#needs a title so i can post on tumblr

[harleyshahas]

If you're taking requests - Blackice for the touch prompts? 👀

33. Tasting their smile Or 45. Feeling their temperature

(Or 58. "Forever Mine" kisses from the kiss list, I'm indecisive and like giving options lol)

(Also I (platonically) love you too ♡)

33. Tasting their smile for @gilly-moon

Jack's smile was always so bright, so welcoming, so warm.

Maybe that didn't really make sense for a creature of ice and snow, but he was warm. His eyes sparkled like the rising sun with his fun and mischief, and his smile was just as blinding.

It pissed Pitch off.

It pissed him off because he had watched Jack from the shadows, had seen that smile waver and fall, had seen those eyes grow hazy with tears that never fell, had seen the cloudy storm of emotions play out, and it was all just as beautiful. Jack's moods could affect his winter if he wasn't careful, and more often than not, especially in the beginning, Jack would forget this. He would bring his fun and snow, the children would play, but the moment a child walked through him that fun would shift, darken. Clouds would roll in, and what had once been a soft flurry perfect for sledding would grow and grow until fat flakes nearly blinded all who were caught in the blizzard. Parents were left confused, children fearful, and Pitch loved nearly every second of it.

But that damn smile always came back.

Even before Pitch attacked the Guardians he wanted to see that smile wiped off that pale face, wanted Jack to let loose with his power, watch the world be covered in ice. But instead he had to watch Jack prance around with those damned Guardians, had to watch as they took his best chance at reclaiming his power, had to watch as Jack smiled and laughed with them.

It made him sick.

Even now, after three years of quiet exile, he watched as Jack played with the children in the little town they shared, smiling and laughing and throwing snowballs. The kids here actually saw him, they played with him, going so far as to tackle him to the ground and pile snow on his head. Jack laughed all the while.

Pitch watched. He watched every day that Jack was around, tasting his deeply buried fears ofThis won't last andThe next time they'll walk through me like the rest andWhen will they leave?

Jack's fear continued to sustain him even after all these years. Pitch wasn't sure how he felt about that.

It wasn't until one day close to Christmas after a rather exciting snowball fight that Jack finally noticed him. The sun was setting, casting an orange and fiery glow to the snow and Pitch marveled at the way it didn't melt. The children said their good-byes to Jack as their parents called them home, all of them giving the winter spirit a hug as Jack gave them a near teary smile. As the last one left, the boy who had stood against Pitch that fateful Easter weekend, Pitch had sneered, his low growl echoing in the following silence. Jack whirled around.

He saw Pitch at the base of a nearby oak tree, Pitch contemplating briefly if he should run, but he decided against it. This confrontation had to happen sooner or later, so why not sooner? With that in mind, he stepped out of the shadows, crossing his arms as he leant against the tree.

Jack's eyes were wide as he stared at him, mouth dropping open slightly.

Pitch smirked. "What's the matter, Jack? The rabbit got your tongue?"

The younger spirit shook his head, but his eyes remained wide. "You're alive..."

Pitch snorted. "Course I'm alive. It takes more than some Nightmares to kill me. Did you really think you'd seen the last of me?"

"No - I didn't..." Jack trailed off. His staff was held loose in his hands in his shock.

"Fear is a powerful thing, Jack," Pitch continued. "If left to itself, it grows and festers. It survives."

"Is that what you do?" Jack asked. His bright eyes cleared, his brow rose, but still he did not raise his staff. He took a step towards Pitch.

"It's what I've always done," Pitch stated quietly. He watched as Jack came to a stop barely three feet from him, watched as Jack watched him. "There will always be fear, therefore there will always be me. I didn't lie about that."

Jack's brow furrowed and his grip finally tightened on his staff. Pitch did not move. "Then what did you lie about?"

"What use did I have in lying?" Pitch said. He pushed off the tree, Jack tensed his grip, but the Boogieman only placed his hands behind his back, gripping one wrist with the other hand as he brushed past the small spirit. "I laid all my cards on the table that day and everything I said, everything I offered, was true. It's your choice to believe it."

"Choice..." Jack muttered. Pitch glanced over his shoulder. Jack stared down at the snow with a bitter twist to his lips. "You chose to attack the Guardians, the kids, even if you can never fade away?"

"What use is living if you can't share your life with someone?" Pitch watched as Jack's head jerked up, staring at him once more with wide eyes and mouth open. Pitch took a step to half turn to him.

"Family..." Jack whispered near brokenly and Pitch could only nod.

"I definitely didn't lie about that."

Silence fell over them. Jack watched him with that heartaching expression, his eyes hazy with tears that could not fall, and Pitch didn't comment on it. He stared down at Jack, gripping his wrist so tight his nails were starting to break through his skin.

Jack was... achingly beautiful, even in his melancholy. He had seen the rage, the bitter anger and resentment, the fearful turmoil, every time those bright eyes looked at him back then, and every time he was so, so beautiful. All the love and light and laughter was meant for everyone else, but this, Jack's most deeply buried feelings, all the ugly faces he wouldn't dare show the children, those were meant for him.

Pitch turned away. Something bitter and vile was clawing up his throat, his nails digging into his skin. Shadows roiled around him, the darkening night darkening further.

He didn't want those ugly feelings. But he did deserve them.

He took a step away, the nearest shadow wrapping around his foot as he prepared to return to his lair.

"Hey, wait a minute!"

Pitch stopped. Jack darted forward on the wind, stepping down just in front of him. He chewed his lower lip between his teeth, something shining in his eyes Pitch had never seen before, not to him.

"What?" he asked. Pitch wasn't sure if he sounded tired... or confused.

Jack chewed his lip some more. His grip tightened and loosened on his staff. "Do you wanna... I don't know, have some fun?"

More silence was swallowed up by the snow around them.

"What?" Pitch was definitely confused.

Jack snorted lightly, covering his mouth. Pitch blinked down at him. "Sorry! I mean, you just... seem like you could use some fun in your life, I guess." His eyes were sparkling in a way they never had before at Pitch.

Pitch loosened his grip on his wrist. "I think your idea and my idea of fun are two very different things, Jack Frost."

Jack was definitely grinning behind his hand. "Maybe, but I think there's a way we can meet in the middle. There's a Christmas horror movie playing at the local theater." His hand dropped and his grin was mischievous. He looked up at Pitch from under his lashes. "Wanna help me scare some humans?"

The smile that tugged at Pitch's lips was slow, menacing, and positively delighted. He bowed with a flourish, holding a hand out dramatically. "Lead the way."

Jack laughed and hopped in the air, Pitch followed from the shadows. He was led to a cinema, popping up from the shadows behind a small crowd of humans already in their seats and waiting for the show to start. Jack landed next to him. He gestured to the back row where no one was sitting, and Pitch followed him. From there, they had a decent view of the movie goers. The audience was silent with anticipation, the title card played, and the tension was palpable.

Jack leaned in close to him, as if anyone could hear him, and Pitch indulged him, leaning down to meet him. "Wait for my signal," was all he said. Pitch nodded, then sat back to enjoy the show.

The first five to ten minutes of the movie took place indoors, but any time a character stepped outside Jack would tap his staff to the floor. The temperature in the theater dropped, and the audience visibly shivered. Some looked around themselves, their nerves lighting up and Pitch breathed it all in. Pitch caught on quickly, his shadows roiling in the dark corners of the theater everytime a character entered a dark room. Tension rose as the humans muttered amongst themselves. One even pointed at his shadows.

As the movie went on, Jack worked a breeze through the room. Someone yelped. At another point, Pitch encouraged his shadows to dance at peoples feet. More than one person jumped. At the next jump scare, a shadow tugged on a woman's hair and she screamed. The rest of the audience jumped and the tension had reached the ceiling by the time the third act had started.

Jack was shaking in his seat. Pitch glanced over, worried for half a second that this wasn't actually what he'd had in mind, that he had messed this up somehow, that he was scaring Jack away.

To his absolute shock, Jack was laughing. He was laughing so hard he was shaking, near doubled over with a hand clamped over his mouth. Delighted tears clung to his lashes and his feet practically stamped the floor through his giggles. A smile twitched at Pitch's lips.

Jack had never laughed for him before.

He leaned down. "Ready for the big finish?" he whispered against a pale ear, his voice husky with the power he had fed on, and maybe with something else he didn't want to name just yet. Jack looked up at him with shining blue eyes, sparkling like the sun on a chilly winter morning, hand still clamped over his mouth as he nodded vigorously. Pitch smirked back. "Then watch the master at work," he preened.

He instructed the shadows to calm a little, relegating them back to the corners. The audience seemed to calm with them, the tension still high, but enough to make them relax and enjoy the final moments of the movie. As they watched, Pitch moved his shadows out of their sight, snaking them up through the aisles to wait at unsuspecting feet. Pitch lifted a finger, tapping Jack's staff and Jack got the hint, providing a final chilly breeze that immediately had the audience on edge. Anticipation was thick.

And then, as the music swelled and the killer was revealed, the hero screamed and the audience screamed with him as shadows brushed against revealed skin, pulling on hair and brushing against cheeks and hands, tugging feet and poking their backs sharply. Pitch cackled as someone broke down into sobs.

As the credits rolled, the humans cheered, clapping and laughing and crying in equal measure. Pitch shadow traveled to the front of the room, standing before the humans on a pedestal of shadows, and taking a low bow. When he looked up, not a one of them was looking at him, and he expected that, and he expected the hurt that inevitably came with it, but he did not feel it. Instead, he felt warmth as there in the back, perched upon the tip of his staff, was Jack Frost, clapping wildly along with the audience and smiling that blindingly bright smile right down at him.

Jack had never smiled at him like that.

But there he was, clapping and cheering and smiling just for him and Pitch felt warmth fill his insides, felt a lump lodge in his throat. He looked away as the audience left, followed them out quickly through the shadows. Jack joined him not too long after.

"That was amazing!" the younger man cheered excitedly. "That was so cool, I've never been able to get a reaction like that! I can usually get a few shivers and some laughs, but man! I've never gotten them to scream like that! You have to teach me how to do that! How do you know how to time it so well? I've seen that movie like five times now and I still can't get it right, but you - that... that was awesome!" Jack continued to ramble, arms waving wildly as he gestured back to the theater, to Pitch, to the humans who walked by still gushing about their experience. His smile was so bright, so welcoming, so warm, and Pitch couldn't stop himself from leaning down, from tasting that warm cold with the barest brush of lips against the corner of Jack's mouth.

Jack froze.

Pitch pulled away. He looked down at Jack with a softness he hadn't felt in eons, smiling gently down at the now wide eyes gazing back at him. "I had... fun, Jack," Pitch muttered. "I'd love to do this again sometime. If you'd like."

Jack swallowed, his throat visibly bobbing with the action and Pitch wanted to taste that too. "Um... okay... Yeah, we should - we should definitely do this again..." He smiled again, slowly, softer this time, his cheeks flushing a pale purple. "Thanks, Pitch..."

Pitch smiled back. "Anytime, Jack. See you around." And then he sunk into shadow.

From a darkened alley nearby, he watched as Jack stood there a moment longer. The boy reached up, pressing his fingers to his lips. Another smile tugged at them slowly, bright and happy, and he laughed in a way Pitch had never heard him laugh before. It was gentle. It was shy. There was a joy in it that didn't come from snowball fights and sledding with children or from spending time with the Guardians. Pitch smiled.

That was his laugh. That laugh was for Pitch and for Pitch alone.

And he couldn't wait to find out what it tasted like.

---

I've never done a prompt like this before so I hope I did it right!! Thank you for the ask, you're always so good to me so I hope you like it!!

I am accepting title ideas!

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[crossbackpoke-check]

I have to ask about good dog bad dream <3

🥰🥰 oh i was HOPING for this one. ok so y’all may actually know a little bit already because it exists in the tags as tyler borzoituzzi but! good dog bad dream is the working document title/notes compilation for a fic that started with the premise of “well you see that’s actually not a dog that’s my blorbo from my hrpf shifter wolf au—”

and, because i have never formally addressed it or put it anywhere other than the tags, three important details about this fic:

this IS a semi-au fic about the detroit red wings, set vaguely in the 2018-19 season, because the wings sucked that year (but not as bad as 2019-20)

this is ALSO a fic that is mainly about tyler bertuzzi and dylan larkin, with some other wings thrown in because i've never met an ensemble i couldn't shove into a love story

this 100% exists because of mickey redmond calling tyler a junkyard dog every chance he gets and me every time going "okay but what if literally though" -> 🐺

[lunarhoneybunny]

sighs. okay tmi posting sorry guys

[werewolf-kat]

Wow, tons of job recruiters are plain stupid, huh?

I love filtering for ONLY Entry-level jobs, just to see tons of Senior and Manager level jobs get included anyways. Like forcing all job levels in your job listing is some "ideal" way to get it out to more people. But people seeking below that level wouldn't want to apply anyways?!

What's the point? What's wrong with you people? You're literally just making job hunting online more tedious and a waste of time than it should be. Because I have to keep scrolling past entire PAGES of your Senior-level listings when my filter is specifically meant to keep those out.

Screw you.

[myglassesareinkansas]

Hello one, hello all and meet my family’s disappointment: ✨me✨

[meowzfordayz]

hashira accidentally touch your chest

Author’s Note: pls and ty enjoy this tidbit of crack-fluff. 😆💖

hashira accidentally touch your chest

Hashira x Reader

Word Count: ~1,600

CW: explicit language, Fem!Reader, mild sexual content

Suggestion Fulfilled: Can we get all hashira accidently touch y/n's breast

~faqs~

Fyi, “chest” means boob. I was just worried Tumblr would block this post from tags if I included “boob” in the title lmao. 😉

Shocked 😳😖

“I apologize, [y/n]-san, it won’t happen again!”

Gyomei’s nearly in tears, he feels so terribly 😞

“These things happen!” you promptly assure him, “Besides, you technically won the bout.”

No need to mention that he always wins when training together 🥲

“I cannot accept such a tainted victory.”

“Himejima-san, though I appreciate your concern and respect, there’s truly no issue.”

Meanwhile, Gyomei’s rethinking his entire Breathing Style to ensure he never accidentally touches anyone’s boob(s) again 💀 

In cold disbelief 😐😐😐

If you don’t say anything, then he won’t say anything

Alternatively, if you do say something, then Obanai will immediately curl up into a ball and die

Spends the rest of his day recalling the fleeting warmth of your breast

He swears his hand doesn’t even get cold, so affected by the heat of your bosom

Your boob must be ✨magical✨

“Iguro-san,” you call out gently, noting his dazed stare, his dinner untouched while he sits crossed legged, “Is something on your mind?”

“No.” 😐😐😐

Well okay then 🙃

“About what happened earlier…”

🫨🫨🫨 <— Obanai is FREAKING OUT

“… Iguro-san, I didn’t mind.”

And then you stand up, take your dishes, and leave

WHAT THE FUCK DOES THAT EVEN MEEEAAAN?!?!?!

Good luck finding Obanai tomorrow 🫡 (the poor man’s been pleasantly overwhelmed)

He’ll avoid you for eternity now 😌 (not really, but at least until he can breathe around you again)

She giggles 🤭

Lol

“Oh my! [y/n]-san, I didn’t mean to touch you so intimately!” 😅

“No worries, it happens.”

Your face may or may not be burning up a storm, but that’s okay!

Mitsuri’s blushing too

A lot 😳

“I hope I didn’t hurt you?!”

Because like, What if I gripped too hard?! 😭

She’s well aware of her own strength

“You barely brushed me, Kanroji-san. I promise!”

Phew!

She grins, relief evident as she bumps her elbow against yours

“Don’t tell anyone, okay? I would be so embarrassed!!!”

“Kanroji-san, our secret is safe with me.”

I wish it would happen again… <— lowkey both of you thinking the same thing 🤪

As a medical personnel (among other roles), Shinobu accidentally (or even on purpose, depending on where you’re wounded) touching your boob isn’t entirely unreasonable nor unrealistic

Obviously it would be nicer if she was caressing you out of love and affection 😔

And not methodically cleansing then bandaging claw marks that just so happened to cross over your chest 😒

“You should make a full recovery,” she’s all business, “The demon avoided your nipple and didn’t puncture deep enough to affect the functionality of your breast,” fortunately, you’re too exhausted to be embarrassed by her bluntness, “It has a nice shape. I’m glad you survived.”

EXCUSE ME WHAT?!?!?! 😃🫠

Now you’re kinda embarrassed

More so preening, really 🤭

It’s like when a doctor randomly compliments the rhythm of your heart or some other characteristic from a mainly professional POV, but you’re still caught off guard because who tf compliments someone’s kidneys or bowels movements or?????

In your pain hazed delusion, you briefly contemplate somehow getting your other boob injured too… gotta make sure you’re matching in (nice) shape, y’know? 😌

Kyojuro can be discreet, albeit more so for your sake than his

“I APOLOGIZE! I DID NOT MEAN TO TOUCH YOUR BREAST!” <— how he could react 💀

“Pardon my slip, are you okay?” <— how he actually reacts, because he isn’t entirely lacking in social awareness and decorum 😆

“Oh,” you don’t mean to squeak, but it can’t be helped when the most handsome man you’ve ever known just casually grazed your boob, “I’m fine! Totally fine! Haha!” 🫨😵‍💫🫠

You’ve gotta be more convincing than that, or Kyojuro will never forgive himself 😕

He’s a lil oblivious when it comes to physical attraction

Not like, infantly so, but given this particular circumstance?

He doesn’t realize you’re flustered; he assumes you’re mortified 😖

“You sound decidedly less than fine.”

He’s softer now, worried about startling you 🥺

“I was surprised! But don’t worry! I’m not worried!”

Okaaay, but he’s worried 🥲

“Is there any way I could make amends for my indiscretion?”

Not only is he handsome, but he is such a gentleman 😭😍

“Rengoku-san, there are no amends to be made, I promise. I’m not mad, nor do I feel unhappy or unsafe. I forgive you.”

Your regaining of the ability to speak in complete sentences greatly reassures him 😮‍💨😁

“Ah. Well. I am grateful for your kindness and understanding. It will not happen again.”

…

…

Hold up 🧐

Why does she seem… she seems… disappointed? Should I have said it will happen again??

You’ve suddenly given Kyojuro something quite pleasant to ponder 🤔

After all, he isn’t entirely oblivious 😉

“Are you going to apologize?” Sanemi demands

“For what?” you screech

“For touching my hand with your boob!”

Your eyes roll, “Oh fuck off!”

“I didn’t ask to touch you,” he grunts

“I wouldn’t have given you permission anyway,” you retort 😒

Arms crossing over his bare chest, Sanemi scoffs, “Well I didn’t give mine either!”

“You’re ridiculous. It was an accident.”

You seem genuinely pissed 😬

Sanemi rethinks his approach

“You know I’m joking, right?” 😅

“Nooo,” your sarcasm cuts deep, “I thought you were flirting.” 😐

Uh 😀

Well 😃

Shit 😄

“Fuck you!” 

When in doubt, curse ‘em out 💀

You scowl, confusion lingering as your blood boils, “Fuck you!”

“I said it first.” 🙄

You stalk away, fed up with his antics

#man child #sort of #romantically inept is more like it

As tends to happen with epiphanies, yours doesn’t hit until you’re almost asleep

“WAS THAT MOTHERFUCKER FLIRTING WITH ME???!” 😳🥴😭

Best believe Shinazugawa Sanemi is about to have a Lesson 101 in flirting asap 😤😎

(assuming you’re older, like, mentor age to Muichiro)

Neither of you make a fuss about it

It’s like accidentally calling your teacher mom 😬

Or grabbing a random person’s hand in the supermarket thinking they’re your parent 🫣

Embarrassing, but not a huge deal — unless you make it one

There’re those three seconds of slow motion Uhh and What just happened and Oops 🫠

And then time speeds up to normal again, you have a quick conversation with your eyes (gosh forbid you speak and bring the unspoken into reality 💀), and it’s over

^^ Alternatively, if Muichiro initiates a conversation to clear the air, then you’re able to have a mature and concise chat that is respectfully and patiently resolved

Embarrassing/accidental encounters are part of growing up

As long as they can be navigated ~safely, there shouldn’t be any lasting harm

⚠️I also want to emphasize that I am talking solely on inarguably accidental/one time incidences⚠️

Hehehe

Giyuu’s hand is stuck 🫣

Only for like, a fleeting second

But omg 😭

He was already embarrassed, and now he’s triply embarrassed 🫠🫠🫠

“... Tomioka-san?”

You won’t lie; you aren’t especially bothered 🤭

But it is a compromising position to be caught in; Giyuu lowkey crushing you, one of his palms clearly cupping your boob 😬

#wrestling #or something #so maybe this isn’t super realistic #forgive me

You’re about to repeat his name when he finally springs to life, immediately rolling off you, standing abruptly, about to literally sprint away

And then he remembers his manners 🙃

He offers you a hand

His other hand; his boob hand is currently tucked away in his haori

He’s never washing it again

#closet perv

“Thanks,” you smile faintly, accepting his assistance as you lift yourself from the ground

You hope he can’t hear your heartbeat 💓

He definitely can 😶

But can you hear his?

“I don’t think we should train together anymore.”

Giyuu is swift and harsh with his solutions

“Why?”

Your question comes out stiffer than intended

He hesitates, unable to interpret the fear in your tone — the longing

“I always beat you,” he explains lamely, “Don’t you get tired of losing?”

You scoff cheerfully, grinning now as you squeeze his hand

Fuck, we were still holding hands?! <— Giyuu is in shambles 😳

“I could never lose!” you declare, feelings brimming in your throat, spilling onto your tongue, “Not when I’m with you.”

Then we should absolutely stop training together would be the responsible reaction

Attachments are the most dangerous game for a Hashira to play 😕

Instead, Giyuu’s rendered speechless, unable to shake his hand from yours

“Well alright then,” he mutters, stomach churning as he narrowly avoids the warmth in your gaze

In fact, you swear he squeezes back 💓

“EXCUSE ME! I HAVE A WIFE!” 😤😤😤

“You have three wives.” 🙄

Sputtering, Tengen shrieks, “I already have plenty of breasts to touch!” 

“Tengen,” you glare, not one to back down as you jab a finger into his own chest, “You touched my boob.” 😒

“AND I’M SORRY!” 😭

Much better 😌

“I don’t know what they see in you,” you scoff (you’re also lying, you can see plenty🤭), “They’re gorgeous… and you freak out when you accidentally touch a boob.” 💀

Tengen is 100% pouting now

“I don’t freak out when I touch their boobs,” he huffs

“Well aren’t they lucky.” 😐

“You could be lucky too!”

…

…

Tengen starts running 

You give chase

“DID YOU TALK TO THEM ABOUT THIS?” 

Tengen runs faster

“TENGEN!!!!!”

Tengen runs faster and faster

You give up

*insert gasping for air here*

“DO YOUR WIVES KNOW THEY’RE MARRIED TO A COWARD???!!!”

Oh well, you’ll have to visit their estate sometime this week 🙃

You’re sure to get an answer from Hina, Makio, and Suma ☺️

And you can’t wait to see more of Tengen 😏😋

Sorry, sometimes the horny just happens 🥴

[aces-and-angels]

artwork by raghad qanou follow: @rhq2744 verified ✔: no. 221 on el-shab-hussein/nabulsi's sheet

dear moots/lovely lurkers- please read 🖤

raghad has finally reached the very first milestone in her fundraiser! that's right gang, thanks to the continuous support of friends/strangers alike, raghad's family has raised a whopping ✨£5,095✨as promised, here is another beautiful original by miss raghad herself 🖤

for those who haven't gotten a chance to meet her yet, please allow raghad to introduce herself in her own words:

Hello everyone, I am Raghad Qanou, a second-year human medicine student at Al-Azhar University in Gaza, or rather, I was like that, before I lost everything, literally everything... Before the 7th of October, me and my family [8 members] were living in our cute house in the Shujaiya neighborhood in Gaza, after huge suffering to repair it and return to living in it after it was destroyed in the 2014 war on Gaza. My family and I were forced to leave our home and forcibly move under fire 7 times so far! All this to escape death and hold on to the last shred of hope for a decent life! excerpt from raghad's gfm campaign page (read full story here)

i first met raghad sometime in june after she messaged me here on tumblr. one of the first things she shared with me (besides her name lol) was this piece:

title: waiting for a ceasefire "only hope and art keep us alive here in gaza ...." -raghad qanou

since then, we've been able to chat a handful of times-- i told her how much i loved her artwork and she excitedly shared even more of her work with me

raghad is a talented artist- a loving sister- a diligent student- a wonderful daughter- and someone who deserves a chance to live a life worth living. her whole family does

they continue to suffer through horrific living conditions and rely on y'all to help carry their burden. to reveal yourself so vulnerably to the world is far from easy. so often, we are told to grit our teeth and push through whatever ails us in silence. but this is a type of pain that cannot and should not be felt alone. and it will take everyone to band together so we can begin to heal

raghad's campaign still has a long way to go. to help things move along, i am proposing another art reveal ✨

if we can get raghad to £15K- i will unveil another beautiful piece from her collection of artwork!

as of posting, raghad's family has raised £5,095 / £55,000.

for those able, please consider donating by clicking the link below + share this post so others may get the chance to help out too 🖤

tags for reach below cut (note: sorry gang, ik we're not really moots. if you're here- it's cause i pulled people from a post that promoted a gfm in the past. please let me know if you do not wish to be tagged in future posts. no hard feelings, truly 🖤)

@juneybug @kodigobacktosleep @apocalyptic-dancehall @imnotthepersonyouseek @toonirl 

@kingofthebookcase @kazehita @yonch @pinkdreamscape1 

@king-dail @caseys-soup-corner @shoogachi @killy @missusmousse 

@j0ckhead @whoopsiedaisy20 @squidie-tittie @dreamingamongthestars @trexpel 

@mischief16 @foulharbor @draginfyre16 @tangerinesteve @3amsnow 

@fruitpuddle @wallsong @selkiesmile @suzakus-canon-wife @turquoisewavesstitch

@loutrem @thatlethalsoul @visemes @orange-coloredsky @dweamdoodles

@just-a-girl-0001 @samrobotize @aunty-matter @gamelpar 

@roachie-paradise @queruloustea @ehjane @firebird963 @butchdykekondraki 

@dinofur @cthulhu-with-a-fez @purplenickel @ysngie @paper-mario-wiki

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

[affectionatemud]

TW: derealization, dissociation

i would say im desperately clinging onto reality but lets be honest i am actively indulging in the disconnect

[joycrispy]

I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):

It's a phrase taken from the Book of Job. Here's the quote in full (King James version):

When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)

Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.

Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.

They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.

Your punishment is terrible, tormenting loneliness.

(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)

To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.

So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.

Because this story is about Aziraphale.

The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.

He does so fully believing that he's giving in to a temptation.

He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.

And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.

Fallen or not, that's the kind of knowledge that...separates you.

(Whoooo-eeeeee, tormenting loneliness!!!)

Aziraphale is the companion.

...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:

Check out Crowley's glasses.

(screenshots from @seedsofwinter)

Crowley is the owl.

Crowley is the goddamn owl.

[jennablackmorebooks]

Wrote 1500 words today! The story I'm working on is now past 3500 words.

I'm really enjoying this one. It's sort of a reimagining of something I wrote ~12 years ago, but not an exact adaptation — it's more like the stuff from the old story is in the past for the characters, and 12 years later it's coming back to trouble them worse. So that's really fun. And now that classes are over for the term, I have time to write again.

[nobrashfestivity]

Everyone Hates Poetry 2024

Rules

Write a poem before Feb.5th and submit it to me with the submit feature or in an ask.

Poems should be less than 500 words

You can use your real name or your blog name but they can't be completely anonymous.

Poems will be published at 9pm on Wednesdays and then a link to each poem will be added to the bottom of this pinned post so people can read them all.

I can't stop anyone from reblogging their own poems and generally sharing art is a wonderful thing, but don't turn it into some kind of social media campaign. because people with a small number of followers would be at a disadvantage. This is supposed to be fun. Please do reblog this post and tag people if you think you know someone on tumblr that might be interested. Since the post will contain links to the submissions, your poem will not be lost in the shuffle.

If I receive less than 10 entries I'll cancel the contest and consider it a failed experiment.

Public voting will begin after the 5th.and account for 50% of the vote

A panel of judges will also vote but will not submit poems themselves, and their votes will make up the other 50% of the final tally.

.There will be small prizes for the winner and runner up.

This is my art blog and will remain so, as it always has been. I'm doing this because poets here don't get much chance to get their stuff read and I have a fair number of followers. It's just a little thing to do if you want. I'm not turning this into a poetry blog or a contest blog or anything else.

Poems don't need to be finished. Due to the one month time frame I would suspect these would be first drafts, but please write something new. I want to encourage people to do something now, however imperfect, rather than showing work that's already done.

Updates will follow. Thank you!

Rule clarifications

-Please dont send poems anonymously if at all possible. I am happy to include a name that doesn't identify your blog directly but it's impossible to refer to or contact people who submit poems anonymously. I can't have anonymous poems considered without at least a name for you and if you were to win a prize, you'd need a name and address to claim it. I don't so much care about the latter part, that's for you, this becomes very disorganized and hard to regulate with anonymous messages floating in.

-Please put the title of your poem above it. If it is below it, I have no way of distinguishing with certainty if it's a title or a last line.

One poem per person please.

if you do not wish to see the poetry contest entries just filter the tag "everyone hates poetry 2024"

Due to the very high volume of submissions I am blogging them more gradually as to give more attention to each one. The same tag, "everyone hates poetry 2024", that you can filter if you do not want to see these can be used to find the submissions. If you follow this tag you'll get them all.

Please note that I am now publishing these as asks, previously I had to retype to keep the formatting and there are simply too many entries

Submissions are now closed, I will be publishing submissions all week and then when all have been posted we will start the voting (stay tuned as to how and when)

[blackpearlblast]

thobe raffle, hosted by boshra!

hi all, i wanted to post another raffle being hosted to benefit ezzideen shehab's fundraiser. it is being run by @boshradaoud but she is having some issues with her tumblr account so i am posting it to try to get some more eyes on it!

[ID: a poster for a raffle titled "Thobe Raffle" with the Instagram handle Ezzideenshehab at the top. There are pictures showing off two Palestinian thobes with intricate embroidery.

Text: Ezzideen and his family need our help more than ever due to the current situation and the severe starvation affecting the north.

I am offering a chance to win a traditional Palestinian dress for two people who donate or share and fill out the form!

Below the text is a QR code linking to Ezzideen's GFM campaign. end ID]

click here for the form to get your entry counted for the raffle! there is no minimum donation amount, so donate whatever you can and fill out the form for a chance to win!

[am-i-the-asshole-official]

AITA for "using" a cucumber and putting it back in the fridge?

(🥒👌 to find later)

Please, I know it sounds nuts but hear me out. I feel awful and I need to know just how bad this is. Also, I intentionally left as much as possible vague as I am a minor and I do not want this to get removed for being too explicit. But the story will not make sense if I don't include certain things, please understand.

So I (16M) grew up in and currently still live in the bible belt, with extremely conservative evangelical parents. As a taste of what it's like, we have church 3 times a week, and church camp every summer. We are only allowed to access Netflix through a stupid content filter app and we can only use a restricted smart phone that is regularly checked at random by our parents. We get an hour and a half of computer usage every other day, and the internet on the computer is heavily filtered also. The only reason I have access to Tumblr and am able to post this now is because my best friend's older brother gave me his old android for my birthday a few years ago. His family is much more open minded, and I'm very close with them. I also think they have always felt a little bad for me with my family being the way they are.

I'm also gay. Obviously, my family does not know, and I intend to keep it that way. I won't go too deep into it, but it will suffice to say I struggled a lot when I was younger over this. The good thing is that in the last few years, I've been able to accept myself more and come to terms with what my own feelings about religion and faith really are. I came out to my best friend and his brother a little over a year ago, and they've been very supportive. I have yet to tell any of my other friends.

Recently, I've been trying out alcohol since my friends found a hookup. Something I have discovered is that I tend to get lewd feelings when I drink, which has nearly caused a few embarrassing moments around friends. Coincidentally, I have also been experimenting with... certain things. Being a minor, I obviously can't enter any of the adult stores around me, nor would I feel comfortable asking any of my friends to drive me there if I could. I also can't order anything online because my bank account is connected to my parents, and I don't have a shipping address I'm comfortable using for those items either. So instead, I use household objects that belong to me and can be sanitized easily. You might see where this is going.

Yesterday evening, I came home from best friend's house with a full bottle of wine in my backpack. We and a few other friends had already been sipping on a few beers that afternoon, and I still felt a little buzzed. After my family went to sleep, despite already having a little alcohol in my system, I proceeded to get wasted on this bottle of wine in my room. I don't have the clearest memory of all of this, but at some point, I got hungry and lewd-feeling. Went into the kitchen and, through some kind of thought process I can only imagine now, came back into my room with a cucumber. From the title of the post, you can hazard a guess as to what happened to this cucumber. Once I was done, I drukedly and quickly washed it in the bathroom sink and threw it back into the fridge. I went to sleep.

I started freaking out as soon as I woke up this morning. There were four cucumbers in the fridge, I was pretty positive at least two were going to be used for dinner tonight, and I had no idea which cucumber I did the deed with. To make matters worse, my mom was inviting the pastor of our church and his family over for dinner. I have practically no money currently, no license or vehicle, and no friends with vehicles free to pick up new cucumbers for me (and no reasonable explanation as to why I needed them to spot me for four cucumbers specifically). I also have no believable reason to give for why we shouldn't have cucumbers added in the salad mix. My mom knows I love them, and they haven't gone bad. Can't say I ate them because who the hell eats four raw cucumbers? And she'll interrogate both my brother and I until she gets a satisfying answer if I just throw them out. I didn't know what the hell to do about this and I was close to having a panic attack, so... I took a nap.

Evening came. Guests came over, dinner happened. We had porkchops with macaroni and side salads. Cucumbers were in the salad, and I along with pastor's family and my own, ate it like nothing was wrong. My parents, the pastor and his wife had an engaging conversation about politics, religion, and some mild church gossip after dinner. My little brother continued to read his book, and I had a very awkward and one-sided conversation about Young Sheldon with the pastor's daughter. Then they left. And I went to my room to mentally implode.

To say I'm horrified is a major understatement. I don't think anyone is going to get sick because I scrubbed all of the cucumbers with soap multiple times and cleaned the vegetable drawer with bleach when I woke up this morning. I guess I also don't know that the violated cucumber was one of the ones that was used for dinner tonight, but then it's only a matter of days until we have salad again, or if mom cuts one up for water. I've rattled my brain for any way I could get some new cucumbers without telling anyone the details of the event, but I have nothing. Don't even have the money, anyway. Gave up the last bit of cash I had for the damn wine yesterday, and I have $0.43 in total on my debit card.

Admittedly, there is a very small part of me that doesn't even really care if they have eaten or end up eating the damn thing. I can't stand my family. My parents are invasive, controlling and neurotic, and don't give a shit about how I'm doing in so far as it pertains to god and the church. I'm a little more sympathetic to my brother as he's been stuck in this hell with me, but at 13 he's already begun to regurgitate way more religious dogma than I ever did at his age. And I know for a fact that they would want nothing to do with me if they found out I was gay. They'd probably kick me out on the street and spit on me if I had to guess. But even still, this is only a small part of how I feel. What I did was still so gross, and no amount of animosity I have for them can change how mortifed I am. I do have at least a semblance of a conscience.

So...AITA for all of this? WIBTA if I did nothing about the other two cucumbers? Please help.

[maysileeewrites]

DON’T WANT YOU LIKE A BEST FRIEND || MASTERLIST

best friend!Coriolanus x capitol!reader

concept post || my Coriolanus Snow masterlist

Summary:

You and Coryo have been best friends ever since you can remember. You’ve been through everything together and you’ve always been there for each other.

You’ve always thought of him as the protective older brother you’ve never had, but lately, your feelings towards him have changed - not quite so pure and innocent anymore.

First, you think that it’s only you, but then Coryo starts behaving differently towards you as well, lingering touches, teasing comments and burning stares that only add to your confusion.

As the lines of friendship become more and more blurred, you feel yourself starting to fall more and more for your best friend - the one thing you’d never wanted to do, because you know that, ultimately, it will just end in heartbreak for you … right?

I’m so excited to get started on this mini series!! thank you guys so much for all the love you’ve shown my little concept post I made yesterday!!

so far I’m planning on 4 parts (yes, there will be smut later on, but first we need some build up and some delicious tension), but who knows how many more ideas I’ll get while writing ;)

also: yes, I’ve been listening to Dress and So It Goes … on repeat whilst working on the concept for this story, hence the chapter titles lol

Part I: don’t want you like a best friend || find a teaser and another one here :) 🦋🪷💫 (17+, no super intense smut - yet)

Part II: gold cage, hostage to my feelings (coming soon!!; find a teaser here!) 🦋🪷

Part III: only bought this dress so you could take it off 🦋💫

Part IV: so it goes … 💫

🦋 fluff

🪷 angst

💫 smut

the tag for this will be don’t want you like a best friend 🦋!

series taglist:

@asapkyndall @slitsphilia @ravenclawprincess33 @mckennah123 @serving-targaryen-realness @mentallyyy-unstable @mizuki80 @snows-wife @prettyinsatiable @ashcosmo @generally-awqward @snowflxke @nallasstuff @ajs-222 @spiritofbuddha @notyourwildestdream @earthangel-111 @bhdem @toogardenheart @iheartinkonpaper @daisiesformylove @ebsmind @dominqueeekk @cherrybomb8484 @dangelnleif @minmin1328 @xhyaryx @nycweb-slinger @acatwriteshere @lookclosernow @allcheesemelts @bxtchopolis @hopefulcupcakerebel @squidscottjeans @evan-peters-wife @just-a-littlebit-of-everything @ghsface @spear-bearing-bi-witch @loxbbg @floralcyanide @ilikefictionalmen @smxipixie @devils-blackrose @lcvecstiel @leigh-kay @r02eg0ld @gottoomanycelebritycrushes @nomorespahgetti @wpdarlingpan @sabrinasbd @alwaysvettel1 @flu0re @alpha-mommy69 @iwantosleep @hikarikram @scarletttargaryen @angelicblondie @ultrav10l3nce @kuroosbby001 @coriosgf @tristanswildcat @insomniac1345 @reapers-lover @wearemadeofstardust0 @i-understand-vangogh @loiita-xo

comment or dm me if you want to be on the taglist for this! :)

tumblr won’t let me tag some of you guys, please check your settings (settings —> general —> mentions —> anyone) whether anyone can tag you in posts! :)