#never have i ever season 1 episode 4

[katya-goncharov]

the new doctor who series is really just one big hate crime for people who don't like change

[adhdvane]

im dying he r fkcuking face

[vaugarde]

team rocket being crammed into episodes they dont need to be in in xy (and jn to an extent) probably wouldnt be nearly as bad if they had literally any of the traits that made them quirky and unique in gens 1-4 but it seems that the only thing bw taught them about what people like about TR from what they changed was that team rocket has to be in as much episodes as possible, not that they were charming

[cuffs-crew]

Okay in a surprise that shocked everyone i LOVE Liam like I literally will not watch seasons 4 + 5 i think they are blights on humanity and completely missed why season 3 was so good BUT they did give us the new era cast which could have been really bad but was actually really good (and theo which is a different topic) Liam is especially good like idk what it is about him but i adore him i think hes such a good character and brings a great contrast to scott PLUS when they remember its there his IED is a super interesting character trait Also season 6 liam SLAPS 6B especially like they must have been paying dylan sprayberry extra because he gave a true performance I love you liam dunbar <3333 i just dunno how to draw you well yet

[becky5203]

I’m not the biggest fan of the miscommunication trope but the way the writers are doing it here just kinda works for me. I don’t like to use the “they’re teenagers” excuse often, but like, they are. They’re new to life and they’re new to love. They’re gonna make stupid decisions and overthink things and hurt each other because of it. What matters isn’t necessarily how they got to the anger and the hurt but how they can overcome it. And if they can forgive each other and move forward in a healthy way then they should be able to leave the past in the past.

[buggachat]

im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............

[wolfofansbach]

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 

13. 

“I dropped out in the 4th grade, to sell drugs, to support my nana.” 

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 

In: 3 x 2 

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 

12. 

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews 

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 

11. 

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 

Spoken by: Cheryl Blossom. 

In: 1 x 1 

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 

10. 

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 

9. 

“At the last dance, multiple students were murdered.” 

Spoken by: Principal Holden Honey. 

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 

8. 

“Bro, I know all the secrets of this universe.” 

Spoken by: Archie Andrews (evil version)

In: 6 x 5 

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 

7. 

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 

Spoken by: Jughead Jones. 

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 

6. 

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 

Spoken by: Betty Cooper

In: 4 x 14 

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 

5. 

“For I am Cheryl Blossom, Queen of the Bees.” 

Spoken by: Cheryl Blossom.

In: 5 x 16. 

This one really doesn’t require any elaboration. 

4. 

“Elijah ascended…and I will, too.” 

Spoken by: Edgar Evernever.

In: 4 x 5. 

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 

3. 

“It’s not queer baiting, it’s saving the world.” 

Spoken by: Veronica Lodge. 

In: 6 x 22. 

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 

2. 

“If there’s no wedding reception, it means the Gargoyle King has won.” 

Spoken by: Kevin Keller. 

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge. 

In: 2 x 20. 

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 

[laurrelise]

something about that scene in season 1 episode 4 of tua when diego and luther find five drunk and asleep and they pick him up and carry him back to diego’s place to sleep safely is just so sweet to me “do you have any idea how many people i’ve killed” and it’s an actual child being carried to bed

i will never ever ever shut up about how much i love the contrast of a 58 year old extremely experienced and dangerous assassin in the body of a 13-year old innocent looking schoolboy.

like yes he’s adorable yet he did just chug several bottles of very strong liquor and he is on his way to beat the shit out of that guy who shot a weird look at his mannequin girlfriend delores

i love five’s character so much. sorry to say it so much but holy shit i will not be stopping any time soon

this big burly tough guy carrying his little brother except his little brother is actually double his age but half his size and also has murdered an unthinkable number of people (but luther will still tuck him in bed) (and then he’ll wake up and feel all annoyed that someone had to help him take care of himself)

your honor i apologize for being obsessed with him but he’s just cool is all

[consoledacup]

In order to fully understand Colin's reaction to the Lady Whistledown reveal and how he processes everything moving forward, you have to think about the entire season, the entire series really, through his point of view. I have no problems with the part 1/2 split. It made the anticipation that much more intense, and it worked out perfectly with their love story. But you can't separate one part from the other when you're thinking about his character.

In Colin's mind, the end of episode 4 is his happily ever after. That's it. He did it. He took action. He was the Cupid to her Psyche and played god and rescued her from a loveless match. He made shit happen and told her how he felt and they shared that moment in the carriage, and he gleefully proposed. He saved the girl and got the girl, and what a remarkable, enchanting, beautiful girl she is.

And aside from Eloise and Cressida, everyone's obsessed with their relationship. They're the true love match with a great story, and how lucky he is to fall in love with his best friend. And she's showing hints of unease, but maybe that's just wedding jitters. Or maybe she's mourning her relationship with Eloise which is why he keeps trying to get them to make up. Or maybe she doesn't feel as secure with him as she would've with Debling, even though she'd never tell him that. He is the third son after all. And he still has no idea how in love with him she is.

So when she tells him how she's always loved him, he's warmed but also wracked with guilt. Because if he had only taken his stupid head out of his ass, he would've figured out why her letters meant so much to him or why he was eager to participate in an investment with her family or why her lack of response the past summer devastated him. He thought he was the instigator of their love. He's the one who laid himself bare and was like, is it possible you feel a fraction of what I feel for you? And to find out that she did always love him made him feel so undeserving. Because why would this exquisite siren still want anything to do with him after all that he put her through?

There is an incredible scene that I think deserves a lot more gravitas. The minute Penelope mourns Lady Whistledown and burns her issues, it cuts to Colin getting over his writer's block as he writes with great enthusiasm. It's like, he's unknowingly siphoning her power. He is Cupid and a writer and her protector and her provider and so madly in love. And he will finish his manuscript, and he will make things right with Penelope and Eloise. And he and Penelope will have the perfect life together.

And then everything he thought he knew about Penelope, about friendship, about love, is completely shattered. She rips his power from him, and he is absolutely gutted. She has been the mastermind this entire time, and he was none the wiser. And what part of their love story was even real? At which point was he manipulated into doing what she wanted him to do? And while he was helping her with her confidence, and telling her how changed of an individual he was, she not only saw through him but broadcasted his insecurities to the entire ton?

He's still so desperately in love that he remains steadfast in marrying her. But he cannot get over his fury and hurt and betrayal at that point. Which makes so much sense. It's painful to see him lash out and withdraw from her, but he's absolutely reeling.

And on top of all that, he is humiliated. He thinks about everything she said about his own writing. She told him how he made it seem effortless, which is such a great compliment. And he's like, I don't want you to edit my manuscript because I want to prove to you that I'm worthy of you. And he might be thinking, I can even give her some pointers for her own writing! What fun we'll have with more lessons. To find out that she's the talented, sharpest, most prolific writer in the ton fully emasculates him. He feels like she was patronizing him all along.

He brings that part up, and she's like, no, I meant everything I said about your writing. But he doesn't believe her and immediately switches the conversation to her dangerous predicament, so he can at least, at the very least, offer himself up as her protector. It worked before when he danced with Penelope after Cressida ruined her dress, when he rescued Marina from Rutledge, when he helped save Daphne's reputation, when he saved Penelope's family from Cousin Jack, when he helped save Will's business, when he kissed Penelope, when he saved her from the balloon, when he defended her to her mother... If he can't be the provider, he can be the protector. And she doesn't even want that from him. She's the knight in shining armor. She's Don Quixote. Not him. Never him.

So he is grappling with his role in their union. He figures it out, but it takes him a little bit to get there. And in the process, he not only remains in love with Penelope the entire time, but he also falls head over heels for Lady Whistledown.

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[charliedawn]

Hi! I was wondering if you could do a Five hargreeves fluff.. Season 4 destroyed me and I've been looking for so five comfort and your one of my favorite writers, if so o would really appreciate it :)

(Five is becoming popular, huh ? Good for him. 😁)

Five never left the Hargreeves estate without telling his siblings or making sure they would know where to find him—but there were some moments where he would disappear without saying a word to his family. He would wordlessly teleport to a bar in the middle of nowhere where customers were but a few and where the jazz music playing in the background soothed his soul. He would then order one specific drink every single time—the coconut on the beach with a vanilla essence. But it wasn’t the reclusive aspect of the bar, the nice music or even the good cocktails that would be making him come back time and time again.

He would wait for the waiter/waitress to come bring him his drink. And then, he would simply watch them in silence for a few minutes. He would observe them as they went along with their life and didn’t glance back at him until they were done with their tasks at hand…

Y/N L/N.

That name was engraved into his brain and refused to leave. That. And the last date written on a diary he had kept safe from the moment he had left the end of the world.

April 1, 2019.

The exact date where everything ended to the very second where your hand had stopped writing, or would stop writing. To the last loop of your handwriting when everything seemed to stop and your very existence vanished.

His breath hitched.

Your eyes had met from across the bar.

He could have sworn for a second that you could read his mind and see exactly what he was thinking about.

All those nights turning page after page of the same diary. The only descent reading material he had managed to find at the end of the world. The testimony of a human who had lived and died in that very same bar. The human he was currently looking at after having known them through paper first.

He could almost see your thoughts, see the turmoil in your eyes. Because he had read it. He had read about the little boy who had become your regular customer one day and who had never spoke a word to you. He had read about you, the major episodes in your existence and the strangest and most embarrassing moments in your life. He could recite every single word of that diary by heart. He had had more than 50 years to look over and memorise that cursed and precious journal.

But, he always came back to the same pages—over and over.

The pages about a little boy and his dark eyes who seemed older than his years—wordlessly staring at you. The customer who you had wondered time and time again if you would ever strike a conversation with ?

Spoiler alert.

You never did…

The boy kept coming back again and again until the very end—regular like clockwork. Five knew of each time you two would meet—and he dreaded that last moment. The moment where he would stop coming, because he knew that the day he would miss one of your meetings, it would be the day he would either die or have given up on saving you. And he dreaded that moment—that moment where nothing would matter anymore.

So, he kept coming back. He kept coming back—hoping that something would finally change. But nothing ever did. And he could feel his fears and his desperation growing. If something—anything could change…then maybe not everything was lost.

After so many days spent torturing his mind and begging for a sign…that sign finally came.

As he was sipping on his drink, he felt someone sitting down next to him. He didn’t look, but then the presence spoke up.

"Hey there. Nice tie."

He looked up and seemed stunned for a few seconds as he saw your smile.

You had…spoken to him.

Nowhere in all the pages he had read in your diary had you ever mentioned speaking to him. To the very end, all you had ever done was recall that weird kid with the sad eyes who would be staring at you, pay and leave. He took a minute to compose himself and your smile faltered slightly. Maybe had you been wrong to approach the kid ? He had just seemed so…lost. He looked like some rich kid from a private school, and yet he would always come back to your bar. Maybe was he looking to talk to someone ? Or maybe had you been wrong and he wanted to be left alone ?

You sighed and were about to stand up when you heard him reply.

"Nice shirt/dress."

You stopped dead in your tracks and turned around. You sat back next to him and smiled before extending your hand towards him.

"Thanks. The name is Y/N by the way."

He smiled back politely and shook your hand.

"Five. Five Hargreeves."

At that moment, there was a little spark that traveled between you two and the name written on the journal in Five’s pocket changed to:

Y/N Hargreeves.

[dovveri]

aftermath

bachelorette masterlist - part 1 ▸ part 2 ▸ part 3 ▸ part 4 ▸ part 5 ▸ part 6

synopsis: the finale! and then the afterparty :')

warnings: suggestive, cursing, sana kisses a fictional man im sorry

w/c: 2.9k

a/n: surprise! double feature release! bcs theyre both quite short compared to the other chapters and i lwk just wanted to close this series and be done with it - im v happy w and vvvv grateful for all the support ive received w this - it was my first ever published fic and 36.7k words later im pretty happy w how it ends :)) stay healthy and safe!! mwah <3

⊱✿⊰

true to her word, sana ended up telling everyone that she had gained feelings for you during the filming experience. you had wanted to go with her but she insisted it would be easier for those who had gained feelings for her to accept it if you weren't there. so you were stuck at home, twiddling your thumbs watching reruns of the last few episodes anxiously waiting for her to come home.

you're up in seconds when you hear the door click open softly, rushing to greet her.

"hey! how'd they take it?"

sana's a little surprised to see you in such a hurry, but recovers quickly, smiling and tilting your chin down to peck you sweetly.

"hello to you too. they were okay." you help her organise her things as she settles in, "jihyo was obviously eliminated after house visits like i promised i'd do. i still have a soft spot for her but it was easier to talk to the other three when she wasn't there, probably because i could get my entire story across uninterrupted. unfortunately, jiwon decided to forfeit herself after the news which she has every right to do. the producers are going to mark it off as a family emergency and say she can no longer participate in the filming."

"oh... and the other two?"

"momo took it pretty hard, but jacky seemed to already have a clue what was going on. they both agreed to stay on until the end of the season though. i still feel terrible for having to put them through this, especially the last 2 dates with each of them, knowing that they don't have a chance with me anymore..."

"hey, it's okay. they agreed to stay right? they're being good friends right now and feeling bad or sorry for them and not giving it your all for the last few days isn't going to be helpful for them."

she sighs, "you're right. after all this craziness is over i'll definitely try and do something for them."

you smile, pecking her temple, "and i'll help you."

⊱✿⊰

because there were no more group dates, and the season would end after the final 2 dates and the decision sana makes, you weren't really needed for the filming of the rest of the season.

so most of your time was spent at home, lounging around in the pool or in the kitchen while sana was out on extravagant dates not with you, and completely bored out of your mind.

at nights, you'd bound excitedly up to sana and find out what adventure she went on, completely attached to her, even sitting on top of the toilet seat while she was in the shower so you were never apart. the seperation anxiety for just a few hours was definitely something that caught you a little off guard but after spending practically every minute together while filming, combined with your newfound romantic love for her, you couldn't bear being apart from her.

soon enough, the final day of filming came. it was set in this beautiful meadow with flower strands that reached mid-calf. sana was in the most perfect sundress, like she belonged in the meadow, like she was aphrodite herself born not from the sea, but the flowers.

typically, the final choice is snapped together with flashy editing between tension building scenes of sana walking up to both of the final contestants in two different settings. they filmed her rejection shot the day before already, so there wasn't much suspense watching as sana walked through the meadow towards her final choice. not that there needed to be, you were enthralled enough just being able to take in the breathtaking view that was minatozaki sana, just imagining it was you she was walking gently towards.

but it wasn't. and the mindless chatter of the cameras and crew served to remind you that again, you had to stand in the background while the love of your life confessed to someone that wasn't you. no amount of reassurance from her would be able to get the feeling of utter despair out of you.

⊱✿⊰

sana walks forward with a gentle, rehearsed smile.

"hi."

"hey sana."

"how are you feeling?"

"could be better. i'm either about to have my heart broken in front of the entirety of korea and my family back home or i'm about to be able to call the most beautiful girl on the planet my girlfriend. pretty big moment."

sana giggles, "welll... jacky... regardless of the outcome-"

"oooooh that word's not a great sign is it?"

she hushes him, "shhh, just let me finish. jacky... the time on this show, the time you've given me, has been absolutely incredible. from the first time i met you with your charming smile and lively wit, it was hard to forget your dual entrance with eunji, both of you looking absolutely dapper in your suits. and then on our individual date, you dared to go on that hot air balloon at the asscrack of dawn to watch the sunrise with me, and even though i'm not totally sure if you did see it or not, the fact that you went up there, and you overcame that fear, it was so inspiring and courageous of you. it was that moment that really made me realise the kind of person you were, and the courage, and fun you'd bring into a relationship, and even to a family in the future. that is... if you wanted to officially become my boyfriend?" she finishes her piece with a shy smile, a strand of hair falling cinematically over her face while she peers up at him under her eyelashes.

jacky gapes a little, and then he's grinning, hoisting her up in a whoop and spinning her around on the spot, stopping finally to plant his lips on hers.

when they break apart, they both have the widest smiles on their faces, eyes glowing in adoration of each other.

"yes! yes of course i'd be honoured sana! i hope to spend the rest of our lives together until we grow old and wrinkly and our kids have to come dote on us in the retirement home while we annoy them with how unbelievably cute we are even in our old age. and i look forward to watching reruns of our season and being able to show our kids how absolutely gorgeous their mom looked and how incredibly lucky i got being able to be the one at the end of it all!"

there are happy tears and more kisses, hugs, and spins, and with that, the bachelorette season for 2024, is officially over.

⊱✿⊰

"eugh, did you seriously kiss him?"

sana throws the popcorn at you playfully, "yes but it was all planned babe and you're a way better kisser anyway."

"show me."

"oh i will." sana grins, sliding into your lap, pushing the bag of popcorn aside, lips immediately finding yours while the credits for the final bachelorette episode run in the background.

you smile into the kiss, hands finding their place naturally on her waist while her hands cup your face, tilting her head slightly to angle the kiss better.

she breaks away with an over-exaggerated smack that has you rolling your eyes and wiping at your lips in mock disgust.

"so now that the final episode is out... are we allowed to be seen in public together yet?" you're voice is whiny, pleading with her.

she coos, "my little babyy, i thought you weren't big on pda?"

"well i'm not but i'm sick of everyone thinking that you're with someone that's not me!"

sana giggles, "just think how this is for jacky right now. poor eunji..."

you scoff, "eunji will be fine. she's never been one to care about what the public thinks anyway."

"everyone says that but no-one is immune to societal pressure." she boops your nose with her finger gently, "but to answer your question, yes. we'll be able to go public soon i promise. and soon enough the tabloids will get bored of me and move on to the next big celebrity or whatever anyways so it'll be fine. now c'mon, we gotta get ready for the reunion, get your cute lil butt into your fit for the night."

you groan, pulling her back down when she tries to move off of you, "nooooo one more movie?"

sana laughs, pushing you out of her neck, "absolutely not. i'm not gonna be the only star for tonight, this time we're both gonna be the centre of attention, and we cannot be late! i swear if we don't get ready now you're sleeping here on the couch tonight."

"what?! you wouldn't!"

"i would."

"you couldn't survive without cuddles anyway."

"i can replace you with mr. bean."

"not my arch nemesis... i knew winning that bear for you was a bad decision... i'll rip off his stuffed head..."

sana laughs freely, "as if winning was a decision for you. you went back to that stall like 6 times."

"i should've left him there the 5th time..."

"nope! so if you don't want me getting all close and personal with him tonight you're gonna come get ready now with no funny business."

she stands up and you let her, your hands still attached as she pulls you up as well.

you smirk, "what funny business? i never pull any funny business!"

"yeah like the time you fucked me in a bathroom while everyone was waiting for us outside to start filming for national television. and then did it again at a public amusement park like a week later."

"i don't recall you saying no."

"well i'm saying no funny business now."

"okaaaaaayyyyy." you grin, fingers crossed behind your back while you follow her to your room to get dressed.

⊱✿⊰

"y/n!"

"miyeon oh my god!"

miyeon's running towards you with her arms outstretched, easily wrapping them around you the moment she sees you.

you laugh into her, hand still held in sana's while you greet her.

"sana too hi!"

miyeon breaks away from you easily, going in to hug your girlfriend with her everlasting friendliness.

"how are you guys!? i heard through the grapevine that after the filming ended you were finally able to get together officially, even though you kinda had to keep it on the down low so it wasn't like publicly official but it's a step further?"

you laugh, "awwwh yeah you heard right, but now that the show is officially over..." you bring you and sana's intertwined hands up to your lips, kissing her knuckles, "we can say we're officially together!"

miyeon squeals happily, "yay! i'm so happy for both of you. really. no jealousy sana?"

sana laughs as well, hitting miyeon playfully, "noo don't remind me."

"oh i'm afraid it's permanent now. unless they burn every single copy of this season the day you broke my heart is forever recorded in history."

"oh god... y/n... swear to me you'll never show this to our kids."

"can't do that babe. gotta show them their mom in her prime. the sweetheart of korea at one point in her life."

"just one point?"

"sweetheart of mine for my whole life obviously."

sana grins, kissing you cheesily, miyeon doesn't even mind, simply happy to see both her friends together.

"are jacky and eunji here?" you ask miyeon when you break away with a smile.

"i haven't seen them but i also haven't said hi to everyone yet. c'mon let's go!" she leads you into the garden where the party's being hosted.

you and sana are attached by the hip, if one of you has to let go of the other's hand, another body part will eventually replace it, your skin contact is constant, never parting from one another while you greeted all the old contestants.

some were still a little surprised to see that sana had come with you in hand and not with jacky, but she explained what happened patiently, apologising for the confusion.

"jacky! eunji!" sana spots them first, calling them out.

you grin at the sight of them, wearing matching suits, hand in hand, waving them down.

"hey couple of the hour! how are you guys faring tonight?"

"oh says you. finally got the girl jacky?"

jacky blushes, "crazy how things turned out right? just two sets of best friends realising they're in love with each other and not the person they're both dating. kinda lucky it turned out that way so we could fake that finale sana. it's just a shame for momo..."

"yeah i felt terrible especially after all she did with that home visit in japan. but i talked to her after filming ended and we actually get along really well as friends, we have so much more in common and so much more to talk about when we're not in a controlled environment like the filmset!"

"you guys talking about me?"

you turn in a flash, surprised but excited to see momo coming up behind you.

"momoring!"

sana goes in for a hug first, which momo gladly returns with a giggle.

"hi everyone. it's nice to see you all again outside of the filming."

"of course! it's great to see you again too. how have you been holding up?"

"oh alright. i was contacted already to be on the next season of bachelor in paradise which is always just a massive orgy i swear, so i won't be going on, but i heard jiwon accepted a place!"

sana pouts, "i hope jiwon's okay... she's the only finalist i haven't talked to since breaking the news. i thought it'd be too soon to reach out to her after she left..."

"you talked to me right?" momo playfully nudges sana's shoulder, "jiwon's doing better. she's happy for you both, really. and she's getting her second chance so there's really nothing she's complaining about."

sana smiles gratefully, "i'm glad."

momo turns her attention to the other couple, "and jacky, eunji! i can't believe you guys got together in the end! i mean i was pretty oblivious in the house but nayeon always swore there was something between you two. guess she was right."

eunji laughs, "it came as a surprise to the both of us as well. i guess we just spent so much time together in the house that it was a lot like old times and then when seeing each other go off with sana and realising we weren't jealous of each other but jealous of sana, well that did it!"

"this entire thing is honestly just a mess of feelings. i don't know how you guys do it as contestants. i had a hard enough time not even being a part of the competition."

"to be fair you did kinda insert yourself in pretty heavily when you started sleeping with sana."

"hey!"

there's laughs and teasing all round. the night goes on like this, in the company of people you've grown easily close to in a very short amount of time, and holding hands with the woman you fell in love with.

⊱✿⊰

"sana, y/n, can i steal you both for a minute?"

you both turn, surprised to see jihyo there, looking a little sheepish. you squeeze sana's hand, looking to her for confirmation. she nods, clearing her throat, "yeah. sure jihyo."

jihyo leads you to a quieter clearing, then stands in front of the both of you, eyes on the ground, awkwardly rocking back and forth on the balls of her feet.

"i just wanted to say i'm sorry for how i acted the last time we saw each other. i was jealous and petty for bringing sungbin and i wanted to throw sana off her game so that she'd admit she was in love with you on national television. i went into it wanting to embarass sana and i'm sorry."

sana sighs, gripping your hand reassuringly, "we know. it's okay jihyo. i'm sorry about how it went down between us. i do hope you find the right person one day."

jihyo looks up then, "thank you. really. and it probably doesn't mean a lot coming from me but i am glad the two of you ended up finding each other. she makes you happier than i've ever seen you sana. i genuinely hope for all the best for the both of you."

"thank you jihyo." sana smiles at you then, and you return it softly. "she does make me really happy."

"after some time... maybe you could both come by again? my siblings and my parents miss you lots and i'd like to make it up to both of you for the last time you were there."

"we'd love to. thank you jihyo."

jihyo smiles gratefully, bowing and leaving the two of you alone.

sana sighs, turning to you and looping her arms around your neck.

"you okay?"

she hums, closing her eyes and pressing her forehead against yours. "never better."

you giggle, stealing a quick kiss, "the headlines are gonna get pretty crazy once they get wind of the current couples."

"let them have their drama. all i need is you."

"cheesy."

"you love it."

"i love you."

"i love you too." she grins, bringing you into another kiss, sealing the love you have for each other between your lips.

[wenellyb]

9-1-1 Season 7 Episode 4: Was Buck lying when he said he was trying to get Tommy's attention?

I'm a little frustrated about the people who said that Buck was lying when he said he was trying to get Tommy's attention because according to them, he was trying to get Eddie's attention not Tommy's, and the argument they use is the gym scene...

I'm frustrated because I want to ask them: "Have you guys never watched a TV show, ever?"

TV showrunners have different way of structuring their episodes, some episodes are set up to be emotionnal, some are set up to be dramatic or romantic, some are heavy on the action scenes and some are meant to get a surprised reaction by introducing a plot twist the audience didn't see coming. It can be a big plot twist like the finale of the 1st season of the Good Place or it can be a smaller one like in this episode of 911.

And whenever they want to set up a plot twist, the writers will put small hints along the way, that are not obvious right away but will contribute to the "ah" moment when everything clicks into place after the plot twist is finally revealed.

The whole point of the episode was for people to think Buck was trying to get Eddie's attention because he was jealous of his best friend spending time with someone else and BAM, it's revealed that in fact it was the "someone else" Buck had been interested in all along.

And if you look closely, there are clues throughout the episode showing that it was about Tommy all along.

1. Buck asking Tommy for a tour.

At first we think that Buck was just testing the waters and thinking about switching jobs but at the end of the episode Buck reveals it's because he was trying to get Tommy's attention.

Moreover, a lot of people assume Buck was disappointed because Tommy left with Eddie and he was jealous about Eddie. But if you pay attention, Buck's smile drops the moment Tommy turns him down for drinks, and that was even before he saw Eddie in the car.

2. Buck's rant to Maddie

Buck was complaining about Eddie spending time with Tommy and even going to a basketball game with him.

And later when he talked to Maddie after accident accidentally injuring Eddie, he admitted he did it because he felt left out and was trying to get "his" attention.

But in retrospective, he never specified who he was trying to get attention from. He could have meant Eddie or Tommy.

And it's confirmed that he was indeed talking about Tommy when he says this.

3. The gym scene

We all assumed Buck was trying to get Eddie's attention when he was at the gym because he wanted to spend more time with him. But if Buck had wanted to hang out with Eddie, he would have just asked, they're best friends. Buck ordered the basket Ball because he wanted to be invited to the basketball game because Tommy would be there. Same for the karaoke. Buck never had a problem with asking Eddie to hang out, the only differentiating factor here is Tommy.

Why would Buck suddenly be so awkward around Eddie? He was trying to get an invite so he could see and when it didn't work he asked Chimney.

4. The basketball game

Buck admitted that he accidentally hurt Eddie because he was trying to get Tommy's attention.

5. The "big reveal"

Up until the very end of the episode we were made to believe Buck was being jealous of his best friend having a new best friend.

Even Tommy thought so.

It's not until Buck reveals he wanted to get to know Tommy and was trying to get his attention that everything clicks into place for the audience and we understand why Buck was acting like that.

We weren't watching someone being jealous over his best friend spending time with someone else but someone acting like a fool because he had a crush.

TL:DR: Buck was trying to get Tommy's attention all along. The show just set up the episode in a way that would lead to a plot twist, a "big" reveal and a romantic kiss.

What do you guys think? Was Buck trying to get Eddie's attention as well?

[sigmalaussene]

Top ten weird ways Oswald Cobbepot gets called in Gotham

As I was rewatching Gotham, I decided to write down every name that people in the show canonically call Oswald Cobblepot aka the Penguin. It was a wild ride. Please enjoy

10. "Funny looking fellow"

(season one)

We start with a simple one. This isn't even an insult, it's just a fact. He is, indeed, a funny looking fellow. I'm pretty sure they say it more than once too.

9. "The Dapper Gangland Kingpin"

(season two)

This one it's just silly, especially since it was written on a newspaper. Just... that's weird ? Idk it's silly it makes me chuckle

8. "Yellow rat snitch"

(season one)

We start getting a little weirder. Why a rat? And, more importantly, why yellow???

7. "Stupid lame birdbrain"

(season four)

Just so mean. Especially since this scene it's his dumb husband making a room full of people chant it

6. "Golden goose"

(season one)

Right back to season one and it's incredible dialogue. This one is particularly amazing thanks to Oswald's reply to it, which was, of course: "Honk honk". I can't even start to describe that scene. It's a classic.

5. "Beaky nosed freak"

(season five)

Definitely the best nickname the last season had to offer. Like, you know that moment when a guy kills your bestfriend/girlfriend and you call him the silliest name you can think of? This is one of those times.

4. "Scaley faced bitch"

(season one)

This is the first one in the show, directly from the first episode. I am a firm supporter of calling men bitches when they deserve it, and he did, so I wholeheartedly approve this message. Adding the scaley face part just makes it more poetic.

3. "Sad little breadhead"

(season two)

This one from never fails. Imagine it delivered with the most condicending tone in the world. Just amazing. Makes me laugh every time.

2. "Fruitcake leprechaun"

(season two)

This. This is the one that started it all. It was thinking about this one that I decided that this rewatch I was gonna write down all the nicknames. I dont know if it has something to do with english not being my first language, so I don't have the background of the word "fruitcake" used as an homophobic remark, but this name is one of the funniest things I have ever heard in my life.

1. "Limping little chickenbutt second banana"

(season one)

This couldn't not be on the first place. I am obsessed with the writers of this show, i want to get inside their brains. Because like what does it mean? How did they come up with this? I need to know every thought that crossed their mind for them to write this. This is art. This is poetry. Incredible. Amazing. Absolutely insane. Kudos to the actor who played Maroni because if they gave me that line I wouldn't be able to say it with a straight face.

Bonus:

(For the fans, he is also called "the only thing Nygma cares about". Just... you know, in case you forgot)

Some recurrent nicknames are: "Pengy", "Ozzie", "freak", "cockroach", "punk", bird related names (bird/birdman, feathered friend, chicken, turkey...) and "little"/"tiny" followed by almost anything (man, friend, dirtbag, bastard, creep, twerp, freak, weasel...)

Edit: i realize i didn't mention "Major Crumblepot" and that's on me sorry guys

His haircut is described as "disco vampire hair" at one point (another classic)

He is also called "specimen", which is really funny, and "dewdropper"?? for some reason I don't remember but it was in my notes and I couldn't ignore it lmao

[ms-cartoon]

So, I'm looking at the trailer and hear Stolas say something like this . . .

"This transaction between us . . . i-it's not right anymore. I just want someone to care for."

I'm gonna assume he's talking about the exchange of the grimoire for sex with Blitzo. The deal that HE made in the first place????

Okay, first off- What do you mean, it's not right anymore?? NOT ONCE has it EVER been right! Making someone satisfy your pleasures in exchange for giving them something that's impossible to have and you never intended on giving them in the first place unless it benefits you somehow. That is called EXPLOITATION! Children . . . exploiting someone is NEVER a good thing! No matter how badly you want something to happen, it's never good to make someone do something against their will, and Stolas NEVER considered this! And even if he did, I doubt he would've cared!

Why is he suddenly caring now?

Because this is just another way for Viv to throw another Stolas pity party and she needs some kind of tension between Stolas and Blitzo so that their relationship can feel earned later. I think I have a pretty good feeling on what they're gonna make season two about.

This is gonna turn back into the "Stolitzo show" where we focus on the supposed "romance" between Stolas and Blitzo. How are they gonna go about it? Well, I think what's gonna go down is, instead of Stolas being in the wrong for how he treats Blitzo, they're gonna make the latter the bad guy for how he "treats" Stolas. Because blah blah blah, Blitzo doesn't love Stolas back, blah blah he's not considerate of Stolas's feelings for him, blah blah he's being mean, blah blah, he needs to give Stolas a chance. And at the end of the day, Blitzo is gonna feel all sorry and realize he loves Stolas, he apologizes to Stolas, the two are endgame and they live happily ever after! I'm calling it right now! With the way Stolas said what he said above, he's gonna make it seem like he's trying to reason with Blitzo saying the deal for the book is a bad idea as if HE wasn't the one that called Blitzo that one night and made that deal.

Do Viv or the writers ever THINK before writing these down??

Rhetorical quetion.

Edit (4/29/24) It makes no sense for Stolas to suddenly feel regret for this exchange as well as his feelings for Blitzo because of it. In season 1 he went from "Oh Blitzy! You're so hot! Let's have sex!" to "I'm actually genuinely in love with you Blitzo. Let's not do this anymore. I want to take this seriously." Out of nowhere.

Like-- In episode 6, he was lustful for Blitzo and made out with him by the end of the ep, and then suddenly the next episode, he's feeling all lonely and is innocently having feelings for Blitzo. WHERE DID ALL THAT COME FROM?? There was no ounce of development within those episodes!