#maybe my art just isn't that appealing...

[gamebunny-advance]

Well...

I decided to check on the celebration poll since it's not getting any more votes, and the results are mostly neutral so...

I guess we're probably not gonna do it this time, UoU

Well, thanks for the support nonetheless~ I guess the best thing I can do is just continue doing whatever brought y'all here in the first place, so I hope to continue making things that'll still make y'all a little happy.

[kirby-the-gorb]

[mako-island-moon-pool]

Personally of the belief that live action fans who go onto animanga posts uninvited like 'I DESPERATELY NEED YOU TO KNOW THAT I THINK THE ART STYLE IS UGLY EVEN THO THIS OPINION IS IRRELEVANT TO THE POST' should be hit with a big rock. We already moved past this ten years ago, get with it or get lost. Swallow the hunger inside of you that demands everything be palatable to you. Maybe you could stand to be a little uncomfortable for a while

[welcometogrouchland]

I'm a simple woman. I start one elaborate comic. I finish it (maybe). I start a new elaborate comic. I finish it (maybe). I sta

[1000sunnygo]

Law's artist side isn't talked about enough, so here's a smooth brain ramble.

He prefers abstract arts over realism. Unlike Kid who forms animal or skull figures with metals, Law creates strange 'sculptures' with his victim's bodies/belongings:

And, of course, the tattoos.

I like how all of his tattoos accentuate the shapes of his torso and arms, especially the joints and muscles. Combined they look like a single stylized drawing of human upper torso.

Seen theories that the tribal style could be a lost trend from Flevance (as seen on the arm of a miner in his flashback), but it could just be his personal style. That said, his upper arm's heart tattoos look similar.

(Something that artists probably noticed long ago but I'm only noticing recently: Law's upper arm's tattoos have been simplified over time. There used to be two spiral-like protrusions, but Oda has been omitting them in later arts)

The "DEATH" tattoos have a straightforward message. According to the Law novel, these were his first tattoos.

Speaking of death, ghosts and spirituality have been implicitly a theme for Law, especially during Dressrosa. Doflamingo referred to Law as Cora's 'vengeful ghost'. Law's (cursed) sword Kikoku's name means 'wailings of a restless ghost". Ironically, Law having a hidden name was also a tradition that related to dead people.

The orange jolly roger (red in the sail) could be many things, I think it's a stylized way of drawing the sun.

Sun symbols are everywhere in the One Piece world. Law's lower arm tattoos are different types of 'suns'. Law might've subconsciously carried those symbols from his hometown for their aesthetic appeal.

The tattoos on the back of his hands reminded me of the church lady's cross, which is slightly different from the cross seen at Kuma's church. It's possible that various faiths in One Piece world are interconnected, leading to a prophecy about the sun god and Dawn. Law, at the very least, believes in the will of D and his own fate being tied to a purpose.

The chest tattoo, clearly a tribute to Corazon, could have some elements of catholicism. Kikoku also has crosses all over its sheath. Originally this wasn't my observation, but Law seeing Cora as a sacred being makes a lot of sense.

Carving a heart at the dead center of his chest by creating small wounds - the process itself reminds of Cora doesn't it

The custom-made Dressrosa coat is another tribute to Corazon, but IMHO he designed it specifically for Doflamingo, as a mockery.

A cross and circle like dangling a pistol target for Doflamingo's shooting practice, with a grinning face copied from Doflamingo's own jolly roger, but it's Corazon. Like his brother has returned to face his pistol again. A vengeful ghost indeed

And boy did it work...

Doflamingo shot it until the mark was completely drenched and unrecognizable.

Assuming he draws for all of his clothes himself, here's this masterpiece:

Or maybe it's gifted by his crew mates. Either way, it's adorable.

Since he's a surgeon (and a comic nerd), he should be skilled at drawing human anatomy. How does he draw realistic arts? Does he doodle while taking notes?

We've seen his handwriting in punk hazard arc and it wasn't particularly stylized. Regardless, it'd be nice to take a proper peek at his notebook.

[howtofightwrite]

Most traditional boxing instructors will tell you that if the opponent is taller than you, has longer arms than you, or is heavier than you, you're fucked and you need to stay extremely aware and work really hard to compensate for all the advantage he has over you.

In a recent forensic survey, it was determined that most traditional boxing instructors who get into real world altercations die when they're shot in the head.

This is the problem with a lot of these kinds of arguments. No one practices traditional boxing. At least, no one does so publicly. How do I know this? Because traditionally boxers fought in the nude. Yeah, we're not seeing that, are we? Now, maybe they meant bare knuckle boxing, but really no one does that either, these days. Boxing without safety equipment is not a particularly good idea, for fairly obvious reasons.

The only reason the word, “traditional,” is in the ask is to lend their statement unearned credibility. It's an attempt to make their statement sound more authoritative, without offering any evidence to support the statement.

Who said that?

“Traditional people did.”

Okay, but, 'traditionally,' people cleaned shit off their ass with a stick. So, maybe appealing to Hellenic sports isn't the best gauge of how a fight will play out.

Also, I know I just said it, but, who are these authoritative sports guys? Because they're not named. We're simply told, “most,” of them agree. Which starts to sound a lot like “four out of five dentists agree.” Who are these instructors? What do they teach? Why are the currently in prison for indecent exposure? And how much did you pay them to get their uninformed opinion? Salient questions which may need to be answered, if the original question wasn't invalid on its face.

Why do I say it's invalid?

Because boxing isn't fighting.

Boxing is a sport.

Boxing has rules.

Kick your opponent in the groin, or shin, and you're punished.

Step on their foot, push them, and watch them tumble to the ground before you start stomping on them, and you'll be punished.

Throwing your opponent will be punished.

And of course, as mentioned at the top, pulling out a gun and expanding your opponent's mental horizons is extremely frowned upon.

These are all things that can happen in a real fight.

These are all things that do not benefit from increased height or reach.

There is one genuinely accurate statement. In a fight, you do need to be very aware of what's going on around you. Everything else is the product of someone who's been punched in the head repeatedly until the CTEs got them thinking that boxing is analogous to a real fight in any way. (And, statistically, will probably end their career sitting in a jail cell over an aggravated assault charge, because their emotional self-control was completely destroyed by those same head injuries.)

The rules that boxers need to follow are designed to (somewhat) protect the participants. It reduces the dangers of a boxer being killed in the ring. In an observation that I would hope to be self-evident, those rules don't exist in actual combat.

It's also amusing, because the original Asker had to go so far as to single out an ill-defined, “traditional” boxing, because no other martial art they checked gave them the soundbite they wanted.

And, of course, women box. Historically, you could say, “traditionally,” there were even boxing matches between men and women. It wasn't until the 1880s that women were excluded from competitive boxing in the UK. (I'm not sure of the exact date when women were banned from boxing in the US, though that prohibition lasted for less than a century, before the modern return of women to the sport.)

So, either these “traditional instructors” don't know the history of their own sport... which doesn't sound particularly “traditional” to me, or they're full of shit.

My advice to everyone would be, maybe, don't take the advice of a sports coach about how he's secretly an absolute badass in all the delusional fantasies he's cooked up about how he'd like to inflict violence on others because they wouldn't date him.

-Starke

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[p4p1l0nn]

lover boy.

pairing: mark x fem!reader

content warning: 18+, slight choking, slight clit play, perv!mark

a/n: just spicing things up a bit ;)

it's not uncommon to find you strolling around the house without a bra. one might say it's your signature at-home fashion statement. no underwire, no problem — just the laid back charm of embracing the freedom within your own four walls.

today is no exception. no fuss, no worries. you continue being authentically you, leisurely walking through the shared space in your braless glory. the sunlight gently filters through the curtains, casting a warm glow on your carefree silhouette.

unfinished chores turn into a kind of impromptu dance, a relaxed ballet as you effortlessly float from room to room. mark, usually used to your chilled-out vibe, starts picking up on the subtleties of your unbridled ease. the way your laughter rings out freely while folding laundry and those random spins in the kitchen while whipping up something tasty.

mark, being mark, can't help but sneak a few glances. there's a subtle change in his demeanor, like a light bulb flicking on in his brain. he's starting to see the beauty in your straightforward comfort. you're not even trying, but in his eyes, you're creating a mosaic of everyday moments that radiate a surprising charm.

in the kitchen, you wield utensils like a culinary wizard, the smell of your cooking wafting through the air. the familiar clatter of pans becomes a rhythm that mark finds himself vibing to, caught up in the symphony of domesticity.

you reach for spices on a high shelf, and mark can't help but appreciate the natural flow of your movements. in his head, he's mumbling, “damn, who knew grabbing spices could look so . . .” he shakes off the thought, not wanting to sound too much like a pervert.

mark, while watching you, says with a chuckle, “you've got this whole domestic goddess thing down, huh?”

you grin, “well, someone's gotta keep this place from turning into chaos.”

and there it is. your simple response does something to him. maybe it's the soft sigh escaping your lips, a sigh of satisfaction from all the hard work you put into cooking. he can't quite put his finger on it, but he's sure there's just something about you looking so small in his shirt. the right side slips off your shoulder, exposing your collarbones.

mark can't help but let his mind wander into more perverted territories. “well, isn't this a delicious sight? i'm not just talking about the food,” he mumbles, a sly grin playing on his lips.

you glance over at him, catching the mischievous glint in his eyes. “what's that look for?”

mark, with a smirk, replies, “just admiring the view. you, in my shirt, cooking up a storm. it's like a feast for the senses.”

you roll your eyes playfully, “feast for the senses? mark, you're being ridiculous.”

mark chuckles, “ridiculously accurate, you mean.”

as you continue with your culinary magic, mark keeps his thoughts going. “i must say, this kitchen has never looked so appealing. or maybe it's just you. hard to tell.”

you blush, trying to play it cool, “stop talking nonsense, mark.”

mark grins, “nonsense? i call it appreciating art when i see it.”

“you're getting all shy now?” mark smirks, strolling into the kitchen when you don't immediately respond. up close, he sees you wearing a tiny short underneath that oversized cloth of his. he shifts slightly to the side, aiming for a better look at your face.

as he takes in the sight, he notices beads of sweat forming on your forehead, some hair sticking to your face. but to mark, you look hot. really hot. he licks his lips involuntarily.

you, on the other hand, glance at him with a mixture of shyness and amusement. “mark, can you not right now? i'm trying to cook here.”

mark grins, unabashed. “is it just me, or is it getting hotter in here?”

you shake your head, laughing off his perverted remarks. “stop exaggerating. it's just the kitchen, mark.”

mark leans against the counter, still eyeing you appreciatively. “well, the kitchen's never been this . . . steamy before.”

you playfully toss a piece of lettuce at him. “quit it, or you won't get any of this deliciousness.”

mark catches the lettuce mid-air, winking at you. “i can always settle for a different kind of feast, you know.”

rolling your eyes at mark's lingering gaze, you dismiss his comments and focus on the simmering pots on the stove. the aroma of the food intensifies, signaling that your cooking creation is nearing completion. you decide it's time to enlist mark's help in setting the table.

“mark, can you set the table, please? the food's almost ready,” you request, gesturing toward the dining area.

mark, being the pervert he is, can't resist turning the innocent request into something more. “gosh, i love it when you beg,” he says with a sly grin, his gaze locking onto yours as if daring you to react.

you shoot him a playful glare, not entirely surprised by his antics. “i'm not begging.”

but mark, persistent in his teasing, takes a moment to look at your face before slowly saying, “beg again, baby.”

you feel a sudden rush of shyness, caught off guard by the unexpected turn in the conversation. “mark, seriously? just set the table,” you mumble, trying to hide the flush creeping up your cheeks.

“but i can't move, baby,” mark said, his voice carrying a deep groan. surprised by his boldness, you turn to look at him, only to find him palming himself and squeezing his bulge while letting out a content sigh.

it stirs your mind a bit, but you decide to play it cool and pay no attention to his provocative display. closing the stove, you tiptoe to retrieve the plates from the cabinet. unbeknownst to you, mark takes a discreet peek from below, his gaze lingering on the exposed skin as your shirt rides up.

“seriously?” you call out to his actions.

he smirks, acting innocent. “what? just admiring the view from down here.”

mark quickly discards his hand, offering to take the plates, citing your difficulty in reaching them. you appreciate his seemingly helpful gesture, and he sports a sheepish grin.

“sorry about that earlier,” he says casually as he reaches for the plates.

you nod, still focused on other preparations. “just get the plates, please.”

with a sly grin, he seizes the opportunity to grind his hard dick against you as he retrieves the plates. your gasp reveals your surprise, and mark, the mischievous charmer, continues his playful tease.

“oops, my bad again,” he says, feigning innocence.

you catch onto his mischievous intentions, deciding to play the game too. before he can even grab the plates, you grind your ass directly into his bulge, earning a deep, low groan from mark. in response, he tightly grips your hips.

“careful there, princess.” mark says in a seductive tone, his voice laced in desire.

“you wanted this, so i'm giving it to you,” you reply, maintaining a playful tone. mark stays quiet, leaning in with a dangerous proximity. his lips hover dangerously close to your ear, and he nibbles.

mark smirks, his warm breath sending shivers down your spine. “giving it to me, huh? careful what you wish for, princess.”

you roll your eyes, challenging him, “oh, i can handle it, mark. can you?”

mark, undeterred, whispers, “i guess we're about to find out.”

without a warning, he slipped his hand into your shorts, his touch sending an electric thrill through your body. a gasp escapes your lips, caught off guard by the sudden bold move.

his cheek presses to yours as he said, “now, let's see how far you're willing to go.”

the proximity intensifies the already charged atmosphere, and you can feel the heat radiating between your bodies.

in response, you turn your head slightly, capturing his lips in a passionate kiss. the taste of neediness lingers as your tongues dance in a rhythmic exploration. mark's hand, still nestled in your shorts, becomes more daring, tracing patterns that send shivers down your spine.

his fingers ventured further, reaching past your panties. he forced his way to your slit. caressing you with no shame on his face. “ah, baby, wet already?”

you gasped. unable to control your tongue. stomach filled with fireworks as mark's delicate fingers does its wonders.

“just for you,” you reply with a smile. mark, unable to resist, turns you around, capturing your lips in a heated kiss. the intensity builds, each touch sending electric pulses through your bodies.

both of you sigh into the kiss, caught up in the intoxicating moment. mark trails down to your neck, leaving a few marks. as you catch your breath, mark compliments you with a whisper, “that's my good girl.”

you wrap your arms around mark's shoulders, bringing him closer as the heated make-out session continues. mark, caught up in the intensity of the moment, lifts up your shirt to feel the warmth of your skin, squeezing it gently.

slowly, his hands making their way down until he grabs a handful of your ass. you gasp into his lips, and mark takes it as a sign to deepen the kiss. he slips his tongue into the dance of passion, as every touch and movement adds to the fiery exchange between you two.

after the passionate makeout, you and mark catch your breath, leaning on each other's foreheads. mark gazes at you lovingly, his eyes tracing the contours of your face — your eyes, nose, and lips. eager to feel closer, he guides your hand to the nape of his neck, and you comply, wrapping your hand around it.

your touch elicits a satisfied sigh from mark as he briefly closes his eyes, savoring the feeling. feeling emboldened, your hand trails down slowly, gliding from his throat, to his chest, then to his abdomen, and grasp his confined bulge, undoubtedly swollen by now and yearning to be set free.

soft moan escapes from mark's lips, “let's move this to the bedroom, so i can feast on you until i'm satisfied.”

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[katapotato55]

how to make your writing be remembered forever and possibly be well loved.

(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?

MAKE STRONG CHARACTERS

"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:

I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:

I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.

"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:

kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.

this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.

A writing exercise

here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........

Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.

[danieyells]

hi there,

thank you so much for all the voicelines you post !! if it’s okay, can i request subaru’s ?

thank you again !

You're welcome! At some point I might go back and put in the ones I leave out because they don't appeal to me as much lol but since i always end up posting 99% of them anyway I think it's enough for most people hahaha. It's all of them now! Sorry for the delay.

I WAS GONNA OMIT ONE OR TWO BECAUSE OF SPOILERS but eh i'll just warm for like. extra spoilers. since after doing more code peeking it wasn't the spoiler i thought it was. SUBARU IS A SWEETIE THOUGH. I also read Subaru's chats which were put in the code recently and. Man this guy needs anxiety meds. I have a small guess as to what his stigma is, but we'll learn in a few days anyway.

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"I'm very sorry to have kept you waiting. It's wonderful to see you again."

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"It looks like there's a notice for you. I'd be happy to go pick it up for you if you've got your hands full. Oh, forgive me if I'm overstepping."

oh no he's anxious about helping--

Default: (requires no affinity, has no time constraints)

"I really am so lucky to be surrounded by so many kind people like you."

"I never thought I'd get the chance to enjoy the lifestyle of a student until I came to Darkwick. Every day truly is fulfilling here."

it feels like subaru is like. . .the only one who actually enjoys school life here. . .or who really enjoys being here period lmao. . . .

"You think I'm always smiling? Ha ha, I hear that a lot. It just happens when I'm around all of you."

"I may be the captain, but it's just in name. I think Haku is much better suited for the job than me."

"I've been working since I was four, so people often said I was mature for my age. But the truth is, I've still got a lot to learn."

that makes two characters whose parents have essentially been keeping them from normal life and normal childhood for work reasons since they were four year olds. . . .

Affinity 1: (between 5am and 11am)

"I tend to just have hot water for breakfast. I know it would be better for me to eat a proper meal, but it's just so much effort."

DO WE REALLY HAVE TO START WITH "I NEED THE GHOULS TO EAT PROPER FUCKIN MEALS". . . .

Affinity 2: (between 11am and 4pm)

"I'm sorry I'm so late. The campus is so crowded I can never manage to walk in a straight line, so it always takes me longer than I think. Silly, isn't it?"

baby you're hardly the first person i've met with anxiety about crowds. you're fine.

Affinity 3: (between 4pm and 8pm)

"What would I do without Haku's help? Hotarubi would be a mess without him."

Affinity 4: (between 8pm and 5am)

"I wonder if I should apply early to take out any common artifacts I might need for this mission. I'll ask Haku what he thinks..."

Affinity 5: (between 8pm and 5am)

"Ah!  You surprised me there... I just got back from a small errand. Do you need something?"

Affinity 6: (between 4pm and 8pm)

"Ever since I was a child, the performing arts were my only focus. Maybe that's why people always say my mannerisms are so peculiar. It bothers you too, doesn't it?"

poor boy doesn't know how to act if he isn't acting. . .he doesn't know how to exist off-script. . .no wonder he made a deal with a demon. it's probably the first thing he's ever done for himself.

Affinity 7: (between 11am and 4pm)

"I'd like to go to the cafeteria, but the line is always so long. I feel bad taking time to choose while people are waiting behind me. The bar of entry feels a little high."

i am once again suggesting subaru get anxiety meds. hell go to sinnostra and get some weed, i bet they sell that. i hear it can help.

Affinity 8: (between 4pm and 8pm)

"I'm just about to go and meet a friend. I hate to inconvenience you like this, but if it's something urgent, could you speak to Haku about it instead?"

Affinity 9: (between 8pm and 5am)

"What am I going to do? We're supposed to be meeting up in an hour... If I cancel now, they'll hate me..."

Affinity 10: (between 10pm and midnight)

"Whew... I'll walk you back to your house, {PC}. Oh, it's no problem at all, I assure you! I wanted some fresh air anyway."

Affinity 11: (between 5am and 11am)

"I have an Anomalous Ecology test coming up. It's such a fascinating subject, I couldn't help but stay up all night studying. Now I'm a little sleep-deprived."

Affinity 12: (between 11am and 4pm)

"I'm going to stretch my legs a little. I might not have a show to practice for right now, but I need to keep putting myself through my paces. I'll get rusty otherwise."

Affinity 13: (between 4pm and 8pm)

"I'm sorry my phone's been making so much noise. I recently downloaded an app by mistake, and it won't stop sending me notifications..."

awww he's also technologically incompetent. . .poor guy was probably raised with such a heavy focus on his career he just. never needed a smartphone. anyone he needed to contact or who needed to contact him was probably always very close by. it sounds like he didn't even properly go to school before going to Darkwick. Somebody please take this boy on a walk. like anywhere. take him to a library. buy him a churro. can sho make churros? this is somebody who's never had any sort of normal social experience and sees how different he is and wishes it weren't the case, unlike Ritsu who assumes everyone else is like him, i think he'd like to have some more Experiences.

Affinity 14: (between 5am and 11am)

"... ...Oh! Hello, {PC}—I didn't even notice you there. My mind was somewhere else."

Affinity 15: (between 5am and 11am)

"Good morning! Sorry? My hair's messy? You're right, it's sticking right up at the front... That's embarrassing. I'll fix it right away."

Affinity 16: (between 11am and 4pm)

"I usually have lunch in the dormitory. I do eat on the terrace with Lyca every now and then, but he seems so busy these days..."

Lyca is one of the members of Obscuary, btw! Seems like he and Subaru are friends.

Affinity 17: (between 10pm and midnight)

"I didn't take you for a night owl, {PC}. Since you're here, I suppose I'll stay up a little longer. You're sure you're okay? You're not sleepy?"

Affinity 18: (between 8pm and 5am)

"Do you visit Sinostra very often, {PC}? I see... Oh, no reason. I was just making conversation. Ha ha."

why do you ask that. . .a certain mafioso captain wouldn't happen to be suspicious of you would he. . .or maybe you owe them money. . .or maybe you used to be part of Sinostra and moved to Hotarubi. . . .

Affinity 19: (between 10pm and midnight)

"It's getting late, {PC}. How about we finish this tomorrow? Thank you for keeping me company all this time."

Affinity 20: (between 5am and 11am)

"Oh, I couldn't ask you to come all the way to my room to wake me up—I'd feel terrible. I do very much appreciate the thought, though."

it's okay buddy jin already makes them do it, one more pit stop won't hurt.

Affinity 21: (between 11am and 4pm)

"Oh, hello, {PC}. Sorry, I was actually just on my way out. I should be back by evening—do you mind if we speak then?"

Affinity 22: (between 4pm and 8pm)

"Lyca has seen my message, so why hasn't he responded to it? I hope nothing bad has happened to him..."

Affinity 23: (between 8pm and 5am)

"Lyca will adapt well to human society, I'm sure of it. I'm so relieved that Darkwick chose to trust him. I can't thank you enough for your help."

he really likes Lyca huh? that is his dog.

Affinity 24: (between 10pm and midnight)

"You can't sleep? Then let me tell you some stories. Legend has it that evil spirits appear once you've told a hundred. Now, what number was I up to..."

BOY IS TRYNA GET YOUR ASS HAUNTED.

Affinity 25(max): (no time constraints)

"I don't want to seem like I'm testing you, I just... I get really anxious sometimes... I'm sorry. I'm being weird, aren't I?"

he's the type to ask 'are you sure you love me? are you sure you wanna be with me?' after you get married and move in together and own a house and have two kids with another on the way. he's the hyper anxious 'i'm sorry we disagreed about our favorite colors do you hate me?' friend(affectionate) I wonder though, is he apologizing for seeming like he's testing you because he's using his stigma to see what you've been up to or something. . .? Probably not lol it's more likely he just keeps asking if you like him

Spring: (March-May) (between 5am and 11am)

"There is no time like spring. Everyone seems more relaxed this time of year. It's reassuring to see."

(between 11am and 4pm)

"I have some sakura mochi. I was just about to prepare some tea to go with it—would you like to join me?"

(between 4pm and 8pm)

"They have no control over whether they bloom, and yet they get made a spectacle of nonetheless... Oh, sorry—I was talking about the cherry blossoms."

(between 8pm and 5am)

"There are many different flowers growing in Hotarubi, but I think the wisteria are my favorites. This is the best time to see them, so you should take a walk around."

Summer: (June-August) (between 5am and 11am)

"Hot today, isn't it? It's always raining in Hotarubi, so it does provide a little escape from the blazing summer sun, but... Ha ha. It is very humid, isn't it?"

(between 11am and 4pm)

"Summer makes me think of the ghost story Yotsuya Kaidan. The scene where Oiwa becomes hysterical, having realized her her face has been disfigured— incredible."

Yotsuya Kaidan is one of the best known japanese ghost stories! It's extremely violent, so read the summary at your discretion. The scene in question has Oiwa shown her reflection by her sister's boss to see that the cream she was given by a woman who was in love with her husband was actually some sort of poison that instantly scarred her face. She grabs a sword and goes to kill her, only for her to accidentally slit her own throat.

(between 4pm and 8pm)

"Hotarubi House holds regular festivals during the summer months. If you need a yukata to wear, I'd be happy to pick one out for you."

(between 8pm and 5am)

"I don't mind scary stories, but when that biwa in the tea room started playing by itself, it did make me jump a little..."

slight spoiler, although you can probably figure it out from this but. . .Zenji is a ghost. Subaru currently can't actually see him or hear his voice. . .only Haku, the pc, and, perhaps not so oddly, Towa can afair. All of his youtube content doesn't have him or his voice in it because he can't be recorded by cameras. So Subaru doesn't realize that the biwa playing on its own is actually Zenji playing the biwa.

Autumn: (September-November) (between 5am and 11am)

"The air has gotten crisper, and the leaves are changing color. I know it's only natural for the seasons to shift, so why does it make my heart ache so much?"

(between 11am and 4pm)

"Oh, these? They're some chestnuts I found. I know—I should give them to Sho. I'm sure he'll be able to make something delicious with them."

(between 4pm and 8pm)

"That's another kuchikiri tea ceremony under my belt. It's an annual tradition where one cuts open a tea jar to reveal the tea that was preserved from the first harvest."

(between 8pm and 5am)

"On long autumn nights when the moon is shining beautifully in the sky, it's hard to resist taking a walk outside. Don't stay out until too late though, {PC}."

Winter: (December-February) (between 5am and 11am)

"...Oh, {PC}. Good morning... I had a hard time getting up today. It must be the cold... Ha ha. Not very captain-like, is it?"

Jin, Taiga, and Ed are all prone to not getting out of bed. and Yuri falls asleep on operating tables when he has down time. Trust me Subaru you are perfectly captain-like.

(between 11am and 4pm)

"Today, I'm going to order ingredients from one of my favorite stores so we can all make negima—tuna and scallion—hot pot together. Please, do join us."

(between 4pm and 8pm)

"It's cold out today. I was just thinking about lighting the fire. Would you like to come and warm up with me?"

oh subaru you don't even know how that sounds

(between 8pm and 5am)

"People say winter makes you want to snuggle up with someone, but I find that a good blanket does a much better job."

i agree that blankets are much easier to manage than people lol. probably warmer too.

His birthday: (February 20th)

"A present? For me? Thank you... I didn't expect you to do anything for my birthday, so I'm a little caught off guard. I really appreciate it."

Your birthday:

"Um... Happy birthday.  I really hope this year will be a wonderful one for you."

New Years: (January 1st)

"Happy New Year. I hope I can depend on your guidance and support again this year."

Valentine's Day: (February 14th)

"Chocolate? Oh, It's Valentine's Day, isn't it? Does that mean these are for me...?"

nah i just wanted you to look at them. YES THEY ARE FOR YOU BBY. why would you be showing him chocolate if it wasn't for him! On any day, not just valentine's day!!

White Day: (March 13th)

"These are for you, {PC}. I put in a special order for monaka from my favorite confectioner in Ginza. They're wafers filled with bean jam—I hope you like them."

April Fool's Day: (April 1st)

"Earlier, Haku told me he was switching houses. It gave me a real shock— I'm very relieved that it wasn't true..."

i bet subaru made the most scared kicked puppy face and started apologizing for being such an awful captain and blamed himself for that haku would go to a different house and haku had to quickly explain it was just a prank for fear that subaru might burst into tears.

Halloween: (October 31st)

"Happy Halloween. I know it's nothing special, but I've prepared some treats for the occasion. Oh... But you're more than welcome to play a trick instead."

please don't trick him. april fool's day was hard enough for him.

Christmas: (December 25th)

"Merry Christmas. We already have our New Year decorations up in Hotarubi, so it has a real east-meets-west atmosphere now. I hope everyone is okay with it..."

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"Everyone seems busy at the moment. Maybe I should use this opportunity to tidy the garden..."

(13 affinity and above)

"{PC}? Oh... I'm sorry, I didn't mean to disturb you. I was just worried because you were so quiet..."

Absent: (logging in for the first time in 2 or more days?)

"You're back... I'm so relieved. I was worried I'd done something to make you feel uncomfortable..."

this man shakes like a chihuahua 24/7. like you can taste the anxiety coming off of him. i love him. he's so pathetic(affectionate). i wanna squeeze his hand reassuringly and tell him everything's gonna be okay. i wanna hug him and pat his head. i wanna take him places so he learns more about the world outside of working. i wanna watch him do schoolwork excitedly because he's never really gone to school before and it's a new and exciting experience. i want him to experience the most mundane aspects of life with wonder.

good boy. yeah. get him anxiety meds /nodnod

[888-fr]

WHY I DON'T RETIRE MY SKINS: an essay

Disclaimer that I'm speaking from a point of being established here, because not everybody can afford to run their skin shop like I do. I don't judge less established artists for needing to limit their skins because they can't afford to print a run with only 2 people on it. I'm also not judging anybody who does retire their skins after a set number of prints - whole different matter! I'm giving an opinion piece based on my own personal thoughts about running my own skin shop.

Okay, now that's out of the way. I really dislike the idea of time-limiting my skins. There's just no actual justification for me, as an established skin artist, to limit skins I know will sell... aside from prestige, and putting buying pressure on my customers. So there's a couple of reasons I don't like that:

1) Erodes trust in the artist.

Yes, I could probably make more money if I kept my skins limited so people HAD to pick up my skin on release. Maybe even all 4 colors of the skin, including the one they don't really keep in their hoard. Just in case they want it down the line but it won't be available anymore.

Is this good business practice though? Do I want people to start feeling panicked every time I ping for a release, because they just picked up a new project and really really CAN'T afford to be buying skins right now but there's 5 colorways of my skin available and they'll probably be resold for 2kg as soon as they retire?

Personally, no! I want people excited when I ping, not feeling dread in their hearts and budgets. I want people to be thinking: 'Awesome, a new skin! I can't afford that right now but I know he always keeps a few on the AH at print price even after preorders end. Even if I can't buy a skin just this moment, I'll be sure to keep an eye on his thread for when I have gems again.' Or: "Awesome, a new skin! This one doesn't appeal to my lair aesthetic, so I will just nod and smile. I don't feel the need to buy it in case it gets popular for resale, because it will always be on the AH for print price."

People tell me about unsubscribing from GASP because they get anxiety being pinged for skins they want but can't have. So I want people to stay on my pinglist because there's no pressure on them whatsoever to purchase anything. It'll always be here, okay? In the meantime, just enjoy the art, maybe preview it on a scry or two. I'll be here if you're back in three weeks, or three months.

2) Passive income!

I lied. I probably would've made less money time limiting all my skins than by keeping my skins restocked. A couple of reasons for this:

- My earlier skins sold worse. This isn't psychology, it's just numbers. Some of my most popular stock were made early on in 2021/2022. I didn't have that many sales then, so could you imagine if I had retired them immediately after that? There's 230something copies of SAILOR'S WARNING out in the world right now. If that skin was time limited after preorders died down, I would've sold "only" 50 forever.

- People see my shop stock whenever you ping for a new releases. I get 3-4 sales off auction house whenever I release something new and people check my front page. It's not a lot but it's consistent.

- It's a win-win situation, okay? If a skin is popular, there's no reason to time limit it to drive up sales. If it IS popular, then people are going to see it on other people's dragons, go "damn that's a nice skin," and maybe do an AH search for it. And if there's a cheap print price copy available, they're gonna buy it.

2) Reprints are easy!

It was a lot more annoying to keep track of queue numbers and inventory back when reprints had to go through regular queue for a week. Did I put in 10 copies of SUNHEAVEN already? Wait, are my kitsune aethers back yet? How many of MOLOCH are still listed?

Now I can put in a blueprint and get my reprint instantly. No fuss at all.

3) I don't want to buy into the 'this is a retired skin' hype...

This is just personal preference. It makes me feel a little bad when a public skin I made is popular and people can't afford to have it. I'm not judging anybody who does like it when their skins are rare, special, and sought after.

It's just... I get that part of my brain scratched from my customs. They're gorgeous, they're 5 prints, they're on the AH for 30kg if you really want one. Most importantly they're niche and high coverage enough that even if someone hadn't paid me to draw an exclusive skin specifically for their dragon, they'd never do well as a public skin anyway.

Here are some tips for people looking into keeping their skins unlimited:

- You don't need to do it like I do.

Blueprints are expensive. Even I don't have my entire catalogue stocked, only the ones I noticed always have reprint requests. For example, only SAILOR'S WARNING out of 4 total colors for my impm skins is kept stocked because the others don't sell enough to justify it.

If you can't afford to stock them 10 at a time, have the customer provide the blueprints. Shelving your skins but having them be reprintable with a BP and a fee (350g is good for 850g print prices; remember, 500g of that went to you purchasing blueprints in the public run, so it doesn't make sense to charge customers a whole 850g when they're already providing the blueprint) is a good alternative to permanently retiring your skins. You don't get a ton of people who can afford that, but the option is there for people who want it.

- Notice which skins sell!

If you already have a good amount of skins in catalogue and have trouble figuring out which ones to begin stocking, you can start by checking in with your pinglist. Poll them and see which ones you'd want to rerun.

- Don't have so many recolors.

It's a law of the universe that they more recolors you have, the worse they sell collectively. I usually do 2, no more than 3. If you have to time limit your skins to get 6 recolors to hit print, then it's time to cut those recolors down.

There's reasons for this: it's choice paralysis, people may want 'complete sets' and will skip out if you're making that complete set cost 4kg total, and it just plain doesn't make sense for very similar color schemes to cover 4 different skins. Feel free to print personal recolors or have custom recolors open.

[micahulrichdraws]

I don't think self-deprecation or concern for the person's well-being is ever going to come across well to someone saying they like what you do. Maybe I'm missing something, but there are reasons to like your art besides being miserable. Even if only the truly miserable liked your work, responding to them by pointing out how miserable they must be wouldn't feel great for them. Your art isn't giving them depression, and it's not like you're contributing to net suffering by making art with ~themes~, so it seems unnecessary to bring up. You suggested that if you struggle to enjoy life, and you make something, anyone who resonates will also struggle to enjoy life. I disagree. Some people will like it for completely shallow reasons. Some people have empathy for others' suffering. You can have a decent life and no mental illness and probably still appreciate a well-drawn skeleton. I don't know what kind of art a perfect world would produce, but any world where people are mortal is going to have sadness, and some art will reflect that. Yours isn't uniquely dark.

Sorry if you've gotten 100 asks saying this same thing. I wasn't sure based on the ones you responded to, and I just found your blog. I know it's sort of a joke, bc you do still sell art prints and stuff, so you clearly are okay with people liking your art. Tbh, I /had/ depression for a few years, so I'm not exactly proof against the theory that your art somolehow only appeals to depressed people. It seems unlikely, though. And the way you talk about your art as "garbage" kind of gave me flashbacks to the sort of self-deprecating humor I'd use when I hated myself. I don't know you or how you're doing, but that feeling made me want to say something.

You didn't just miss something, you missed like, everything I've ever said on my blog about like, everything to the point I'm not even sure this was intended for me? Like I'd break it down, point by point and be like 'no what are you smoking' but that'd be a waste of time after the 'why do you think my art gives people depression!?' part of whatever this is. Like, this is offensive levels of trying to make me be someone I'm not for the sake of a hypothetical argument against a strawman. So if, you want to take offense to who I am in case you misclick and end up here again here's an asshole enough of a response to give you a legitimate reason to find me intolerable:

Welcome to my page! I make art, jokes, and bullshit with folks to make people happy. I started doing this when I was big sad, because cheering people up cheers me up. Now, here's the crazy part: some people are very sad, and sometimes they tell me it makes them a small amount of happy, which gives me dopamine and makes me do it again. The word 'some' means 'not everyone', or even 'a fraction of a percentage'. For example, in this case, it means 'most people just like my drawings but some people get an extra lil bit out of it'. I don't take myself seriously because I know that the art world is insanely intimidating to those outside of it, and sometimes artists tend to be egotistical and condescending, a word that means 'having or showing a feeling of patronizing superiority'. Naturally, I do everything in my power to avoid that, because I'm a very 'gates open' kinda person.

So, here's the WILD part: in my perfect world I would've never had depression. Now, I know, that would have been inconvenient for you as someone who passed by my page one time, and I do apologize. I also apologize that I don't make 'dark art', because I like frogs and mice doing cool shit. Finally, I apologize for my art having -~*themes and concepts*~-, I know good art only comes from ChatGPT and that was my bad.

Sike, I didn't apologize, my fingers were crossed behind my back when I said that. Fuck you for thinking me not wanting to be around for a decade is 'worth' because I drew a mediocre skeleton, and because somehow sadness is necessary. That line of thinking is so awful, here's a video explaining it:

PS: the reason my friends and I in these parts call my art 'art garbage' is because that's what my professors called it back in school for like 4 years, back when I started this shitshow. Much love.

[honey-minded-hivemind]

Remember my hivemind/bee-like/mind-control mutant Reader? Yeah, from the Villain AU? Well, what if we have a version of them in X-Men Evolution AU?

Reader Readerson, a lone wolf kind of teen, who wears brown boots, a black top, and golden-amber shorts, is a mutant who only recently discovered their mutation. But it isn't something they like, or feel safe with. Not at all.

They can control people, in a way.

They aren't sure exactly how or why, they just know they have some kind of, of venom, or maybe a pheromone, or something, that if a person absorbs, Reader can hear their thoughts. And the ones infected? They can hear Reader's, too. But when Reader tries to figure it out, or fix it, they find that while the infected retain their personality and memories and know how to breathe and blink, they are influenced by Reader.

Reader never meant to find out, they aren't aren't sure how it happened, it was an accident, they swear! But now their mind is constantly filled with the hum of other thoughts, seeing and hearing things those others feel, having to hear and know in full their anger and terror and panic and hate, and Reader just-

They stop sleeping.

They start wearing gloves.

They stay away from groups, from crowds, from everyone, more than they already did.

They feel scared of themself, they want to cry but can't, they feel like a monster, they don't want to be like this, they don't want to exist-!

They end up transferred to a new school, they're forced to pack up and go to wherever their new home is, and now they have to make themself as unnoticeable and forgettable as possible. They're alone, in this strange new place, left to their own devices, and with no one to turn to. It's excruciating. They're in pain. Their mind hurts almost each waking moment...

But they can't sleep for longer than a few hours, or they might see or hear the others, might have to see their faces and be under their scrutiny and possibly yelled at or blamed or abandoned all over again... And they can't go through it again. They just can't...

They end up catching the eye of Xavier and Mystique, both of whom want their teens to try and find our more about Reader, see if they can figure out the extent of their abilities, and perhaps see if they can get Reader to join them...

This leads to the X-Teens and Brotherhood teens trying to figure out the lonely kid who talks only when spoken to, who looks exhausted, and who wears gloves, sweaters even when it's hot, and stay to their own devices. Jean tries to see into their mind, to see what they're working with- and is pulling back out, shaken up a bit by how loud and scared it is inside Reader's head, full of constant stress and fright and paranoia...

Kitty and Kurt try to appear as possible friends or study buddies, putting on their best face, and inviting Reader to sit with them during fieldtrips. Reader is scared of almost everything and everyone, according to Jean, so they need to be as unintimidating as possible. Evan gets them to help tutor him and offers to help them with picking an extracurricular (Oh look, basketball, he's sure they'd be great at that! And he plays it too! What are the odds!) Rogue is sitting by them, offering silent company or recommending some good books, choosing ones with themes of friendship and acceptance. And Scott and Jean are trying to appeal to them, in an older sibling/student kind of way, asking if they are okay, and if they might want to see their Professor for some help, do they need someone to walk them home from school or drive them where tbey need to go?

Wanda is giving them space. She'll simply sit there, read a book or work on homework, but otherwise be a presence around Reader, so they'll get used to it. Pietro is trying to come off as charming, asking questions a mile a minute, offering g that he and his friends are the best, so wouldn't Reader like to try hanging with them? Todd takes art class with them, and compliments their clay sculptures and paintings, hoping to bind through creativity. Fred is trying trying help them during P.E., mainly by making sure they don't get hurt during dogeball (so do all the other mutants kids). And Lance tries to come off as trustworthy, pointing out they're both kinda loners, they both happen to have powers, and while he has a team, Reader doesn't, so why not join their side, hm?

Reader feels overwhelmed, but manages to hold it all in- until the adults enter, and now Reader is spiraling as their powers are about to be found out in their fullest form, and they can't stand stand be yelled at, or cast out, or seen as evil.

This ends up with the discovery going in a way Reader didn't expect... And with the growing platonic yanderes more worried than ever about this newest mutant...

@sugar-soda @vivid-bun @danni1323 @thewickedweiner @opossumdaydreamz @weebwholovesuchihasasuke @ainsellshadewalker

[9w1ft]

I'm a gaylor myself so this isn't coming from a place of hate but I really don't think karlie and taylor are still together, I think taylor still references her in her art and probably will for quite some time because that relationship -- whatever the nature of it was -- left such a deep impact on her. but I really can't see them still being together, I think she's forced herself to move on from karlie and has since dated a lot of other women. that doesn't mean her feelings for karlie have faded, just that they will probably always be there but they broke up for sure before 2019, I think. folklore and evermore, midnights even, are all breakup albums, I just can't see how they could still be together. especially all her anger and sadness in those songs that are thought of to be for karlie (like my tears ricochet or exile or mad woman) also the cover art being shoot in bedfords, new york, the exact same place where karlie got married feels more like taylor revisiting this place to really say goodbye and mourn her for one last final time so she can move on

sorry, this got a bit long, I just don't understand the appeal or the reasoning for lsk's because taylor has indicated so many times that they are over, she's been mourning her relationship with karlie quite publicly since 2019 (wearing all black during the lover era) so yeah

hi! i don’t usually respond to these but i’m not sensing any ill will so i’ve decided to give a reply a go.

first off, for me, i kinda just interpret her wearing black in the back end of lover era because her masters had gotten bought by scooter. and maybe the fact that she decided to not come out. there can be other reasons, but i really do not think that her breaking up with karlie has to be one of them.

another thing i can’t shake is the fact that it was a very notorious troll/manipulative person on tumblr who spread the first rumor that they broke up in 2019, a fact that is well understood by a lot of OG’s, and this troll got in the head of a few popular kaylor and gaylor swift accounts at the time and in doing so she got a lot of people to fold. she then went on to write all this progressively unhinged fanfiction about taylor and karlie trying to make one another jealous and sleeping with all these women, presented with the same level of seriousness with which she pushed the breakup agenda. even to this day, i see present day gaylors talk about stuff that stems from narratives this account and a few other power hungry accounts spread around many years ago and it honestly just goes to show how a lot of well known gaylors may be platformmed up but that don’t really know what they’re talking about.. i only write this because the troll deactivated about a year ago (maybe they’re lurking on platforms with more malleable minds—once a troll always a troll—but at least they’ve left here), they were a really dangerous person.. and several have wild receipts to prove it.

anyways sorry i recognize that’s a tangent, i guess what i mean to say by it is, a lot of the sentiment surrounding the idea of a 2019 breakup and the reinforcement of the narrative by a gaylor community none the wiser stems from the work of someone with disingenuous intentions. a lot of “masterposts” or “realistic timelines” draw from what this person made up and it’s gone through enough filters for it to seem like credible sentiment but like, if you were there and you read all of what she wrote you know how silly it all sounded and how incoherently it was all written.

okay so to circle back to more of a content-centric angle, in my interpretation of the events that gave us folklore, evermore, and midnights, taylor had so much to be sad about. her mom had been very sick, the pandemic arrived and she had to cancel lover fest, she had to come to terms with scott b having sold her work to her sworn enemy… songs on midnights and folklore, and on her lover era apple music playlist allude to certain other things that may have had her in a mournful mood. things were bad! and i don’t doubt that her and karlie have been through a lot. but for me, when you’ve got a ride or die love, you don’t just break up. this has been something frustrating for me and others, i think, to see so many people treat a relationship as either being all systems go or broken up, as if long term partners can’t experience sadness together, difficulty together, even heartbreak together.

i don’t like getting in to touchy subjects so much but there’s just been too much pointing towards what i consider to be a rather simple narrative that is a natural progression for people committed and in love. how did the lover music video begin and end? whats a randomly specific word in a song she performed at the grammys minutes after someone was announced to the world? what about taylor’s envisioned future stands out about the anti hero music video? i think i’ll stop here but idk man 😆 poke around my archive if you feel like wasting a few days of your life… there’s just been a consistent flow of the same kind of hijinks that we’ve seen from them for years, and i’d say that there are many songs that back up everything i’d want in order to stay invested in seeing if what i believe is true.

now, i know i just wrote what reads like a bunch of mumbo jumbo to people not following kaylor. but im okay with that. i’ve accepted that. and i know that the whole patterns and koincidences and twinning and symbolism beat isn’t for everyone and so i respect people’s decisions to believe they aren’t together, but in closing i’ll just say im sometimes at a loss to see time and time again people suggest that kaylors believe in kaylor because they find it appealing or because they want to ship it. when it’s literally not that— it just makes the most sense to a lot of us!

also, does this look like the face of someone mourning?

[oneatlatime]

Lake Laogai

This Lake had better have Appa in it. With little water wings on.

Skipping the commentary as usual.

The Previously On section suggests that a whole lot of plot threads are about to crash into each other. Strap in folks.

Lefty Sokka!

Beat up Sokka quota fulfilled by his sister's critique of his art skills. It's not like he had paper to practice with at the South Pole.

Sometimes I forget that Aang is 12, then he does something like attempt to rescue his pet from a nefarious city-wide conspiracy of silence with lost cat posters.

"Good tea is its own reward." That means no, he isn't paid enough.

Remember what I said in my last post about Iroh bringing too much attention to himself?

"senior executive assistant manager" someone on the writing team has worked retail I see. Nothing like meaningless promotions with no raise attached! It's right up there with employee pizza party.

I have to pause here and point something out. This whole scene with Iroh? This is an adult fantasy. I don't mean dirty, I mean this whole scene was put in specifically to appeal to the adults who got roped in to watching this kids' show by their children. A rich man walks through the door of your shitty retail job, immediately spots your natural greatness, and offers you a much better paying job with unlimited creative freedom and a better house to go with it? Find me a burnt out retail worker who hasn't conjured up this fantasy five times a shift.

And so the plots come crashing back together. This won't end badly.

"patience really pays off" I checked. He waited literally three seconds.

Shout out to Toph in the background playing catch with a ball she can't see. Casual flex of epic proportions.

Remind me never to go to Lake Laogai. Sounds like it's lousy with Ju Dees.

So the Ju Dees don't know about each other? Because she seems honestly confused. Does Ju Dee think she's the only Ju Dee? What happens if two Ju Dees run into each other in the street?

Posters are illegal but I haven't heard a peep about recarving a bunch of fields into a zoo.

This is maybe the second time Aang's blown up over Appa. Frankly he deserves more blow ups about the whole situation.

I don't think knocking down walls will help find Appa, but I applaud Toph's spirit.

They took out a whole wall and then exit by the door anyways. That's funny.

I really hate this guy, but I have to admit that he may be the first truly competent villain of the series.

'The Jasmine Dragon' also lets anyone with half a brain know that you're Fire Nation. Try the Jasmine Badgermole instead.

Zuko really can't catch a break, huh? He wasn't happy being a tea server, but at least he was resting. But every time he gets five minutes to himself, the main plot reappears to drag him back into the action, whether he wants to or not. Although he hasn't figured out that he doesn't want to be dragged back yet.

Every line of dialogue in this scene is a good point. Zuko's right, Iroh's right. The Zuko's right again, then Iroh's right again.

YES YES YES GET HIS ASS

That was satisfying!

I'm not understanding why Sokka is the voice of reason here. Is he incapable of holding a grudge? He's the one that had all the animosity with Jet to begin with. Shouldn't it be Aang who wants to hear him out?

Toph is a living lie detector now? I can't think of an example off the top of my head, but I'm sure that could have come in handy previously. Any other incredibly useful skills we should know about?

Jet is oddly defensive for someone who claims to know he did wrong.

Ever get so excited that your spine malfunctions?

Sokka just has a metre long map in his pocket. Good friend to have in a pinch.

Avatar first! Katara is rude to an old person!

I'm going to have fun with Toph's new ability.

Toph, you have never been more right. It is the worst city ever. You are really shining this episode.

I know this is a serious scene, but I need to point out that Jet's guyliner is on point.

This shot is jarringly out of place. I think it's because it both black and white, and live action. Those have to be real clouds.

So the Blue Spirit can talk after all. Careful, your Zuko is showing.

Wow Zuko is good at sewing. And fast too.

Sokka is having far too much fun with this whole 'prompt Jet's memory' thing. Maybe he does have a bit of a grudge after all.

Katara can reverse brainwashing now too? Everyone's levelling up this episode.

This scene with the planks is a very cool and disorienting visual.

Didn't have 'the gaang breaks into a brainwashing facility' on my ATLA bingo card.

Pretty.

OMIGOD IT'S AP- did Zuko just break the fourth wall?

Everyone always forgets to look up.

So this fight is going to be Toph v. all of the Dai Li while everyone else tries not to get in Toph's way.

That's a boat.

Toph could probably take all these guys out faster if she wasn't having to constantly break off to save everyone else from them.

The Dai Li prancing up walls is a really cool visual. It's very Ty Lee of them.

I love watching her work.

Why don't you let Long Feng escape? He's no longer threatening you, and you're down there to rescue Appa. Just let him go.

The security on Lake Laogai is a joke.

Big words from someone who also had no plan whatsoever at the North Pole.

Zuko knows that Iroh's right. He knows, and that's important. I don't think Iroh is saying anything that Zuko hasn't thought and then hurriedly pretended to have never thought about before. It's why he says 'stop it' rather than being completely confused as to what Iroh is referring to.

Poor Appa's like 'can you have a crisis of self after you free me please?'

'You've chosen your own demise." No. You chose it for him. That's some top tier deflection/victim blaming right there.

Longshot can talk!

That's one hell of a set up and pay off re: Toph's lie detecting abilities.

Poor Jet. A double tragedy: to be likeable only when you're brainwashed, and to dedicate your life to wiping out the Fire Nation yet being killed by the Earth Kingdom.

Hi Appa. It's about time buddy.

Shockingly in character for Appa's first actions to be to single handedly save the Gaang from a threat.

You skip that bastard like a stone.

Everyone go and listen to the sound Appa makes when he spits out Long Feng's shoe. It's delightful.

I am framing this.

And this too.

I can tell there's some shmymbolism here, but it's gone right over my head.

Final Thoughts

Appa is back. The Gaang has Appa back. I have Appa back. Ok. I can relax now. With any luck, this means we can leave Ba Sing Se.

This episode felt like City of Walls and Secrets, Part 2. I think it was a good decision to have a couple of episodes between the two, but I think there would be some tonal whiplash if you binged this section of season 2. Which wouldn't have been a problem for a show designed to air once a week, so it's a moot point.

So Zuko freed Appa from his chains, and presumably pointed him in the direction of a door or something. Or maybe not; Appa has a ridiculously hard head, he could have busted his way out. Either way, Zuko broke the chains. Thanks Zuko!

In season 1, Zuko finds the Avatar the world had lost. In season 2, Zuko finds the Sky Bison the Avatar had lost. So in season 3, Zuko will find something Appa has lost. I wonder what that will be?

Jet being killed by the Earth Kingdom is so deliciously ironic, and tragic, yet very in character for the Earth Kingdom's approach to this war. It's also literally this:

Smellerbee and Longshot have really gotten the short end of the stick over and over this season. They were the only ones to decide to stick with Jet. Presumably they were the only ones who believed that he had had a legitimate change of heart. And they were kind of wrong. They get to Ba Sing Se only for Jet to immediately backslide way past even where he was at his worst in Season 1. He completely discounts and dismisses their legitimate concerns for his methods and his overall health. Then Jet gets arrested and disappears for two (?) weeks. So what do they do now? Get jobs? Steal so they don't starve? Then suddenly Jet's back but he doesn't even remember them. Then suddenly Jet's dead. The whole point of coming to Ba Sing Se just died, in a way that shows very clearly that their desire to help with the war is not welcome at all in the city. So what now? Do they leave and try to fight in the war from outside the walls? Do they settle down and try to forget about the war? Things did spiral completely out of Jet's control once the Dai Li got involved, but you have to admit that he's left his only remaining friends up a creek.

Sokka had some good jokes but was oddly ok with this episode's events. Toph had some great lines and got to shine with a new skill that any writer with half a brain will bring back in future episodes. She felt like the audience substitute this episode, which is usually Sokka's role. Toph was episode MVP for sure. Poor Aang took a bit of a back seat this episode. Zuko finally hit the crisis point, and may well have made his first indisputably correct decision of the series. But, as previous episodes have gone out of their way to show me that Zuko being good always goes badly for Zuko, I'm sure freeing Appa will somehow come back to bite him.

Iroh's question of "who are you? And what do you want?" was Zuko's entire character arc this season. He took a shot at answering the "who are you?" portion in Zuko Alone, and sort of halfway got there before messing up at the end of the episode. As for the "what do you want?" Zuko will tell you (often and repeatedly) that he wants his honour back. But I think he just wants to go home. The thing is, I strongly suspect that the home Zuko wants to return to hasn't existed since his mother left, if it ever existed at all. Which means that while "who are you?" has an answer Zuko can work towards, "what do you want?" has an answer that is kind of impossible. So Zuko is going to have to learn to want something new.

RIP Jet. Your life was fucked to Hell long before you were old enough to try and salvage it. You'll probably be missed by more people than you strictly deserve. War sucks, amirite?

[punkeropercyjackson]

Hobie is NOT mean,Hobie is NOT gross,Hobie is NOT perverted,Hobie is NOT misogynistic,Hobie is NOT all edge,Hobie is NOT fucking 'scary-looking'.Hobie is an incredibly sweet and gentle boy who did nothing but be kind to everyone around him except authority figures and that's not being cruel,it's having social awareness and a drive to fights for what's right and killing fascists isn't cruel either,it's activism,direct action and not being a fence sitter!Hobie isn't punk to be hot,Hobie is punk because he's black so it's HIS culture,it's OUR culture and y'all are telling on yourselves by reducing it down to sex appeal and down to edge too because he's canonically soft too seeing how nice and goofy he is,PLUS the pink motif,that concept art of him with a cat charm on his Watch,his care for Mayday and being transmasc4transfem best friends to lovers with Gwen,who's a trans girl and PASTEL punk.'Siblings-coded' my ass,they act like a married couple and y'all are so darksided for never popularizing black Gwen even a year later when yt Gwen is quite literally the ONLY problem with Ghostpunk and i know damn well admitting they're a thing would force y'all to also admit your Hobie interpretations of him being a bad boyfriend who only treats Gwen good because he sees her platonically are purely from antiblackness.Just say it:You think Hobie is a bad person because he's afropunk but think it's a compliment due finding him attractive and never consider maybe black people just have standards for ourselves and when we do you think we're being 'bullies' and 'puritans'.SAY IT WITH YOUR CHEST COLONISADORES,YOU DID EVERYTHING ELSE!!!! Be like Hobie since you love him so much,don't play possum!!!!