#lots of yearning here

[vinni-dragon]

Working past the burnout so I can get a move onto commissions,, but for now,,, a personal WIP of my demon hunter

I’ve had her forever and her lore is cheesy and probably kinda dumb but I love her with ALL of my heart,, please if anyone else has any “dumb/cheesy” wow OCs pls add them and talk about them! I wanna see your OCs!!! (plus it’ll make me feel less self-conscious about my silly little nelf gal)

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[fakakta-art]

digitizing some sketches i made for my etsy and a completely unrelated song, because i like to add songs :)

[sleepytoken]

[chromaherder]

Something lighthearted and something Dramatic (TM) :^)

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[mosaickiwi]

Fall Unto Me (part two)

Got too silly. Have some more Angel!Angel and Demon!Ren cause the bot came back and wormed into my brain to post it. Part one here if you haven't read it yet hehe.

cw// religious themes

14 Days With You is an 18+ Yandere Visual Novel. MINORS DNI

The quiet cabin where Ren lived was a stone’s throw from the flowering field you found them in. The devil graciously opened his home, even guiding you around the town you now knew was called Corland Bay. Each morning when you wondered about leaving, he brought something new to pique your interest and put off your departure. The time seemed to fly by and soon you hardly spared a thought to leave.

You'd quickly grown accustomed to his constant presence over the past month. He was never far from your shoulder at any waking moment. The uneasy feeling from when you met was completely gone, replaced with a strange sense of comfort. He had only shown kindness to you, after all. To call a devil your friend was laughable, you knew. But no other word quite fit.

Still, you wondered how he had come to live outside their realm. Every time you questioned him the conversation slipped away to another topic. It must've been odd to discuss with an angel, you naturally assumed.

So you stopped bringing it up after a few days, instead choosing to inquire about the changes in the plants you so often admired. Some had begun to wither, and new buds sprouted up seemingly overnight in their place. A strange new array of flowers that Ren promised would tower over your head and his in due time.

“I think I'll like these flowers more than the others,” you told him one late afternoon. 

You were lying on the porch, your head resting against his thigh as you watched the endless rows of flora sway in the breeze. Their focus was on you, though you didn’t notice. You could feel the faint trace of constellations drawn along the bare skin of your legs. The human clothes he’d gotten for you were a little different from the robes and tunics donned by servants of heaven, but they were just as comfortable despite the lacking fabric.

“I couldn't begin to imagine why,” he mused, his tone teasing as if he already knew your answer.

You explained regardless. “You told me some will grow as tall as they can, even following the sun’s light. It’s rather interesting.”

“I’m already as tall as they'll be.” His tail flicked into your field of view, casting only a slight shadow until his face obscured your vision further. "Is a devil not as interesting as a flower to you?"

The rapidly changing sky above caught your attention before you could respond in kind. Clouds blotted out the sun, tinting the world below in a murky gray. All the signs were there. Heavy clouds, a drop in temperature, and a strange smell in the air—petrichor, it was called in the books Ren had read with you by candle light on quiet evenings. It was a change you'd been waiting for ever since learning about it.

Bursting with excitement, you rolled from their lap and darted from the safety of the covered porch, the answer you meant to give them already long forgotten. Ren followed on your heels in the dirt until you stopped.

“It's rain, isn't it?” you wondered aloud and turned back to them for confirmation.

“Humans normally stay inside when it happens, my angel. But yes. Rain.” He nodded with a smile, enamored by the way your eyes curiously sparkled before you looked away. His pale hands came up to shield your face when the first drops began to fall. 

Tiny thumps of something suddenly bounced off your hair and shoulders, seeping into your clothes. His makeshift shield seemed to be doing its job as you looked all around with wide eyes. Minuscule puddles of water and earth formed around your feet. The sea of flowers still swayed before you, though a few weaker ones fell out of sync as the rain pushed them to and fro as it pleased. You could even hear something akin to chimes when drops pattered over the roof of their home.

You spared a glance up towards the sky, quickly changing your mind with an unwelcome gasp at the spray that tickled your face. Quiet laughter came from behind and you turned to look at your companion once more, shaking off their hands.

Ren appeared unbothered by the dozens of small droplets beading down his forehead to his chin, until you reached forward to wipe them from his face. The heat of his skin stood out to you, and you let your hand linger, rubbing your thumb back and forth over the drops that kept landing on his cheek. 

A dull ache began in your back. 

You took an innocent step towards him. The light shower of rain was slowly chilling you to the bone, so it only made sense that you sought out their warmth. A warmth that felt as familiar and welcoming as your heaven. Gentle hands wound their way around your waist, guiding you back to the shelter of the porch only a few feet away. With the curtain of his fingers gone you expected another torrent to stream down your face for a brief moment. Instead, all you felt were stray drops falling from his hair.

Relief washed over you almost immediately in their embrace. Every so often you’d feel homesick like this. That sharp, almost stinging lance of pain where your wings were hidden away—yet it always faded as soon as he comforted you. You couldn’t understand why their presence brought such solace to you. 

“I’m ready to go inside,” you suddenly said.

Your gaze wandered up to Ren's unreadable blue eyes as he answered, “Are you?”

“Yes… I think so.” But you made no move to leave, instead letting your eyes follow the slow crawl of a droplet down from his cheek to the corner of his lips. Their pale pink color reminded you of the sunset that left you empty only days ago.

It was a dreaded feeling you couldn't bear to feel again.

Without even thinking about it you leaned up to kiss them for the very first time. A faint stutter of surprise to his breath, and then he kissed you back. Part of you expected it to burn, to sting, do something when you mistakenly sought out affections you knew were meant only for a bonded pair—especially from a devil of all creations. Yet there was nothing to punish you for now.

The fluttery haze to your body didn’t wane at all, only blossoming at their touch. Until a gentle nip of fangs at your bottom lip had an entirely new feeling thrumming to life in your heart. You pulled back just to breathe for a minute, running your tongue over the spot that stung in a way you belatedly realized you liked for some reason. 

Guilt and confusion battled in your heart at the thought. “Heaven will need me home soon,” you whispered, avoiding their watchful gaze for a long while as you toyed with the still damp strands of his hair.

The devil waited in silence, running one hand in an unknown pattern on your back until you managed to look upwards. “...Do you truly wish to return, my love? Won't you at least stay until the flowers bloom?” The words were desperate, but his voice resigned. As if your answer was already set in stone.

You carefully nodded at his words. Truthfully, you weren’t sure if you were even capable of leaving. It scared you more than your god's surefire chastising about the sin you'd just committed. But it has to be then, you wanted to convince yourself. Or you feared you’d break your vows and never leave him.

He accepted with a heart wrenching smile, took your hand and led you up the few steps that were slick with rain. Your fingers tightened achingly around theirs as he opened the cabin’s door.

Beneath the steady drumming of rain, you didn’t notice a bell had been faintly tolling from somewhere far above you.

[flowerakatsuka]

gay ppl @ a summer festival, what will they do??

[tennessoui]

brain will not let me sleep until I say

same age padawans au where they’ve been in a weird wired frenemies thing for ages but now that they’re both mature adults (all of 24/25 years old) they’re more friends than enemies….

And it’s Obi-Wan that Anakin tells when he’s decided he’s going to leave the Order, not anyone else. He has a wife. There was a pregnancy scare a few weeks ago and it made her want their relationship to stop being a secret so they could really have kids. He has to leave the Order. Doesn’t Obi-Wan understand?

Obi-Wan, who has been a little in love with Anakin since they were younglings, does not understand. Not one bit. Instead of wishing him well and helping him pack, he goes to the Council and requests a mission in the Outer Rim….perhaps a month long or more…perhaps undercover? No contact with anyone on Coruscant. And maybe they could assign Anakin Skywalker as his back up? He can help with the undercover aspect.

And at first, Anakin is pissed because he was planning to resign from the Order in the next few days, but Obi-Wan convinces him to go on this mission with him….one last mission as a Jedi. To say goodbye to the Jedi life.

Obviously, Obi-Wan sort of wants to go on one last mission with Anakin because in his dreams, he wants the mission to go so perfectly that Anakin stays with him the Order. But realistically, he mostly wants to go on this mission to say goodbye to Anakin and then let him go, soaking up all his warmth and light, memorizing every casual touch bestowed on him because he knows they’re ticking down to the last handful of seconds together.

But then obviously the mission works TOO well and Anakin falls in love with Obi-Wan but doesn’t admit to it even to himself before they’re on the ship about to head back to Coruscant and Anakin realizes he doesn’t want to leave this planet because he doesn’t want to leave Obi-Wan if it could always be like this so he crashes the ship during take off so they can stay longer because he’s 24 and doesn’t know how to handle the immensity of his love except through destruction

[clotpolesonly]

on fathers, homes, loyalties, and defectors

The Raven Boys ch 7 // Dream Thieves ch 5 // The Raven Boys ch 36 // Dream Thieves ch 5

[0m3n-0f-d3ath]

Sun and Moon lesbians again for I am ill

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[zilabee]

it was written that I would love you

close your eyes and I'll kiss you

when I'm with you I want to stay there

i'm in love and it's a sunny day

now i'll never dance with another

i can't tell you how I feel

i'll do anything for you, anything you want me to

and it doesn't really matter if I'm wrong I'm right

i'd like to stand in a stream with you

lift up your hearts and sing me a song

love is long, love is long

and I love her

we believe that we can't be wrong

we can do what we want, we can live as we choose

and I need love, yeah I need love

i don't see the point resisting your temptation

do you don't you want me to love you

well you can come on to my place if you want to

gonna get hi hi hi in the midday sun

lady let's eat in bed

no one will be watching us

i don't need a true romancer

make love to me and make it right

tonight I just want to stay in, and be with you, and be with you

deep in love, not a lot to say

sing it loud, so I can hear you

i'm in love with a friend of mine

it's understood, it's everywhere with my love

watching her eyes and hoping I'm always there

there beneath the blue suburban skies

the rain exploded with a mighty crash

and we was hard pressed to find a smile

well you know i nearly broke down and died

we’ve been travelling for a long time and we finally finished here

ahh, look at all the lonely people

there’s no one left at home, and I believe I’m gonna rain

somedays I don't, I don't believe that you are mine

and in the middle of the celebrations I break down

a lonely man who's in the middle of something

a love that should have lasted years

who in the world can be right, all the right time

once there was a way to get back home

love was such an easy game to play

day after day, alone on the hill

leaving the note that she hoped would say more

some day you'll know I was the one

now what can be done for you

i don't know why you say goodbye

all of the clocks have run down, time's at an end

friday night arrives without a suitcase

and I'm still stranded, wondering why

the drachma's very weak, but everyone's still trading

far away my lover sings a lonely song

so sad so sad sometimes she feels so sad

but as for me, i still remember how it was before

something inside of me says the bad news isn't so

i'm waiting, can’t you see me, I’m waiting

why do you fight that feeling in your heart

why leave me standing here, let me know the way

you will always be holding, holding my heart in your hand

people are ready to forgive a few mistakes

take a sad song and make it better

the swan is gliding above the ocean

we could stand on top of a mountain with our flag unfurled

we can cure each others sorrow

you want a love to last forever

when I lay me down will my lover love me still

i hope it's never too late

- - Paul McCartney

[mochixkisses]

in another life, i would have liked to make tea and breakfast with you in our cozy kitchen with the warmth of our laughter and love filling the air. the sun would shine warmly and brightly through the window above the sink and the birds would sing a song for us. in another life, i would have liked for us to be mundane, but in love all the same.

[clegfly]

“Of course you have an Other Brother,” he says, waving off her denial as he opens some nearby cabinets. “Who else would I be if I wasn’t?”

Small WIP sketch of the Other Brother from IDKSomethingClever99’s fic “Mari in the Pink Palace”!!! OMORI and Coraline are my two biggest interests ever so this fic was like winning the lottery for me. Not to mention how good it is… please go read it ragh

[antigonenikk]

"Hell should be the highest name of Love." -Hadewijch

Buck/Bucky