#maybe it doesn’t need to make sense

[spyderschaos]

Nnnng hiccup spider-man. Should draw full desgignldkdkd

[iwritenarrativesandstuff]

I always have a soft spot for characters who have a protective streak for another out of gratitude for their kindness towards them, but Charles’ protectiveness towards Edwin really hits a particular way because it’s so so apparent that it’s specifically about wanting Edwin to feel as safe and as comfortable around him as Edwin made Charles feel in his dying moments. I’m going to shatter like glass.

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[coern-art-very-cool-and-nice]

the boy in the spotlight versus the girl in the mirror

edit: made a part 2

unshaded version

[malenjoyer]

I just had a passing thought about my own stuff from an outsider POV. I wondered if anyone who’s not a huge fan of dick questions why Dick Grayson in most of the stuff I post…

Why all of a sudden Dick Grayson is the bus driver- because I hired him!!! I want to see him! I’m gonna put him in everything!

[myokk]

WIP🙏

someone please stop me from starting new things and FINISH SOMETHING🫠

Sebastian Sallow is not as she remembered.

There’s something…unkempt about him. Feral. Unhinged. Uncontrolled. She feels absolutely ridiculous thinking it, of course, could never confide in anyone about what she’s noticed.

Everyone knows she hates Sebastian Sallow and shouldn’t be noticing anything about him. But…when they’ve been partnered up for their NEWT Arithmancy class and are forced to spend time with each other, there are things she cannot help but see. Because of proximity, of course.

As she glances over to him, all she can think of is how his hair is more tousled than usual, a strange, feverish flush spread across already ruddy-freckled cheeks, his normally pristine uniform wrinkled and the top buttons undone. She is used to hating him from afar; their previous years at Hogwarts have been spent glaring at each other across the Great Hall, fighting to be the first to answer questions in class, him purposely antagonizing her and going out of his way to make sure she’s annoyed by his presence and…

Well.

In the short first month of their seventh year (arriving to Hogwarts without his sister), so far he has been avoiding her. Avoiding everyone, really. More reclusive, less of his magnetic and commanding presence that demands that people pay attention to him. As much as she thought she would rejoice the day he stopped bothering her, it is rather disconcerting.

He looks over at her, catches her staring at him, and his glazed-over-glossy eyes flash in fury.

[0m3n-0f-d3ath]

Kat the knight

Pleading her allegiance

[clumsypuppy]

A creature I got attached to

[rosy-crow]

On one hand, I need to calm the fuck down about Sephiroth and stop giving into Twitter to debate lore. I KNOW I’m better than this lmao.

On the other hand, I see people genuinely angry about “how Crisis Core ruined Sephiroth by killing part of his agency through Genesis,” and “how having friends made him less cool,” and “how all the Compilation is humanizing him too much and taking away his mystery,” and “how he went evil for no reason,” and “how he was always an asshole that saw himself as superior to others and only broke down because he found out he wasn’t all that.”

I see unironic worship of “canon” traits he has that apparently mark him as a perverted alpha daddy dom sex god instead of the actual raging, delusional murderer with a loathing for all life he becomes for a reeeeeeeally key and important reason.

I see remarks like “I hate how First Soldier is ruining my favorite character and taking away more of his agency,” when said “favorite character” is Sephiroth’s most surface-level traits as a villain with no further depth and he has to be cool and perfect 100% of the time or else he isn’t Sephiroth anymore and he’s suddenly “badly written.”

That’s not the same character.

Yes, I know.

Why am I mad that one of the most beautifully designed and canonically objectified and powerfully portrayed and sensually voiced and thirstily fawned over characters in video game history is being reduced to singular traits???

I don’t know.

How can I demand the luxury of rage when faced with such odds.

What did I expect.

Yeah, this one’s on me.

[lokijiro]

John thinking Lestrade filmed Sherlock on his phone in ASIB :

What if Mycroft called Lestrade to ask him what state Sherlock was in after being drugged (as he would be too busy to visit him himself until the following morning)? Lestrade told him that he was incoherent but seemed all right, but Mycroft asked for a more precise description, so he decided to just film Sherlock and send the video to his worried big brother.

[driftingballoons]

It’s tough being designated as a “parasite”

[mymoonss]

don’t be mean

don’t be mean

don’t be mean

don’t be mean

don’t be mean

[wickmitz]

you know rereading the comic got me thinking and i feel ur the best person for this. im very intrigued by mitzi and asa's dynamic pre, during, AND post atlas. i really wish we saw more of what happened before atlas' passing bc mitzi herself said asa used to be so nice to her and i'm just like YO WHAT HAPPENED anyways hi hello love ur blog

hi! i’m flattered you love my blog! and even more so by the fact you think i’m the best person to go to for this question! i’ve briefly talked about mitzi and asa before when analyzing the lunch scene in my long analysis for mitzi’s and wick’s relationship, where i said this on the matter :

to touch upon asa’s treatment of mitzi, even from as early as the phone call we see that mitzi is forced to have a conversation with asa on his terms rather than her own terms. mitzi sets out with a clear goal in mind -- learning why asa sweet would attack the lackadaisy in the way that he did -- and she's repeatedly talked over and threatened, with her questions remaining unanswered. it’s very clear very quickly that asa doesn’t respect mitzi nor view her as someone worthy of his time like atlas was, and almost appears to approach her in a misogynistic manner. he demeans something as simple as her ukulele as a ‘teeny little guitar’ and acts as though mitzi’s tears would be bothersome to him, some sort of burden he’d be forced to deal with rather than a valid emotional response to threats, degradation, and the likes. while asa is by no means wrong with some of his observations, he’s certainly rude and uncaring with how he goes about it. when he tells mitzi that he’s here to suggest that she step down, because he so generously has her interests in mind, she doesn’t buy it ; once again bringing up last nights events, where asa willingly armed the pig farmers with the lackadaisy’s arsenal and sent them over her way without so much as a warning. asa dismisses this coldly, once again dodging any fault and claiming it was ‘happenstance’ and entirely mitzi’s own doing. even now, when he’s actively threatening her and making it clear they won’t stay friendly if she keeps trying to make it in this business, he still won’t fully admit to any sort of responsibility for the disastrous night he helped put her through. while this seems rather typical of asa given his disrespectful streak ( something even mordecai, as valued and as useful as he is, suffers because of ) it’s worth noting that this side of him is new to mitzi and not one she was at all expecting. she even says as much here, in heartstrings.

we also know that mitzi only met atlas due to her performing at the marigold speakeasy first, and it’s likely asa was rather present in her life due to his bond with her now husband. asa even admits that mitzi may be confused because they’ve ’managed a friendly coexistence for so long,’ once again hammering home this idea that up until this point, asa was indeed kind to mitzi, or at the very least cordial. but with atlas out of the picture and mitzi trying to take his position, suddenly asa is more than okay with getting her killed or taking all she has left -- even his plan is nothing short of apathetic and cold, an afterthought, expecting her to give up something important to her and only offering a one time offer to play at the marigold room ‘sometime’ with that ‘old band of hers.’ what’s important here is that mitzi is ruthlessly betrayed by a man who used to like her and is treated as a lesser thing due to his view that she’s too incompetent to run a rumrunning business. he also brings up atlas to, in mitzi’s eyes, ‘intimidate ( her ) into agreeing with him,’ and towards the end of the lunch, she looks particularly kicked and undoubtedly hurt. she leaves this meeting that could’ve stayed a phone call with a potential enemy made and with the world on her shoulders, now more determined than ever to be someone people like asa would be forced to respect. instead of being dissuaded, she’s been encouraged, and it’s not hard to realize why.

so, i suppose those are my very brief thoughts about them post atlas! but as for pre and during, i don’t think there was ever anything really there outside of peaceful coexistence. as atlas’s wife, mitzi garnered respect she probably never had before as a traveling musician! asa wouldn’t dare insult her or belittle her once she became atlas’s wife and probably felt no need to do so in the first place. especially since, after all, asa’s the reason atlas found mitzi at all, back when she played for the marigold room where i assume she was treated well enough given asa’s rather friendly mask. he’s a jokester! he’s well meaning and goofy, always smiling and his eyes permanently upturned looking due to the patterns on his face … mitzi wouldn’t ever really see the asa that many other people deal with, and even when comparing asa to her rather quiet and eeire husband, well, he’d still seem leagues impressionable by default. asa purposely acts like he’s approachable and harmless, and while mitzi definitely knew he wasn’t some angel, i do think she fell for that mask more than she’d like to admit.

how i’ve always viewed their relationship is that the very nature of it was dictated by atlas may simply existing and owning her. his mere interest in mitzi was something phenomenal, and by default, something people had to respect. asa sweet was kind to her because she likely didn’t linger in the marigold room for too long before atlas snatched her up. he’s then very cordial to her, probably armed with compliments and generous gestures of interest because she’s atlas’s wife and asa can respect that role wholeheartedly. it’s only when atlas is removed and mitzi begins putting her paws where they ‘don’t belong’ that asa seems to drop the ruse, because there’s no need to keep it up anymore. even though mitzi isn’t harming anyone and hasn’t tried to step on asa’s toes once, he still steals from her and puts her in danger without care -- not once burdened by any real guilt as he continues to threaten her when she doesn’t back down immediately. with how clinical the removal of affection is here ( because even mordecai hasn’t managed to remove viktor, mitzi, or ivy in such a careful or ruthless way despite his awful actions and words ) i find it hard to believe he ever truly cared for mitzi as an individual person outside of atlas. the way he so casually oozes disrespect and belittles her without blinking an eye is … interesting!

all of this is to say that i don’t think asa and mitzi were ever personally close. they probably never knew each other deeply nor made any real steps to try. they’d see each other because asa had a habit of appearing in the lackadaisy just as much as atlas had the habit of being at the marigold room, and so they’d greet each other and asa would be excessively kind in that bumbling fool way he keenly presents himself and mitzi would be pleased by his presence. very simple ‘this is my friend’s wife’ vibes and nothing more. i doubt asa would even be interested in cozying up to mitzi due to atlas’s implied possessive behavior lol … but it was kindness and it was caring to an extent. it just wasn’t as deep or loyal as mitzi might’ve hoped it would be.

[the-sun-and-the-sea]

I was just on the THG subreddit and it seems like some people think that Four’s only victors were Mags, Finnick, and Annie

[justa-smalltown-gargoyle]

Jmart sketchy sketch because I will never not be emotional about them

[iknowwhereyousleepatnight]

ok i think if i made a canterlot wedding to be death note then twilight would have to be matsuda ?