#what it means to be Real
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highseas-swede · 2 years ago
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Becoming Real
Recently Good Omens Prime Twitter account posted a BTS photo of Aziraphale and Furfur and it started the gears in my head turning, trying to parse it. It's only just now that it finally coalesced into a proper thought.
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I kept thinking Aziraphale reminded me of something, especially when compared to the other angels. Look at him next to pre-Jim Gabriel, Uriel, Michael... heck, even Furfur, who he's standing next to right now.
Furfur is a demon, but his outfit is impeccable, it's sleek and stylish. The angel's suits in heaven are all pressed and flawless and New.
But not Aziraphale. He's dressed in old human clothes, his waistcoat is worn and tattered and long-loved. Aziraphale is, as Michael put it, like an old sofa. Worn and comfortable. He could choose to look basically however he wants, but instead he chooses to clothe himself in actual human clothes, to eat human food, to enjoy human entertainment - books, music, plays, etc. He does this despite the fact that it actively makes the other angels dislike him and find him unpalatable.
And that's what stuck out to me. Because unlike those other angels and demons, Aziraphale doesn't feel distant from humanity. He might be odd or eccentric to humans, but they don't question his humanity. He doesn't stand out to them in the way that the other angels do when they show up.
It occurred to me that this is because unlike the other angels... Aziraphale is Real.
Have you ever read The Velveteen Rabbit? There's a scene in it where they talk about what it means to be Real:
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This made me think of Aziraphale. About how the other angels are these pristine things, kept aloof from the world, and then there's Aziraphale, who is worn and shabby, who's lived on earth for millennia among the humans. He's loved and learned and experienced what being human is like and because of that he's Real in a way that the other angels aren't. Humans have personhood, a sense of agency, a sense of self. Angels and demons have only the divine plan, as Beelzebub and Gabriel noted, that's all they live for "if you can call it living".
But what strikes me the most is how potentially devastating Aziraphale's Realness will be to Heaven. They only succeed at keeping angels in line because they're undistracted from the Great Plan. We see how Gabriel - as Jim - takes to cocoa after trying it. We see how quickly Muriel becomes fascinated with books.
Now consider that this is the angel they're putting in charge of Heaven. This worn, shabby, old sofa of an angel who has an endless well of love, for Crowley, for the world and the humans in it. He doesn't seem dangerous in the slightest. He seems Fragile.
But he is dangerous. So very dangerous.
But it's not because he's a guardian, not because he's a warrior, not because he's the Angel of the Eastern Gate who leads a battalion and was issued a flaming sword. He gave all of that away and it's worth noting that this is the first actual choice we see him make in the show, the thing that sets him apart in Crowley's eyes, and it wasn't even Crowley's doing! Aziraphale made a choice to give the mortals his sword out of compassion and it is a sense of compassion we don't see from the other angels.
His deviations all stem from that initial act. It takes him from being this two-dimensional cardboard entity existing only as part of the Divine Plan and set him on the path to actual Personhood.
It doesn't happen right away, of course, because as the Skin Horse says:
"It doesn't happen all at once. You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But those things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
And doesn't that sum up Aziraphale? He's shabby and worn and he's beautiful to the people who understand and appreciate that being Real means being imperfect, and that every imperfection is still beautiful.
No wonder the angels mock his corporation, his flaws, all the things he enjoys that make him less than what they think he should be. We see evidence over and over that Aziraphale is essentially "ugly" to them. But that's because they don't understand.
Aziraphale's Realness, his personhood, what Crowley has helped nurture from the Wall of Eden all the way to that last desperate kiss, is what really matters. Good Omens has always been about People being fundamentally People. It's the underlying current that ties everything together, for good or for ill. People have agency. People have self-actualization. People have the ability to make their own choices, for good or for evil.
And now Aziraphale has that too.
That's the very real danger he presents to heaven.
Because we've already seen that any angel, given sufficient time and interaction with humans could be like Aziraphale. All it takes is one small opening, one bite from the apple. Whether deliberately or not, Crowley tempted Aziraphale into every step, the way he tempted Eve in the garden. He gave Aziraphale the knowledge of Right and Wrong, presented him with the option, the way he did with humanity. Were they even really human before Crowley? Did he give them free will? His actions cast them out of paradise, but did it ultimately set them free? Has he struggled for millennia to do the same for the angel he's loved so well and for so long?
Does Crowley know how horribly, wonderfully well he succeeded?
Bringing Aziraphale back to Heaven, putting him in charge, was the absolute worst thing the Metatron could have done for keeping the status quo and it's not because of Aziraphale's fighting prowess. It's because of the small Human acts of kindness and pettiness that Aziraphale is capable of. That's not going to go away when he's in Heaven. It's going to spread. He's going to infect Heaven with Humanity. It's going to be so slow and gradual that they won't see it coming until it's far too late.
It's not going to be the way that Aziraphale intends to change Heaven and yet, it will surely ultimately be what really makes a difference.
I wonder too, if maybe that's some subconscious part of it. After seeing Gabriel change, seeing Muriel change, I wonder if there's not some part of Aziraphale that realizes that Heaven is a miserable place that makes miserable people. He'll extend compassion to them that they don't deserve and don't know they're missing and he'll surely go on with whatever his own Plan - with a capital P, of course - is and he won't even realize what he's actually done.
And then, like the ending of S1, like the ending of S2, the ultimate deciding factor will not be who is the best warrior, who is the strongest. It will be about the Human element.
Metatron thought he could control Aziraphale, bring him in line by bringing him back to Heaven. He wants to take away the human element of Aziraphale and shove him back into that Obedient Little Angel shaped mold and he doesn't realize it's not possible anymore. Aziraphale's grown. He'll never fit, he'll never be that again. There is no going back anymore.
As the Skin Horse says: "Once you are Real, you can't become unreal again. It lasts for always."
And Real things, things with depth and purpose and will, are impossible to ever truly control.
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guiiay · 7 months ago
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jinx and isha visit a walmart
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quixoticprince · 6 months ago
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Remember how Miss Pauling said she'd spent her whole life to help the administrator....
She didn't even know what she was helping with, but she wanted to be by her side, until she learned how deeply personal and self destructive the whole thing was... and in the end there never was going to be a 'place' set for her :^(
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I'm so sorry Flo 😭
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its-not-nothing · 2 months ago
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Being a 911 fan is crazy because we could be getting buddie roommates and Bobby calling 911 from his coffin and even a buddie almost kiss tonight and the celebrations would be absolutely wild OR Bobby could just be dead dead and Eddie has two lines and we get no good buddie content and we crash out and fall into a pit of despair and some of us decide to give up on the show... Like that stuff isn't for the weak. And it really feels like both options exist right now. Schrodinger's 8x16.
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shaplesbean · 1 month ago
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redraw of that one tamaki frame
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infinitelystrangemachinex · 7 months ago
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The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.
The Arcane is waking up.
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egophiliac · 4 months ago
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IF YOU GO NOW TO SILVER'S PROFILE IT SHOWS "SILVER VANROUGE" I AM!!! NOT OKAY!!! WAUGH
OH MY GOD 😭
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like...it wasn't even just "oh we'll call you Silver Vanrouge now", they just straight-up made the adoption official, under the statute of Malleus Says So. he's legally recognized as Lilia's kid! I'm so happy for them!
this may take some getting used to though
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technically-human · 4 months ago
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He did eventually sign it
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chloesimaginationthings · 1 year ago
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Can’t spell “Five nights at Freddy’s” without GAY
(Based off @/flashcs5 post)
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noodles-and-tea · 7 months ago
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I politely ask for more of the vague modern AU art :3 they're so silly I LOVE them
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They’re playing sister location, specifically night 4
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getvalentined · 2 months ago
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Thinking a lot recently about the constant comparison of Oblivion to Skyrim, particularly claims that Oblivion is superior in every way strictly by virtue of quest length and the greater grandiosity of the organizations in Oblivion, and I think there's been a fundamental misunderstanding of what's actually going on with Tamriel during the time period of Skyrim. Even though it's like...one of the core concepts of the main storyline.
Putting most of this under a cut for length, but I just...I think people misunderstand what's going on here. This is not a "One Game Good Other Game Bad" post, it's an analysis of a major, key difference in story basis between the two that I think gets lost in the (frankly asinine) argument about which is superior.
See, everything in Skyrim sucks. Every organization you can align yourself with is falling apart. Literally every single one.
That's the point.
To summarize:
The Companions (equivalent to the Fighters' Guild) are about a dozen strong, literally cursed, and their most beloved leader gets murdered very early in the storyline.
The College of Winterhold (equivalent to the Mages' Guild, not to the Arcane University) has seemingly only been saved from collapsing into the sea because a master of Restoration fused himself with the structure itself when the Sea of Ghosts tried to tear it down a little under a century ago and his presence is constantly physically "healing" the foundation.
The Thieves' Guild has lost the favor of every possible patron deity, having been outright cursed by Nocturnal after one of her Nightingales murdered another and stole the gift she offers her champion, while the boon that the organization's founder claimed from her in ages past (the cowl) is missing.
The Dark Brotherhood has been all but completely dismantled, the Night Mother's tomb in Bravil having been raided and struggling to persist without a Listener for over a decade; the bodies of the Night Mother's children have been lost and she's essentially being smuggled from region to region in an attempt to find a safe place to continue operations.
The Empire itself has been kneecapped, forced into a traumatic treaty by a fascist regime determined to strike the beliefs and culture of anyone not Altmer off the face of the planet; the Thalmor have gone so far as to torture and radicalize the figurehead leader of the Nords in order to use their own nationalism and superiority against the Empire, sparking a civil war that will further weaken the Empire and allow the Aldmerri Dominion to destroy it wholecloth.
This extends out into the rest of the world, too! We have confirmed existence of Hist-deaf Argonians. The Dunmer are floundering to recover after the quadruple-whammy that is the fall of the Triumverate, the destruction of Vivec City when Baar Dau finally made impact, the Red Year, and the Argonian uprising. The Bosmer are literally endangered due to habitat loss following a super-isolationist cultural shift due to wars with the Khajiit and Altmer. The Void Nights were devastating to Khajiit culture and population in ways that have yet to be fully explained.
The world is falling apart. Everything is dying.
And then Alduin shows up.
We all kind of talk about Alduin carrying on as World-Eater through the course of the Skyrim storyline like it's him being a piece of shit, since he'd started it ages ago and was just displaced in time to land on the Last Dragonborn's head in the Fourth Era, but I don't think that's the case.
Based on the state of things, I think Alduin arrived right on time. I think it's the end of the world. The only reason he "should" be stopped is because the Last Dragonborn has the capacity to stop the world from ending in a more down-to-earth sense than just defeating Alduin: they can't save everyone, but they can "fix" every single organization that's holding "the world" together.
They can align with the Imperials and keep the civil war from further crippling them, keeping the Empire from being too weak to push back against the Aldmerri Dominion.
They can save the College of Winterhold, the only group in the right place at the right time to stop the Eye of Magnus from opening, and in doing so make sure that the Psijics are able to put it somewhere nobody else can find it.
They can lead the Companions, cure the curse for those members who don't want to run with Hircine after death, which bolsters their spirits enough to keep doing what they can even when everyone else is trying to kill each other. A single neutral martial force in the middle of a civil war.
They can regain Nocturnal's trust for the Thieves' Guild, restore the Nightingales, and in doing so they can return the luck that was stolen from them as punishment for Mercer Frey's transgression. They can even reclaim the Crown of Barenziah and award the guild with a paragon to increase their newly-regained luck.
They can hear the Night Mother, becoming Listener for the Dark Brotherhood to restore the balancing force of Sithis in the world, purify the most broken Sanctuary the Brotherhood has ever had, and finish a story set into motion way back in the Third Era—Emperor Titus Mede II is murdered under the order of a Motierre, a descendant of a mark the Brotherhood specifically kept from dying during the Oblivion Crisis.
The Last Dragonborn can't do anything outside Skyrim—there's nothing they can do for the Argonians or the Bosmer or the Khajiit, and they can only do very little for the Dunmer via work in Solstheim—but they can work with every single guild or guild-adjacent group, strengthening the Empire to stand against the biggest threat to Tamrielic culture since the First Era, and in doing so they can make it so the world isn't ready for Alduin to eat it.
The Hero of Kvatch exists when Tamriel, and presumably Nirn as a whole is in the prime of its life, that's what makes the Oblivion Crisis such a big deal. This is a world that isn't ready to give up, it still has the strength to fight, it just needs someone standing at the head to direct it. The Last Dragonborn comes into the story when everything is falling apart and nothing really feels worthwhile, when it's hard to see why the world is worth saving. They have the chance to prove that there's still some life left here, that the world isn't too far gone to save—Alduin arrived right on time, it's the Last Dragonborn's job to change that.
I can see how coming from Oblivion to Skyrim would feel disappointing and hollow, but I'm pretty sure that's literally the point of the story.
Oblivion tells you the world is worth saving because it's got so much left to live for, even with the odds stacked so high against it. Skyrim asks you whether a world that's dying is still a world worth saving, and it's up to you to prove that it is.
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franeridart · 2 years ago
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more dragon
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deadclawshc · 17 days ago
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me if i was an anti social young adult man who has spider powers in another universe
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poorly-drawn-mdzs · 7 days ago
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Lines drawn, teeth bared.
[Ko-fi members can check out the behind-the-scenes thumbnails for this comic!]
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cozylittleartblog · 11 months ago
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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