIME BABY. Also haha hitler got hit with a mallet and also the most racist depictions of Japanese people ever.
1950s to 1960s : oh what’s this newfangled thing? Television? What if you could air cartoons on it? Oh fuck no I ain’t paying that much to get the charecters to have different backgrounds and for the charecters to like, move fluidly. Also manga and anime are steadily growing more popular.
1970s: (Ralph Bakshi walks into a comics store and finds a furry comic) X rated animated movie? *cue the screams of mothers and their unsuspecting children now being introduced to the revolutionary idea that cartoons don’t equal kids stuff? WHAT IS THE WORLD COMING TO?
1980s to 1990s: we can have full on animated Broadway musicals? Wait, what do you mean animated movies can count for the Oscar’s? What do you mean now they get their own catagory because the academy still thinks their for babies? Anime and manga are taking off in the west. SWEET JESUS WHAT DRUGS ARE THE JAPANESE ON SHOWING THIS SHIT TO KIDS. But also why is it so fucking good. Maybe some of these aren’t even meant for kids? Wait We can sell toys to kids with cartoons? Wait we can actually put effort into these cartoons on television? The fuck to you mean we can animate in 3D now? What do you mean we can have well animated, well written sitcom shows like the simpsons? What do you mean you can make cartoon charecters say fuck? What drugs are creators at Nickelodeon on? Do I even want to know?
2000s: oh my god, there is this one show that I really like cause it’s really well written and genuinely funny but I can’t talk about it because it’s animated and we all know cartoons are for babies right? Oh look it’s the transformers movie, look how far CGI has evolved so we can make the transformers in a movie.
2010s: holy shit I know these shows are for kids but they’re just well written and have so much meaningful things to say about the world. Wait, it’s cool to like cartoons now? They they have fandoms for this? Fuck yeah I’m in. (Enters one of the most notoriously toxic fandoms of all time) THEY HAVE GAY PEOPLE IN THESE SHOWS NOW? AND COMPLEX EMOTIONAL STORYTELLING? AND ADULT ANIMATED SHOWS CAN BE MORE THAN JUST SITCOMS WITH THE SAME JOKES AND STYLE? WHY IS IT THAT EVERY DISNEY CARTOON SINCE GRAVITY FALLS INCLUDE THINGS THAT GET MORE AND MORE FUCKED UP? WHY DO I FUCKING LOVE IT? WHY THE FUCK DID DISNEY DO THE OWL HOUSE DIRTY LIKE THAT?
2020s: I got this show I wanna pitch but it dosen’t fit into any box that the networks want and also I’m afraid that they’ll just randomly cancel it before I can finish the story I want to tell. Wait, I can just post the pilot on my YouTube channel, see if anybody actually likes this thing I made and just make the show independently? FUCK THE NETWORK! I AM THE NETWORK
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