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#must be a COLORFUL cast of characters
Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.
HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.
My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.
It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).
The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.
In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars
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holdoncallfailed · 1 year
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rpf tier ranking
tier 0: actors. too easy. actors fall in love all the time due to proximity and amount of time spent together, especially if they are playing characters who are themselves in a relationship.
tier 1: bands (post-80s). writing songs together is incredibly intimate and requires emotional vulnerability. tours are great opportunities to spend a lot of time in an enclosed space together. sometimes they will sing into the same microphone at the same time so their mouths are close together which is basically making out if you think about it.
tier 2: bands (pre-80s). see above. however this requires slightly more mental fortitude because a lot of their fans will insist on their heterosexuality and get really mad when you say simon and garfunkel were kissing on each other or whatever.
tier 3: contact sports team. sports can be emotionally intense if you care about that sort of thing and obviously there are a lot of opportunities for intricate rituals wrt touching another's skin and locker rooms and all that. but this requires more imagination because there is less text (i.e. songs or correspondence) to use as evidence.
tier 4: solo artists. this is where things can fall apart. you have to choose both figures in the ship wisely and exercise a decent amount of creativity because they are not compelled to be together all the time (see above). you can cast a wider net but that lack of specificity may hurt those with weaker imaginations. also they don't always write their own songs.
tier 5: historical figures. this varies a lot both in terms of plausibility and social acceptability. depending on how old the figures are you could legitimately turn this into an academic dissertation if you wanted to commit that hard to it. however you may also come up against a lot of opposition among your colleagues. one must be intellectually prepared to present concrete evidence and argue one's point. (however, you are also more likely to convince people b/c the figures are old and dead and can't deny it. and probably didn't know what rpf is.)
tier 5.5: historical figures who have been fictionalized in media. this depends on the tone you take but unfortunately you will always be up against thomas jefferson hatsune miku binder as the starting point for the general public's thoughts on your hobby. so good luck.
tier 6: racecar drivers. if you are into racecar rpf i assume you are capable of seeing colors that are not visible to the ordinary human eye. they are literally in cars. the creativity required to wring a [romantic] narrative from people driving cars around a track is beyond my comprehension.
tier π: living politicians. you are a pariah among even your most deranged peers. no one respects you. you are categorically a weirdo and beyond help.
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nina-ya · 9 months
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New Years Kisses With the Monster Trio + Law
Characters: Luffy, Zoro, Sanji, Law (all separate). CW: None
This New Year��s, you found yourself on an island known for its grand annual festival and its spectacular fireworks show when the clock strikes midnight. The celebration filled the island with its festive air. Stalls were adorned with decorations,offering different treats, drinks and trinkets to festival goers. The melodies of the music filled the air, accompanied by the beats of the drums and the laughter of the crowd. Colorful lanterns decorated the pathways, casting a gorgeous glow over the setting. This New Year’s was bound to be an unforgettable one.
-
Luffy’s hand grasped yours as he started sprinting away from the crowds, dragging you with him. Shocked, you asked, “Where are we going?!”  He turned to look at you with a wide grin, laughing out loud before responding with, “You’ll see!” He ran, keeping your hands locked, as your curiosity heightened.
The Sunny came into view and confusion lingered in your eyes as the distant chant of the one-minute countdown started to fade away. Suddenly, Luffy stopped and said, “Hold on!” He stretched one arm around you, and the other swung back before launching forward, grasping the Sunny's head. The force sent you both flying, a mixture of fear and excitement bubbling within you as you clung onto Luffy.
You couldn’t help but let out the breath you had been holding as you landed on the Sunny’s head, still clinging onto him. Luffy, still grinning, looked out into the distance, remarking, “I thought the view might be better up here.” He laughed and continued, “Looks like I was right.”
This prompted you to lift your head from his chest to admire the surroundings. The elevated position on the Sunny’s head offered a breathtaking view of the festival below. The vibrant colors of the stalls and the lights all blended together to create an absolutely enchanting view.
The countdown continued, and as the clock ticked away, the crowd’s cheers grew louder. With each passing second, the excitement in the air became palpable. The islanders collectively shouted the final numbers in unison. “3… 2… 1…” 
As the clock struck midnight, the fireworks lit up the sky, illuminating both of your faces. You turned to Luffy, noticing the bursts of colors reflecting in his eyes as he stared at the fireworks with the widest grin. In the joyous chaos, you find the sudden courage to lean in, capturing Luffy's lips in a celebratory kiss. Your hands found their way onto his shoulders, your fingers lightly grazing his hair. Luffy smiles into the kiss as he wraps his arms around your waist, pulling you a bit closer. The fireworks continued to shine in the sky and the kiss deepened, this locking of lips sealing the promise of more adventures together in the upcoming year.
-
Zoro’s sharp gaze locked onto something in the distance, prompting him to make his way through the crowd. You followed closely behind him, curiosity and impatience evident in your expression. "What? Where are you going? The fireworks are about to start," you ask, tugging on his arm in an attempt to stop him.
"I thought I saw something suspicious, come on," Zoro replied, urging you to follow him. He led you into a secluded alleyway, and with no one around, you couldn't help but express your doubts. "Come on, Zoro, there's nothing here."
He turned a corner and continued down the alley, responding with, "He must have gone this way." You sighed, realizing that convincing him to return to the festival was not going to happen, so you gave up and started  trailing behind him.
Turning corners and walking through empty alleys, Zoro finally came to a stop when you heard the distant countdown. Panicking, you grabbed onto Zoro, attempting to guide him back to the heart of the festival, ignoring his protests. However, your efforts were to no avail , and you both found yourselves lost in the alleyways.
You sighed in defeat and grumbled about the unexpected turn of events. "This is not how I wanted to spend my New Year's."
"30…29…28…"
Zoro, unfazed, questioned your disappointment. "What? What's so wrong with this? You don't need to see the fancy fireworks, ya know."
“No, it's just—" you began to explain before frustration took over. "The fireworks were supposed to make it more romantic, and—"
"10…9…8…"
"Wait, make what more romantic?" Zoro asked, clearly confused.
As the countdown reached its climax you closed the remaining distance between you and Zoro. Your hands gently cupped his face, feeling the warmth beneath your fingertips. Zoro's gaze locked onto yours, his expression giving way to curiosity.
"5…4…3…2…1…"
Uttering "Happy New Year," you pressed your lips to Zoro's in a soft, lingering kiss. The initial touch was gentle. However, as the seconds passed, the kiss deepened. Zoro took control of the kiss. His hands found their way to your waist, pulling you closer as your lips moved in tandem.
The distant cheers of the crowd faded away as Zoro's kiss became more passionate. His lips molded against yours with intensity. The hands that were once at your waist now roamed, his touch leaving a trail of warmth on your skin. The festival no longer mattered as you felt Zoro’s lips leave yours in favor of planting kisses along your jaw and neck. You and Zoro were left in a world of your own as the fireworks served as a witness to the perfect way to start the new year.
-
Sanji had taken it upon himself to cook and serve some treats to the festival goers. As the night progressed and the crowd began to thin, leaving only you and Sanji, he approached you with a plate of the treats. The charming smile that had graced the faces of countless patrons now turned its warmth towards you.
"A specially prepared treat for a very special person," he declared, his eyes gleaming with sincerity.
You chuckled, savoring the delicious treat. "What would I do without you here to boost my ego?" you teased, taking a bite and humming in delight at the flavors.
"I'm only telling the truth," he replied, his smile never faltering.
As the crowd erupted into cheers, the distant sound of the countdown began. 
"10…9…8…"
Sanji's eyes locked onto yours with an intensity that sent a shiver down your spine. 
"5…4…3…"
In the final seconds, Sanji closed the gap between you. 
"2…1…"
The kiss began with a soft press of lips, a gentle exploration that quickly ignited with desire. Sanji's lips moved with confidence, coaxing a whimper from you. The taste of the treat he had given you lingered, adding a sweetness to the kiss.
His hand cupped your face, the touch sending shivers down your spine. Fingers trailed along the curves of your jaw, leaving a trail of tingling warmth in their path. 
Your senses heightened as the kiss unfolded, and you found yourself lost in the sensations—his warmth, the taste of him, the sounds of your intertwined breaths. Your fingers entwined in the silky strands of the blonde hair, pulling him closer in a silent invitation for more. 
You finally pulled away, and as your eyes met, a breathless smile played on his lips, and he whispered, "Happy New Year, my love." The words were a promise for the days and nights that awaited, filled with the shared moments of joy, laughter, and maybe, many more kisses in the coming year.
-
The crowd gathered as the time inched closer and closer to midnight, bringing you and Law closer in proximity. The distant sounds of laughter, music, and chatter built up as the anticipation grew. You walked beside Law when you heard the subtle uttering of "room" and "shambles." In an instant, you found yourselves on a rooftop, the edge looming dangerously close. Your heart raced as you dropped the treat in your hand. Simultaneously, Law grabbed your arm, pulling you back from the edge. "Too many people down there," he remarked, the reason for the teleportation becoming clear. 
The city lights below were absolutely stunning from above, their reflections shimmering on the surface of the nearby sea. The gentle breeze caressed your skin and the moon softly glowed, adding to the beauty of the scene.
"It's pretty up here," you commented, your voice barely above a whisper as you took in the view. 
Law agreed, his gaze fixed on the city lights. "It is..." His usual stoic expression softened as he looked at you. The countdown started, and excitement rippled through the crowd.
“10…9…8…7…”
You joined in the chant, leaning forward with enthusiasm. The distant rumble of the crowd below reached your ears as they continued to chant.
“3… 2… 1…”
As the cheers erupted around you, you felt Law's fingers gently grasp your chin, turning your face toward his. Before you could fully comprehend, his lips met yours. A whimper of surprise escaped you, but your heart quickened, and you melted into the kiss. 
The distant 'boom' of a firework echoed through the air, momentarily interrupting the moment. However, Law didn't pull away. Instead, he deepened the kiss, 
his lips molding against yours with intensity.
When Law finally pulled away, the air around you felt warmer. A smile played on your lips and his hand lingered on your chin as he whispered, “Happy New Year.” Before you could form a response, he leaned in once again, capturing your lips in a second kiss– a silent promise of the new and exciting future that awaited the two of you.
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raptorific · 2 months
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I have this really weird pet peeve in comics fandom, which you can't really Talk About without it being mistaken for opposition to those headcanons in the the way certain Spider-Man fans were so opposed to a black Peter Parker that the writers invented Miles Morales about it, with the way Diverse Headcanons form, become popular, and occasionally even become mistaken for canon.
A lot of the time these headcanons are built on a combination of ethnic stereotypes and an outright refusal to engage with existing characters who actually have those identities in a way that generates the money that gets those characters further official content
The core example is the common headcanons about Robins prior to Damian-- the most popular headcanons about them are that Jason is Latino and Tim is Asian. And, like, I'm not necessarily opposed to them being Robins Of Color, and I'm not even necessarily opposed to those headcanons, but their popularity largely comes from unexamined biases and ethnic stereotypes about Latino and Asian men. The aggressive, hot-headed, violent Robin who came from a poor neighborhood must be Latino, and the well-off, nerdy teacher's pet Robin who's known for being good at computers must be Asian. I've seen Bat-fans balk at the suggestion of headcanoning Tim as Latino, or headcanoning Jason (or god forbid Dick) as Asian, often saying the quiet part loud: "it just doesn't fit their personality." They cast a black actor as Tim on Titans and I actually saw people who bill themselves as progressives complaining about it, because it ignores the popular Asian Tim headcanon
And the thing is, there actually are a fair number of fun Latino and Asian characters in DC canon! They're nowhere near as prominent, but, when you ask these same fans to maybe pay some attention to them, they make excuses and hem and haw and stick to making comic panel edits "correcting" the skin tones and facial features of their favorite canon white dudes to align with their headcanons. But if you ask them to make fanart or talk for even a second Jaime Reyes or Renee Montoya or Cass Cain, it's like herding cats
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littjara-mirrorlake · 2 months
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The Color of Hope: Ambition, Necromancy, and Black Mana
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Black is one of the most misunderstood colors in Magic: the Gathering, not least because it appears on the surface to be so straightforward. Look at the most iconic black cards of Magic and you'll see deals with demons, necromancy, mass destruction and cruelty and suffering–the trappings of classic fantasy evil. Even the color's symbol itself is a skull, a universal signifier of death and danger.
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And in early Magic that seemed to be all it was. White was the color of Fantasy Good, black was the color of Fantasy Evil, and the rest of the colors were... fire magic? Elves? Whatever odd but intriguing skeleton affairs are implied by Time Walk?
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Gradually, though, Magic deepened as both a game and a storytelling medium. The color pie grew into itself as a system of complementary philosophies, archetypes whose associated aesthetics were only part of the full picture. Their arrangement around the wheel, below, is highly deliberate; neighboring colors are said to be allies with a high degree of philosophical and mechanical overlap, while colors on opposite sides of the pie are known as enemies, more likely to disagree on fundamental levels.
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Black stopped merely representing capital E Evil and became the color of striving for power; unlike its peers, black felt that nothing, least of all morality, could prevent it from seizing what it wanted. Mark Rosewater's 2015 article about black emphasized the color's focus on the self:
"Black's philosophy is very simple: There's no one better suited to look after your own interests than you... Many costs require the sacrifice of others for your own advancement. Because it puts itself first, black is always willing to make this trade. The weak must fall for the strong to thrive." -Mark Rosewater
At its worst, black is an exploitative, amoral color that prioritizes itself at the expense of all others, allowing the "weak" to fall and scorning the very idea of compassion. Rosewater writes that black is "always willing" to trade others for itself. And these can certainly be parts of black's philosophy, when taken to its worst possible extremes, but they're far from the entire story.
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Over time, Magic's outlook on black gained nuance. Magic story introduced protagonists like the necromancer Liliana Vess, whose craving for immortality, seemingly exploitative nature, and demonic deals called back to the oldest portrayals of black–and yet she was not one-dimensionally evil. She underwent character development over the years, learning the value of reclaiming herself and standing beside others, and at no point did she become any less mono-black for it. Remember her; we will come back to Liliana and her story later.
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In addition to the usual death and decay, black cards began to feature a theme of relentless devotion. On the plane of Eldraine where each color represents a virtue, black's is persistence, explicitly as important as any other color. On the plane of Ikoria, the love between bonder and beast pulls Winota back from the brink of death. Wherever this Oathsworn Vampire printing is set, its flavor text is quintessentially black. It's the same self-driven attitude as before, but cast in a different light: black is nothing if not persistent when it's got its heart set on something (or someone) it cares about. Nothing, least of all the grave, will keep it down. After all, black will always come back for its own.
These newer cards uncovered the true face of black as a color capable of both great love and harm (sometimes even the latter for the sake of the former), and suggested a tantalizing new thread: perhaps putting yourself and yours first isn't all that bad, necessarily. Black is a deeply protective color; it says you don't just have to accept what you're handed, it's okay even to be furious about it (hello, ally color red), but let that galvanize you to do something about it. 
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Vraska, a gorgon who faces extreme discrimination on her home plane of Ravnica, triumphs by reclaiming herself, gorgon powers and all–and even more radically, loving herself. She displays traits often considered the purview of white and green, such as a love of home and a drive to elevate the oppressed, but they are all filtered through the lens of her black alignment. Vraska staunchly refuses to deny herself or her people, the Golgari Swarm, of their value. Nor does she allow law or propriety to prevent her from championing them by any means necessary–even if that means cold-blooded murder, or aligning herself with a villain like the Planeswalker Nicol Bolas.
"[Vraska] thought of Mazirek, of the kraul, of the rest of the Ochran assassins and the malignant Jarad who reigned with casual ruin over the most downtrodden of the downtrodden. She remembered her years of isolation, and the heinous cruelty of the Azorius, and how no group deserved to suffer as much as those who would subjugate her own. Eliminating that hell was all she ever wanted." -The Talented Captain Vraska, Alison Luhrs
Like Vraska, black loves fierce and hard, willing to break any taboo for the sake of those it cares about. And it whispers, the entire way through, you are enough. You deserve better. No matter what others may say or do, you are enough.
"If I am to be met with disrespect, then I must first love myself with a fierceness no fool can take away." -Vraska in Pride of the Kraul, Alison Luhrs
Even black's "ruthlessness" isn't as fundamentally cruel as it appears, centering a passion for problem-solving (shared by its other ally blue) instead of a blunt disregard for others.
"People don’t understand the word ruthless. They think it means 'mean.' It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it." -K. A. Applegate
All of this comes together to make a black a color not of evil but of strength, integrity, and persistence. And that's all well and good, but I'm going to take it even further and put forward a new proposition: that black is the color of hope.
Of the nine mono-black Magic cards with "hope" in their names, all but Liliana portray black as an instrument of hope's destruction. This is, once again, black's flaw taken to its extreme–crushing others to achieve its own ends–but neglects black's own relationship with hope.
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Black, more than any other color, requires hope to stay alive.
For black to persist, it must believe in a light at the end of the tunnel, a future in which its goals are realized. As long as it does, it will endure any hardship, walk through fire, and turn reality itself upside down on its way there. Primal, desperate ambition is the engine of hope that burns at the heart of black, keeping it always one step ahead of stagnation. Bitter and stubborn, black believes tomorrow will come because there is no other choice. After all, for black to relinquish hope is to let itself wither, regress, and die–an unacceptable outcome. 
Thus, it is monumentally difficult to strip black of hope. That only makes it all the more crushing when it happens, when black contends with the idea that there is nothing it can do.
Black's deepest, darkest fear is helplessness.
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Like any mono-black character, Liliana Vess is driven at her core by a seething, desperate hope. When Liliana first unlocks her necromantic power, it is out of a sheer refusal to allow her ill brother Josu to die, even when the esis root that would cure him is destroyed by enemy witches in an undead-raising ritual. She defies her previous training as a healer, which taught her only to take the safe path, in favor of a higher-risk and higher-reward approach: stealing life from the witches themselves to restore power to the esis root she needs. It is her knowledge that her brother needs her, and her sheer stubborn will to succeed, which allows her to defeat the witches against steep odds.
"Six foes, and Liliana stood alone. But Josu's life depended on her, and the power blossoming within her was more than enough." -Liliana's Origin: The Fourth Pact, James Wyatt
Tragically, however, Liliana's attempted cure goes horrifically wrong, transforming Josu into an undead being plagued by eternal suffering. In his pain, Josu attacks Liliana. For a while Liliana holds out hope, finding the power to fight back while she determinedly searches for a spell to reverse the harm she's done. It is when she realizes this isn't possible that her strength falters.
"All this time, she had believed… that she could turn the power of death to the service of life and health. That a healer should use every tool at her disposal. But Josu was the result, a horrible fusion of life and death, and all her spells meant to manipulate the life force of the living could do nothing to harm the dead." -The Fourth Pact
Liliana learns that even her own dark magic, fueled by determination, cannot solve the problem she's created. She discovers the hard limit of her willpower, and the despair of this discovery is what causes her Planeswalker spark to ignite.
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At this time Planeswalkers are as gods, immortal and near-omnipotent. Liliana spends decades enjoying this affirmation of her capability before the Mending strips her and all her peers of their power, reducing them once again to mortal mages.
"Then the Multiverse reshaped itself, robbing her—and every other Planeswalker—of the godlike power they once had wielded. Some called it the Mending, as if something broken had been repaired, but to Liliana, it seemed the opposite. It broke her beyond any hope of repair." -The Fourth Pact
Once again, it is Liliana's fear of helplessness and her refusal to accept it that drives her to push beyond the bounds of propriety–this time, to make a pact with Nicol Bolas and four demons to maintain her immortality. It is not enough for her merely to delay death; she requires the security of knowing she is fully beyond its reach, that she will never be helpless before it again as she was with Josu.
"Holding death at arm's length for whatever years are left to me? No, that's not enough. I want to be free of its shadow." -Liliana in The Fourth Pact
Black isn't like its enemy colors white and green, which are superficially associated far more often with hope. Unlike white, it doesn't believe that conviction, justice, and community will bring about rightness. Unlike green, it doesn't trust in the wisdom of the world or the natural order. Black believes that nothing will change unless you make it change; ultimately, black's self is the only one it can trust to bring about the world it needs. In addition, black lacks its enemies' idealism. Instead, it strives to be a pragmatic realist, making a final assessment of defeat all the more definite and crushing.
While white and green are more amenable to finding hope and holding it aloft as a banner, black claws hope desperately to its chest with shredded, bloody fingernails. Every ounce of hope black has, it tore by itself from the clutches of an uncaring world.
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Ironically for such a self-driven color, black's fierce hope is the greatest asset it can provide to others–on its own terms, of course. It was Liliana who turned the tide of battle against the Eldrazi titan Emrakul, defiant in the face of cosmic despair. And when Nicol Bolas made his bid to return to godhood, using Liliana's necromancy to command his undead hordes, Liliana finally turned against him. In reclaiming her power, so too did she use it to free her fellow Planeswalkers from Bolas' assault. Her fear of helplessness no longer shackled her to him; agency and autonomy were hers at last.
The triumph of black, its moment of ultimate victory, is the hard-won fulfillment of its hope.
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"Do not go gentle into that good night. Rage, rage against the dying of the light." -Dylan Thomas
An aetherborn, railing against the shortness of their natural lifespan, constructs a new body for themself with their own bare hands. An artificer's grief over her lost companion causes her to push invention to its limits. A young girl who loves her brother calls on the darkest of powers to save him. As it turns out, necromancy–that original thematic keystone of black–is only one of black's many, many refusals to let go of love and hope once it has them, even in the face of the ultimate end.
Time and time again, black–in love with life, ablaze with hope–looks the Grim Reaper in the eye and tells it: "Not today."
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meo-eiru · 8 days
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*cracks knuckles* here I am again. this time with Micah as my victim
so at first,
you definitely should add some more story to him. so far, if I'm being honest, he feels a bit too plain to me. but oh boy, what a potential I see here!
alright lets begin
omg look at him! such a hypocrite! how smart it is, to put all blame on MC while being just as (actually even more) sinful. and he sure hides well; it's your fault, isn't it? oh you and your sinful mind.
buut despite him not really being my cup of tea, I still do like a good old concept of ugly insides, hidden behind a beautiful shell (if that's the vibe you were going for).
Micah seems so pure, so holy, almost like an angel (you played smart by adding a lot of white in his design) – but behind that pristine facade? he's ugly. and that shell eventually starts to crack, because no matter how pure he may seem, Micah is just as human as we are, and definitely not a good one. and what are we, if not a bunch of cruel, egotistical animals? and deep inside he's exactly that, sickeningly human. with that in mind the very first comic you did abt him is actually pretty hilarious to me. your desires? what about his desires, which are strong enough to ruin your whole life?
I kinda feel like he's also a little pathetic in his own way; if he can't make you fall for him, he will break you. isn't it like a very cowardly move? he wants you badly enough to use whatever method it may require to have you, but will never admit it.
but let's talk about that strange desire to destroy MC's purity. why? to make you just as dirty as he is? cute, but doesn't seem like a full explanation to me. he's a priest, right? and even despite those dark insides of his, I feel like Micah still kept at least some of the priest mindset. I mean, they're raised and taught with a very strict discipline. so I feel like deep down, he feels bad (not ashamed, but in a "how dare they" way) for his attraction to you, and punishes you for that attraction. it's not your fault, of course, but who cares? you managed to destroy his perfect, clean facade, which he was methodically building for his whole life with simply your existence. isn't that unfair? so now you must fall into the depths of hell with him.
I like how we can't justify him. Micah is perfectly aware of what he is doing. and of twisted nature of his feelings too, I think, yet still chooses to indulge in his desires, even if it hurts you, the person he was supposed to love and cherish. he makes me feel an absolute, poetic rage, and I love a character I can hate. (don't get me wrong, it meant to be a praise)
and I absolutely adore his design. also if I was on point with the idea you meant for him, that is wonderful too. if a character makes me feel something, I like that character. but girl, you really should add more details about him. because everything I've written here is, basically, just my own brainstorming and bare theories. Micah needs to have more meat on him for a full character analysis >_>
but anyway, I actually have a question.
what if MC wasn't in any way pure? what if they're a complete opposite of that word? count it on my love for hunchback of notre dame
unlike the nun MC, I suggest a MC who fully embraces their sins. like an evil succubus, they enjoy the joys of being tainted. they know what influence they have on their dear Father Micah, and isn't ashamed of that. I feel like that would make a pretty interesting story
(cough cough draw him blushing and moaning and my life is yours darling)
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Another absolutely incredible ask I'll have a field day answering.
I do agree with him being a bit under developed at the moment. Micah was a bit unfortunate as in he was never meant to be an actual character. He was just a momentary creation who existed for me to study color theory. A beautiful man of flowers who didn't have an identity.
Then he joined the cast when I was busy with working on commissions and the 5k celebration comic so I didn't have the time to draw his introduction comic with the things I had planned for him, though I've been trying my best to explore him a bit more thru asks like this one. The fact that I don't want to spoil the stuff I'll draw in his comic is also holding me back a little.
I think Micah is evil, but not completely bad. A man who was born twisted, who was raised into goodness, and even with all the love he received never truly got rid of his inner darkness, but just once, just for one moment, I think he had good in his heart. And that is when he first saw you.
With all his twistedness, all his evilness, all his darkness, I think that love he felt for you was truly pure. Because in his eyes you appeared truly beautiful, like a pure lily.
But Micah isn't a pure man, neither does he want to be. So he prefers to pull you down to his level, so that you two can be sinful together. A truly impure way of feeling that pure and innocent love.
I have gotten asks about him with a more rowdy darling, one who isn't a nun or one who is more sinful. I've been really brainstorming about it but I don't think it would work. Not because I personally can't force the story into being like that but because I think it was just not meant to be like that.
You see I do come up with the characters, but I don't control their actions. If the character is unwilling I can't shape the story to my will. Because that story is their life and they control it. The best I can do is to try to fill the gaps I can.
I might prefer submissive yanderes, I might want Micah to have a more sinful darling instead but it wouldn't be Micah's story anymore. That's one of the reasons why he's so different from the rest of the boys. I'm not super into very dominant guys, I could probably count the ones I have with one hand, it wasn't my intention for Micah to be the way he is, but I don't think he could've been any other way.
Micah was just meant to be manipulative, a gaslighter, a dirty man who'll pull anything to push you below him.
I guess me looking at my stories from an actual novel or manga perspective also contributes to this. Father Micah exists to shine with a darling who he can soil.
Now the darling can maybe go against him in the future, she might rebel or give in to his sinful ways, but that's a different story.
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kathaynesart · 1 year
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Replica Anniversary DTIYS!
Well, it was one year ago today that I started Replica!  It’s been a wonderful experience so far and I wanted to do something fun to show my appreciation to you all!  So in celebration I want to do my very first DTIYS, but we’re going to do this one a little differently. 
YOUR MISSION: to design a comic cover for the upcoming Replica Holiday Special that is all about the birth of Casey Jr:
The year is 2028, eight years before the start of Replica.  The Central Park Colony is still going strong and the turtles now must protect an expecting Cassandra Jones from the very people they are sworn to defend. 
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As far as theme that is entirely up to you!  I’ve always found comic covers to be fun because they don’t necessarily have to show what happens in the actual story. So if you want Casey Senior holding up Junior on Pride Rock, Lion King style?  That’s great. You want to do an epic pose of the turtles battling Krang while trying to defend the Caseys?  Perfect.  You want to have Casey Junior bursting out of a Krang’s stomach like a Xenomorph???  Okay weird, but I’ll accept it so long as it’s not too gory!  Also the cover doesn’t  have to be Casey centric, I just want to see what you all come up with! (Note: please no NSFW art)
I have included character sheets and some visual development as reference for how the characters will look at this point in the story (though you do not need to strictly follow it. Feel free to give it your own artistic twist).  I will also include a PNG of the logo in case you have a vision for how you want it to be incorporated. Note you don’t have to use the logo but if yours is picked as the winner I will be putting a logo in there somewhere!
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PRIZES: 3rd Place: an OC of yours will get to be a bg character in Replica (note the character cannot be an AU version of one of the main cast for obvious reasons). 2nd Place: a black and white commission of one character of your choosing. 1st Place: your cover front and center in the Replica lineup (with credit of course) as well as a 1-2 character commission w/ color (please no nsfw requests for either commission). 
DUE DATE: NOVEMBER 19 (gives you all 2 months)
IMPORTANT: please use #replica DTIYS hashtag for easy search Also please DM me with your finished cover on Tumblr (otherwise I might miss it!)
NOTE: while not mandatory you’ll probably want the piece to be around the typical comic cover vertical 2:3 ratio (10x15" for example).
DISCLAIMERS:
I’ve never done an event like this before so I’ll admit I’m a little nervous.  Don’t know if this will even gain any traction but I just want people to have good time and get creative :) 
This is all just for fun so please do not push yourself too hard!
Let me know if you have any other questions and have fun!
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thedorkdionysia · 7 months
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transmascs: I headcanon this male presenting character as transmasc
tumblr: yeah sure thing buddy!!!! :) keep making that fanart of him with top surgery scars, we love you for it <3
transfems: I headcanon this female presenting character as transfem
tumblr: hm :/ I disagree but it's your opinion, I'm not gonna clown on you too much, have your fun
transmascs: I headcanon this female character as transmasc
tumblr: omg you're SOOOO brave for that and I respect you so much <3 keep living your truth
transfems: I headcanon this male character as transfem
tumblr: this opinion must be manually reviewed by our opinions board. after that test is passed, it must be written in the blood of each board member on parchment made from the skin of a spring lamb and sealed with wax. this scroll is given to a young page, who must turn journey for a fortnight to a tower where the council of headcanons convenes. they must cast their votes individually by throwing papers into a bonfire, which will change the color of the smoke, which is monitored from tumblr hq. if you don't hear back two to five business days after that then feel free to just go ahead and kill yourse
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come-see-our-show · 8 months
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I saw an early screening of the Mean Girls movie last night, so here is a summary of my thoughts, comparing the movie musical to the Broadway musical, which I was lucky enough to see live in 2018!
Changed that I liked:
The usage of social media in the Broadway show made it very clear that it was written by adults who didn’t know much about Gen-Z. It was probably one of the worst parts of the show in my opinion. But Tina Fey must have done her research since 2018, because the way the movie uses TikTok, memes, vlogging, and FaceTime to push the story forward worked VERY well. I think there were some influencer cameos, but it didn’t feel they were included to show how “young and hip” they were, It actually added authenticity.
The diversity within the cast and changing last names to reflect the characters’ backgrounds (Karen Smith ➡️ Karen Shetty, Janis Sarkisian ➡️ Janis 'Imi'ike)
Cutting down “Meet the Plastics.” It’s a very exposition-heavy song and doesn’t need to be super long, even though the full version is quite catchy and fun.
All of the new jokes landed so well, probably because Tina Fey’s writing style is better suited for the screen as opposed to the stage.
This is more of a comparison of the musical vs. the original film, but a big change was The Plastics’ weaponized wokeness (which I talk about here).
The production design for most of the songs was very different. The stage musical has a lot of rock songs, which were changed to a pop sound for the movie. I personally prefer rock musicals, but it was a good way to give the movie a separate identity from its predecessor so it doesn’t risk becoming a carbon copy. It worked on some songs (“Someone Gets Hurt” and “World Burn”) but not on others (“A Cautionary Tale” and “Revenge Party”).
Cutting the joke about Regina’s ass being big. It was a very low-brow joke, which I’m not a fan of, and was just really immature. Thank God that was changed to her falling, which still shows her being embarrassed without her body being the joke.
Explicitly making Janis a lesbian! (It’s only implied in the stage show with “It’s not even true… I only have one butt”) And she goes to prom with a girl while Damien dances with a boy! ALSO THERE’S REJANIS LORE AND IT’S SO HEARTBREAKING I LOVE IT
megan thee stallion just… being there
Miss Norbury and Principal Duvall being a couple and owning a dog together!!!
As a low mezzo, I appreciated whoever decided to lower the key for “I’d Rather Be Me.” I felt very represented 🩷
Having Cady be raised in a single-parent household so it focuses in more on her relationship with her mom. Jenna Fischer was so motherly and sincere and brought a warmth to the movie. Their scene together near the end made me emotional (you’re never too old to ask your parent to stay with you until you fall asleep) (also this is my request to make jenna fischer my mom)
Changes that I didn’t like:
Cutting BOTH of Damian’s solos??? (SHE’S LEAVING!!!!!!!! JUST LIKE MY DAD!!!!!!!!!!!!!!!)
Cutting “More Is Better.” It wasn’t necessarily a memorable song, but it did give both Cady and Aaron more depth, both as separate characters and within their relationship.
While cutting some of the songs helped with pacing, cutting HALF of the score made me forget that it was a musical sometimes, which sucks because I really like musicals!!!
Other stuff:
The movie was marketed horribly. One of my friends didn’t even know it was gonna be a musical because there were no songs in the trailers 💀 (Also, this isn’t just a Mean Girls problem. The Color Purple also didn’t have any songs in the trailer. I didn’t even know Wonka was a musical until I saw it in theaters, so that was a bit of a shock.) If you’re producing a musical movie, maybe your focus groups should be musical fans, because that’s still a HUGE market.
Auliʻi Cravalho’s voice is STUNNING! She and Jaquel Spivey had great chemistry and their friendship felt so genuine!
The opening and ending transitions from the garage were everything to me
The EDITING
Angourie Rice is a great actor and fit Cady perfectly… except for her singing. Out of the entire cast she was easily the weakest in terms of vocals and it was pretty disappointing since she’s the LEAD. I could barely hear her in the new song “What Ifs” because of how quiet and breathy she was. I think it’s a better written song compared to “Roar” though.
Jon Hamm cameo!
Ashley Park cameo!
I cannot stress enough how funny this movie was. I was probably laughing louder than everyone else in the theatre.
I lost my shit during “Meet the Plastics” when Regina unzipped her jacket and Cady was staring at her boobs. She’s just like me fr 🏳️‍🌈
I know that Regina is a horrible person but I couldn’t find it in me to dislike her in the slightest. She just served too much cunt 😩
Christopher Briney is a good actor, but I don't think he was the right choice for Aaron Samuels. I would hate to ridicule anyone for their looks, but it still plays an important part in casting. Aaron is supposed to be a somewhat naive, wholesome, hot jock (and Regina has high standards, so he better be a fucking model). Briney is definitely a cutie, but gives off “smoldering badboy with a secret sensitive side” energy, which isn’t what Aaron should be.
The fantasy sequences (Stupid With Love, Revenge Party, October 3rd). I LOVE when movie musicals USE the medium to tell stories in a way that they can’t on a stage!!!
THE CHOREO!!! Everyone freezing then shaking in “Someone Get Hurt” AHHHH that entire number was HYPNOTIZING!!!!!!!!!!! My friend told me the choreographer’s name is Kyle Hanagami, so shout out to him. (also reneé rapp was so fucking hot while singing that oh my lord)
I will be calling my pimples “face breasts” from now on (avantika ilysm)
DAMIAN’S FRENCH COVER OF THE ICARLY THEME SONG 🙏🙏🙏🙏🙏
why was there a 0.5 camera shot of cady during revenge party 💀
“I’d Rather Be Me” was so much fun and I felt so fucking empowered. And the transition from the song to the bus was just *chef’s kiss*
“donut worry i am still your freend” 🥺
Lindsay Lohan cameo!!!!!!!!!
NOT ENOUGH RENEÉ RAPP 😭😭
Overall, the movie was not perfect, but the Broadway show already had plenty of flaws, so it’s understandably how that would affect the adaptation. I still a LOT of fun and would definitely see it again. Go stream Snow Angel by Reneé Rapp. i love women 🥰🥰🥰
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electricsoul-rpg · 6 months
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Netflix's 3 Body Problem
I tried watching Netflix’s American adaptation of Three Body problem. I watched five episodes and boy, is it painful.
(Full disclaimer: I really liked the Chinese adaptation by Tencent, I read the book after I watched the drama, and I am a European of Chinese descent, so I am definitely biased.)
The general whitewashing and westernization of the story is already pretty bad. Why take a Chinese story if you’re going to make it so blandly American?
Everyone is horny and thinks about sex, relationships based on ideals are reduced to attraction and sex. Everyone is so vulgar and crass. IQ seems very low.
Ye Wenjie. What did they do to Ye Wenjie. She’s a brainless horny fanatic woman now. And Shen Yufei is replaced by a generic unhinged lady. All the scientists seem supremely dumb.
White characters explain or emphasize things in Chinese, for Chinese people, when their Mandarin is bad. Not gibberish bad, but still pretty bad. Please just use English, your white actors clearly can’t speak Chinese. Your Chinese characters can understand and speak English. Don’t hurt our ears like this. It might be cool and exotic for the average Western audience who doesn't understand Mandarin but it’s cringe and painful for us.
A small thing but since I lost my father a few months ago, it struck me pretty hard. What was that altar in Clarence Shi’s house? Just two big pricey candles and one stick of incense? This is so cold and lifeless. Where is the FOOD??? The drinks??? The flowers/plants??? You're calling your wife and you're leaving her starving and depressed!
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(For info, a normal small home ancestor altar should look more like this. As you can see : FOOD. Take care of your ancestors!)
The cast and setting is supposed to make this adaptation more "international"...but two British dudes decide everything when, in the novel and the Chinese adaptation, it is truly an international decision and an example of global cooperation. Five Oxford alumni of different skin color does not make this more international!
And so so so so many more things that are wrong. I feel like there is not a single Chinese brain cell in this.
All in all, I did not expect anything good, but I am still disappointed. It is so bland. No build-up. No mystery. No menace. No ambiance. Nothing. Everything is said straight to your face. They must think the audience is stupid, I guess.
Watch the Chinese adaptation
Did you like the ideas behind the Three Body Problem, either the book or the Netflix series? Are you ok with reading subtitles and watching something not in your language? Are you ok with seeing something set in another culture, with another culture's codes, not simplified and westernized for your sake? Are you ok with not being able to binge-watch it in one weekend? Are you ok with more complex characters, a slower-paced plot? Then try the Chinese adaptation. It's on Youtube and Viki, with subtitles. Legal and free.
youtube
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Job Wanted: Bullshit Detector
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Circa: April, 1944
Summary: In the wake of Ida’s miscarriage and the consequences of it, Gale Cleven is on a mission to catch the Allied serviceman who allegedly turned them all in. To do so he must spare time from his other duties, one of which he is loath to delegate. Until he recalls the perfect candidate.
Cast of Characters include: Gale Cleven, Lt. Kendeigh, Lt. Sanchez, Lt. Lu Smith, Ida Brady (discussed)
Warnings: 18+ with universe typical warnings applying. mild chapter for this universe with only referenced past torture, referenced past assault and referenced past miscarriage. 🙃 some hinted racism along with some general stalag angst and characters misinterpretations of each other, etc.
Author’s Note: this was partly inspired by learning the real Gale Cleven was sorta self appointed spy catcher in the stalag, which is very badass of him and very important
The only thing cutting through the anger for Gale was the immediate need for action. If he could not find the turncoat fucker this instant, he had to insure that he would soon. And to do so, he must spare some time from his other obligations, make up for lost evaluations, coordinate with Bucky, and even let other duties lapse. They had others who could fill in the gaps.
There was truly only one duty that chafed him in the aspect of delegating.
He chewed his cheek raw in contemplation of it, the needing of someone to fill his spot in vetting the new prisoners. While baiting out one spy, it would be unthinkable to let in a passel more. And in his time away, as punishment for Ida’s pregnancy, there had been little done in regard to vetting incoming prisoners.
The fact stood, though, Gale did not trust anyone else to be cantankerous enough, to object without arguing, poke holes without being provocative. To sniff out a fake with pure, cold blooded, bone weary cynicism for humanity.
Until he remembered her.
He tried not to remember her, as a general rule, and when they passed in the hall of the combine or when he would find her in her bunk above Smith’s or working out a detail with Kendeigh, they gave each other only the most professional of nods. An effective show of respect to appease the curiosity of those around them, watching always, and yet, he was sure they had not exchanged a single word.
But now he thought of her.
They are sat out in the mildest blizzard of the early spring, Gale and Maureen, when he chose to finally bring her up. The woman who cut him. “The fighter pilot.” he begins.
Maureen perks in the near death-like stillness around them, it’s late afternoon and miserable and so they are alone. Her Major never makes conversation for the sake of it anymore, never did much to begin with, but if he ever were to, he’d not start off with a name or a person. He’d start off talking about landscapes; all his relayed memories started that way. The color of the river, how much snow on the mountain, cedar pollen in Texas. “Sansheaz? San-, yes?” she supplies in answer to his query.
“Sanchez.”
“Yes, yes that’s right. Sanchez. Pretty name, rolls it off her tongue so fast it’s a skill in itself. Pretty woman. Lieutenant, too. What about her?” he does not make conversation so Maureen makes up for the lack with things she knows, things they both know. He counts on her chatter. They both know that, too.
“She settling in?” he ventures. It’s been months.
“Seems to be. She’s in with Smith.”
“Ah.” he knew that, she knew he knew that.
“They seem to be getting along well enough when I’ve dropped in, to look after the bite.”
“Good.” he hopes she will go on, the swipe of his thumb along her knuckle wills it so.
Maureen does. “Keeps to herself, never offered me her name. Smith and I’ve been calling her ‘Lieutenant’. But she has been helpful with roll call. Other duties. She’s an excellent officer when she bothers.”
“Good.”
“Smith likes her.”
“Lu likes everyone.”
“Not everyone.” Maureen corrects, a sudden and harsh sobriety.
“Most everyone.”
“Most. And that doesn’t make her dumb.”
“No.” Gale concedes, “No it doesn’t. But Lu does like everyone.”
“She’s got good sense about people. I’ve always trusted her on that. Except when it came to me.” Maureen, maybe growing weary of this doleful banter begins to grow wry, sardonic, morose, “No earthly reason for her to like me and it shows a complete lapse of judgment. But most other times, she’s onto something. Sanchez seems alright.”
Gale remains frowning. “Lu knows you’d die for her. Don’t know what other likability is needed around here.”
“Projecting much?” She teased, heartsick over his unwarranted loyalty.
“Maybe.” Gale is dogged, “But I know she feels that way. About you. Why wouldn’t she.”
Maureen’s thumb plays a duel with his over her knuckles, they swipe back and forth, he allows her to crush his briefly before she draws a trembling breath, lets out an anecdote he could almost feel her holding in check, “Lu saved me from a bullet in Ravensburg.”
Gale's thumb begs her to go on. He doesn’t dare meet her eyes, throw her off track. He stares at her playful thumb instead. Slightly flattened and a little off color even now the bruises have gone. The nailbed is a sickening dip of flesh where once there was smooth pink. It took months of swelling to leave before he realized they’d torn them out. Seemed he was always learning something worse.
“They were about to-to shoot Ida.” Maureen told her tale, husky voice gone soft, “ After everything they’d done to her and the scalping and- then they were going to just put her down. I didn’t know I was rushing to stop them till Smith stopped me instead. I just couldn’t imagine it -all this. Without her. Without Ida. Couldn’t just stand there. But it was stupid. Smith knew that.”
“Apparently Lu couldn’t imagine this without you.” He pointed out after a bit.
“It would’ve been awful. Wouldn’t it? All this without her.”
“Ida?”
“The colonel, yeah.”
“Yeah.”
“I know she’s not, she’s not much right now but I-i couldn’t imagine it.”
Gale chewed his lip, knowing what she meant by much, knowing it was true in a terrible sort of way and it ate at Ida worse than any of them. The baby. Then the loss of the baby. All that followed. “You told her that?” he asked quietly.
“What?”
“You told her that?”
“Told her what?”
“What you just told me. That this wouldn’t be bearable without her.”
Maureen blinked away the grit in her eyes, squinting at the hazy white horizon with discomfort. She had said something close to it, then delivered her dead child into the world days later like an act of gory penance. “Must I?” she sounded hoarse, and it was proof of what this place had done to her, stripped her down to, taught her harshly, that she got his buried meaning on the first try. However little she liked his suggestion, she understood it.
“Might be good to say.” he observed. “Don’t think plenty of things need sayin’ in this world that get said. Still, most things folks regret, are the unsaid.”
Ida could die. They all could die. Anyone of them could just bite it and the last inane quibble over socks or the last joke over soup would be the last sentiments ever expressed.
Or there could be a decade of this endless nothingness stretching before them consisting of nothing more notable or significant than said quibbles and jokes.
It made Maureen’s chest ache, and not from the cold. She didn’t know why that grieved her, the thought of all this being so meaningless, it grieved her as much as the thought of Ida dying, both feelings startling in their pain.
“It ain’t the end of the world to admit to someone you like that you -well, that you like them.” Gale was grinning at her, soft and compassionate, a little wicked in acknowledgement of their criminal admissions of the same to each other.
“She did so enjoy cutting me down to size.” Maureen muttured, thick and bitter and confused as flight school memories came up tangy and fresh like the blood in her bitten cheek.
“Because you were full of hot air.”
“She didn’t have to enjoy it so much.”
“Just cuttin’ ya down to somethin’ she could promote to a lieutenant.” Gale retorted, and his logic held a terrible persuasion to it.
“That was -flattering.” Maureen admitted. As confused now at Ida’s vote of confidence as she had been back then. It had first felt like a bribe, then a challenge, maybe even a commendation there near the end before -all this.
“First compliment you ever got that wasn’t given by someone kissin’ your ass, huh?” Gale leaned back against the step, pale throat bare and as white as the snow, “Still haven’t recovered, have ya?” He was snickering, or as close to it as prim and proper Gale Winston Cleven ever got, and if she wasn’t so sure he liked her, Maureen might have been terribly hurt by it. Instead she feared he was right and that was aggravating, but not new. Gale was always right. It’s why she stuck by him closer than ever these days, a harbor light in the soup of not knowing anymore.
“What are you thinking?” she changes the subject, not like how she used to with saucy annoyance or a pawing hand on his thigh. She asks because she knows he does not make small talk about people in this place. “In regards to the Lieutenant.”
“I’m thinking she’d fill in a job for me.” Gale replies, contemplative and still forcing himself to recall some of that night. Or rather, to spin the wheel of memory film from that day until it is no longer dark and burning and cruel but far enough back to when it was drizzling and bumpy and noon day with a fresh batch of prisoners and one scowling at him, casting accusations of him being a spy.
“Which one?” Maureen asks, she was asking about the jobs, not which memory. Gale snipps the tape right there on the memory of that day, just like he always did, right before it got dark and comes back to her and the front step and the blizzard that is dusting green shoots of grass by the steps.
Somewhere along the way Maureen has started to stroke the hair at the nape of his neck, icy fingers twirling a comforting dance there. “Gingerale?” she calls him further to the present. Gale wonders how long he’d been gone in his mind, he’s got to be careful with that. It’s one thing for her to notice, but if he starts with her, he might start lapsing with others, and he cannot. He simply cannot. So he gathers himself, lets the nickname ricochet around his skull until its sweet tease knocks out the ghastly replay of grunts and laughs, thinks about her fingers and the way she still loves to play with his hair while she plays with his heart, the way she encourages him to breathe when she touches him, nothing like the way the others nearly strangled him.
Then he thinks about catching the fucking rat that had the craven gall to turn them all in. That had Bucky beaten like that, had Ida kept to bleed out in the fucking cooler after miscarrying, that had Gale upping his concessions to the doctor, concessions that always somehow cost Captain John Brady more than him. He thinks about finding that rat, asking if the extra smoke or blanket or empty promise of an exchange was worth betraying his friends. He thinks about that, he thinks about snapping the fucker’s neck.
“Spy Master.” he grins back at Maureen in the here and now, genuinely happy to have thought of it for Sanchez, and there is after a moment, a look of such stunned concurrence on her face, he knows she knows it is wise. And he knows she knows why.
It is evening time when he acts, and he’d have rather done this in daylight but the evening chores keep everyone occupied, away from the combine even during the snowstorm.
It offers his only opportunity for real privacy. He intended to find Sanchez in the hall or on one such chore and ask for a moment. But he doesn’t see her, instead he stalls Lu on the steps as she heads for the kitchen, “Where’s Sanchez at?” he asks her as if he commonly inquires after the fighter pilot.
“In bed.” The furrow of Lu’s brows ask all sorts of questions her rank and regulation rule book constrain her from voicing.
“She sick?”
“Happens -cyclically.” Smith provides, and if he were unable to guess at the intended meaning, the blanch in Lu’s cheek’s at the mention of the ailment tells Gale Cleven that Lieutenant Sanchez is abed menstruating.
“Right. Save me a turnip.” he teases as he continues past her, swimming upstream of the men in the hallway leaving for dinner, and working his way towards her room.
She is sat alone at its table, bent over her work which seems to be the hem of a trouser leg, spread out on the table top and being subjected to row upon row of rhythmic stitches. There is a bean sack propped behind her back, he can see it through the slats. He would think it a pillow for support if he couldn’t smell the nauseating aroma of burnt dried lentils. He imagines the damn thing is heated and feels a wave of wistful admiration for the design.
It must not be his footsteps in the quieting combine so much as his looming presence after a moments observance that has her suddenly snapping her head up in appraisal of his company. Her eyes are as hard as he remembers and her scrutiny off putting, he is glad that memory is not warped. It will serve his purpose, it will aid in her new job. He is never sure what about her he remembers or invented or blended into Smith. Not even having Lu present can undo the tangle, he has been too cautious of looking Sanchez in the face to compare the difference.
He looks now. Because she does not move, nod, or rise as befits his rank, all the motions she goes through when others are around. She seems aware of the empty combine as keenly as him and her full concentration is on staring him down. He is glad he didn’t try this sooner, to swing by and exchange urbane pleasantries with someone who must find his very existence a burr in the memory. Just as she is to him. There is nothing to account for, no friendship to patch up, no harm to be forgiven. It is senseless to reconnect as there was no true connection. Even if he feels something heated and horrid thrumming between them even now.
“Spare a minute?” he asks her, and Major Cleven’s voice comes easily to his disposal, and he is glad of it.
He does not wait for her invite, as a major he does not need it. He walks past the threshold like it’s any other day and he’s here to inquire about Lu or make sure the poor drowned girl hasn’t passed. She is still in her bunk but there is no life there despite the heartbeat. They are alone. In Gale’s mind, they are alone.
“Sir.” Sanchez gives it to him right as he pulls out a chair and helps himself to it. Near her, but not too near. Not even he could stomach that. The sight of her hands make his gut twist oddly and he panics at the thought he might shake apart from some unwarranted recollection.
Tilled earth heaping against his face. Furrows cut from her nails.
“Smith said I might find ya here.” he informs, easy, normal. “Not hungry?”
“No.” she looks like she expects something awful. Her eyes are unblinking and still harsh, even this near. Perhaps Maureen is right and she is beautiful but he wants to shudder all the same. He can spot the difference now, between Lu’s eyes and her’s.
“Good work.” he comments on the pant leg, gesturing to it.
It makes her drop her gaze for the first time, a quick glance at the needle under her thumb, the ratty row of hem she is repairing. She looks back up, incredulous almost, he thinks, and at least that guarded expression has finally shifted. He watches some resignation come over her, filtered through annoyance when her full lips tightly peel back from her teeth and she responds as if forced with a: “Cannot let your young captain do all of it.”
Brady, he realizes she means Brady. Lu and Brady, that’s all he’s seen this woman really converse with. And Maureen. As lieutenants. “No we can’t.” he agrees. “Appreciate the help.” he wonders if her time of the month makes her more volatile or just miserable, he wants to laugh at choosing his timing so poorly, not only going into the Lion’s den but doing so when they’re hungry. She does not acknowledge that Gale thanked her, she just dares him to finish this.
He does, and again, Major Cleven finds a small smile to present with his offer, “I’ve got a job for you.”
Whatever she expected, it wasn’t that, apparently. Surprise looks awfully thunderous on her but it is surprise all the same, a chink in the armor. “Sir?”
“I have a particular case of business to attend to.” he entrusts her with this, “It will take me away from other duties. I have excellent deputies, they will fill them with ease.” He lets that hang there, baiting a reply.
“Your lieutenants are perfectly able women.” it is as if she is defending them to him, he wants to smile at the slip of loyalty. She only mentions the women, she must think he is here because she is a surplus female.
“I’ve got a job that doesn't require anything but a bullshit detector.” he replies, puts it out there as if tangibly on the table between them, “Something plenty of lieutenants, male and female, haven’t got for shit.”
“Sir.” it’s the least interested question ever, she is tired of him, unimpressed and unflattered and he doesn’t even think the question would deserve a question mark if in written form. He has never been more soothed at his choice.
“Need you to vet incoming prisoners.” he spells it out, “Spycatcher.” he abbreviates. He told Maureen the whole of his ambition for her skills, but here and now he’ll ease it out to her.
Even so, it cracks the facade, if only briefly, intrigue and perhaps a flicker of want flashes in dark eyes before they squint at him in suspicion. “Have you even taken that precaution before?”
“Yes.” he defends.
“Poor job of it.”
That stings but she’s not wrong. “Yeah. Apparently.”
“So you’re passing the responsibility to someone else?”
“You would be my representative, my deputy, given my authority in the matter.” Gale watches closely and gets little in the way of feedback, “We can’t stop prisoners from coming in, obviously, but we can isolate the ones we know or suspect. Trust the others. What happened with you. We know you’re trustworthy now. And I’m offerin’ you this as it suits your talents.”
A crushing suspicion of humanity’s worst intentions was an odd talent but he considered it such. He hoped she’d not think him facetious.
“You don’t think I’m the rat?”
Gale frowned, surprise creasing his face, “No. Not for a minute. The child is out, it’s dead, it-“ so much has changed, first the miscarriage and now the punishments, it’s a whole new landscape and it’s tedious and awful and if the SS do come and take over as threatened, it will be made horrific. “-the reasons to exclude you are over. I need good men, I need good officers. I need someone to take this job. Someone else takes it and it’s you at stake, too. You want a spy bunking above you?”
Sanchez looks angry again, but it is a passive, sour sort. He braces when her lips begin to move, “If you want someone duplicitous enough to drag information from unwilling individuals -you should offer the post to your lady colonel.”
That's not the post. The post is that of prime bulshit sniffer. But this anger poses another issue and his mind flits over it anxiously. “What’ve you got against Colonel Brady?” he sighs.
“Don’t play dumb.”
“Don’t play at insubordination, Lieutenant.”
“She-“ Sanchez began with venom before suddenly reeling back her voice, her expression, everything, it was eerie in a way, “-I would never have told her.” she began again, “But she made me think she knew, and then she pulled her fucking rank, and I told her. And if you are here to learn the full of it -there. I told her about you. Because she deceived me. Offer this job to her.”
Gale stared at the pants hem, regaining his thoughts. Ida knew. He knew she did but, she’d heard it from the source and he knew she did but— “She’s a colonel. She’s my colonel. She’s got a right to know. You didn’t do nothin’ wrong.”
“Of course I did not. She tricked me.”
“You’d have lied to her?”
“About that? Yes. None of her fucking business.”
“She’s our colonel-“
“Not mine!”
“She is our superior.” that went uncontested and Gale went on having gained that victory, measured and speaking to himself as if he could somehow conduct his reasoning over to Sanchez, “She had a right to know. And no one fuckin’ blames you. Not if you told the truth. Did you? You tell her why you cut me? That you thought I was gonna join in? Was gonna dishonor you?”
Sanchez was at war with herself, and in that terrible conflict she seemed half in want of an ally in Gale, and yet- “You think she believes me? If I were to tell her I thought you were capable of that? You? Who she knows and loves and praises? Jesus Christ in a fucking flight suit? You think she’d take a strangers’ excuse over her knowledge of your character? She wanted a reason to distrust me and she found it.”
Gale thought he saw guilt, well masked by fury but there all the same. Sanchez, he surmised, was sorry now she knew him. Sorry like she hadn’t been when they were being ground into the dirt, sorry like she wasn’t when he was lying on Benny’s thigh in the truck bed after, sorry like she wasn’t when he handed her the penicillin.
“Ida wasn’t mad at you for cuttin’ me.” he knew it, like he knew his own thoughts on it, he was so sure of Ida, “She was mad you didn’t say you knew me. That you knew of me before this place.”
“It’s not her’s to know.” Her voice had gone soft, defensive but burnt out.
“She’s a colonel.” Gale disagreed even as his own pride smarted horribly at the thought of being so known by someone so -Ida. He knew Ida also blamed him for not saying. “And she’s a good one to have on your side.”
Something else seemed to be on her mind, her eyes left his face to contemplate the bunk opposite. “You think your men will like having a brown woman vet them?”
“I don’t give a shit. I’m givin’ the job to the most capable…man…I can find.”
“They’ll hate it.”
Gale’s lips twitched. “You tellin’ me you’d mind that? Gonna ruin some social scene ya got goin’ here?”
Her breath came out harsh and he suspected if she were like Ida or Kendeigh, that would have been a laugh. It seemed to take her by surprise as much as him. “You’d -you would back me.” she pinned him with her gaze, hesitancy only in her words.
“Always. You’d be my deputy, Lieutenant.” she actually nodded when he said that, like she was considering, accepting maybe, he wasn’t sure. He knew she’d like the job. She had to be going nuts in here with only pant legs to hem. “It’s a critical job. And you could sit down for it.” he added right as he decided to stand up; her face looked briefly stunned.
Seemed like a good place to end this, on a high note, even if the high was a tiny ant hill: all in comparison to the morass they were in when he first entered this room.
“Yeah?” He asked her to accept.
“Sir.” she nodded.
“Thank you, for taking the job, Lieutenant.” Gale thumped the table once in adieu, she was still staring him down.
He’d made it back to the door when he heard her, “I really thought you -were.” the last word held such meaning in her tone he knew exactly what she meant, she was remembering too, she was recalling how she’ had sliced him open, furious as a wild cat. She had really thought he was capable of the worst. “Why would you think I’m a good judge.”
Gale stalled, hand grasping the wooden doorframe and looked back at her over his shoulder, Major Cleven managed to give the troops a grin, “Didn't say I needed a good one, just a suspicious one.”
💋 Hope you enjoyed! Feedback is a writer’s lifeblood, please feel free to scream in comments or the inbox, I love it and wanna hear it all. Trust me, nothing is “too dumb”. Your thoughts mean the world to me.
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feyhunter78 · 2 months
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The Floret Flower
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Description: Cregan has fallen for the flower maiden who smiles so sweetly at him, if only his honor would allow him to act. Also, PSA I'm not gonna be using the gifs of the HOTD casted character, he just kinda looks really young to me and it icks me out. We are fancast Cregan only girlies on this blog (no hate to the actor!!! Just my personal preference)
“Go on, taste the sun.” The words echo in his mind, spoken to him by an old washerwoman as he traveled South. Her words had an air of mysticism and promise about them, one he found much easier to believe every time you crossed his path in the Godswood, ducking your head shyly, a bashful smile on your face.
A radiant, radiant being you are, with the grace and beauty of a flower maiden, brimming with life in a way he knows can only be brought to fruition in the South.
“Lord Cregan, good morn.” You say sweetly, flowers woven in your hair, a gown of light blue adorning your figure. It has been many mornings of you greeting him. Of you hanging upon his every word, fussing over him when exhaustion shone on his face, and the pleas, and arguments of noblemen echoing within his skull. The smell of death and ashes is thick in the air everywhere but the Godswood, everywhere but where he saw you.
It would not be difficult, throw you over his shoulder, get to his horse and ride for the North. It would be a long ride, and you would surely fret and cry, but there would be enough time on the road for him to reassure you. To soothe you and assure you that he had done what was best. It would not be safe for you, not a delicate flower such as you. Ever since he has taken control of King’s Landing, its men were like beasts, prowling for any unattended maiden to take as a bride. His own men could barely find the time to wrangle their southern brothers into a more honorable way of going about satisfying their needs.
“Lady y/n, are you alone? Where are your guards?” He asks, glancing around for the very men who were supposed to be watching over you.
You scrunch your eyebrows and look around as if you had not even noticed they were missing, keeping your voice light as you approach him. “Oh…well, I am sure they are around here somewhere.”
He bites back a heavy sigh of frustration. These King’s Landing guards were utterly useless, he would need to assign some of his own men to you. “They should be near you at all times, it is not safe for a lady to wander the Keep unaccompanied.”
You cross the remaining space between you and him, and look up at him, smiling brightly, standing far, far too close. “Well, I am not unaccompanied now, am I? Not since you are here to protect me.”
Gods damn him, he cannot resist your smile. “You are right, My Lady, but still—”
“Your guards must be near you, to protect you.” You say, pitching your voice down in an attempt to imitate him. “It is unsafe for a maiden of your virtue to walk amongst these war-fed beasts.” Cregan stifles a laugh, but you hear it and your expression changes, a victorious light in your eyes. “I knew it, I knew I could make you laugh!”
His chest warms at your words, had you really been attempting to find ways to make him laugh? Him? The man who stormed into your home and seized control with bloodied hands, whose allegiance was to the very side you were against, not only due to family ties but personal ideals as well? “I am honored that you would dedicate even a moment of your time to my amusement.”
You cast your eyes downwards, and he cannot tell if it is a demure act or a bashful one. “You have been so kind to me, it is the least I can do.”
“You are easy to be kind to, My Lady.” He says truthfully, delighting in the way you take his proffered arm without delay.
“As are you, My Lord.” You look up at him and the sun hits you perfectly, a halo around your head, your skin glistening, your lips stained a tantalizing reddish color from the berries he knew you had eaten earlier. He knows all that you eat, drink, your movements throughout the Keep, who you speak with, who you did not speak with, it is all known to him. Obsessive his sister Sara would say, she would tease him mercilessly for his over interest in you, but he cares not.
Taste the sun. By the gods old and new, he wants to. He wants to taste you over and over again, wants to steal the sun and bring it back North with him.
“Is that so?” He cannot help but poke and prod, desperate to hear you sing his praises once more.
You roll your eyes playfully. “I see what you are doing, Lord Cregan, if you wish to hear your virtues tolled there are plenty of bards around that would do so.”
“You have caught me.” Cregan relents, smiling softly down at you before smoothing his expression once you both near the entryway back inside the Keep. He cannot be seen as showing you favoritism, not when there may still be cravens and traitors about. He will not have you marked as a weakness of his, a potential target.
“It seems you cannot escape my notice, in words or actions.” You say teasingly, your breasts pushed up tantalizingly as you press yourself against his arm, body turned towards him, your head tilted up to meet his gaze. “I am simply too astute.”
You do not make his mission easy, no, even though he is sure you have not a single impure thought in your mind, his is swimming with them as he feels his head dip down, his eyes flickering to your lips.
Before he can lose his grip on his honor and kiss you senseless, he is saved by a pair of passing noblemen, and he straightens up, putting distance between the two of you. “That you are, Lady Florent, it is honorable for a lady to possess a good sense of such things.”
You give him a quizzical look, followed by a slight pout, and unhook your arm, clasping your hands together before you instead, putting on an air of polite indifference. “I thank you for your kind words, Lord Stark.”
You walk in silence, footsteps echoing on the marble floor, until finally Cregan spots your familiar door. “My Lady, this is where I shall leave you.”
You nod and break away from him, your skirts sweeping across the floor with your quick movements. You reach for the door handle then pause, your back still to him. “Do you find me unpleasant, My Lord?”
“Unpleasant?” He echoes, unable to fathom how you would come to such a conclusion.
“Or is it that you find me shameful to be seen with?” You turn on your heels with your words, tears shining unshed in your eyes.
“Lady y/n I—do not understand, where have these thoughts sprung forth from?” He says, taking a step towards you, arms outstretched as if to collect you in his arms and hold you close to his chest.
“You turn from me, close yourself off from me whenever others appear. Have I shamed you? Am I hideous? Do you find myself, and my house that lowly, that you cannot stand to be seen in my presence?” Your words are harsh, but your tone is soft, your bottom lip trembling.
Cregan grabs your shoulders, pulling you into his embrace, his hand cradling the back of your head. “No, no, Lady y/n, it is nothing of the sort, please, banish such thoughts from your mind.”
You look up at him, tears collecting on your cheeks, a heartbroken expression that feels akin to a knife through his chest on your beautiful face. “Then what is it?  Because I cannot deny my feelings any longer, and I do not wish to be made a fool.”
Go on. The words echo in his mind, and he grips the chains around his will tighter, he cannot break, not now.
“Tell me the truth, tell me you do not desire me, and I shall abstain from your presence.” You say, gaining strength from anger as he stands silent.
Taste the sun.
“Speak, Cregan Stark, deny me or take what is being offered.” There is no room for argument in your tone, he must make a choice or watch you smile in the arms of another.
The chains slip from his grasp, and he cups your face, crashing his lips to yours.
I wanted to make this smutty so bad, but the inspo was simply not there today
HOTD TL: @nyctophilic0vitnir, @svtansdaddyx, @fan-goddess, @dc-marvel-girl96, @shintax-error, @bellameshipper, @the141bandicoot, @the-phantom-of-arda, @haydee5010, @partypoison00, @serrhaewin, @issshhh, @pax-2735, @malfoytargaryen, @sahanna, @dellalyra, @mxrgodsstuff, @jkhomes, @unusual-raccoon, @boofy1998, @kravitzwhore, @caribbeangel, @krispold, @issshh, @afro-hispwriter, @ryswritingrecord, @prettykinkysoul, @elissanatok, @sahvlren, @its-sam-allgood, @happinessinthbeing, @8e-h-e8, @feyres-fireheart, @just-emmaaaa, @crazylokonugget, @hedahobbit98, @devils-blackrose, @mercedesdecorazon, @snh96, @imjustboredso, @izzicle, @hiatuswhore, @aslanvez, @devils-blackrose, @yentroucnagol, @queenofshinigamis, @partyposion00, @cryptidsrcool, @jennifer0305, @solkara, @simpinonyouz, @lorarri
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milkteasweetheart · 1 month
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『just like heaven, chapter 1, part 1』
this part contains riddle’s dream sequence. 
housewardens x reader
author’s note: i depict nrc as an actual college, so first years are 18, second years 19, etc.
summary: crowley has the bright idea of a bonding experience, specifically in the form of a dream potion.
characters: (riddle rosehearts), leona kingscholar, azul ashengrotto, jamil viper, vil schoenheit, idia shroud, malleus draconia / platonic mentions: dire crowley (ew), grim
genre: romance, fluff, smidge of angst
warnings: female reader, reader is yuu, reader is around ace and deuce’s height, sappy, marriage, mentions of potential children, some suggestive themes
「dream scene: rose colored reverie」
Being in someone else’s dream looks strange. Seeing your own dreams in your mind’s eye makes you perceive it as high definition, but looking at this place, it’s like watching a movie shot with a lens covered in vaseline. Except for one house, and it's yard where our cast is trying to walk without falling over.
Vil is currently clinging onto the prefect, who had by now developed the skill of surviving whatever wringer life throws her in. Leona groans out of annoyance. It’s bad enough that he has to spend his precious sleeping time doing this fuckery and spending time with the fuckass lizard and the others when he could be cuddling with the prefect (he will never admit that).
“This must be where the dream is set.” Malleus wondered out loud, not turning around when Azul struggled to learn how to use his legs for the second time. Idia was sad that the dream world didn’t have phones to record this with. So was Jamil.
The group were not accompanied by Crowley, who had explained that “Someone needs to make sure that nothing goes wrong!” (Y/N) knew he was going to say that before he said it. Like precognition limited to one singular idiot.
“...certainly not a pleasant start to this. The headmage said we must go through everyone’s dreams… what a bother.” Azul had managed to conquer the task of standing without falling over. “Got something embarrassing to hide, octopunk? We’ll see yours eventually.” Leona was quick to take out his annoyance on Azul, to which he only rolled his eyes. What a brute.
(Y/N) looked at everyone. They seemed fine. She deliberately ignored Vil, who was still clinging onto her forearm despite being able to walk by now as evidenced when she went to check on Riddle, who was standing still, staring at the house. With silent horror. Vil’s face was quickly changed into a smug smile. “What’s wrong, Rosehearts?” His words didn’t match his tone, a patronizing mockery. Riddle wondered if magic could be used in the realm of dreams. He’d like to shut Vil up, and get out of here. He knew exactly what this dream was about.
Yet, Riddle didn’t answer. Instead, he blushed as he heard a car roll into the driveway. A cute little vintage car. (Y/N) looked as… she herself stepped out? She was wearing a snazzy suit with a fedora, and carrying a briefcase. Very fitting with the old-timey vibe this whole place was oozing. But why was she here?
Azul watched Riddle suffer with glee, excited at the prospect of a rival removing themselves from the chase of (Y/N)’s heart.
「Azul: Oho! Interesting!」
Idia was concerned at Azul’s widening smile. Hell no. He NEEDS to figure out how to stop this series of unskippable cutscenes or he will be COOKED.
Jamil looks at Dream (Y/N)’s face. It’s quite accurate, with the exception of an uncharacteristic smoldering look. Wait… Oh, this’ll be good.
Dream (Y/N) has somehow acquired a bunch of roses, painted red, and opens the door. The group peers inside. Riddle wishes to pass away. 
「Riddle: How can I offend Draconia as fast as possible so that he’ll smite me out of existence?」
“Welcome home, beloved!” (Y/N) watches as the Dream Riddle greets her dream counterpart with a kiss on the cheek. Dream (Y/N) presents him the bouquet, which he gladly takes.
It’s going to be a long night.
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trashmouth-richie · 1 year
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Eddie x Fem! reader
master list
the conversation of the century finally happens, grab your tissues.
**edited to add as a content warning— the major character death I talked about in chapter 12— happens within this chapter, if we remember, Tooty experienced heavy trauma to her abdomen……… this story has never and will never be a pregnancy fix all trope. — sorry it wasn’t labeled correctly the first time. **
no minors 🔞, talk of trauma, another traumatic event, miscarriage
a/n: this is a shorter chapter the next one will be longer and not out as soon. Thank you again to @sweetsweetjellybean for beta reading for me and helped me tweak this chapter @blueywrites who helped me months ago come up with this plot. And @jo-harrington who helped also. This story would be nothing without all the people liking and reblogging it— so T H A N K Y O U for continuing to read it even when it got dark, when weeks went by and there wasn’t an update in sight, I appreciate each and every single one of you. Here’s to our two dumbasses, finally figuring it out 🥂
“Eddie.”
  Your throat was bruised and weak. The slow painful flick open of your swollen eyes have you paralyzed with doubt. 
  Deceiving sight of a beaten man sitting in front of you with a hard cast covering his right hand, the fingers are deeply swollen and bruised, the nails tinged with dried blood.
  This wasn’t a version of Eddie you had seen before.
  His normal pale skin is purpling and raised around his cheek and left eye. His top lip is split and agitatedly red against black stitches, probably from him picking at it. 
  He was handsome, even with his face twisting into relief and sorrow. Tears flow down the colorful sunset painting of healing and broken skin on Eddie’s face. He stands quickly, leaning over you carefully.
  Quivering, timid hands reach for your cheeks, realizing the cast would probably scratch or scrape you, he settles for one hand laid dainty on your cheek, thumb stroking the skin like a ghost.
  The dark pools of his eyes pull you in as his tears fall freely, and your heart begins to sew itself whole again. As his lips meet your hairline he whispers a cut off sob of his worries. Your tears flow with his. Merriment of grief and comfort as you cry into his shirt. Wishing you could live in this moment forever. 
  A dark wave full of emotions crash down on you  all at once. The joy of seeing Eddie mixing with shame and guilt over what he must have braved while defending you. Finally, confusion on what exactly had happened and how you both ended up here and alive? 
  “You’re here,” you choke, a tubing clustered hand strokes Eddie’s face, “I was so scared,” you mumble weakly, “I thought we were d—” your throat tightens on the word and won’t release it, lost on a sobbing gasp that is muffled into his shirt as he pulls you into him. 
  The soft cotton of his shirt envelops you in a calming light state, the same smoky essence of Eddie washes over you, settling your hiccuping cries. His hand is stroking your hair, careful around the stitches. And if you listened close you could hear his heart breaking. 
  Eddie would find a way to melt the galaxies for you if you asked, hearing you crumble about the thought of him being dead is almost too much for him to handle. 
  “You don’t have to worry about that anymore,” he says, strongly, firm toned to get his point across in as few words as possible, no need to go into detail about how it was done, you and the baby were safe and that’s what mattered, “he’s gone.” 
  Gone? Did he get away? 
  “Wh—-” you try your best to make any sort of sense register and click in your brain, but it’s not connecting, “Eddie?” 
  He took a deep weighty breath, the final swing of the wooden bat playing behind his eyes like a film in class, he watched Chad’s lifeless body slump to the floor, the dirty and blood riddled nails wedged into his temple like a knife through soft butter. The horrified expression Mr. Derry gave as blood splattered on the walls, and coated Eddie’s face. 
  He lowered his head and shook the image from his mind, “I took care of it,” he whispered gravely, “he won’t be bothering you again.” 
  The muddied storm in his eyes thunders as you comprehend his words. Would you be afraid of him? The same hands that held you so tenderly were also capable of murdering a man who nearly took your life. The thought of you being terrified of him tingles his spine and makes his knees weak, he turns away from you before you can see him cry again.  
  Chad is dead. And you want to scream at yourself when you feel remorse. He was terrifying. A real life in the flesh monster. Quite literally tried to kill you. All he brought to you was pain. And he was dead at Eddie’s hand. The nightmare finally over.
  He tried to hide the distressed pain burrowed deep in his face. He was everything the town always said about him. Satanic. Future convict. White trash, just needed to stitch  ‘murderer’ to the long list of insults he’d worn his entire life, like a cloak to shield others away from him. 
  With your head held high you wipe the tears from your eyes and pull Eddie’s chin to face you, and you’re surprised when he jerks away slowly. 
  You forget the time spent away. Finding it easy to fall into sync with him again, your Eddie. Would he ever be yours again? He’s been left out in the cold, sick from the frigid heart you peacocked off to him, boundaries up and lies in your head. 
  He was the most important person in your life. And it was time you told him so. 
  “Look at me, Eddie,” you coax, trying to make your voice seem velvety instead of the scratchy crack of desperation you currently are pleading to him, “you saved my life.” 
  The brooding deepens and he presses his lips tight together before looking at you, guilt and shame riddle his features, “I’m sorry, baby,” he whispers, closing his eyes, “I’m so fucking sorry,” the tears fall freely down his face, and he wipes them away hastily with the back of his leather covered arm, “I should have been there.” 
  The words stab like a knife into your soul. Everything happened because of your actions, your apprehensive heart. Eddie almost got himself killed and in turn had to kill your abuser, yet he was the one apologizing for not being there. 
  “It’s my fault,” you say weakly, reaching up to brush a tear away from his wet eyelashes, “I’m the one that pushed you away, and then… I’m sorry Eddie…I couldn’t..” 
  He pulls you into him, his lips skirting your hair line, kissing sweetly and soft like butterfly wings. He shushes you, and whispers that everything will be okay, and in that moment you realize you didn’t have to stroll the pearly gates to be his. 
  His eyes drop slightly to the blanket cozied up around you, flitting over your stomach. When his eyes find yours again, there are fresh tears, and a sad smile. It takes a nano second for the realization to hit you like a ton of bricks in the chest. A gasp breeches your lungs and guilt forms in the shape of tears in your eyes.  
  He knows. 
  Regret is billowing from your body and you try to cover your eyes, terrified of Eddie’s reaction to not only you being pregnant with his baby, but keeping it from him for months. 
  Outside of telling Eddie to leave and trying to convince him that you didn’t love him—- this was the hardest thing you’d ever done. But you told yourself he wouldn’t want to be a part of you with a baby in the mix. A baby that would ruin plans and put a halt to dreams. He didn’t need to be tethered to you because of one night. 
  One single night that you had been lying to yourself about— trying to ease away the pain of loving Eddie and pushing him away for his own good. People had been distancing themselves from you your whole life.. you were guarded and as hard as it was to let the barrier fall around your heart, it was just as easy to put it back up, barricaded in yellow caution tape of lies. 
  Unworthy 
  Before you can drift into a full fledged spiral Eddie’s warm hands find your cheeks and tilt your head upwards to look at him. 
  “I’m here,” his eyes search yours, and they flood with the warmth of the sun behind the black storm, “I’m not going anywhere,Tooty.” 
  The drop of an aluminum can and spray of carbonated soda fills the room behind a loud shriek, making Eddie jump and stand up, instinctively placing his body around yours, his back covering you in a leather shield, and you grab his hand between your fingers, an instant comfort to your panic.
  “STEVE!” Robin screams, her hands fly to her face like that little punk Kevin McCallister in Home Alone, mouth hung open in shock.
  Steve enters the room with a fancy company cell phone tucked between his shoulder and ear. A package of Oreos in his hands, “No, Jack— I don’t care how long it takes just fucking f—“ his eyes go wide in disbelief, and he slams the presses a button to end the call when you smile weakly and wave your fingers between Eddie’s at him.
  The next half hour is full of tears and hugs, calls to the Wheeler’s and the rest of your friends, letting them know you were awake. 
  The nurses flood in like a gaggle of cadets. Checking monitors and adjusting tubing. Letting you have your moment with your friends, explaining you were still going to be weak and the doctor would be by in a while to go over things with you.  
  Steve hasn’t stopped crying since seeing your eyes opened, blowing his nose every few mins. Robin talks enough for everyone, your throat still rubbing raw whenever you tried to say anything so you work with nodding along when asked questions. Eddie is unusually quiet, sniffing loud every now and then, offering you ice chips the nurses brought to you, a plastic spoon to your lips.
  “So what hap—” Robin starts and Eddie immediately glares at her, shaking his head and a firm “no” falls from his lips, and nobody tries to bring it up again. 
  Eddie didn’t want you getting upset, he’d protect you for the rest of his life if that’s what it would take. Fuck, he’d even be happy to sit in jail for a life sentence for killing that mother fucker. Pride swelling his chest knowing Chad was dead at his hand. Finally making his mother proud for protecting someone when he couldn’t do the same for her… and now there was someone else to protect. A tiny little someone. 
  The days you had been sedated he was beside himself. When he wasn’t in your room holding your hand and humming songs to you, he would be down in the gift shop. Thumbing through baby books, familiarizing himself with the favorite nursery rhymes of Mother Goose. His fingers traced the lace on a pair of tiny little white socks. Blue plastic baby toys that he found were called a rattle and made a clunky noise when shook. 
  He looked out of place. Torn jeans and chains hanging from his waist amongst the delicate pastels of the baby section, but he didn’t care. He made himself a promise. That when this was fall said and done and you were healed—he  would move you all into a new house. Out of Hawkins, away from this shithole of despair that only held bad memories. 
  And he intended to keep his word. 
  “Umm, I know it’s a little soon to figure this all out— but none of us want you staying… there, Tooty,” Steve says, blowing his nose one more time, hands on his hips in his typical mother hen style, “we didn’t know when you would… but eh…Leighanne already has the spare bedroom set up for you… and you can stay as long as you want.” 
  You hadn’t even thought about the house. But the thought of possibly having to go back there had you trembling. The smell of your own blood dripping onto the carpet filled your nose, Chad’s maniacal laugh…
  “Later,” Eddie says, shutting the conversation down by clearing his throat, his eyebrows pulled in and he tries to hide his worry again by wiping his hand down his face. 
  You’re thankful when visiting hours are through, your body aches and the bruises lining your stomach are tender, each movement making sharp bolts of pain shoot all over. Everyone says their goodbyes, you squeeze Eddie’s hand, a panic set lightning strikes in your eyes. You didn’t want to be alone. Not now. Not anytime soon. 
  He doesn’t pause, doesn't recoil. He stands tall, squeezing your hand, his eyes finding yours, a silent comfort washing over you as he whispers so only you could hear, “I’m here, always.” 
  He needed you to know how serious he was taking this. You, the baby, everything. He wanted to be there for it all. 
  Small waves from your friends and powerful hugs with murmured conversations between Eddie and Steve, leaving them both nodding and agreeing on something out of earshot. 
  The room feels small without them there. The elephant in the room hovering over you and weighing heavy on your chest, bigger by the second and you can’t wait anymore.
  “Eddie?” you croak, barely audible, vocal cords rubbing raw trying to speak. 
  The tears are already brimming in his eyes, he looks up at the ceiling, his thumb rubbing small patterns on the back of your hand, “when?” 
  You remember the exact day and time you felt something off in your body. Tired and achy all the time you couldn’t catch believe the amount of hours you could sleep uninterrupted. 
  The same calendar that once held your schedule for you and Eddie also held when your period was supposed to begin, but since Nancy had crossed Eddie’s name off you hadn’t even thought about possibly being late. Flipping through the pages you realized you were 3 weeks late. And blamed it on the stress. When February came and you still hadn’t gotten your period, you made an appointment with the clinic, and on the black monitor the doctor pointed out the tiniest baby growing in your belly, almost eight weeks along. 
  “When what?” You answered feebly, throat aching with each word. 
  Taking a deep ragged breath, Eddie looks at you, concern shadowing his face, he looks haunted, and depleted, “when did you find out you were pregnant?” 
  “Last month,” you clear your throat and reach for the ice chips, but Eddie helps you spoon them into your mouth. The ice melting on your tongue, pooling slowly and sliding down your throat to ease the ache. 
  “Eddie, I—” tears fall as you look into the hurt man’s whiskey colored eyes, “I was scared to tell you.” 
  He's blinking back tears, dropping your hand to walk around the room, landing at the window and pretending to look at the sky, “Did you think I wouldn’t care?” 
  A long pause between you is more than enough of an answer for him, and he sniffs loudly, “I’m not my dad y’know?” His voice hurt and wavering the delivery , “If you thought for a second that I wouldn’t give a shit about you or the baby, you’re wrong.” 
  Words you never thought would be said flow so easily from him, and you’re embarrassed you ever doubted him, “We aren’t together, Eddie,” you explain, letting the tears free fall, “I didn’t want to hold you back.”  
  Eddie scoffs and pushes off from the window, pouring his heart into his words as he explains his hurt,  “hold me back? From what the band? Tooty, I’ve been trying to prove to you for months that all I’ve ever wanted was you,” he moves across the room, sitting next to your legs on the bed, reaching for your closed fist to thread his fingers with yours.
  “Every part sweetheart, the good and the bad. Don’t you see that?” 
  Of course you did, but it was never that easy. 
  “I just— ” you couldn’t find the words, even though he deserved them, it was too much,  “I can’t even say that…how could I tell you that I’m pregnant after what I did and how I treated you?” 
  That night with Eddie blurred in your mind. He was gentle and sweet, you had never experienced such passion in all your life. It was everything you could have hoped for and more, but your scared heart ruined it. 
  “I’m a bitch, Eddie. Look at what happened to you because of me!” yoj gesture to his bruised beautiful face, and the tears flow quick down your cheeks, “you deserve someone who doesn’t hurt you,” you mumble, tearing your eyes away from him and looking at the ceiling tiles. 
  “Goddamnit Tooty, you are possibly the most stubborn person, biggest pain in my ass… but I have cared about you since you were 14. And I have loved you since the minute you opened up that front door and yelled at me.”
  You both laugh through the tears and he brings your chin to face him, his dark brown eyes swim with the glitter of fallen happiness, and he quickly blinks, “let me take care of you, sweetheart, both of you.” 
  It could be that simple. He loved you and you loved him. It wasn’t rocket science or poor willed fate. This was two people who cared about each other enough to look past all the ugly shit the world had to offer and chose to stick together. The epiphany sewed your heart closed and locked it tight, a branded “EM” on the lock and Eddie held the key.
  You grab him with more force than either of you were expecting and collide your lips with his. Tears and stitches fill the gaps where your tongue danced the last time these lips touched yours. But it was somehow sweeter than any kiss before. 
  “I love you, Eddie Munson…” you breathe, “but I swear I will cut that hair of yours down to the scalp if you try to name this baby ‘Ronnie Dio’, or ‘dragon slayer 86’ or whatever the hell you used to call yourself in your demon club in high school.” 
  For the first time in days, Eddie belly laughs, and kisses each of your cheeks, “ohh princess, don’t tell me your still jealous because Eyeball wouldn’t let you join?” 
  You cross your arms in a pout and Eddie laughs again, “there she is, that’s my girl.” 
  Pushing him away with a playful shove he comes back and kisses you again, both of you smiling and giggling, two idiots in love. With a wince, you scoot over in the bed and make room for him to sit with you, adjusting the wires and tubing around you both you snuggle into him, placing his hand on your belly where you assume the baby to be. 
  He snuggled into your neck and sniffs quietly. Content. 
  “Promise me something?” you whisper as your fingers thread through his curls, he nods into you, kissing your neck sweetly and humming a yes. It’s a big ask, and you’re new to this feeling, “please don’t ever stop loving me.” 
  Eddie’s grin is warm on your cheek as he sits up, looking so far into your eyes your souls reach out and hold hands, “I couldn’t even if I wanted too, baby.” 
  A knock on the door interrupts the moment and you both turn to see a doctor in a long white coat, and green scrubs. His face is jolly and caring, an instant comfort.
  “Ah yes, the nurses told me you were awake,” he says with a big smile, “it was pretty touch and go for awhile there but you look good considering what happened, how are you feeling?” 
  “Sore,” you answer, “everywhere.” 
  “That’ll be expected with the hellish ordeal you went through. Mr. Munson here gave us a brief rundown on what happened, and your injuries coincide that statement. We will be helping you both set up counseling appointments, usually with instances such as these, there will be panic and trauma that will develop from it. I urge you both to take them seriously.” 
  Eddie nods and answers for you, “yes sir.” 
  “Good. Now this soreness, is it generally all over or more localized in one spot?” 
  “I mean my head and face feel pretty awful, but mainly it’s my stomach.” 
  A small look of panic settles on the doctors face but is quickly replaced with a gentle smile, “we will schedule from scans for later today to make sure everything is okay, if you don’t mind— while I’m here,” he says, removing his stethoscope from his neck, “I’ll have a little check, alright?” 
  Eddie moves from the bed and settles by your shoulder,  briefly pressing his lips to your hairline, his warm hand rubbing your arm slowly. 
  “Just routine,” the doctor says, lifting your hospital gown to the top of your stomach, pulling the blankets down to the stop of your knees, “nothing to worr—” his broad smile fades and Eddie lets out a loud gasp. 
  The inside of your thighs and the sheet beneath you are soaked in claret colored blood. You don’t have time to register what is happening before the doctor crosses the room and begins yelling orders through the phone, “this is Dr. Newby, prep OR 2 for a D&E…possible c-section, I’ll need everyone available.” He hangs up with a loud click and turns to address you and Eddie. 
  “What’s going on?!” Eddie demands, fear stricken eyes almost onyx in color, his fingers gripping yours tight. 
  “She needs to be prepped for surgery,” he answers Eddie curtly but still politely. 
  You balk, “Surgery?! Why?!” 
  The doctor looks into your eyes with a sympathetic expression, “you’re having a miscarriage.” 
——
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caligvlasaqvarivm · 6 months
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Love is Stored in the Cat: A Nepeta Leijon Character Study
I guess these are a series now! I also have a request for Feferi in my inbox that I'll get around to eventually.
SO! Dear, sweet Nepeta.
Nepeta is the troll that is most against the existence of the hemocaste.
I believe the Ultimate Self speech was originally going to be from her, not Davepetasprite^2.
She's bad at shipping.
These all make her extremely impurrtant!!!
So furst of all, I'm going to start with the same disclaimer as my Eridan essay (go read that first!!! It sets up a lot of ideas that I'm expanding on here), which is that the things Hussie says are going to be lowered in value, because he likes to play coy about plot stuff. I'm also not counting anything but the actual text as canon, and even with in that text, I'm counting everything after GAME OVER as soft canon - a suggestion of what would have been, often truncated for time, often a deliberate middle finger to the shitty fandom.
Okay, so with that squared away!
Nepeta Says Fuck The Hemocaste
I'm not going to bother doing a deep dive on Nepeta's characterization, because fur the most part, I think the fandom more or less gets her right - she wears her heart (h33h33) on her sl33ve, after all! She's a very sweet little catgirl who loves roleplay and shipping, who is also a vicious hunter of wild beasts and lives in a cave. She's very nice and friendly, but has a tough streak and a spine.
She also says fuck the hemocaste, why does that even exist:
CT: D --> Your fraternization with the base classes have 100sened your morals, can't you see this AC: :33 < no! i dont care, they are fun AC: :33 < and i dont know anything about classes or bases or blood color, it doesn't matter! AC: :33 < what does gr33n blood even mean! it doesnt mean anything to me and it shouldnt mean anything to anyone else!
This is a radical stance not outright shared by any of the other trolls. Aradia calls highbloods "hateful sn0bs" that she and Tavros shouldn't have "ever had anything t0 d0 with", the highbloods are, of course, all casteist to varying degrees, and even Karkat seems fairly accepting of the class divide, at one point taunting Vriska that her rejection from the blue team is "ANOTHER INFURIATING VICTORY FOR GUTTER BLOOD OVER ARISTOCRACY". Not to mention his long-held dream of becoming a threshecutioner.
Even Feferi, despite saying to Eridan that "W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!!", is actually perfectly comfortable with the caste system's existence, comparing having to stop using her royal typing quirk to "peasant-IFICATING" herself - and let's not forget that a Beforus under her rule had its caste system 100% intact.
This means that Nepeta is the ONLY troll who has said, in no uncertain terms, that the caste system should not exist. It's stupid, it's bad, and it doesn't meowtter!
AND SHE'S RIGHT.
But she's never able to fully express this opinion, which brings us to:
A COMPLICKATED RELATIONSHIP WITH EQUIUS
Now, before I say anything, I must insist that I do believe these two work as good moirails. That does not, however, stop them from being 13, and therefore, being poor to each other the way 13-year-olds sometimes are. I don't think they should break up; I think they should re-examine certain dynamics, and I think they need some space to breathe apart from each other.
Equius has a lot of problems, which I won't get into overmuch here, because... that's a whole essay on its own (are you people seeing a trend yet). But with regards to Nepeta specifically, he's extremely controlling and protective, to the point where she's a little scared of him before the game begins:
AC: :33 < well it does sound like it will be a lot of fun but i think i should get purrmission first GC: BL4R!!!!! GC: TH4TS SO STUP1D GC: H3S NOT TH3 BOSS OF YOU AC: :33 < i know! AC: :33 < but still im kind of scared of him and i think purrhaps its best to just run it by him first so there isnt a kerfuffle about it or anything
She's also afraid to tell him about her crush on Karkat, since she knows he doesn't like Karkat:
AC: :33 < well AC: :33 < i have never told anybody this not even my moirail AC: :33 < heh, actually hes the LAST guy i might tell, he so wouldnt appurrve X33 AC: :33 < but yes i have liked somebody for quite some time, but alas he doesnt know it
By the time they end their game, she's gotten over this fear, seeing as she spends many hours curled up with Equius in a pile of robotics parts, but it still must be noted that they have some issues in their relationship that were never resolved, primarily on Equius's end. What this means for Nepeta, however, is that in addition to setting her up as the most outright anti-classism troll, the comic sets her up to be socially isolated due to her moirail's paranoia about letting her associate with both lowbloods (seeing them as bad influences) OR other highbloods, seeing them as dangerous.
He's not entirely wrong - his refusal to allow her to participate in FLARP kept her from winding up entangled in the horrible chain of revenge, as Tavros alludes:
AT: iT'S PROBABLY FOR THE BEST, AT: tHAT YOU LISTEN TO HIM, AC: :33 < i dont know AC: :33 < you think so? AT: wELL, AT: iF YOU DIDN'T LISTEN TO HIM BEFORE, AT: yOU MIGHT HAVE PLAYED GAMES WITH US BEFORE, AT: aND SOMETHING BAD MIGHT HAVE HAPPENED TO YOU, AC: :33 < hmm purrhaps
But he's still wrong. And it's probably an uncontrolled manifestation of his Heir of Void abilities - he's both consciously and unconsciously hiding her from other people.
This isn't to say she doesn't stand up for herself! Many of her discussions with Equius are pseudo-arguments, and she does get her way often enough, managing to get him to roleplay with her, and managing to get him back in the roboti% pile to talk about his feelings about Aradia. She also talks to the humans explicitly against Equius's orders, although she's keeping it a sneakret from him:
NEPETA: :33 < but equius already furbid me from doing that :(( NEPETA: :33 < not that i am listening to him, but shhhhh! :33 KARKAT: WAIT, HE DID? KARKAT: OK, THEN AS YOUR LEADER I ORDER YOU TO RP WITH THEM AS MUCH AS POSSIBLE. BE AS OBNOXIOUS ABOUT IT AS YOU CAN. NEPETA: :33 < yaaaaaaaaaaaaaaay!
But the fact that she has to tiptoe around him like this speaks to them having issues in their relationship that go unexamined and unresolved, especially since it's clear that Nepeta really would like to be friends with more people, were Equius not getting in her way. So, even though I do think they are good moirails for each other - they clearly genuinely, deeply care about one another. But they could use some relationship counselling.
In fact, Jasprosesprite^2 outright calls her lonely:
JASPROSESPRITE^2: Or the girl who likes ships! Cause they made her less lonely. ;3
So, she's anti-hemocaste and lonely, two character traits that were set up and never resolved. And beclaws this is Nepeta, in her honor, I'm going to talk about a third:
Her Unrequited Crush On Karcat
She has the BIGGEST flushed crush on Karkat. It's seen on her shipping wall twice, once with the word OTP on it.
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And, despite never discussing it with her moirail, Nepeta mentions it once to Jaspersprite, and once to Jasprosesprite^2.
Now, I'm not really here to debate on the validity of KatNep - I think it's fine, even if I don't personally ship it, and don't personally think it would work out (there are lots of indications that they wouldn't work out, including Jasprosesprite^2 outright saying so). However, her crush on Karkat is both complicated and creates some interesting setups for her character. I am going to discuss it fairly critically either way, so KatNep shippers have been warned.
A lot of her feelings about Karkat - and about shipping in general - wind up being heavily interlinked with her status as a Hero of Heart, so I'm going to expand on it more there. But what I will note in this section is the fact that, despite Nepeta insisting twice that she doesn't think Karkat knows about her crush on her:
NEPETASPRITE: :33 < it was karkat NEPETASPRITE: :33 < but i never told him and im pretty sure he never found out how i felt!
He tooootally did:
KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK?
Interpret that how you will for shipping purposes, but I want to propose that this is a reflection of their statuses as Heart and Blood players. Heart, despite its players' obsessions with romance, is not the romance aspect, Blood is. Karkat displays this very same romantic acumen when he tells Dave that he's known Terezi and Gamzee were a thing for a long time, despite everyone else on the meteor trying to keep it a secret from him. Heart is, instead, about identity, feelings, motivations, souls, and self. In other words:
Nepeta Is Kind Of Bad At Shipping
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Let's take a look at those shipping walls.
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Let's break this down a little. Nepeta's ships are not entirely wrong, but even the successful ones are kind of wrong. Here's what I mean. We've already discussed how Equius and Nepeta's moirallegiance has some... issues in it. If we go down her list of ships that actually do happen, most of them have some issues in them!
Aradia expresses her regret for getting together with Equius in the Ministrife. Kanaya and Rose suffer some major relationship problems when Rose starts drinking, to the point Karkat feels a need to step in as an auspice. Karkat and Gamzee fail, as Karkat is not calmed by Gamzee, and Gamzee stops listening to Karkat. And while Sollux and Feferi seem to be fairly healthy, after they both wind up in the Furthest Ring, he's pretty much always next to Aradia - he and Feferi don't even get to exchange words with each other once they're in the Furthest Ring. Purrsonally, I think he and Feferi are meant to end up as moirails, but shhhh.
So what's happening here? Well, this goes back to her identity as a Heart player. Heart is concerned with feelings and motivations.
They simply want to understand the one thing we all are stuck with for our entire lives, i.e. our own minds. Forging an identity is extremely important to the Heart-bound, and every decision and action goes toward building a coherent narrative of their own story. That isn't to say Heart-bound don't care deeply for their friends and allies; they just have a tendency to assume that everyone is as concerned with identity as they are.
Nepeta's shipping has also been associated with her isolation and loneliness. When you put this together, it implies that Nepeta's shipping is about her desire to understand others, and much of her ships are based on one of the parties having feelings, regardless of compatibility, feasibility, or broader implications. After all, despite the fact that she has pretty terrible romantic acumen, she IS able to instinctively identify that Eridan's advances toward her were insincere:
NEPETASPRITE: :33 < well ok i guess eridan hit on me a few times NEPETASPRITE: :33 < but his advances always struck me as cr33py and insincere
And that Karkat secretly LOVES and RESPECTS his friends:
JASPROSESPRITE^2: On the contrary Nepeta. You deserve someone who will RESPECT and ADORE you. NEPETASPRITE: :33 < well... yes NEPETASPRITE: :33 < i always hoped to find someone like that some day NEPETASPRITE: :33 < i dunno maybe youre right but in spite of whatever problems he might have i always felt like i saw something in him that made me think he could be that purrson!
Or knowing that Equius loves to play games, and still feels sad about Aradia exploding:
AC: :33 < i s33 right through your stupid act, who are you trying to kid! AC: :33 < look how you go out of your way to use words that have x's in them so that you can use your silly purrcent signs AC: :33 < or use these absurd words that you can shoehorn a '100' into, even if its not strictly replacing 'loo'!!! AC: :33 < you are so transpurrent AC: :33 < i can tell you like to play games, d33p down you are a guy who likes to play games! AC: :33 < i can smell a guy who likes to play games from so fur away with this nose, you have no idea X33
NEPETA: :33 < she was so happy, just like she used to be, and she said she would s33 you soon! EQUIUS: D --> That's a nice thought, and thank you for sharing it EQUIUS: D --> But it was only a dream, and will surely have no consequence in reality NEPETA: :33 < equius? NEPETA: :33 < are those f33lings i an detecting with my wiggly whiskery nose? EQUIUS: D --> Maybe
Because feelings, and not relationships, are her actual domain.
And speaking of Heart powers...
Nepeta and the Ultimate Self
So from this point forward, I'm going to assume you're more or less agreeing with my take that at some point after Game Over, Hussie - for whatever reason - gave up on his original ending, and wound up truncating his ideas so he could finish the comic faster. I go more into detail about that here.
So, in this hypothetical original ending, I firmly believe that the speech about the Ultimate Self would have come from Nepeta. First, let's take a look at what the "Ultimate Self" entails, as it appears within the comic:
DAVEPETASPRITE^2: B33 < everything that ever happens to every version of you is an important part of your ultimate self... like a superceding bodyless and timeless persona that crosses the boundaries of paradox space and unlike god tiers or bubble ghosts or whatever, it really IS immortal DAVEPETASPRITE^2: B33 < but in your physical form there are all these partitions in your mind that prevent you from remembering any of that which makes your existence f33l totally linear DAVEPETASPRITE^2: B33 < which is probably for the best! DAVEPETASPRITE^2: B33 < in a regular body s33ing all that would be too overwhelming ... DAVEPETASPRITE^2: B33 < and after it sinks in for a while you start coming to this understanding of a greater self DAVEPETASPRITE^2: B33 < maybe i "got it" quicker though because of the two people i was and their aspects DAVEPETASPRITE^2: B33 < understanding heart is all about the nuances of a distributed self DAVEPETASPRITE^2: B33 < nepeta never got to make much headway with her aspect but shes finally gettin the chance DAVEPETASPRITE^2: B33 < the time aspect is all about running into different versions of yourself so you kinda get confronted with it in a really literal way that can be disturbing DAVEPETASPRITE^2: B33 < obviously davesprite stuggled with that too, but now its fine DAVEPETASPRITE^2: B33 < hes fr33 from worrying about it all and what it means for his place in reality DAVEPETASPRITE^2: B33 < because he can s33 now all his selves have relevance in painting the full picture of who he truly is DAVEPETASPRITE^2: B33 < im not COMPLETELY sure because im not like some sort of ASPECT MASTER but DAVEPETASPRITE^2: B33 < my avian slash feline intuition tells me that all roads will lead you here eventually DAVEPETASPRITE^2: B33 < gaining the d33pest possible understanding of any aspect will bring you to the same final conclusion about your ultimate self
Now, I believe - and I hope you'll agree - that it's kind of lame, narratively, for Davesprite to have been set up with so much angst about not being the "real Dave," and for Nepeta to have all her issues with loneliness and shyness, and for these two specific iterations of each other to have never interacted, but suddenly getting double-prototyped fixes all of their problems, and they achieve Ultimate Selfhood despite being two total strangers to each other. So let's instead break down the more salient points about what Ultimate Selfhood entails, divorced from the fact that it's Davepetasprite^2 doing the narrating:
Every player in the game possesses an "Ultimate Self," an ultimate culmination of all their experiences and memories, specifically referred to as a "persona"
Normally, people are not aware of this, because it would be too overwhelming to deal with so many memories and iterations of each other.
Everyone will achieve Ultimate Selfhood eventually as the final culmination of their understanding of their aspect.
Heart is all about the nuances of a distributed self.
Let's talk about that last one some more, and by that I mean, let's see what Calliope has to say about it:
TT: I don't know why it had to be this way for me. Juggling these two waking selves at once. TT: I guess I'm used to it, but it still makes for a pretty intense existence. TT: Do you even know what the deal with that is? Like is there any precedent in your readings? UU: i don't know aboUt precedent, bUt it makes plenty of sense to me as the type of path one might expect for a hero of heart. UU: a path rUled by the heart aspect can be a joUrney of splintered self. UU: that is, the player's being may exhibit the same kind of fragmentation which certain classes coUld caUse in others. UU: i think this is what has triggered yoUr dUal-awareness between waking and dream selves, thoUgh it woUld not sUrprise me if the symptoms manifested in even more ways than this.
Now, Dirk has a clawmplicated relationship with his alternate selves, given that he's a Prince, but Nepeta wouldn't have the same struggles, or at least, not to the same degree. The problem is, hampered by Equius and her own shyness about discussing her thoughts and feelings with others:
NEPETASPRITE: :33 < i get so shy and worried what people might think of me if i say how i f33l NEPETASPRITE: :33 < im always so scared that they wont f33l the same way or just think im stupid or pathetic or something
She never actually gets to explore this part of herself.
But What If... She Did?
The way I imagine the original ending going is that each troll that gets saved by John's interference in the timeline then asks John to help them fix their own mistakes, thereby saving somebody else. Each successive trip through the meteor brings new character development, and also riddles the comic with progressively more password pages, which I think would be really funny. And throughout all this the Game Over team is searching for Vriska, Meenah, and the treasure, and resolving their arcs that way, so it's not like they would be replaced - they're the ones who get to kill LE. The process, in my mind, goes like this:
Terezi asks John to save Vriska, and prevent her from getting too spades with Gamzee, as these are her two greatest regrets.
Vriska obviously had great regrets about killing Tavros, both pre- and post-retcon, so she asks for his death to be prevented.
Tavros staying alive means that he and Gamzee wind up hashing out some stuff - Gamzee mentions that he feels "So aT ChIlL WiTh yOu" while talking to Tavros, and Tavros reciprocates the friendship and also - interestingly - acknowledges Gamzee's religion, calling it beautiful even if he doesn't necessarily believe in it. This is interesting because Karkat's inability to do so is explicitly one of the reasons their moirallegiance broke down. So having Tavros back, alive, means that he and Gamzee would likely end up in some sort of relationship, probably pale despite flushed leanings, and would bring Gamzee back into the fold.
Gamzee would then be like, yeah, wow, that time I killed Nepeta and Equius was pretty bad, huh? Especially since his decision to hang onto his friends' bodies and prototype them is often interpreted as him genuinely feeling bad about his dead friends (he tells Kurloz to shut up when Kurloz mentions all the dead friends, and his religion seems to be about a paradise he wants to share with his friends anyway). So he'd ask John to prevent him from killing them, resulting in the two of them getting to live.
Things get much more hypothetical from here, since so much of the character dynamics would have changed, but I think by this point, Equius might command ask John to let him say goodbye to Aradiabot before she explodes, which he expresses feeling very sad about. However, in doing so, John and Aradiabot end up in the same room, and when she realizes that he has the ability to change the timeline without repercussions, she'd seize him by the arm and demand that he take her back in time, to before she died. After all, she expresses regrets about her reckless actions, and how she always felt like it was all one big setup.
She would take Aradia's place in the Vriska revenge chain, being once more freed of her robot chassis, and from there, would trick Doc Scratch and the Handmaiden into thinking everything was still going according to their designs. Meanwhile, Alive!Aradia would be hanging out at Equius's place, borrowing his void powers to avoid notice, coordinating a new timeline that keeps the beats of the original (too much deviation causes unpredictability, and an paradox'd timeline offshoot without John's direct interference would still become doomed), but allows them greater freedom and the ability to overcome the machinations of Doc Scratch and associates.
This would also prevent Sollux from becoming so self-loathing, since it's no longer "his fault" that Aradia dies, although he winds up in that hole again after Feferi gets killed. Now that his Aradia is alive, he wouldn't feel like he might as well stay in the bubbles because his closest companions are there, so he'd make it to the end, and would ask John to prevent Feferi's death.
Eridan still dies; he's so disconnected and isolated from all his friends that his course of actions is largely unaffected even by everybody else's timeline tweaks. But before Feferi can suggest bringing him back, Karkat would butt in.
The Friendship Troll should be the one to demand that ALL of their friends be revived, especially if they had everyone except only one guy, and Karkat and Eridan are heavily implied to be moirails anyway. The course of Karkat's fixes are so comprehensive, and primarily romance-based, that the end result of this final loop is everybody not only being alive, but god-tiered, with appropriate character development.
Now, where Nepeta's Heart powers would play into all of this is that she would start to notice something going on. After all, Heart players are sensitive to their splintered selves, and (Nepeta) is probably much closer to Nepeta than regular doomed timeline offshoots. As the loops continue, and Nepeta has more and more time to talk to people, and meets her dead alternate selves, and even meets (Nepeta), she starts to awaken to her Ultimate Self - to come into possession of alternate memories.
And if the Ultimate Self is a very soul-y kind of concept, such that Heart players have a natural advantage in coming to understand it, then isn't it a natural fit that a Rogue of Heart - one who steals from Heart or steals Heart for others - would be naturally inclined to share the wisdom of her alternate selves, and even the very concept of the Ultimate Self, with her friends?
Because the Ultimate Self is actually, in my opinion, a pretty good narrative device. It turns the sadness of the dead and doomed timelines into something littersweet instead, and makes it so any weirdness regarding time travel and not really knowing your friends anymore will eventually be resolved, even if off-screen.
It's not really narratively satisfying when Davepetasprite^2 suddenly comes into being and reaches enlightenment, but imagine if instead it's a post-character development Nepeta comforting Davesprite on his relevance, or Jade on her loneliness, or John on not really knowing these new post-retcon versions of his friends? It would feel a lot better, since in this hypothetical, she would have reached that point after on-screen character development. Being able to share her true self with her friends on the meteor - by necessity, since what else are they going to be doing for three years - leads to her finally being able to fulfill her role as a Rogue of Heart.
Also, at some point during these repeated meteor trips, she dates Karkat (whether that's successful or not, I'll leave to reader interpretation - you already know where I stand), fulfilling Jaspersprite's musing that she might only be able to date Karkat after she dies.
So that's two out of thr33 of her outstanding plot hooks resolved... okay. So, I try not to make these essays into ship propaganda, but hear me out:
Hate Is Stored In The FefNep
Okay, so, remember that thing about how Feferi is actually a huge casteist hypocrite? Well, let's also note that the comic, post-Murderstuck, seems to put Nepeta and Feferi together a lot - they're a Commodore and Rear Admiral in the ghost pirate army, respectively, and they also wind up as Fefetasprite. So I think it's not entirely out of left field to say that these two were implied to have SOMETHING going on.
And that something... is a difference in political views.
I mean, let's be real, there's a reason Fefetasprite is the most explode-prone after Tavrisprite. Miss "The Hemocaste is Stupid and Shouldn't Matter" vs. Miss "I Love Being A Princess And Call Jade Hornless and Finless (Derogatory)"? Come on, tell me you don't see it.
Without getting too much into Feferi, this hypocrisy, and unwillingness to check her privilege (so glad I found an excuse to use that term unironically), are probably her greatest character flaws - ie, the things you would expect the story to address about her. Meanwhile, one of Nepeta's flaws, which she laments to Jasproseprite^2, is that she feels too shy to talk about her feelings to other people, leading to her having never expressed her views on the hemocaste to anyone but Equius.
I think that they initially think they'd be friends. Each one of them would go "oh man, this other girl is soooo cute, I wish I could talk to her more often!"
And then, once they do, they realize they fucking hate each other. Nepeta would go "X00 < you are such a hypocrite who f33ls like youre better than all of us!!!" and Feferi would go "You're suc)( an uneducated glubbing P-EASANT! 3X0" and then they'd claw each others' eyes out. It would be so funny, and if a homestuck ship isn't extremely fucking funny, then why are we even here.
But more importantly, this would further them along into resolving each others' arcs - Feferi would be forced to grapple with the greater implications of classism, and Nepeta - who is shown having a spine the most in defiance of somebody else - would grow more aggressive about being open about her feelings in defiance of Feferi. Even Equius would get roped into it in a positive way - you can just imagine him going "D --> Can I really believe my auricular sponge clots D --> Nepeta, you are finally taking interest in politi%" and be 100% on board with teaching her so Feferi won't be able to call her uneducated.
And then for flushed, I dunno! Karkat's an option, and Jade and Jake also both love the fuck out of furries, and Tavros seems nice. But yeah I'll die on the fefnep hate ship. Guys it would be so funny.
Thank you as always for reading! Let me know if there's a troll you want to hear me ramble about next.
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starcurtain · 4 days
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Hello! Wanted to say that I’ve really enjoyed your analysis on Aventurine’s theming - and yea big agree that part of the charm of the guy is that he’s a weird paradox (he got everything one should technically want, and he also lost absolutely everything he cares about) - and also I like your comment that he is, as a character, actually pretty obnoxious (it’s an odd character charm point to me)
Also your post on the way he interacts with the ladies in the cast kinda reminded me - I know folks tend to focus in Ratio’s note but I ended up zoning in on his convo with Acheron more than anything else - because a lot of Penacony is Aven butting heads with other aeon-touched people (Acheron, Sunday) - but Acheron seems like a fun foil because she also has a pretty double-edged metaphysical blessing that is associated with losing everything she loved, but she ironically hasn’t given in to full meaninglessness.
I think one of Aventurine's defining character traits is that he "tests" everyone he encounters to judge whether they are trustworthy or whether they are a danger to him (I guarantee you, he has some kind of mental ranking scale for how likely people are to dislike or mistreat him), and I think his being obnoxious is actually a direct offshoot of this.
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Kakavasha clearly was raised with manners; he knows how to be polite and to tone down his responses to social situations as appropriate, which means that, in every other scenario, he is actively choosing to be obnoxious, even in situations where it seemingly won't benefit him (like talking back to the slave master or being too forward when first meeting Sunday, for example) because it allows him to gauge exactly how others feel about him and exactly how much they will let him get away with.
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People who play along are potential allies (Robin, the Trailblazer) and people who act grumpy but actually tolerate the obnoxiousness are safe (Ratio, Sparkle, most of the rest of the Express Crew), while people who respond poorly (Sunday, basically everyone else Aventurine dealt with in the past, etc.) are forced into showing their true colors. If minor obnoxious behaviors can provoke them, then it means their core response to Aventurine is likely to be one of dislike and disrespect. He's just forcing that response from them out into the light sooner, rather than later, by being obnoxious from the get-go.
(And, to a certain extent, I think he also just finds it fun to be a bit obnoxious. Like, he's free to say and do whatever he wants now--who is going to stop him from being a brat if that's what he feels like doing?)
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But on to Acheron... Yes, I do think there are a lot of parallels between Acheron and Aventurine (came from a doomed people, lost everyone, both determined to hold out against nihility and live just for the sake of living, "blessed" by aeons), but I think narratively speaking, the story puts Acheron in a different position when her tale entangles with Aventurine's: the surrogate big sister role.
Acheron's a very good parallel to Aventurine's sister in numerous ways: First, she essentially sacrificed herself to defeat the evil threatening her people, but is ultimately unsuccessful, resulting in the permanent loss of all she knew.
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This loss also resulted in Aventurine's sister actually dying, while Raiden Mei experienced a symbolic death, taking on the name "Acheron" to evoke the Underworld, getting a ghostly, bleached white form, and prowling the river of nihility like a wandering spirit of the dead.
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Second, the philosophy Acheron espouses is nearly identical to Aventurine's sister. When even as a child Kakavasha was doubting the value and meaning of life, his sister was the one constantly reaffirming that life has meaning, despite its hardships, and that continuing to exist is the way to honor those who have sacrificed for you. Just as Aventurine's sister expresses that people must hold on to faith, Acheron reminds everyone she encounters to cling to the last bit of color and light in their lives.
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This ends up being echoed by the role of guidance that she plays for Aventurine, with him both directly relying on her for his continued survival:
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And turning to her in his moment of greatest emotional need:
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(Sound familiar? It should. This is the exact same question Kakavasha once asked his sister.)
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But there's also a very, very nice visual parallel that goes on with Acheron and Aventurine's sister: the dusk rain that accompanies her.
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For Aventurine, the rain has complicated emotional connotations. For the Avgin, it was desperately needed, life-giving water, and thus was considered a direct blessing from Gaiathra. Rain on Aventurine's birthday was the sign of his being favored by the aeon, and yet it also rained on the day he lost everything and had to flee from the only home he had ever known (conveniently also his birthday, dude this guy's life sucks).
Meanwhile, the rain for Acheron is equally complex--rain can bring life, the renewal of barren, lifeless lands... But we also see the rain accompany Acheron through her worst loss, the final collapse of her planet:
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It also is said to rain constantly within the shadow of nihility, a lightless gray that washes away all that people wish to cling to.
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For both Acheron and Aventurine's sister, the rain accompanies the end of their "lives," the backdrop to their ultimate sacrifices.
Yet it is also in the rain that they both send Aventurine onward, escaping from the cage of his destiny into a "better" life. From beneath the shadow of the storm, they both bid him to go and not turn back, freeing him and permanently changing the course of his life.
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The rain that took everything from both Aventurine's sister and Acheron is ultimately what saves him.
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It's all a very tidy and well-written parallel.
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