#love the car metaphors going on here!

[faithfromanewperspective]

yknow I reckon you can tell the amenities/opportunities/satisfaction and general liveability of a town/city/province/rural area by the kinds of songs locals relate to about their lives and the ones that they write too I could write an essay on this or draw up places due to the need I see identified in songs (send me a song prompt, I will do it)

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[luveline]

i was thinking about roommate!spencer going home after a week off working on a case and finding reader sleeping on the couch waiting for him to get home

Spencer cringes as his nails scratch the paint around the doorknob. He’s a tepid mixture of tired and sad, demotivated from another bad case, the subway home, the too many steps to the apartment. He hopes the BAU has better pay after his probation is over. He’d get a new apartment, fix up his shitty old car, maybe even get a haircut. 

For now, it’s just him, his tired feet, the threadbare couch, and you. 

You’re snoring with your face crushed to the armrest, hand tucked under your chest. You’ve started sitting and ended twisted to one side. Your back will ache when you wake up, but you’re blissfully unaware of it while you sleep. Spencer has half a mind to let you sleep undisturbed. 

He steps over your book of crosswords on the floor and the pencil waiting beside it, bending over to pat your arm. When that doesn’t rouse you, he grabs your shoulder, about to shake you awake when you sigh in your sleep, a simple, sugary sound that sends heat to his cheeks instantaneously. You’re often innocuously lovely, at least in his eyes. 

Spencer frowns and goes to make you a glass of sweet tea to wake up to. He’s secretly hoping you’ll wake up before he returns, but you’re still snoring, your face crushed, pressure on your neck. 

He wonders if you sleep on the couch often. He’s never caught you sleeping in the living room when he’s home, but this is the third time now he’s texted you that he’s coming back and walked in to find you waiting…

Are you waiting for him? 

Spencer can profile you. It doesn’t feel right, he tries not to be invasive, but he can work this out. It’s his job. 

First, the text you sent that read, Can’t wait for you to come home, I’m making chicken noodle soup for us 

Neither indicative nor exclusionary of his theory. You could mean can’t wait as the metaphor it tends to be. 

Your crossword book. Upon further inspection, he realises the pages are bent on one side, and the tent of it has landed where your hand curls toward your chest. Alright, it fell. You stayed up until you were so tired you dropped your book. 

But… you could’ve been watching TV. He turns to analyse the TV set. The standby light turns orange when it’s been left on for eight hours at a time, and you and Spencer are kind of broke, so you don’t leave anything running on purpose. You’ve never fallen asleep watching TV while he was home— 

All these reasons. 

He could just ask. He turns back to you with lips already parted, prepared to try again to wake you and slip it in casually, Shit, you weren’t waiting for me, were you? 

You’re already awake. 

Tired, you smile at him like you’re not surprised he’s kneeling at the foot of your seat. Like you’re glad he’s home. “Spencer,” you say, voice etched with the last dregs of sleep as you turn onto your side completely, giving a little wince at the stretch. 

“Hey, you okay? Why are you sleeping on the couch again?” 

You roll your eyes for what he’s not sure and reach down blindly for the crossword book by his knee, your fingertips brushing his thigh and leaving lightness in their wake. “I'm glad you’re home. Need your help, m’stuck on my puzzle.” 

“That’s what you’re sleeping here for?” 

“What?” Your eyes slip closed and then flutter open. “Mm, no, was just waiting for you to get home. How was Santa Monica?” 

Spencer has to force himself to answer around the pretzel of nerves tied in his throat, because it’s what he’d wanted, but he wasn’t ready. “It was great! I mean– I mean, it was awful, and three people died and–” He breathes in wrong. “It was fine.” 

You curl your book on the right page, blinking heavily at an unsolved row. “Oh, good. Um. Okay, ‘to carry a torch for someone’. Eight letters, not obsessed. Doesn’t fit.” 

Spencer traces the soft shudder of your lashes where they’re desperate to kiss the skin below your eye. “Besotted,” he says quietly. 

You gasp happily. “Besotted. Perfect! I missed you, genius, you always know the answer.”

He hands you your fallen pencil. “I missed you, too.” 

[neonvqmpire]

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before. 

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on. 

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe. 

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out. 

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

[brainwormcity]

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

[theliteraryarchitect]

A Word of Advice About Critique Groups, Beta Readers, and Other Peer-Based Feedback on Your Writing

In my time as a professional editor, I've had many writers come to me with stories they've been trying to improve based on suggestions from critique groups, beta readers, or other non-professional feedback sources (friends, family, etc.). The writers are often frustrated because they don't agree with the feedback, they can't make sense of the comments they've gotten, or they've tried their best to implement the suggestions but now they've made a big mess of things and don't know where to go from here.

If this happens to you, you're not alone. Here's the deal.

Readers and beginning writers are great at sniffing out problems, but they can be terrible at recommending solutions. For that reason, critique groups can be a disastrous place for beginning writers to get advice.

Here's a good metaphor. Imagine you don’t know the first thing about cars. Someone tells you, “There’s oil leaking onto the driveway. You should cover the car with a giant garbage bag.” Alarmed, you oblige, only to be told the next day that “now the car smells like burning plastic and I can’t see out the windows.”

A mechanic would’ve listened to the critic’s complaint and come up with their own solution to the leaking oil, ignoring the amateur’s ridiculous idea, because they know how to fix cars and can use their skills to investigate symptoms and find the correct solution.

Critique groups actually aren’t bad places for experienced writers, because they can listen to the criticism, interpret it, and come up with their own remedies to the problems readers are complaining about. Beginning writers, on the other hand, can end up digging themselves into a deeper hole.

There's a great Neil Gaiman quote about this very conundrum:

Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.

So what to do?

First, try to investigate the reader's complaint and come up with your own solution, instead of taking their solution to the problem. Sometimes, in the end, the reader's solution was exactly right, which is lovely, but don't count on it. Do your own detective work.

Second, take everything you hear with a huge grain of salt, and run the numbers. Are 9 out of 10 readers complaining about your rushed ending? It's probably worth investigating. Does nobody have an issue with your abrasive antagonist except your cozy mystery-loving uncle? Then you might not need to worry about it.

Third, give everything you hear a gut check. Does the criticism, while painful, ring true? Or does it seem really off-base to you? Let the feedback sit for a week or so while you chill out. You might find you're less sensitive and open to what's been said after a little more time has passed.

Lastly, consider getting professional feedback on your writing. Part of my job as an editor is to listen to previous feedback the writer has gotten, figure out whether the readers were tracking the scent of legitimate problems, and offer the writer more coherent solutions. Of course, some professional editors aren't very good at this, just like some non-professional readers are amazing at it, so hiring someone isn't a guarantee. But editors usually have more experience taking a look under the hood and giving writers sound mechanical advice about their work, rather than spouting ideas off the top of their head that only add to the writer's confusion.

Hope this helps!

[ferrstappen]

Max the wag (again)| Max Verstappen blurb

love note: I’ve loved the response to gossipy Max and (y/n) that I came up with this little piece 💘

YOU CAN FIND THE REST OF MAX THE WAG SERIES HERE

summary: a new break up hits the paddock and Max and you are the best investigators.

Canada GP, 2023

Max didn’t mean to overhear whatever was going on inside the four walls of Ferrari’s place on the track.

But if the information came his way, who was he to deny it?

He was mildly bored in between interviews and before FP1, not caring about interacting with people because you weren’t there, too many things to take care of, studying and being an intern didn’t allow you to be there with him. Still, he sent you silly pictures of him walking by himself (metaphorically since fans and workers were all over), he smiled at the WhatsApp sticker you sent him along with a picture of you, papers scattered all over your desk, iPad showing the F1 app.

While walking by Ferrari, he really really couldn’t help walking a bit slower as three engineers were enjoying a cigarette while loudly speaking to each other, motor and tool noises were ambient noise.

I heard she’d forgiven him once, after São Paulo last year.

What happened there? I keep hearing about it but i left to Abu Dhabi right after the podium.

Carlos and Norris contacted some girls and left with them or something along the way, kept it under wraps though but now? I think it was too much for her.

Shame, she was always polite and nice to everybody. She even knew our names!

And Carlos’ sister is getting married soon, he ducked it big time. I heard someone in the garage she decided to not go and his family is pissed.

It caught Max’s attention… he instantly recalled the conversation with you, trying to figure out if Carlos and Isa were still together. Clearly, they weren’t and the entire paddock was aware of it.

Maybe Christian could have more information about it.

But the first thing he did was to text you, announcing he had more information.

Info about what? Was your response, making Max’s eyes roll…

Sainz and girlfriend!

Max didn’t hear it, but you gasped at the simple text message. Max was very selective with the information he actually took seriously, and for him to tell you he heard something meant it was probably real.

Shut up! What did you hear? Who told you?!?!?

Max smiled, a smug grin knowing you were dying for the information, but he’d keep it for later, when he was laying on the hotel bed, fresh out of the shower, white t-shirt and shorts and ready to fall sleep. That’s when he was sharing the information.

He was surprised when you called him out of the blue and he chuckled, his gorgeous blue eyes getting smaller, little wrinkles forming, dimples showing.

“Hello schat, to what do I owe this pleasure?” Max teased, instantly taking in your neat hair, neutral make up and deep red lipstick… oh, what would he give to bite your lower lip and have his face and chest covered in faint red lipstick.

”don’t be coy! What did you hear? I heard the snippet of an interview and she sounded so broken it was so sad, but what did you hear?!” You rambled, making Max’s smile even bigger.

“I told you I’m sharing my discovery later, i’ll have to be in the car in thirty minutes or so,”

“I hate you so much, you can’t leave me hanging! I don’t want to ask her directly!” You complained like a toddler, noticing Max was just staring at you through the screen.

“I love you, I have to go,” Max said after he noticed part of the Red Bull PR team approach him. He was waiting for you to tell him you love him too, but your words weren’t exactly what he was expecting.

“Max babe, try to get info on Shakira and Hamilton!”

Honestly, you and Max were a match made in heaven.

[swordsandholly]

Steel Magnolia

Part 1

Simon “Ghost” Riley x fem!plus size!reader

No use of y/n

Rating: Mature/MDNI

Word Count: 2.1k

Author’s Note: I just recently got back into fandom spaces and reading fanfic again and looooove the uptick in fat Y/N characters. Ofc as a big girl myself I wanted to try my hand at writing one too.

Hopefully I’ll post this on AO3 soon. Whenever I get my invite so I can make an acc.

“Oh! Darlin’, did ya see those boys next door?” Mrs. Duprey gasps as you swipe the last of her Bubble Bath OPI polish across her fingers.

“Next door?” You cock an eyebrow. “No one’s been next door since Adam and Eve.”

“I saw them on the way in!” She grins, the corners of her eyes wrinkling pleasantly. “Strappin’ young men - y’should talk t’ ‘em.”

You roll your eyes. “I’m sure I will sooner or later, ma’am.”

“You’ve been single too long.” The nosey old bat contributes. As much as you love her she truly cannot leave well enough alone.

“And I’m perfectly content as such.” You give her your warmest smile.

The trailer home across from you has remained empty for as long as you can remember. It’s well kept - sometimes you see random gardeners mowing or going in an out with tool bags - but no one lives there permanently. You’d think in a beach town it would at least belong to some snowbirds. A timeshare, maybe. It’s none of those things, though. Just a well-maintained, perfectly empty husk.

There’s a metaphor in there somewhere, probably.

Sure enough, as you walk Mrs. Duprey out of your little single wide trailer, you spot a black SUV parked out front of the neighboring double wide. One that is definitely *not* a repair man or worker’s vehicle. She coos at you to make sure to talk to them before waddling off to her own car. She really shouldn’t be driving at her age. You wonder briefly - futilly- if she’d sell you her car in exchange for rides.

You suppose she’s right - even if it is for the wrong reasons. You’re not particularly interested in flirting with the new neighbors. After all, don’t fuck where you eat is a saying for a reason, but it wouldn’t exactly be neighborly to not introduce yourself. Especially with all the people coming and going from your home for your nail tech services. The old Yankee’s catty-cornered from you still believe that you're a drug dealer. At least they only come down for a couple months of the year.

Despite your staunch decision not to flirt, you still find yourself adjusting your clothes. Maybe the sports bra as a top is a bit much…

Fuck it. If they live here now they’ll see you in worse.

You fix your lipstick and throw on your platform sandals. The ones that clip-clop as you walk. Maybe it will help announce your presence.

The screen door wraps quietly as you knock. You take two steps back on the front, wooden porch so as not to come off too aggressively. As the seconds tick by you debate on knocking again. Maybe they’re out. Or busy. They did just move in today, most likely. Maybe you should-

The door creaks slightly as it opens. A very, painfully handsome man pushes the screen door until it clicks in place. “Afternoon, lassie.”

You blink stupidly as he crosses his strong arms and leans on the doorframe. His eyes are a striking shade of blue - somehow both sharp and soft. His dark hair is shaped into a slightly grown-out, un-styled mohawk. It fits him oddly enough.

“I, uh,” you take a deep breath. Christ you need to get laid if just *looking* at a hot guy has you this off kilter. “I live across the way. Just wanted t’ say welcome t’ tha neighborhood.”

That lopsided smile on his face grows into a grin. You don’t miss the way his eyes catch on your chest. “Aye? Nice tae meet ye. Names John MacTavish. M’friends call me Johnny.”

He gives your hand an extra little squeeze after shaking it. That accent might as well have you on the floor. You continue to blink dumbly, watching the at the scar on his chin stretches as he speaks.

Christ almighty, you’re pathetic.

“Nice to meet’ya.” You give him a warm smile, tilting your head to the side slightly. “Ya’ll here for vacation? We don’t get many Europeans ‘round here.”

He chuckles. It’s low and rumbling and would probably feel wonderful with your ear pressed to his chest. “Little bit o’ business, little bit o’ pleasure. This an’ tha’.”

“Hello, there.” Another man pops up from behind Johnny suddenly. Fucking hell, he’s gorgeous too. Older, for sure, with a uniquely cut beard that would probably look rather silly on anyone less handsome. At it stands, he manages to make it appear dignified.

“Ah, jus’ about tae call fer ye, Cap. This is our neighbor.” Johnny gestures toward you.

“John Price.” The man steps forward to shake your hand. It’s firm and professional and thank god your grandad made you practice a good handshake as a kid or you’d be painfully embarrassed.

“Are all UK men named John or is this just some sorta cult?” You blurt, unable to stop yourself from snickering at them.

Older John chuckles at you fondly, his facial hair giving him a pleasant U-shaped smile. “Be easier to remember that way, wouldn’t it? No, we’re with two others. Kyle and Simon. They’re out at the moment.”

“Kyle and Simon.” You repeat, nodding. Johnny, John, Kyle, Simon. “Are y’all in town long?”

“Indefinitely.” Is all Price gives you. It’s a tone that even someone as dense as you can recognize as ‘don’t ask more.’

You clap your hands together and smile a little wider, ready to make your exit. “Well, I’m not here t’be a bother, just wanted t’ welcome ya and, uh, let y’know that I have a lot of people over throughout the day - I’m a nail tech. They shouldn’t bother ya but y’know.”

“Ye can come bother us anytime, bonnie.” The Scot hits you with that grin again and your face suddenly feels far too hot.

A loud, whining screech sounds off from down the road. You check your watch. Holy shit, three-thirty already. You begin to back off the porch. “Ah, nice t’ meet ya again! See ya ’round!”

As you jog down the little dirt road of the trailer park another black car passes you. It’s smaller, a sedan. You make very brief eye contact with a blonde wearing a surgical mask and another man with the sharpest golden eyes you’ve ever seen - even through the tint of the window.

*Kyle and Simon,* you think.

You make a mental note to greet them at some point and continue down the street. The school bus slowly stops at the entrance and you take up your spot in the small crowd of parents. IT’s a shabby old bus - chipping paint and break pads that sounds like they’re about ready to snap. It’s all they’re willing to send out to your little section of the city, though.

Shelby meanders over in your direction, her usual Camel Crush lit up in one hand and the other teasing her already well-lifted hair. “Afternoon. Saw there was some new folks across from ya.”

“Hm?” You keep your eyes on the bus. “Ah, yeah. Just vacationers, I think.”

“Lookers, though.” She chuckles.

“They’re from the UK.” You offer.

“No shit!” Shelby stamps out her cigarette as the bus doors open. “Accent and all?”

“Yep.” You grin.

Shelby tsks and fiddles with her hair again. “I best go over an’ make myself known, then.”

“There’s an older fella with a neat beard. Think you’d like ‘em.” You snicker.

She hums. “I’ll bring a pie.”

The children practically burst out of the bus doors, as always. Ready to be home and shuck off their backpacks to their respective adult. Shelby’s son almost knocks her over, offering a little “Good afternoon, ma’am!” to you before heading off with his mother.

You nod to him, shoving a hand in your pocket as you wait for yours. She’s always the last. Always caught up in a book or something and doesn’t realize it’s time to get off of the bus. Sure enough, the driver has to call back to her before the little girl comes dashing out. She jumps off of the bus steps, despite being told time and time again not to, and kicks a rock on her way toward you.

You bow low for her. “Welcome home, Lady Sophie.”

She giggles, dark curls bouncing as she skips over. “Ni-ni!”

You take her bag from her. The thing really does dwarf the poor six year old. Her hand slips into yours easily. Soft and round and somehow always so much warmer than yours.

“My nail color chipped!” She announces, holding up her ring finger on the opposite hand.

“Oh! Now we can’t have that. I’ll fix it tonight.” You smile, waving at old Mr.Chester as the two of you pass.

“Well now!” He calls. “How blessed am I to see two such lovely ladies!”

You both giggle, continuing on your way. He’s a good landlord - spotted you more than a few times when Sophie was a baby and you couldn’t work consistently. Honestly, as you look around, the little community that he’s managed to build in this shitty corner of the world should be praised. Housing just enough snowbirds to cover his property costs while keeping rent low for the full time locals. Maybe you could convince Natalie at the paper to run a little story on it or something.

As you pull up to your own home, the blonde man is outside leaning on the front of their double wide. Seeing him standing at full height makes your blood run cold. The man is built like a damn barn - tall and wide. Beyond solid. *Brick shithouse*. It’s a bit weird that he’s covered in clothing head to toe but whatever. Weirder things have happened before. The mask still covers his face, you wonder if he had taken it off before you came up or just flipped it up to smoke.

“Sophie, head on in. I’ll catch up.” You push her toward the door. She scampers in, the screen door slamming behind her as you march up to the brick shithouse of a man in front of you.

“Which are ya? Kyle or Simon?” You smile, holding out your hand to shake.

Dark eyes rake over you, stopping briefly on your hand, before moving back to meet yours. He stomps out the half smoked cigarette. “Simon.”

You let your hand drop. Bit rude, this one. “Nice t meetcha.”

The other man pops his head out of the trailer. Kyle, you assume. “Oh. Hello.”

“Hi.” You smile as warmly as you can, giving your name. “I’m assumin’ yer Kyle.”

“Yeah.” He chuckles. “I’m guessing you’re the neighbor Price mentioned.”

You nod, about to speak again but Simon shoves past you, marching his way up the steps. “Let’s go.” He grunts, pushing the other man back into the trailer despite his protests.

You wrinkle your nose at him. What an asshole.

“Who’s tha’?” Sophie asks over the back of the old, worn couch as you let the trailer door slam behind you.

“New neighbors.” You say simply, glancing out the window. “Don’t go over there without me, yeah?”

“Okay!” She agrees, sitting back on the couch and bouncing, beginning her usual post school chant. “Bluey! Bluey! Bluey!”

You drop her backpack down beside the small coffee table. “After yer homework.”

“Nooo!” She pouts.

“Then no Bluey.”

Sophie pouts harder but crawls down in front of the coffee table and pulls out her little work sheets. At least the school doesn’t over run them too terribly with homework toward the end of the year. You glance at the calendar. Wednesday, May 22nd. Damn, she really only has about a week left. Though, you’d be lying if you said you weren’t looking forward to this summer break with her. She’s old enough now that you can take her places like the arcade without having to wait on her so much. You’ll actually be able to play some of the two-player games.

Plus, this year, you actually have a little more pocket change to make it fun.

You turn to look out the window once more at the new neighbors. Their curtains remain closed, cars neatly parked out front. The door opens slowly, the hot Scot and rude blonde wander to the Sedan. Simon’s shoulders shake at something Johnny said - you think he’s laughing but its hard to tell with that mask. Johnny’s head turns, blue eyes meeting yours through the shitty glass windows of your trailer. You squeak and duck to sit next to Sophie, praying that he didn’t catch you staring.

[luviemax]

you are in love- oneshot

a/n: hi pals how r we doing today... my rent is due (metaphorically) inspo from mother's song

masterlist

-> charles leclerc x childhoodbestfriendfemale!reader (no physical description)

warnings: small teensy tiny age gap (like two years), probs some cursing, google translated french.... not proofread :(

word count: 1283 words

He can't remember the first time he met you.

Not exactly. He does know how it happens, though, as his mother constantly likes to constantly remind him.

"You were two," Pascale muses, cutting into the pancakes she was having for breakfast.

"Maman." Charles pleads with a tinge of exasperation in his voice, having heard this story so many times.

"Charles, don't interrupt me." she shoots him playful glare as Arthur smiles behind his cup of coffee that he's sipping. It's quite obvious that he finds this entire debacle quite entertaining.

"Yes Charles," Arthur nods in mocking agreement, "I quite like this story, maman." He shoots Charles a cunning smirk as the dimples in his cheeks begin to pop out.

"Yes, as I was saying," Pascale takes a moment to gather her thoughts, "Charlie, you were only 2... but you were so gentle with her..."

Pascale goes on and on, fawning about how he was so gentle with the little baby girl, the newborn baby of his godmother, and one of his mother's dearest friends. Your name felt foreign on his tongue when he was first introduced to it, like a new word added into his little dictionary, but it was a name that he would come to know, recognise, and even love.

"Maman, I'm leaving!" Charles announces to the house after breakfast, grabbing his car keys.

"Going to see Y/N?" Pascale playfully teases.

Charles smiles so hard at the thought of you that his dimples began to crease in his cheeks. "You know it."

He drives to your flat in mostly silence, besides the roar of the Ferrari's engine, and the dreadful drone of the radio hosts over the car's stereo. Traffic is slow and congested, which should be frustrating for someone who drives at over 300 km/h on a near weekly basis, but the reward at the end of the road (which happens to be you) makes it all the more worth it.

People seem to be suspicious of your relationship, though. But it's nothng more than what it is, a purely platonic bond between two childhood, contrary to what gossip accounts or news articles say. Some of his friends don't believe him either.

Carlos simply gives him an unbelieliving smile and quirks an eyebrow, but puts the matter to rest when Charles expresses his annoyance with a roll of his viridescent eyes.

Joris constantly bugs him about it. Taunts of: "Are you sure you don't like her Charlie?", "Charlie... are you texting her?" and "Charles, fess up! Just tell me the truth, you like her!"

Frankly, he's sick and tired of it. Even if he did like you, so what? Was that really anyone's business, either way? Nevertheless, any ounce of anger he was harbouring simply dissipates into nothingness when he sees you.

You grace him with a beautiful smile when you enter his car. You greet him with kisses on his cheek and a warm hug. Through all these years, he swears that the thing he looks most forward to when he sees you is your hugs.

They're warm, like walking into a bakery with freshly baked pastries. They make him happy like a Grand Prix win.

The two of you aimlessly drive around until it was time for dinner. He brings you to his favourite pizza place, and the two of you split a pepperoni pizza.

"Don't tell my trainer about this." Charles makes you promise with a boyish smile.

"I promise." You let out a chuckle at the trivial situation at hand. Within your company, the two of you don't really need to talk a lot. Wordlessly, after knowing each other for so long, the silence says enough by itself, and is enough to make the both of you comfortable. After finishing dinner, you follow him back to his apartment. He insists for you to stay over for the night, and you don't debate it.

"Here," Charles mindlessly passes you a shirt that he no longer wears, "for you to sleep in." he clarifies. You make a noncomittal sound and give him a brief nod in response.

After you've showered, you put on his shirt, and the first thing you notice is how it smells like him. His laundry, his cologne, his shampoo... You're a little overwhelmed, but in a good way. "You're not getting this shirt back." you warn him as you come out of the shower. "Fine by me." He laughs, passing by you as he enters the bathroom.

You make yourself comfortable in his bed. You slip under the blanket, which encompasses you in a warmth which couldn't possibly be recreated at your own house. It's funny how you still feel more at home at Charles' apartment than your own.

You're still in his bed, mindlessly scrolling through social media, when he comes out of the shower. "Okay, what're we watching?" he asks as he makes himself at home on the opposite side of the bed. The two of you mutually decided on watching Cars for the billionth time. Yet, from your peripheral vision, you notice him looking at you with a foreign expression. You fake a yawn, and turn off the TV.

"Good night, Charlie." "Good night, Y/N."

He switches off the lights in his bedroom, and you make yourself comfortable.

"Y/N?" "Yes Charlie?" "You're my best friend." The statement makes you smile, and you fall asleep with a wide grin on your face.

The next morning, you wake up, and you're somehow entangled with Charles. Your legs are intertwined, his arms are carressing your waist, and your face is burried in his neck. You simply wiggle into his touch, and it makes him stir.

"Good morning." He whispers, voice raspy from sleep. "Morning." You chastely reply, voice muffled from speaking into his neck.

Much to your dismay, he untangles himself from the mess of cuddles and bedsheets. He leaves the bedroom, leaving a chaste kiss on your forehead as you fall back into the lull of sleep.

You wake up to the scent of something burning. The charred scent lingers in the air, presumably from the kitchen, so that's where you go.

"Mon coeur," my heart he croons, sheepish expression on his face, "I'm sorry. I was trying to make breakfast." He helplessly gestures at the burnt toast, which was now in the bin.

You give him a laugh. It makes his cheeks flush. He wishes that he could bottle up your laugh, keep it in a safe, and just listen to it whenever he pleased. He swears that your laugh is more beautiful than the melody of Clair de Lune, or the roar of the Tifosi during a Monza win.

"Come dance with me." Charles gives you a silly smile. "What?" You respond, furrowed eyebrows emphasising your perplextion. "C'mon!" He urges, putting classical music record onto the vinyl player.

Just then, as the two of you are dancing in his living room bright and early in the morning, he knows that he's in love with you.

He knows when you're dancing and you're smiling and you're laughing and Charles could swear that you're the most perfect thing to ever exist.

You commit the most heinous of crimes and he swears that he could defend you to the Earth and back.

He holds you in his arms, and he kisses you.

It takes you aback, just for a moment.

Then again, his lips feel perfect against yours. It's like they were made for you.

Then your lips part, and he rests his forehead against yours.

He chuckles, and he speaks against your lips, "You're mine, yeah?"

You nod, "I've always been yours."

"Damn it, I owe Joris 50 Euros." He laughs.

[forever-rogue]

let me just say i am obsessed with your work and i have a small concept with pre-outbreak!joel that i’d like to share. you’re welcome to develop this as a full fic, a headcanon or even just discuss it.

joel has been dating you for a while, it’s his first serious relationship since sarah’s mom left and needless to say he’s very much in love. but being with you comes with a lot of pressure. as i said, it’s his first real relationship and he tries to be the absolute best partner for you. in the beginning you don’t pay attention to it because what you have is new and of course you do a lot to make it work but as time passes, you realize it’s a bit more serious than that.

he literally drives himself crazy trying to be the perfect partner. to the point where he’s stressing himself out or feeling guilty about things that are either normal or out of his control. for example, let’s say it’s your birthday and he wants to take you to a nice restaurant. you happen to be late (maybe an issue with his car or traffic) and lose the reservation. it’s okay, you assure him it’s fine but he feels terrible and just trying to fix it. in a similar way, if you ever have an argument and you decide to leave to clear your mind, it will bring the worst anxiety out of him. it’s all small things that pile up until you realize that he’s actually terrified he isn’t enough because if he wasn’t enough to make the mother of their child stay, why would you?

you can choose how you work it out so he feels more secure in the relationship or tell me what you think of this, i’d love to hear your opinion 🙂

AN | Okay but this is so soft and heartbreaking at the same time. But there is a happy ending! Enjoy ❤️

Pairing | Joel Miller x Fem!Reader

Warnings | Language

Word Count | 2.7k

Masterlist | Joel, Main

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel was standing on your doorstep, clutching a bouquet in his hand. He felt like he was shaking and sweating and going to throw up all at once. Needless to say he was nervous. It had been so long since he’d been on a date, let alone a first date. And not just any first date, but a first date with you. 

You, that had almost knocked him over, literally and metaphorically, in the grocery store and left him feeling like a scared teenager. You’d been the one to ask him out, in fact, but he was still somehow convinced that you’d made some kind of mistake or were going to change your mind.

He rocked back and forth on his heels for a few moments as he listened for your footsteps. When he heard you unlock the door and slowly open it, his heart felt like it was going to beat out of his chest. 

“Joel,” your pretty lips pulled in a big smile as you looked him over, “you’re here!”

“Of course I am,” he replied sweetly, a soft twang to his warm drawl, “did you think I wouldn’t show up?”

“I don’t know,” you admitted sheepishly, your face growing warm, “men are weird sometimes…even more so when it’s a woman asking a man out. But I’m so glad you’re here.”

“You look beautiful,” he couldn’t believe how lucky he’d gotten or how pretty you were. You were wearing a pretty little sundress and that alone was enough to cause his mind to practically spiral; he was just a mere mortal man and even he was not immune to the effect of a sundress. He pulled himself together to hand you the flowers that were still tightly clutched in his hand, “these are for you.”

“They’re lovely,” you took them gently, your fingers brushing against his, “thank you so much. No one’s given me flowers in so long, this is so kind.”

“They reminded me of you, bright and pretty,” maybe he wasn’t totally terrible at this after all.

“Come on in for a moment while I put these in some water,” you moved back inside and motioned for him to follow you. He slowly followed you inside, looking around your humble abode to try and get a good feel for you, “so, have you decided what we’re going to do this evening?”

“I have a few things in mind,” he grinned, a little half smile that made your heart speed up a little bit as you quickly moved to set the flowers into a vase with fresh water, “I can tell you or you can be surprised.”

“Surprise me,” you set the flowers on the counter and looked at him sweetly.

“Surprise it is.”

“I have a feeling you’re going to surprise me a lot, Joel Miller,” you grabbed your purse and he shot you a cheeky little wink, “I look forward to it.”

“Me too, sweetheart, me too.”

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel Miller couldn’t believe his luck. It had been a year, a whole ass year, since the two of you had gone on your first date. That might have been one of the best days of his life, topped only by the birth of his daughter. He knew that he wanted to spend the rest of his life with you, and knew that he wanted to ask you to marry him.

But there was still some remaining doubt that kept nagging at the back of his mind.

A part of him was always waiting for you to realize that he didn’t deserve you and to leave. Not that you’d done anything to ever suggest that was going to happen but still. He thought about it…a lot. He’d felt like a complete failure when his wife had left him and their daughter when she was only a few months old without so much as a proper explanation. If the woman he’d loved and married, the mother of his daughter, didn't want anything to do with him, why would anyone else? And what did he have to offer anyway? Nothing. Not in his mind anyway. 

And he loved you, so much. He would do anything to keep you in his life. So he threw himself into everything he did; he wanted to make sure everything was perfect for you, even if it all but killed him. 

You appreciated everything he did for you, so much and all the things he did were definitely not lost on you. At first it didn’t really hit you just how much he was driven to perfection until you started to see some of the cracks in the facade. 

It happened one night when you were over at Joel’s house for dinner with him, Sarah, and Tommy that you noticed something was off. Joel had seemed so tense and distracted since you’d arrived. You’d made it to the Miller household a little earlier than you had initially told them in order to help finish up dinner and get everything set up. 

Sarah had answered the door and let you in with a big hug before you made your way into the kitchen. You adored the girl, and her father, and you were happy that she seemed to like you too. You weren’t trying to force your way into her life, but let her welcome you at her own pace. It had only been her and Joel for pretty much her entire life so you were sure that this was a whole new world for her too. 

“Hi baby,” you grinned as you walked into the kitchen, setting down the desserts you’d brought. Joel turned around and his entire face dropped when he realized it was you. Ouch. That managed to sting a little bit, “everything alright?”

“You’re not supposed to be here,” he looked at his watch and ran a hand through his messy hair, “for almost another hour!”

“I finished earlier than I thought at work,” you shrugged lightly, “and thought I’d come over to help. I didn’t think it was a big deal…I can go if that’s better?”

“No - no,” he insisted softly, “no, I’m glad you’re here, it’s just that nothing’s ready. It’s not set for you yet.”

“You don’t have to do all the work silly man,” you pressed a kiss to his cheek, “let me help. I’m more than happy to - I want to.”

“Are you sure?”

“Positive,” you whispered as you decided to hug him; he looked like he could use a hug. He wrapped his arms around you, squeezing you tightly to his broad frame, “just let me know what I can do to help, okay?”

“Okay,” he agreed, allowing himself a moment to bury his face in your neck and to breathe your warm scent in. When he pulled back, you kissed him sweetly, “okay.”

Once you had everything squared away and ready, Joel ran upstairs to shower and change, leaving you and Sarah to set the table. She looked at you for a moment before quietly saying, “he really likes you, you know?”

“I do,” you smiled softly, “I really like him too.” 

“He’s never been with anyone since I was born,” she scooted over to you so there wasn’t a chance for Joel to overhear, “I don’t even remember my mom; she just up and left when I was a baby. But I’ve always had my dad. And it’s nice to see him happy ‘cause he deserves it.”

“Oh,” your expression softened, “he told me it’s been the two of you but never went into what happened.”

“Yeah,” she shrugged, “it’s fine. I never had the chance to know my mom so it never really bothered me. But I know my dad really likes you, he’s been so happy lately it’s kinda gross. He’s trying really hard. He just wants you to be happy too.”

“I am really happy, Sarah,” you promised, “and I want your dad to be as well. I love him a lot and you both mean a lot to me.”

“This is too sappy,” she snorted in amusement and rolled her eyes playfully, “but…you mean a lot to me too. Just so you know.”

“Don’t worry kiddo, we’ll keep it between us,” you shot her a wink, causing her to giggle softly, “you mean a lot to me too.”

“What are you whispering about, huh?” Joel came back downstairs and into the kitchen, his eyes flitting between the two of you, “planning a mutiny?”

“Duh, old man,” Sarah pushed past him, and Joel raised an eyebrow. 

He was just joking around, mostly, but he was also panicking internally - just mildly but still. It was there. His first thought was that somehow the two of you were talking about him…but not in a flattering way. What if you were telling Sarah you were tired of him? What if you were telling her that you were planning on breaking up with him? What if you told her that -

“Joel?” you put your hand on his shoulder and gave it a gentle squeeze. He blinked a few times as he snapped back into reality before looking at you, “where’d you go, space cadet?”

“Just zoned out,” he offered you a smile that didn’t quite reach his eyes, “sorry.”

“Don’t apologize,” you insisted, “it’s been a long day, I’m sure tired as well. We’ll call it an early night tonight, yeah?”

“Yeah,” he nodded, heart constricting at your gentle nature. You were always so sweet and kind but he still found himself waiting for the other shoe to drop, “sounds good, sweetheart.”

“I love you,” you reached for his hand and squeezed it, “a lot.”

“I love you too,” he hoped you never stopped saying that. He wanted to hear it for the rest of his life. He was going to try his damndest to keep you in his life forever. 

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

“I can’t believe it,” Joel shook his head as he looked at the maitre’d, “it’s only fifteen minutes! You can’t tell me that you don’t have a table available anymore.”

“I’m sorry sir, the reservation was for 6:30 and we have a ten minute policy for being tardy,” he remained calm but you could see that Joel was only growing more annoyed, “as you can see we’re very busy.”

“I made these reservations three months ago-”

“I’m sorry, sir. That’s our policy,” you put your hand on Joel’s arm and squeezed it gently. He looked at you with a deep frown on his face. 

“It’s alright,” you promised him, voice gentle and soft, “we can go somewhere else, it’s no big deal.”

“Fine,” he huffed after a moment and turned on his heel to leave. You offered the man a small smile as you followed your boyfriend out the door. He immediately started walking to the truck, leaving you to trail after him in his wake, “this is fucking ridiculous.”

You flinched as he slammed his door against the side of the truck, “Joel. I need you to calm down. It’s really not a big deal - I don’t care where we go, I just want to spend time with you.”

“But it’s your birthday,” he hissed, “it should be nice. I had this all planned out and I fucked up and made us lose the reservation.”

“Hey,” you slowly took a step closer to him, “do you want to tell me what’s really going on?”

“I just wanted everything to be perfect for you,” his shoulders slumped as he looked at you with misty eyes. Clearly there was a lot more going on underneath the surface, “I don’t want you to leave me.”

“W-what?” you looked at him in confusion, wondering where that train of thought had suddenly come from. You reached up and out your hand on his cheek, gently brushing away the tears that had rolled down his cheeks, “why on earth would I leave you? That has never crossed my mind.”

“I want to give you everything, you deserve it but I feel like I can’t give it to you,” he pressed his hand gently onto yours, “sometimes I wonder why you’re with a loser like me.”

“Joel,” he hated, and loved, how gently you always managed to say his name. You always had such a tender way about you, “I have never once thought you were a loser. Never. I love you, silly man, so much. You’re perfect to me - for me. Why would you even think that I would feel like that?”

“I couldn’t even get the mother of my kid to hang around. She up and left and sent divorce papers and left us,” he sighed softly, “sometimes I wonder how long it’ll be before you get tired of me as well.”

“I’m not her. I’m me,” you reminded him gently, “I’m never going to get tired of you. Oh my gosh, you don’t know how much I adore you, do you? Joel, no one has ever been as good and kind to me as you have. I look forward to spending time with you even if its just at home watching a movie. When we’re apart I look forward to seeing you. Not because of things like fancy dinners or grand gestures or whatever - not that I don’t love those - but because I love being around you. It’s because of you, not anything else. We could have nothing but as long I have you, and Sarah, it’s more than enough. It’s everything.”

Joel looked at you, trying to make sure he’d heard everything you’d said correctly and you weren’t about to laugh at him. When he saw the soft smile on your face, the tender way you were looking at him, he knew that you weren’t joking. He nodded slowly, sniffling before whispering, “I love you.”

“I know you do,” you promised, “you’ve never once given me a reason to doubt that. I love you too, Joel.”

“I know,” he reached for your hand, hesitantly and gently, lacing his fingers through yours, “you’ve never given me a reason to doubt that either.”

“Good,” you squeezed his hand gently, “I think we’re on the same page, right?”

“Yeah,” he agreed quietly, “we are.”

“If you ever have any doubt, just let me know and I’ll remind you just how much I love you. But…does that mean we can go and get dinner? Some McDonalds fries sound amazing right now.”

“You want to go to McDonalds? On your birthday?” That was one of the many things he loved about you - you weren’t pretentious or picky or anything. You were just you. 

“Are you going to go with me?”

“Obviously,” he snorted in amusement, shaking his head fondly at you. 

“Then hell yeah,” you teased, “let’s go and get tons of McDonalds and go home and watch a movie. That sounds perfect.”

“Then that’s exactly what we’ll do,” he agreed as he opened the car door for you. He buckled your seatbelt for you before leaning in to kiss you gently, “happy birthday baby.”

“Thank you,” you made sure to steal another kiss from him, “I love you, Joel Miller.”

“I love you. So much.”

[arlana-likes-to-write]

Sins of the Family

Part 3 of Family and Pawns

Warnings: car accident, mention of death and grief, kidnapping, implied sexual assault, mention of suicide, suicidal thoughts, mention of past sexual assault, death, usage of a fire arm, angst with a happy ending, everyone needs a hug and no one is okay

Note: This is maybe the last story of this AU unless I get a request for another part.

Word Count: 10k (I don't want to talk about how long this)

“Cooper!” You shirked as the eldest Barton shot you with a water gun. It was an all out water war between you, Tommy, and Billy against the three Bartons plus Kate and Yelena. The twins thought it was unfair that the two Avengers were on the same time but the Black Widow has to remind them that they were enhanced, they did it so the teams would be more even. Speaking of your brother, Tommy ran behind Cooper and dumped a bucket of water on him. Before the eldest Barton could turn around, he was gone.

“Hey!” He whipped the water out of his eyes. “I thought we said no powers.” Tommy appeared next to you.

“That’s what you get for targeting our sister,” he held up his fist and you pumped it against his.

“Kids, lunch is ready.” Laura called out. You liked Iowa. It was quiet, peacefully, and the Bartons were welcoming. You sat next to Nate with a towel wrapped around your shoulders. Natasha warned you that the youngest Barton would probably be quiet, still processing the death of his father.

“So, what do you want to do after we eat?” You asked. He shrugged, biting into his hot dog. It was just you and the young boy at the table while everyone was pilling food onto their plate. “Can I tell you a secret?” You whispered to him. Nate slowly nodded his head. “It’s okay to be happy and still miss you.” You saw his little body tense up but he still refused to look at you. “It’s okay to be angry with him,” you continued. “And still love him.” A small whimper left his mouth and your heart broke for him. You wished you could take away all of his pain. You would take it all away if you could.

“It’s okay to be angry with Nat and be glad she’s alive because he is no longer here.” It was like the dame broke. You saw his body shake as quiet tear fell down his cheeks. You panicked, body frozen as he dropped his hot dog and climbed onto your lap. His face pushed against your damp shirt and you felt his tears. You glanced up and saw Laura, wide eyes and about to walk over to her emotionally distraught son but you held up her hand to stop her. “I’m going to pick up. Okay, buddy?” He tightened his grip on you. You stood up from the table, your towel fell to the ground, and you walked over to the swing that was handing from the tree.

This was what he needed. Someone to let himself cry without adding to their own grief. So you let him cry against you as you pushed yourself on the swing. “I’m sorry,” he said once his tears stopped. You forced him to look at you. There was snot running down his nose and his cheeks were blotchy.

“Hey, little man, it’s okay to cry. It’s okay for your feelings to be all over the place but we are here for you. Whatever you need,” he nodded and rested his head back on your chest.

“Does it get easier?” That was the million dollar question. You met an older lady while you took a walk during your lunch. She asked about your family not knowing the truth. While she learned about your parents, she told you about her late husband. You asked her the same question. She told you a metaphor that her therapist told her. Your grief was like a red button instead a box with a ball that rolled around. Since the grief was newer the ball would hit the button all the time, no matter what you were doing your grief was powerful. You felt it in everything you did.

Over time, the box got bigger and the grief stayed the same size but it wouldn’t hit the button all the time. You sighed, kissing the crown of his head. “Yeah,” you whispered. “It gets easier.”

*

“Remember,” Wanda said, glancing at you and the twins. “Billy, you need to bring in your permission slip. Tommy, we have to go to the mall and get you new shoes,” the twins nodded their heads. “And you have a meeting with the home school agency. Did you finish your essay?” You glanced over the book you were reading. The trip to Iowa was done and it was time to head back to reality which meant starting home school. The couple asked if you wanted to attend another school but the incident with Henry and Coach Griffo made you lose faith in the schooling system. Home school was the best option for you and they agreed.

“I finished it before we left for Iowa.”

“Atta girl,” Natasha winked at you from the driver’s seat.

“Nerd,” Tommy mumbled with a smile on his face. You rolled your eyes, bumping your shoulder against his.

“Dork,” you countered. You were an only child for the longest time it was such a nice change to mess with someone.

“Children,” Natasha warned but before she could continue her scolding. You heard the impact before you felt in. Instinct kicked in and you braced yourself for the impact, your body tensed with fear.

The collision was violent, the force of the impact threw you forward. You felt the searing pain shoot through your body. For a moment, everything seemed to spin, the world titled at an impossible angle. The sound of the twins screams echoed in your ears. Once the car settled, your vision was blurry but you saw Wanda and Natasha with their heads to the side. They weren’t moving. You tried to look at the twins but a sheering pain caused black spots to cover your vision. A soft whimper left your lips and the world went dark.

*

You heard a soft voice calling out to you. She was saying your name over and over again to urge you to wake up. You were so tired. It seemed easier to keep your eyes closed and sleep but the voice was persistent, a little annoying. It kept getting louder and louder until it was impossible to ignore. “Mama,” you gasped awake. Your chest was heaving, eyes darted around the foreign room. You groaned softly as the pain of the car accident caught up with you. You took a few deep breaths to calm yourself down. Your hands were cuffed to metal chains that were attached to the wall. The room was four walls with two doors; one of them was boarded up with wood.

In the corner, you saw Tommy. His hands were free from restraint but a collar was around his neck. “Tommy,” you called out. “Tommy, wake up.” You said a bit louder. Still he laid still, on his stomach. “Come on. This isn’t funny wake up,” you pleaded, desperation oozing from each word. Finally, he groaned. “Oh thank you,” you said, your head leaning back against the wall.

“My head hurts,” he wined, rolling onto his back. It took a moment but he sat up quickly. “What happened?”

“We were in a car accident. I don’t know where we are,” he stumbled to his feet. “Easy,” but he ignored you, wrapped his hands around the chains, and pulled. They weren’t moving. “Tommy, stop. You are going to hurt yourself.” He shook his head.

“I can get you out,” he pulled at them again. “I can get us out and we can go home!” He fell to his butt with a huff. “What’s around your neck?”

“Probably the same thing around yours,” Tommy reached around his neck to touch the collar. You stood up and found out you could reach the mattress but not the door. You sat down and opened your arms, there was a sharp pain in your shoulder. Tommy took the opportunity to lay in your lap.

“They are going to find us,” he looked up at you. “Right?”

“Yeah,” you smiled. “Or we’ll get out of here by our self.”

*

Natasha was barely listening to Sam as he spoke with local police and Yelena and Kate were looking at the car crash. Her eyes were on her wife and Billy as they sat on the back of an ambulance. The EMT was cleaning a cut on Billy’s head and his arm was in a sling to help his shoulder. Wanda seemed untouched but Natasha had a faint memory of her wife’s magic wrapping around the car before she blacked out. She wanted Helen to do a check up on him when they were done here. “Thank you officer,” Sam said. Natasha turned back into the conversation. “Are you sure you don’t want to get checked out?”

“I’m fine,” she wasn’t really. It was taken every fiber in her body to not lose it. Her daughter and son were taken right from underneath her nose. By focusing on the pain radiating through her body she wasn’t going to lose her cool. Her sister and Kate walked over to them. “What do we know?” She asked.

“It was one van that hit your car,” Kate handed her a tablet with a feed of the car accident. “Then two more vans showed up and took Y/n and Tommy.” Natasha watched as two men existed their car and ran to the back of the car to get you and Tommy. Why didn’t they take Billy?

“The plates were stolen but we are having Peter check out the original owners,” Yelena said, taking the tablet from Natasha. “We know this was planned. They never looked at the camera so we can’t run facial recognition..”

“So we have nothing on who took my kids.”

“We will find them, Nat,” Sam said. “You have my word but we need to get you, Wanda, and Billy back to the tower where it’s safe. We don’t know if they’ll come back,” that made Natasha’s blood run cold. She couldn’t let them take anyone else.

“Okay,” she said.

“Kate and I will drive you back,” Natasha nodded and walked over to the ambulance. Her body ached but she put on a smile as she got closer.

“Hey bud,” she whispered. “How are you?” Billy shrugged, not looking up at the Black Widow. Natasha frowned, looking at the witch. ‘He hasn’t spoken,’ Wanda’s voice echoed in her head. Natasha nodded. “We are gonna head to the tower with Auntie Lena and Aunt Kate, okay?” Billy nodded, jumping off the back and head over to his aunts. But the young boy didn’t reach out for comfort from his aunts. Instead, he walked right past them to the car. Natasha sighed, feeling her wife grab her hand.

“You haven’t gotten checked out, moya lyubov’ (my love),” Wanda said.

“I’m fine,” but she knew she couldn’t lie to Wanda as easily as she did with Sam. Wanda stopped walked. “Wanda-” Natasha pleaded.

“This is not your fault, okay?” Natasha looked at her sister. Yelena was leaning against the car, trying to get Billy to talk. “And I will remind you that at every step. We will find them and Billy will be okay,” Natasha surged forward capturing Wanda’s lips into a kiss. The kiss was frantic, messy as Natasha hung onto Wanda.

“I can’t lose you,” she whispered against Wanda’s lips.

“You won’t. I’m here. I’m right here.”

*

You let Tommy fall asleep, resting between your legs and you ran your fingers through his hair. You wanted to close your eyes and sleep but you couldn’t. What if when you closed your eyes and the door opened and they came in to take your brother? So you sat and replayed moments in your head. The first time you met the Romanoff-Maximoff family and the night the couple told you they wanted to adopt you. They were going to find you. Until then you had to be strong and protect Tommy.

Finally, you heard the door unlock and slowly open. The sound caused Tommy to stir awake but you kept your arms around him as 3 men walked in; two were carrying bowls. “Food,” the man up front said. He was Russian and the men behind him set the bowls near the mattress. But you both didn’t move. “You are going to need your strength.”

“What do you want with us?” You asked. He didn’t answer, instead he gestured to the man on his left and he walked over to you. He ribbed Tommy from your arms. “No!” You jumped to your feet but the man held your brother by his throat and put a gun to his temple. “Please don’t hurt him.” Tommy struggled against his capture but it made no difference.

“Let me make myself perfectly clear,” he stepped forward. “When I say you eat, you eat. When I say jump, you ask how high. Your brother’s life is my hands, do you understand my malen’kaya ten’ (little shadow)?” You glanced at Tommy.

“I understand,” the man holding your brother threw him to the ground. Before you could help, the man grabbed onto your chin to force you to look at him.

“He is collateral,” he said. “I won’t hesitate to kill him if you disobey me.” You nodded and he let you go. You ran over to Tommy and he assured you he was okay as the three men left.

“Do you know them?” He asked. You shook your head. You didn’t, you’ve never seen those men in your life.

“But he definitely knew me,” you sat back on the mattress with the bowl. It was a soup of some kind.

“He called you little shadow,” he said, sitting next to you with his bowl in his lap. Little shadow. Your spoon stopped in mid air. You hadn’t thought about that nickname in months since Jason was killed. “Do you want this?” He asked, holding up his bowl. “I don’t like it.” You laughed at the scrunch of his nose.

“Eat it,” you said, taking a spoonful of your own. It wasn’t bad just bland compared to Wanda’s flavorful cooking. “I think he’s right when he said we’ll need our strength.”

*

Wanda hated this. This intense feeling of worthlessness as she had no idea where her son and daughter were or who took them. She couldn’t even help her other son who hasn’t spoken or eaten since the accident. He was shutting her out and that scared her even more. “But why not take all three of your kids?” Maria asked. The available Avengers met at the tower to come together to find you and Tommy. They were in the conference room while Pepper and Happy watched Billy and Morgan. She hated being away from him but he didn’t need to be here for this. “If they want to hurt you, why did they just take Y/n and Tommy?” It was a good question and one Wanda couldn’t answer. Natasha and her made a lot of enemies throughout their time as Avengers. The list was long.

“Maybe it’s not about us,” Natasha said, picking at the skin around her thumb. Wanda grabbed her hand to stop her. “Have we found anything about Jason?” Tony pulled up the hologram of the man that took advantage of you. The sight still made Wanda’s blood boil.

There wasn’t much they knew about the man that could help them. Only child, whose parents divorced when he was a kid, and his father was in and out of rehab facilities. He was in extreme debt and unemployed. At his last job, he suffered a shoulder injury which allowed him to cash in disability checks.

“What about her parents?” Yelena asked. “Jason must have known them. There was no way them meeting was a coincidence,” she had a good point. Tony put up two holograms of your parents. You rarely spoke about them. Maybe it hurt to much to think about them. Your parents were Daniel and Harper. In 2018, two months after Thanos exterminated half of all living things. Harper was diagnosed with cancer. It seemed so unfair how much pain your family was subjected to in a short amount of time. Your mother was a house keeper while your father worked in construction. They were living pay check to paycheck since Harper was out of work while she received treatment from a Dr. Joshua Harris. Unfortunately, Harper’s treatment wasn’t successful. She passed away. Your father took his own life two months after his wife passed. In three years, you would return and your parents were gone.

“We are missing something,” Natasha stood up suddenly. “If they were being blackmailed or were involved in something there wouldn’t be a paper trail.”

“Nat is right,” Sam said. “Yelena, Kate go talk to Harper‘s doctor maybe he can tell us something.” The duo stood up to leave the room, Yelena squeezed Natasha’s shoulder before they left. “Peter, Maria, and Bucky will try to find an angel on ().” A plan was made. It wasn’t a lot but it was something. Natasha and Wanda left to go find Billy. He was laying on the couch, watching Morgan play with her dolls.

“Hey,” Wanda said, sitting down next to him. “Have you eaten anything?” He shook his head.

“Why don’t I make some mac and cheese?” Natasha suggested. Billy brightened up slightly.

“And a hot dog,” The Black Widow smiled.

“Anything for you, bud,” she walked into the kitchen.

“How are you feeling? Does anything hurt?” Helen gave all three of them a clean bill of health besides the normal ache and pains. Bill frowned, moving to rest his head on her lap. “Talk to me, dorogoy (sweetheart). Please.” She ran her fingers through his hair.

“I can’t feel them, mam,” he whispered. “I keep trying but I don’t know where they are. I-,” his voice cracked. “That’s what hurts mama. I want them home.” Wanda saw the signs of Billy’s powers getting out of control. They were similar in that sense when their emotions got overwhelming their powers were unpredictable. It was a work in process to help him contain it. The witch forced Billy to sit up and moved him so he sat on her lap, his chest against hers.

“Breath, Billy. I need you to breath.”

“I can’t,” he gasped and his hands twisted in the fabric of Wanda’s shirt.

“Yes, you can,” Wanda kept her voice soft. She watched Natasha walk over with the plate of food. She almost dropped it at the state of Billy was in. “Your mom and I got you,” Wanda held out her hand for Natasha to grab. She put the food down and took her hand. Gently, Wanda placed Natasha’s hand on their son’s back and traced soothing circles. “Just focus on us.” Wanda began to hum, a simple lullaby she would sign to them when they were babies. It seemed to work. She felt Billy slump against her and his breathing calmed down.

“You are doing so good, bud.” Natasha said, locking eyes with Wanda. If there was one thing Wanda loved about Natasha it was her eyes. They were so expressive. Even when her face was so stoic, her eyes gave away so much.

“It’s okay,” Wanda smiled. “Everything is going to be okay.” She said it for all three of them. Everything was going to be okay.

*

When the door opened again, you and Tommy were playing Concentration. It was the same man from before. He walked over to you, twirling a key in his hand. He grabbed onto your hands and unlocked the cuffs. “Come with me,” you rubbed at your wrists. “Both of you.” You stood up and the two men grabbed Tommy. “You can call me, Dmitri, okay?” He put his arm around your shoulder as the two men walked out of the room. “We had a mutual friend. Do you know who?” Outside the room, you call tell you were in an abounded hospital. Empty beds with rusted frames sat against the peeling walls, the mattresses long gone or decayed. The air was heavy with the scent of dust and decay. The doors that weren’t locked shut were hanging off the hinges. Your small group weren’t the only ones in the hallway but the ignored you, focused on their task of cleaning.

At the nurse station, the desk was covered in a thick layer of dust, and the files lie scattered and forgotten. Some of the signs still hung on the wall but were faded, their messages no longer conveyed a feeling of hope.

“Jason,” you finally replied.

“Oh she is smart,” he teased. “He was a good man, more loyal to his cock then the cause,” he squeezed your shoulder and the soup you ate turned in your stomach. They brought you into a room. It was a stark contrast to the rest of the hospital. The room was well kept with multiple screens and a generator in the corner. There were weapons scattered against the tables set up. It was eerily silent besides a man typing away at the computer. Your brother was forced into a chair and metal restraints were put on his legs and arms. “Are you ready for your mission, malen’kaya ten’?” You glanced at Tommy.

“I am,” you whispered. Dmitri handed you a tactical suit, similar to the one you’ve seen Natasha ware.

“Change into this,” you took it from him and hesitated. “Change now.” Your hands shook as you took off the clothes you decided to wear on the trip home from the Bartons, simple tracksuit that Kate bought for you. You weren’t blind to the way Dmitri’s eyes racked up and down your body. His footsteps moved behind you and he grabbed the zipper and zipped it up. His hands landed on your shoulders. “Good girl,” Dmitri whispered the name as if it was a secret for only you and him. The name caused your stomach to turn. “This is for you,” it was a com and you put it in your ear. “You and I are going for a little ride and you will listen to every word I say,” he grabbed your chin and forced you to look at Tommy. The sudden movement caused you to stumble into him and his free arm wrapped around your waist, trapping you from moving. “If you don’t your baby brother’s brains will be splattered all over that wall.”

“I understand,” you said. “Can I give him a hug?” He thought about it.

“Make it quick. I’m not a monster,” You walked over to Tommy and hugged him tight.

“Don’t do anything stupid,” you whispered.

“Same to you,” you kissed the top of his head and walked over to the man. He said he wasn’t a monster but that was up for some debate. Delete Created with Sketch.

“Where are we going?” You asked. He blindfolded you the minute he lead you out of the building. Being in the backseat of a car was nauseating as you tried to make sense of the turns but it was impossible.

“We are almost there,” your leg began to shake but you felt his hand on your thigh. Automatically your body tensed up. “It’s okay, malen’kaya ten’, I won’t hurt you.”

“You see why I find it hard to believe,” you said. “I thought Jason wasn’t going to hurt me and we both know how that ended.” He removed his hand and your body relaxed.

“We’re here,” the car stopped and blindfold was removed from your eyes. The sun caused you to wince and it took a minute for your eyes to adjust to the harsh light. “We are at the office of Dr. Harris,” you didn’t recognize the name. “You are going to sneak into his office and place this listening device somewhere he won’t find it,” you took the device from him. “Then you will use this on his computer and it will copy all of the files, it will take 15 seconds.”

“How do you expect me to sneak in with this stupid collar on?” You asked. He pulled out a key and took it off. A weight that was on your chest was lifted off. He put a small camera on your chest.

“Remember what I have,” you sighed.

“I do,” you fazed through the car. You kept your powers on as you walked over to the office and walked through the door. You stood in a small entry way with a door in front of you and on your right. A metal sign displayed each specialties the office offered. Dr. Harris’ office was through the door in front of you and he was a medical oncologist. You frowned, ignored the tight knot that formed in your stomach, and moved onto the next door.

It was a simple waiting room, there was a few patients in the chairs. the receptionist was speaking with a young woman through the glass that separated them. The patient had a beanie that covered her head. It was no use to stay and listen to the conversation that was happening so you moved past the nurse that opened the door to call the next patient.

Lucky, there was signs that pointed you in the right direction. However, your feet stopped when you passed a large open area. There was a nurse station on one wall and spread across the room were chairs; some empty. But the people that were in those chairs were attached to IVs. Curiously, you walked towards the nurse station and read the pamphlets they had out. 20 different recipes to eat try during Chemotherapy. What is radiation? How to overcome it? You were in a cancer center.

��Ah,’ Dmitri said. ‘I forgot you weren’t around to see your mommy sub come to the horrible disease,’ When you were younger, your parents saved enough money to take you to Cooney Island. All the kids at school talked about riding a roller coaster and how cool it was. So you were anxious to go on it. You were nervous and your parents kept saying you did not have to go on it. That no matter what you were their brave girl. You went on it and hated every second of it. The way your stomach dropped at each turn made you sick. You were experiencing that same feeling now. ‘Continue, my little shadow,’ he said. ‘His office is down the hall.’ You nodded and walked that way. The sooner you were done, the faster you could be back with Tommy, safe in the 4 wall cell. Safe wasn’t the correct word you would use but it was better than be separated. You fazed through the doctor’s door. He was sitting at his desk, typing away at his computer. Bookshelf’s were behind him, decorated with pictures of different families. ‘You are gonna have to get him to leave.’ You rolled your eyes. Easier said then done, you thought, how the hell were you going to do that?

As if someone heard your prayer a knock came to the doctor’s door. “Come in,” you moved to the corner as the door opened and the receptionist you saw enter.

“Two Avengers are here to speak with your,” you froze and stomach flipped. Avengers. Two Avengers were here. Your family. ‘Don’t,’ the man hissed in your ear. ‘Don’t forget what I have.’ Oh you didn’t but maybe you could get their attention.

“Of course, please send them right in,” the doctor stood up and straightened the white coat he was wearing. The door opened wider as Kate and Yelena walked in.

“Dr. Harris,” Kate said, extending her hand for the doctor to take. “Kate Bishop and this is Yelena Belova. Thank you for meeting us.” The doctor shook her hand. He went to shake Yelena’s but the blonde refused and sat down in the chair.

“Of course. Anything I can do to help the Avengers,” he sat down and kept his eyes mostly on Kate. You could tell he was intimidate by the Black Widow. You had to stop yourself from laughing. You moved to the window ledge and leaned against it. “What is this about?”

“A former patient of yours,” Kate said. “Does the name Harper Myers ring a bell?” That was your mom’s name. Your stomach dropped. It had been a long time since you’ve heard someone say it.

“The Myers,” he spun around in his chair to look at his wall of pictures. He stood up to grab a frame and looked it over before handing it over to Kate with a sad smile. “They were lovely people,” you walked over to the couple as Kate handed the photo to Yelena. “They had a daughter that I never got to meet her.” You looked at the picture over Yelena’s shoulder. It was a picture of your mom, dad, and you as a baby. They took you o a local mall to see Santa Claus. You were crying, not very happy that a stranger was holding you. Yelena handed the photo back to the doctor but turned to look over her shoulder. Her eyes bore into yours and you held your breath.

“Can you tell us about the Myers?” Kate asked. Yelena turned around slowly. You let out a shaky breath and walked back to the widows. ‘You are toeing a dangerous line,’ Dmitri hissed in your ear.

“The Myers were hardworking people. Harper was diagnosed with stage 4 breast cancer in 2018. It was a miracle she survived as long as she did.” You clenched your jaw and crossed your arms, hugging yourself for some sort of comfort.

“Did you notice any abnormal behavior?” Kate asked. “Besides the obvious going through a cancer diagnosis.” The doctor leaned forward, resting his hands on his chin.

“I take patient confidentiality very seriously,” he said. “Even after death, they are entitled to the same level of respect. So I will ask again, what is this about?”

“Their daughter was kidnapped,” it was the first time Yelena has spoken. “We are searching every possible option to find her.” You watched the doctor’s face pale.

“Is this about the money?” The couple glanced at each other.

“What money?” The doctor sighed and pulled open a drawer. It took him a moment to find what he was looking for. Soon he handed the couple a folder.

“They were struggling financially to cover the cost of the treatment,” you stayed still not wanting to alert Yelena again. “Daniel’s job offered insurance but it barely covered the cost of the treatment plan Harper would need. Out billing department told them they then they came to me and refused treatment. I pleaded with them to reconsider, that I would help them find a way to pay for it. But they refused,” he sighed. Kate placed the file back on his desk.

“But they got the money?” She questioned. The doctor nodded.

“They came back two days later and said they liked to continue with the treatment. I believe Daniel said they got the money from his sister who passed away.” You frowned. Your dad was an only child.

“Did not find that suspicious?” The blonde asked.

“Of course I did but my job is try to save patients lives. I find the monetary part of my job pointless. If I could give treatment to everyone free of charge then I would.”

“Thank you for your time doctor,” Kate said. “Can you show us to your billing department?” Dr. Harris stood up without a word and walked to the door. The couple followed him but Yelena hesitated and looked towards you. “Sweetheart,” the archer said. “Are you okay?” Yelena nodded.

“Yeah,” she said. “Just,” you know I’m here, you thought, I’m here. I’m here. “It’s nothing.” The Black Widow grabbed her hand. Once they left, Dr. Harris closed the door.

‘Hurry up,’ Dmitri said. You walked over his desk and placed the flash drive into the tower. You watched as a loading boar appeared on the screen and began to count up.

“What are you doing?” You asked. The man laughed.

‘We found you through the lovely doctor,’ he said. ‘Can you imagine who else we can have? Especially when hundreds of families are as desperate as yours were.’ The bar was full and you pulled the flash drive out. ‘You did well,’ he said as you walked through the doctor’s door. ‘I’m impressed with your level of submission,’ he chuckled. ‘I thought you’d fight more.’

You wanted to fight. You wanted to kick and scream and go home but how could you. You were tied down to Dmitri as he held your brother over your head. You moved through the front door but stopped.

“We could follow the money,” Kate said. “Have FRIDAY trace the account.” The Black Widow nodded. “Hey, what’s wrong? You’ve been off.” Yelena sighed.

“We are no closer to finding her,” she admitted. “I’m worried.” Your heartbeat pounded in your ears. There was a part of you that feared they would hear it.

‘Move,’ he ordered but you couldn’t. ‘I will kill him.’ He would. You knew he could but your feet felt glued to the spot. ‘One more chance or your brother’s brains will be all over the wall.’

“We will bring her home,” Kate smiled. “Then we’ll never let her go.” They made the choice for you as the couple walked over to where their car was parked. You sighed, finally walking over to the van. The door opened and you materialized as he grabbed you and pulled in. He pinned you to the opposite door, hand loosely around your neck. You felt his breath on your face. “Do you need to be taught a lesson?” The pressure of his hand tightened on your throat. It was getting harder to get air through your lungs.

“No,” you whispered. “No, sir. It won’t happen again.” You were transported back to whenever Jason was upset with you. You took the flash drive out of your pocket. “I did what you wanted,” you reminded him. His eyes flickered to yours and the flash drive. The pressure let up and you sucked in air. He tightened the collar back around your neck and took the flash drive from you. Before he pulled away from you, he kissed your cheek and whispered, “Good girl,” in your ear.

You felt sick, bile creeping up your throat as the car began to drive. It didn’t take long until you were blindfolded again and your leg started to shake.

*

“That’s all we get out of him,” Kate said, ending their debrief on what they found out about the doctor. It wasn’t a lot but Natasha was certain they found you and your family through the doctor. Sam must have agreed as the direction of the conversation shifted to find the link. But the Black Widow wasn’t listening even though it was important. Her attention was on her sister, who was abnormally quiet. She let Kate do a majority of the talking, adding a comment here or there. Now she was quiet, resting her hand on her chin. When the meeting was over, Yelena left quickly. “Hey,” Natasha called out to her. “What’s going on?” Yelena slowed down, allowing her to catch up.

“Something didn’t feel right while we were there,” Yelena said, glancing at her sister. “It was like,” she paused and Natasha allowed her the time to process her thoughts. “Like we were being watched.”

“Were they there?” Did the people who had you and Tommy know they would check there? Yelena sighed, shrugging her shoulders.

“Maybe I don’t know,” With your and Tommy’s enhancements, you were a deadly combination. “It doesn’t hurt to scrub through security footage to find out.”

*

You heard your name being called out and your eyes fluttered open. Dmitri was back. For the first time, he was alone. His guard dogs weren’t insight. “How did you sleep?” He asked, handing you and Tommy a bowl of the same food you ate earlier.

“Well considering the circumstances,” you said, taking a bite. It tasted better than before. “What do we owe the pleasure?” He sat down in front of you, legs crossed and elbows resting on his knees.

“Your sister is pretty incredible,” he said to Tommy. Your brother leaned into your side. “She’s very protective over you, isn’t she?”

“She is,” Tommy whispered. The man smiled.

“What do you want?” You asked again.

“All will be explained but first eat,” you and Tommy both did as he asked and when your bowls were empty, you placed them down and he offered you his hand. Hesitantly, you took it and he pulled you to your feet. Unlike before he put his arm around Tommy and the 3 of you walked down the hallway. His hand was on your waist, a possessive grip that you couldn’t break away. When you entered the room before, his guard dogs were next to the chair. You changed into the suit, put the com in your ear, and hugged Tommy tight.

This time when you were brought to the car, there was no blind fold. Did he see your submissiveness as loyalty? You weren’t sure but the grip he had on you moved to your thigh instead of your hip. It was night but you couldn’t track the turns and stops with his hand on you. “Where are we going?” You finally asked.

“You’ll find out soon enough. Just relax,” he put his arm around your shoulder and pulled you into him. “Why are you so tense?” He asked. “Is this not okay?”

“It’s fine,” you tried to relax but your skin felt like it was burning. You let out a shaky breath and placed your arm on his thigh.

“You and I are going to do amazing things,” he said and tried to fight the shiver that ran down your spine.

“I don’t even know what your goal is,” he chuckled, resting his head on top of yours.

“Perform well tonight and I’ll tell you everything.”

The van stopped a block away from a warehouse. “There are 4 guards,” he showed you a security footage of instead the warehouse on a tablet. “I need you to go inside, disable and erase the security footage, kill the guards, and open the doors for our team.”

“Kill,” you whispered. The other things you could muddle through. But killing innocent people, you weren’t sure if you could do that. He handed you a pistol with a silencer. “I don’t kill people.” Each word you spoke shook with your nerves.

“You killed Jason,” that was true but that was out of self-defense. If you didn’t kill him, he was going to kill you. “It’s rather simple,” he maneuvered your hand to attach the gun to your hip. “But the gun to their heads,” he used his finger to lift your head. Your eyes locked onto his. “And blow their brains out. Simple.” There was nothing simple about it. “Are you ready?” You weren’t. All the color drained from your face. Could he hear how fast your heart was beating? “I asked if you were ready, my little shadow.” His face was in the crock of your neck. You felt the vibration of his words against your skin, causing your hairs to stand up. You weren’t ready. But if you failed or disobeyed what would happen? Would they go after Billy? Or maybe Nathaniel? Lila? Or Cooper? You couldn’t risk the safety of your family. His lips grazed your pulse. You nodded, licking your lips.

“I’m ready.”

*

“It’s the same van,” Natasha said to the Avengers with screenshots of traffic footage behind her. It took her, Yelena, and Kate hours to scrub through the footage. At first they found nothing but soon they noticed a black van, always changing license plates and they could never see the driver. They were good which worried Natasha. They weren’t amateur kidnappers. They were professionals but they made a mistake, well 2 mistakes. “The color of the van looks black but it isn’t. The color is sable and only 2 car shops in the city carry that color.”

“We pulled the records of those names and almost reached a dead end but Yelena found our connection,” the blonde smiled and changed the screen to a single white patch.

“What is that?” Maria asked.

“It’s a nicotine patch to help people quit smoking. A majority of them can be bought over the counter but others require a prescription,” Yelena explained. “We cross listed the list from the detail shops with those who have a prescription and he found,” the screen changed again to a man. “A Lucas Bennett.”

“Mr. Bennett has a history of gambling and drinking away his money but he also visited Dr. Harris.”

“Where is he now?” Sam questioned.

“FRIDAY is already pulling up current employers and addresses. It’s just a waiting game,” Natasha said, looking at Wanda. Her hand rested on her chin. “We find him he will lead us to Tommy and Y/n.” She said it convince Wanda and herself. They were so close to finding her other kids.

“Miss. Romanoff, I’ve located Mr. Bennett.” She looked at Sam.

“FRIDAY send us the location,” he said. “Avengers Assemble.”

*

You hated this. Your palms were sweat as you held the pistol. On quiet feet you walked through the warehouse to the first guard. A mantra echoed in your head and you were surprised it was Yelena’s voice- ‘I know exactly who you are. A hero. A protector. A sister.’ At this very moment, you didn’t feel like any of those things. A hero wouldn’t kill innocent men just doing their job. A protector would stand up to Dmitri and find a way to save Tommy. No, you were weak. A spineless fool. You put the barrel of the gun against the guard’s head, closed your eyes, and pulled the trigger. ‘Very good. One down,’ you opened your eyes and stared at the body at your feet. A pool of blood formed around his head. ‘Three more to go.’ You let out a shaky breath and tears formed at the corner of your eyes but you moved on, a job needed to be done.

When you lived with Jason, you were prone to dissociating. It allowed your mind to be protected while he raped you. You found yourself doing it now as if your mind was gone and your body moved on auto pilot. The two guards went down easily, their blood pooled on the floor and splattered on the wall they stood next to. In your ear, Dmitri praised you. Every time he called you ‘his good girl’ the little food in your stomach turn. ‘3 down, one to go.’ he said. ‘Good girl.’

You wanted to rip the com out of your ear, stomp on it. You wanted to go back in time and save those three men you murdered. To go back and stop the car accident but you couldn’t. So with the last guard that stood by the security office, you placed the barrel to the back of his head and pulled the rigger. His body slumped to the ground.

A few weeks ago, you woke up at three in the morning. With your throat dry and you were in desperate need of some water but the water bottle you had was empty. Kicking off the blankets, you braced the cold air of the house and headed to the kitchen. You expected it to be empty so you could fill your water bottle up and quickly go back to sleep. It wasn’t. Natasha was sitting at the kitchen counter and she appeared to be crying? Her sobs were muffled due to her hand being over her mouth but you saw her body shake. You remained frozen, not used to the scene in front of you. The normal level headed Black Widow was sobbing in the kitchen and were lost on what to do.

‘Mom,’ you made your presence known. She was startled, apologized, and asked if she woke you up. Instead of answering, you walked over to her and pulled her into a hug. You felt her body tense up but soon relaxed into you and cried. It could have been hours or maybe minutes but you held onto her tightly. Soon she pulled away and apologized again but you told her it was okay to cry. It was okay to not be strong all the time.

Instead of getting water, hot chocolate was made and you sat with her on the kitchen floor. You talked about everything.- her time in the Red Room, the red on her ledger, and the guilt she felt which lead her to working with SHIELD and the Avengers. Wanda found you and Natasha on the couch fast asleep the following morning.

But the conversation stuck with you and you found yourself thinking about it now while you stared at the body on the ground. There was more on your ledger. After all these years, Natasha was still trying to forgive herself. How long was it going to take you?

‘Hurry along.’ You nodded and fazed through the door to the security office. You plugged in the flash drive and watched the security footage delete, the alarm system turn off, and the metal garage door open. On cue, black vans entered the warehouse and men you didn’t recognize began to open the wooden boxes with crowbars.

“What are they looking for?” You asked, stepping out of the office. They paid no mind to you and continued on their work. You walked over to one of the men. Once the wooden box was open, he pulled out of a brief case. He placed a piece of tape over the finger print scanner and he opened it when it beeped.

“They are here, sir,” the man to Dmitri over his own com.

‘Perfect,’ you heard the smile in his voice. ‘My little shadow you did it!’ He was so proud of you but it filled you with fear. ‘Those pills are psylock. They enhance neural pathways to allow for manipulation,’ each word he spoke, sent a shiver down your spine. ‘Now we don’t also have to take baby brothers has collateral. Everyone will be good obedient soldiers,’ the world around you seem to blur.

“What are you planning?” You questioned. “Why are you building an army?” He scuffed.

‘The world is dirty A filthy, disgusting place so it needs to be rebuilt. You’ve seen the horrors of it. Together we can make it better,’ you had to stop yourself from laughing. This man wanted to make the world better when he was part of the problem. He contributed to the darkness. He was a monster not a savior.

Shooting pulled you out of your thoughts. You gripped the gun in your hand tighter as gun shots bounced off the walls. ‘Run back to me,’ Dmitri said but your feet remained frozen to the ground. You heard them. The voices of the Avengers. ‘Now!’ Still your hesitated when you locked eyes with familiar green ones.

“Mom,” you whispered. They found you. The relief was evident on her face but her eyes asked a question - where is your brother? You smiled, dropped the gun, and ran back to your capture. Ignoring the shouts of your name.

*

Natasha was losing her patience as she grabbed Lucas by the shoulder and throw him into an office chair. He was supporting a gun shot and she knew that wasn’t the only injury he was going to have tonight. “Let’s be honest with one another, okay?” She smiled, feeling her wife’s eyes on her back. The other Avengers were dealing with the other goons. Sam allowed Natasha, Yelena, and Wanda 10 minutes alone with him. “I really want to kill you but I can’t because you have something I need. So answer my one simple question. Where are my kids?” He laughed.

“Go to hell,” the Black Widow’s smile didn’t falter.

“Mr. Bennett,” she dug her finger into the gun shot and he let out a muffled scream, biting down on his lip. “I’m the easy way,” she moved behind him and forced his head to look at Wanda. “Do you see that beautiful woman over there? I get the pleasure to call her my wife and you do want her to find the answers by force.”

“I’m not scared of her,” he spat out.

“I would be,” Yelena mumbled.

“Moya lyubov’ (My love),” Natasha looked at the witch. “Let me talk to him.” She let go of his face and walked over to Wanda. With the hand not covered in his blood, the Black Widow put her hand on the back of Wanda’s neck.

“Find only them, little witch,” she whispered.

“I wont kill him,” her lips twitched and each words was laced with her deep accent. “He will wish for death.” Natasha gently kissed her forehead and let her go.

“I told you,” Yelena said as Wanda’s fingers glowed red. Natasha smirked as her fingers touched his head and he began to scream.

*

“How did they find you?” He asked with his hand tightly wrapped in your hair as he dragged you into a room you’ve never been in. Hew threw you onto the bed and you scrambled to sit up.

“I don’t know,” you answered honestly. The man paced in front of you. “I’ve done everything you’ve asked of me.” H wasn’t acknowledging you to lost in his thoughts. “Please,” you whispered. “Please don’t hurt him.” That stopped him and he faced you. You climbed to the opposite side of the bed, until your back hit the wall. You hated the look in his head. It was a look you’ve seen before. In Jason’s eyes. In every male that looked at you as if you were a toy, a piece of meat for them to taste.

“Strip for me,” he said, removing his tip and setting a pistol on the bed side table.

“I’m sorry?” You questioned even though you fully understood what he said. He chuckled.

“I am getting tired of having to repeat myself,” he rolled up the sleeves to his elbows. “I said strip.”

*

“We found Tommy,” Yelena said through Natasha’s com as they ran through the hallway of the abandoned hospital. “He’s safe minus a bruise on his face.”

“Copy that,” Wanda answered. “We are still searching for Y/n.” They came to a intersection. “I’ll go left and you go right.” Natasha hated the idea of splitting up but they needed to cover more ground.

“Okay,” she squeezed Wanda’s hand. “Be safe and let’s bring our girl home.” The witch squeezed her hand back and took off. The Black Widow let out a shaky breath and ran right. As she ran through the empty corridors, her mind kept turning into a darker place. The emptiness and coldness of it all reminded her of the Red Room. Endless hours she was shuffled through those halls; going to training or the ballet bar or back to her room. Now two of her children have been subjected to the same darkness. The sound of gun shots sent her heart in a panic and pulled her out of her thoughts. Another shot. Followed by another. She swung open the door with her gun drawn but her form faltered when she saw you; wearing only underwear, blood splattered across your face, and a gun in your hand. You pointed the gun at Natasha.

“M-mom,” you whispered. Your eyes were frantic, wide, and scared. Natasha holstered her gun.

“Yeah, it’s me,” she held up your hands when you didn’t lower the gun. “It’s me. It’s your mom.” Delete Created with Sketch.

You had to be dreaming, right? There was no way Natasha was standing in front of you. He had to have drugged you. “Can you put the gun down for me?” She asked, taking a step closer to you.

“Stop, don’t come any closer,” your hand shook but the Black Widow stopped walking towards you.

“I’ll stay right here but I need you to put that gun down.”

“I can’t,” you whispered. Didn’t she understand. You had to protect yourself from her and the men in his organization. “What if they come back for me?” Natasha shook her head.

“They won’t,” she said. “I’m here and you are safe.”

“Safe?” You questioned with a bitter laugh. “Why does this keep happening to me?” You asked, hitting yourself on the chest with your free hand. “Why do people keep using me? I can’t-” your voice cracked. Your throat began to burn as you tried to keep the tears at bay. “I can feel his hands on me. His breath on my neck. Why does this keep happening?” You pleaded with her to have an answer.

“I don’t know, sweetheart. Sometimes the world is a dark and evil place and you’ve been subjected to a lot of it.”

“It’s not fair. It’s not fair.” You readjusted your grip on the gun. “I can’t do this answer.” You put the barrel of the gun to your temple.

“Sweetheart,” Natasha took a few steps forward but you backed away from her. “You have every right to be angry and upset with how the world as treated you but I promise you whatever happens next I will be there. By yourself or at your back. Just please,” her own voice shook. “Put the gun down and we can go home.”

“Home?” You questioned. You heard footsteps rushing towards the open door and you pointed the gun. It was Wanda. “M-mama,” you whispered.

“Hi, my sweet girl.”She smiled.

“I c-can’t go home,” you said. “I killed those guards and stool information from a doctor. I’m - I’m,” your heart was pounding against your ribs. It was hard for you to get air into your lungs. You put the gun back to your temple.

“You did those things to keep yourself and Tommy safe,” Wanda said. Her voice was strong and steady. “We or the others won’t think of you any differently.”

“Tommy,” you said. “Is he safe?” Natasha nodded.

“He is. He’s with Yelena and waiting for you,” this time when your mom stepped forward you didn’t move. “So is Billy and Kate and Morgan. Just please put the gun down and we can go home.” Home? Home was where you were safe and loved by those around you. You could laugh and joke with your brothers. Play board games at the dining room table. Your hand shook as you set the gun down. It was hard to keep yourself standing and before your knees hit the ground, strong arms caught you. You buried your face into Natasha’s neck and sobbed. Your body shook from the intensities of your cries. Your tears wouldn’t stop. You felt Wanda’s magic enter your mind and every thought, memory went away and you welcomed the darkness.

*

When you came too, you were laying in one of the medical rooms at the tower. You were sandwiched between Billy and Tommy. The twins were asleep, their hands twisting in the fabric of your shirt in a tight fist. Wanda and Natasha were in the chairs on either side of you fast asleep. You sighed, looking up at the ceiling. It reminded you of when they found you after Jason’s attack. They sat by your side until you were healed. You were starting to wonder if you being part of this family was doing more harm then good. “You’re thinking to hard, dorogoy (sweetheart).” You looked at the witch, who was rubbing sleep out of her eyes. You offered her your free hand and she took it.

“I’m sorry,” she shook her head.

“Do not apologize,” she said. “None of this was your fault.” It was hard to believe that you were here. You held tightly onto her hand, scared that if you dropped it or looked away she would disappear. “Hey,” you forced your eyes away from her hand and looked at her. “You are home. You are safe. This is real,” you nodded. “Say it back.”

“This is real,” you repeated. “I am safe. I am home.” There was a shake in your voice that caused Billy to take up. He slowly looked around, eyes laced with sleep. His eyes locked onto yours.

“Your awake,” he said, sitting up quickly and throwing himself into your arms.

“Easy, Billy,” Wanda said. The force knocked the air out of your lungs. It was heightened by Tommy waking up and joining the hug. They hugged you tight as if they to were afraid you’d disappear. There was an ache in your body but you ignored it. You were home. Safe and home.

Natasha got the twins out of the room with the promise of getting ice cream. It was harder for Billy to leave your side but you gave him a smile and promised to play Mario Kart with him. It was just you and your moms and a part of you wished the twins were still there. You felt small under their gaze as you picked at the threads on the blanket. “Tommy filled us in on somethings that happened,” Natasha said. “Do you want to talk about anything?” You crossed your legs and starred at your hands. There was so much you wanted to say but it hurt.

“It was the group Jason worked for,” you whispered. “They found me through my parents. My parents needed money for my mom’s treatment so as an incentive to pay them back I was the bargaining chip,” you shrugged. “In the end, my mom died and my dad couldn’t pay them back so he committed suicide but a debt still needed to be collected,” you pushed away a few tears. “They needed me to steal information from Dr. Harris and get them into that warehouse to steal those drugs. And Dmitri,” you felt bile rise. You closed your eyes and you felt the couple place their hand on top of yours.

“Was like Jason, Coach Griffo, Principal Cook, and Conner. Men that tried to take something that wasn’t there’s to take,” you reopened your eyes and moved your fingers against their hands. It helped ground you. “He made his advances well known but when you found me at the warehouse he was upset and made his move. I killed him,” you sighed, biting your lip. “Natasha found me right after I did it.” You were not looking forward to the next part of this conversation. The Black Widow said your name and you looked at her. Her green eyes were a little glossy.

“I need to ask you this and I need you to be 100% honest with us, okay?” You nodded. “Are you suicidal?” You looked forward, unable to look at either of them.

“I-” you cleaned your throat. “Sometimes I feel their hands on me and the heat of their breath on my neck. I want it all to stop.”

“You didn’t answer her question,” Wanda said. Her small comment made you smile and chuckle softly.

“Because I don’t have an answer for you,” you answered. “I wish I did but right now I feel so dirty and mind is so dark and I don’t feel safe. I’m -”

“Stop apologizing.” Natasha cut you off. “Nothing has been your fault.” You nodded. “And thank you for being honest with us. So here is what’s going to happen,” you looked at her. “You are going to stay at the tower and be monitored by Helen.” That was fair.

“You are going to start speaking to a therapist,” Wanda added on. “Sam has found a few and you can decide which one you like.” You nodded again. “Sweetheart,” you looked at Wanda. Her green eyes matched her wife’s, glossy with tears. “You really scared us. We weren’t sure what was going to happen.”

“I’m-” you stopped yourself. “Thank you,” you said instead. “Thank you for saving.”

“I meant it,” Natasha said. “In that room, I said no matter where life takes you we will be by your side.” she ran her hand through your hair. “My firefly, you saved yourself. Time and time again, it has been you. We are here to show you how far you’ve come.” You smiled. It was a long and scary journey ahead of healing but you wanted to overcome everything you’ve been through. You weren’t a pawn but a queen and it was time to show the world who you are.

[lixie-phoria]

bf!chan comfort hours

pairing : chan x gn!reader | genre : angst to comfort | warnings : nightmares, reader has a panic attack but not explicitly mentioned | word count : 0.7k

request : hey, can i ask for a comfort/angst one-shot with skz? it could be any member

grief hits at the strangest times, sucking the breath out of your lungs and logical thoughts from your head.

grief was an old friend. grief was a toxic, manipulative, and pernicious old friend you wish you could let go off.

it was early in the morning. you were supposed to be asleep beside chan, snuggled into his side. but you weren't. you were squatted on the cold tiles of your bathroom floor, head tucked between your knees and back pressed against the hard marble. alone.

nightmares were a common occurrence. they would jar you awake almost every night, covered in a cold sweat and gasping for air. chan would help you down from them, always. he knew what to say, what to do, and how to bring you down to reality.

but this time he wasn't there.

the truth hit you like bricks.

you'd had an argument. it was silly, stupid, unnecessary. but it was terrible. he'd stormed off finally to spend the rest of the night at one of the boys' house. how you wish he hadn't. how you wish he was here.

you didn't know how long you spent trying to calm your breathing, but the sun's rays eventually filtered through the small window, and with them came chan.

you didn't hear his car pull into the driveway or the keys turning into the lock. your heart pounded against your ribs, trying to break free.

the poor boy had finally had some sense talked into him from lee know. he wanted to apologize, but he couldn't find you, and he felt his anxiety rising. you weren't in the kitchen. you weren't in your bed. you weren't on the terrace.

it didn't take him long to put two and two together and before you even realized he was home, chan was flinging open the door to the bathroom.

it startled you as you scrambled back, wide eyes staring into the concerned ones of your boyfriend.

"y/n"

the way he said your name: the tenderness, the accent, the softening of his eyes. it melted your heart.

your body acted before your mind did, and you were up in an instant and running into his embrace, the tears you had tried so hard to keep in finally falling.

he was waiting for you with open arms. he always was. he caught you, both literally and metaphorically.

"chan"

"i'm here, babe. i've got you."

it was simple. no explanations demanded. he knew you needed him, and he was more than willing to be there as he gingerly picked you up, your legs wrapping around his torso as he carried you into your shared bedroom.

the sheets were cold, but chan was warm. he was comforting. he was home.

"channie, im so sorry-"

"dont."

"but-"

"no."

his soft hands pushed your hair out of your eyes, gently wiping the tears away and pulling the blanket up to your chin.

"it wasn't your fault."

"it wasn't yours either," he assured, enveloping your trembling hands into his bigger ones.

"i was so scared you wouldn't come back. i thought you left. forever."

"never. i could never."

he slid into the sheets beside you, tucking your face into his chest and wrapping his arms around you.

"i love you, y/n. don't you ever forget that."

"i love you too, chan."

you loved how he smelled. you loved how he held you close. you loved how his chest vibrated as he hummed a tune to calm you down. you loved the kisses he was pressing against your head. you loved the circles he was drawing on your back. you loved him. you would always love him.

"you should sleep," he whispered.

"i can't. not without you."

"i'm right here, love. i will be here when you wake up, too."

"promise?"

"promise."

you snuggled closer. it had barely been one night and you had missed him so much.

"we'll talk about it once we're both well rested, yeah?"

you nodded into his shirt.

"i love you."

"i love you too."

and just like that the grasps of sleep pulled you in. but this time it was comforting. this time you had chan by your side. and you would never have it any other way.

tags : @foxinnie8 @hamburgers101 @starlostlaiba @laylasbunbunny (send an ask to be added/removed)

©lixie-phoria, 2023

[embracing-the-ineffable]

Ineffable discontinuity and the Bentley's roadtrip transformation: new back doors and other changes (after it was yellow), and Crowley... didn't notice?!*

*Also, as a side observation, did he leave the Bentley window open during the ball and everything that happened after? Why?

Have you been longing to be even more perplexed by the ineffable discontinuity of Good Omens season 2? Do you love endless data in the form of screencaps? If so, then please join me on this wild ride! Here are some highlights:

Top photos: Season 1, episode 6, after Adam reboots reality; S2e2, before Aziraphale's e3 road trip. The Bentley is a gray and black 2-tone car with 2 doors (only 1 handle is visible on each side).

And on the bottom is s2e5, while Crowley is driving, it's a solid black car with 4 doors and smaller silver hubcaps.

(edit: For those of you thinking about the different Bentley models used in s1 vs s2 (discussed in detail below), or the difference between the full car and half car set, just those three full car pictures above demonstrate that the new s2 Bentley model is NOT the reason for this mid-season shift. For more details about the half car set plus other ways to tell the Bentleys apart - without talking about color - see my newer post with handy diagrams, here.)

And the s2 interior?

Here's e1, after Crowley talks to Shax, and e3, as Aziraphale arrives in Edinburgh (which is also when the Bentley debuts as a 4-door). And look at this blocking - how both characters are posed so similarly with their backs to us in these shots!! It's so deliberate! :

And look at the seats! In e2, Crowley is talking to Shax again, and in e5, Crowley just parked the Bentley before the ball:

When Crowley, who is so tuned in that he senses the car is yellow and driving too slow even from a distance, sees the "new" Bentley in e4, he doesn't act as though anything has changed, he just happily and purposefully walks up and opens the back door that was never there to put his plants inside.

THE BACK DOOR THAT WAS NEVER THERE

For that matter, Crowley and Aziraphale both seem to be unaware of the changes! This feels like both a metaphor and a functional plot device for season 3. There's more discussion at the end of this post!

Thanks to comments and observations awhile back from @bbbitchvibbbez , I did some careful searching for s2 scenes featuring the Bentley, and this post is the labor of love and irrational obsession result!

If you want to see lots more Bentley screencaps and discussion, including Crowley nonchalantly using the new back door, and possibly also leaving the Bentley window open during the ball and everything that followed, please keep reading:

Some background and context:

Ok, so there was a different Bentley "actor" for s2. The s1 actor was a 2-door, the s2 actor is a 4-door. If you look carefully, you'll see that in s1 the backseat side windows are smaller than the front side windows. In s2, they're the same size. I talk more about the windows - with handy diagrams! - in my newer Bentley post, here.

There's also been some controversy about the interior color of the s2 Bentley, black vs brown, and how that could relate to the s2 body swap theory; here are details about that from @lonicera-caprifolium and @picturesque-about-it. I don't think my findings support (or disprove) that theory, but take a look at what I found and see what you think!

(*Please don't ask Neil about any of this, he's already given us the answers he wants to give, and he's not going to spoil the surprises in s3 now by telling us what's really going on!*)

Here's the episode/scene breakdown:

S2e1 on the street with Shax - gray, two toned, two doors (one visible door handle on a side), brown interior - both the seats and the inside panel of the door. Notice how the door is hinged at the back, and opens opposite the way most modern cars do (this is called a suicide door):

More s2e1 photos, the Bentley is in a lot of scenes this episode and as far as I can tell it stays the same gray 2-door for the whole episode, but it's frequently in dark lighting to make it harder to tell it isn't actually black (I've brightened most of these shots). It also has larger silver hubcaps, and I notice consistent brown seats (these interior pics are from three different scenes):

In s2e2, the Bentley is only in two scenes, and it's the same as s2e1. Now, you can see in the larger photo below that it's obviously not the SAME as s1 - the backseat side windows are too long - but the production team DID try to make the new Bentley "actor" look the same as in season 1. It's a gray 2-tone car with 2 doors (1 handle visible on each side) with larger silver hubcaps. As an aside, what's with the red lights on the car in this shot?? I mean, yes, it's a reflection of another car's brake lights, but why put that onscreen?

Also, in case it's relevant, Crowley is wearing his turtleneck throughout this episode, and still has the silver-sided glasses from e1:

Ok, now we have s2e3, and as Crowley meets Muriel and gives Aziraphale his car keys, we see he's no longer wearing the turtleneck, AND this is when his glasses change to black-sided ones:

Outside, we see the Bentley looks the same as the rest of s2 thus far, as Aziraphale sets off for Edinburgh. Gray 2-tone, brown interior (with window bullet hole decals very visible), with larger silver hubcaps. There's only one handle visible, so it's still meant to look like a 2-door:

Ok, here's where things start to change! Azi is driving and the Bentley is yellow. The seats might (?) be black, there's still only one door handle on the side, the silver hubcaps are still larger. But when he "changes it back", NOW it's black:

And by the time he pulls into Edinburgh, Transformation Complete. (Did Something Else Happen?? Or is this an effect of Aziraphale finally being welcome to take care of this extension of Crowley? More speculation at the end!) It's a black 4-door, two handles clearly visible on the side, with smaller silver hubcaps:

And the interior? The door panel, at least, is black now - and it has a texture that wasn't there when it was brown. Here's e1 next to e3 (and appreciate, again, this very intentional parallel blocking of the two actors!):

In s2e4, we see the Bentley in two scenes; at the beginning when Aziraphale meets Shax-as-hitchhiker, where we see the bullet holes and the black door lining, and at the end when the Bentley is reunited with Crowley:

When Aziraphale parks the Bentley back at the bookshop, we see the bullet hole decals and that it's still a black 4-door:

So he goes to meet Crowley, they come back with the plants. We can see that the camera is to the rear of the car, and the front of the car is to their left. They're standing on the left side of the car. If Crowley opens the door, we won't see the interior door panel, right? Because the Bentley doors are hinged on the back, instead of the front, so the door will open towards us:

WELL. Mx "I can feel when you drive below the speed limit" and "change it back!" Crowley very eagerly walks up to the BLACK car, greets it with some sweet baby talk, and then opens the suddenly-existing BACK door with a hinge on the front (so it opens away from us) as if this is All Perfectly Normal, and we can (barely) see the door lining and it's BLACK and textured:

A few more shots of Crowley, standing at the brand-new back door of the Bentley, still wearing those black-sided glasses:

And in case you're wondering, in s1e2 when Anathema gets a ride in the Bentley, she climbs into the backseat from the front driver door, and she climbs out through the front passenger door. There wasn't a back door on either side. Here she climbs into the Bentley, and you can see Crowley fold down the front seat, and there's clearly only one door on that side, and it's hinged at the back. (When she gets out on the passenger side, it's harder to see, but you can tell that door is also hinged at the back.) :

In s2e5, Crowley drives the Bentley to the bookshop, and then we only catch a few small glimpses of it while Aziraphale is recruiting shopkeepers to the meeting/ball. Here's Crowley driving the black 4-door Bentley with small silver hubcaps, and here he is getting out of the car with black seats. The front door is still hinged at the back, as it always has been. The window is open - his hand is reaching through to open the door - so we can't see the bullet hole decals:

The next time we see more than a hint of the Bentley, it's the end of s2e6 and Crowley is standing next to it, watching Azi leave with the Metatron. It's still black, with 4 doors and black seats and smaller hubcaps. We don't see the bullet hole decals, but perhaps the window is still open from when he parked it in e5? (And WHY would he leave the window open? Was someone supposed to come by after he parked it to deliver something to the Bentley, or take something out?) Emotional photos ahead:

I over exposed that last picture, to make the colors really easy to pick out. The seats are absolutely, definitely black.

So... what does it mean? Why did it happen, and why didn't Crowley notice or react?

I love the metaphor that Aziraphale subconsciously created a back door for - or into - Crowley, especially with all those references to the "back channels" of communication between heaven and hell. I'm thinking it could represent - or actually be - another way for them to communicate, or like another entrance to his heart; it's something that Aziraphale doesn't realize he changed or added and that Crowley hasn't noticed yet either, even if he's making use of those changes on some level. I'm sure other metaphors could also fit!

And I'm reminded of something @theeminentlyimpractical said, "Crowley, despite his whining, fully accepts the idea of "our car," which fundamentally transforms the Bentley". That post was liked by Neil, so there could definitely be something to this "our car" transformation line of thinking.

So, was the transformation a subconscious effect of Aziraphale finally being welcome by Crowley to drive the Bentley, and caring for and taking responsibility for this part of Crowley? Or did Aziraphale consciously do this, or did Crowley? Or maybe the Bentley is sentient, and it chose to be bigger/different now, to accommodate both of them. Or did the change happen in response to Something Else We Didn't See?

Is Crowley's (and Aziraphale's) apparent non-reaction another example of an unreliable narrator or some memory tampering? Is manipulation of the Book of Life involved? Are there multiple timelines? Is someone time traveling? Or is it just that Aziraphale and Crowley already discussed the changes off screen, before Aziraphale left Edinburgh?

If Crowley noticed the changes, I would have expected a comment about them. Either, "change it back!" or a reluctant, "those are changes I can live with", or... Something. But instead, the production team went to some trouble to make sure the hints are there, but hard to spot (you can review the similar, careful s1 hints about the appearance swap here, from @fuckyeahgoodomens); as opposed to, for one example, the way they very clearly pointed out Maggie's mysterious spelling mistake, both on screen and in the dialogue. So I feel reasonably certain the Bentley's transformation is a careful, subtle hint about a Secret Something Important That Will Be Revealed In Season 3. I think it's both a metaphor and a plot device*.

What are some of your favorite metaphors? Your most reasonable theories? What about some of your biggest, wildest, most improbable theories?

*And if you enjoy Good Omens metas, theories, clues, etc, I have a big pinned collection of those from the fandom, here!

[wavesoutbeingtossed]

The thing about her musings on her youth in this album is not just about the spending her “prime” years with someone who ultimately couldn’t give her what she thought they both wanted (family, but also in general sense the happiness you get when you’re young and your whole lives are ahead of you).

There’s SO much about her youth in general here, and how the demons of the past have raised and broken her. How each of these experiences have chipped away at her youth. This whole album is give me back my girlhood, it was mine first.

It’s all the things she’s talking about had are part of the same big trauma of the loss of that youth and innocence. It’s snakegate and how Kim K and her lackeys deliberately set out to destroy Taylor’s reputation for sport, which ripped out Taylor’s last few grasps of that young adulthood freedom without her consent. It’s mulling the price she’s paid for spending her entire youth in the spotlight and becoming a commodity instead of a person. It’s looking at a friend’s child and wishing she could protect them from the world the way she wishes she could have been had she known. It’s putting your trust in your first love who ripped the rug out from under you and your faith along with it. It’s spending your time pining for your younger days in the haze of unspeakable loss. It’s carving off parts of yourself as you grow up to make yourself palatable to your peers and your partners and as a result not knowing what parts of you are left. It’s revisiting a love from your past when you still had it all, and after the initial frenzy realizing its hollow. And yes, it’s pouring your heart and soul into a relationship you think is forever and with each passing year the light in the window flickering dimmer and dimmer, only to realize the light wasn’t coming from your home after all, and you may lose your chance to find it again before it’s too late and the dreams you so desperately cling to vanish for good.

And that’s what the end message I think ends up being in So High School: she’s reclaiming the land as it were. All these things that were taken from her and that she gave up are up for a redo. And it’s not rewriting the past, it’s coming to the realization that all those parts are still within her but so is the good. That the freedom she gave up when she released her first album is still found in the backseat of a boy’s car all these years later. That she’s older and wiser and battleworn but that doesn’t mean she can’t find that joy and lightness. “I feel so high school when I look at you” is kind of a loaded statement from someone who didn’t really get to go to high school (both actually and metaphorically). “Bittersweet sixteen suddenly” (love that wordplay btw) because again— she’s been through so much that the feelings of new love that make her giddy like a girl are tinged because she’s been here before and also never been here before because she was never that kid.

(There’s also a whole tangent there comparing Miss Americana and the Heartbreak Prince to So High School and how fraught the first is vs the lightness of this one.)

That’s why this isn’t just a breakup album. It’s why she dredges up 2016 and Jake and Aaron’s son and childhood and high school and any other number of things. Because she has spent her entire youth and adulthood grappling with the issues that came to roost in TTPD, and while this whole experience underscores that you can never know what’s going on with someone (least of all Taylor, a stranger to us all), I also don’t think it’s a coincidence that she has stressed how much healthier and whole she is now. That is why this whole album is a bloodletting, but it’s not just about a broken relationship. It’s about a whole belief system that has stolen girlhood from her and she’s determined to piece back together in the aftermath of the autopsy.

[luveline]

what about reader being stressed and feeling really bad due the amount of blood and how wild the murder happened in a mission and hotch comforts her?? i really love your work and i hope you write but of course it's okay if you are not comfortable with it!! though i crave some hurt/comfort right now 🥹 take care, we love you 🫶🏻🫶🏻

ty for requesting, i love u! fem!reader

You're used to depravity, but the body cannot truly desensitise itself from carnage. You shouldn't know the inside of a person like that, shouldn't be able to pinpoint gore with the accuracy of a mortician. You feel sick knowing what was supposed to be where. Enough blood to kick down the door and have it flood the hallway, stain your shoes with a permanent rust. 

You turn away from the scene, sirens and shouting white noise, and leave blood footsteps like a breadcrumb trail down the paving stones, huge slabs of white grey printed by wet soles. You're just past the red flash of the ambulances when you freeze, your legs won't carry you. You've no choice but to sit down hard in the road. 

There's just blood everywhere. No metaphor to soften the blow, no explanation. There was blood everywhere in the crime scene and it took less than ten minutes inside of it to be plastered with it too. 

Blood and cold floor. The road is cold, maybe wet, seeping into your trousers. You put your hand down and feel the dirty bite of it pressing into your palm.

Considering his duties, Hotch finds you quickly. You'd know him from presence alone, but hiding hand is familiar on your back. He crouches down behind you. 

"What's wrong?" he asks, second hand curling around your shirt. "You can't sit here. Can I help you up?" 

You manage to get to your feet by yourself. Hotch walks you to a car like you're injured, leaning you against the hood. "What's wrong?" he asks. 

You shake your head. This isn't some slasher flick where the blood is sugar syrup and everyone goes home, this is your life, that was somebody's life, and to be killed in such a violent way… nobody deserves that. Your arms twist around your stomach as your stomach twists into itself, churning. 

Hotch watches you severely. Anyone might think he was pissed with your behaviour, but he isn't like that. He's probably pissed he can't immediately fix the problem, arms crossed against his chest, the font of his SWAT vest glaringly white. He's neat and official as always, but there's blood on his shoes. 

You try to talk and it's like your lips are gummed shut, a hum with nothing intelligible as you lean forward. 

Hotch gives in. He breathes out, the barest ghost of his cologne distracting you from the smell of rust as he wraps his arms around your shoulders. You curl your fingers into the strap of his vest, quick to press your face into his side, wherever you can that's softest. 

"I know," he says quietly, his arms tightening around you. The slide of his sleeves against your shirt, the sound that it makes, feels loud as a bell. 

You hadn't realised you were shaking. Hotch tries to wring it out of you one steady stroke of his hand at a time. You can imagine his viewpoint, your feeble position on the car and the white washed crime scene behind you. They'll be setting up the flood lights and taking photographs soon enough, no bodies to lay to rest, only gore to wash away. 

"I didn't think we could save them," you confess into his shirt, ashamed.

When he replies, it's measured, as though he's thought about his response carefully in little time. "That's realistic. This case has been… heavy from the beginning." 

Heavy isn't the word he would usually choose. He's talking to you, he knows exactly how you're feeling because he knows you well, and cares about you more, if his cheek pressed to your temple is anything to go off of. "I have to go coordinate," he says, his thumb rubbing with pressure into your shoulder blade, "I'm sorry. I'll get Reid to come sit with you in the SUV… Y/N, listen to me…" Hotch leans back, meeting your eyes. "There was nothing more we could do. I'm confident that you performed to the best of your ability. This outcome– this isn't what anyone wanted, and I'm sorry we couldn't fix it this time." 

"I just don't get how you can do that to another person," you say. Why you'd want to. You're a profiler, and you know a wealth of information about what makes certain people act as they do, but you still can't empathise with the killer. It's too much; it's beyond explanation.

"That's a good thing." His hands squeeze the tops of your arms. "It is." 

You look down at his shirt collar, thinking you probably don't deserve his comforting. This is your job, and tonight you couldn't do it. "Sorry I– I freaked out. I shouldn't have walked away." 

"That's a good thing, too, in a way."

He offers you a small smile. You can't smile back, but Hotch doesn't mind, his hands falling down the lengths of your arms. His fingers tangle momentarily with yours. 

Reid comes around to sit with you when Hotch leaves. He probably wouldn't have needed telling, your friend's hand curling over your shoulder protectively.

"You okay?" he asks. 

You watch Hotch lead his jurisdiction of operations. Things aren't okay, you're far from it, but you trust that it'll get better with Hotch at the helm. Still, a bitter taste lingers. 

"They won't be," you say, nodding to the crowd of people behind the rapidly erected barricade. At the very front is someone's mom. 

"Not for a while." Spencer tries to lighten the mood, throwing you a life jacket. "You're his favourite, you know?" 

You recall the subtle strength of Hotch's arms around you, the lean length of his torso and the warmth of his breath as he'd spoken in your ear. Without trying for it, your pulse calms. Your despair dulls to an ache. 

"You think so?" you ask. 

Hotch looks in your direction, checking on you. Spencer nods. "Definitely." He has a list of interrelated BAU statistics to prove it.

[aphpuffinchild]

since it's out i can finally post my piece for @hws-anthology as well as the timelapse for it. as is arguably all my hetalia work, it's a love letter to my friend @pyrrhocorax 's fic Sendlingur og Sandlóa - i'll ramble a bit about how much it means to me, as well as the symbolism i wormed into this piece below the read more :)

i originally had two pages planned for this piece, potentially more - the fic is a good 74k words long and certainly not light on scenes i could and wanted to pull from, but various things led into other various things and one page was all i could manage, so i tried to cram in what i could, so here's that (in a rough, somewhat arbitrary order of focal points)

the opening chapter! the car is a framing device for the piece as much as it is for the journey the characters will take following that first chapter, so i wanted to use the car window/shapes as a literal framing device in my drawing

joi, shaky at best in his sense of self, sees no reflection in the window, instead there's a silhouetted raven to signify the search he must go on to find it

while not perfectly transcribed by virtue of wonky (plus an extra) line(s), the notes coming from joi's headphones are the opening to the song sendlingur og sandlóa, the fic's namesake, which a loved one kindly transposed by ear for me for the purpose of this piece

in a similar vein, the stickers on joi's suitcase are of a purple sandpiper and a ringed plover, the birds after which the song is named - here they are as transparents and in their original colours

i wanted to create a sliiight impression that joi is the one knocking over the chessboard, representing his repeated rejections of it (both physically, and the things it represents)

the chess pieces were also chosen specifically! originally i was going to use a black rook and a white pawn to match chapter 41, but for the sake of having alternating colours and the rest of my metaphors working (iirc) i swapped those colours around. that, and i wanted to match chapter 13's white king and black pawn - the black pawn stuck, the white king was colour swapped for colour cohesion reasons like the other's. (visual contrast was important to me, but the white queen blending slightly into the sky was okay for symbolism reasons) (there was also black king, white rook from chapter 3, so it all worked out anyway - there's a lot of chess in this story and i only had space for so many pieces and colours, basically)

speaking of which, the black pawn is for joi (chapter 13), the white queen is for halle (someone who, from joi's perspective, can go anywhere, vs joi's pawn, someone to be used -> see chapter 35 and perspective).

the king piece is falling (but hasn't quite fallen) between halle and henrik (chapter 3, 7, 13, though i most clearly thought of 19)

the person in the top right corner is eduard! i desperately wanted to include him because i think he's deserved it, and i considered a lot of ways of working him in, but i think an ambiguous silhouette that isn't Quite part of the main picture works better narratively

note also that he's separated from the other's through a red curtain, to represent the iron curtain (naturally) i wanted it to match ber + tino's part in some way, to sorta emphasise their similar foundations despite being split apart across places

the flowers at eduard's window are placed and chosen purposefully as well! orange/red zinnia's outside (for familial ties, steadfastness, friendship and remembrance) for what eduard puts out in to the world, then lily-of-the-valley for tino and cornflower for him inside to show what he wants to hold close :)

halle and joi are the only characters with their eyes open - halle looks towards the viewer/author/reader/joi, while joi looks away all together. if you've read the fic (which i assume you have because i can't imagine this is interested to read otherwise) you probably don't need me to explain why that reflects their roles in the story

similarly, every character apart from the brothers is turned towards another in some way (eduard does not count when his flowers do, and his role in the story is based around that disconnect partially anyway) tino towards ber and eduard (and hana, i guess), ber towards tino, henrik to halle, halle to henrik (though he looks away - his values are elsewhere even when they are together). joi, at best, looks at his own reflection in the window

the colour scheme, while arbitrarily picked from gradient maps based on what i felt "fit" has been approved by the author as being very "SoS core"

finally, the poem on the note, chapter 46

all that being said, i can and will now talk about my personal relationship with SoS, so unless that interests you i imagine the post is done now! thank you for reading :)

the first comment i posted on SoS is dated 2nd November 2016 - logging into my old account i can see i bookmarked it on the 31st August that same year, so i can safely assume i first read or at least found it then. a month after my first comment, i posted another on a different account, pouring a few bits of my heart out and the author responded! we went back and forth a bit and eventually talked (i think) via tumblr for a little, but the majority of our conversations were via skype for whatever reason (we didn't call, just texted). it was a lot of me looking for writing advice, insight to their work/process/skill, talking about The Brothers and talking about psychology/the brain on a general and personal level. i think if i read our conversations back now i'd cringe, given that i was an awkward, fumbling 16 year old, but i dont think anything else wouldve been fitting given the subject matter. eventually our conversations fizzled out and we stopped talking for years, but i'd go back to SoS routinely and cry.

in may of 2021, i posted another comment during what in hindsight was definitely another relatively minor mental health episode - i think it was half trying to emphasise how important the work was to me on the off chance pyrr saw it, and half a bid for connection since i had no idea if they even remembered us talking. i assumed nothing would come of it, and for about a year that was true - until pyrr responded after all in february of 2022 - i'm happy to say we've been talking consistently on discord since then. i feel a little weird speaking too intimately about our friendship as it is now since it's not just my story to tell (though pyrr, if you're reading this) (i'm sure you are at some point) (you're welcome to talk about it however, i just didn't want to without consulting you) but i can say with some certainty that it's at least a little bit my fault that we have a sequel now - cementing my place as official number #1 fan and validating the me from almost 8 years ago in a way i don't think either of us processes well.

it's here that i feel the need to talk about my other dear friend, @hws-lceland , who i'm grateful to have met through the zine's discord server. i'm sure they're reading this too, and a lot of what our relationship means to me is stuff that's probably a bit too vulnerable for either of us to speak publicly, but i *can* say that i love them very much, and i'm really grateful to have someone else to understand, and that he read SoS for me. i thought he needed it, and i hope i was right

sendlingur is...endlessly important to me. i'm aiming to not write an essay here (a goal i think i've already sorta shot in the foot) but i think it's important for me to talk about some of this a little loudly, all the same. my writing has changed because of the series - remeeting with pyrr and showing them some of my more recent work was interesting since it was apparent even to them the influences i'd taken (to be fair, in one section i explicitly asked and did borrow a format of theirs, but this goes beyond that). when i was 16 i asked my mum to read the fic in a desperate bid to be understood. i've cried reading the fic many, many times. i've signed off letters and poems with my switched around version of i'm sorry / thank you / i love you (i swap the first two around) many, many, many times, including in a close friend's wedding gift. SoS has very sincerely changed my definition of love. the name halle is a part of my abstract mindscape. id already considered changing my name to johannes anyway and this fic certainly didnt help. i've gained a friendship of 7 and a half years through it. i've gained another newer one now, too. i am not well. i wasn't well then, reading it, and it hasn't fixed me (i am worse, now, arguably), but it healed something, or at least made me feel understood. i could go on, and maybe sometime i will (there were so many things i wanted to include in my piece and pay homage to!), but for now i will thank anyone who took the time to read all this (again), and say that i look forward to experiencing the sequel

as always, i'm sorry, thank you, i love you