#looking for a review..

[sanguine-fangs]

Yeah, sure, sex is great and all, but have y'all ever tried being lounged on by a guard dog who's stronger and meaner than you? Serving as a weighted blanket, casually pinning you down beneath them under the guise of cuddling whilst watching a show/video. Their hands roam wherever they please, just softly exploring your skin with their fingertips and nothing more. Their lips are even more explorative whenever they're not pressed firmly against your own: panting hot breaths into the crook of your neck, leaving bite marks and hickeys all over your throat and shoulders. They growl each time you shift, any attempt to move making them more handsy out of spite. Any whining only makes them chuckle at your helplessness and bite/claw at you harder. You're stuck there, helpless to move, and so deeply content to be dumb and teased and frot against another, bigger dog who loves to watch you squirm beneath them.

[lapdogchase]

he would look so beautiful being slowly consumed by his guilt

[itsclydebitches]

Love it when the kinda half-formed observations you make about an episode finally come to the forefront.

Watching the start of "Dot and Bubble": Hmm, everyone in this episode is very... white.

Halfway through: The Doctor certainly continues to stand out, especially in that bright red sweater amongst all the pastels

Lindy freaking out about the Doctor and Ruby being in the same room together: I suppose that could be due to some cultural taboo about interacting in-person when everyone is supposed to communicate via bubble, but that doesn't track with what we've seen of her work day...

The "twist" that the chronically online, all white, super rich, entitled to the point of satire, willing to sacrifice others without hesitation, oh so eager to colonize people living in a literal bubble (TWO bubbles) are *gasp!* actually, devastatingly racist...

Yeah, that's not a twist. That's all deliberately interconnected. The episode didn't suddenly move from an argument about social media use to an argument about racism; the two historically go hand-in-hand.

[the-phantom-peach]

new years drawing before work

happy new year folks 🎉🥂

[brian-kinney-apologist]

[fyllophobia]

240225 sketch

[pleaseremembertoforgetme]

look at them

[t-hirstreview]

[jermaobsession]

jerma and poke are such goofballs in the lethal-company-like death lobby

[allieinarden]

I think in the back of my mind I always thought Phineas and Ferb used the term “evil scientist” instead of the more classic “mad scientist” out of not wanting to stigmatize the mentally ill or something, but in retrospect, clearly it’s because the main characters are themselves mad scientists and Doofenshmirtz and his ilk only differ from them by being evil.

[poorly-drawn-mdzs]

It's that (Almost Christmas) time of year again!

(2023) (2024)

[suosage]

WIND BREAKER STAGE (2025)

[bluerosefox]

Tim, buddy, what do you mean you might had accidentally made a Love Child?!

Danny finds out that

1. He's a clonish 'love child' of two heroes

2. He was accidentally created during one of his donors mental break downs after losing his father and best friends (one of which was his other donor)

3. CW interfered before his creator realized what he made and pulled him out of that dimension because "it would had lead that world to true ruin if he found out at his state of mind. He's better now but it would had been the final straw for him should anything had happened to you in his care and given who he had to partner up with later... I did what I had to."

4. Due to Danny having a bad fall out with his parents after he told them about being Phantom (they didn't attack him... but they did disown him.) Danny is left adrift of what to do. He doesn't wanna bug Jazz, she's in college and dorming. Tuckers place has no room. Sam's parents would never let him stay. Vlad was a definitely a no go. And Dani (Ellie) last check in was near the Amazon rainforest.

5. Danny finds out some of his powers might not be as ghostly as he thought... it does explain the huge power boost some of his powers have compared to other ghosts.

6. He went to Clockwork... who proceeded to tell him the truth, smile his cryptic smile while saying "and now. Have fun this time around. I'll see you again in due time Daniel." Before yeeting him into a portal.

7. Danny woke up in his home dimension.... deaged to being five years old (the age he would be if he stayed and grew by now) (DC timeline is slower than DP in this)

8. He woke up apparently his creator's home city... during a Gala (Danny woke up in a garden, dazed and confused. His memories are fuzzy)... and wandered into the party... and apparently he looked like a perfect mix of his.. dads? Which catches A LOT of peoples attention.

9. Especially with Tim Drake-Wayne and Conner Kent-Luthor just announcing they're dating that very night.

10. Rumors and gossip of a random kid, who looks just like the recent happily announced couple, go flying quickly among the elite... and reaches certain ears before it gets to batfam and supers (I have a feeling they learned how to block out rumors and gossips during these events)

11. Those ears happen to be Lex Luthor and Ra's al Ghul (both who are there at the Gala just to annoy and unnerve the Bats and Supers)

12. By the time the rumors get to Tim and Conner, they find Danny almost getting taken away by one of those two.

[tectco]

Some forehead kisses and a couple redraws for season four!

[sam-keeper]

Hey Look At This Comic: Calvin and Hobbes

I liked the idea of putting some more daily strip comics into my rss reader, and gocomics DOES post old strips in sequence every day (keeping archival materials in lively circulation 👍), and there IS a site that generates an rss feed for gocomics (they don't provide rss feeds themselves because they want you to subscribe 👎) so, I added the current Nancy run to my feed, alongside Peanuts and Calvin and Hobbes. a few days later it paid off big time with this strip:

I love this strip, but it's a bit weird, isn't it? I'm sure some people read the way you're "supposed to" move panel to panel in a typical comic: left to right across the top strip, then the middle, then the bottom. Easy. I didn't, though. My eyes darted across the page, circled around the upper left hand panels, before zipping to the big point of interest on the page: that big panel of Calvin's teacher as a great pink alien monster! the second panel in strip two, the view through the spaceship porthole of the alien landscape, got orphaned, turned into something I glanced at after the fact as I pieced the sequence back together.

which might just be how comics reading actually goes, in practice. more recent theories of comics, particularly ones coming out of the Franco-Belgian tradition, suggest we take in the page as a whole first before diving in panel by panel. that bottom left corner is also kind of a privileged position on the page, with a beautifully lumpy and toothy monster filling up almost the whole frame. no wonder my eye was drawn there "ahead of sequence"!

is that a mistake? one of my friends, when I posed the question, thought so, that the strip means to build up to that point but the page composition encourages you to read ahead. She also, intriguingly, suggested to me that even though we enter the strip seeing the whole page, we induce a kind of forgetfulness in ourselves so that we don't get spoiled. when we see the monster, do we already know it's there while experiencing it for the first time? (hypnosis, she suggested to me, is "merely a set of circumstances to help the mind do a set of things that it already does every day".)

others corroborated the weird reading orders but suggested it was deliberate. for Sarah, the whole left side of the page draws your eye down compositionally, from Spaceman Spiff's (Calvin's alter ego) gloved hands on the wheel, down to the Z shaped mesa, to the monster. this cuts out almost two thirds of the comic! but for her and a few other friends, that made sense: Calvin is daydreaming in class, and the point where his teacher pops up in front of him to demand his attention is a moment of concrete interest in a hazy sea of nonlinear sensation. another friend drew a diagram of an even weirder reading pattern:

actually, I think this makes some sense. theorist Thierry Groensteen's notion of "braiding" in comics suggests that we're constantly recomposing comics in our brains, not just panel by panel, but over the whole corpus of panels, looking for rhymes and resonances and ways the story relates to itself. it feels a little like panels 2 and 3 rhyme, to me. the frames are long and thin more than any of the others, they both have this prominent horizon line, and they both sit on top of panels 4 and 5. they relate to each other, to the point where I see how you could jump from one to the other, then back up the page and over! if I understand Groensteen right, he's not suggesting we necessarily jump around the page this way, I don't want to put words in his mouth, but I do think one of the implications of braiding and of taking in the whole page is that we might get off track and start wandering through time and space... which is exactly what Calvin is doing, after all.

I love that the actual joke of the strip hinges on these two little panels buried at the bottom of the page: the only shot not from Calvin's point of view, of him looking frazzled after Mrs Wormwood's dressing down, and then a little panel of him holding the book. that's braiding too: we understand the previous and future panels because we draw an analogy between all the perspectives we've seen elsewhere of hands (or claws) and get that Calvin is drifting into a daydream again, taking on a new role. the scenario shifts, and the color scheme changes to a complimentary one (red to green), but both daydreams are much more powerful, on the page, than the interruption by reality.

how do you read the page?

you can read more reviews in the Hey Look At This Comic tag and support me on Patreon.