#myth anon

[2ndsk8terboy]

Myth anon

*calling Gideon*

Wait- You're actually calling him?

( @gideonnotgordon )

[streaminn]

I'VE FINALLY FINISHED READING THROUGH ALL OF THE STREAMER ENID AU AND OH MY GODS IT'S GORGEOUS!!

I'm in love with Wenclair's dynamic both on set/workplace and within homelife/streams.

Speaking of Endespair's streams; has she ever played Phasmophobia or The Forest/Sons of The Forest? They're both horroresque games and I'm 83% sure Enid would scream while playing them.

Also something kinda random; as I an random lol- my cat's laid next to me and she snores when she's sleeping. It's kinda odd cause it sounds weird.

I'm probably gonna rant more about Streamer Enid AU soon I just need to collect the thoughts haha.

– Myth Anon

Djsjsk I'm glad you like the streamer Enid au

It's the most explored au if I remember correctly and my very first one!! But honestly, it's a maybe on those games because the ones you mentioned are mostly multi-player and Enid is...

Single

Also awh, that's cute. I love animals bud, give your cat a Lil pat for me if possible

Take your time in bringing up the streamer Enid au, I believe jd might join you soon. Dude loves that au

[blackknight-kai]

Let me start saying I love your blog, reblogs and headcanons, truly, all of the above🩷🩷

If you’re comfortable with the question, do you have any for the Destined One with a female virgin reader?

So I wanna say thank you 🫶🫶🫶🫶 I haven’t quite shared my own head canons much but I don’t have any issue sharing them 🫶 others do a much better job of it so I’ve left it to them. But! Your ask comes at a wonderful time as I needed a break from writing a fic 💀 (kill me im up to 20k)

Let’s get after it! Destined One & a female virgin head canons? I’ll give it a shot! There will be a nsfw section below sorry if that’s not your thing. I wasn’t super explicit on body parts etc but let me know if you guys want a Sun Wukong one? I’d try.

If you’re NOT in a relationship yet and he finds out? (Be it you told him outright or it comes out in passing conversation)

He’d would remain expressionless and quiet as usual. Not wanting to make a big deal out of it and remain respectful

But if you look closely you can see him swallowing thickly at the new information

Will NOT treat you differently

He has a LOT of feelings for you and knowing you haven’t shared yourself with someone else, while not a huge deal he’s never really cared one way or another, it’s something he finds himself thinking about often.

It makes him a little hot under the collar sometimes when he looks at you and remembers what you’d said.

NSFW - on the very rare occasions that he takes some time to himself or you’re not around, in the quiet he puts his goal to the side for just a moment and allows himself to think about his wishes and whims. Specially how he’d touch you and make it good for you because you deserve to be treated like you’re special and HE wants to be the one to do it.

If you’re in a relationship and it either came up naturally or during a more…heated moment.

Would absolutely freeze. Like body full on screenshot kinda freeze - only his tail would flick and twitch as he processes

Because honestly it hadn’t occurred to him before but it is NOW. He’s thought of you and making love with you but first or not first hadn’t been a topic of thought

He’d probably internally get flustered and his heart would race ridiculously but on the outside his expression would appear stoic or mildly surprised

Wouldn’t try to pressure you or make a big deal out of it, as though it doesn’t matter one way or another besides making extra sure you’re comfortable

His tail would eventually give him away though as it would be swishing behind him happy and interested as the information settles in his brain

Dude would be first and foremost HONORED If you shared that news with him and were giving him your first

Probably a first for him too ngl. I see him as someone who was so focused on his path that warming another’s bed wasn’t something he was willing to spare time on.

If it’s not a first for him too then it’s not something he’s done often and isn’t an expert

Would definitely thank you for trusting him with sweet reassuring kisses (if they are a little heated don’t blame him too much)

He is respectful! As I said no pressure. No rush. But would the information please him? Yes.

Definitely adds fire to his belly because HE will be your first

Sends a note of possession through him not because he’d “own” you but because regardless of being a first or not you’d be his and he yours.

NSFW:

Regardless of if you’re shy or ready to get the show on the road he’d be so gentle and would be careful, really careful.

Probably a bit unsure and might move a little too fast accidentally in his own lust but would immediately sooth you as soon as he realizes

Looks to your expressions and sounds to make sure you’re feeling good and safe

He wants to treat you WELL views it as HIS duty to make sure you’re happy

It’s a lot of pressure but he’d do his best and set his mind to it being nothing but perfect for you

I imagine at first his hands would be so feather light letting you get used to him and his touch as he undresses you piece by piece- he’d watch his claws unless he finds out you enjoy them grazing across your skin

He’d brush his lips across every piece of new skin revealed to his eyes unable to help himself

Finds out he really loves your chest, both feeling you & tasting you. as well as napping on you later

But over time as the act went on he’d be more confident, still tender but less unsure

He’d be enamored every time he got you to sigh or make a pleased sound

It’s his goal to hears those often

When he discovers how turned on he’s made you it would send waves of pride crashing over him, he had done THAT

Overall though he’d take his time

He probably won’t speak much if at all, but he’d make sure you’re ready every step of the way. If he does speak it’s not more than a few words here or there, low and only for you to hear as he nips your ear

Multiple check ins

He’s a giver, and while he isn’t practiced whatsoever he’d use his mouth and fingers to bring you pleasure, finding out exactly how you like it by listening to the way you moan or the way your body shivers and trembles with specific movements

He 100% will become VERY VERY good with his hands and mouth

His tail is sneaky, he’d use it as a way to hold on to your leg (holding you open while one of his hands is occupied) or would brush the the furry appendage across your skin just to see goosebumps rise in its wake

When you’re finally connected, after time spent letting you get used to him (and him you because let’s be real he’d be overwhelmed by the feel of tightly wrapped around him too) he’d roll his hips gently

He would make sounds, sighs and groans in your ear.

He’d love it if you cling on to him and tell him he’s doing something good

Full on shudders if you scratch his back or dig your nails into him - he loves it and he might accidentally thrust too hard when you do it

Wants to hear you 👏👏

Would keep control for as long as he could but would listen to your requests almost instantly if you asked him to move faster

Would love it if you moved his hand exactly where you wanted him to touch you

Would suck marks on your skin - thighs and neck, wherever he absentmindedly ran his lips. Would be shy about it later but would touch them possessively or when you’re dressed his eyes would stray to where his marks are on your skin.

Afterwards he’d silently but tenderly wipe you down and then pull you into his arms

Would nuzzle his face against you and breathe your scent as you both relax and come down from your high

Would massage any soreness you have that he could and feel pride at wearing you out, although his face wouldn’t show it

His tail would be like a vice around your thigh all night and trying to get out of his hold in the morning is a chore

He’d 100% take care of you especially for a first time is basically what I’m saying. After, he may be a bit rougher with his movements or may be impatient at times especially after a tough fight and adrenaline is still kicking but will always treat you tenderly as you guys build confidence together.

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[marzipanandminutiae]

I once went to a fashion museum, which had a temporary exhibition on corsets. I, having recently started watching historical fashion youtubers, was really excited to read more about historical corsetry, and happy that slightly fewer people would fall for the corset-myths.

Can you guess what I found?

Correct! The entire fucking exhibition was about tightlacing! Not once did it mention working class women and their relationship to corsetry and work, no mention of stays or any corset that is not made for tightlacing, nor any practical use of corsets or any non-vanity-related reasons for wearing corsets. They didn't even mention the people who are, today, recommended corsets for medical reasons.

Oh god.

It really is like that sometimes, though! Early (mostly male) dress historians like Cecil Willett Cunnington FULLY took those semi-pornographic tightlacing magazine letters from the 1800s as gospel, or satirical images as valid primary sources. It seems from my reading like Doris Langley Moore- writing in the mid-20th century when female dress historians were rare, natch -was the first to literally include a drawing of a 17"-circumference circle in her book and say "Guys. There's NO WAY this was widespread based on the overwhelming majority of extant garments."

And even now, while it's not a corset myth, I had a young curator I consulted with last year say "Well, of course these dresses WERE unhealthy to wear," with full confidence and no further elaboration.

We're not getting out of the dress history myths alive, friends.

[clanwarrior-tumbly]

I think awhile back you did glamrocks x child reader (platonic) saying their first words but I saw you didn't do the same with Sun and Moon,sooo could you possibly do sun and moon aswell pls?

-Greek myth anon 📜

Aw you remember those? They're ancient haha.

Here were those hcs for anyone who wants to read them

...........

Sun

"Sun! Bye-bye!"

At first, he didn't think much of it when you spoke, waving goodbye and going back to the tables after handing you over to your parent(s).

Yet they went up to him, and at first he thought they had a serious complaint.

Or maybe he accidentally gave them the wrong child.

But after revealing that you just said your first words, including his name, it clicks in his mind and he's SUPER overjoyed, bouncing on his heels and grinning.

"Oh my gosh I am SO proud of you, starshine!!" He coos, shaking your tiny little hands. "Keep up the great work!!"

If you ever come back to the Pizzaplex when you're older, he's never gonna let you forget that.

Moon

"M...Moon!"

"Yes, little firefly. I'm.....what's that look for?"

Moon stares at your bewildered guardian, who has to explain that they've been trying to get you to say your first words for weeks now, without much success.

You refused to say "Freddy" no matter how many times they've taken you to see him for photo-ops and events. Not even the bear himself could encourage you.

Yet within five seconds of meeting Moon for the first time...you said his name and were eager to go with him.

He's kinda shocked that you weren't immediately scared of him like all the other toddlers.

But he's happy (and definitely smug about it, bragging to Sun 100%).

"The children may like you more...but have any of them ever said their first word was "Sun"? I don't think so~"

[apollosgiftofprophecy]

Greek mythology has evolved over the course of hundreds of years, and with all those… retellings now, it’s gotten me thinking about just how many people have been spreading false details of myths through word of mouth to the point of becoming the most common interpretation, when if you were to look back in history, a great number of them were only recently made up, barely a a few centuries prior. Example of this is King Midas and his turning his daughter into a gold statue. I remember this part having been included all throughout my childhood, only to find out it was never part of the original myth but a recent addition in a book from 1852. (suddenly, the daughter being aptly named “Marigold” makes a lot more sense.) My ask is: which commonly told misconception of this type regarding any Greek myth is most infuriating to you and why?

oh my god misinformation can be INFURIATING smh

Let's start off with the Apollo misinformation.

"He raped Persephone/is a serial rapist!"

First of all, no he did not. LO, toss yourself into an eternal blaze and incinerate.

and secondly- he's not a serial rapist. There's only two accounts of rape, specifically Dryope and Creusa, but that depends on interpretation and the source so if you want to discard it, you can. No one can tell you you can't.

"UwU Apollo's love life is terrible!"

do i even need to say anything?

"Athena hates women!"

hell to the fuck no. the evidence people use for this is the Medusa Myth: Ovid's Version, and CONVIENTLY IGNORE THE ONES WHERE SHE HELPS WOMEN ESCAPE BEING RAPED!! AND THAT OVID IS THE ONLY ONE WHO DOES THIS!!

Even with the ones where she punishes the victim, the older versions do not have that! She made Nicymene her eternal owl companion, for heaven's sake!

"Hermes/Dionysus/Hephaestus is the only unproblematic god! UwU"

uh... *waves Leuconoe/Choine/Philonis around* no matter which version you go with, Hermes/Mercury does rape her...

...and in the Dionysica Dionysus rapes like two women...

...and Hephaestus tried to rape Athena... (oh wow, would you look at that...it's like Athena would have *gasp* sympathy for assault survivors...)

...See the double standards? :/ Ignores Roman/late Greek literature when it's convenient, and then exaggerates it to suit their own needs.

"Demeter is a terrible mom!"

GET OUT OF MY HOUSE NO ONE DISRESPECTS THE QUEEN

"Hades only kidnapped Persephone because Zeus told him too!"

Hades is his own man and wasn't being held at gunpoint to abduct her. He did so on his own merits. From a literal perspective, what was stopping him from just. you know. talking to her. kidnapping was not necessary.

(yes, yes, i know about the symbolic perspective, hence my use of 'literal'.)

"But Hades and Persephone are the only ones who don't cheat!!"

uh, nope. Hi Adonis, Minthe, how're you doing?

"But Adonis was more of a son to Persephone!!"

uh, NO. Even the ancients saw them as a couple!!

"Artemis is a girlboss who hates her brother!"

*kicks open door* OUT!

"Orion's the only man Artemis ever loved!"

how dare you disrespect my boy in this way Apollo was the first man she ever loved and no one will be able to replace him how dare you-

-and how dare you disrespect Hippolytus in this way he did not die in the name of all aroace people to be disrespected like this smh

"Zeus's only quality is how he fucks around!"

look, I've joked about this before but I know that's not all there is too him and that it has a symbolic representation.

Sure would be nice if people focused on that more :)

also anything that villainizes Aphrodite or Hera. god forbid women do anything.

"Clytemnestra is a girlboss who did no wrong!"

OH MY GOD THE DOUBLE STANDARDS.

funny how people fawn over Cassandra one moment and then COMPLETELY FORGET HER EXISTENCE to becry the woman who murdered her!

AND ALSO GO OUT OF THEIR WAY TO HATE APOLLO FOR CURSING HER WHEN THEIR STORY IS LITERAL ABOUT A WOMAN'S AUTONOMY BEING RESPECTED!!

AND GUESS WHAT!! APOLLO AVENGES HER DEATH!!

anything that is "UwU Achilles!" omg i am sick of it.

that bitch had everything coming. he deserved everything he got. Tenes, Troilus, and Hemithea did NOT deserve what he did to them! APOLLO AND PARIS HAD EVERY RIGHT TO TAKE HIM DOWN!

i'm probably forgetting some but here's the one that popped into my head :)

[the-monkey-ruler]

Someone on YouTube reanimated one episode of the 70's Monkey Magic show and released it a few days ago.

YES OMGGGGG PEOPLE I CANNOT RECOMMEND THIS HARD ENOUGH TO WATCH NOW! This is a project where

170

artists took a segment from "Catfish, Saint, and the Shape-Changer" the 14th episode from the 1978 series Saiyuki or better known as "Monkey". It is nearly 50 years old and while I shall say the English voices are a lil dated the artists have captured the charm and humor that made the series so popular in the first place! It is creative, it is inspiring, it is so glorious to see so many different artists show how much Xiyouji means to them and how they see this funny and strange group of monks together on their holy pilgrimage. It really captures just how beloved not only the show was but how even today JTTW is for any generation and transcends time to still be going strong after 400 from Wu Cheng'en's official release!

If you have 30 minutes to spare, please give it a watch! This an ENTIRE episode so please enjoy!

I'm putting some of my favorite shots but sadly I can only fit 30 but look at these DESIGNS and in ANIMATION!! Seriously this is all worth it! From beautiful to funny give it a look!

[g1deonthefirst]

Your BOE being descended from trillionaires post made me have a thought. It definitely shouldn’t matter, but I always thought it was in large part implied that the trillionaires took/would have a vastly larger amount of support staff on the crafts because they’d need them to operate and the rich people of today are useless without tons of employees and people doing their work for them. I always saw BOE as descending from both them and the rich. The books also mentioned human colonies on other planets prior to earths destruction, maybe they joined BOE as well? So I assumed John trying to destroy the ships to get at the trillionaires was another moment he didn’t care about “collateral damage” and was fully willing to kill the hundreds/thousands of blameless servants, pilots and regular people on the ships.

oh i ABSOLUTELY agree with this. i might be mistaken but i think it's actually confirmed in ntn that they have a ton of support staff on the ship. the point of my post was just that even if boe members were somehow solely descended from trillionaires, it surely wouldn't make any material difference 10,000 years later — but absolutely the majority of the people on those ships were likely support staff, and those staff likely comprise the majority of the original ancestors of non-house people.

which, frankly. can you imagine being one of those people. like, you're an engineer or a cook or whatever, and you've been hired to be staff on an FTL ship. and you're gonna have to leave all your family behind on a dying planet, but it's okay, because the governments of the world have assured you that there's room enough for everybody; they're going to catch one of the later fleets out and join you. so you get onboard one of those FTL ships. and you're just getting out of the solar system when the entire earth dies.

[ameagrice]

Capsize

percy jackson x fem reader

chapter thirty-four | logical

They moved back to New York shortly before the summer breakup. In a letter redirected to Percy’s apartment for you, your stepmom wrote that things were getting better. Your dad sold up abroad and moved back to be closer to you, apparently, so you could visit more often. The thought of it made you uncomfortable. Moving back to be near you wasn’t the worst thing, though—Rachel having another baby, was.

“The poor kid,” you stared, horrified at the letter.

Through a mouthful of Froot Loops, Percy raised his brows. “Huh?”

“I’m getting another sister,” you tilted your head, a flurry of emotions whirling. You’d love her like you loved Finn, but the thought of her going through the motions the way you did was not particularly pleasant. Would she be stuck inside, too? Would she be barred from leaving? Would she be judged on what she wore, or said or laughed at? Would she be in danger, too? Girls are always judged terribly. You wouldn’t worry like this over Finn.

“You don’t look…happy about that,” he chewed.

You hum softly. “I am happy. Just…I don’t know.”

Percy knew quite a bit about your unpleasant home life. He knew you had ran away last year to escape it, and he knew about the wilderness camp fiasco that felt so long ago. He knew you’d attended Yancy simply because your family didn’t know what to do with you, and it hurt. They were most certainly not equipped with the knowledge or the readiness to be parents to one, let alone three.

“They didn’t know what to do with just me,” you scoff, throwing down the letter in a stray spill of milk. “Why are they…?” Of course that always was the question—why? Why to everything they said and did. It made your brain hurt.

Cooking over by the stove, Paul Blofis flipped pancakes. You shared a table of them, Froot Loops and toppings, a feast fit for a king—and enough of it, too. Paul even let you and Percy flip your pancakes. You’d never been allowed to, before. Not because you were incapable—there was no reason at all. Your father just didn’t want you to, so you never did. But Paul? Patience. Of. A. Saint. Between the giant mess that was mixing the pancake mix with Percy, and actually scooping the mix from the bowl to the pan, burning your pancakes and flipping fresh ones, he was only smiles and encouraging (often strained) words. Percy found it all hilarious, of course, throwing the mix around and getting it on the ceiling. And once Percy did it you had to do it too, because what was being silly if not with your best friend? Sally had rushed to the store on the corner for more supplies and would be back soon with the promise of breakfast and then a visit to Central Park Zoo.

When another letter was redirected to Percy’s apartment, you discovered that your family had at last moved back. With the address scratched with a near-empty pen on a piece of scrap paper, Sally took you over while the boys sorted dinner. You didn’t want to go in, you explained. Only to check the place out. The address took you to a five-storey in a nice neighbourhood in the Upper East Side.

“You don’t have to go in if you don’t want to,” said Sally.

You stared, and tried to imagine your family inside. “It’s kind of a wasted trip, then.”

With the car parked up to the curb, you watched the street for a few seconds, Sally allowing you to collect your thoughts. “They’re having another kid,” you blurt. “They sent me away, but they’re having another kid. Is there something wrong with me?”

Sally reached out to you and took your hand in a surprising gesture. She did it to Percy all the time, laying her hand on his shoulder, or grabbing his hand when he struggled with something. You turn your head, to find her already looking at you. Your throat burned.

“No,” she shook her head. Percy had her nose, and her honesty. “Don’t ever think that. You’re one of the smartest, kindest kids I’ve ever met, and if they don’t see that, that is not your fault. Okay?”

Of course it wasn’t okay. You were more of a maid than a daughter, just something pretty to brag about in conversation and meetings. So how could you be okay with their new children potentially being brought up the same way, with a man who believed women were made for everything housework and then some, and that children were seen and not heard, made to abide by every rule the ‘man of the house’ sets?

“Can we go back to your house?” You asked.

She didn’t hesitate in turning around. Perhaps one day, you would tell her all about your thoughts in this moment, and of how despite them, you’d go right back again and again to be upset and humiliated. Human nature, and the want to feel loved. That’s all it ever was. And as a fifteen-year-old, setting boundaries didn’t come as second-nature.

The evening was spent playing Mario Kart, throwing Paul off-course with turtle shells and bananas. Percy beat you Every. Damn. Time. (but he let you win once, and that was enough). The evening ended on cheesy pizza and ice-cream, the radio blasting some recently released song, and Percy cracking jokes from the other room in the dark.

So…the tunnel was a dead end. Of course. You couldn’t have anything lucky. Gasping for breath after sprinting the whole way down, you leaned against the wall trying to catch some oxygen.

Percy keeled over with his hands on his knees. “Holy sh—”

“We’re dead!” Cried Grover. His hands flew to his hair hysterically. “We’re—oh, there’s another tunnel!”

Which, essentially, happened to be half your height and forced you to face the realistic possibility that you might have a fear of enclosed spaces. Crawling through on your stomach, monsters echoing, coming closer down the tunnel was not on the agenda. Something one-hundred-percent not human was too close for comfort, and just when you thought you were dead, the tunnel beneath you gave way, and you slid down a bright-red, plastic slide with a sudden scream, swirling around and around until you came to a stop, slamming into metal bars in a dark room. Percy came to a stop, slamming you once more against the wall with a yelp, and then Grover, screaming his way down the slide, and also colliding with the two of you.

“At least we’ve lost it,” huffed Percy, getting to his feet. He offered a hand down to you, and you took it. “There’s no way it can fit through…well, it’s closed up anyway. Fantastic.”

You offered a hand to Grover, pulling him up to his feet. He shakily exhaled. “But we’ve trapped ourselves, now. Look.”

You turned. The room was huge, a giant square space in which you were trapped, encased by metal bars from floor to ceiling. You approached the silver wall and tested the bars. They were cold to the touch, but moveable. Like jello, when you pressed your hand to it they wobbled but didn’t move apart. Taking the end of your dagger, you poked a bar tentatively. You created a dent in the middle of it that quickly closed up again.

“What the hell?…”

Through the bars were rows of what could only be described as cells, each with metal bars of different thickness and material. At least three stories of cells, except the two above yours were ordinary-looking and simple enough, joined by metal catwalks.

You hadn’t noticed Percy come to your side until he spoke. “It’s a prison,” he pushed on the bars. Though they wobbled, they bent ever so slightly. “Maybe we could…” he reached out for your dagger and tried sawing at them, creating little gashes that left dust floating to the ground. With enough friction, the bars would most definitely cut apart.

Grover approach the bars and tested them. “Someone take that side. If we pull on either side, someone can slip between the bars and get out.”

It might have been the most productive idea anyone’s had in a while. You take a hold of a bar just as Grover said and pull so hard that your arms are shaking. Percy shrugs off his backpack and throws it through the wider gap you’ve created before sliding through, breathing in dramatically with wide eyes. On the other side, he jumped around cheering. You might have smiled and joined him, if the chanting hadn’t started. A deep, low sobbing jolted Percy to shut up quickly, dropping his arms. High above in the building, a raspy voice came, words you didn’t understand.

“What’s that supposed to be?” You whispered to Grover anxiously.

He’d turned shaky, and nodded for Percy to take your bar. “Let’s keep moving. Like, now, Percy. I don’t like the sound of that.”

“But what is it?” The boy asked, pulling for you to slip between the bendy bars.

Grover didn’t reply. You held the bar for him and when he was through you carried on through the building. The ancient-sounding language had stopped, but the crying continued. The lights flickered, and you could hear the electricity running through them, clicking.

“I think it’s a prison,” you said, eyeing the cells. “A huge one. Ha! Imagine we’re in Alcatraz.”

“Be just our luck,” rolled Percy’s eyes.

It didn’t seem possible in the slightest that you could have exited the maze on the other side of the country far from camp, but realistically anything was possible these days. You’d nearly reached halfway through the room when Grover threw out his arm and hissed. “Stop!” You paused. “Can you see that?” He nodded above, eyes trained high.

You look where he did, and focussed on the shape of the second-floor balcony. Standing, if that was the right word, was a monster you’d only seen in books and history class at camp. At least twenty-feet long with the lower-half the body of a dragon and from the waist upward a woman, with constantly changing shapes and animals at her waist. Her hair reminded you of Medusa’s so long ago, snakes snapping and hissing.

“Get down,” Grover prompted, pulling on your arm. You hadn’t even noticed the boys had crouched in the shadows. The monster paid you no attention, and though the language was foreign to you, it was easy to understand that it spoke directly to whoever was in the cell. Everyone held their breath when the footsteps sounded on the stairs, descending. She spread wings you’d failed to see, and in a gust of hot, sulphuric-smelling air, disappeared.

Grover exhaled beside you. A glance at him provided you the sight of him sweating lightly, weary. “H-horrible. I haven’t smelt a monster that strong since forever.”

“Definitely an old one,” you agreed, leaning forward ever so slightly to peer up the floors, hands pressed to the cold ground for balance.

“What was that?” Asked Percy, shoes scuffing as he shifted.

“Kampê,” shook Grover. “When the Titans ruled the world, they imprisoned Gaea and Ouranos’s earlier children. Cyclopes, and Hekatonkheires.”

Percy spluttered. “The Heka-what?”

“The Hundred-Handed Ones,” you shivered. You felt a little ashamed of the disgust you acknowledge at parts of your own world, the unpretty parts. If the gods could hand down traits to their children, you were sure that liking and paying attention to only the nice things was one you had unfortunately inherited. Vanity, and ignorance. “They called them that because they had, like, a hundred hands. They’re the elder brothers of the Cyclopes. Grim, right?”

“Kampê worked for Kronos,” Grover continued. “She kept the Hundred-Handed Ones in Tartarus, tortured them and kept them imprisoned for years. Until Zeus came, I mean. He killed Kampê and freed them all. In return, they fought in the war, against Kronos.”

“And now she’s back.”

Grover nodded. “And now she’s back. So who’s in that cell?”

“Maybe it’s someone she’s captured before? I mean, why else would she be back and making someone cry?”

There was only one solution: checking it out.

With your dagger drawn, Grover on high alert and ready to indicate monsters, and Percy with his sword, together you crept up the metal steps, backs to the wall, scaling. As you grew nearer to the cell, the crying grew louder. You couldn’t help holding back when you saw the creature inside, because you weren’t completely sure on how you would react. It sat against a wall, the colour of milk and pale as anything, with long limbs. His chest sprouted more arms than you could count. His face was long and sad, and the eyes were dark brown with no whites to be seen. All in all, you felt a little sick. No wonder Aphrodite paid special attention to you; you only liked the pretty things in life. Despite the aversion to him, you couldn’t help feeling sorry for him. Somebody so sad didn’t deserve your hate.

“Either the sky isn’t so tall anymore,” uttered Percy, “or he’s short for a Hundred-Handed One.” Said creature looked up when he spoke. You jumped violently.

Grover’s voice shook when he approached the bars. “Hundred-Handed One, please help us.”

The creature wiped his face with numerous hands, and you had to turn around for a second and collect yourself. “Run while you can, Satyr, for I cannot even help myself.”

“But, sure you can! You’re a Hundred-Handed One. You can do anything!”

The false positivity did na-da. The creature’s hands twisted bits of metal and wood, building a toy boat, and pretend characters with swords and bows and arrows. As quickly as they appeared, they dismantled.

“I cannot!” He denied, weeping sadly. “Kampê has returned. The Titans will rise and throw us into Tartarus once more.” You couldn’t argue there. The way things were going, chances weren’t looking good.

“Come on! Put on a brave face and let’s do this!” Oh, Grover, ever the positive. You couldn’t say the same for Percy and yourself—you looked at him, to find him jabbing his thumb down the stairs.

The creature’s face morphed. He now had a pointed noise, arched brows and a strange smile, but it quickly faltered and melted away, returning to the sad one. “No good,” he sighed depressingly. “My scared face keeps coming back.”

“How did you do that?” Percy gasped.

You coughed. “The Hundred-Handed Ones have fifty different faces, Percy!” You smiled to say please shut up.

He shrugged. “Must make it hard to get a yearbook picture.” You struggled to not laugh.

“Guys,” Grover interrupted. “We have to get out of here. Kampê will be back and sooner or later she’s going to sense us in here.”

“Break the bars,” you nod to the creature. His hands start playing rock-paper-scissors, making no move to escape.

“Listen, what’s your name?” Said Grover.

The creature mumbled sadly, deflating visibly against the wall, slumping. “I am Briares.”

Percy leaned down to whisper in your ear. “Why is he not breaking out?”

You turn your head ever so slightly. “He’s just scared, I think. Imagine being imprisoned and tortured not once but twice?”

“I cannot,” Briares moaned. “Kampê will only punish me.”

“It’s alright!” Said Grover. “You’ve fought the Titans before, you can do it again!”

“I remember the war,” Briares’s face morphed into one of reminiscing. “Lightening shook the world. We tried hard. The Titans and the monsters almost won, and now they are close to doing so again. Kampê said so herself.”

You wave your dagger around flimsily as you talk. “What, and you just believe everything Kampê says, now? Come on, man! Get up. You can’t change anything if you don’t try.”

“That’s the spirit!” Cheered Percy. “Come on, Briares! You’ve got this!”

He didn’t move an inch.

“How about a game of rock-paper-scissors?” Voiced Percy lightly. You gave him an ‘are you crazy?’ look.

Briares’s face turned hopeful. “I always win rock-paper-scissors.”

Percy clapped his hands. The sound reverberated. “If I win, you come with us. If you win, you stay and rot in this cell. How about that?”

He agreed. There came a series of hands on palms, three times, and thanks to Briares’s hundred hands, it was like thunder rumbling. On three, he came up with an assortment of rocks, papers and scissors, enough for a school set. He shook his head sadly again. “I told you, I always—what is that?”

“A gun. Gun always wins.”

“That’s not fair!” Briares protested.

“I never said anything about fair,” smirked Percy. Kampê won’t be fair if we hang around. Now, get up, and let’s get out of here!”

Briares sniffled, but climbed to his feet. In one swift move, he reached out with his hands and ripped the bars right out. “Demigods are cheaters.”

You felt relief at finally moving again. That is, until you took the steps frantically, only to walk straight into Kampê, waiting at the bottom. She snarled at you, waiting. You backed up right into Grover, knocking him over.

“The other way,” said Percy.

Briares was more than happy to do this. In fact, he ran ahead, arms waving frantically at the sight of Kampê. You took the lead next, lungs burning, Grover and Percy right behind. The sound of giant wings took to the air above, and though she spoke in her ancient language, you didn’t have to understand it to understand her intentions. Through a corridor, down the stairs and out into another prison block, facing doorway after doorway. You faltered, skidding to a stop.

“Agh—that way!” You dove left, the boys close behind. Now in the prison yard, surrounded by security towers and old barbed wire, the bright sunshine blinded you. People milled idly, taking pictures of the building you emerged from. You turned, and lo and behold—“Alcatraz?!” You fumed. Over the edge, San Francisco stood proudly, in the North, dark clouds gathered over Mount Tamalpais, where Atlas held up the sky. You had a sudden, scary thought that that must be where the Titans were preparing. After all, nobody else would dare approach the area.

“Keep moving! She is behind us!”

To the far end of the yard, right up as the far wall exploded, raining dust and hard debris. Coughing as it pelted you, holding a hand out to the closest wall, you tried to wipe it from your face. People screamed all around.

Percy looked to you. Even covered in dry dust, his eyes were furiously bright, just like the green of the ocean on a clear day. “It’s your call,” he said.

“Run.” That was the end of the debate. Out the gates, emergency sirens blared. It was like something from a movie. A group of tourists stood by the Wharf, where a boat sat. Grover said you should take it.

“Too slow,” said Percy.

“We should go back into the maze.”

Across the yard, where you tripped on stray bricks, the wall to the cell block stood ripped open. Through the messed-up conundrum, you located the entrance to the maze. Briares ripped off the bars of your previous cell, but upon searching the wall for the mark of Daedalus, it came up smooth.

Grover reached high on the wall, for a tiny dent. Upon touching it, the indent changed shape and glowed. The wall opened up. Down the cell block, Kampê roared. She charged, but came up slow. As you were the last to dive into the maze, you watched as the wall closed up, and not a second too soon. Hot air cut off as the wall shut. You dug around your pockets for a flashlight, flicking it on.

The group moved through the maze, through a room purely made of waterfalls all leading into one large, slippery pit. The steps around it were covered in moss and dew; one wrong move and you’d fall and drown. When you shone the flashlight down the black pit, all you could see was murky, dark water, and not the bottom of the pit. Percy looked unsettled.

Briares slumped against a mossy wall along the steps. “This pit goes straight down into Tartarus,” he declared. “I should jump in now, and saw you demigods a lot of trouble.”

“Don’t think like that,” you sighed softly. “It’s not right. You could help with what’s coming.”

“I have nothing to offer,” he shook his head. “I have lost everything.”

“What about your brothers?” Asked Grover, offering logic. “Surely they’re still here. You could find them again.”

Briares offered only sadness and the sense of giving up. “They have faded. They are gone.”

Percy, a little irritated, clasped his hands. “What exactly do you mean they’re gone? Surely monsters are immortal like the gods.”

Grover said weakly, “Percy, even immortality has limits. Sometimes monsters are forgotten, and they lose their will to stay immortal. They grow tired.”

You only thought of Medusa, and her sisters having left her. As awful as she was, nothing could be worse than being alone and forgotten in the world. How cold it must be.

“I must go,” Briares stood.

“Kronos is going to take over the world!” Grover protested. He went to move, but looked at the waterfalls, and thought better of it. “Help us!”

“I cannot,” he hung his head. It was like watching a dying animal with nothing to help it. “I cannot, demigods. I do not have a finger gun to win this type of game.”

“Maybe that’s why you monsters fade,” Percy glared. “Because you give up on yourself. Not because mortals forget you.” Ouch.

Shame wrote all over his face. Without a word, Briares turned up the steps, where different paths had appeared. He took one at random and disappeared down the dark corridor.

You sighed, shrugging your backpack higher on your shoulders. “Come on, guys. I hate it in here. Let’s go find someplace to sit; I’m starving.”

In a marble corridor, with bronze torch holders lit and hanging from the walls, you settled against the wall. It reminded you very much of an old Greek tomb, and felt somewhat comfortable for the soul, like reattaching with a piece of yourself after so long. Chewing on a cereal bar, you said, “We’re probably close now. Hopefully. We’ll get going again in the morning.” If it was even night time, now.

“How do we know when it’s morning?”

You smiled. “When we wake up, Grover.”

He pulled a heap of straw from his bag and ate some, making the rest into a pillow. He was out like a light before you could say ‘goodnight’. Percy took a place a little away from you, further down the corridor from where you sat keeping watch. You dug out a thin book from your bag and read in the glow light from the walls, keeping your ears open and looking up every few seconds.

There’s a shuffle of Percy getting up and sliding down the wall beside you. You lay your book down on your knees.

“You should really get some sleep,” you tell him. “You’ll be exhausted, otherwise.”

“I can’t sleep. Are you doing okay?”

You eye the wall opposite. “Hm. I mean, besides being down here for a ton of time and not making any contributive progression to the quest? Sure.”

“Hey,” he reasoned softly. “You’re doing great. We’ll get to the workshop, I know we will.”

You sigh deeply, crossing your ankles out in front. “I know. I just wish it all made some sense, really. I mean, I thought that we could have a system and stick to it and get to the workshop and back as quick as possible. But everything keeps changing and none of my ideas are working out so…I mean, how have we travelled from state to state in a day or two? It doesn’t make sense. I thought I could do this. But really, Percy, I haven’t got a clue what I’m doing. I took a huge bite out of something that wasn’t meant for me, I think. I was kidding myself.”

“Look, if that was the case, the Oracle never would’ve given you the prophecy. She gave it to you because this was meant for you. Don’t doubt yourself, B, you’re doing great. And, besides, when do we ever really know what we’re doing? Like when we got led astray by the wood nymphs in Central Park—”

You bark an echoey laugh. “That was your fault!”

“And the time you got us thrown off that ride at Waterland?”

“Again, your fault!”

“See!” He laughed, knocking an outstretched leg into yours. “We’ll be okay. I promise.”

You smile, but Hera’s words suddenly do a loop in your head. “Percy…”

“Yes, B?” He tilts his head, thinking you’re going to say something funny. His face falters at your serious look.

“When Hera said you know how to get through this maze, was she telling the truth?” He opens his mouth. “Because if you know the way and you’re not telling me—”

“I don’t know what she was talking about,” he denies. “Honestly.”

You lift your brows at the front, knitting together. “You’d tell me if you did, wouldn’t you, though?”

“Of course I would. Just, maybe if…”

“Maybe what?”

“If you told me what the last line of the prophecy was, it might help.”

Being so busy in the maze had you forgetting that you’d kept that part of your prophecy a secret, not only to keep your panic at a low level, but everyone else’s, too. But maybe he’s right; you’d be admitting to something big, for you, but at the end of the day, if anything were to happen which you could prevent…

“…’Lose a love to worse than death’. That was the last line. Super cheery, huh?” You pick at a thread on your pants so you don’t have to look at him.

He sits silent for a minute. “‘Lose a love’ could be anyone, though, right? I mean…”

Your heart hammers away. You can’t look up but you know just the look he’ll have on his face. You both know which type of love the prophecy talks about. If he’s worried about Travis being the one, Travis isn’t here. And it certainly isn’t Grover.

Percy sighs quietly. “Oh…”

You chuckle. “Yeah, oh.”

“Is that why you were upset, in your cabin? That’s why you…asked for me to come, but worried about it…”

“Now do you see?” You shuffle, bringing your knees up to your chest again. You’ve just admitted that you love your best friend, and he’s oddly quiet about it. Maybe you’ve done the wrong thing. Maybe you ought to have kept your mouth closed. “I couldn’t imagine doing this without you, Percy, and clearly you’re a big part of this quest. I just don’t want anything bad to happen.”

“Nothing’s going to happen. To any of us. I promise.”

You smile unsurely. “You’re making a lot of promises, dude. That’s a bad idea.”

Running a hand through his dark, dark hair, Percy denies. “Not if I keep them. You should get some rest, anyway. You’re tired.”

You won’t say no to a bit of sleep, so you ball up a t-shirt from your bag and use it as a pillow, laying down with your back to the wall. Failing to fall asleep quick enough, you open your mouth into the darkness. “I’ve been having these dreams about Nico. I think he’s trying to raise the dead.”

He replies straight away. “Me too. I think he’s been using the tunnels for a lot longer than we have. That’s where he went in winter, when he disappeared. I think, anyway.”

You can’t imagine how scared he must be. You’re fifteen, and with your friends, but the terror down here is unlike anything else. It’s a constant, eery feel up your spine, like somebody really is walking on your grave.

You don’t think on it too heavily. You close your eyes, hand under your cheek, and sleep.

You began to grow agitated the more time went on. A quick breakfast of cereal bars and a small box of apple juice, and the three of you were back once again to rule the roost of the labyrinth. Or, you liked to think so, anyway.

Dead end after dead end, you eventually started to lose it. “Goddamn it! This doesn’t make sense!”

Grover, eating a roll of straw noisily, nodded in agreement. He watched you like he was watching a reality television meltdown episode. “My brain feels like it’s turned into water.”

You point at him with the end of your dagger unintentionally, making him yelp and scatter backward. “That. That is accurate. Now—why is it turning into wood?!” You followed the changing interior with your eyes, from stone into wooden beams and rock. “It should still be stone!”

Nonetheless, your group pressed on until the walls turned into a room full of sharp stalagmites and dark, dirt floor. Nothing stood out—besides the giant, silver foil wrapper just laying around. You leaned down to pick it up with the tips of your fingers, grimacing at the crumbs falling out.

“D’you think Nico was down here?”

Percy hummed. “Summoning the dead, still.”

“Smells like the dead down here,” Grover agreed, sniffing violently. “Definitely dead things.”

“Beautiful.” You crunched the wrapper in your hand. “Do you think we could use it to find Nico?”

“Like Hansel and Gretel?” Percy quipped, with a cheeky smile. Grover belched a laugh promptly. Boys. Irritation became you.

Despite their joking at the serious matter, you were grateful they’d managed to keep their cool, especially since you’d been slowly losing yours the longer you were down in the maze. You walked on ahead, footsteps oddly quiet with the vast nature of the space. Behind you, the boys laughed about some stupid to programme and Burger King, but their odd conversation was the least of your worries. Through the dark tunnel ahead, a single beam of light shone through from above, like the clouds in the sky would part and let light in from a distance. Something twisted in your gut, and the farther you grew from the boys’ jesting, closer to the grid of light, the stronger the feeling became. You’d guided the way on pure feeling, of what felt right and what felt terribly wrong. You couldn’t help feeling, now, that you’d made the right choice coming this way.

Standing under the pitch of light, looking up, your stomach lurched, and a full-body feeling that you’d done the right thing came over you. You could see trees, and bright-blue sky. No clouds, but a whole lot of sunshine. It felt warm. You were looking through a metal grate, and staring a red-color cow in the face.

A red cow?

You pulled a face, and pocketed your dagger in your backpack. Reaching as tall as possible on your tiptoes, you reached up for the grate, touching your fingers to the metal bars and pushing as far as you could. The cow moved along, thank goodness, because you were starting to think that the feeling in your stomach wasn’t that you were going the right way but actually because the sight of a red cow was ringing alarm bells (and mild nausea).

By the time Percy and Grover caught up to you, you’d managed to shift the grate over a little bit.

“What is it?” Percy breathed. “We thought you’d—”

“I think it’s a cattle-guard,” you cut him off. “Give me a boost, Percy. I’ve got a feeling we’re about to find Nico.”

“What’s a cattle-guard?” He asked, kneeling. Percy cupped his hands, and you placed your foot in it. As he boosted you up, you grabbed Grover’s shoulder and pushed, leaning to shove the guard out of the way. Your fingers brushed soft grass, and you almost melted.

“They put them at the gates of ranches,” explained Grover. “So the cows don’t escape. They can’t walk on them.”

“How’d you know that?” Really, Percy?

Grover huffed indignantly. “Trust me—if you had hooves, you’d know about it.”

Once your upper body is out, you shift your lower body out of the grate, elbowing your way out and across the grass. It’s warm and soft, and you could almost believe you were safe. If it weren’t for the bright-red cows, the color of cherries, roaming the place and eyeing you like you were a great source of minerals. For some reason, Hera’s visit plays on your mind. You reach down on your stomach for Percy, next, as he steps into Grover’s clasped hands and reaches for your arms. After he’s up, the two of you reach for Grover, who takes a jump at the opening while you both grasp his arms, yanking him out of the maze.

Grover wrinkled his nose, eyeing your surroundings. It might have been heavenly if not for the animals and the weird smell of manure. “Red cows? They’re sacred to Apollo, aren’t they?”

Percy barked a laugh. “Holy cows?”

Nodding, Grover clicked his fingers. “Exactly. But what are they doing out here?”

“Go ask one—”

Percy slapped a sweaty hand over your mouth. You almost gagged, and pried his hand away. He shook his head, and that’s when you heard it. Rustling, and tiny treads. Turning around, goosebumps rattling your skin, you came face-to-face with…

A dog.

But not any normal dog, because you weren’t that lucky. A two-headed dog.

You rolled your eyes so violently it hurt. Waving a hand to the dodgy dog, you sighed. “Just go back to the maze. Get in the maze. I can’t, really.”

"Hang on!" Percy held out his hand. "Didn't Hera say something about a farm?"

Ah. "I mean...she couldn't have meant one with freaky dogs and cows, could she?" Abnormal is normal in your world. Unfortunately, more likely than not, abnormal means you're on the right track. Its when things die down that you have to worry.

"Nico might be here," Percy reasoned. "Why don't we go ahead, take a look around, and if he isn't here we'll go back, inside the maze"

With a deflated sigh, you cast your eyes around the fields. Hills rolled, and rolled, and rolled as far as the eye could see, holding your hand up to shield your face from the sun. Cacti and boulders dotted around, and trees sprouted randomly, almost bare under the burning of the sun. Those red cows grazed on grass, mooing in the distance. You didn't like the feel of the ranch by any means, but you did feel that you were on the right track. Percy was right; Nico was here, at least nearby. What was the harm?

The dog growled behind you, you'd almost forgotten it was there. With a bark from both heads, it advanced, sniffing the air. It closely resembled a greyhound, thin and long with sleek, brown fur. It, obviously, did not appreciate seeing you on its farm.

And neither did its owner.

A tall, broad man came trudging from the same bushes the dog emerged from, wearing a straw cowboy hat and a tee that said 'Don't Mess With TEXAS'. He carried a huge wooden club sporting spikes bristling from the end against his muscular shoulder. His white hair lay messed from whatever work he was doing, and his mouth was curled in an impressed snarl.

All in all, a very good sign.

"Heel, Orthus," he grumbled. The dog whined but sat, paws held tight together.

You choked on your own breath. "Orthus?" You wrangled out.

Percy leaned in close, as if the man and his dog were not standing right there. "Is that a bad thing or just a really bad name for a dog?"

"This is Cerberus's brother!" You beamed shakily. "The lovely dog we met in the Underworld, remember?"

Gulping, Percy leaned back. "Ah."

The place really was a Greek past come back to haunt you. From ancient monsters to ancient greek ghosts, the party never ended. Maybe it was Luke's doing, releasing them back into the world Perhaps you just got unluckier the further you wewnt on this quest.

"What've we got here?" the man swung down his club. "Cow-pushers?"

"We're only passing through. Just travelling."

"We're on a quest," added Grover helpfully.

The man, who couldn't have been older than middle-age, raised a suspicious brow. "Oh yeah?" he said sardonically. You nodded your head frantically. Being under fire was the least of your concerns when the dog still sat there. "Half-bloods, eh?"

Percy scratched his head. "Could you tell?"

Dropping your hand on his arm, you back Percy up peacefully. Maybe an explanation will help. The man considers the three of you. "This is Percy, son of Poseidon. And Grover, the satyr. I'm a daughter of Athena-"

With a nod of his head, the man's mouth curved. "She the mediator?" He looked from Percy to Grover, completely blanking you. Humiliation pinched you. The man dropped all feelings of humour at your expense and glowered. The change was so sudden you couldn't help raising your hand to the strap of your backpack and feeling for your dagger, making sure it was still there. "I know what you are, half-bloods, because I am one. Surely if you know your legends you should know who I am, missy?" You were not offered a chance to guess. "Eurytion, the cowherd for this ranch. Son of Ares. And I'm guessin' you came through the maze like the other one."

"The other one?" questioned Percy. "Did he mention his name?"

"We get a lot of people come through the ranch," Eurytion uttered somewhat darkly. "Not a lot leave."

"Wow," drawled Percy. "I feel so incredibly welcome."

Eurytion looked over his shoulder like he was expecting someone. Then he turned back and lowered his voice. "I'll only say it once, demigods. You'd better get back inside that maze before its too late."

"Ha! Don't have to tell me twice." You make for the empty cattle-grid hole. A firm hand pulls around the strap of your backpack and stops you before you can jump down.

"We're not going anywhere," Percy said adamantly, "until we see this other half-blood you mentioned."

Eurytion grumbled. He set on past you, past Grover analysing him, and the move of Percy's grip from your bag to your hand, gently tugging you along after the man. "Then you've left me no choice. Should have listened to your girlfriend, here."

Percy spluttered, you stared mortified after the man. Grover shoved a hand at either of your back's to urge you along the way.

Despite his threatening nature, and unhappy expression, the dog at Eurytion's feet seemed relatively happy, diving in and out of bushes and around cacti, barking and springing around. Heat danced off the beaten path he led you down, going on for forever. A blister began to rub at the back of your heel, and before long you were shaking off your jacket, sweating like crazy. It dripped down your face and flies buzzed at your ears, so when you swiped them away every five seconds you closely resembled a crazy woman. At this point, it didn't feel far off. Every few yards, you passed by pens of the cherry cows, and weirder animals, like horses with zebra stripes in black and green, and lizards in cages with tiny little wings and bloodshot eyes that followed you. A fence held back horses in a pen, covered in spikes. At first, you wanted to take Eurytion's giant club and break them free, until you watched a couple breathe fire. The ground at their feet was dirty and charred somewhat, and their stack of hay was on fire.

Percy and Grover shared your reluctance for the animals. "What are they for?" asked Percy. Grover attempted to talk to them and recieved a billow of fire.

"We raise animals for lots of clients; The Lord Apollo, Diomedes, others..."

You draw your eyes to him. "Such as?" you drawl.

"No more questions!"

Your guide came to an end at the approach of a big, white house on an incline, all stone and beautiful windows. It might have been Victorian, judging by the porch trimming and the rose-tinted stained-glass front door.

"Don't break the rules," uttered Eurytion, quiet as ever. "No fightin'. No weapons. And no comments about the boss."

Up the steps, you snorted. "What's wrong with 'the boss'?"

Before he could reply, a new voice called out along the porch. "Aha! Welcome to the Triple G Ranch!"

Oh, sweet gods. At first glance, he seemed normal enough, if you took away the Sportacus-style moustache on his face. He had shiny black hair, and smiled individually at each of you. The wrong part of this was the three bodies.

You held back a gag. The nightmares would be neverending once you got out of here.

Eurytion nudged you. "Say hello to Mr. Geryon," he muttered.

Your voice failed you. Before anyone could do anything, the colored doors to the house flew open, a young voice calling out. After so many months, hearing him was like a breath of fresh air. You could breathe, because Nico was here. Black hair in flat tendrils brushed his brown eyes, a very pale face and small nose scrunching, eyeing the labelled jar in his hands. You forgot, almost, how young Nico really was, but he was here, wandering the maze alone.

You stepped forward, the porch creaking. "Nico?"

It grew silent, but quickly changed. Nico threw the jar to the ground, and it smashed to tiny, tiny pieces. Drawing his sword, he angled it almost instantly at your throat, a fierce expression on his face. The sword he pointed at you was short, extremely sharp-edged, and black, some sort of iron you hadn't seen before. Was it a gift from Hades, you wondered?

Geryon yelled when he saw it. "Put the sword away, Mr. di Angelo. I will not have my guests killing each other."

Nico's face dropped, eyes wide. "But..."

Geryon threw down the skewers he was holding. They clattered against the metal grate of the barbecue he cooked at. You jumped. "I know who they are!"

"They let my sister die! They're here to kill me, too!"

"Nico!" astonished, you reached out your hands, but he shoved away, a terrible hatred in his eyes. "We want to help you, not hurt you. Bianca was an accident—”

“Don’t say her name!” He yelled. There was such an act of anger in his voice. “You’re not even worthy of talking about her! You killed her!”

“Hey!” Barked Percy, approaching behind. “That’s not fair. It’s—hang on, how do you know who we are?”

Geryon winked. “It’s my business to know of everyone who passes by the ranch, sonny. Everyone who comes this way wants something, you see. Now, Mr. di Angelo, put away the damned sword before I have Eurytion take it from you.”

Very reluctant, Nico sheathed his sword. If he weren’t a hell of a lot shorter than you, the boy might have been looking down his nose to you. “If any of you come near me, I’ll summon help. And trust me, you don’t want me to do that. Got it?”

So demanding. To keep the peace, you nodded once. “Yeah. Sure. That’s fine.” If you looked compliant to Nico’s demands, you stand a better chance of him leaving the maze with you.

Geryon approached heavily and clapped a hand on Nico’s shoulder. You wanted nothing more than to pull the young boy away from him. “There, there. We’ve all made nice. Come along folks, I wanna give you a tour of the ranch!”

You weren’t sure what to expect when he said tour, but a ride in a small two-cart and car mobile was not it in the slightest. The carts were painted black and white in a cowhide pattern, a bell dancing back and forth from the ceiling of the car cab.

“Damn,” you huffed, climbing up after Grover and settling heavily into the seat. “I was hoping for a Mercedes.” He snorted after you. “Never-less, we ride in style.”

The dire cart lurched forward, its gold bell ringing above. Geryon pointed out different animals and pens, chugging along the hills. You couldn’t help enjoying it somewhat, able to take the humour from the situation after a stressful few days. You pointed out some sheep with shaggy black hair and eight pudgy legs, like spiders. They walked in a line like Capybaras, round and round the pen. Past horses with wings but not Pegasus. Their wings were scarlet, and fluffy.

“Do they lay eggs?” Asked Grover, leaning forward to squint at the animals.

“Once a year!” Geryon called over his shoulder. You couldn’t help feeling sorry; the animals didn’t look too happy. “They’re very in demand, lately. The omelettes are spectacular!”

“That’s cruel!” Cried Grover, sitting back with hunched shoulders.

“Gold is gold,” Geryon waved off, a mean grin taking place. “And, you haven’t tasted the omelettes. Hush.”

“That’s not right,” Grover muttered. Geryon continued his narrated tour with the sun beating down. You wished you packed sunscreen as your cheeks began to itch.

“Now, over here are the fire-breathing horses. You probably saw ‘em on your way up here. They’re bred for war, fightin’, if you couldn’t tell.”

“What war?” Asked Percy.

You didn’t like his sly face. “Oh, you know, whichever comes around. And over there are the prized red cows.”

“There’re so many!” Grover peered.

“Yes, well. Dear Apollo is too busy to see them,” he sneered. “He subcontracts to us. We breed them vigorously; there’s such demand as of late.”

“That’s not dodgy at all.”

“Demand for what?” Pried Percy tensely.

“Food, of course.” Duh, Percy, it sounded like. “Armies gotta eat.”

You hum. “So, if I’m getting this right, you kill the sacred cows of a god for burger meat? I swear that’s against some laws, man.”

“Lordy, girl! Don’t get so worked up! They’re just animals.”

Grover almost had a fit. “Just animals?!”

“Yes. If Apollo cared, he would let us know.”

“That’s if he knows,” you fold your arms, putting your feet up on the side of the cart. Geryon met your eye in the mirror—if looks could kill.

A little voice cried from the back cart. Nico. “We had business to discuss, Geryon, and this isn’t it!”

“All in good time, di Angelo,” he mused. He hooted. “Look over here; my exotic possessions.”

The field now was crawling with scorpions, the giant, creepy ones that originally backed you and Percy into the maze. They snapped and clacked, and tried pinching at the fence as you passed.

“Triple G Ranch! Your mark was on the crates at camp. Quintus got his scorpions from you!”

“Quintus?” Geryon shrugged. “Short, grey hair, muscular?”

“Yeah,” said Percy.

“Never heard of ‘im.”

Something cold spread in your chest. Realisation, almost. “Oh,” you shivered. “Hang on. Quintus knew about the maze the whole time, then. He’s been going in and out for who knows how long trading monsters. We’ve been trying to figure out how the maze works, but the loser’s known this whole time!” Grover whispered for you to quieten down, but you couldn’t. Because if Quintus knew about the maze, knew where the ranch was and how to get to it, and back out again, who could say he hadn’t done it before. Who could say he hadn’t led Luke and the army into the maze, and who was to say he wasn’t guiding them. He hadn’t protested your quest. Just what the hell was he playing at?

“Now, to your left you’ll see the very best the ranch has to offer!”

The ‘very best’ turned out to be a terrible state of a stables, containing horses just mulling around in their own…you know what. Sitting beside a giant, green-tinged river, the stables had to be the most disgusting display of very best you ever set your eyes on. From the back of the cart, Nico gagged loudly at the smell.

“What the hell is that?!”

Geryon smiled proudly. “My stables! Well, technically we house the horses for a small fee. Aren’t they just…” he inhaled deeply, “beautiful.”

Percy scoffed, and Grover yelled out. “They’re disgusting! How can you even keep innocent animals like that?”

Geryon slammed a palm down on the cart. You didn’t jump this time; you expected it. “Y’all are getting on my damn nerves. These are flesh-eating horses. They like these conditions!”

“Have you asked them?” You tapped your fingers on your thigh.

“It’s in their nature,” Geryon ground through clenched teeth. “They love it.”

“Plus, you’re too cheap to have them cleaned out,” came a voice beneath Eurytion’s hat.

Geryon snapped. “Quiet, now! Alright, perhaps the stables are challenging to keep on top of. Maybe they do make me feel nauseous. And what? I still get paid.”

There were many words you could have used to describe Geryon: cheap, distasteful, creepy, rude. The fitting word in this case, given his prideful and clearly narcissistic nature, was…

“You’re a monster.”

Geryon stopped the cart. Grover let out a sad sigh, watching the horrible man turn in his seat. He met your gaze. “What gave it away, sweetheart? Was it the three bodies?”

You rolled your eyes and looked away, slouching down the seat as if it would get the attention off of you. “Don’t be condescending. I’m only telling the truth.”

His nostrils flared, hot-tempered. “My clients appreciate it. I do good work, here.”

You let out a sudden laugh sitting upright. “Is one of these ‘clients’ Kronos, at all?” Percy whispered your name warningly. “You just supply his army, don’t you?”

Geryon shrugged and confirmed it without words. “I work for anyone who can pay.” He climbed out of the cart and took a leisurely stroll toward the stables, as if he hadn’t just confirmed he was working with Kronos. A tiny figure scampered after him, and a much bigger one—Eurytion—after him.

“We really need to grab Nico and get out of here.”

Grover nodded in agreement. “How, though? I might be wrong but he doesn’t really seem to want to come with us.”

“Anyone got snacks left? Maybe we can bribe him with food.”

“He isn’t a dog,” snickered Percy. “We just need to get close enough and then run.”

“We’re not kidnapping a kid, Percy.”

“I came here for business!” Nico screamed from the stables side. “And you haven’t answered me!”

Geryon reached out and plucked up a handful of cactuses like they were soft teddies. “You’ll get a deal, all right.”

Nico’s tiny figure got right in Geryon’s personal space. “My ghost told me you’d help! He said you could guide us to the soul we need.”

You groaned. “He has a personal ghost assistant now?” Laying your head back against the wood, you watched Percy, grappling with something internally. His face twisted, then he nodded his head.

“I think it’s Minos.”

Grover spluttered, hooves clattering on the cheap floor of the cart. “As in, King Minos? Dead Minos?”

“I haven’t heard of anyone else called Minos…”

You exhale slowly. “Damn, I thought I was the soul Nico wanted. Y’know, after what happened to Bianca.”

In a tiny voice, Percy murmured, “Me, too.”

“You thought Nico wanted my soul and didn’t say anything about it?”

“Apparently so.”

“Can you help me or not?!” Nico cried.

Geryon shrugged. “Oh, I could. Your ghost friend; where is he?”

Nico struggled, looking uneasy. “He can’t appear in broad daylight. But he’s around somewhere.”

Geryon nodded slowly, watching Nico’s reactions. “I figured. Typical Minos, always disappearing when things get difficult.”

Nico stepped back, right into Eurytion. “What do you mean by difficult?”

“You see, Nico, Luke Castellan is offering a bit of money for half-bloods, especially powerful ones like you and Percy, over there. When Luke learns just who you are, Nico, you’ll be priceless! He’ll pay…very well, to put it lightly.”

In a flash Nico drew his sword, but Eurytion grabbed it with a strong hand and threw it from his grip. You jumped up in an instant and pulled your dagger, only to be thrown down back in the seat by a strong force and a snap of snarling jaws. Geryon laughed heartily. “I’d stay in the car, you guys! Or Orthys will tear out your friend’s voice box! So, Eurytion, could you please secure Nico and take the sword. I do hate Stygian iron.”

“Do I have to?”

“Yes, you absolute fool!”

Eurytion picked up Nico in one strong arm, kicking and flailing, and the sword in his free hand. Geryon turned and clapped his hands, pleased. “So, let’s go back to the house, hm? We can have lunch and send a message to our friends in Kronos’s army. Once Nico has been delivered, you three are free to go! I have been paid for your safe passage, which does not include Mr. di Angelo, I’m afraid.”

“Paid by who?” Threw Grover.

“Never you mind!” He snapped, then calmed. “Let’s go, then.”

“Wait!”

You wanted to tell Percy to shut up and let you make the plans, because you’d gotten this far. But the dog still had you pinned down, and smelled so bad you could scarcely breathe without wanting to heave.

“You said you’re a businessman,” said Percy. “So make me a deal. I’ve got something better than gold.”

Geryon mulled over this. “Mr. Jackson, you have nothing.”

“You could have him clean the stables,” offered Eurytion not-so-helpfully.

Percy jumped at the chance. “I’ll do it! If I fail, you get all of us. You can give us to Luke.”

“That’s assuming the horses don’t think you’re a bite to eat.”

“Either way, you’ll get my friends! But if I succeed, you have to let us all go, and Nico!”

“No!” Screamed Nico ungratefully. “I don’t want your help, Percy!”

Geryon laughed mirthlessly. “Percy, the stables have not been cleaned in years. Though I could probably sell more space if they’re cleaner…”

“So what have you got to lose?”

Idiot boy.

Eurytion stared at the sun and nodded. “Okay. I’ll accept your offer. But if you fail, your friends are sold off and I get rich.”

“Deal.”

Eurytion rubbed his hands together greedily. “I’ll take your friends back up the hill with me. They can wait for you there.” He whistled, and the dog on your lap jumped away from you and onto Grover’s feet.

Percy climbed out of the cart and rounded to your side, sitting up. He was red in the face from the heat of sitting under the sun in jeans, and the pressure of making a terrible deal. He locked eyes with you.

“I hope you know what you’re doing, here.”

“I hope so, too.” His hand slipped from the edge of the cart.

“Sunset!” Geryon instructed. “No more time after that.”

You left Percy by the lake under the hot, hot sun.

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[2ndsk8terboy]

Myth anon

But I do have the real Bloody Mary here. Shes right behind me.

*steps out of the way*

Bloody Mary: “Who hath summoned me?”

AAAAAAAAAAAAAA!!!!

*skates away*

[streaminn]

Isekai AU is awesome! Love the idea of Enid being randomly transported to a whole new world (Pun intended) and being picked up as a Mutant Rat by Wednesday.

The whole crest of the family on the collar/jacket makes me think of a similar thing in the Six Of Crows duology where the indentures (people hired by the family) of the family have to wear the crests.

Although some indentures aren't good for the character (sometimes being forced into it) indentured. E.g. Inej Ghafa!

The Addams family also gives the vibe of a select part of the duology, the Merchant Council (13 of the most oldest/tbh richest) families of Kerch (the country). They're super rich and high above the rest.

I sorta see it as:

Addam's family: Merchant's Council (super rich and powerful)

Everyone else: the Barrel/non merchants (lower class, however can be dangerous in a mass group. And the characters raised in the Barrel can be wicked cool and not people to mess with).

Kinda long ask lol, sorry 'bout that.

– Myth Anon

i just made enid wear a crest because wednesday is not only just spoiled because of her background but also because she's possesive and quite used to holding enid's attention

no worries about the long ask mate, just don't be surprised if im very lost as to whats being said tho..

[jules-ln]

I've seen a post that seems to indicate to me that there are some people that think that Achilles "officially" has chestnut hair???

And like, first of all, I think this comes from Emily Wilson's translation of the Iliad, a very recent translation, that personally I don't like too much

But I want to beg everyone to stop, and for the love of God read "Death of the Author" by Roland Barthes. No, don't just read the title and imagine what the essay could be about, actually read it

Because I think that it would help a lot of people to understand a bit more of the Iliad

Now allow me to explain

The Iliad is soooo old, that the time in which the story is supposed to "happen" was waaay before the invention of paper, and we don't actually know how society worked back then in what today is Greece, we can only have "educated guesses" on how things might've worked (and anyone who tells you otherwise is lying or misinformed or a time traveler)

More than that, it's possible that some characters in the Iliad might be older than the story of the war itself and were later added to the Iliad because somebody liked the characters that much and said "my ancient blorbo must be in it too!"

Like some people even speculate that the name Achilles originally came from a pre Greek language that dissappeared with time and we can't be sure of it's meaning

Now that you know that, guess what, the Iliad is a book and it has always been a book, right?

❌️Wrong❌️

The Iliad originally was interpreted by a bard, and it was an oral tradition, that's right, the very first Iliad was a song

And by the mere nature of oral tradition, the "Iliad" changed more and more with each interpretation, and it's very likely that the different bards added or removed parts of it

Then it got written down, and guess whaaaat

The Iliad we have today, yeah, the one that everyone uses for translation, it isn't the first Iliad that got written down either

Because, you see, when an author writes something the fans don't like and the fans are like "I can fix it" that's a sentiment that has always existed in humanity

So the Iliad more likely than not had lots and lots of "editors" that added and subtracted things depending on what they liked or not

You can see that in the many inconsistencies the Iliad has

Like the part where Apollo makes Patroclus's armor fall off him, but then Hector later takes the armor off of Patroclus's body???

So the Iliad has changed so so so much that if there ever was an authorial intent to begin with, it has been washed away and buried between many different voices

Any meaning you want to find in, in part has been made up by yourself and your frame of reference (like what Roland Barthes said)

For all we know, the description of Achilles's hair might be one of the most "recent" edits of the story! So there's never going to be an "oficial" depiction of a character

The author isn't going to take your hand and guide you to a meaning because there's no such author to begin with, deal with it

But don't come here and say that a character has an "official" hair color because of one translation out of many that came out last year and then blame MM for a popular depiction that's been popular for years and then question her credentials and her intelligence (which funny how this always happens to her and never to a man) on top of everything

[genericpuff]

I wonder why christian misrepresentation are rarely talked about if compared to other religion misrepresentation. Like, I've seen people really vocal about Greek myths misrepresentation in LO and such (and it's valid because it's a culture and religion) but I rarely saw the same thing with christian even though there are many media who use christian religion innacurately, to the point where it comes off as using it as an aesthetic and not a proper religion.

Is it because of rampant religious trauma especially in western world? No ulterior motives on this question. I'm not a christian and yet I'm curious about this. I apologize if this sounds harsh.

I obviously don't have The Answer(tm) to this but personally speaking (and I'm about to get VERY personal here so take this with MOUNTAINS OF SALT), I think it's just the obvious - Christian mythology is one of the most well-documented and strongly protected out of virtually any other religion on the planet. Especially here in the West, it's commonplace for kids to go to Sunday school, for couples to have Christian weddings even if they're not practising Christians themselves, even the American anthem references the Christian God. It's simply not as easy to 'misrepresent' it because the representation is written into our very fabric of society. Even Greece itself is primarily made up of Orthodox Christians.

So anyone that does 'misrepresent' it are either completely mislead hardcore Christians, or people who are doing it intentionally, such as with the intent to make a parody of it or to deconstruct it through a different context or whatever have you. And of course, people will still get mad at those things, if you're implying that people aren't vocal about Christian misrepresentation then frankly IDK what to tell you there LOL If you want a contextual example in the realm of webtoons, Religiously Gay was dragged to hell and back during its launch for having a very crude and insulting depiction of St. Michael, and frankly, yeah I don't disagree because what the fuck is this-

(like at best it's just terrible character design lmao that said, there's also plenty else to criticize Religiously Gay for, including its fetishy representation of gay relationships and the fact that it's still just the "naive person who looks and acts like a child hooks up with mean person in a position of power" trope, blech, but the character design is definitely the first thing you notice)

There are even plenty of hardcore Christians who will deadass claim "misrepresentation" over things that ARE factually correct but they just haven't read the actual Bible and simply cherry pick what works for their own agenda. And of course those people are routinely called out by people like myself who know for a fact that Jesus wouldn't have promoted the war crimes that many modern day Christians are committing and justifying today. So it really depends on the definition of "misrepresentation" here.

The issue specifically with LO and Rachel that I personally call her out for (and many others) is that she's called herself a "folklorist" and claimed she's so much more knowledgeable on Greek myth than anyone else, while making a complete mockery of the original mythologies while not being honest about her intent as to whether LO is actually supposed to be a legitimate retelling OR a parody (because it sure acts like the latter more than the former, but she still seems to expect us to take it seriously and consider her knowledge of Greek myth superior?) Which leads to a lot of her teenage audience claiming shit like "Persephone went down to the underworld willingly" and "Apollo did assault Persephone in the original myths actually" and the classic "why would Lore Olympus lie or make up fake myths?"

You just can't pull off this extent of erasure with Christian mythology because we have a whole ass book of it that's been preserved, sold on shelves, and systematically integrated into society for thousands of years. Of course, there are people who will still try their damned best to twist the Bible to match their own bigotry with the whole "Jesus hates gays" bullshit (he would never), but it's met with equal amounts of 'misrepresentation' that are actually fully well-read and are intentionally subverting and changing things to either critique, parody, or restore the original intent of a lot of stories in the Bible without all the manufactured right-wing crap.

Greek myth, on the other hand, has some stories that are well preserved, and others, not so much. And in the modern day outside of the poems and hymns, you'll also rarely, if ever, see anyone use stories from Greek myth to ostracize, torture, and murder other people. "Misrepresenting Christianity" is more often done by actual Christians who are using the Bible to commit hate crimes than the people who have actually read the Bible and are just taking creative liberties with it for the sake of deconstructing / parodying / analyzing / subverting it. Veggie Tales "misrepresents" Christian stories because obviously Moses wasn't a fucking cucumber lmao but it still accomplishes its goal by retelling Christian stories in a way that's fun and educational for children.

By comparison (on the whole, I'm not comparing LO to Veggie Tales LMAO) LO just isn't clear in its intentions beyond Rachel's initial statements that she was trying to "deconstruct" the myths, while labelling herself as a folklorist. Therefore, I'm going to criticize how she does it because the way she's done it up until now has been very mishandled and has resulted in a lot of misinterpretations of the myths simply for the sake of fandom. And yes, these people exist in Christian media as well - they're called TV evangelists.

And that's my (very heavy) two cents.

[marzipanandminutiae]

Wanna be horrified with me?

I had to watch a document about white colonizers in Canada for class and there was a throwaway line about a young woman travelling out to the "Northwest" (basically the prairie provinces of Canada) to get married and having ALL HER TEETH PULLED and replaced with dentures before the move.

Take me out behind the barn and shoot me first. That made me cringe so hard.

I just looked this up to see if it was a Thing. Big mistake.

No pictures, thank god, but anecdotal evidence that it has been a Thing on and off, in various cultures- especially in Acadia, which checks out here -into the 1970s in some cases. IE people saying "oh yeah, my great-grandma had that!" It seems to have mostly been isolated, not mainstream. Not that that's stopped myth-makers from claiming that ALL VICTORIAN BRIDES HAD THEIR TEETH REMOVED!!!! I hardly need to say that I've found no evidence of this- indeed, I've never read anything about an adult woman with healthy teeth having needless extractions in the 19th century until today (primarily reading publications and letters from urban or suburban areas of the US and UK, and sometimes France). And plenty of married or simply older women discussing tooth problems- one letter I read from 1820s Boston had a married fortysomething lady complaining about a toothache, for example

Actually, I'm finding more early-mid 20th century sources about it, now I really poke around. Interesting. I almost wonder if it didn't gain in popularity as infection became less of an issue, rather than being an older practice.

The idea, apparently, was that you couldn't have tooth problems if you didn't have teeth. Which is. Interesting and highly flawed logic, because now you have Got All My Teeth Extracted In A Pre-Antibiotics Era problems. Plus potential bone loss in your jaw, over time, which causes other issues.

Yeesh. I need to go brush and floss 15 times, brb

[clanwarrior-tumbly]

Soooo for the Ruin dlc,how about a ghost!child!reader who was murdered by Vanny meeting Cassie and kind of just following her around and also doing the best they can to help her with them being a ghost?

-Greek myth anon 📜

When Cassie first saw you, she thought you were part of the AR network, but you're still present even when she takes off the mask.

"Wh-Who are you?"

"[Y/n]...it's..a long story, but I kinda died here and I've been stuck haunting this place ever since."

"Oh no...did one of the Glamrocks kill you..?"

"No, but this lady in a rabbit costume did...that used to be hers." You point out the security mask, frowning. "Why do you have it?"

"I...I don't know. Some STAFF bot gave it to me. I need it to disable all the security systems."

"And..why is that?"

"I'm looking for my friend. He's trapped beneath the raceway..can you help me?" She pleads.

"....maybe, but I can't really do much from...wherever I am now." You tell her, although you agree to accompany her throughout the ruined pizzaplex.

Whenever she puts on that mask again, you feel uneasy and have to look away a lot, feeling sick to your stomach. She always apologizes, though, and takes it off as soon as she's done with her current task.

You do what you can to help her in her journey, such as temporarily possessing STAFF bots to distract the Glamrocks should they show up---yet none of them really hold up for long as they're quickly destroyed or shutdown.

It was sad, as you have watched all of them rot and decay both physically and mentally over the years...no longer being those animatronics you once adored.

Eventually you both encountered Roxy after you found a security bot in good condition to pilot, and you're stunned that she actually recognizes Cassie.

And later on, she recognizes your voice, too, and you gave her some comfort as she's deactivated by her human friend.

You could see she's torn up about it, and you also console her as she cries, clearly feeling guilty and stressed over everything.

"I-I didn't want to do it...but...I had no choice..!"

"I'm sure she understood, Cassie." You pat her back. "We have to keep going...for Gregory. And then you guys can go home and forget this horrible nightmare."

"B-But...But what about you..?" She sniffles. "Is there something keeping you here?"

"I thought it was that rabbit lady, but..I couldn't find her anywhere. And I've been here for years, stalking her until she just...disappeared one day."

While it's indeed a worrying thought, you tried pushing it into the back of your mind, assuring Cassie that your primary concerns are with her and not yourself.

Maybe your reason for being stuck here was to make sure nobody else went missing.

You could settle for that, as you didn't want anymore kids your age falling victim to Vanny or any of her horrid creations.

Cassie wasn't going to be one of them. Not on your watch.