FORTY THOUSAND NOTES OLIVE OSTROVSKY????
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G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̏̃n̵͙̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀Wa̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉
It was a simple mission. Damian was working with Father to confirm the existence of a Lazarus Pit below Gotham, as Ra's Al Ghul speculated. And they had found it, deep in the caves below Gotham. A Pit the size of an Olympic sized swimming pool, bubbling and steaming. He'd only looked away for a moment.
"Kin-slayer."
Standing waist deep in the water stood Damian's reflection. The hair might be white, and the eyes glowing with the waters, but it was his face. But not his face alone.
Danyal's ghost glared at him. "Get in the water."
Father threw a batarang at him, but the metal flew straight through his head like it was air. Danyal didn't even glance at him, his eyes fixed on Damian. "Get in the water," he ordered again. He stepped closer to the shore and the green water sloshed up the bank higher than it was before. "Or I'll raise the tide so high, all of Gotham will die. So get in the water."
Damian's heart jumped into throat. "Wait-"
"Get in the water."
Father shoved Damian behind him, as if it would protect him, as if he could stop Danyal. "Stop this, please-" If he could just explain-
Another step and the waters surged forward, nearly touching Father's boots. "I'll make whirlpools so profound, your entire family will drown," he promised.
"NO!" Not his brother, his kind brother-
"THEN GET IN THE WATER!" Danyal snarled, revealing monstrously sharp teeth and a black tongue from Damian's poison. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" He lunged and Father pushed them back down the passage they'd come. "Don't mistake this for a bluff, brother. You've lived more than enough. Just get in the water." Damian swallowed, throat dry. Was this Danyal's revenge? Did he finally have to face what he had done?
"Robin, who is this?" Father snapped, trying to keep retreating down the cave. But Damian wouldn't let him; the waters, and Danyal with them, would only follow.
Danyal looked between them, scowling. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" he snapped again. "I'll take your father and gouge out his eyes, unless you want to stop being a coward and choose to die. Now... get in the water."
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just imagine rockstar! eddie releasing a new album, where one of the songs is called “a voice from above”. in it, he sings about a heavenly voice coming to him in the hardest, darkest hour of his life, when he was ready to give up and stopped seeing a future for himself, and calling him towards the light, coaxing the best out of him and pulling him up from the pit of despair eddie was slowly drowning in.
and it’s a rock ballad, so it differs quite a bit from cc’s usual style, is more “palatable” to the general public with it’s slower tempo, gentler melody and hauntingly beautiful vocals, with addition of a choir in the climax. and because of that, christians start claiming it (basically what happened with “take me to church”), newspapers and magazines wonder at eddie munson, the man a large part of whose aesthetic was so often referred to as “satanic” by the general public, with seemingly no denial from cc, who seemingly has finally found his way to religion.
and when cc comes to their next interview, the question of whether the great non-conformist eddie munson, who on multiple occasions dragged the christian church through the mud with accusations of hypocrisy and fostering bigotry in its midst in his songs and public speeches, has finally found god, inevitably comes up. the moment cc hear it they burst out laughing. after a while, eddie finally responds.
“this song is full of religious motifs, but not nearly for the same reasons you guys seem to think it is. it’s just that the experience the song is dedicated to was the closest i think i ever came to understanding what makes people come to real, genuine faith, the one that fills you with clarity, love and acceptance for the world around you, makes you feel like a part of something so much larger and greater than a mortal human being can possibly comprehend or reach on their own. that experience being the voice of the man that i came to love reaching me while i was in coma and reminding me of all the reasons life was worth fighting for, and then keeping inspiring me to be the best version of myself throughout my whole life.
and that, folks, is how being incredibly gay can save your life! i also don’t mind christians blasting “a voice from above” on their little church parties: my husband, after all, is definitely an angel on earth and absolutely deserves to be worshipped. but don’t you worry, i’m handling that pretty well on my own” and he winks at the camera.
and that’s how the world finds out that eddie munson is married.
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okay so I was doing a Research™️ about ancient Greek etymology as one does and I found some Things that made me want to Violently Claw My Arms Off please allow me to force feed you my discoveries
So there are 2 words for "not" in ancient Greek, depending on the context: ou and mē. Having introduced himself in the Cyclops episode as " ou tis", or No-man, he then stabs Polyphemus in the eye. When Polyphemus' brothers come to check on him, they say this:
"... surely no man [mē tis] is carrying off your sheep? Surely no man [mē tis] is trying to kill you either by fraud or by force?"
Right after this, after the other cyclopes ditch Polyphemus, Odysseus's inner monologue goes something like this:
"Then they went away, and I laughed inwardly at the success of my clever strategem [metis]." (pronounced mEH-Tis)
Now, there's a difference between mē tis and metis. [mē tis] (pronounced mEH-Tis with a space between the syllables) is the literal translation for "no man". Metis is a word for extreme intelligence/cunning, which is something Odysseus is famous for.
Now, there are several examples of abuse of metis/intelligence in the Odyssey, but I think the juxtaposition between [mē tis], or the concept of anonymity, and metis, or extreme intelligence, is REALLY interesting. Odysseus's adoption of the title "No-man" was characteristic of metis--it was a really smart move that simultaneously hid him from the cyclops and avoided any future consequences. It was a highly effective strategy all wrapped up in a nest little package with a bow on it.
But when he revealed himself as Odysseus of Ithaca, effectively throwing off No-man (anonymity and [mē tis]), that was characterized as idiocy--he's essentially doxxed himself, and now he's doing to (spoiler alert) get tossed around the Mediterranean by Poseidon for the next 10 years.
This is really interesting because it lets you see the parallels/codependency between metis(intelligence) and humility. When Odysseus refused to allow himself to go unnoticed (hubris) he suffered for it. BUT when he declined instant glory/satisfaction (kleos) in order to achieve the long term goal of survival, he was rewarded with Athena's favor (pay attention. This part is important).
And this situation repeats itself MULTIPLE TIMES in the Odyssey--the EXACT SAME THING happens near the end of the book, with the suitors. When. Odysseus is dressed as a beggar and the suitors/Antinious are abusing him, he ACTIVELY CHOOSES not to react--he doesn't stand up and rip off his disguise and start hollering "TIS I, ODYSSEUS OF ITHACA! FEAR MY WRATH"
No. He sits there patiently and waits. He plans and schemes and quietly orchestrates their downfall without alerting them of it. Why? Because he learned his lesson the first time this happened. He buried his rage and adopted what was, according to Grace LA Franz, a more feminine form of metis, weaving a web of destruction for his enemies that ultimately resulted in their total annihilation (see Weaving a Way to Nostos: Odysseus and Feminine Metis in the Odyssey by Grace LaFranz). His patience allowed him to win the whole prize--no questions asked, no 10-year-long-business-trip strings attached--just the sweetness of a full victory. And he is, once again, rewarded with Athena's favor--both in the battle with the suitors and in the aftermath (cleanup/reuniting with Penelope).
This really reinforces the idea in the Odyssey that Odysseus's defining characteristic is not just his intelligence--it's his ability to learn from his mistakes. He used what he learned at the Lotus Eaters Island against Polyphemus--the Lotus Eaters drugged his men, so he drugged Polyphemus. He used what he learned from Circe and Polyphemus against the suitors--Circe used false sweetness and honeyed words to lure his men into a trap, so that's exactly what he did to the suitors. His hubris on Polyphemus' island cost his whole crew their lives, so he intentionally left well enough alone until the right time. He didn't just learn from his failures--he turned them into BATTLE STRATEGY.
i don't care what anyone says that is completely totally and objectively awesome
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