#muriel's angel clothes

[fuckyeahgoodomens]

[da-is-drawing-desu]

They love reading,

And they quite like wearing purple.

[phantomsercher-blog]

[abc-mulan]

I wonder why the angels dress in shades of light grey, tans, and beige with maybe some touches of blue or purple in a tartan print but the metatron was in black and white

[highseas-swede]

Becoming Real

Recently Good Omens Prime Twitter account posted a BTS photo of Aziraphale and Furfur and it started the gears in my head turning, trying to parse it. It's only just now that it finally coalesced into a proper thought.

I kept thinking Aziraphale reminded me of something, especially when compared to the other angels. Look at him next to pre-Jim Gabriel, Uriel, Michael... heck, even Furfur, who he's standing next to right now.

Furfur is a demon, but his outfit is impeccable, it's sleek and stylish. The angel's suits in heaven are all pressed and flawless and New.

But not Aziraphale. He's dressed in old human clothes, his waistcoat is worn and tattered and long-loved. Aziraphale is, as Michael put it, like an old sofa. Worn and comfortable. He could choose to look basically however he wants, but instead he chooses to clothe himself in actual human clothes, to eat human food, to enjoy human entertainment - books, music, plays, etc. He does this despite the fact that it actively makes the other angels dislike him and find him unpalatable.

And that's what stuck out to me. Because unlike those other angels and demons, Aziraphale doesn't feel distant from humanity. He might be odd or eccentric to humans, but they don't question his humanity. He doesn't stand out to them in the way that the other angels do when they show up.

It occurred to me that this is because unlike the other angels... Aziraphale is Real.

Have you ever read The Velveteen Rabbit? There's a scene in it where they talk about what it means to be Real:

This made me think of Aziraphale. About how the other angels are these pristine things, kept aloof from the world, and then there's Aziraphale, who is worn and shabby, who's lived on earth for millennia among the humans. He's loved and learned and experienced what being human is like and because of that he's Real in a way that the other angels aren't. Humans have personhood, a sense of agency, a sense of self. Angels and demons have only the divine plan, as Beelzebub and Gabriel noted, that's all they live for "if you can call it living".

But what strikes me the most is how potentially devastating Aziraphale's Realness will be to Heaven. They only succeed at keeping angels in line because they're undistracted from the Great Plan. We see how Gabriel - as Jim - takes to cocoa after trying it. We see how quickly Muriel becomes fascinated with books.

Now consider that this is the angel they're putting in charge of Heaven. This worn, shabby, old sofa of an angel who has an endless well of love, for Crowley, for the world and the humans in it. He doesn't seem dangerous in the slightest. He seems Fragile.

But he is dangerous. So very dangerous.

But it's not because he's a guardian, not because he's a warrior, not because he's the Angel of the Eastern Gate who leads a battalion and was issued a flaming sword. He gave all of that away and it's worth noting that this is the first actual choice we see him make in the show, the thing that sets him apart in Crowley's eyes, and it wasn't even Crowley's doing! Aziraphale made a choice to give the mortals his sword out of compassion and it is a sense of compassion we don't see from the other angels.

His deviations all stem from that initial act. It takes him from being this two-dimensional cardboard entity existing only as part of the Divine Plan and set him on the path to actual Personhood.

It doesn't happen right away, of course, because as the Skin Horse says:

"It doesn't happen all at once. You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But those things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

And doesn't that sum up Aziraphale? He's shabby and worn and he's beautiful to the people who understand and appreciate that being Real means being imperfect, and that every imperfection is still beautiful.

No wonder the angels mock his corporation, his flaws, all the things he enjoys that make him less than what they think he should be. We see evidence over and over that Aziraphale is essentially "ugly" to them. But that's because they don't understand.

Aziraphale's Realness, his personhood, what Crowley has helped nurture from the Wall of Eden all the way to that last desperate kiss, is what really matters. Good Omens has always been about People being fundamentally People. It's the underlying current that ties everything together, for good or for ill. People have agency. People have self-actualization. People have the ability to make their own choices, for good or for evil.

And now Aziraphale has that too.

That's the very real danger he presents to heaven.

Because we've already seen that any angel, given sufficient time and interaction with humans could be like Aziraphale. All it takes is one small opening, one bite from the apple. Whether deliberately or not, Crowley tempted Aziraphale into every step, the way he tempted Eve in the garden. He gave Aziraphale the knowledge of Right and Wrong, presented him with the option, the way he did with humanity. Were they even really human before Crowley? Did he give them free will? His actions cast them out of paradise, but did it ultimately set them free? Has he struggled for millennia to do the same for the angel he's loved so well and for so long?

Does Crowley know how horribly, wonderfully well he succeeded?

Bringing Aziraphale back to Heaven, putting him in charge, was the absolute worst thing the Metatron could have done for keeping the status quo and it's not because of Aziraphale's fighting prowess. It's because of the small Human acts of kindness and pettiness that Aziraphale is capable of. That's not going to go away when he's in Heaven. It's going to spread. He's going to infect Heaven with Humanity. It's going to be so slow and gradual that they won't see it coming until it's far too late.

It's not going to be the way that Aziraphale intends to change Heaven and yet, it will surely ultimately be what really makes a difference.

I wonder too, if maybe that's some subconscious part of it. After seeing Gabriel change, seeing Muriel change, I wonder if there's not some part of Aziraphale that realizes that Heaven is a miserable place that makes miserable people. He'll extend compassion to them that they don't deserve and don't know they're missing and he'll surely go on with whatever his own Plan - with a capital P, of course - is and he won't even realize what he's actually done.

And then, like the ending of S1, like the ending of S2, the ultimate deciding factor will not be who is the best warrior, who is the strongest. It will be about the Human element.

Metatron thought he could control Aziraphale, bring him in line by bringing him back to Heaven. He wants to take away the human element of Aziraphale and shove him back into that Obedient Little Angel shaped mold and he doesn't realize it's not possible anymore. Aziraphale's grown. He'll never fit, he'll never be that again. There is no going back anymore.

As the Skin Horse says: "Once you are Real, you can't become unreal again. It lasts for always."

And Real things, things with depth and purpose and will, are impossible to ever truly control.

[santacoppelia]

Putting the Meta in "Metatron"

(couldn't resist the pun, sorry)

Ok, this has been tickling my brain for a while. I've been thinking about how The Metatron designed his role and discourse specifically to manipulate Aziraphale into the end result we saw in the last minutes of S2. I become obsessed with it because… well, I'm a bit obsessive, but also because there were many really smart writing decisions that I loved (even when I despise The Metatron exactly for the same reasons. Hate the character, love the writer). If you haven't watched Good Omens Season 2, this is the moment to stop reading. Come back later!

We already know that in Book Omens, the role of Gabriel in the ending was occupied by The Metatron. Of course, the series introduced us to Gabriel and we won a lot by that, but I feel that the origins of The Metatron should be considered for any of this. He is not a "sweet old man": he was the one in charge of seeing over the operation of Armageddon; not just a stickler of rules, but the main promoter for it.

However, when he appears in the series finale, we first are primed to almost pass him by. He is in the line for buying coffee, using clothes that are:

obviously not tailored (almost ill fitted)

in dark tones

looking worn and wrinkled

This seems so important to me! All the angels we have seen are so proud of their aspect, wear clear (white or off white) clothes, pressed, impeccable (even Muriel), even when they visit the Earth (which we have already seen on S1 with all the visits to the bookshop). The Metatron chose a worn, comfortable attire, instead. This is a humanized look, something that fools all the angels but which would warm up someone very specific, can you guess?

After making quite a complicated coffee order (with sort of an affable and nervous energy), he makes a question that Crowley had already primed for us when asking Nina about the name of the coffee: having a "predictable" alternative and an unpredictable one.

This creates an interesting parallel with the next scene: Michael is discussing the possibility of erasing Aziraphale from The Book of Life (a punishment even worse than Holy Water on demons, because not having existed at all, EVER is definitely worse than having existed and ceased to exist at some point) when The Metatron arrives, interrupts the moment and signals having brought coffee. Yup, an amicable gesture, but also a "not death" offering that he shows clearly to everyone (even when Michael or Uriel do not understand or care for it. It wasn't meant for them). He even dismisses what Michael was saying as "utter balderdash" and a "complete piffle", which are the kind of outdated terms we have heard Aziraphale use commonly. So, The Metatron has put up this show for a specific audience of one.

The next moment on the script has Metatron asking Crowley for the clarification of his identity. Up to this moment, every angel has been ignoring the sprawled demon in the corner while discussing how to punish Aziraphale… But The Metatron defers to the most unlikely person in the room, and the only one who will push any buttons on Aziraphale: Crowley. After that, Aziraphale can recognize him, and Metatron dismisses the "bad angels" (using Aziraphale's S1 epithet) with another "catchy old phrase", "spit spot", while keeping Muriel at the back and implying that there is a possibility to "check after" if those "bad angels" have done anything wrong.

Up to this moment, he has played it perfectly. The only moment when he loses it is when he calls Muriel "the dim one", which she ignores… probably because that's the usual way they get talked to in Heaven. I'm not sure if Aziraphale or Crowley cared for that small interaction, but it is there for us (the audience) to notice it: the sympathy the character might elicit is built and sought, but he is not that nice.

After that, comes "the chinwag" and the offer of the coffee: the unnecessarily complicated order. It is not Aziraphale's cup of tea (literally), but it is so specific that it creates some semblance of being thought with care, and has a "hefty jigger" of syrup (again with the funny old words). And, as Aziraphale recognizes, it is "very nice!" (as The Metatron "jolly hoped so"), and The Metatron approves of him drinking it by admitting he has "ingested things in my time, you know?". This interaction is absolutely designed to build a bridge of understanding. The Metatron probably knew that the first response he would get was a "no", so he tailored his connection specifically to "mirror" Aziraphale: love of tasty human treats he has also consumed, funny old words like the ones he loves, a very human, worn, well-loved look. That was the bait for "the stroll": the moment when Aziraphale and Crowley get separated, because The Metatron knew that being close to Crowley, Aziraphale would have an hypervigilant soundboard to check the sense of what he was going to get offered. That's what the nasty look The Metatron gives to Crowley while leaving the bookshop builds (and it gets pinpointed by the music, if you were about to miss it).

The next thing we listen from The Metatron is "You don't have to answer immediately, take all the time you need" in such a friendly manner… we can see Aziraphale doubting a little, and then comes the suggestion: "go and tell your friend the good news!". This sounds like encouragement, but is "the reel". He already knows how Crowley would react, and is expecting it (we can infer it by his final reaction after going back for Aziraphale after the break up, but let's not get ahead of ourselves shall we?). He even can work up Muriel to take care of the bookshop while waiting for the catch.

What did he planted in Aziraphale's mind? Well, let's listen to the story he has to tell:

"I don't think he's as bad a fellow… I might have misjudged him!" — not strange in Aziraphale to have such a generous spirit while judging people. He's in a… partnership? relationship? somethingship? with a demon! So maybe first impressions aren't that reliable anyway. The Metatron made an excellent job with this, too.

"Michael was not the obvious candidate, it was me!" — This idea is interesting. Michael has been the stickler, the rule follower, even the snitch. They have been rewarded and recognized by that. Putting Aziraphale before Michael in the line of succession is a way of recognizing not only him, but his system of values, which has always been at odds with the main archangels (even when it was never an open fight).

"Leader, honest, don't tell people what they want to hear" — All these are generic compliments. The Metatron hasn't been that aware of Aziraphale, but are in line with what would have been said of any "rebel leader". They come into context with the next phrase.

"That's why Gabriel came to you, I imagine…" — I'm pretty sure The Metatron didn't imagine this, ha. He is probably imagining that the "institutional problem" is coalescing behind his back, and trying to keep friends close, but enemies closer… while dividing and conquering. If Gabriel rebelled, and then went searching for Aziraphale (and Crowley, they are and item and he knows it), that might mean a true risk for his status quo and future plans.

Heaven has great plans and important projects for you — this is to sweeten the pot: the hefty jigger of almond syrup. You will be able to make changes! You can make a difference from the inside! Working for an old man who feels strangely familiar! And who recognizes your point of view! That sounds like the best job offer of the world, really.

Those, however, are not the main messages (they are still building good will with Aziraphale); they are thought out to build the last, and more important one:

Heaven is well aware of your "de facto partnership" with Crowley…

It would be considered irregular if you wanted to work with him again…

You, and you alone, can bring him to Heaven and restore his full angelic status, so you could keep working together (in very important projects).

Here is the catch. He brought the coffee so he could "offer him coffee", but the implications are quite clear: if you want to continue having a partnership with Crowley, you two must come to Heaven. Anything else would be considered irregular, put them in a worst risk, and maybe, just maybe, make them "institutional enemies". Heaven is more efficient chasing enemies, and they have The Book of Life as a menace.

We already know how scared Aziraphale has always been about upsetting Heaven, but he has learned to "disconnect" from it through the usual "they don't notice". The Metatron came to tell him "I did notice, and it has come back to bite you". The implied counterpart to the offer is "you can always get death". Or even worse, nonexistence (we have already imagined the angst of having one of them condemned to that fate, haven't we?)

When The Metatron arrives, just after seeing Crowley leave the bookshop, distraught, he casually asks "How did he take it?", but he already knows. That was his plan all along: making them break up with an offer Aziraphale could not refuse, but Crowley could not accept. That's why he even takes the license to slightly badmouth Crowley: "Always did want to go his own way, always asking damn fool questions, too". He also arrive with the solution to the only objection Aziraphale would have: Muriel, the happy innocent angel that he received with so much warmth and kindness, is given the opportunity to stay on Earth, taking care of the bookshop. The only thing he would have liked to take with him is not a thing, and has become impossible.

If God is playing poker in a dark room and always smiling, The Metatron is playing chess, and he is quite good at it (that's why he loves everything to be predictable). He is menacing our pieces, and broke our hearts in the process… But I'm pretty sure he is underestimating his opponents. His awful remark of Muriel being "dim"; saying that Crowley "asks damn fool questions", and even believing that Aziraphale is just a softie that can be played like a pipe… That's why telling him the project is "The Second Coming" was an absolute gift for us as an audience, and it prefigures the downfall that is coming — the one Aziraphale, now with nothing to lose, started cooking in his head during that elevator ride (those couple of minutes that Michael Sheen gifted to all of us: the shock, the pain, the fury, and that grin in the end, with the eyes in a completely different emotion). Remember that Aziraphale is intelligent, but also fierce. Guildernstern commited a similar mistake in Hamlet, and it didn't go well:

"Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me."

I'm so excited to learn how this is going to unfold!! Because our heroes have always been very enthusiastic at creating plans together, failed miserably at executing them, and even then succeeding… But now they are apart, more frustrated and the stakes are even higher. Excellent scenario for a third act!

*exits, pursued by a bear*

[goth-maudra]

I think that Saraqael is one to watch. She recognized the purple energy burst, she could at least sense Goob/Jim when he fanned the Terry Pratchett book in her face. And wasn't a jerk boss to Muriel like the other Archangels.

But. Very importantly. She recognized Crowley in Heaven in his (atrocious) angel disguise, wasn't accusatory, and USED HIS CHOSEN NAME. Didn't deadname him, remembering their work on the Horsehead Nebula (pictured). And she, and Muriel, have elements of PURPLE in their clothing. I think she could be an ally to Aziraphale and/or see him if Metatron tries to conceal him (theoretically, obviously me speculating).

Also: as a wheelchair user, I WHOOPED when she made her OWN RAMP into the bookshop.🥰

[armageddidnt]

I just want to use this post to talk about how much I appreciate the way Good Omens does gender. Angels/demons canonically don’t have sexes and don’t subscribe to the concept of gender at all. Throughout the show, we see lots of angels and demons varying gender presentation and it’s considered perfectly normal. Even with all the rules angels/demons have to follow to avoid getting into trouble with their respective sides, there’s never been any rules whatsoever regarding gender. Angels and demons exist, they have names, they dress how they want, and whatever humans think is irrelevant. As someone who is non-binary and agender, it warms my heart to think of an existence where gender isn’t limiting at all. I’m really grateful to Neil and Terry for making a story about existing beyond gender that has had such widespread impact.

And regarding how they interact with humans, on the show we’ve seen a variety of pronouns but what I find interesting is the characters use only one at a time. Gabriel is always he, Beelzebub and Muriel are they, Shax is she, Aziraphale and Crowley are mostly he. And Neil said in an ask reply that any pronouns you use for angels/demons aren’t wrong because to do it right, you need to know the tongue of the angels. I guess it’s sort of my headcannon that when they talk about each other, angels/demons instinctively translate into whatever human pronoun they want to use. Like they could never misgender each other because human language is too limited anyway and they’re just using it as best they can. Idk I just really appreciate seeing a race of beings that innately understand each other’s gender/identity and have absolutely no concept of judgement about it.

Finally, please enjoy my favorite Good Omens screencaps of characters not giving a flying fig about human gender norms.

Our favorite gender-fluid/genderqueer demon

Angels having gendered and non-gendered names but only one clothing style: bureaucracy

Aziraphale rocking Madame Tracy’s dress

The Gender Ambiguity that is Lord Beelzebub

Whatever the heck Hastur is doing here

Mutt’s wonderfully delightful non-binary spouse

Pollution saying “no gender only garbage” (which is relatable honestly)

[pupsmailbox]

DOLL︰PUPPET ID PACK

NAMES ⌇ abbie. adelaide. adorablesse. adorablette. aerlyn. alena. alexis. alice. amaia. amaya. andrea. angeline. ankou. annabelle. annie. antoinette. anxiette. anxious. apricot. asaka. ash. asha. aspen. atticus. ava. avel. babette. babydoll. bambi. bambina. bambino. bashfelle. bashful. beau. bellamy. belle. bells. bernadette. blu. blue. bluesse. bluette. blushe. blushesse. blushette. boo. bram. bronach. bronagh. brone. button. buttons. cadel. candace. carmilla. carrie. catherine. cessair. charlie. charlott. charlotte. chelsea. chia. chica. chirella. chirelle. chiwa. chuckie. claeg. coffin. colere. commedia. constance. coquette. cordelia. corelle. corette. corsette. cypress. dahlia. dalia. damon. darling. dawn. dearesse. dearest. dearette. dearie. deidre. demure. desdemona. devin. devon. doilie. doily. doll. dollaintye. dollawie. dollerie. dollesse. dollette. dolleyed. dollie. dolline. dollita. dolly. dolores. dottie. drea. dread. drusilla. dáinn. eeria. eldritche. elissar. eliza. elle. elodie. eloise. emerence. emily. essie. esther. evangela. evangeline. evelyn. eveyln. faith. frill. frillette. genevieve. genoveva. gia. gladys. glorie. glory. gorey. gorie. gracelyn. gregory. gretta. gwen. gwenivive. haldor. haunt. hiccup. hyde. iraia. iresse. irette. itishree. jabez. janelle. janet. jannet. jinx. josie. julie. juniper. juno. kailey. kanani. kewpie. kiva. krak. lace. lacesse. lacette. lacey. lacie. lain. laintess. lakka. lalki. lavender. lea. lefu. letta. letum. libitina. lilac. lillith. lilly. lily. loaela. lola. lolah. loletta. lolita. lolite. lolla. lottie. lovelace. luci. lucius. lulu. lute. lyla. lys. madison. mahina. mandy. mannie. manon. many. mara. maria. marianette. marie. marion. marionette. marionne. marotte. marrionette. marrow. mary. maryjane. marzana. maveth. meek. melanie. melodie. melody. merripen. miel. minuette. mold. moldie. moldy. molly. moonie. moore. morana. morgana. morgue. mors. mort. mot. muriel. murmur. muse. nadine. nadzen. nancy. nanea. nanelle. nanette. nappi. naz. negan. nekane. nelly. nemesis. nettie. nicodème. niegan. nimbus. nina. nuri. olive. oliver. olivia. omega. panchaali. parner. pinkesse. pinkette. pinkie. pinky. pinocchio. pippin. poe. poppet. poppette. poppy. porce. porcelain. porcelynn. prantika. pulau. punthali. pupetta. puppet. puppetear. puppetesse. puppetette. puppette. puppyte. putala. quinn. ravanche. raven. realiteer. rebel. ribbon. ribbonne. riley. rion. robert. rose. rubella. ruby. sacrifette. salem. sasha. satin. scarlet. sebastian. sew. sewine. shivani. shiver. sidney. smierc. smiley. smilie. softesse. softette. softie. solikha. spirit. sprout. statuette. stitches. strings. sweeheart. sweetheart. sweetie. sweetiebelle. sweetine. sychar. teacup. tearie. teddy. tempest. thalia. than. thana. theodora. thorn. trembelle. trista. ultima. ulysses. vanessa. vera. viola. visage. whisp. whisper. willow. winston. wisp. wispera. wrathes. zizi.

PRONOUNS ⌇ adorable/adorable. ae/aer. angel/angel. anger/anger. antique/antique. app/apparition. bell/bell. berry/berry. berserk/berserk. bjd/bjd. bla/black. blank/blank. bliding/bliding. blue/blue. blush/blush. bug/bug. button/button. cake/cake. car/carcasse. cheer/cheer. cloth/cloth. coffin/coffin. control/control. coo/croon. cor/cor. cor/corrupt. core/core. corpse/corpse. coy/coy. crack/cracked. cracked/cracked. cre/creepy. creep/creepy. cu/curse. cu/cute. curse/curse. cute/cute. da/dark. de4/de4d. de/dear. de/demure. dea/dead. dead/dead. dead/death. dear/dear. death/death. decay/decay. delica/delicate. delicate/delicate. demon/demon. despair/despair. dirt/dirty. do/doll. doll/doll. doll/dolly. dolly/dolly. dread/dread. dress/dressup. dress/up. d♡ll/d♡ll. eer/eeerie. elegant/elegant. en/energy. end/end. evil/evil. eye/eye. fabric/fabric. fae/fae. fi/figure. fig/figure. figurine/figurine. flower/flower. fragile/fragile. frail/frail. friendly/friendly. frill/frill. fury/fury. gho/ghost. glass/glass. glo/gloomy. gore/gore. grave/grave. grief/grief. grim/grimm. grime/grime. gru/grudge. ha/haunt. happy/happy. haun/haunt. hx/hxm. h♡/h♡m. it/it. joint/joint. joint/jointed. joy/joy. ke/ker. kew/kewpie. kill/kill. kor/kor. kor/korrupt. la/lace. lace/lace. lae/lace. lo/love. lo/loved. lolita/lolita. love/love. mad/mad. mae/mae. mari/marionette. marionette/marionette. me/meek. mi/mier. mim/mimic. model/model. morbid/morbid. mu/mutter. mur/murmur. nap/nap. null/null. ny/nym. patch/patch. phan/phantom. pink/pink. pitter/patter. plastic/plastic. play/play. play/playtime. play/time. plush/plush. plush/plushie. por/porcelain. porce/porcelain. porcel/porcelain. porcela/porcelain. porcelain/porcelain. pose/pose. pose/posed. possess/possessed. pup/puppet. puppet/puppet. rea/reality. rest/rest. reven/revenge. rib/ribbon. ribbon/ribbon. rot/rot. scare/scare. scary/scary. seem/seem. sew/sew. sew/sewn. shi/shift. shi/shiver. shx/hxr. sh♡/h♡r. sie/sier. silk/silk. slee/sleep. sleep/sleep. smile/smile. snap/snapped. sneak/sneak. soft/soft. sou/soul. spi/spider. spi/spirit. spo/spook. spook/spook. sta/stalk. sta/stare. statue/statue. sti/string. stitch/stitch. string/string. sweet/heart. sweet/sweet. sweet/sweetdolls sweetie/sweetie. ta/tap. te/teer. tea/teatime. teeth/teeth. thre/thread. thread/thread. thxy/thxm. th♡y/th♡m. ti/timid. to/toy. toy/toy. toy/toytime. trick/trick. un/canny. unca/uncanny. ve/ver. vey/vem. vi/vr. vintage/vintage. vomit/vomit. wan/wander. watch/watch. whi/whisper. white/white. wilt/wilt. wood/wood. wrath/wrath. yarn/yarn. zzz/zzz. ♡/♡. ⚰️ . 🍨 . 🛌 . 🛏️ . 🥀 . 🧸 .

[wordsinhaled]

Aziraphale returns to Earth, but his memory’s been wiped, like Gabriel’s was. He instinctively comes to the bookshop, but Crowley’s not there.

Muriel’s there, instead.

Muriel doesn’t really know what to do with him and Aziraphale… he doesn’t remember being Aziraphale. Just that something drew him inexorably to London, to this neighborhood, this street, this shop. He’s still wearing the bespoke new clothes he was given in Heaven, not a stitch of tan or tartan or vintage fabric anywhere on his person.

He’s subdued and pensive at first, robbed of his usual verve and lust for all of the beautiful things in life; and he doesn’t remember how he takes his tea, or even that this is his shop, actually—it couldn’t be. That’s absurd. He doesn’t believe Muriel that he is, in fact, an angel named Aziraphale. An angel owning a bookshop in Soho. Really, it couldn’t be any more fantastical if it came right out of a fantasy novel, could it?

Nina and Maggie come by, and when they see Mr. Fell’s condition Muriel very, very narrowly convinces them not to take Aziraphale to A&E right then and there.

And then Crowley shows up.

He’d stayed away, for a bit, at first. He’d wanted to stay away for always, maybe wish himself to another star entirely (not Alpha Centauri, that one was utterly out of the question, thank you very bleeding much). But being in his new, empty, hyperminimalist flat with only his plants for silent company is leagues worse than any torture hell has ever thrown at him before. It doesn’t really bring him the joy it used to. If he’s honest, which he would prefer not to be, nothing much does; but maybe that’s just what life as a demon is supposed to be. Joyless and colorless.

And so he’s taken to coming by; only for a bit, only about once a week if he’s very disciplined. Someone’s got to make sure Muriel hasn’t sold any of the books, don’t they?

And. Well. It hasn’t been that long, really, since Aziraphale left. Sometimes Crowley just walks up and down the street. Orders a nine-shot espresso from Nina. Visits Maggie’s shop, takes a listen through the records she keeps aside for him even though he’s never asked her to do it. But in the end, he finds himself back at the threshold of the bookshop, pulled there like iron to a lodestone. It’s all very… regular, very boring, very mind-numbingly bland and dull without Aziraphale there with him, and yet… it’s the only place Crowley’s found ever that feels remotely like home.

So. Crowley shows up.

But this time he looks through the window and almost discorporates on the spot, because that’s Aziraphale. That’s Aziraphale standing in the bookshop, lit gold by an afternoon sunbeam.

It’s worse, somehow, seeing him right there within reach, than it was simply remembering him. It feels a bit like being crushed slowly in a vise: a vise with great big spikes in it for good measure. Aziraphale is back. Back on Earth. Back in the bookshop, and he didn’t even look for Crowley, didn’t even try to find him—

(Of course he didn’t, Crowley reminds himself, because he’s not on their side any more. And there it is. There’s the lick of bitter, blunted anger he’s become used to, twisting round his heart alongside the aching, terrible grief he wishes he were too proud, or too disaffected, to still feel.)

He almost doesn’t go in. It would be better, not to go in, wouldn’t it? It would. He can pretend to himself, to everyone, that he’s there to look in on Maggie, or to pop into the brand new plant shop just opened a few doors over, he really has been eyeing the gorgeous Persian carpet flower hanging in the bay window. He doesn’t have one of those—

But blast it all, it’s almost like he’s summoned her because suddenly Maggie’s there with him on the pavement, and she’s a lovely girl, really, on most days, only he wishes she wouldn’t sound so distraught on this particular day, when Crowley’s already suffocating. “I’m so glad you’re here,” she’s saying. “It’s Mr. Fell. He’s back. And—I think he needs you.”

Crowley… well, he scoffs all the way to the shop door, scowls at the cheerful jingle of the bell, scoffs harder still as the door creaks shut behind him. It’s fitting that Aziraphale’s standing now turned away from the entrance, all the better not to see him skulk in. Aziraphale’d made perfectly plain that he doesn’t need him at all.

But all of Crowley’s thoughts go right out of his ridiculous, hopeless, besotted head the moment Aziraphale turns round to look at him.

He looks…

The tailored clothes he’s wearing are doing a surprising amount of wonders for him, actually. That’s Crowley’s first thought, he’s a bit ashamed to admit. The cool grey silk of the suit makes Aziraphale’s eyes an impossibly bright, crisp blue, or maybe it’s that Crowley’s forgotten somehow how blue they always were.

Crowley’s second thought is that he hates how much he’s missed him. He hates how, already, his shoulders are dropping down from where they’ve been perpetually scrunched up about his ears for weeks, just at being in the same room. He can’t stand the treacherous lump rising in his throat and the way the scent of violets follows Aziraphale everywhere and really, he’s got to thank someone in this hope-forsaken universe for the paltry sanctuary of his bloody sunglasses, because...

“Oh,” Aziraphale says to him. “Hello. I’m—”

“Aziraphale,” Crowley breathes, a little wetly.

“—Ezra,” Aziraphale finishes.

Crowley blinks. He takes a swaying step backwards. “…Ezra,” he says. And a part of him, see, a part of him is still livid, it really is, still bruised and raw and curled in on itself somewhere deep inside like a wilting blossom. But another part of him is—is confused. Aziraphale hadn’t chosen him. He knows that. He can come to terms with that. But surely… surely they aren’t going to be like this, now.

“Well, yes,” Aziraphale says, “of course. Ezra Fell. That is my name, isn’t it? And this! This is my shop. Naturally.” He smiles at Crowley beatifically. That smile, at least, seems unchanged, if the way Crowley’s chest seizes at the sight of it is anything to go by.

“Right,” Crowley says. “…Naturally.”

“And how may I help you, sir? Is there a particular title you’re looking for? Though I must tell you quite up front, I’m told I dislike selling books, but you might, if you’re very careful, be permitted to peruse them on the premises. You do look like a nice fellow, after all.”

And it’s then—only then (too late, he thinks, and isn’t he always too late?)—that Crowley begins to realize something is very, very, very wrong with Aziraphale.

[vroomvroomwee]

I know how everyone sees just how badly Crowley and Aziraphale are treated by Heaven and Hell, often even resulting in physical and emotional abuse.

But... imagine how worse it is for all the other angels and demons.

Aziraphale and Crowley have had the privilege of being relatively free from Hell and Heaven. They've spent most of their existence on Earth, watching sunsets, eating food, drinking tea, wine and cocoa, talking to people, driving, wearing fancy clothes, experiencing different cultures, seeing fireworks, going to the beach, taking care of plants, looking at trees, smelling flowers, exploring different cities etc.

And they are the only two who have that.

Muriel hasn't even been to earth. Think about that for a second. Thousands of years trapped in an all white office, no colour in sight, doing paperwork over and over and over for eternity. They even mentioned they only speak to someone every 100 years. Imagine not speaking to anyone for decades... They probably haven't even held hands with anyone, never hugged anyone, never held or been held by anyone. Shax and Furfur also being sat on a desk and checking people in for centuries. Beelzebub having a dank and claustrophobic office, stuck doing paperwork every single day. The demon who gets his tongue ripped out on a regular. 10 million angels and demons doing the same old chore every day for thousands of years.

Point is, no matter how awful Crowley and Aziraphale are treated by their respective head offices, they most likely got the best end of the deal. And that's somehow both very comforting and very bittersweet.

[drconstellation]

The Assistant Book Seller

Edit 1 Dec 2023 - added missing information on the "ribbon pattern."

Edit: 3 Dec 2023 - correct information about middle pattern from creator

GABRIEL: Greetings! I'm Jim! It's short for James, but I don't need to keep telling everyone that. I'm an assistant book seller.

I'm sorry. Before I do anything else, I need to apologize for something I need to write further in. I didn't plan to write it, I just kind of bumped into it and, well, I can't ignore it. So...sorry. It's said. Forgive me for what needs to be done.

Although he arrived with nothing but a cardboard box and Rodney the Stunt Fly, Aziraphale made sure Jim was clothed in appropriate raiment while under his protection. We'll forgive him that he took a step back about, oh, fifty years or so to the 1970's, as Jim's overall look is a nod to the famous old sitcom "Open All Hours." So if he looks a little bit out of place, or, a little bit familiar, even, that's why.

While we are used to seeing angels in overcoats, it's Jim's vest that is the particular feature here. But I will take a moment to comment on the overcoat - not just the colour but its lapels. Aziraphale has obviously given him a colour with an earthly connection and one that indicate that he has bought Jim under his protection, but the lapels look quite neutral, with one up and one down. (Muriel is the same in their Inspector uniform, btw) This is the first indication they are between two things at the moment.

Onto the vest.

There is so, so much work and thought put into this vest! It was a one-off commission for the show, and the creator, Sandy Higgins, has said she is not allowed to give away the final design pattern. I have tried to contact her, and I'm waiting for a reply, so in the mean time I thought I would ask my keen knitter of a sister-in-law about one of the patterns I'm not sure about. "Well, that's Fair Isle knitting," she said, but she knew nothing about the individual line pattern I was interested in. Hmm, I kind of know that already, its in the notes that are guiding me for this meta, but hey, why not do a broader search and see what comes up?

So once I got back home I did. "Fair Isle knitting patterns" hmm...Wikipedia page for starters...what on *earth* is that at the bottom of the page...? YOU ARE. FRIKKING. KIDDING ME!!!!!!!

"See also: Gumbys"

oh ffs

I am so sorry that needs must make me mention Monty Python yet again, but here we are. And we must mention them, because this link is just too...unbelievably, deliciously good.

If you aren't familiar with the Monty Python catalogue, and don't recognize the mention of Gumbys, they were a set of characters that dressed and spoke in a certain way but the main points to take away were they wore woolen vests in the Fair Isle knitted style and their catch-phrase was - wait for it - "My brain hurts!"

I think we've heard that somewhere before?

CROWLEY: When you first arrived, you said you were here because they were planning to do 'Something Terrible' to you. So you remembered it then. Remember it now. GABRIEL: It hurts to remember. My head isn't built for that.

Right. Now we've got that out of the way...back to the serious stuff.

The colours used in the vest are not your typical angel colours. There is a base of angelic off-white and there are some bits of purple for his royalty around the shoulder area - sometimes you need to look carefully for it. Otherwise it is dominated by vintage shades of red and green. Well. Who's an agent of change driven by love, then?

The horizontal stripe pattern is partly to remind us of the classic biblical robes with stripes that ran along them, much like the style of Crowley's black and red robe in the Job minisode, but is also part of the traditional Fair Isles pattern work. And each row only has two colours, but up around the shoulder area we do see purple start to sneak in as a third colour.

On to the incorporated symbols! I'm going to go from bottom to top.

On the lowest two we feature Crowley and Aziraphale. We have Crowley's demon satyr tail from the Good Omens logo on the lowest stripe - the double-headed arrow.

The next stripe is Aziraphale, with a variation of the classic OXO pattern ("hugs and kisses.") The X is meant to represent his angel wings, and the O is modified to mimic the "o" with a halo in the Good Omens logo. I've highlighted all three in the image on the right.

The third row up is a Sumerian Star pattern that represents one of the flowers associated with Gabriel, the lily. They are supposed to represent the purity of Mary, mother of Jesus, as he had one in his hand when he visited her during the Annunciation.

The row above that is what I believe to be a Byzantium pattern, and is included to show "an Angel's ability to be timeless."

The next three rows are still under a bit of a question mark as I write this. I plan to come back and edit it in if I find the answer.

The bottom of the three is the Duke of Buccleuch pattern, "to celebrate the long and necessary contribution that the cottage industry of hand knitted items."

The middle one - ? (perhaps you, the reader, know? It looks like a spiralling ribbon if I stand back, but that isn't sparking any connections, either.)

Edit: @noneorother tells me in a reblog (below) that this pattern represents the shoelace from the magic incantation Aziraphale uses "Banana Fish Gorilla Shoelace." So it is ribbon-like! This then points to the Second Coming, as it the shoelace references the end of the book, and the last paragraph of the book references Yeats poem "The Second Coming" as well as the novel 1984. To me it is then also telling us there is a cycle occurring, or a cycle that needs to be renewed. This fits in with some other clues other meta-writers have been picking up.

Edit 2: Turns out none of that was correct - I heard back from the creator herself and it's actually the double-ended satyr tail pattern again! It just seems to make a bit of an illusion of a ribbon or shoelace.

The pattern below is a modified OXO pattern.

The top one looks like two rams horns facing each other. A hollowed out rams horn can be used as a trumpet, and is known as a shofar in Jewish religion. Gabriel was traditionally known to carry a trumpet.

The ancient meander pattern would be recognized by most people, included as another classic timeless pattern found all over the world. For some it symbolizes eternity and endless flow.

The wheels here appear to be Michael's ophanim wheels, that would have eyes around the rims.

The hourglass is to remind us that time is running out. Memento mori - "Remember that you die." It is a major theme in both series.

Right up high, just before we lose the rest of the vest inside the overcoat, we get a glimpse of a large diamond-shaped icon. I wonder if this is another stylized set of angel wings, like we saw in the Job minisode on Aziraphale's golden collar.

To finish off the outfit, he is wearing dark gray trousers with sneakers! I'm sure that's so he could keep sneaking up on Aziraphale in the shop, haha. His shirt seems a little too large for him and the tie is knotted too high and is not settled along his centerline. It's all at odds with his previous neat and sharp appearance as Supreme Archangel Gabriel.

I'd like to say a big thank you to @aduckwithears for helping me with information on the vest and finding the creator's other social media sites. You can see their two posts about it here and here.

[emeritusemeritus]

No Good Deeds [George Weasley x Reader]

Part 5

Part 1 2 3 4 5

Pairing: {George Weasley x Reader} mentions of previous Fred Weasley x Reader.

Timeline: Set a few years after DH, loosely following Canon.

Summary: A few years after Fred’s death, the investors of Weasleys’ Wizard Wheezes demand changes to the name. All it would take is two years of a fake marriage to fix the issues, but no good deed goes unpunished.

Warnings: Fake marriage trope because we love the cliché. Mentions of death (Fred). Friends to lovers. Slow burn but mentions of kissing and eventual smut. Swearing. George calls us Angel. Drinking. SMUT. The smut has arrived! P in V, oral (both). Angst, sadness, grief. Tags will be updated with each chapter. Not Beta-read or spell checked.

Honeymoon time 💕

Your wedding to George was a jubilant celebration with your family and friends, a chance to bask in the love you were so thankful to receive from everyone around you. You'd honoured Fred in many ways that day, including photos of him, an empty chair with his name on and many other little ways to make it seem like he was there. You'd noticed George had worn his chain under his suit shirt and the sight of it made butterflies flutter inside you.

It was a small and quaint wedding that had admittedly been rushed in planning, only two weeks after you'd announced your engagement, but it was perfect. No one had doubted your intentions and the day had gone completely to plan, except for the regular hiccups that seem to occur when a group of people are brought together. Muriel had been characteristically foul as usual and had clashed with your great aunt Ariadne though she'd avoided the more triggering topics which was one consolation.

You danced with your friends and your now blended family late into the night, with George eventually stealing you back from dancing with Bill for one final dance.

"Have you had a good day Mrs Weasley?" He asks, holding you close as you sway with surprising grace even with the healthy amount of alcohol you'd both consumed.

"The best, Mr Weasley," you beam up at him, his handsomeness once again hitting you as you look upon his smiling face.

"Couldn't have asked for better. I don't think you've ever looked more beautiful."

The night you'd spent together had not been repeated since, nor had you really spoken about it. There was a lingering tension between you, growing increasingly stronger throughout the day as you thought of your wedding night and honeymoon, the anticipation almost consuming you.

Ginny and Fleur had whisked you away from George not long after your final dance to get you ready to leave for your honeymoon, which you'd be departing for very soon. It was tradition in the Weasley family to immediately begin your honeymoon the night of the wedding and you had readily accepted the chance to exit out of the wedding a little earlier into the night, giving you and George some time alone.

You'd chosen to honeymoon in the U.K. to keep costs down, after all this whole situation was based upon George reclaiming the shop as sole owner and any unnecessary spending would only increase the amount of time you'd be married. Bill and Fleur had graciously offered for you to stay in Shell Cottage with them but George had instead chosen to surprise you with your destination. He'd tactfully evaded every single one of your questions, relishing in his power of knowledge but had thankfully given you a few clues as to what you should pack. Clothes for all weather, from hot to bitter cold, a couple of 'nice' outfits and a bathing suit. So, nothing to really go off.

Percy had arranged a ministry car for you to borrow for the week, his gift for you both and you'd decided to travel like muggles for the week, taking your time and only using magic when necessary. George was driving to your destination, the luggage and travel necessities having been packed up earlier that day by the Weasley boys and Harry.

The crowd cheered as you both walked towards the car that was waiting for you, your family and friends gathered around with jubilant faces as you walked hand in hand towards the car. You both paused to thank and embrace Mr and Mrs Weasley before climbing into the car, George opening the door for you before getting in on his side. You waved at the gathering of people in front of you as George pulled away and as you pulled away from the Burrow, you peered through the back window, squirming around the freshly painted 'just married' sign to see your loved ones fading further away as they carried on the party.

"Are you okay?" George asks gently as he drives out of Ottery St Catchpole, the rolling Devonshire fields passing you by as the sun begins to set.

"I'm... incredible, I don't think there are words for how I'm feeling," you say with a wide smile, giggling a little at your inability to get your words out. He chuckles and reaches for your hand, pulling it onto the gear stick to join his.

"I know what you mean, I feel like I'm floating," he says, flashing you a smile before turning his attention back to the road. You take the opportunity of his attention being elsewhere to really look at him,  the plains of his face looking unbelievably handsome to you. He looked stunning in his suit, the colour and cut of the material only serving as a compliment to his gorgeous red hair and sharp features.

"Checking me out Mrs Weasley?" He says with a smirk, eyes still fixed on the road. You fight to hide the creeping blush that appears on your cheeks, realising that he'd caught you staring. You bite your lip and turn away, choosing to look out of the window at the rolling hills instead. "You can you know, I'm yours now."

You turn to look at him and the smile he has plastered on his face fills you with warmth and nervous excitement.

"You look so handsome, I feel like I can't take my eyes off you," you admit, a little bashfully.

He gives a deep chuckle and squeezes your hand that is still held by his own.

"You have no idea how hard it is to drive right now, all I want to do is stare at you," he admits, though he sounds completely unashamed of his words. You blush and look away again, this time out of pure bliss, wanting to remember everything about this moment.

"Get some sleep Angel, it's quite a drive," he says softly a few minutes later, turning down the radio that was playing music in the background.

"I'm okay," you lightly protest, despite feeling relaxed by the drive. "I wish I'd taken this dress off though, not the best travelling outfit."

"And take that joy away from me? How dare you," he jokes, sounding a little outraged. Your stomach instantly fills with nerves and butterflies at his words; he intended to take your dress off.

You fell asleep a short while later, just as the last slither of sunlight had disappeared into the horizon, the long stretch of road ahead now only lit by car lights and the faint cats eyes on the ground. The mixture of the low humming from the radio, the gentle rocking of the car and the presence of George was enough to lull you into a much needed sleep as you cuddled into a pillow you'd thought to pack, wishing that you were wearing something much less restrictive but that couldn't be helped.

When you woke again, it was still pitch black and George was still driving, the car lights ahead of you the only clue to where you were.

"Hi Angel," George says, noticing you staring as he briefly looks over at you with a smile.

"Mmm, hi Georgie," you mumble back, still fighting off the last embers of sleep. "Where are we?"

"Nice try," he says, not falling at the last hurdle and you give a little huff, hoping that one would have worked. "About an hour away."

"Is there time to stop for a coffee somewhere?" You ask, sitting straighten in your seat as you abandon the pillow into your lap.

"I don't know anywhere that would be open," he says, flicking his eyes to the dashboard clock, prompting you to do so and realising that it was now past midnight, much to your surprise.

"McDonald's will be," you say with a little shrug, trying to see any hints from signposts as to where you were of where the next services would be.

"McDonald's?" He asks, completely oblivious and you can't help but laugh, never having thought about how the notion of 24 hour fast food had not yet entered the wizarding world, making George completely oblivious.

"It's a 24 hour restaurant, usually around road services, it's fast food," you explain. He immediately gets it and let's out a little 'ahhh' of understanding, telling you that there was a services coming up and you could check if there was one there. There was.

Introducing George Weasley to drive-through ordering was nothing short of hilarious and you'd briefly lamented the fact that his first McDonald's experience wouldn't be inside an actual McDonald's building but you were not about to enter a fast food joint at a service station in a wedding dress. You'd both ordered a coffee, yourself a medium coke and then you had excitedly introduced him to not only a Big Mac but also chicken nuggets, both of which were a complete revelation to him and you had to hold back serious giggles at his reactions. Half an hour later and you were on your way, coffees in hand and belly's a little fuller as you prepared for the last part of your journey.

"Are you sure you don't want me to take over? I don't mind driving to give you a break," you offered as you watch him put on his seatbelt.

"You don't know where we're going," he says with a devilish smirk but you feign innocence.

"Then just tell me and I'll get us there," you say innocently, batting your eyelashes at him.

"Nice try baby," he says with an even more sinister smirk, his eyes roaming your face briefly before he turns on the car and begins to pull away after one last sip of coffee.

You were transfixed as George turned right up a long winding path entirely shielded by trees, the long road leading you deeper under the canopy of trees until you were completely surrounded by woodland. You could make out a small, warm light at the end of the long road and became transfixed on the approaching light, trying to focus your eyes hard on that point, trying to make sense of it. The car swerved a little to avoid a large twig in the road which brought your destination into clear view.

You gasped at the beauty of the scene in front of you, looking excitedly at George who looked more than pleased at your reaction.

"George," you say breathlessly as he parks up in the little clearing beside the place you'd be staying.

It was a rustic log cabin, completely shielded away from everything by a large canopy of trees, a beautiful escape completely hidden away from the outside world. The cabin was almost entirely made of wood with wooden shutters and a wrap around deck.

"George it's beautiful," you say, completely gobsmacked as you look at the gorgeous lodge in front of you, seeing it illuminated by the multiple lanterns that offered a stark contrast against the pitch black night.

"Only the best for my bride," he teases, opening up his car door, prompting you to do the same.

"Want to explore whilst I unload the car?" He asks with a grin, holding the keys to the cabin out in front of you, the little wooden keyring clinking against the two old fashioned keys. You nod enthusiastically and reach out to grab them, pulling George in and without much thought, you leaned up to press a kiss to his lips. Instantly, you realised what you'd done and took a step back, blushing a little as you avoided his gaze. His hand had instinctively wrapped around your back and he gave your back a little rub as you parted, showing no ill will as you turned and walked excitedly towards the cabin.

Opening the door, you were immediately met with an illuminated room thanks to the warm lighting from multiple lamps and light fixtures. The cabin was warm, as if there was a log fire already burning and the smell was heavenly, clean and fresh but with an indisputable scent of wood and pine, a natural consequence of it's idyllic surroundings. You walked through a little entrance hall that houses a utility room before stepping into an open living room, dining room and kitchen, all of which were warm and inviting with natural wood features throughout and neutral colours, highlighting the windows which you knew would almost certainly have beautiful views in the morning. There were two brown leather sofas that looked absolutely lush and a single armchair underneath a window that looked perfect for reading, a tall lamp beside it and a little table for drinks. There was a television and a cabinet in the corner and beside that was a beautiful log burner that was indeed lit, radiating heat throughout the home. You couldn't see much through the side door that was half glass but the outside light did illuminate the decking a little, highlighting a rather impressive sunken hot tub that was covered, eliciting a little excited squeal from you.

You walked down a small corridor that led off from the main atrium through a beautifully carved wooden door with an old metal latch which led you to the bathroom on the left and two bedrooms. You crept into the bathroom to take a peak and saw a big bathtub to the left and a built in shower to the right, as if every need was catered for. One bedroom has two single beds partitioned with a beautiful shelving unit and the other bedroom was almost certainly the master.

There was a huge four poster bed against the back wall bookended by two beside tables with lamps that looked entirely too inviting. The bedding was sheer white and completely crease free, only adding to its appeal. There was a smaller television in here too, along with a dressing table and a large, ornate wardrobe that looked older than the cabin itself.

"What do you think Mrs Weasley?" George asks from behind you as you pause to run your hand over the ornately carved bed frame. You turn to see him leaning against the doorframe with a smirk, still wearing his wedding suit but now with his tie removed and a few buttons open near his collar.

"I think it's absolutely beautiful Mr Weasley," you reply, turning to him with a look of pure elation.

"Just like my wife then," he says with a look in his eyes that makes your pulse race. He steps towards you with clear conviction and it's all you can do not to melt into a puddle, the look in his eye so dangerously arousing that you're almost frozen to the spot. It was the first time he'd called you his wife and the reaction that it pulled from your body was almost unbelievable, the sound of it almost heavenly in your mind.

As soon as he reaches you, there's a brief pause as if he's searching your face for any hint of resistance, not that he'd find any. When he sees the look in your eye, knowing that you wanted him just as much as he wanted you, he steps even closer and wraps his hand around the back of your neck before leaning down and kissing you with a burning passion.

Your hands slip up to his chest, feeling the material of his lapels under your fingers and pull slightly, needing to feel him as close to you as possible as you pull his jacket off. His fingers tangle in your hair as the kiss deepens, tongues working together to fuel the burning desire between you both.

With his right hand cradling your head and his left clutching as your waist, he begins leading you to the side of the bed, silently asking if it was okay to go further.

"Make love to me George," you say against his lips, hardly wanting to pull away for even a second. You hear him groan against your lips before his hand slips from your hair and down to your butt, cradling you and taking your weight. In a move that would otherwise impress you if you'd seen it in person, he sweeps you off your feet whilst climbing onto the bed and lays you down softly before climbing over you, kicking off his shoes in the process.

"I've waited all day to rip this dress off of you," he mumbles against your skin as he begins kissing down your neck, onto your bare shoulders where your dress straps began, the soft layers of the gown suddenly feeling much too restrictive as your skin burnt up with desire. He kisses down your chest as your hands tangle in his slightly grown out hair. There's a single moment where your eyes meet, just as he hovers over your panting cleavage and it takes your breath away how absolutely sexy he looks, the desire and admiration in his eyes mirroring your own. His long fingers drag against your rib cage as they dance over to your covered breasts before he reaches in to pull down the cup of dress, exposing your right breast to him, your dusky pink nipple already hard and waiting for him. He groans, watching your breast spring free and immediately bends down to run his tongue over the pebbled nipple, eliciting a deep, breathy moan from you before his lips wrap about the little bud and begin sucking. You moan out again, throwing your head back into the pillows at the overwhelming sensation and suddenly you feel the whole atmosphere change. There's no trepidation anymore, no resistance or questioning but rather just a primal urge between both of you.

You can tell that George is feeling for the opening your dress so you divert his fingers to the small, concealed zipper on the side and help him drag it down, much too slowly for your liking. He pulls away the dress after you slip your arms out and you watch carefully as his mouth slips open to a little 'o' shape as he pulls the dress from your body, exposing you completely to his gaze. You couldn't wear a bra with your dress thanks to the unique straps but you had thought you buy a tiny white lace thong that you'd had embroidered with a little 'W' on the left side of the crotch, knowing it would either make him laugh or make him growl. Luckily for you, it was most certainly the latter as he groaned as he spotted it, momentarily fixated on your naked breasts that were exposed completely for his view, his eyes travelling down your body with acute precision before he eventually noticed your little customisation. He groans and leans down to press a kiss directly to where the 'W' was situated, just above your mound and you can't help but squirm as the sensation of having him so close to where you needed him. He notices, of course he does, and his eyes flick up to yours with a look of pure mischief as he begins kissing the inside of your thigh and across your bikini line, teasing you. You groan and can't help but roll your hips as he flutters kisses everywhere apart from where you need them.

"My beautiful wife needs something?" He teases, acting completely oblivious when you knew he was very aware.

"Please George," you beg, "need you."

Like a switch had been flicked in George's mind, his long fingers begin tracing your pussy through the very thin and nearly transparent lace, groaning once again when he feels the wetness seeping through the lace. You feel his fingers hook into the side of your thong, catching your labia with a little stroke before he pulls them away from your burning pussy, exposing you completely to his view. He wastes no time and leans down, licking a long stripe across your pussy, catching your swollen clit with the til of his tongue in the most perfect way that has you gasping and moaning.

"Fuck you taste good, so sweet," he whines into your pussy, resting his forehead against your mound for a moment before he slips down again, this time licking you with vigour. "So wet baby."

His tongue is everywhere, delicately stroking and teasing whilst also hitting every spot you need him in perfectly. It's a perfect juxtaposition between his igniting a fire inside of you, making you burn with desire and pure torment whilst also extinguishing the flames with his tongue. As soon as his finger traces your inner lips as it moves down, gently pressing into your waiting hole before he slips one of his long, deft fingers inside of you, you're gone. His name falls from your lips like a prayer, hips rising of their own accord as you grope your breasts, completely consumed by your pleasure. He slips a second finger into you as you cry out, fucking yourself on his fingers as he circles your clit with his tongue, putting pressure on the left side just as he's discovered drives you crazy.

"George, George!" You chant as you feel the beginning of your orgasm rising in you very quickly, consuming you and burning you from the inside out. Your pussy is drenched and you can feel more arousal gushing from you as your climax crests, George's own moans ringing out in your mind as he pushes you over the edge. It's like you're falling, the crescendo of light and burning arousal overtaking your whole body and mind, the only capable thought in your mind is of George. He licks you slowly as you come down, careful to avoid your sensitive clit as he laps up your cum, fingers still slowly fucking you bath and forth with gentle strokes, extending your pleasure.

You gasp to catch your breath, chest rising and falling rapidly as your heart pounds, the effects of your orgasm still lingering as you feel a tingle across your whole body. It takes all of ten seconds for you to focus your attention back to George who has pulled his fingers out of you and began kissing your inner thigh again, soothing you as you return to him.

You sit up and reach for him, pulling him on top of you as you kiss him feverishly, moaning as you taste yourself on his lips. He notices and groans deeply against your lips, almost growling as you lick at his lips, desperate for a taste. You claw at his shirt, desperate to even out your nudity and feel his skin against yours and as if he can sense the sheer desperation, reaches down and completely rips the front of his shirt, the flying and falling buttons only an afterthought as you fight to get the shredded shirt away from his body. Your hands slip to his smooth shoulders and down his back as you kiss him desperately, pulling his tongue into your mouth so you can suck on it, relishing in his deep groans and little whines. Your hands rest on his collarbones as you slowly pull away from him, pushing him slightly until he realises was you want. You overpower him with just enough force that he rolls onto his back as you immediately latch to his chest, kissing and biting as you make your way down to your destination.

His suit trousers are completely tented, the sheer size an excitement of him almost intimidating to you as you fight to open the fastenings of his trousers. You don't wait even a moment after they are open to slide them down his hips, along with his black boxer briefs until he was completely bare, except from his sentimental chain and your wedding rings. You crawl back up the bed after throwing aside his bottoms and flick your eyes up to see his own desperate look as you come face to face with his rather impressive member. His lips are parted and he looks completely desperate as he watches you carefully, silently pleading for you to take his aching length in your mouth. You grant him reprieve almost instantly, licking straight from the crest of his balls to the engorged tip of his cock, tracing the throbbing vein on the underside of his cock, following the gentle curve. He cries out at the contact and it makes you want to do everything in your power to hear it over and over again.

You gave into him completely, taking his tip in your mouth and licking all around, earning another heavenly noise from him before you sucked in your cheeks and bobbed up and down his length, taking him deeper and deeper with each fall; never stopping your tongue from running along the length of him. You were addicted to him, the taste, the weight of his length against your tongue, the feel of his smooth skin against your lips. You fought to go further with each bob, sucking him down like the most delicious treat from Honeydukes, giving everything you could.

George was moaning mess before you, desperately searching for any part of your body he could reach as he fought to stop his hips from rising each time you'd pull off, like he never wanted to leave your hot, wet mouth. Sweet names, curses and a load more expletives fell from his mouth as you pleasured him until he reached out, leaning forward to pull you closer to him.

You were dripping, more aroused than ever and so desperate for him to fill you that it was all you could think about. He pauses, looking at the little strip of lace that was still misplaced, concealing nothing of yourself and ripped the thin strings on the sides, tearing it away from your body, both of you complete bare to the other's gaze.

It was so intimate and intense that it stole the breath from your lungs, just how adoringly he was gazing at you. His hand grabbed around your neck, holding your face and threading into your hair as he kissed you completely without abandon, your chests pressed together as your leg slipped between his, desperately seeking friction.

"Ride me baby," he mumbles against your lips and as if acting directly on command, you comply. You lift your hips and straddle him, his narrow hips allowing your thighs to rest against his comfortably as your centres align, the heat and sensitivity joining together to make you both gasp.

He reaches down and holds his perfect cock at the bottom, ready for you to climb onto and you can hardly contain your cries as you slowly sink down, feeling him stretching you out. He pulls his hand away, moaning at the sensation as his hand rests on your bum, the large hand and long fingers wrapping around your bum and thigh.

It's sinful how well he stretches you out, filling you completely without any pain or discomfort, like you'd been moulded perfectly for his cock alone.

When your hips rise again and you sink back down, this time much more confidently, your head flips back at the sensation. George grunts and tightens his grip on you as you slowly begin to ride him, hips undulating and breasts bouncing as you fall into a perfect rhythm. Your hair fans out across your back and you've never felt sexier in that moment, feeling adored under his gaze and praised by not only his words but also his moans and growls.

You're both so worked up, so perfectly in sync that you can hardly contain yourself, not even caring to try and hold off the impending climax that threatens you, creeping up slowly until it's impossible to resist. You can feel your walls clenching around him, your arousal peaking as it leaks out around his cock and you're rewarded with the most incredible moans that spill from his lips at the sensation.

"George, Georgie I'm gonna," you stagger, completely breathless as you keep riding him, finding the perfect spot and movement so that he hits every single pleasure point inside you.

"Cum Angel, fuck, cum around my cock," he pants, groaning and tightening his grip on your hips as he fucks up into you. "Godric you're tight, perfect little pussy squeezing my cock so good. Cum for me Angel."

You chant his name as the heat of your second orgasm consumes you, never once stopping as you bounce on his cock. He takes over fucking up into you as you ride out your climax, filling you completely as he shoves his entire length into you before pulling almost completely out and repeating the motion. You're in complete bliss, overwhelmingly so, and can hardly stop tears of overstimulation brimming at your eyes, blurring your vision only slightly. George lets out a roar as he cums, fucking up into you with a brutal pace that is sinful at best. His hands pull you close to him, bruises forming under his grip but it's perfect.

His thrust stop slowly as he comes down from his high, riding out the last of his pleasure as he pulls you down to rest on him, softening cock slipping out at the angle. You breathe deeply as you feel the evidence of his pleasure slipping out of you slowly, trickling down until it dripped onto your inner thighs.

He cranes his neck to reach out to kiss you again, though this time it's like a warm down, gentle and sensitive.

"Welcome to the family," he wheezes after a few moments of comfortable silence and you let out a loud belly laugh at the absurdity of his words, tapping his chest as you slink down to rest beside him, his arm still keeping you pressed to him. He's covered you both with the duvet and you can't resist slipping into a very comfortable sleep, too comfortable and worn out from the day to fight it.

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[actual-changeling]

muriel hands crowley the cup of cocoa with a slightly nervous smile, sinking down opposite her with their own.

with summer fading into autumn, teaching the angel how to make a proper hot drink has been a distracting enough hobby, although it has involved tasting a lot frankly disgusting liquids over the last few weeks. she leans back in her usual armchair, tentatively bringing the mug to her lips before taking a sip. it is a tad too hot, a non-issue for a demon, but surprisingly close to perfection.

"good job," crowley says softly, swallowing the bitter response worming its way up her throat. muriel's responding smile tugs on her lips, and she quickly hides it behind the white porcelain.

outside, the clouds continue to empty themselves above london, and the rain drums a steady staccato against the bookshop's windows. during the first few weeks of aziraphale's absence, crowley had cycled through every emotion known and unknown to humans, switching rapidly between accidentally causing anger-filled blackouts (and on one memorable occasion setting a car on fire), and curling up in a dark corner of her flat to cry.

by now, the deep ache in her chest is almost comfortingly familiar, and it is easier to breathe through the waves of rage and betrayal, though she still prefers staying coiled up on the cushions as a serpent with suppressed feelings and urges.

crowley catches muriel chewing on their bottom lip, a nervous tell they have quickly adopted in their time on earth, and raises an eyebrow, her golden eyes unconcealed.

"yes?"

as much as she wants to take out her heartbreak on every living being in a twenty mile radius, if there is one who definitely does not deserve it, it's muriel.

"i was just wondering- do you think if, i mean when, aziraphale comes back i can still stay here?"

well, now that is an interesting development.

she lets her gaze wander and takes in the recently dusted bookshelves, the pile of unread novels next to the couch in the backroom, the newly acquired plants decorating the room, and eventually lands back on the angel. lingering on the undoubtedly human clothes and soft, open hair, both going completely against angelic dress codes, and this time crowley does not hide the small smile blooming on her face.

"yes. you can stay for as long as you like."

[ineffablelunatics]

The Elevator Parallels of Good Omens

The coloring of each scene matched their respective characters. Crowley and Muriel on the green side and the Metatron with Aziraphale on the silver side.

Crowley’s Perspective: He is on the right side of the elevator. He is looking at Muriel who is on the left. They are also in a shadow and Crowley is in the light. Crowley is wearing black. He is being “arrested.” He is going willingly to Heaven. He is going to look for information and presumably bring angels as back up. He has manipulated Muriel into taking him to Heaven so that he can save Aziraphale and the bookshop. This also happens in the evening and the middle of the night. Time seems to move differently on Earth versus Heaven. It’s early morning by the time that Crowley comes back to Earth even though it looks like night when he leaves. This also could be due to the demons messing with the atmosphere.

The Metatron’s Perspective: He is on the left side of the elevator, partially in shadow. He is looking at Aziraphale who is only partially covered in shadow and on his right. He is wearing all black. He is the one bringing Aziraphale to Heaven. It is early morning.

The Metatron and Crowley’s similarities: Besides the where they are standing and their clothing, both of them are high-ranking individuals(at least one of them, Crowley seems like he might be high ranking but that hasn’t been confirmed in the show. He might just know stuff because he’s nosey.:-) who are entering Heaven with a “naive” angel. They both have more knowledge than the angels in front of them. Crowley manipulates Muriel to get into Heaven. The Metatron seems to be manipulating Aziraphale as well, but here’s where they start to differ.

Muriel does not really understand what is happening. They are shown to be easily manipulated by a higher power, but they also think that they could be doing the right thing. They like Aziraphale and they don’t understand exactly how he is a “traitor.” Most of this shows how they are learning and changing from being on Earth with humanity and specifically Crowley and Aziraphale. They’re so excited when someone “acknowledges” that they’re doing a good job. A big part of this is because they have been by themself for centuries or longer. They didn’t have a lot of chances for social interaction so they’re not great at it.

The Metatron manipulates Aziraphale into taking the offer that he presents. This assumes that Aziraphale does not understand the choices at hand, but he does. He has been on Earth around humans who are known for being manipulative for 6000 years. His job has been to steer those particular humans into being better for a very long time. Aziraphale's best friend is the demon who is literally known for teaching humanity how to manipulate. I think that he would know when he is being manipulated and very obviously threatened. Especially after the 1940s incident.

I theorize that the shadows are showing how much they know about the situation they are in/going into. Crowley is covered in light, because he knows that he is walking into a very dangerous place to obtain information that itself is dangerous. It also shows that he is really curious. He wants to bring wriggling things into the light with him. Muriel is in pure shadow, because they do not know what is going on, and they’re scared which makes it harder to be curious. The Metatron is in partial light. He knows everything about Heaven and his plan, but he is underestimating Aziraphale specifically in this moment. He is curious what Aziraphale will do, but he’s being cautious. Aziraphale is in both shadow and light with leaves making it “holes” like holes in his knowledge. He does not have all of the Metatron’s knowledge of the situation nor do we. However, Aziraphale does know what it is like working for Heaven and how the angels can be. He had just learned about the Book of Life(and the owner) then the Metatron takes him away and gives him a thinly veiled threat. Aziraphale chooses to go believing that he can change things as Supreme Archangel(trying to convince Crowley because he thinks it would be safer if they’re together and he loves him). After, he learns about the Second Coming. Now, he’s got to stop another Armaggedon and maybe a revolution would help

[felicitywilds]

The Magiciatron

A couple of posts came across my dash recently in quick succession about Crowley and Aziraphale’s costuming, and boy howdy did they get me Thinking™. The details of those posts are not super relevant, but they did inspire this one and were quite insightful, so I’d recommend giving them a read anyway, as well as the several other posts I have linked throughout where ideas were taken. Please do give those a read/reblog as well!

And then take a look at this post I saw:

“You’re not trying to trick me, are you?”

Now kindly consider the fact that Crowley is beside Muriel’s left shoulder (like an angel) and the Metatron is on Aziraphale’s right (like a demon). And notice, like I did, that the lapels on his coat are some of the lowest we’ve seen. Which, for an angel-who-isn’t-Aziraphale, and you know, the literal fucking voice of God, is pretty fucking weird. But I digress.

Because what’s important here is that you’re reminded, like I was, how weird it is that the Metatron is wearing so much black.

Surely the most important angel we’ve ever met-- who up to this point, has only ever been depicted as a brilliantly glowing white head, and is (stage blocking-wise, literally) above inhabiting the typical corporations that other angels have, even while in heaven-- surely he would be sporting the cleanest, purest, whitest clothes imaginable, right?

But... he isn’t. He’s not wearing grey or beige like any of the other angels, or even white like Muriel’s constable uniform, he’s wearing black. That’s weird! Angels don’t wear black! Oh... well except when they’re magicians, of course:

(X, X)

But even in his magician costumes, Aziraphale retains many elements of his angelic nature: the upward-pointed lapels; the white cuffs poking out of his sleeves; the floppy bow ties; the single-button or open jacket revealing the soft gold and velvet vests. This is merely a flashy costume! Don’t worry folks, he’s still the same, good old angel underneath!

The Metatron, on the other hand, does not have any of these angelic indicators. Underneath his magician’s coat-- which is big and loose, falls closed in front of him in a way that obscures his suit, and has extremely downward-pointing lapels-- he wears a dark tie, and a very normal-looking, white, pinstripe shirt. No angelic tartan to be seen, either. It’s a very understated, business-minded look compared to Aziraphale’s flashy stage getups. Also worth noting imo is that in many scenes, the Metatron has his hands in his pockets, which obscures his form even more.

Now this might be indicative of something more, some larger scheme we haven’t deduced yet, but by itself it’s a brilliant move by the costuming department, adding yet another perfectly conniving layer to the Metatron’s manipulations:

Dress him in the magician’s coat and send him on stage, where his tricks are hidden in plain sight...

Engage the audience to participate in a dramatic reveal...

Reassure his volunteer that his props are completely normal by offering them up for inspection...

Have the assistant do all the flashy presentation for him...

So that while the audience is distracted, they fail to notice...

... that a swap has been made...

And then the curtain falls. Show over. Audience fooled. Job well done.

The End.