You seem to know a lot about Christian mythology/ or atleast are quite passionate about it have you ever thought about discussing it in general? If yes i'd like to ask about the Antichrist and its many interpretations, i see like a billion of them in a lot of Media so i'm really confused on what it is
i don't mind discussing it in general at all! i will say i'm absolutely not an expert in any capacity, christian mythology has just been a big interest of mine since i was a kid (i was that guy....) and i have actually read the bible (only once all the way through and my memory is. well. bad). and while i haven't looked much into the history of the antichrist in general, i can tell you about its appearance in original text! the antichrist is really interesting from a mythology perspective because this is a case where culture and many, many sources outside of scripture have highly impacted the figure into something not much like their appearance in the bible itself. the actual word "antichrist" appears only in john's epistles, and this was in reference to the splintering of christianity at the time - basically the author was warning christians against "false" christians (early gnostics in this case) as they didn't believe in the second coming of christ in the flesh. they are even referred to in the plural here as basically this author used "antichrist" as a term for anyone claiming to believe in christianity but rejecting certain (core) doctrines, and therefore able to lead people into what he believed to be a "false" faith considering christianity's then lack of central leadership (and so people not being sure on what all the teachings really even are). the term "pseudochrist" is used similarly elsewhere to warn against false believers, but essentially the anxiety is still the same.
revelation is the book that introduces the singular figure often associated with the antichrist but not named as such - the thirteenth chapter describes the "second beast", which is a creature that looks like a lamb but speaks with a dragon's voice, causes many terrifying signs to happen, and famously marks its followers with the number 666. it wields the power of the first beast, which represents the general evil attacking the church and is ultimately satan's presence on earth made manifest. honestly, there's nothing inherently wrong with labeling this figure as "the antichrist", as it is a metaphorical being representing all false prophets in the latter days, but this is purely meant to condense down what would be a massive movement - it is not truly just going to be one guy, but a whole flood of fake messiahs that will come claiming to be christ or to be sent by god.
for what all this means/is, i'm definitely of the opinion that revelation was never meant to be taken literally and is a book written entirely about the roman empire of the time. 666 is nero's number and great harlot is rome (as places in the bible were always depicted as women when personified), with revelation meant to give the christians living through a terrible time of oppression and persecution hope for the future. in this way, the antichrist is representative of the people christians will encounter who will attempt to tear down their faith, who will attempt to make them worship rome or a false, romanized version of christianity (and thereby make them heretics) and are meant to represent a more tangible, real world threat than satan would be to the average person. there are many, many calls to faith in the bible, both in the old and new testaments, and i believe revelation to simply be a very big, very wild refrain of the same sentiment: we know it's bad, we know it's scary, but one day we will be saved and safe forever. i will say as an aside gabriel also reveals an antichrist adjacent figure to daniel, telling the prophet about one who gains power and wealth through deceit to take over the throne and rule in infamy. his defeat by michael brings about the end days, but again this was largely a projection of history and based on the current tensions at the time. IN ANY CASE it's interesting how the figure has become the actual child of the devil, something introduced by later theologians but still usually not literal. i think a lot of it comes from the nebulous nature of the antichrist in general but also because the name just evokes that idea - christ is the child of god, so the antichrist is the child of satan. i can't speak too in depth about the history outside of that, but i hope this answered your question ok!!
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Thinking about Khan and how he doesn't wake up from nightmares the way people might expect. He doesn't explode from them, swinging and breathing flame in defense. He doesn't wake up screaming.
He wakes up silent. And it's only if you're paying attention that you'll know he's awake. His eyes might open - but with his poor vision, it's not like he can truly see where he's at - and he might draw in a sudden breath. But it's the fact that he stops breathing that's the Sign. It's the way he suddenly goes quiet. Not that he snores or sleeps loudly anyway, but there is one less person making noise in the night.
Ingo isn't often awake when this happens. Very rarely, in fact, because Khan has nightmares almost every night. It's nothing new. Most of the time he will breathe, eventually, and take in the scents of his surroundings. He will realize where he is and use it to ground himself. And if he can't, then he will get up and find something to do until he can pass out from exhaustion and wake up better.
But it happens a handful of times. Ingo is awake when Khan comes to. And sometimes he doesn't realize it, doesn't realize Khan is awake until Ingo himself is returning to bed and looks down as he passes Khan's cot to see his green eyes open and staring at nothing.
But this time he realizes. He's awake, for no real reason, just sitting and listening to the world around him. Akari is snoring after a long day of survey work, Khan is sprawled out on his cot, the nocturnal pokemon are calling to each other in the distance… It's peaceful. Ingo rests with his head on one hand, eyes shut and enjoying it while he can.
And then one sound disappears.
He doesn't realize it's Khan at first, spends a moment trying to figure out what's missing. Akari is still snoring. The pokemon are still calling. Khan sleeps quietly enough that Ingo has, on occasion, put his hand under his nose or over his mouth to ensure he's still breathing. And it's that, knowing how quietly Khan sleeps, that makes ingo realize that Khan's breathing is what missing. That Khan is making no noise at all.
Ingo gets up and goes over to check, because Khan may be a prickly bastard but by now he's Ingo's prickly bastard like Akari is Ingo's daughter, he's part of the family. And sure enough Khan is awake. Eyes open wide. Staring at nothing. Ingo is ready to return to his seat when he realizes Khan is- not breathing. There's a tension to him that is abnormal, despite his nightmares.
So Ingo stays, sits down by Khan's side, and gently touches his hand. Too much touch too fast will wind up with fists flying towards him, so he takes it slow. Khan's hand is a fist. Ingo asks if he's alright, but there's no response. Khan's chest hitches, his breath sporadic for a moment, before a sound like a whine makes its way out of his throat.
And that- is so out of the norm that Ingo is now concerned. He puts a hand on Khan's arm, on his neck, as he leans over to look in the other man's face. Maybe it's the light of the night, but Khan's eyes seem… Shiny.
And this is a bad one. It doesn't take a genius to know that this is far from average. That whatever Khan has just dreamt of has truly, deeply affected him. Ingo pulls him up, pulls him into a seated position, and directs Khan's face to his own neck. Scent is Khan's strong suit, after all, and the best way to help him realize where he's at. Ingo ignores how his shirt gets a little damp- tells himself, for Khan's sake, that Khan is just drooling.
And Khan does what he never does and wraps his arms around Ingo. There's a desperation there, something terrified, and Ingo knows that this isn't something he can do on his own.
"Do you want me to wake Akari up?" He asks, because it never hurts to offer a choice.
"She's asleep." Khan says, which isn't an answer. His voice is hoarse and shakey. Ingo makes the decision for him, then, and extracates himself from Khan. Khan's hands follow him, reaching out, and Ingo is grateful for the first time his home is so small because he can hold onto Khan's one hand while he uses the other to shake his daughter awake.
Akari's snores vanish and she opens one eye halfway, confused. "Dad?" She asks. Her voice is low and thick with sleep. "Whassups?"
"Khan needs our presence. Would you mind joining us?" He says. And it's not the whole truth, but Akari wakes up more. Khan does not, ever, need anything from them. He's like a stray animal, coming to them when he chooses, but fully able and willing to survive on his own. And maybe now he still doesn't need them. If Ingo hadn't been awake, Khan would have laid there until he decided what to do. But Khan isn't making choices for himself, and Ingo knows he needs grounding.
Akari stands and Ingo helps guide her over to where Khan is still sitting. He's turned now, his legs thrown over the side of the cot as he hunches over and stares at the ground. One hand is still in Ingo's.
Akari reaches out, touches his shoulder, and that whine breaks from Khan's throat again. He leans towards Akari, rests his head against her, and then drags her onto his lap. She wraps her arms around his neck because he is gripping her so, so tightly, holding her like she's his saving grace, like if he lets her go the world will end. His shoulders shudder.
Ingo sits next to them, sliding Akari's legs over his own, and leans into Khan's side. He wraps one arm around Khan and is surprised when Khan returns the gesture, releasing Akari with one arm to pull Ingo into his reach. He is not just holding them but clinging. Ingo wonders, but doesn't ask, what he had dreamed about to make him so desperate. Ingo turns into Khan, places his legs over the man's but under his daughter's, and leans into the hold. After a moment, Khan turns his head to shove his nose into Ingo's neck once more. Akari is pressed between them, still holding onto Khan as if her hug will fix him, and Ingo knows they will both stay here as long as Khan needs them, wants them, to.
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hey prince!! love the new video (i <3 your rendition of miguel) but i was wondering if you were participating in Artfight this year?
i am!! if you watch my twitch streams i've been talking about it a lot. i streamed a lot of my art fight drawings last year, and will be doing the same this year. my art fight profile is under my sfw art name https://artfight.net/~emptymasks . i didn't have time to do many attacks last year due to personal life issues that happened, but hoping that i'll have more time this year, and also the confidence to attack strangers, though more people i know are also doing art fight this year. if anyone attacks me, please don't get upset or disappointed if i don't revenge attack you, i may not have the time or may not know how to draw your character. i don't promise revenge attacks, but i will try and do them. i will also only attack people who have their 18+ age listed, if not in their art fight bio then in their linked social media, i do not want to receive attacks from minors and will not attack minors. my audio ocs are up on there, as well as other ocs i've had for other stories and projects not related to my audios. not all my ocs are on there, just the ones i have drawn/have designs i'm happy with.
for anyone wondering what the hell we're talking about and why i'm using the work 'attack': art fight is a yearly art event that happens every july on the art fight website, everyone is sorted into two teams and you compete by 'attacking' other artists. an 'attack' is drawing someone else's oc and submitting the drawing to the website. you can 'revenge attack' people back who have 'attacked' you. attacks earn you points, you earn more points the more complex your drawing is, and less points for more simple drawings. and even less points for 'friendly fire' which is drawing an oc of someone on the same team as you. there's no prizes or reward for being on the winning team. it's all just good fun and drawing practise, and maybe you'll get some drawings of your ocs out of it. respect other artists boundaries of what they're comfy with you drawing. it shouldn't be stressful, draw as little or as much as you want. don't get upset if you don't get drawings of your ocs. don't think that your art isn't good enough and that other's won't want you to draw their ocs. art fight starts july 1st, but you can join after that date too. all you need to be able to join a team for the event is to make a profile on art fight. (i can't remember if you need an oc or your own uploaded to the site or not to be able to attack others. if you don't have any ocs of your own but want to participate you could always just upload some blank image)
to anyone who is participating, good luck and have fun!
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