#maybe it doesn’t need to make sense

[spyderschaos]

Nnnng hiccup spider-man. Should draw full desgignldkdkd

[iwritenarrativesandstuff]

I always have a soft spot for characters who have a protective streak for another out of gratitude for their kindness towards them, but Charles’ protectiveness towards Edwin really hits a particular way because it’s so so apparent that it’s specifically about wanting Edwin to feel as safe and as comfortable around him as Edwin made Charles feel in his dying moments. I’m going to shatter like glass.

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[incorrect-fnaf-quotes]

AU where after Glamrock Bonnie’s decommission/after he goes missing, Glamrock Freddy and the rest of the remaining animatronics end up being reprogrammed—or, basically, having their memories messed with.

The only change to the rest of the animatronics is that they don’t remember anything about Glamrock Bonnie. They’d know about Bonnie Bowl and small things like that—but have no idea that they all had a Bonnie.

As for Glamrock Bonnie himself, they end up having something wrong with the memories, too. Although it’s not because he was reprogrammed or anything—it’s because of the damage/the state they are in.

And with them, whether it’s a “Cassie finds them during Ruin and helps, then leaves with him” type of situation, or something different (like Gregory staying and finding him), Glam. Bon would eventually see Glam. Fred again.

Though, there’s that problem: Reprogramming for Glam Fred to literally not know who the bunny is, and Glam Bon having all of that damage.

But, despite that, both of them feel like there’s something—even just the tiniest bit—familiar about the other.

Long story short: Glam. Bon goes, the others are reprogrammed and forget them—Glam Bon’s damage causes him to forget. The two reunite, but have no idea who the other is.

[monsterfuckermilligan]

thinking about the fact that up until s15 the story always ends with older sibling killing the younger sibling, who basically was a parent to the younger sibling. it’s cain and abel. michael & lucifer. dean & sam. they all parallel the darkness & the light, who are the original siblings. however by the end of the show, michael is the only one who fulfills his ‘role’ by killing lucifer while both of their vessels (adam milligan and nick) are already dead. (michael also subsequently fills the role of chuck’s abraham and isaac, father killing his son obsession by chuck killing michael personally instead of him just being erased during the rapture like everyone else.) as for the originals, the darkness and her vessel (amara schneider) get consumed (eaten) by the light, essentially killing both the darkness and amara. and with the winchesters, dean is the one dies in the last episode while sam, aka the younger sibling, survives which means that the light is the one who survived. we know this because jack says “we’re in harmony” when asked about TD!amara, so he is referring to light/dark. but the power transfer with jack still leaves behind chuck shurley, aka the light’s former vessel, and jack says TL!chuck’s power is not his anymore, so it’s possible it’s not a full consumption, but simply another possession.

[justa-smalltown-gargoyle]

Jmart sketchy sketch because I will never not be emotional about them

[narugen]

i seriously need more narumi and mina moments because just imagine the relief mina felt when narumi joined, similar age to her and was also considered a prodigy in the force.

to have someone to share the burden of the defence force’s future with must’ve felt so freeing. because before he joined it was just her, age 18, being told that she was going to change kaiju extermination with her exceptional synergy with firearms. and she was so, so scared.

narumi doesn’t have the kind of skills or talent for long range combat like she does, but he’s also a top candidate (despite his behavioural issues- which aren’t much of a hinderance anyway) and mina doesn’t have to carry the burden of the future alone anymore

(although she’d never admit, given she probably views narumi as someone completely shocking i just think it’s so funny how she stood there like O_O when she first saw him)

like i LOVE seeing the contrast. mina who was sent onto the battlefield for the first time and was deathly afraid vs narumi who was sent out and immediately took action because that’s how he always lived (fighting)

and now they’re the top two strongest captains in the force and they will be the ones to lead the new generation..

[fluffypotatey]

*puts on my Professor glasses* Macky really knows EXACTLY how to talk to Wukong, let's dissect it! M: Looks like things are going smoothly. W: I say, you've been here the whole time, haven't you? M: FFM is your home, but it's also mine. W: Did you find anything? M: Still nothing, however. Now the Jade Emperor is no longer present. The Celestial Realm already gives me an unsettling feeling. M: Wukong...that kid. W: I understand. M: You have to go and talk to him. W: I know! But...he still isn't ready. M: I see. You're the one who isn't ready, yet. How did you even become a teacher! M: He has to be. We all have to be realistic. W: He's just a kid. We can't let him... M: Who says he's just a kid! Why is it him? When you chose him, did you know? W: I didn't know, I really didn't know! I just followed...a feeling. M: Are you not the least bit worried?! This child has all of your special powers, and he always runs into trouble. Have you never questioned this before? Not a single person knows where he came from. Is it not strange?! M: We still have no clue as to whoever let out Azure Lion. All your old foes returned in one swoop. Are you not even a little- W: Then what about you? You also suddenly came back. M: Argh- M: I say, someone must be manipulating us behind our backs. Especially Xiaotian. But they still haven't succeeded. W: Then tell me. What about you? M: Tell me do you want my help or not?! / W: Not long ago you were still against me! / M: I see, you're just a- / W: ...after I assume you'll teach me how to train my own disciples? ~ Xiaotian Interupts ~ M: Look. That kid has made you his idol. You're his one true hero, but you... W: But I what? M: He has to understand, he doesn't need to carry these burdens. You have to do better. You can really tell whose the chatty one in this relationship XD Wukong might be a lil annoyed, but he's tolerant. And Macky is a little playful turd as always. Where Wukong gets gloomy and concerned, Mac swaps between teasing and serious in a blink. Then things get a lot more strained and tense, but unlike their previous fights, it never escalates into violence. Never a growl, never a raised fist. They're right at the edge, and they drop it. I'm very much interested in the psychology of arguments and when it comes to people latching onto (1) thing a person says and relating it slightly off topic to avoid talking about that other thing, like Wukong is doing here. It's so cool seeing how physical they are in trying to visibly control their emotions around each other, and how they keep trying to hold themselves back from tearing in further, always pausing and halting, and switching to another thing. They're TRYING. Ugh. I think Mac was trying to give a comforting smile at the end, but it's kinda warped by the whole ~ everything else. ~ Anyhow, I like how this starts with Wukong establishing, or rather cementing to Macaque that he believes MK is a kid. And while Macaque argues against that, he did also say before that Wukong should talk to him. And they have their squabble, with Mac pushing Wukong's buttons to get him to say something, BUT the fact this gets resolved with he needs to understand he doesn't need to carry these burdens. YOU HAVE TO DO BETTER. Like of all things Mac could have chosen. He's playing right into what Wukong himself believes, that will overwrite the "MK isn't ready" thing. Because let's face it. Mac is right when he says Wukong also isn't ready for that talk yet. He's so down throughout all this, Wukong probably feels himself that he needs to be better. AND by appealing to the fact MK is a kid, without explicitly stating that, just a statement that cannot be denied, BUT is a subject that undoubtedly, even Wukong cannot avoid. Because he wants better for MK. For him to not walk down the same path as him. Macaque has basically nudged Wukong into having that talk he wanted with MK by reframing it differently from what Wukong wasn't ready for. Thoughts? Critique?

*squishes you* anon…anon, you’re telling me..that this was the actual dialogue between SWK and Macky in 5x01. that what i just read is the translated version of the Mandarin dub. correct?

ok ok cool. i’m cool. gucci. feeling fantastic lemme just

WHAT THE FUCK LMK

ok so i ranted in the tags but realized i forgot to say more things (also i was worried i’d exceed the tag limit bc that is a real thing what do you know!)

so, anon, you said Macky knows how to talk to Wukong and yeah agreed but for me it’s for of the sense of “Macky knows how to get his words under Wukong’s skin”

he knows how to let his words sink in and fester in Wukong’s mind, making him reconsider things or another to help speed up certain decisions or choices Wukong is hesitating on. and ain’t it fascinating how despite how long it’s been since either character have talked or interacted with each other, they still know the ins and outs of their behavior and thoughts.

Macky knows Wukong needs to talk to MK but is holding back. Macky after one answer from Wukong realizes that it’s Wukong who isn’t ready for that conversation and switches tactics to try and breach that mental block

Wukong, in a need to avoid the conversation, brings up the questions surrounding Macky’s reason for even being alive again because that is information neither have talked about and oh hey! Macky is avoiding that conversation too! and it’s an important one to have so he pushes for it, but Macky knows it’s being pushed to avoid their original discussion and is annoyed bc “classic Wukong, never wanting to delve too deep into topics where he’ll need to be vulnerable for” (especially when said vulnerability is with his newly re-allied ex friend Macaroni himself)

god i love them

[depressedhatakekakashi]

I’ve seen a lot of characters who fit into the ‘grumpy/closed off’ role associated with hating sweets by fandom

And i don’t get it cuz we have one canon character who hates sweets (Kakashi) but he’s also one of the biggest dorks

Nothing states Sasuke hates sweets

Or that Gaara hates sweets

In fact, i think we should headcanon them as loving sweets because they deserve some lil treats. Gaara going out for the first time with his siblings and getting a sweet little treat in Suna that he has never had before, and finding he loves it because it tastes good but also this is one of his first genuinely good memories

[since-times-long-forgotten]

and the stars curled around them

[vamphorica]

i would like a little group of people that i can talk to about death note and writing... please.

[morphean42]

Okay this may be my hottest take ever but I… bear with me… dislike how popular Ineffable Husbands is. Let me explain. Good Omens has been an incredibly important book for me since the first time I opened it at 11 years old. It’s shaped everything from my writing style to my views on society and the world. It’s safe to say I’ve read this book 8 times at least.

Season 1, also very dear to me. I loved seeing these characters on screen and although some parts were different or cut, everyone worked so hard in their roles that it brought the book to life.

Now, here’s where I get lost. Good Omens is a story about the end of the world, and while yes its “main” characters are an angel and a demon who are very fond of the world and each other, the simple fact is that they aren’t what’s important about the story. They are fun and deep and amazing characters, but so are The Them, and Anathema and Newt, and Agnes Nutter, and Shadwell and Madam Tracy, and Warlock, and the four horsemen (and other four horsemen)/ bikers of the apocalypse, and that one televangelist that lives rent free in my head, and that guy who sees the trees take over the city and R. P. Tyler and everyone else.

They make the story. They are the humans— sans the four bikers—, and this gets lost in the fandom and, dare I say it, season two. I will say right now that I adore season 2, it’s what I’ve waited 4 years for and I would never ever criticize Neil Gaiman as I am definitely not qualified enough for that.

But.

Season 2 makes it all about Aziraphale and Crowley. It loses the message of the book and becomes almost a sort of rom com (for all our yelling and heartbreak and accusations of liar, Neil was right. It is quiet, gentle, and romantic). This is not inherently bad at all, but to me, it’s not Good Omens. It’s not the same. Crowley and Aziraphale were never my favorites, they were never where the meat of the story is at, so that’s where my point comes from I guess.

I am so glad we have representation like them. Middle aged queer people who have god knows what gender fuckery going on. But, sometimes I wish we talked about anything other than them. I wish I could find thoughtful analysis and writing and art just about the book (and even the show) that wasn’t simply “Crowley and Azirapahle aren’t together and they’re sad but then they are and now they’re happy.”

I don’t want anyone to read this and think I don’t like the ship, I love it, it was my first ship. But, sometimes, I just wish Good Omens hadn’t turned into a romance. I wish it was still the delightfully funny and childishly dark story that made me think, for the first time, writing was something I wanted to do. Because it was more than just a story, it was an idea.

TLDR: I love Ineffable Husbands, but I wish the fandom could talk about literally anything else for a change

[hdmiports]

jordy in something that’s not blue :)

[lumiilys]

What if I just rambled in the tags rn?

[male-duckk]

thinking abt joe/carlos

[cream-and-tea]

pallas in book one is definitely at it-cannot-possibly-get-worse-than-this ABSOLUTE rock bottom but god. there is such a specific flavour to their despair in book two that only happens because of the realization they have at the end of lay me down. like. how do you move on after admitting that everything you believed in was a lie. how do you live with what you’ve done (with what has been done to you). is it possible to pull yourself up out of the pit you’ve dug. what do you do if it isn’t. what do you do if it IS. and once you look at the damage how do you stop looking. past the first layer of hurt there’s just more and more hurt and you were used by the one person who was supposed to keep you safe to cause even MORE pain and no matter how deep you go none of it means anything! it never meant anything at all!! motherfucker your worst sin is that you have destroyed and betrayed yourself for NOTHING!!!!!!!!!!!!!!!!