#my initial reaction i was like ''???? REALLY?''

[xxplastic-cubexx]

eternally grateful that no matter the verse within cherik either one of them will always have long lushish hair the other can lovingly comb through

[feroluce]

Lucid Dreamer (2/2)

part 1

Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.

It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.

But he does find the letters, in a metal box stashed away under the bed.

There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.

Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.

Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.

Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.

Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.

Gepard goes to bed, curls up under mismatched blankets and closes his eyes.

He doesn't dream.

One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.

And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.

And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.

He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.

But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.

The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.

Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.

The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.

"I'll be home in one week."

[cephalog0d]

Okay, but like. There's the whole joke about Bruce recruiting children to be his sidekicks, but honestly there's only really one that fits that.

And it's Jason. And the whole story there is, frankly, unhinged. Aaaaand then he died.

(I'm specifically talking about "first post-crisis origin stories" here because Jason and Dick, in particular, have both had multiple major retcons and revisions over the years, and some of them dramatically change how things happened.)

Like okay. Going backwards, you've got Duke who joined/led a whole Robin-based gang at a time when Bruce wasn't even Batman. You've got Damian and Cass, who were both literally born into the world of masks and capes and heroes and villains, so they weren't ever really not going to be part of it. Steph might have taken inspiration from previous heroes but she made her own identity and repeatedly refused to stop involving herself in the vigilante lifestyle. Tim, obviously, basically strong-armed Batman into letting him be Robin, despite Batman's protests.

Dick's a little more complicated just because there's so many versions, because that's what 80 years of comics and multiple universe reboots will do, and there's kind of a general trend that earlier pre-crisis versions were more of Batman being like "hello, child, would you like to be my sidekick" and later versions have leaned harder and harder into the idea that Dick was absolutely going to do this anyway, regardless of what Batman had to say about it. But even in the first post-crisis version, the flashback in Batman Year 3, Dick says he wants to find a way to keep people like that from hurting others again. When Alfred questions Bruce's offer to train him, Bruce says that Dick should learn to do things the right way if he's going to do it. It's not hard to extrapolate that, much like later versions of the origin story, Dick was going to get himself into this one way or another. (Batman (1940) #437)

And then there's Jason. Whose backstory has also had a lot of (sometimes major) revisions over the years (remember when his adoption was, like, some kind of Joker-originated long con? Fucken Nu52, man). But the original post-crisis version is pretty straightforward. Steals Batman's tires, gets caught and sent to Ma Gunn's Secret Criminal School, intervenes when Batman goes to investigate, immediately gets offered the chance to be Robin based entirely on that.

Which is itself kind of unhinged. That Bruce saw this kid who was living on his own stealing tires and went "Hey you would make a good Robin" as his very first instinct.

But if you've never read Jason's post-crisis origin, or it's been a while, it's honestly even more unhinged than that because that arc starts with Dick getting "fired" as Robin specifically for the reason that he got shot by Joker and Bruce freaked out about how the Robin identity has too many enemies and therefore Dick, a legal adult with approximately a decade of training and experience, should not use the identity anymore.

(And it's specifically about the Robin identity, in this version, because when Dick says he's not going to stop the crime fighting thing Bruce's response is basically "I know and I didn't expect you to". Honestly I could also say a lot about this version of the Robin/Nightwing transition vs. later ones and how this one definitely feels like the Heavy Hand of DC Editorial in the fact that they had no contact for so long afterwards, because the interaction really doesn't feel like it warrants that in this case compared to some later versions, but that's a whole other too-long ramble.) (Batman (1940) #408)

And then a few weeks later Bruce turns around and picks up a random kid, a literal child, and goes "Hey you would make a good Robin!"

And I think a lot about how fucking wild that is. And it's not like the people writing just didn't notice. Dick's big argument with Bruce when he finally comes back to Gotham and meets Jason isn't about the fact that Bruce took in another kid, or even necessarily about Dick feeling proprietary over the Robin identity, the thing he's angry about is that Bruce said it was too dangerous for him, an adult, someone who has trained with Batman for a decade and was already highly physically trained before that for his whole life, to be Robin, and now Bruce has turned around and painted that target onto some random new kid. He pushes, repeatedly, trying to get Bruce to justify himself and this absolutely irresponsible decision, and Bruce gives a lot of answers about how Jason was on a bad path and needed this outlet and eventually just admits that he missed having a partner. (Batman (1940) #416)

And like. Dick's right, is the thing. He is 1000% in the right in this argument. If he can't be Robin anymore because of the danger, how in the hell is it anything like a good idea to hand it over to someone way younger, way less trained, way less experienced, and expect that that wouldn't end in tragedy?

And then it did.

And yeah, Bruce, it is kinda a lot of your fault.

[mulders-too-large-shirt]

the x files au where everything is exactly the same except mulder takes home the child neanderthal from the jersey devil episode and raises them as his own

[pocketgalaxies]

hi! seeing you during all this ep95 mess has been a breath of fresh air. you seem to have a really firm grasp of canon so I wanted to ask what you think of the recent discord message from Liam where he says Orym didn't know that Laudna was under Delilah's influence when she killed Bor'dor? I watched the clip from 4SD, & it's pretty clear that Liam says Orym understood Laudna was opening the door for Delilah when he encouraged her to kill Bor'dor & even says "we'll need that." But the Discord message seems to walk that back. It's been super frustrating being accused of vilifying Orym or infantilizing Laudna for repeating what Liam himself said. I just don't really know how to reconcile these two statements from Liam & it has me a bit confused on Orym's character.

hi anon, thank you!

this turned into a much longer one than i was expecting dfksjdkfs

so last week i posted this Really Long Ask about the whole discussion, if you want to take a look. but i intentionally didn't bring up liam's discord message because you're right! it seemed contradictory to something that was stated in the past, which was confusing

honestly i think the most realistic answer is that liam probably didn't mean for what he said on 4SD to be understood as such a strong and maybe even polarizing character choice. i think a lot of us heard it as "orym sees delilah as a useful/necessary asset that outweighs what might happen to laudna afterward." particularly because he framed it as something that made the whole situation "even creepier," and during that same convo, marisha was emphasizing the psychological impact that killing bor'dor had on laudna. it's a strong stance and it reflects what orym is doing to himself (handing his endgame over to the questionably fickle nana morri to increase their chances of success against ludinus)

but i suppose liam's clarification suggests that he meant it in a softer, more practically level-headed way, like "orym knew he couldn't do a whole lot about delilah's return but he also thought it could have benefits," or something along those lines. they're obviously two hugely different interpretations with pretty big implications on how we understand orym's relationship with laudna

i'm not a connoisseur of orym's character by ANY means so i can't confidently tell you what the change might mean from a narrative perspective, but i personally still prefer the former stronger stance. because i think it raises interesting questions about how orym views his own place in this war and whether or not it's valid for him to (intentionally or subconsciously) project that placement onto the other party members. is it okay for orym to expect the same level of personal sacrifice from laudna, or imogen with predathos (a whole separate can of worms), or anyone else? is it safe? etc etc. but maybe liam doesn't want to go in that direction, or maybe he does but just not in the way we expect, i don't know! only time will tell!

also regardless of what he meant, i think it's important to acknowledge that it's really easy and completely understandable to feel like he was walking something back. that episode of 4SD was almost a whole year ago! many of us built that statement into our perception and understanding of orym's character for a long time, so it's totally valid to go "wait what the fuck???" when liam suddenly pops into the discord to say that's not what he meant. those feelings are valid and real! especially when discourse can already make you question your own intelligence and your personal interpretations of a story, having that pillar, as big or small as it might've been in your mind, knocked over can be really jarring. you are very much not alone in that, and it's okay!!

[c6jpg]

skin tone aside i think what's throwing a lot of people off to make the natlan character designs seem like "pokemon" or "not genshin" is that the designs are relatively modern-looking compared to the fantasy/traditional aesthetic that genshin usually goes for. if anything i'd have expected these kinds of designs from zenless zone zero

[alwaysneedyforsir]

sometimes i see things and wonder who tf is into that kind of stuff, only to realize oh wait it’s me. i’m into it

[crownspeaksblog]

Okay, what a whiplash going from the last few minutes of episode 4 where i was having fun to being so uncomfortable watching the sex scene in episode 5..

Okay so going into this season, i already knew that colin and penelope were gonna have a sex scene involving a mirror, so when colin turned penelope towards the mirror and started describing things he likes about her, i thought that this was a foreshadowing to a sex scene that'll happen later on, because in my mind they're so not at the point of full on sex yet, so when i realized that they were gonna have sex i was taken back because this scene feels so unearned to me, it feels like we jumped several steps ahead, even though last episode they were making out and colin was grabbing on her, his hand under her dress, it still doesn't feel like enough build up for a sex scene to happen the next episode, again it feels like we jumped so many steps to get here..

And i don't know why but i started getting a little uncomfortable when he touched her lower lip and i definitely got uncomfortable with her laying naked in bed with him on top of her, and then he started talking her through it and i know some people like this, but i just wanted him stop talking!! (i was genuinely so close to fast forwarding this scene but instead I'm here writing this).

So yeah i didn't like this scene because it has alot of talking, but mostly it because their relationship literally started last night!! I don't think i can say there's no building up whatsoever, to me it's just there's very very little build up and development in their relationship.

[hiddenspriings]

I'm sure some of you expected this (especially with my graveyard post) but my final goal for this generation was changing Finley into a human sim. Being ghost his entire life he really craved all those possibilites human sims have, not being stuck to his ghostly form seemed like a good choice for him (and that's also a reason why I didn't change Vince, I feel he's content being a ghost). With that generation 1 is complete 🎉

[clownprince]

Starting a collection. Please feel free to add

[lowpolyshadow]

the tailstube was fucking funneeee and i may have my qualms on some stuff but i think the W's (sa2 acknowledgement, heroes acknowledgement, shth2005 acknowledgement, specifically sonic using a fake emerald acknowledgement, the idea of a mutual respect even if they may have differing ideals and should things come to it end up on opposing sides again) outweigh the cons and so im WINNING!

[marypsue]

30, 33?

[from this meme]

30. Describe a fic that almost happened, but then it didn’t.

Oh, there've been a few. I'm going to give this airtime, however, to one I actually wrote the first part of but never shared, back when I was writing fic for the CW's Supernatural. The premise was that, at some unspecified point during the first three seasons, through a series of hilarious and only occasionally deadly mishaps, Dean Winchester catches the attention of the goddess Diana and gets zapped into a female body. Conceptually, I had a lot of stuff I liked going on - the cover for Diana's hunt was an MLM! they were turning abusive men into deer and hunting them for sport! her 'temple' was part of a golf course! - but I genuinely just don't know enough of the show's Lore, and so the explanation for getting to the premise never quite gelled for me. There were several smaller casefics I had planned under the larger arc of the story, and I only ever finished the first. (Which is too bad, because the second one had a killer mascot, a robot-programming Nice Guy, and a cursed sorority in it, and I was really excited about how it was all going to shake out.)

(And yes, it was going to get weird and complicated about gender and Dean's many, many issues surrounding it. It wasn't entirely an excuse to imagine young Jensen Ackles as actually a beautiful butch lesbian. Not entirely.)

33. Give your writing a compliment.

Personally, I think I do a good job of giving characters distinct voices and personalities, and letting them have perspectives on each other that are also distinct from each other and informed by what they actually know about each other.

And I think my fics are very atmospheric. (Yes, I do reread my own stuff sometimes. That author writes all my favourite tropes and shares exactly my sense of humour.)

[chlothequeen]

I don’t quite understand why people are so excited about the idea of Yang just… getting more mad at Raven? When she learns about her leaving with Summer. For one thing, she left with Summer after she had already left Tai and Yang, these are two very different events. For another, I have a feeling that once Yang gets more insight about why Raven left at all, she’ll be more understanding of her, not less. The last thing their arc is going to end with is a bigger divide between them. It kinda goes against the show’s whole deal.

[mewkwota]

Opinions on Secret Level Mega Man?

If I have to be completely honest, I cannot say I have any real excitement for this iteration. Most of my past experiences with any film-based, streaming-service-based adaptation for any video games have not been good ones. And while creative freedom to make changes to a new adaptation is one thing, what I've come across so far feel like they miss the "core" of the source material, so it's as though I am not watching something from said series but something completely different with the same name.

Could I be too hard on a simple teaser? Maybe. But the last time I had huge hopes for something I liked, the people behind it seemed to think their changes were fixing problems that didn't exist.

Also I think that kid that may be the Mega Man in question looks like Lionsgate Pinocchio. It's giving too much "corporate-realistic" cartoon style that I'm not fond of.

[lesbiangiratina]

Theres a sound of either water dripping or something loudly eating meat emanating from the basement door. And like i guess im hoping its water. If i had to pick