#making quest posts a thing

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 5 - I Finally Finished the 2.2 Main Quest Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 6]

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[katabay]

earlier this year I started writing a comic about the siege perilous-grail quest situation after finally finishing the didot perceval, and it started circling around kay and perceval. kay as gatekeeper, taboo anxiety vs chivalry, and perceval not doing things "correctly," arthur's enduring affection for kay. that general area. also the horror of the grail quest itself.

this is comic is part of that narrative arc, so with THAT in mind: this is an abridged scene of a longer arc revolving around kay associating camelot with a cage, perceval's associations with jewelry and knighthood and the color red, and arthur's relationship with kay.

[some other scene context: perceval has injured his hand and can't participate in the tournaments, so he's craving some kind of fight. kay is disinterested in replying to this challenge, but he's not above reminding perceval of their first meeting. it's just mean enough in a weird-intimate kind of way that perceval's like, ok so we're doing the antagonistic version of court romance rituals. he picks up hunting because kay can't leave the castle.]

on the subtext of jewelry:

Clothes Make the Man: Parzival Dressed and Undressed, M.D. Amey

on the topic of kay, gatekeeping, and taboo anxiety:

Cei and the Arthurian Legend, Linda Gowans

the whole Red Knight/Perceval Shows Up In A Dead Man's Suit Of Armor transgression-situation (which kay references through red jewelry) mentioned is told in both de Troye's and Wolfram's Perceval narratives :)

anyway! to close out all this out: the transgressions. incredible! what is camelot but a bunch of transgressions stacked on top of each other tbh.

[alimicart]

Wet dogfrin redraw

Poor sopping wet little meow meow

[kugisakiss]

I watched M27!! it was fun so here's some thoughts

[moonofmercury]

Moze is initially apprehensive about your and Jiaoqiu's relationship. Not because you're not good for him. You are. You make him smile, you make him laugh, you bring him fresh groceries when he has a hard time leaving the house, you make sure he doesn't just rot in bed all day (although you happily join him for this too). But as Moze comes to acknowledge his past, as he understands more about what it means to have people to care about and who truly care about you, he realizes how hard it is to live without people who mean so much. And if something happens to one of you, will the other survive?

It leaves Moze feeling confused. Is this jealousy? That losing one of you might mean losing you both, without care for what happens to the rest of them.

On some level, you all live dangerous lives, even if Jiaoqiu doesn't work for anyone but Feixiao anymore and diviners are fairly well guarded when they are near the battlefield. Moze knows it won't happen yet, that you are not yet so tied together, but he worries for Jiaoqiu and his fragile heart.

Moze remains his reticent self when Jiaoqiu talks about you, or when you talk about Jiaoqiu. You are undeniably good for him, and Moze can, with fond begrudging, admit Jiaoqiu is good for you too. And slowly, Moze's apprehension transforms into a more worn, tired worry touched with curiosity.

For so many years, stronger feelings have felt burned out of him. With no one to respond to his cries, they had died before they could lay half-formed in his chest. And although it is a gentle thing, the love between you and Jiaoqiu is strong enough to make Moze unsure. All he can do is keep you alive when he can. For Jiaoqiu's sake. He's not willing to let a thing like love keep you all from sharing the life you have been given.

[dailypokemoncrochet]

End of January 2025 Update

It's February now! Which means Jan-New-Ary is over and the next art challenge up is Fae-bruary! Potentially that means I'll crochet all fairy types. Woohoo!

The spreadsheet is updated up through January now. I'm at 723 total crocheted, and 19 done this past month! Wow! Started with Brambleghast, ended with Espathra. I think my favorite right now is Chien-Pao. I've been much more consistent with this than I thought I would. I've been operating with the intent of crocheting every day instead of finishing a crochet every day, which is a good way of not pushing myself too hard, and I think it's working for me.

Additionally, I added a page for the monthly art challenges on my website! Currently it has a link to the checklist and a bingo card generator for the 2025 crochet pool (haven't found a clean way to update for the ones I've done so far).

I'm working on taking the pokeamidex photos for the January pokemon, and then I'll add those to the queue which is getting pretty low. Hopefully I'll get into a better groove this upcoming month regarding organizing my stuff and setting up things and whatnot. We'll find out!

[piecesofchess]

Tartarus is still a little broken and that's Fun !

[findingschmomo]

Dragon quest xi my beloved, one day ill finish you

[ganondoodle]

Sorry ab the shitty English translations/localizations, it's bc they think that Americans won't get it otherwise (bc when we act stupid, we act REALLY stupid), our bad 💀

[r0bee]

Every time a fictional platonic relationship is made romantic out of nowhere an angel DIES. And not gently either it's a HORRIFYING, EXCRUCIATING death. Think about that the next time you're forcing a romance just bc the characters are close and not related or whatever.

[barufisher]

i finished the game last night, here are my unpolished thoughts about the final act and what i liked & didn't like. this is very long and probably incoherent lol

what i liked:

the whole final battle was awesome, i loved the combat, and i really enjoyed the huge cutscenes of everyone fighting together. i had been really disappointed earlier about the lack of a battle scene at weisshaupt a la ostagar in origins, and this definitely made up for it

i liked the suicide mission and actually getting to assign people their roles in the battle

i LOVED Solas's betrayal, that whole section in the fade prison with the statues was one of the strongest scenes in the game, i think the entire relationship between Rook and Solas is really well developed. as the player, we know Solas is manipulating them, but i think they did a good job making it so it's still believable for Rook to fall for his tricks, especially with the Blood of Arlathan quest before this. (also it's very obvious Solas is Weekes' favorite, wish they would have just stuck to him and not all that other dogshit...lol)

i liked the idea of Varric's role here, but not the execution. i'll come back to this lmao

the giant dread wolf and archdemon fight was cool as fuck. no notes. that's just classic rule of cool, baby

also i had Davrin in my party while fighting alongside Solas and i really enjoyed his banter with him and how hard he laid into Solas's ass. it was very satisfying. yippee go Davrin!

okay. now. what i didn't like (sorry not going to bother with bullet points, it's going to be longer down here lol):

while i liked the suicide mission structure, i hated how the game all but told you who to assign where. there were no stakes at all, there was no way to get it wrong unless you did so intentionally.

this also brings me to. The Choice. between Davrin and Harding. i understand the need for a "fallen hero" here, it ties into the entire theme of regret with Solas as we see in the fade prison, it was necessary for Rook to be the person "at fault" (aka directly make the choice that ends with someone getting killed) but this choice was dogshit. it also was really fucking stupid to see Harding climb up and stand atop a giant stone pillar, and then NOT use her stone magic!!! i don't hate the idea of someone dying here, but this was just a series of failed choices over and over again. we should not have pitted returning fan fave Harding against the single Black companion (who comes in late and barely even gets his own story outside of his damn pet)-- it should have been Harding (narratively satisfying, she's been here since the beginning and dies for the fight) or Lucanis (he is literally the guy taking the shot), we also shouldn't have tied all the dwarf lore revelations to a character that can just fucking die at the end, and we shouldn't have had her stand on a giant stone pillar when she has STONE MAGIC!! i knew this choice was coming but her death still caught me off guard cus i was fully expecting her to collapse that stone pillar on her, not use her stupid puny bow 😭

i think this choice is also weakened by the fact that it's THEE only choice. it's obviously an echo of the earlier Treviso and Minrathous choice, which also didn't really seem to affect much outside of potentially losing the corresponding factions (and i think Lucanis's romance gets locked out?) i saved Treviso, so i got the Treviso questline later, and i assume that you get a Minrathous specific questline with the Shadow Dragons if you save the other instead (haven't seen myself tho so i'm not sure, just guessing). but it's very easy to recover the Shadow Dragon's reputation, and the final battle takes place in Minrathous no matter what. the only way for companions to die or the battle to fail is to just straight up ignore quests. you can't lose a faction's support at all unless you intentionally try to do so. i don't even think you can lose companions at all unless you intentionally ignore their quests and place them in the wrong spot. though the game still holds your hand through the battle and basically Tells You who to put where so they survive.

and to be fair. this is true for the suicide mission in mass effect 2, but the thing is, there is so much more dialogue and variations with how you can play your character and interact with the companions and the world than there is in veilguard, it makes it feel like you do have more control over your character and the narrative, even if it's just the illusion of choice.

and then with Solas, it doesn't matter, he always ends up trapped/linked to the Fade, it just changes how he feels. (they also do this with the First Warden. i was excited for a potential variation between punching/not punching, but all it changes is his attitude when you find him later in Davrin's quest) okay.... well. is he going to return again after that post credit scene? and are they really going to write 3 (or 4, with lavellan i guess) different branching personality variations?

i think the powers that be just wanted to get rid of him in a way that would still leave the dragon age setting ultimately unaltered and open for more games in the future. especially given the secret post credits scene. which i also have an issue with. we're going to go from "it was all the Evanuris fault" to Actually, it was this secret third thing and everything we did was for nothing! AGAIN! if they want to make more dragon age games, they can just... start a new story. do they know that. (the fact they're implying Loghain was influenced by some outside force to do what he did at ostagar actually has me livid lol. leave origins alone!!!!)

anyways. now the fade prison. i have two issues, my main one being Varric. i actually started to suspect early on something was up with him, because he just sits in that damn infirmary the entire game, no interactions, barely any dialogue. i think Varric was horribly underutilized in this game, and it results in all of the emotional beats around him falling flat for me. of course, it's emotional for ME, the player, because Varric is a fan fave returning character and one of my own personal favorites. as far as i've seen in game, though... Rook has no relationship with him at all. i think this game would have been vastly improved with short playable origins that showed the two meeting and developing a relationship, and also he really really needed to have more scenes and dialogue in general. he's barely in the second half of the game, literally just sitting all by himself in that damn room, and even when he is in the cutscenes he has one single line that everyone obviously just ignores. it sucked. very disappointing finale for a really beloved character... it could have been so good if it was good....

because i DO love the idea of Solas using him to manipulate Rook (and i really like Varric and Solas's relationship & the way they contrast against each other), and also the idea of how being tricked in that way would actually affect Rook-- what's real, what's not, can they even trust what they're seeing at all anymore? especially when Solas "glitches" between Varric and Lucanis (idk if it's always him or your LI? would be cool if it's your LI, that's what i assumed) after slaying Ghilan'nain-- this could have tied in with the final romance scene. but of course the game doesn't get into any of that at all.

and now issue 2. how the fuck did Solas do that LOL. how did he switch places, how did he get out, how did it take Rook in his place when it was designed for elven gods? where are the other elven gods (did i just miss this explanation? did the other two just kill them in there)? 🤷 when did this place suddenly turn into a prison of regrets? was that Solas's presence influencing it, or did he do that intentionally for Rook? dont know! who cares. moving on...

i romanced Lucanis, and i was really disappointed with his romance. the final scene was sweet, but.... i think particularly with Lucanis you can tell so much of his story and arc ended up on the cutting room floor, it feels disjointed and as if we're missing pieces, and you can feel it in his romance, too. i also really didnt understand the "keep flirting (not a lock in) or end it now" choices that didnt feel like they did anything at all. why was i given like 3 different times to break up with him when we weren't even dating yet lmao. the romance was a bummer, of course i love the setting and the story but i go into these games expecting strong romance along with it and i was really banking on that being the highlight in this mess of a game but. alas

this also segues me back into the whole "trapped in the Fade prison" section. why was there no reunion with both your LI and everyone else? apparently Rook was in there for WEEKS!!! they hardly communicate this and Rook just reappears and jumps straight back into leading the team, no tears or questions asked about how they found them, how they got out, what everyone was thinking while they were gone... we also get a deus ex machina knife, how convenient that they did all that while i was gone and no explanation is given as to how it could possibly fool Solas, just trust us bro! 💆 i feel like trying to craft our own copy of the knife should have been something actively happening in the background throughout the entire game, and it gets finished while Rook is in the Fade. but this truly came out of nowhere lol

again i think it's obvious things were cut and rewritten and maybe this was the result of a frantic scramble to come up with something that would work, and i'll be generous and blame it on that, i guess...

when we finally get to the final confrontation with Solas, i was very excited, because again i feel like Rook and Solas's relationship is the best in the game, Solas's writing is consistent and strong, i knew this scene had to be good.... and i guess it was? but it felt so unsatisfying. i chose to fight him (my Rook would do anything to get him to shut up) and i was hoping for. an actual fight. you can do it with Mythal earlier in the game, and we already saw his giant wolf form, i was so excited. and then. no<3

okay! sure. we beat him with the power of friendship (not surprised and not even making fun of it here, it makes sense narratively, i knew some version of this was coming after the whole comparing Rook versus Solas bit in the Fade) but come onnnnn i wanted to fight the giant wolf.... sigh. i did check out the other endings as well, and it's clear the redemption ending is the "true" ending and also the best written one imo.

overall. this was a bad dragon age game. i had a lot of fun playing it though, so it's not a bad game game. the gameplay loop never got boring, i never got tired exploring or doubling back, i loved the maps, i loved the combat, and i did love the companions. but the writing is atrocious and racist. this is a horrible dragon age game. i don't know where i fall on recommending this. again, i've had a lot of fun playing and dissecting it, but i dont know that i could recommend this to dragon age fans. this would have been way more successful as a completely different fantasy game. the changes to the lore, disregarding the majority of the games that came before it, the horrible depictions of returning characters (the inquisitor and isabela were the worst offenders for me) the setting and characters feeling watered down and incomplete, the complete lack of the classic "grey morality" shtick (even if it's not always been implemented well)... idk man. bummer! it's obvious there was a cohesive vision at one point, i do think this game is a casualty of the current state of the gaming industry (i was honestly surprised it was functional on launch. not shade at bioware just in general that is rare to see now) we know EA thrashed bioware throughout development, and bioware made a lot of really bad choices, too (the racism is absolutely their doing, they made that choice back in inquisition). but we can see, particularly in the artbook, that there were good ideas & an intention to actually tie everything together and give this story the finale it deserved... but it all got lost along the way in a very ugly, chaotic development. and the game really suffers for it.

[aroaceleovaldez]

i stand by that a better, more sensible, and more intriguing plot for TSATS would have been, instead of retconning literally everything:

Bob is dead (because he was very explicitly absorbed/killed by Tartarus Himself in House of Hades, alongside Damasen), and nobody is going into Tartarus to save him. He made his sacrifice and is gone. However. Remember how the Titans, including Bob, were just kind of kicking around for several years? Particularly. On a cruise ship full of mortals. And Bob happened to be kicking around in general for an extra year versus all the other Titans. And he mythologically sometimes has a mortal demigod son who partook in the Calydonian Boar Hunt (Dryas of Calydon). Yeah.

So turns out, Bob/Iapetus leaves behind a demigod (demititan?) child. And because Nico was pretty much his only friend, he named Nico his child's godfather. And while he's not being left in charge of the child, as a son of Hades and godfather to this kid, Nico is duty-bound to fulfill Bob's last will and go find this like 2 year old to make sure they're safe. So Nico has to undertake this very unusual quest (that raises many questions, such as "demititans are a thing?" and "DOES THIS MEAN THERE'S POTENTIALLY MORE-?!" and "SHOULD WE BE CONCERNED ABOUT THIS?") and is kind of freaking out because. He's the son of Hades! He's notoriously bad with living things, and animals, and definitely small children! Even if he does find this kid and assure they're safe, he is the last person who should be undergoing any kind of quest involving even potentially having to babysit. Fortunately, his boyfriend is the human embodiment of sunshine and calmness and good vibes, and also once helped a nymph give birth, so he feels Marginally More Confident in theoretical demititan babysitting and offers to come along on this Epic Journey of Figuring Out What In Hades' Name Is Up With This Demititan Baby Business.

Proceed with wholesome epic shenanigans quest of Nico and Will scurrying around trying to locate this random OP baby while Nico has an existential crisis about the nature of his powers because he doesn't want to let Bob down! Both for Hades Kid Honor Reasons and because Bob was his friend! But what if he's destined to fail this quest just because of who he is? Because he's simply not built for hanging out with the living/mortals? And Will reassuring him that He Will Probably Not Traumatize The Weird OP Titan Baby And It'll Be Fine, and simultaneously getting a peek into the weird other life Nico leads hanging out with immortals much more than the average demigod, which Nico considers his norm. Bonus shenanigans of both of them getting caught off-guard and culture shocked from where each other's respective worlds (Nico's mostly-immortal versus Will's mostly-mortal) cross over and learning to navigate those for each other - Nico finally starting to make some mortal connections and get glimpses at modern mortal American life, and Will trying not to get his brain literally incinerated while Nico's happily casually catching up with some of his old friends who happen to be literal gods.

[a-dotrivenitupontop]

i really think the main problem with s3 and 4 of mq is how scrambled the jobs have become. like in s1 and 2 it starts out pretty simple.

ian: the head-in-the-clouds creative director with your typical weirdly spiritual man who wields power over others moments

poppy: the shut in coding genius lead engineer who longs for power and then lets it get to her head when she becomes co-creative director

david: the awkward and pathetic boss who really does not have a grip on his company

brad: the money-hungry head of monetisation

jo: the helpful yet slightly deranged assistant

rachel and dana: the overlooked testers who know they’re worth more

cw: the kooky and more than vaguely racist writer

other characters are the overworked art department head, phil. the hr head carol, who’s treated like a therapist. the mansplaining other tester who appeared for a bit, lou. and of course, autistic latina icon, maria.

it’s a typical sitcom setup. each character has a job in the Setting and that job allows the writers to explore that personality. brad works with money so his ultimate goal is a scrooge mcduck money bin. cw wrote sci fi books in the seventies so of course he’s gonna say odd things about women. poppy’s job is to sit at a computer all day, there’s no way she’s developed appropriate social skills. but then in s3 and 4 the jobs get so much weirder and jumbled?? like??

ian: co-creative director and grimpop studios. then goes back to mythic quest, then quits but finds he can’t when poppy tries to leave.

poppy: co-creative director at grimpop studios. then goes back to mythic quest, gets a boyfriend, gets pregnant, debates leaving for the netherlands.

david: still the executive producer. becomes evil for a bit then pathetic again. becomes evil again. becomes pathetic again. becomes evil again. becomes pathetic again.

brad: the janitor. then he’s invited back to be the homie. then joins dana. then fucks over dana playing poker. then he has to choose between his girlfriend who works for danas rival (who never gets mentioned again) or mythic quest. chooses mythic quest.

jo: still assistant. that’s solid. kinda. idk who she assisted in particular in s4 but she assisted. now she’s head of playpen??

rachel: decides she wants to be a writer. fails at berkeley or wherever. joins monetisation. then she becomes evil?? and defends child labor in playpen?? then mopes about it for a few days before david needs her back??

dana: randomly decides she’s the best coder of her generation because she can make a roblox game. works for ian and poppy but then makes her own studio which is owned by mythic quest. brad gambles her new game away after she’s bested by a 17yo. makes a new game.

carol: montreal gives her a job as head of diversity and inclusion (hodi). does mq have an hr department anymore?? who knows. who cares. hodi isn’t really a job that involves anything so carol spends her time fucking the old gay testers.

the old gay testers: old and gay and testers. for some reason they’re at davids meeting in telephone even though s1 rachel complained about how testers are never invited to meetings. btw what happened to the other gay testers from s3??

other characters include like 2 mins of screen time from porn addicted anthony who i think is a coder and an episode about pootie shoe. why so few side characters? because brad got as much screen time in s4 and michelle got in s1. does anyone miss michelle btw?? does anyone miss when this show had people actually working in each department??? does mythic quest have a writing department anymore???? can this show do plot line that doesn’t involve a character getting fired then coming back then quitting then joining another thing then quitting then going back to mq???? while getting completely flanderised in the process????

[chibishortdeath]

I don’t remember what I have and have not posted on here in a while— so here’s some concepts of Selena becoming a werewolf I might use for the comic if I ever am able to get around to it. :3

[angels444yuri]

all i've ever wanted in life 🥹☝🏼