#messy and platonic

[thoughtfulchaos773]

"There's a lot being done subconsciously to push the audience in different emotional directions."

 -Andrew Wehde -Cinematographer, The Bear

The creators of the show are so thoughtful and precise! Since I wrote about colors and lighting in The Bear. I want (from a cinephile perspective) to observe the lighting and camera choices for 2x08 Bolognese and 2x09 Omelette.

After writing my meta, I listened to this podcast that focuses on The Bear's cinematography; I did this to see if I needed to be more analytical instead of a hardcore shipper. I've pondered on the similar blue lighting of Sydney's tattoo reveal and the love scene, and it's worth noting since there's more Syd & Claire scenes where you can compare the lighting and camera choices.

I interpret the two scenes as high-key lighting. The choice of a well-lit scene sets the mood for more openness and optimism. The visuals give the audience direction to focus on the script and what the actors say in the scene. This lighting choice is in romance and comedy genres. Think wedding scenes as the lighting helps the audience pay attention to the romance happening between two characters.

We can catch everything when it comes to high-key lighting, every expression, movement, and every prop in the scene. The golden sunlight gives the audience a sense of peace, romance, and a dream-like state. The two scenes suggest the warmth the main character feels for the other character on screen.

Notice the scenes where Carmy stares at Sydney? It's primarily high-key lighting. The scenes ask the audience to take notice of Carmy's perspective as he takes in Sydney.

Oh, and remember this quote from Molly (Claire):

The well-lit moment for Claire and Carmy-The lighting and camera movement at the beginning of the scene suggest the morning after, In 2x08, we get this far-away shot where we can see the window as Claire enters the kitchen.

But suddenly, we're zoomed in on Carmy and Claire's faces - this closeness feels overwhelming. It tells of the hidden dread in their relationship. The dreadfulness is prominent when Carmy gets lost, staring at Claire as he talks about the test.

This reminds me of @currymanganese reblog on the subject of color:

The pink hues overlaid on Claire's scenes(2x09 omelette) in Carmy's panic attack can also represent him trying to look at her with rose-colored glasses/rosy retrospection, and ultimately failing to do so because of the way she reminds him of his family

The exchange of looks is so interesting. Notice Carmy's worry, and Claire's smile drops for a second. The camera's movements tell the audience that Carmy looks at Claire differently. As an artist, he catches every detail of the person. The focus on Claire, what used to bring him peace, disappeared when his family ruined his inspiration and sense of joy.

Now, the table scene:

The sun is beaming through the large windows and lingers around Syd and Carmy. It's the brightest the audience has seen from this season; as the camera moves closer to Carmy and Syd, the table disappears and It's a smoother transition, and we barely notice that the table disappears from view as we're closer to the characters.

Like the scene with Claire, Carmy gets lost in staring at Sydney, but there's no sense of dread. Instead, there's almost a dazed look in his eyes as he takes her in.

Well-lit scenes focus on the dialogue, and we can compare the discussion 2x08 and 2x09- both are about sharing their worries and fears. The difference is that the light remains on Carmy and Sydney, and Carmy is completely focused on Sydney rather than what's happening in his head. The scene gives the audience this soft direction to only focus on Sydney and Carmy's few moments together. The lighting asks us to view Sydney like Carmy sees her- bright, warm, and peaceful. I consider this a positive outlook on what's to come for Syd and Carmy.

Sidebar: Another thing to make note of with cinematography- Andrew Wehde said they make notes of the lighting they want to reappear in episodes- so I'm not too far off in this meta.

Watch more:

The Bear Cinematography

Season 2 panel - this interviews mentions that scenes that's anxiety ridden uses zoom ins* -cue the Carmy Claire scenes.

[stygiansentiments]

Saw this and immediately thought of these two!🤣

These gifs are by Chefkids

[chefkids]

i can fix them

[proj-sh4dow]

Making flower crowns

[ninja-knox-ur-sox-off]

I dunno what Pigsy was expecting to happen when he hugged a touch-starved monkey

were i not constrained by the limits of my computer i would have a great deal more of these

[ilovemylittlefurniturefriends]

to love is my sole aspiration!!!

[portraitofariel]

Controversial Post

Carmy used Claire.

An opinion I have yet to come across in the discourse regarding the dreaded Carmy/Claire pairing is the following--Carmy was fully content never calling/making Claire his girlfriend. Because he never had to do anything to get her to like him. She provided pussy, car rides, an ear to bounce ideas off of, no resistance or intellect, and no effort he had to put in.

Allow me to elaborate.

From their first interaction at the market to the moment in the walk-in, Claire has been a nuisance in his life. She consistently disregarded his boundaries in the following ways:

Ignoring the fact that he struggled to remember her name; there's also no mention of her last name to this day.

Misreading their initial conversation at said market and not reading his body language for what it was: a lack of interest in her. If a woman has to ask a man for his number and he doesn't ask for hers, he isn't interested in pursuing things further. Argue amongst yourselves about that.

Numbergate. In the real world, this would be extremely concerning. Skirting around someone's clear sign they don't like you by giving you a fake number is a huge red flag. It screams desperation and a lack of self-respect. Who chases a man that purposely obstructs their advances then goes to his good friend to extract information? Shame on Fak as well for giving out Carm's private information to a woman he hasn't mentioned in five years. wtf Fak.

When she does call him, she badgers him to get a clear answer as to why he gave her a fake number, instead of taking the hint when she realized it was fake. Once again not taking his hesitance while dictating the numbers to her as a sign he doesn't want her.

"Speaking of dead brothers, do you wanna go to a party?" wtf even was this. By Claire's own admission, she and Carmy never talked in their youth. She essentially hung around his family but never interacted with him so why is she so obsessed with him? I will never understand this. Her tasteless attempt at breaking the ice regarding Mikey's death is so heavy-handed and odd.

Freezergate. Even before she found out he was stuck in the walk-in, what was Claire's urgency to get to back-of-house? Why would she think it would ever be appropriate to just walk back there? Sugar's husband, Pete, has never done that in the show so what makes Claire think she's special enough to do so? I always wonder what might have happened had Sydney been back there when Claire crossed that boundary.

Now the juicy part. Unpacking Carmy's disinterest.

Ever notice that Carmy only ever asked her surface-level questions about her life? He never asked about her interests outside of work, her family, her passions, her last name, or anything else. The entire relationship is on Carmy's terms/timeline. Nothing we've seen on-screen indicates he's been to her apartment or hung out with her friends (aside from that one juvenile ass party in 2x05). Every time they have sex, it's at his place. The overwhelming majority of their conversations center around his needs/grievances about the restaurant. He never buys her flowers or gifts (cooking dinner one single time doesn't count), never has deep conversations with her about her, nor did he call her his girlfriend until Sydney, of all people, pressured him to do so. The subsequent conversation with Fak, "is Claire my girlfriend? What's a girlfriend?" is bullshit. Carmen has been around couples his whole life. He knows what a girlfriend is. He knows what a wife is. He's a 30+ year old man who surely had romantic interests before and after Claire. He just didn't want her to be his girlfriend until he felt immense pressure from his circle to make her that.

How do I know this? In 24 hours, Carmy went from "I love her a lot" (and this is only after Fak straight up asks him if he loves her) to "I like her". In the course of one day, he went from love to like. That says it all. Not to mention this is after the mother of all panic attacks where his hidden feelings for Syd bubble to the surface. A lot of people forget that Carmy is a man and because of this, he does what men tend to do. Whether he was conscious of it or not, he took advantage of a desperate girl like Claire because she threw herself at him with abandon. She willingly put herself in a position to be used by a man she barely knew, then cried to Richie when things didn't go her way. Their 'relationship' went the way it was always going to go because I'd argue she was never truly his girlfriend. Claire was a stopgap between the restaurant and Carmy running away from his problems.

[rebo-chan]

Something I was thinking about lately is Tsuna's daddy issues. Specifically this frame.

Like that's such a loaded thing to think about. He's got so much resentment built up. Obviously, there's no direct connection to any of Tsuna's issues made but I think a few fun things can be said from this. In general, Tsuna clearly didn't have a father figure in his life which sorta results in him leaning on Reborn pretty often. Tsuna doesn't have a very stable self-esteem with him going from confident to "Aah, Gokuderas going to become disillusioned with me now that all my flaws have been pointed out." GOKUDERA. His FIRST SUBORDINATE. The guy who literally has been LOYAL FROM DAY ONE. Not that we consider them canon, but this happens also during the filler arcs where Daemon points out that Tsuna's not worth following to Gokudera and it seems to make Tsuna a little antsy. He DOES NOT THINK THE PEOPLE HE LOVES ARE GOING TO STAY WITH HIM, THIS IS LITERALLY RUINING MY LIFE. What Daddy Issues DO TO A MF. But that's a post for another day. But okay, back to Reborn, Reborn proves himself to be immovable from Tsuna's life. The story points out that Tsuna very much has two fathers. The one who won't leave and the one who is always gone. Tsuna really leans on Reborn throughout the series. "Reborn, what do I do?" Is a common thing he says, until Reborn is literally swept away from him against his will in Future arc where he's forced to think that he's half a person in Reborns absence. Meanwhile, we have Iemitsu who Tsuna has resentment built up towards, does not respect, and is forced to acknowledge in order to win his fight. Throughout the rainbow arc battle, they try to point out that Iemitsu is trying to teach Tsuna something here and unless I'm confused (someone feel free to tell me?) it's not really clear WHAT that is. And I've always thought that was neat, because it's obviously coming from Tsuna's inability to respect Iemitsu enough to want to learn anything from him. Yet when Reborn comes in, hell he doesn't even recognize him in his Adult form, but he politely listens and takes his advice seriously. In the grand scheme of the series, Reborn is a good teacher and father figure in his life. When Tsuna is made to feel like that he can't do anything in Reborn's absence during Future, Reborn takes a step back in that arc and lets him learn to survive without his guidance. (Notice how the training almost entirely disappears after Future.) He lets him learn how to be a person without him, only stepping in to help when Tsuna really needs it. When he's unable to light his flame, with Spanner, or when he's freaking out about the Irie reveal, the list really goes on. There's a scene I recall I believe when Yuni asks to join their group, Tsuna still turns to ask Reborn what to do, and Reborn redirects him by asking him what he wants to do. That it was his call as a boss. And Tsuna ends up making the decision to help her off his own accord.

It's with Reborn's guidance that Tsuna ends up learning to be his own person, it's this guidance that allows him to make the decision and gather everyone on his own accord when it was Reborn's turn to be shaky and give up. Where Tsuna tells him that he's got this under control, without his guidance. To just watch him. "you've always knew I could win before." It's this arc where Reborn's pride in Tsuna shines. Multiple times. "Surprise me again, Tsuna." And he does. It's in Reborn's second absence where Tsuna feels himself get shaky again, feels the old feelings of poor self image crop up, that Reborn comes back. Because Reborn is not Iemitsu, and he wasn't someone who left him in that house alone forever. Because he's still young and has much to learn before he's ready to do this on his own. It's at this he feels a little embarrassed about how glad he is that Reborn came back, but then recalls the "mean words" that Reborn said before leaving. It's here that Reborn tells him it's a good thing he hasn't changed much. Another sliver of guidance that Tsuna takes in from the figure in his life that won't leave him alone in that house.

[ambeauty]

Ok ok since these two cuties won’t leave me alone with their friendship 🤭 fic preview under the cut👩🏾‍🍳🧑🏼‍🍳

“Chef de Cuisine, Sydney Adamu of The Bear, has been nominated for the James Beard Award for Best New Chef, Casual Fine Dining, Midwest. As well as Executive Chef, Carmen Berzatto. Okay, it doesn’t read like that exactly, but you fucking get it.” Richie reads over the expo so the whole crew is in on what just happened.

Sydney just stands in place and Carmy wraps his arm across her shoulder for stability. Afraid she may crack into pieces or drop in shock. “You deserve it Chef,” Carmy beamed next to her.

“I couldn’t have done it without-“

“No no we are not starting that shit again. We are proud of you Syd!” He lets go so the others can give their congratulations properly.

She lifts her hands up to hide her face.

“We are mami! Bravo!” Tina reaches up for another hug and Syd tries her best not to breakdown again in her sous chef’s arms this time, but hugging Tina almost feels like hugging her mother and if she thinks to hard about it she might lose it again.

“I gotta hand it to you kid. I always knew you had it in you to get this shithole together.” Richie punches her shoulder lightly before she rolls her eyes back at him and accepts his pat on the back.

“Shit Syd, I always knew you had it in you!” Marcus daps her up then shakes her shoulder encouragingly. She can’t but share a big smile with him.

“You next Marcus! For real.” She looks up at him with assurance.

“Man that’s you and Carm all pressed for the awards and shit. As long as y’all keep letting me make whatever I want. And Carmy stops being a little bitch. We good.”

“I wish y’all would let that shit go already.” Carmy shakes his head.

“So when’s the big day?” Marcus asks them both.

“In a month.” Sydney responds rubbing her hands on her apron, ready to get back to her prep. She was not built to receive this much praise at once. Like yeah, she wanted a star and she wanted the awards, but that almost meant that she would have to be perceived more and praised more and the only person’s attention she craved she finally has… for the most part.

“We gotta get you right Syd! But we got plenty of time. Can not represent the bear in your baggy sweaters and overalls.” Marcus ribs her in a playful way.

“Dude shut up! Let’s get back to work Chefs!” Sydney calls out to the kitchen so they can get the dinner prep done before their booked night.

Yes Chef!

Carmy taps his spoon against the back of his hand as his mind starts flooding with ideas, but instead of meat, sauce, and herbs, it’s fabrics, patterns, and stitch variations. It’s long limbs but tailored to perfection around soft curves. It’s bright colors that compliment deep brown skintones.

“Carm, hey.” Sydney snaps at his face quickly. “Where’d you go? Can you pass me the strainer?”

“Yeah, sorry chef. Um just thinking.”

[lunarharp]

more phoenix wright situations

[mod-doodles]

Sydney is the reason for Carmy’s sudden interest in ‘fun and amusement’

The person that Carmy describes himself as being after losing touch with Michael doesn’t seem like someone who has ever sought out fun or amusement, in fact it seems like he’s never experienced pure unadulterated fun in his entire life. Within his family dynamic he’s the youngest of three with an abusive mother and an absent father. He adores Mikey, truly looks up to him and respects him, Mikey of course does love Carmy, but Mikey loves him in sprite of all his quirks and eccentricities. Heartbreakingly Carmy has had too dumb down what would have bought him amusement and enjoyment to fit into the dysfunctional family and not seem ‘gay’, it’s the crux of his existence. With that in mind, consider that his brother had very recently passed away, most people with that history would just plummet into a deep depression.

What changes during this time for him is Sydney’s presence. She walks into his life like a tornado and shakes thing up in such a way that he yearns for life and adventure not just passive survival. Sydney lives in her truth; food is fun, taking care of people brings her enjoyment. She’s nerdy about it unabashedly, she does her COGs and ‘randomly adds graphics’ and she wears her heart on her sleeve but lightly covers it to protect herself.

After his failed attempt to ask her out he returns to his barren apartment to google ‘fun’, so the next time he’s prepared. Carmen experiences amusement and enjoyment through Sydney hence he conceives an opportunity for him to have ‘fun’ under the guise of the menu creation. His relationship with food though daunting; is a safe space that both him and Sydney can share at this current awkward phrase in their ‘platonic but messy business relationship’. Sydney excites him and makes him feel alive!

Peep Carmy making sure Nat was gone gone before he started his fumbled locker room attempt, don’t worry we’ll get there one day. He’s keeping his private ‘amusement and enjoyment’ to himself for now but this developing love is so loud that they can’t control how it spills out at inopportune moments.

[chefkids]

[elizakai]

…

(Click image and turn up brightness)

[seagull-scribbles]

Taxidermy fingerprints, taxonomies our differences

[Part 2 here]

[portraitofariel]

I don’t know who needs to hear this but …

Claire and Carmy will likely get back together in S3. However, I think the relationship will go up in flames for the final time - soon after.

I’ve said this before but I don’t think Claire is going to stop dealing with him until he completely fucks her over lol.

How, you might ask?

She’ll realize Carmy has hidden feelings for Sydney. This will be the catalyst for their final breakup.

[artsploon]

los quiero mucho wey ueueue,,,extraño a jaiden

-

i love them so much ueueue,,,i miss jaiden