#meandering rambles

[lady-harrowhark]

hello, can you explain to me in more clarity your “waxen” theory regarding Ianthe? I’m not picking up on what this implies but it’s making my brain itch.

Sort of! Totally fair question, I just don't have a lot of clarity myself in that I don't have a fully formed theory lol. There's definitely some links and parallels in verbiage that are pinging on my radar, so I do think something's funky, but I wouldn't say I'm fully on board with this yet. I'm just playing in the sandbox Tamsyn has provided us, tossing out ideas and thinking out loud. But I can go into some more detail, and add some more thoughts that have occurred to me since I posted that last night.

(Here's a link to the post in question, for context)

Anyway! So let's first lay out all the times we get someone described as some type of wax. At various points in HtN, we get the descriptions "a shoddy wax cast of some more beautiful sculpture," a "wax figure in a pink dolly dress," a "wax figure in pale purple chiffon," and "waxen face" for Ianthe. We also see that descriptor used a few other times for other people throughout the series. In GtN, Harrow's parents' bodies are called "waxy" and the first introduction of Protesilaus (as the beguiling corpse) says he was "waxen looking in the sunlight." In NtN, Kiriona's skin is said to have a "weird, waxy quality," then Naberius's skin is called "waxen" when they first meet up with Ianthe, and again a few pages later it again references the "waxen, handsome face". What I'm getting at here is that every time this sort of description is deployed, it's in reference to a dead body that's been preserved, manipulated, and is essentially masquerading as a living person... except for Ianthe.

We also know there are a multitude of times that she's described as looking like a poor copy of Coronabeth. There's that "shoddy wax cast of some more beautiful sculpture" line, her first introduction calls her a "starved shadow" of her sister ("or the first an illuminated reflection [of Ianthe]," and actually, off the top of my head I don't know that we ever see their descriptions framed that way again... I'd have to investigate this more later, but this might be the only time that Corona is described as a "better" version of Ianthe, rather than Ianthe being a "worse" version of Corona, which is interesting), there's a point where it says "The second twin was as though the first had been taken to pieces and put back together without any genius. She wore a robe of the same cloth and colour, but on her it was a beautiful shroud on a mummy," etc etc etc. I know there's more, but I'm too lazy to go pull the rest of the quotes and you get the picture by this point I'm sure. So nearly all of these situate her, at least visually, as a copy or approximation of Coronabeth, and one that doesn't quite live up to original at that.

So now let's pick apart this snippet of conversation we overhear between Silas and Ianthe at Magnus and Abigail's dinner party a bit. Ianthe says she was born via "surgical means," which I'm assuming is referring to a C-section delivery (or whatever the necromantic equivalent is) and notes that Corona is a few minutes older. Silas seems surprised (or perhaps concerned?) that they "risked intervention" and Ianthe says Corona had "removed [her] source of oxygen". At this point Silas says, "A wasted opportunity, I'd think." I had always taken this for him just being a dick and implying he wished she'd died in the womb, but coming back to it with this new angle... well. She says "Corona's birth put my survivability somewhere around definite nil." And I'm wondering if that doesn't tie to Harrow's comment about infant deaths generating "enough thanergy to take out the entire planet." Basically, could Silas have been implying that the Tridentarii's parents wasted an opportunity to use the thanergy from baby Ianthe's death to power up Corona?

Harrow says that twins are an ill omen, but the text hasn't come back to that as of yet. Given the difficulty necromancers experience with pregnancy, I'd imagine twins would could be especially dangerous and that in and of itself could be considered an ill omen. Ianthe's comments certainly suggest that their mother carried the pregnancy, although I don't think we know for certain whether she was a necromancer. I am so intensely curious about the Tridentarii's childhood and their parents; we get so many gestures towards some really twisted family dynamics, but very little in the way of concrete explanations. Particularly relevant here, I'd love to know more about their father wanting a "matched set" and how that came about. Did they intentionally plan for twins from the start? Was it only once they knew they were having twins that that became a factor? What's the significance there?

Outside of those "waxy" descriptors, Ianthe tends to be described as much more sickly looking than even other necromancers. We know that necromancers on the whole tend towards a phenotype of physical weakness, but even still, there's an emphasis on this with Ianthe beyond that. This might be due in part to narrator bias (coughGideoncough) or the direct juxtaposition between her and Coronabeth's vivaciousness, but what really jumps out at me as contributing to this effect is how frequently she's described as being colorless, pale, washed out, bloodless, pallid, anemic, etc etc etc. It very much makes me think of the way the color drains away from Colum (and even the rest of the room and the others in it) when Silas is siphoning. Silas himself is also often described as colorless ("mayonnaise uncle," "milk man") but not so much in a way that implies frailty as much as I read it as implying a stark coldness, in line with the very black-and-white moral authority he presumes to wield, a purported "purity", much different than Ianthe's colorlessness. With Ianthe, you get a sense that her palette ought to have been or perhaps was closer to Corona's, but the color's been drained away; where Corona's hair is described as golden, Ianthe's is "canned butter", for example. Almost like the life's been siphoned out, one might say.

So to kind of circle back around, do I actually think Ianthe is dead or a corpse like the other "wax" figures we've seen? Nah. Between Harrow and Palamedes, and especially Palamedes's medical necromancy, I think we would have heard about it by now if that were the case. But I do think it's entirely plausible that she's had a bit of a brush with death and that perhaps she's never quite fully come back from, and I do think she's being intentionally positioned as somewhat adjacent to death. If their parents were wanting twins from the outset, perhaps they used necromantic means to encourage the conception. Or if the pregnancy was as high-risk as I suspect it was, perhaps she'd died or nearly died at birth and been resuscitated. Their parents may have gone to extremes to keep her alive, to maintain their matched set. Given the themes of this series, I do feel it's necessary to draw a distinction between "resuscitation" and "resurrection" although they are curiously adjacent to one another. For all the text has grappled with dying and staying dead, dying and coming back, dying and choosing whether or not to return... we haven't touched on what something like a "near death experience" would look like. I'd imagine having that sort of experience, even at an incredibly young age, might lead one to be fascinated with, to use Ianthe's own words, "the place between death and life... the place between release and disappearance."

[galacticnova3]

@onenicebugperday Bit of an unfortunate update, but not without hope.

A week ago as of posting this, Green Bean Casserole had a pretty severe mismolt. I think they fell and got stuck behind their favorite stick in an awkward position after leaving the exuviae. I only found and assisted them the next morning, but by then their exoskeleton had already hardened up. Thankfully all of their limbs are intact and functional, but, well... The situation is far from ideal, as you’ll see.

At first I was pretty worried they wouldn’t make it; they seemed to be struggling to move around due to the deformity, falling when climbing and generally looking wobbly. I moved them to a different terrarium set up for my flat headed snake Absinthe, both because of the softer substrate and the lack of skinks that might be bold and attempt to take advantage of a weakened mantis. I wasn’t even sure if food would be able to pass through their system, and they had no interest in prey at all, which wasn’t a good sign. However, with some adjustments to the layout of the temporary terrarium I moved them to, they did climb and manage to hang from the lid with some effort. GBC seemed like they were a fighter, and the day after the bad molt they accepted and ate a grasshopper, so I decided to see if I could get them to their next molt and hopefully allow them to recover.

They’ve since adapted to their new shape, and I’ve moved them back to their usual terrarium for easier monitoring and better sun access. They’re climbing and hanging without falling, eating well, and drinking water droplets from the screen lid when I water the terrarium. I’d say they’re about as close to thriving as they could be in this situation! Here’s how they’re looking today. Ignore the escapee grasshopper in the background, its jailbreak was short lived…

I do feel a bit mean for making this comparison, but…

There’s a bit of a resemblance, isn’t there?

[poetry-protest-pornography]

Seeing the growing up together flashbacks through Way's perspective hurt, because we can relate to loving someone who doesn't love us the same way, to not being able to get what we want from a relationship, but holding onto it anyway. Seeing them grow up together as a series of things that made Way fall in love was beautiful and it hurt to see his pain (I am a long time Way-hater, and I cried with him).

Seeing those things happen again, through Babe's perspective, on the other side of Way's betrayal, was devastating. Babe is looking back through his memories of his best friend -- the only person he really let himself love and trust wholly -- and looking for a reason for how much he's hurting. He's looking for a clue in their shared past that would've alerted him that Way wasn't who Babe thought he was, for a place where he went wrong and led Way on. He's looking back and rewriting every interaction he and Way ever had, to be about someone who lied to him, someone who used him, someone who didn't love him after all.

Babe loved Way, and Way decided it wasn't enough for him, so when Way looks back on their friendship he sees wasted time, but when Babe looks back, he sees his best times; now though, those times are all tainted and re-made into regret, because the Way in those memories is a lie.

Way twisted their relationship into something unrecognizable to Babe, and in doing so became unrecognizable himself. Way's insistence that he loves Babe, that they can be a family and make children for Tony to use, when Babe thought Way already was his family, when Babe had just started to think about making a family with Charlie and to lean into the idea that he can let himself love and be loved that way, is such a betrayal and such a fundamental misunderstanding of who Babe is, and it all just tears Babe's foundation apart.

So he rips up the pictures, but the memory of his best friend is a lot harder to put aside. Babe has acknowledged that he hasn't tried to find love because Way made him feel like he didn't deserve it, now, he has let himself love Charlie, and accepted Charlie's love in return, but it's hard all over again to trust that that love is real, because the only other person he's ever loved used that to isolate and manipulate him...

Ugh. This show was supposed to be silly?

[reineyday]

here, have an excerpt of this mishanks fic that i just got back into writing (i wrote a lot of it back in feb). it's a bonded dreams au, but they don't realize for a long time that it's really them haha. :)) they are 11 and 15 in this snippet, and shanks is a lil hawkeyes fanboy. 🦅🗡

[mortispoxi]

After taking the time to really sit and process the roller coaster of information that was the recent People Make Games video about the drama surrounding Studio ZA/UM, I wanted to make this post to go over some of my thoughts that I had about the video. If you have not watched the video but are curious what people are saying about it or you have and you want to read someone else’s perspective, then I invite you to read through as I babble incoherently.

Overall, I thought it provided an interesting, in-depth look at the timeline of events leading up to Kurvitz, Rostov, and Hindpere’s dismissals while also giving us a proper inside scoop to the interpersonal relationships of both the former and current Studio ZA/UM employees. However, I do think the video has a couple of problems specifically with the way some of the information is presented on top of the fact that it loses focus partway through from the real issue which is the alleged fraud that took place by the investors to acquire the majority share within the company.

A big problem that I had with the video was the way in which Kurvitz behavior and final statement are disproportionately framed in the narrative. Now I am not about to go on a lengthy rant to dismiss everything Robert Kurvitz did to his friends during his time at the studio. In fact, the thing that I really liked about this video was how Chris Bratt, the writer and interviewer, holds no punches when it comes to the accusations of misconduct we heard from current Studio ZA/UM employees against him. Instead, I think it needs to be addressed that Bratt left out background context, whether intentionally or unintentionally I do not want to speculate, that could potentially explain what happened to everyone leading up to the expulsions to make Kurvitz appear far worse than how he might’ve been. I fully believe every word Argo Tuulik, Kaspar Tamsula, and Petteri Sulonen has said about working under Kurvitz and his inner circle so by piecing together all their statements to create a timeline of events the investors start to look far less innocent than how they portray themselves to be in the video.

It’s abundantly clear that Kurvitz was notoriously hard to work with. However, what’s also clear was the tremendous amount of stress everyone was under while also still being in the throes of burnout after working on the game nonstop for months. I think the investors (Kender, Haavel, and Kompus) purposefully set the team up for failure by creating impossible deadlines without informing the writers, approving Kurvitz and his inner circle to take time off while disallowing the others from taking theirs, and attempting to restructure the company in preparation to franchise Disco Elysium against Kurvitz wishes and thus he felt scared enough to push for his role to be de facto creative leader anywhere he could. What seems to be three full years of forcing everyone to crunch, miscommunicating when important deadlines were, setting impossible work standards to meet, and readying themselves to snatch more power within the company may have helped sow the seeds of animosity the writers began growing towards one another.

All of this is nothing new for those of us who have been keeping an eye on the drama from the start. We were told long in advance by the likes of Martin Luiga, who although left the project early on has been friends and worked alongside him for the better part of two decades, that Kurvitz possesses less than stellar leadership skills and that there was no merit in what the investors would end up accusing him of doing to warrant his dismissal. That confirmation was given long before the release of the PMG video and cements the idea in my mind that perhaps Kurvitz erratic behavior that was described by the current Studio ZA/UM employees was not the cause but rather a symptom of a much larger problem happening around him (i.e. a toxic work environment brought on by the investors using manipulation tactics to further stress and cause resentment amongst the collective). Yes, Kurvitz was at times uncooperative and dismissive towards his fellow employees, but this aspect of his character and the situation was played up to be a far greater problem in the PMG video than what the context suggests. I’m also inclined to believe this interpretation because Argo Tuulik, despite having legitimate, unresolved issues with his friend, does still regard Kurvitz very highly and even believes that he should still have artistic access to Elysium.  

When you think about it from this perspective, it makes perfect sense as to why Kurvitz was acting erratically around his fellow coworkers who eventually lashed out at him. On top of Kurvitz’s subpar leadership skills, he clearly was rapidly losing control of the situation which caused a great amount of stress for everybody involved as he scrambled in every which way to hold onto his position within the studio. It does not surprise me when it’s admitted by Sulonen that Kurvitz was thinking of taking the source code to potentially start over with a newly founded company since the situation was rapidly deteriorating and everyone was getting more and more frustrated with him and his inner circle. The impossible working conditions they found themselves in was a pressure cooker for the animosity and resentment building within the disillusioned group. Clearly the investors made their workers run themselves ragged in order to divide everyone and make it easier for them to take advantage of Kurvitz’s now frequent outbursts to finally push him out of their way.

Everything that I’ve said above can easily be discerned from the context clues found in the interviews from the current and former ZA/UM members. Which if you think about it is an unfortunate statement because Bratt does not seem to register the complaints of mismanagement by the hands of the investors from either side and instead only points the spotlight at Kurvitz’s past transgressions. What I am describing is one of the major issues I have with the PMG video. The video talking about the ongoing legal battle to determine if corporate fraud took place seemed to disproportionately focus on the problems Kurvitz and his inner circle had with other team members and not issuing a public apology to his former colleagues. Now that doesn’t sound all too bad on paper, right? If Kurvitz apologized, it could help begin the healing process and make for a good closer for the video. Well, that’s where the problem comes into play because Kurvitz response to Bratt’s request for comment regarding what Tuulik, Tamsalu, and Sulonen said about his poor conduct should not come as a surprise to anyone who had been paying attention. In the video, Bratt hails the email Kurvitz sent back to him as arrogant and dismissive which he then uses to accuse him of not standing with his fellow workers in solidarity and not taking accountability for his actions. However, right at the start of his interview, Kurvitz informs Bratt that at the behest of his lawyers he does not want the full interview to be published as they are worried Studio ZA/UM might take something he said as an admission of guilt and use it against him in a court of law. Therefore, when asked to comment about what his former colleagues said about him, he fires back an email that basically says that he wants the focus to be on the thing that really matters, the lawsuits and the shady activities of the investors. Bratt, clearly not liking his response, decided to attack his statement even though had Kurvitz given PMG what they wanted he could potentially be incriminating himself. Whether he denies or fully understands that his actions hurt others, the way he responded is 100% justified and did not deserve the level of vitriol he got from both Bratt and the public. It seems like a double standard that Ilmar Kompus can deny answering a question by claiming he cannot comment due to the ongoing lawsuit during his interview but when Kurvitz does it for the exact same reasons he is attacked. Again, Kurvitz is fully responsible to rectify the hurt he caused others but legally he’s in the clear and Bratt seemed to purposely neglect that aspect of the ongoing narrative.

Now, I’m not about to pull a whole reddit conspiracy in my write up. I do believe Chris Bratt, who directed this video, went into this with the very best of intentions to tell the full story with an emphasis on the workers who were affected by the situation. However, the problems that I’ve listed above make me worry what will be the takeaway from someone who is only a casual observer of the ZA/UM situation. Personally, I have been following this from the beginning so I’ve had a lot of time to develop my own insight into things but that’s usually not the case for most people. What I’m concerned about is whether Bratt may have unintentionally furthered the investors narrative by pushing people’s focus away from themselves and onto Kurvitz who has largely had the support of fans and outside viewers up until this point. Studio ZA/UM as it stands is desperate for a leg up in the PR battle it’s had with Kurvitz since October 1st, 2022. They lost so much support once the announcement was made that Kurvitz and his inner circle had been terminated, and lost even more upon the release of collage mode, that it makes logical sense that they want more people to be on their side so when the time comes for the studio to announce another game their reviews and sales numbers won’t immediately be tanked by angry fans. So, the fact that this video seemingly only held its focus on the misgivings of Kurvitz closing statement and personality instead of what is actually being fought over, alleged corporate fraud and theft of IP, may have unwittingly handed the investors that distraction that they have been looking for. Since the release of this video, I’ve seen an unfortunate mix of people arguing over the ethics of the situation, those switching sides to now support the studio, and outright calling for Kurvitz to lose the right to access his life’s work. This is not the outcome me and many other like minded fans want to see from this mess. At the end of the day, Elysium is Robert Kurvitz’s life work, and he deserves a chance to legally regain those rights even if he is a prideful and arrogant person. His personality should not dictate whether he is allowed to prove in a court of law that the investors took something that isn’t theirs. Bratt’s well-meaning but deeply misguided efforts to report on the ZA/UM situation may have done more harm than good. I consider this to be the biggest flaw of the video and the reason why the contents ultimately did not sit right with me despite the accuracy and importance of the reporting.  

Just as a quick reminder for those who aren’t entirely up to speed or want a refresher, the reason why Kurvitz and Studio ZA/UM are fighting over the IP rights in the first place started when Kurvitz was promised by the investors that if he signed over the rights to Elysium and his book he would eventually be able to buy back a portion of the shares to the company and upon release of the sequel buy back even more. At no point was anyone supposed to possess a majority percent of the shares in the company to remain equitable amongst all participants. So, Kurvitz signed this contract under the assumption that the investors would hold up their end of the bargain while in the short term he would get the funding needed to complete the rest of the game. Unfortunately, when Margus Linnamäe left his position within the company, Ilmar Kompus agreed to buy him out of his share allegedly using the money intended to produce the sequel thus acquiring the majority share which tipped the balance of power. Now, the IP rights are currently held by the company YESSIRNOSIR Ltd. which no one holds shares of but is still owned and controlled by sources within Studio ZA/UM. The lawsuit itself is Kurvitz claiming that the way Kompus bought into the majority share of the company was done illegally and should he be able to prove in a court of law that fraud took place it would immediately delegitimize and invalidate Kompus’s control which would then give Kurvitz and Rostov a chance to reclaim power along with all the subsidiaries of the company which includes YESSIRNOSIR Ltd.

From the way I saw it, it certainly felt like Bratt went out of his way to put blame on the deteriorating work environment and splintering of a two-decade old artist collective squarely on Robert Kurvitz shoulders. If I were to speculate, I think in his anger after not receiving the conclusion he had been hoping for from his interviewee, Bratt refused to acknowledge the very real fact that his hands are legally tied with the things that he can publicly talk about which had the unintentional consequence of villainizing Kurvitz. Bratt is still correct in his assessment that Kurvitz is arrogant and people were hurt by his actions but whether intentional or not misrepresenting how much Kurvitz and his inner circle was responsible for the strife while neglecting to even acknowledge the amount of meddling the investors were doing behind the scenes only detracts from his argument and puts into question who he’s really representing in his video.

[trashcanwithsprinkles]

I have come up with a question.

Who I'd your favorite Genshin character and why?

By reading your fics I can't tell if it's zhongli or childe.

zhongli by leaps and bounds actually

i do love childe don't get me wrong; i just love zhongli far more

as for why, i wouldn't know how to word it in a way that wouldn't take me any less than writing CN took me LMAO the reason why you might think childe is up there among my favorites (he is, he's just not as close to the top as you might think) i'd assume is probably because of the fics, yes? but the thing about the fics is while i've already mentioned i'm not exactly projecting onto childe nor, god forbid, using him as a self-insert for the author – i am more or less of the opinion that the way childe would love zhongli in a story would more often than not align quite well with the way i myself love zhongli as a character. (which is why i find bgtea's eoos and jouicifer's npc so interesting) so like- the reason why childe is usually the main pov character for my zhongchi fics is because i get to write how much i love zhongli as a concept via the lens of a character who would also love him in a similar fashion; only i also get to spice it up with childe's own character quirks, bc i think he's fascinating as well, just in a different direction. that might be why i've yet to write a zhongli pov zhongchi: not as easy to write about how much i love the character's concept if he himself is the pov, and i feel like zhongli's way of loving childe as a concept wouldn't be able to fill a fic the same way it does the other way around. not that he doesn't love him! i just haven't figured out how to write that pov for that long yet. if you're curious, i'd have to say my current favorites list goes kind of like this: zhongli way ahead of all the others, then wriothesley and neuvillette around the same realm, then navia, then kuki, then baizhu, then childe, and then like- in no particular order, furina, clorinde, diluc, jean, qiqi, xiao, xingqiu, chongyun, beidou, fischl, thoma, ayato, layla, yanfei, yaoyao, dehya, shenhe and most of the others. also to the side there'd be alhaitham, separate from the list, bc i love him but i also detest him in a particular way. i guess pity him is a better word, watching how the fandom treats him feels like taking physical dmg. if you're thinking of a particular artist like an outlier you're probably wrong, but i'm not going to point fingers bc why would i do that. (i do have a handful of characters i dislike but in the spirit of not being an asshole i'm just not going to list them)

anyway- yeah that's pretty much it;; maybe one day i'll make a zhongli pov zhongchi and it'd be a bit clearer what i mean by that, but you know me, i don't control the inspiration ToT

[hey-hermy]

You know. There's something there about feeling so miserable u want to disappear off the face of the earth. And THEN. Your birthday arrives, and the notion of the ever-fucking-relentless passage of time hits like a punch to the throat and everything feels infinitely worse. It's right then you get that first message or greeting, and then another and another, and suddenly u are surrounded by people and swimming in so many declarations of love and care. Some expected, some surprising. People literally saying in their own way "I know this is the day you came into the world. Today is important, you're important to me. I'm happy you're here. I'm glad to have known you !" and u realise that actually, no, you're not as alone as u feel. You are surrounded by people who care. You have touched so many more lives than u thought, people think of u and really are happy you exist. A wildly bewildering emotional experience. Fuckin nuts dude.

[yea-baiyi]

how do u write hua cheng pov. that boy doesn’t think. he knows everything and he is running a million different operations simultaneously and he is full of anxiety but. not a single forethought passing through his head at any given time. he lives off vibes and the aesthetic. never had an impulsive thought he didn’t just blurt out. introspection? never heard of it. nightmare pov character

[awfuckward]

i wonder if youre wrong about will finally finish the OJ trial series now

[astrumamasia]

As much as I appreciate what Extraordinary Attorney Woo is trying to accomplish, and though I refuse to erase the voices who inspired it, worked to put it together, or identify with it, I’m still unsatisfied.

I’m tired of the kind of disability representation that requires a “but.”

The representation that says, “this person is disabled, but they can…”

“This person is disabled, but despite their disability…”

“But” in disability is fallacious. “But” undermines the subject before it, “but” determines that the only worth a disabled person carries is in some form of socially acceptable output.

I do not have to have some special or hidden talent to justify my existence, neither do you, neither do any of us.

Not all disabled folks are savants.

I’m not saying it isn’t okay to write disabled characters who are talented. I’m saying it’s also okay to write disabled folks who are also just average people, and I urge you to do so.

[crimsonbits]

I just woke up and I think I astral projected in some sort of mutated Akutagawa Ryunosuke novel in my dreams or something.

It's all vague to me because dream, but think I got spirited away in some sort of kappa kingdom dimension, alice in wonderland style, and kept trying to find a way to get home. However I accidentally insulted their spoiled comic relief prince, son of their king, and their royal guard started chasing me in some sort cartooney light hearted slapstick manner. They could all take human form but could shrink back into cute little anime mascot kappa. The did catch me but their idea of punishment of their prisoners was to tie them upside down, so of course when that didn't work on me and they tried to untie me to figure something else, I booked it and run away for the human world and that's when I woke up. Insane. Gonna keep you updated on whether I turn into a misanthrope I guess.

[blissfulseptember]

Not very "single hot girl summer" of me to write a LOVE SONG. ABOUT A BOY. FOR THE FIRST TIME IN MY LIFE. SHUT UP HANNAH WHERES YOUR BACKBONE.

[gon-and-killuas-mother]

how to explain to family that i'm too busy tending to my afflictions (of which there are many!) to deal with the machine of capitalism.

[twinkrundgren]

im not sure if tumblr is just more openly transmisogynistic since staff has basically gotten away with deleting trans women who speak out about them or we're just more vocal about it now. like ffs a simple poll about homestuck turned into transmisogynistic harassment. wow its so surprising a hugely inspirational webcomic would mean a lot to people even if it didn't to you. on the fandom website.

[torchickentacos]

So. I had been listening to a song and thought, 'Huh. This is going on for a while, isn't it?" So I checked, and.... hm.

[subsequentibis]

i thought i didn't really care for BOOK while i was listening to it but i went and looked at the tracklist while talking to my fiance about it and was like 'well shit hold on now i do actually like several of these songs a LOT'