#never underestimate the emos and the scene kids | Explore Tumblr Posts and Blogs

paranoidpoltergeist · 2 years

Text

Reviewing all the TMNT movies

I've had a ton of free time and decided it'd be fun to watch and review a bunch of stuff. So I did, except I underestimated the amount of content and now I have to break it down into categories. Why I thought I could watch 8 movies, 5 series, and 3 crossovers in a week I don't know but here we are. Please keep in mind this is my opinion so you might not agree! This is listed in order of when I watched them NOT ranking I'm gonna do that later after I finish the tv shows.

Teenage Mutant Ninja Turtles(1990)

MMM a classic I remember first getting this DVD, my mom let me get it out of the $10 bin at the beach because I had lost a tooth. I didn’t remember much about the plot at all so it was like watching a new movie and man did I enjoy it. This was a great movie and one that held up pretty well. I liked the characters, the villain, the plot, and ofc the iconic farmhouse scene we get with just about every series. I even liked the character design surprisingly enough.

Some scenes felt weird, a couple of jokes felt off, and Splinter was literally the most terrifying thing I’ve ever seen. He looks like a drowned chihuahua. The swearing was written as though the writer's mom never let them curse and they were pretending to be 25 in the youtube comment section or something, but It was great and honestly a pleasant surprise in the wake of all my childhood favorites being ruined by just how bad they were and the end credits song? Iconic. 8/10 will be watching again. Teenage Mutant Ninja Turtles ll: The Secret of the Ooze(1991)

This movie is… good. It’s not a bad movie but it’s more goofs and gags-focused. It got a couple of laughs out of me but it felt somehow too long and also rushed. I’m pretty sure I got Leo and Donnie mixed up 207 times, I could almost never tell who was talking despite having the subtitles on, the villains were the ugliest thing I’ve ever seen, and I’m still not 100% sure who the science guy is exactly and whether he’s good or bad. In conclusion, I’m now eating a pizza. 6/10 might watch again

Teenage Mutant Ninja Turtles lll(1993)

Well, this is certainly a movie. I don’t even really know what to say, I couldn’t root for Kenshin or even Mitsu and well the turtles are really really ugly. It was funny but I’m not sure if it was a “so bad it's funny” or actually funny. No one was very well fleshed out, the villain was Idk tbh, I don’t feel particularly satisfied, and the “we wanna stay here” thing at the end and then them all suddenly going “no we’ll go home ig” was kinda weird and probably only got put in for screen time. 4/10 I don’t believe I’ll be watching this again. I will, however, be crying bc I am in fact lactose intolerant and that pizza was not worth it. Teenage Mutant Ninja Turtles(2014)

Man, I remember going to watch this movie in theaters like it was yesterday. Ignore my nostalgia rant but my dad sucks and never did anything with me so these were the only movies he ever went and watched in theaters, no matter how bad it was that made them infinitely better. I used to watch this movie like every night when I went to sleep so hearing this stupid music was so nostalgic, I adored this movie as a kid and I was almost scared to rewatch it without my rose-tinted glasses.

I have super mixed feelings about this movie, my expectations were so low it actually surprised me. The villains were honestly bad, not much screen time, the foot soldiers just straight up looked bad, I don’t know a lot about Sacks but somehow less about Shredder, Karai looks like she’s going through her 2010 emo phase, Splinter looks like what I can only imagine my cat would if I gave in to the urge to only shave the top of his head and arms, the turtles themselves are ugly, and their backstories mediocre. I could keep going but I did like the way the turtles interacted with each other. It had its funny moments, the soundtrack was good, and I actually quite liked Donnie. In conclusion 6/10 it wasn’t the best but it’s enjoyable and I’d watch it again. Teenage Mutant Ninja Turtles: Out of the Shadows(2016)

Right, so I hate this movie. I can’t explain it, I've always disliked this movie. I tried super hard to watch it and literally fell asleep. It’s boring, I’m not a huge fan of how they interacted, Bebop and Rocksteady were mid although mildly enjoyable, shredder was once again a blank page, and Kraang just lowkey annoyed me. He was super gross and looked like that one transformer but pink and slimy.

The turtles little “I wanna be human” thing was mediocre and I felt like they just added it on for screentime. Casey was super unmemorable, Baxter was also kinda boring, Karai might as well have not been in the movie at all, and a lot of the jokes fell flat for me. On a more positive note, I liked the trash truck. What sucks is I really wanna like this movie bc we get a lot of characters from the original but it's so boring. 2/10 am going to burn the disk. TMNT(2007)

I was not looking forward to this movie, but surprisingly enough I liked it. I’m sad Mikey and Donnie got barely any screen time but Raph was cool. I liked Karai even though we didn’t see much of her, and the ending left me feeling pretty satisfied. The turtles were once again ugly, Splinter looked like that one macaroni noodle I lost under the fridge, and the villain was just ok. I am however a pretty big fan of the minor character development we get to see.

I’ve watched this movie probably like 4 times now, although it’s been a very long time, and the first time I watched this movie I loved it, the second it was ok, and the 3rd I kinda hated it. I basically got to come back with a fresh start and it was good, I noticed little plot points I didn’t before, debated whether I hated this Splinter or not 27 times, and realized Chris Evans voices Casey. This is a good movie. It’s cute, at times funny, and just genuinely a good watch for kids. 6.5/10 Batman vs. Teenage Mutant Ninja Turtles(2019)

You know I quite liked this movie. I liked the art style and all the turtles a lot?! Unlike the 2007 movie, I didn’t feel like a single character had a ton more screen time than the others and Leo had good character development! I’m also a dc fan so seeing Damian acting a bit more like a kid was great.

It’s a fun movie and they found a pretty good balance between funny and serious. I’m not 100% why Ra’s wanted to mutate all of Gotham tbh so that was kinda weird and there were some weird tone shifts with the random graphic murder. At one point Leo yelled at Raph because he could have killed these people and then I watched Donnie kill a man with a manhole cover, but Splinter finally wasn’t the ugliest thing I’ve ever seen although he also wasn’t in this movie. Overall I’d give this a 7/10. It wasn’t the best thing I’ve ever seen but it was good, I’m also craving pizza again but I’m still recovering from last time so I think I’d rather eat moldy bread. I'll be adding the rise movie after it's out but I kept getting scared I was gonna accidentally delete all this lol

#teenage mutant ninja turtles #movie review #the sleepless nights spent on this are actually astronimocal #Most of this was written at 3am so please leave my weird grammar alone #bayverse tmnt #tmnt 2007 #batman vs teenage mutant ninja turtles #actually why do we keep letting Micheal Bay make movies #I swear the script he gives Megan Fox just says *breathes heavily*#boutta tag this like it's ao3 lmao

15 notes · View notes

makeste · 4 years

Text

top 20 favorite quirks

okay, but listen, though! it’s exactly what it says in the title. not best quirks, or most useful quirks, or most creative quirks. not even coolest quirks! I did try to take all of these things into consideration when choosing, but honestly? by far the most important factor was, “I JUST THINK THEY’RE NEAT.”

anyway but let me backtrack and post the actual ask.

you’ll note that at no point was I asked to pick twenty of them. I did that all on my own. so here is my list!

20. Solid Air (Tsuburaba)

Tsubaraba Kousei. all-time undefeated grand champion of The Floor Is Lava. or at least he was until Ochako came along. anyway, so this is an extremely nifty quirk with all sorts of utility ranging from defense to helping him get around. it’s super useful for catching bad guys, and apparently the only real limit is his lung capacity. this quirk has so much potential and I love it.

19. Copy (Monoma)

the fact that he can copy his opponents’ powers and use them against them is badass enough, but add in the fact that he can hold up to 3 (or 4??) of them at once -- for as long as ten minutes -- and this quirk starts getting seriously powerful. anyway so one thing you might note as you read on is that although Copy is on my favorite quirks list, AFO is not! and that’s because Monoma’s limits actually make the quirk much more interesting to me, because they force him (and Horikoshi) to get creative. this is a really fun quirk and I would love to see more of Monoma in action. about time we saw him fight some actual villains and not just class 1-A, honestly.

18. Brainwashing (Shinsou)

as with Monoma’s quirk, what really sets this apart from other mind-control superpowers (to me, anyway) is the fact that it has limitations. he can’t just control anyone at random; in order to take them over he has to get them to respond to him somehow. which leads to innovations like the voice-changer, and which as a result has made his battles so genuinely interesting and fun to watch. anyway so I really want Shinsou to hurry up and join 2-A, and for them to just give him his provisional license all “here you go, son” with no testing whatsoever, because we’re past the point of pretending the HPSC is actually responsible these days, and because I really want to see if he can help turn the tides the next time the heroes battle the League.

17. Zero Gravity (Ochako)

I feel like it’s worth noting that I don’t really have any kind of fear of heights or falling or anything like that. and so I can’t really explain why Toga using this quirk on Ms. Curious and her lackeys was hands down one of the most singularly disturbing scenes in the entire manga for me! but it was!! even now I’m wincing just thinking about it. she just lifted them all up and DROPPED THEM and they just FELL and DIED. just like that. holy fucking shit. anyway, so we should all be very grateful that Ochako is super kind and sweet and more inclined towards helping people rather than murdering them. because holy shit. anyways though this quirk is dope.

16. Erasure (Aizawa)

I once said that this quirk was “not very cinematic”, and I don’t think I’ve ever been so wrong about anything in my life. oh, past me. you truly underestimated the dramatic impact of someone with a terrifyingly powerful quirk going in for the kill, only to be all “NANI?!” as they suddenly realize that their powers are no longer working, and the camera pans over to a man with gorgeous floating hair and intense red anime eyes. I owe you an apology, Erasure. you are cinematic AF.

15. Black Hole (Thirteen)

I really wish we got to see Thirteen fight more often. they suffer from the same “too powerful” curse as so many of the other characters and it’s a shame. anyway so Black Hole is cool af and gives me a ton of Miroku/kazaana vibes, which I freaking love. this quirk is lowkey on a Tomura-level of destructive potential, honestly, and yet no one ever talks about it?? Thirteen could literally destroy anything they touched if they wanted to?? imagine if they ever Awakened, you guys. holy shit.

14. Tape (Sero)

this power is so fucking stupid and ridiculous and completely absurd and I LOVE IT. Horikoshi really drew a skinny guy with tape elbows and was all, “so this kid is basically Spider-Man but with tape. I have not put the least bit of logical thought or creative effort into this power beyond that, and I’m not going to, either.” and somehow we all just accepted it. anyway, dubious origins aside, it’s such a versatile ability and Sero has such amazing control over it. it’s offense; it’s defense; he can use it to set traps; he can use it for maneuverability. TAPE ELBOWS CAN DO IT ALL.

13. Outburst (Ms. Joke)

when will it finally be her time. Outburst is one of those powers that sounds super dumb at first, until you really stop and think what the ability to make someone laugh at will could actually DO to people. true uncontrollable belly laughter is a totally incapacitating thing. she’d have people collapsing to the ground and practically seizing up. and good luck using your own quirk to fight back when you’re doubled over struggling to breathe and can’t even see straight because of the tears in your eyes. that’s assuming any of her opponents are even capable of thinking straight long enough to try it. like, this is such a straight up brutal ability and the fact that we have still NEVER SEEN IT is honestly infuriating.

12. Glamour (Camie)

it’s an illusion quirk. of course I have to put it on my list. illusion powers make every battle approximately 100x more entertaining. and what makes this particular power even better is that in any other series, this quirk would have been given to some Tokoyami-esque super serious emo kid. but BnHA went and gave it to Karen from Mean Girls instead. what a fucking power move. goddamn.

11. Black (Kuroiro)

according to BnHA Ultra Analysis, Kuroiro’s Appearing Out of Nowhere skills are rated a 4 out of 6. I still haven’t figured out if this is meant to be a burn on him or not. this kid can ninja in and out of literally any dark object in existence. if it’s nighttime, that means he can basically move wherever he wants to at will. of course he’s skilled at Appearing Out of Nowhere. so tell me then, why is it ONLY a four out of six?? how could he possibly fuck this up?? who was grading him?? DOES HE JUST SUCK. I don’t know, but anyway it’s really funny to me and also I really love this quirk.

10. Transform (Toga)

Toga went and Awakened herself right into the top ten with the reveal that not only can she mimic other people’s appearances, but that while she is transformed, she can actually use their quirks. like excuse me, what?? holy shit??? it is honestly driving me crazy that we’ve only seen this in action once. Transform is basically Plot Twist: The Quirk. I really want to see Toga use it to its full potential and infiltrate U.A. and/or spy on the HPSC and/or murder someone with their loved one’s own quirk. I WANT HER TO GIVE SOMEONE THE MAES HUGHES TREATMENT. I want her to do something so shocking that people ragequit the fucking manga lol. I know I’m always saying the manga isn’t that dark, but this is honestly the one exception where I would freaking love for it to get dark as shit. anyway so yeah. if you want to fuck with people you really couldn’t ask for a better quirk.

9. Creation (Momo)

MACGUYVER: THE QUIRK. an unlimited inventory in the hands of someone brilliant enough to actually utilize it to its full extent. what’s not to love? honestly if it were me with this quirk it would be completely useless. not only would I get hopelessly bored two seconds into trying to memorize an object’s molecular structure or whatever, but even if I DID manage to figure out how to make stuff, I would never know what to do with the stuff, or when to use it. every time a new situation cropped up I would just create a bunch of random objects in a panic. but Momo is so elegant in her problem-solving that she often needs to create only one or two things to come up with the perfect solution for something. basically this is a good quirk that becomes a truly great quirk when placed in the hands of the best possible person in the world to wield it. the quirk is awesome because Momo is awesome, and I fucking adore quirks like that (see: next entry).

8. Permeation (Mirio)

ah, Mirio. the original victim of the “too powerful to be allowed” curse. remember that time he BEAT HALF OF CLASS 1-A IN UNDER SIX SECONDS, you guys. small wonder Horikoshi couldn’t even make it through one complete villain fight with him before he had to de-quirk the poor kid. anyway, so Mirio makes this quirk look so mind-blowingly awesome that it’s easy to forget what a terrifying and fucked-up power it is in reality. “yeah it makes me blind and deaf and if I’m not careful I’ll fall into the center of the earth or splice myself in two or some shit.” what the actual fuck Mirio. but because he’s worked so hard and because Nighteye trained him so well, he’s mastered the timing to such an insane degree that he could kick Overhaul in the face without harming a single hair on Eri’s body. and honestly, there’s no way I could not love a quirk that gave us a moment like that.

7. Warp Gate (Kurogiri)

unlike SOME OTHER PEOPLE whose names start with Kuro, I would bet you that Kurogiri’s Appearing Out of Nowhere skills are a full six out of six! alas, the top ten of this list is chock full of people whose quirks are so badass that they had to be written out of the story one way or another. with Kuro at large there was technically nothing stopping the villains from just dropping in on U.A. one night to kill All Might, or rekidnap Bakugou, or whatever else they might want to do. and that’s actually a really scary thought though lol so it’s no wonder that Horikoshi was all, “yeah I’ll just have them capture him now.” anyways do you guys remember that one time in chapter 18 when Kuro used Warp Gate to create an endless loop of All Might suplexing Noumu suplexing All Might?? fucking quirks, though. wild.

6. Fiber Master (Best Jeanist)

another badass quirk, another badass quirk-user incapacitated and taken out of the story before their time. Best Jeanist is honestly terrifying. if he wanted to he could immobilize and even strangle and kill pretty much anyone in the world, whenever he fucking felt like it. that alone would be crazy enough, but then add to that that this quirk for all intents and purposes is basically telekinesis. as long as someone is wearing clothing he can move them around however he wants, as we saw in Kamino. basically, everything Hawks can do with Fierce Wings, Jeanist can probably do with his own quirk. AND THAT INCLUDES FLYING, YOU GUYS. the more I think about it the more I think we truly were robbed. I need Jeanist to come back already and fly everyone at Jakku to safety and tie Tomura to a chair with his own cape before proceeding to style his hair.

5. Rewind (Eri)

IT’S MY LIST!! I CAN PUT WHATEVER I WANT, AND IF YOU SAY I CAN’T, I’M TELLING MOM. okay but listen. everyone always rags on this quirk and how stupidly powerful it is, and look, I get it. but isn’t it kind of interesting that everyone is also always speculating over who Eri is eventually going to heal with her quirk? like, fandom is always complaining about how broken it is but at the same time they’re out here hatching all of these wild theories that center around it. and to me that indicates that in truth, this is actually an awesome quirk -- just so long as it’s used right. obviously there have to be some major limitations or else this is just “Fix Everything: The Quirk.” thankfully, Horikoshi did limit it! it’s super dangerous, she has trouble controlling it, and most importantly, it’s ridiculously slow to recharge and so she can only use it once every few months. it’s basically Recovery Girl’s quirk with a bonus slow-replenishing stamina bar that, once charged, allows her to release one ultra-powerful SUPER HEAL special move. and that’s pretty awesome. basically I think this quirk gets too much hate and not enough credit for the additional menu options it adds to the story. it’s interesting and compelling and I can’t wait to see what Horikoshi does with it.

4. Dark Shadow (Tokoyami)

TOKOYAMI WHY IS YOUR QUIRK SENTIENT. Existential Crisis: The Quirk. do quirks have souls?? if you shot Tokoyami with a quirk-be-gone bullet would Dark Shadow fucking die??? if Tomura absorbed Tokoyami’s quirk would Dark Shadow grow out of his back and be all “hey um, who the fuck are you”?? and would Toko’s head turn back into a normal human boy head?? would Dark Shadow look like Tomura instead of a bird shadow?? what even IS Dark Shadow, actually?? obviously it is not just a shadow because shadows can’t punch people or shield people from attacks or pick people up and fly them around. but yet he’s afraid of fire and grows weaker in daylight?? is Tokoyami secretly the strongest character in the entire series?? is there any way I can possibly justify putting this quirk all the way down at #4 instead of #1 where it clearly belongs?? let me answer that question by not answering it and moving on.

3. Explosion (Bakugou)

is the fix in?? is “exploding hands” really a better quirk than a fucking sentient monster man who lives in your belly button and reads your mind and is made of ~darkness energy~ and is your best friend? apparently the answer is yes! to both of those questions. yes the fix is in. I love Kacchan and his quirk is fucking awesome okay. it just never ceases to amaze me how this one single quirk, which really only does one thing, is nonetheless so spectacularly powerful that it allows Bakugou to compete on the same level as the fucking protagonist with all of his godlike super-strength and Main Character Powers and wacky SIXQUIRKS!! shenanigans. in my opinion the coolest thing about Explosion isn’t even its firepower; it’s the way Bakugou’s adapted it to fly around and to boost his speed. I think he legit may be the fastest character in the series right now, or close to it. he’s faster than Iida and Gran Torino and Endeavor. he can keep up with Deku without breaking a sweat. and he knows how to use that speed, thanks to his insane reflexes. add in the fact that this is also without a doubt the most cinematic quirk in the entire series, and I think I’m justified in putting it this high up. and anyway I still put two others up above it so shh.

2. Search (Ragdoll/Tomura)

Hey, What’s That Guy’s Deal: The Quirk. I just really love this one you guys. it’s so fucking useful. Video Game HUD: The Quirk. one hundred people at a time?? locations and weak points?? works even when you’re not looking at the person anymore and have blinked your eyes, unlike CERTAIN OTHER PEOPLE’S weak-ass quirks?? check, check, and check. is it any wonder AFO wanted this? plus it just looks so damn cool. the visual representation of everyone as little stars on a map. Turn On Location: The Quirk. okay look I feel like I’m doing a bad job of explaining why I have this quirk all the way up at number two. it just has this subtle badassness to it, and its introduction after almost two hundred chapters of buildup was just so fucking cool. maybe it’s recency bias?? I don’t even know; all I know is that I love this quirk and want to see more of it in action.

1. Blackwhip (Lariat/Deku)

listen, I was obsessed with this quirk back when it was called “Venom” and was by far the absolute coolest part of the 1990s Spider-Man cartoon series. I’m not just going to suddenly not be obsessed with it just because fandom is mad that Horikoshi gave Deku an additional power beyond just Smashing Stuff. Blackwhip is hands down the coolest quirk, guys. I’m sorry, it just is. it has the coolest name. it had the coolest entrance. it does basically anything you could ever want a quirk to do in battle. it grabs stuff. it Bloops. what more do you want. you’re all just jealous because you wish that you could Bloop too. I know I am. I wish I had a Bloop. anyway so yeah, Blackwhip is the upgrade to Deku’s fighting style that we desperately needed after 200+ chapters of Delaware Smashes and Broken Bones. all his fights are cooler now. he can save more people! he can fight without instantly dying! plus you just gotta love powers that occasionally explode out of control if their user gets all emotional and pissed off about the fact that you insulted his boyfriend. so yeah. Blackwhip at number one! on this list of favorite quirks. not best quirks!! jesus christ. please don’t kill me I have a family.

so that’s my list! all 3000 words of it. how does this keep happening.

#bnha #boku no hero academia #bnha meta #bnha ranking #bnha top ten #bnha spoilers #mha spoilers #makeste reads bnha #asks #anon asks

93 notes · View notes

callmeblake · 4 years

Photo

Frank Iero, New York, NY, June 2019 (X)

Aug 29, 2019, 09:10am

Frank Iero May Just Be His Own Puppet Master

Photo Credit: Audrey Lew

Interview below the cut

Derek Scancarelli

Contributor

Hollywood & Entertainment

I am a music journalist living in New York City.

Frank Iero is breathing deeply and fighting off nausea. This isn’t uncommon for the 37-year-old guitarist and vocalist, given his predilection for debilitating anxiety. But on this occasion, it isn’t pre-show jitters.

“Oh my god, I hate this f*cking boat,” Iero says, as the docked vessel on which he sits knocks against a pier in the Lower East Side of Manhattan. Iero and his band, The Future Violents, just finished an intimate Saturday matinee show as fans sweat, sang and caught a glimpse of the Statue of Liberty.

It had been about 16 years since Iero and his now defunct band, My Chemical Romance (the band broke up in 2013), first performed on water. In July of 2002, the band released its debut album, I Brought You My Bullets, You Brought Me Your Love. In October of 2003, the soon-to-be emo heroes performed alongside New York Hardcore legends Sick Of It All at an aquatic gig booked by New Jersey college radio station WSOU. And in June of 2004, My Chemical Romance released Three Cheers for Sweet Revenge, the band’s platinum-selling breakthrough record. In a matter of two years, Iero’s life changed dramatically.

In 2019, Iero still hasn’t found his sea legs, but a lot more has changed. He’s fathered three children, released three full-length solo records (including 2019’s Barriers), and survived a near-death experience. And as he gets older, he finds truth in life’s greatest clichés.

“Time flies, it just screams by,” Iero says. “You think you’re appreciating the time, but it’s easy to take it for granted. It’s a shame.”

But Iero is trying his hardest to pay attention to the little things, especially when it comes to family. He and his wife, Jamia, have three children together: nine-year-old twin daughters, Cherry and Lily, and a seven-year-old son named Miles.

“It’s wonderful to see them evolve and come into their own,” Iero says. “But it’s funny how personalities are innate. We shape the way they experience things or teach them the ropes, but for the most part, I’ve found that we are who we are when we’re born.”

From the start, Iero has seen an even split in the twins’ personalities. Cherry, he says, most behaves like her mother, whereas Lily possesses her father’s attitude.

“Some of the sh*t I hear coming out of my daughter's mouth,” Iero says laughing. “My God! It’s stuff I think but never say — they don't know to be ashamed yet! It's amazing and honest and pure. And I know exactly where she's coming from because I feel the same way.”

As part of fostering a relationship of trust and honesty, Iero has been age-appropriately transparent with his kids about the 2016 accident that almost killed him, his brother-in-law and guitarist Evan Nestor and his manager Paul Clegg.

While unloading gear from their van in Sydney, Australia, a city bus crashed into the group and their vehicle. In a 2017 interview with MTV, Iero recounted, in vivid detail, the moment he was dragged underneath the bumper of the bus, the screams of his brother-in-law, and the blood pooling from his manager.

Although Iero was able to walk into an ambulance carrying one of his friends, the scene was a spectacle overrun with emergency personnel — they even landed a rescue helicopter in nearby Hyde Park. Despite serious injuries, amazingly, there were no fatalities.

When Iero returned home from the hospital, he explained to his children that he was in a car accident, but that it was a singular freak incident.

“You don't want to lie,” he says. “They're getting older. Their friends and their parents are on the internet. They're asking questions. It does get back to them.”

Iero was as honest as possible, but avoided any gory details. He was also conscious that it wouldn’t be long before he would travel for work again — and he didn’t want to scare his kids any further.

Almost four years later, residual damage from the crash is impossible to ignore. Nestor has nerve damage in his leg that may never be corrected. Clegg’s leg and knee have undergone multiple surgeries, but are in poor shape. And Iero still has a tear in his shoulder that hurts every time he plays the guitar. Despite the pain, he’s afraid to undergo surgery.

“I was lucky enough to walk away and still play,” Iero says. “If I were to test fate again and go under the knife, if something were to go wrong… to let that be taken from me … no, I can't.”

On some days, the emotional toll of surviving such a traumatic accident weighs more heavily. Iero describes his recovery as non-linear: some days he feels collected and in control, other days the memory rushes back into his mind.

After his new band finished recording Barriers, Iero and his team went back to Australia for appointments pertaining to the accident and corresponding litigation. As soon as he exited the plane, Iero felt like he’d returned to the horrific scene. For the following week, he was barraged by an unending state of panic.

“You go through these instances of PTSD,” he says. “You never know what's going to trigger and send you all the way back to the beginning with recovery.”

Iero greatly underestimated how difficult his return to Australia would be. When navigating to a doctor’s office near where the accident occurred, he couldn’t bring himself to walk down the street. And suddenly, he felt surrounded by buses.

“I don't know if this is true,” he says. “But it felt like every other car on the street was one of these f*cking buses. They were everywhere. It was frightening. I couldn't do anything. I was shaking like a leaf.”

Despite the traumatic flashbacks, Iero continues to reflect on that day. In the promotional run for Barriers, he discussed the accident at length. And on the record itself, he addresses the complicated ripple effect it’s had on his entire sense of self.

“I don't think it needs to define me,” Iero says. “But it was something I needed to talk about on this record. It's not something I could sweep under the rug. But do I want to dwell on it every day and relive it? No. But I think about it constantly. I feel the pain constantly. It's on my mind.”

In recent interviews, Iero has tended to frame a few philosophical takeaways from his ordeal. In simple terms, the first idea is that he’s found a new lease on life — that everything happens for a reason and he’s been given an opportunity to seize the day. The second philosophy is much darker, a sort of survivor’s guilt compounded with fear and existential dread. The third and most abstract consideration is closest to Simulation Theory — where Iero has the ability to control his own artificial timeline.

Sometimes, Iero questions if actually died that day. He wonders: Is this all real?

“It’s hard. No one can tell you what to believe,” he says. “But you come to this realization, ‘Well, this is real to me, the hand I was dealt, so I have to make the best of it!’”

Through the acceptance of uncertainty, Iero surmises that he just may be his own puppet master.

“If this is a figment of my imagination,” Iero says. “If this is all in my head, then I am the master of my own destiny. If I want to do something, I can manufacture it. And if it's not the case, then at least it's a self-fulfilling prophecy. Maybe putting positive vibes out into the universe is beneficial. If we didn't make it and we're just going through this weird labyrinth in my mind, I can do anything I want.”

And lately, he’s been doing just that. Call it sorcery or the power of positive thinking, but Iero is motivated. For Barriers, he was able to assemble a dream band, The Future Violents (different lineups of his backing band have previously gone by The Cellabration and The Patience), featuring his brother-in-law Nestor on guitar, Thursday’s Tucker Rule on drums, Murder by Death’s Matt Armstrong on bass, and Kayleigh Goldsworthy on keyboard.

The theme of the album — and his own internal dialogue — mostly relates to tragedy and timing. Did the universe have a course set out for him? Or was he just some random victim?

“The crazy thing is that you didn't do anything wrong,” Iero says of the accident. “Yet, all of this stuff was taken from you and you have to make these decisions. You get angry a lot.”

He continues: “These random, abrupt, violent actions. Do they happen to us? Or for us? I wouldn't have been able to make this record if it didn't happen. And it made me realize a lot of things about myself. Am I happy it happened? No. But I'm happy where I am right now.”

Iero views Barriers as an exercise in vulnerability. If the aftermath of his accident taught him anything, it’s that success was meaningless to his character, but adversity helped him grow. For the first time, addressing childhood trauma helped Iero expose himself in a way that felt freeing.

“When you put something to song, it gives that memory weight,” Iero explains. “If you never talk about it, it's almost like it didn't happen. There's a fine line between relinquishing that power to this memory, situation or trauma, or holding that power over it and creating your own narrative from it.”

Barriers also intertwines Iero’s childhood experiences with his current perspective as a father. This go around, he felt comfortable writing about his parents’ divorce — the couple split when he was three and divorced when he was seven.

He looks back on the unpleasantness of the process and his consequential understanding of his mother’s issues with addiction, depression and mental illness. On his 2016 record, Parachutes, Iero first referenced his mother’s struggles and his own liability to inherit her traits. He’s still horrified by the idea of predeterminism.

“When you're a young kid being surrounded with it, it doesn't feel right,” Iero says. “You're not happy. You're scared. You're constantly concerned for your parent. It’s almost as if you become the caregiver.”

He continues: “Then you see yourself falling into these patterns that you were witness to and maybe in a roundabout way were taught. That addiction, that depression, runs through you. It's easy to fall off that cliff. I don't want that for my kids and I need to stop this cycle. Like this sh*t stops with me. Whether it be I get okay, or I f*cking turn my lights out.”

It’s this sort of tongue-in-cheek use of concerning language that keeps Iero’s fanbase enthralled, yet somewhat on edge. Take for example, in the comment section for his video “Young & Doomed,” some diehard fans are troubled by his repeated use of the words “hurt myself again.” While he’s surprised to hear about the response, he counters that the record is ultimately meant to feel uplifting and positive, even if addressing dark topics.

“I don't think that we should strive for perfection,” Iero says. “This idea that we should all have this perfect life and be pretty and purse our lips to post a picture on social media is bullsh*t. The things that make us unique are important.”

He continues: “Sometimes we're our own worst enemies and we hurt ourselves. Those scars, though, are important. They're beautiful. ‘Young And Doomed’ is a call to arms to celebrate the things people think are wrong with us.”

Now, Iero just hopes his story and music inspire fans to try, fail and try again.

“You don't find out who you are unless you get a scar and get hurt,” Iero says. “You should be hurt, hurt other people, and learn that it feels terrible to hurt someone else. You should feel sorry for it and make amends for it. These are important lessons to be a better person. You find out who you truly are by attacking things that scare you the most.”

Frank Iero is currently touring Europe with Laura Jane Grace & The Devouring Mothers.

#frank iero #august 2019 #forbes #audrey lew #red eagle shirt #all blue #october 2019 #bus crash #navy blue tiger windbreaker

470 notes · View notes

glare0322 · 4 years

Text

h.i.v.e. head canons

just some character and relationship/friendship head canons :)

laura

- plays the piano and quite well. she doesn’t want to play much at h.i.v.e. because it reminds her of scotland and her family. after book eight, she plays a lot more frequently cause she really sees h.i.v.e. and the people there as her home.

- is not organized in anything but school and files on her computer. her brain runs a million miles an hour which leads to things getting messy fast.

- becomes a lot closer with raven after the greenhouse since they now have a bit of shared trauma especially in the fact anastasia favored to torture both of them.

- still sucks at driving even after h.i.v.e.

- after h.i.v.e. laura goes and lives with her family for a month back in scotland. they talk about h.i.v.e., shelby and her other friends, whats been happening here, and other general catching up topics. mary (mrs. brand) takes a special interest in meeting otto and laura reminds her mom every day not to make a big deal about it. yet she still counts down the days until she gets to meet her daughter’s boyfriend.

otto

- gets very frustrated when he can’t grasp certain concepts or master specific skills. he is known as the boy genius after all.

- went through an edgy phase while at h.i.v.e. not emo, but he would throw in more hurtful quips towards shelby during their usually playful spits and his jokes were just a little too dark. otto got a lot more detentions during this time and even the thought of trying to escape again reoccurred in his mind. he eventually noticed how wing was not a fan of it and slammed the breaks. of course everyone still makes fun of him for it.

- if you don’t think otto wouldn’t cry at the sight of his newborn child/ren then um...you’re wrong

- he looks back on his little prime minister scheme with pride and cringes terribly at it. on one hand, it was his beginnings and the device he made not only worked but was something like no other. and then he remembers how he made the prime minister moon everyone. when he was younger it was hilarious, now that he’s a tad older otto hates the fact he did that. there is just something immature and lacking taste about the whole thing.

- lives in sweaters/jumpers. i know this one is random, but something about them just suits otto.

wing

- has a gentle singing voice. he only sings lullabies to his kids and if one of his friends needs it. besides that wing does not sing often. it’s always a treat when he does.

- wing is really scared to be a dad. the thought of being like his father is incredibly scary to him.

- i really can not see wing becoming a villain but an antihero, now that i can definitely see. his methods are immoral in the sense he is still technically a murder, but he only goes after truly evil corporations. like human trafficking kind of evil.

- he teaches his kid/s self-defense and martial arts.

- trilingual and speaks english, japanese, and mandarin. the first two are canon to the story but i feel like his parents probably would have taught him at least some mandarin.

shelby

- shelby hated how laura would stay up for hours in the night tapping away on her computer. however when she moved out, it seemed weird not to fall asleep to the sound of a typing keyboard.

- if there is a h.i.v.e. gymnastics team/program (since there is a water polo team) shelby would totally do it. she waves to her friends before her round and even sometimes blows a kiss to her supportive boyfriend who is always there to see her.

- after h.i.v.e. she pursues gymnastics professionally. it provides the same wealth she was used to back with her parents, she likes to do it, but most importantly it’s an amazing cover up for why she’s traveling so many places around the world. (to steal of course) it also funds these trips and gives her, and wing for that matter, a great public image. plus she likes the spotlight a bit.

- i’ve said this before but shelby eventually gets lessons from raven. i just love this idea with my whole heart especially because how different these two are.

- had a bit of affluenza before h.i.v.e. which played into her desire for stealing diamonds along with her crappy parents. (my theory on shelb’s parents is right here)

laura and otto

- otto adores laura’s piano playing. there is something peaceful about it to him which he finds really comforting.

- they go to university together in scotland and help each other get through it. the two live in an apartment together go to school then see each other after classes at home.

- laura has some zero ptsd and it occasionally effects her relationship with otto in the sense she gets flashbacks and is genuinely scared. otto completely understands this though and is super patient with her. obviously it bothers him since he’s not zero, but he understands why she’s experiencing this and loves her enough to put his annoyance aside for her.

- these two wanted their kids’ names to be after someone. so if they would ever have a daughter her name would be lucy and the middle name of their son would be wing. laura wanted to include shelby but it just didn’t fit anywhere.

- if otto can’t find a shirt, then laura is wearing it. she wears his clothes super frequently and he won’t complain. she looks cute :,)

laura and shelby

- shelby likes things to look pretty, so she ends up being the one that keeps their room tidy, makes the beds, and other cleanly stuff like that. especially when they live together outside of h.i.v.e. she does the dishes pretty often, keeps their room looking nice, and stocks their fridge. laura is messy, but it doesn’t effect her much cause shelbs takes care of it. she doesn’t mind and only teases laura when people are over to embarrass her (all in good fun).

- laura doesn’t like girly things (we been knew). shelby tried for a while to get her into these things and a few stick on: nail polish, very light make up, and shopping. but never and i mean never would shelby make laura do something she didn’t want to. of course laura introduces shelby to her more geeky/nerdy stuff. they watch superhero shows together, shelbs has a black widow t-shirt in her closet now, and even some basic hacking codes.

- laura didn’t like shelby at first not only because of her nasty personality, but because she was a lot like the girls who would talk about laura behind her back.

- basically canon, but shelby was the number one ottra shipper. she had been rooting for them since day one of h.i.v.e. laura comes to her for advice with otto and shelby consoles her when lucy and otto get together. they both were disappointed the two didn’t get together.

- laura is really good at baking and shelby asks her once to help her bake something for wing. (she was really trying y’all) long story short, even laura couldn’t help shelby’s terrible baking skills and they set off the fire alarms in their apartment along with the sprinklers.

wing and otto

- otto wanted to do one of wing’s workouts despite his best friends many warnings it would be rough. it was safe to say otto underestimated the intensity of the workout.

- oh god the scene where these two will eventually leave each other to go move on past h.i.v.e. is just absolutely gut wrenching. they both acknowledge how the other had such an influence on their lives and hope to see them prosper in life. honestly this is like a rare moment where i can see wing legitimately crying.

- so we all know how wing has half the overlord protocol necklace (he has yang) if shelby doesn’t get the yin half then otto should because he kinda fits the yin meaning and is best bros with wing.

- for wing’s “bachelor party” they honestly just get all the guys from h.i.v.e. together and hang out for a couple hours. after, however, he and otto go out and go have some fun doing morally gray criminal activity.

- they still sometimes speak in japanese to each other on missions and stuff or if they need to plan something without anyone else knowing.

shelby and wing

- they move permanently to america, but visit china and japan quite frequently.

- one of the first things shelby does after she and wing get out of h.i.v.e. is watch a bunch of disney movies and american movie classics so he can understand the pop culture references she has been making for the past five years.

- i totally think shelby gets the other half over otto, or at least a replica. there’s kinda set up for this as well, the other half (yin) is known as the feminine half.

- if they would ever have a daughter her name would be mei or raven.

- she always knows exactly what to get him as a gift or even just in general. she’s observant and can pick up on what he needs before he does. wing has mentioned before shelby is a little...less predictable but he tries his hardest and oh my goodness does shelby appreciate his efforts. of course it irritates her, but she knows her slightly emotionally-unavailable boyfriend is trying an insane amount to sort through her emotions right.

shelby and otto

- they totally bond over how wing is great, but have an urge to smother him in his sleep because of the obnoxiously loud snoring

- menaces to the public when these two are together. i couldn’t even begin to tell you all the crafty things that would conspire between these two. pranking teachers, seeing who can steal the answers first, racing in stealth or in fitness classes. (wing beats both of them in combat/fitness so their efforts are often pointless)

- when they first came to h.i.v.e. shelby was taller than otto, by quite a margin too. she teased him into another galaxy about it. so when the day came that otto was officially taller than her, she mourned the countless jokes that could no longer be made.

- asks a lot of those “wait who logically thought to make butter?” questions. they also argue whether these people were geniuses or a new level of stupid. (seriously who thought to mix together milk until it gets to a solid consistency and then eat it?)

- they have to live together for one month after h.i.v.e. in the beginning, they like wanted to choke each other, but by the end of the month they were upset to not live with each other any more. (fic is dropping soon 🙈)

wing and laura

- after the greenhouse incident, laura went to wing asking him to teach her some martial arts since she felt really weak physically while in there. he doesn’t initially think it’s the best idea, but laura convinces him it will be okay.

- they’re a lot better friends then people would initially think. she hugged him like twice in the first book alone and is grateful for him saving her life. laura and wing seem like the two that just relax with each other. no shenanigans, no combat, honestly just vibing. they drink tea and watch murder mystery shows while catching up on the latest things and theorizing about the show.

- the entire gang goes to tokyo all together at one point in their life. laura and wing go to all the historical places in the city and chat about them for hours.

- they go on hikes together. that’s it. i’m right and you know it.

- i always imagined at least once wing decided to try and take the high road instead of cheating by asking laura to tutor him. it worked pretty well for him and now whenever he needs help with work, he just goes to laura and they work through it together.

#h.i.v.e.#hive #laura brand #otto malpense #wing fanchu #shelby trinity #laura x otto #ottra #otto x laura #wing x shelby #shelby x wing #winglby #hive headcanons #wow this is a long post #sorry i just really adore these guys #stay tuned for the other alpha kids #and maybe nero and raven?

12 notes · View notes

anhed-nia · 4 years

Text

BLOGTOBER 10/21/2019: TERROR IN THE WOODS

I consider this to be the second Slender Man movie that I viewed this blogtober season. Previously, I wrote about THE TALL MAN, a twisty 2012 thriller by Pascal Laugier, the writer-director of 2008′s MARTYRS, which is coincidentally about a pair of traumatized young women who are driven to violence by the belief that they must placate a monstrous supernatural entity. THE TALL MAN does not share that similarity with the Slender Man mythos, but it makes a familiar proposal: A tall shadowy male figure emerges from the forest to abscond with children, for reasons that may be either murderous, or that may instead offer lonely and dejected little kids an escape into a sort of gothic Neverland. This odd killer-savior dichotomy reflects the pathos at the heart of Slender Man fandom, an obsession that thousands of ordinary young people shared with juvenile attempted murderers Morgan Geyser and Anissa Weier. Their story is so well-known that it feels a little embarrassing to explain that the eerie Slender Man is the fictitious product of an online Photoshop contest. His first appearance, surrounded by young victims and/or acolytes, was captioned thusly:

“We didn't want to go, we didn't want to kill them, but its persistent silence and outstretched arms horrified and comforted us at the same time… “

The images’ combination of spooky shit and childhood innocence would have felt pretty cliche even in 2009, but the conflation of victimization with salvation is a potent one. It evokes both the escapist bent that is so pronounced in children, and also the death drive--the psychoanalytic idea that people are subconsciously attracted to their own inevitable and perhaps cathartic conclusions. Maybe someone has already named this form of suicidal ideation that represents both the desire for everything to stop, and the hopeful fantasy that death could be the beginning of something else; If so, I would love to read about it. For want of that, we have the sadly overexposed yet still poorly understood story of 12 year olds Moran Geyser and Anissa Weier attempting to make a sacrifice of their supposed friend Payton Leutner to the Slender Man. A thinly-veiled version of this story is articulated successfully in the Lifetime original movie TERROR IN THE WOODS.

The generic title gives no hint of what this well-acted and psychologically realistic production is like. While no names are named, including the Slender Man’s, Ella West Jerrier and Sophie Grace play extraordinarily convincing stand-ins for Geyser and Weier, as the awkward, isolated little girls who become increasingly obsessed with a Creepy Pasta-like website where they find out about a demonic creature called the Suzerain. Like the Slender Man, the terms of one’s relationship with the Suzerain are complicated. Once you have its attention, you have to make a blood sacrifice, or else it will annihilate your family. However, making the sacrifice brings the strange reward of being accepted into the Suzerain’s remote mansion, where you live forever as his slave. That might not sound too good to just anybody, but an unhappy, confused, and powerless person sees in it an escape from the ravages of the mundane world, and also a relief from the painful burden of personal responsibility, as the Suzerain becomes your ultimate and eternal authority. This is where the Payton Leutner character comes in (played perfectly by Skylar Morgan Jones), an even more naive and immature classmate who was being edged out of girls’ triangle before the Suzerain “chose” her for sacrifice.

While I feel concerned about some of the oversimplified causes that TERROR IN THE WOODS seems to identify--chiefly, well-meaning but absent parents who are too concerned with their personal dramas to notice the murder plot hatching under their noses--the movie nails perpetrator’s personalities, keeping the focus appropriately on their emotional turmoil and complex delusions. Minus the acerbic comedy, TERROR sometimes feels like a Todd Solondz picture, with true to life characters rendered in agonizing detail, especially Skylar Morgan Jones, who is as unlikable as she is undeserving. Their vulnerability, their tackiness, and their juvenile pretensions are all beautifully fleshed-out. One rarely sees an honest, warts-and-all portrayal of young children in anything besides obnoxiously arty, explicit indie dramas, and this quality puts Lifetime ahead of the curve (as they often are) in terms of a certain kind of domestic realism. Even the attempted murder scene pulls no punches, graphically depicting the savage stabbing of a little girl who ends up drenched in blood and rolled in forest floor detritus.

As I just suggested, I object somewhat to the easy-out presented here, that all of this could have been prevented if only the parents were more attentive to their children’s internet activity, and more suspicious of their perceived emotional states. Today I watched the two hour 20/20 special about the crime, in which a lot of professional adults say a lot of incredibly stupid things about the “obvious” problems with Geyser and Meier. “Is ‘I want to die’ a normal thing for a child to write?” blusters one expert rhetorically about a diary entry, at which I nearly screamed “OF COURSE IT IS!” Anyone who never experienced such exaggerated feelings of emotional exhaustion as a young teen would have to be either extremely sheltered, or sort of a psychopath themselves. Throughout the special, grownups who think Apple Jacks should taste like apples spar over whether Geyser and Morgan are just fundamentally bad people, completely ignoring the complex and detailed psychology laid out in the Slender Man literature itself. On one hand is the threat of family annihilation by this creature in whom the two girls manifestly deeply believed. On the other hand, respite from a continued life of bullying and rejection from all of their peers. Fear, sadness, alienation, and actual mental illness permeate this tragic story. In fact, the girls were ultimately diagnosed with schizophrenia and shared psychosis, respectively. However, even with all that on the table, some individuals remain happy to go on TV post-trial speculating frothily that these kids just wanted to know what it felt like to commit murder, and that maybe in this story we have discovered “that rarest of things--an evil 12 year old!”

It isn’t that I don’t think evil 12 year olds can exist. I don’t believe in the patent innocence of children any more than I believe that parents are completely capable of knowing (and changing) their child’s every thought and feeling, down to the ability to determine that something as outrageous as a blood sacrifice is a real life possibility and not just a relatively normal morbid musing for a normally emo-y kid. Trying to imagine that level of domestic detective work reminds me of the superior documentary DEPROGRAMMED, which details how the filmmaker’s rebellious brother had his life ruined by parents who convinced themselves that he was a legitimate and dangerous devil worshipper. Life just isn’t that simple, and this urge to find simplistic causes and solutions for unpredictable events is no more rational or mature than the urge to find solace in an imaginary kingdom with no parents and no homework. At this point, I feel like I should apologize for failing to address this movie, which I really liked a lot, as much as I addressed the story of the Slender Man stabbing. TERROR IN THE WOODS is roundly well-acted, appropriately sympathetic to all parties, and soberly told. It’s just hard for me to separate the story from the movie, as both have potent things to say about how we underestimate the psychological complexity of childhood. I don’t have solutions to propose, except that I think a good place to start would be with responsible adults relinquishing their own shallow certainty about what can happen and what we can do.

#terror in the woods #blogtober #sophie grace #ella west jerrier #skylar morgan dunbar #angela kinsey #drew powell #true crime #slender man #urban legend #creepy pasta #thriller #drama #horror #dj viola #amber benson

20 notes · View notes

stop-breaking-my-heart-telltale · 5 years

Text

Anons wanted an explanation for the placements I had on my previous tier list, but upon going back and looking it over, I realized that I wanted to move a few characters around, so I ended up getting a new template and remaking it.

I wrote little bits about each character [yes, each one] below the cut, but be warned, it’s long.

“I love you so much that I would sell my soul to make sure you’re happy”

Lee Everett: Lee is a goddamn legend. He deserves to be at the very top. He’s one of the best protagonists I’ve ever played as in a game, his backstory is incredibly interesting, and his relationship with and dedication to protecting Clementine never felt forced and is one of the highlights of S1. Even now, having replayed S1 a million times, seeing him get bit and slowly become weaker and weaker as he refuses to give up on Clementine still breaks my salt encased heart. Watching him die in the end never fails to put that lump in my throat. I love him.

AJ: I love this kid. I was so worried that they wouldn’t do him justice when the game was announced and I saw the trailer, but I was floored by just how much I grew to love him. He feels like my kid, my responsibility and I want him to grow up strong and smart, but also human. His voice acting is terrific, and I think he’s one of the best child characters we’ve ever been given in video games. His relationship with Clementine rivals Lee and Clem’s relationship and that’s what I wanted. This kid earned his place at the top.

S4 Clementine: This Clementine is my absolute favorite. While I love all the Clementine’s across the four seasons, I feel like she truly hit her peak in S4. I fucking love her, I’m proud of who she grew up to be, and seeing her journey to this point only solidifies that she’s my favorite. She’s strong and stern, but she has her softer moments with AJ and Louis/Violet, and what else is there really to say? She’s Clementine.

Louis: ....Do I really need to explain this? I mean, c’mon. If you’ve been following me for a long time- shit, if you’ve only been following me for a few minutes, then y’all know how much I love Louis. I can say with 100% certainty that Louis is my favorite non-playable character across all four games. I’ve made numerous posts, answered over a hundred asks, written thousands of words about him. Everything about him from his character design, his personality, his traumas, his voice acting, his expressions, his relationship with Clementine and AJ and Violet and Marlon and everyone- He’s the best. I love him.

Rosie: Rosie is the bestest girl in the world. ‘nuff said.

“I fucking love everything about you.”

S1 Clementine: Alright, before y’all come at me with the whole “Why isn’t little baby Clem SS tier you monster??” let me explain: I adore S1 Clementine. She’s still in S tier, after all. However, after playing through these games several times over again, I realize that this really is just the beginning of Clementine’s character and her growth. She’s lovable, she’s cute, and I want to protect her, but she’s not... a compelling character? She doesn’t fully come into herself and develop a stronger personality until S2. Like I said, I still love her and I can’t deny the impact that she had on the characters and us players, but she’s not my favorite Clementine of the bunch.

S2 Clementine: I fucking love S2 Clementine. I’d actually say that she’s my 2nd favorite Clementine. I give S2 a lot of well-deserved shit, but she is the high point of it all. Something about her character is compelling to me, like how she’s stuck with a bunch of adults who underestimate her yet want her to do everything for them and she just... is so done with it hahaha. But her growth is what it really does it for me. We went from little baby Clementine who whimpered at a small cut on her finger to a Clementine who fucking sews her own arm up, covers herself in walker guts with barely a flinch, can shoot a gun with great accuracy and take down walkers like they ain’t shit, and can survive and make her own decisions. Also, her instant connection with AJ is great. Love it. Love her.

Javier Garcia: Yo, I love this beautiful man. This man is honestly the best part of ANF, and without him it would’ve been such a shitty game. I found his backstory as an ex-professional baseball player booted from the league for gambling a cool concept. He’s hilarious and charming, too. Honestly, he deserved a better game with better, y’know? The only reason he’s not SS tier is because of the writing and his nonsense with Kate when you don’t want to romance her. It makes it seem like he led her on and then was like “Wait nevermind lol” which is annoying, but other than that, he’s great. Love his relationships with most of the characters, and the ending he got was pretty good.

James: I don’t talk about him as much as I should because I find James fucking fascinating. If they ever made a DLC or a mini-game for twdg, I want it to be about James and his journey in finding and joining the whisperers, his relationship with Charlie, and how he escaped them. His views on walkers, his survival and killing skills, his past traumas haunting his every moment for fear that he’ll revert back to what he was, his extreme pacifism that ironically turns violent- just what a cool fucking character. And while he has his wild moments [cave scene, anyone? “Oh ouch!” hahahahahaa] he’s still one of my favorites.

Violet: Oh, Violet. She’s amazing. I love her so damn much. If there’s ever been a character that I see a lot of myself in, it’s her.... which is why I tend to be a little harsh with her sometimes, but I can’t deny that she’s one of the most well-written characters across the whole series. She’s not perfect [both she and Louis do have their tiny inconsistencies that I blame the writing for] but that’s a good thing. And while I don’t ship her and Clementine, I 100% get why a lot of people do. Their relationship is adorable and way more compelling than her previous relationship with Minerva.

“I love you <3″

Carley: My beautiful girlfriend... you were taken away far too soon. Carley’s one of my favorite characters from S1. I wish we could’ve had more time to explore a relationship between her and Lee, but what we did get is enjoyable. She’s a badass, and I will always love the moment she tells Lilly off for being a little bitch, even though it results in her death. Not a day goes by where I’m not salty about that one.

Molly: Molly’s a goddamn badass. She scales buildings like it’s nothing, she named her weapon Helga, and her backstory with Crawford and her sister is terrific. Also, she’s funny and I love her. That’s that.

Omid: This dude was literally a light in S1. He brought us some humor when we needed it [ “...You broke that dude’s face.” ] and his relationship with Christa was so sweet. Also, him and Lee bonding over being history nerds? Yes, please. It’s bullshit that he was killed off two seconds into S2 but hey... S2 had a lot of bullshit in it so... Justice for Omid 2k19.

Luke: *deeeeeeeep inhale* Big Brother Luke did not deserve that bullshit. Literally one of the best characters in S2 and y’all just.... did him dirty like that. And for what? To make room for Kenny and Jane? Bull. Shit. Luke was so damn good, and the only reason he’s not higher is because of what they did to him after ep3. He starts out so kind and supportive and seriously like a big brother character then SUDDENLY he’s stupid and “makes it” with Jane while walkers are trying to eat us and then he gets himself shot and then fucking dies and akjsjdlkjasdkjaslkjasdklerwedascasads-

S3 Clementine: ...So, here’s where y’all will probably get pissed. S3 Clementine is my least favorite of the bunch. Don’t get me wrong, I still love her and she is still in A tier, but... how do I explain it? She’s in her 13-year-old, emo/angsty phase and it’s hilarious when it shouldn’t be. There are moments where I do become emotional for her, like when David takes AJ away and Javi hugs her, or when Gabe dies and she’s saying goodbye, or when she gets her first period, y’know moments like that! BUT... then we have moments where Javi goes to talk to her and she’s all “HAVING PEOPLE IS GREAT AT FIRST BUT EVENTUALLY EVERYONE DIES” or when she straight up shoots that guy who gave her faulty bullets OR WHEN SHE’S LIKE “IMMA KILL ME A LINGARD” AND.......... it’s too much for me! I can’t take her seriously when she’s this angsty, even when I understand why she is the way she is. Again, to reiterate, I still love her but in ranking all four Clementines, she comes in last for me.... and I can already hear the shit that’s gonna be thrown my way haha

Conrad: The most underappreciated character in S3 and it’s nonsense. Don’t come for me, but this dude is my favorite npc in S3. I love Conrad, and I wish we got more of him. He does have his own little arch if you keep him alive through the end. His grief over Francine is heartbreaking and his downward spiral that leads him to act out and threaten Javi, Clem, and Gabe so that he can get his revenge is wonderful. And btw, he does apologize for pulling the gun on them and makes up for it in the future. And y’know what moves him up into A tier? The moment you let him kill Badger. One of the best kills of the game. I prefer it over beating the shit out of Badger myself.

Aasim: This boy is my son, and I’m sorry, but he’s really fucking cool. You’ve got this kid who was sent to Ericson for being a pyromaniac [according to Kent, it’s not actually mentioned in game] and grew into this guy who documents everything so that they’ll have a form of history to look back on and help not repeat mistakes. His banter with Louis is funny, and even though he gets fed up with Louis for not taking anything seriously, he still cares deeply about him given how he reacts when Louis loses his tongue. His crush on Ruby is adorable, too. I just love him, he’s great.

Marlon: Now, originally I put Marlon in a lower tier [the “I like your role in the story” type of tier] but upon reflection I actually find Marlon to be a compelling character. He’s high on the list because of how well he’s portrayed. Marlon has some of the best voice acting across all the games. There isn’t a single moment where I don’t believe what he’s saying, which says something. There are moments where Clementine will say something and I go, “Really? That’s the take they went with? Okay...” but not with Marlon. For only being in ep1, he played his part really fucking well. I won’t defend any of the shit he pulled because it’s awful, but I understand everything he did. He is a coward, a sheep hiding in a wolf’s coat, pretending that he’s got everything under control and putting all the pressure of a leader onto himself and it eventually breaks him. I know they killed him off to further the plot and show how ruthless AJ can be as a child growing up in the world, but I wish he survived past ep1 so that we could really get into the meat of his character. I’ll say it: I love him as fake-friend-to-full-on-antagonistic-character and his role within the story.

Mitch: I fucking love Mitch and the only reason he isn’t in SS tier is because of how goddamn dirty the writers did him. You give me this boy- this butterknife wielding, foul-mouthed, angry, hilarious, bomb-making boy and make me fall in love with him and THEN YOU KILL HIM OFF IN THE STUPIDEST WAY POSSIBLE. “Oh, lemme just run at the crazy lady with a knife and- OOF! It appears I’ve been throat stabbed bleh-” I’ve complained about this since ep2, but lemme say it again: Mitch had so much potential to be an amazing character but never got the chance to because we had to add to the death count and make us more afraid of Lilly even though it didn’t do shit because it was a reaction kill rather than one made out of malice.

Tenn: Tenn is such a tragic character for me. In my personal canon ending, he dies because he was “messing up again” and AJ shot him. This poor kid was so full of hope that the walkers would go away one day, he’s so genuine and never wants to hurt anyone, even if they’re trying to hurt him, and he’s so fucked up from seeing Minerva that he stops thinking and tries to go to her even as she’s being devoured right in front of him. Tenn is like this game’s Sarah, but done right. He deserved better, but he was a well-written character and I love him. His friendship with AJ was so sweet which makes it even more heartbreaking when he dies. Yet another terrific child character.

“I like you and/or your role within the story”

S1 Kenny: This dude is such a chaotic topic. I feel like 90% of the fandom has an incredibly strong opinion on him, and of that 90%, 45% of people absolutely love him and if you say anything negative you’ll get a boat to the head while the other 45% loathe him. Then you’ve got the 10% who don’t have such strong opinions, and that’s where I fall. I like Kenny, and I like S1 Kenny more than his S2 counterpart. He has a great arch throughout the season regardless if you’re his best pal or not. He has some funny lines, some emotional scenes. I’ll never forget the first time I played the scene where Kenny’s crying over Katjaa’s dead body while Duck is laying against the tree on the brink of death. And I definitely will never forget the part where he finds the boy in the attic. Overall, I like him and what he brought to S1.

Katjaa: She was really sweet and her death broke my heart. I don’t have too much to say about her, but I liked her a lot. She loved her family and met a tragic end.

Ben: Fucking Ben, man. This poor kid. Another character with wasted potential. I’ve mentioned this plenty of times before, but I wish we could get an alternative ending where Ben was the only one who survived and became Clementine’s new caretaker. There was so much room for growth. He just wanted to help out but kept screwing up and it’s just.... sad.

Christa: I’ll be honest, the first time I ever played S1, I didn’t like Christa. Something about her rubbed me the wrong way and I didn’t care about her as much as I did Omid. However, the more times I replayed it, the more I grew to love her. She’s strong but sweet, and you can’t deny how much she loves Omid. And while I wish we did get to know what happened to her in S2, I can live with it remaining unknown.

Chuck: As much as I like our guitar playing hobo friend who deserved so much more, I would probably put him a tier lower if it weren’t for the advice that he gives Lee on the train. Because of him, Lee stopped treating Clementine entirely like a little girl in need of protection and cut her hair, taught her to use a gun, and furthered their communication by building a plan together. Without Chuck and his wise hobo words, Lee might’ve fucked both of them over. Also, Chuck’s pretty badass with that shovel, he got a lot of chuckles out of me, but his death was off screen and disappointing.

Andy St John: Okay. Okay okay okay. Andy. He is so high here [and so much higher than his mom and brother] because to me, he’s the scariest of the St John’s. Why? Because he’s the most normal-appearing of the three. He acts and talks like any normal guy would. He’s someone that I could see myself running into in real life. He’s so good at hiding how fucked up he is from everyone, unlike his brother who you can just look at and go “hahahahaha no thanks” and his mother who’s character design is just awful. I find him to be the strongest of the three, the smartest and the most dangerous. And the final fight between him and Lee is amazing. I love how you can be so furious with him that you keep punching him even after the prompt goes away and then his face goes all purple and swollen. Easily the greatest antagonist in S1.

Eddie: This dude is the best character to come out of the 400 Days dlc. End of story.

Alvin: He gave me a juice box and that automatically puts him here. Real great guy but we didn’t get too into his character. Wish we could’ve, though.

Rebecca: She grew on me tbh. Didn’t like her in ep1 when she was being all pissy and all, but for the most part, she’s pretty good.

Mike: I will forever wish the writers went through with the concept of Mike being one of the guys who attacked Christa because then he could’ve had a better character backstory. Regardless, I still like him. He’s pretty funny.

Nick: Nick? Oh, you mean PURE WASTED POTENTIAL. I mean, they really did give us this super flawed but sympathetic and interesting character and kill him off-screen. They really did that. Honestly, S2 really pisses me off sometimes for the way they treated these characters. It all goes downhill once everyone escapes. Yeah, yeah, blah blah not everyone gets a meaningful death blah blah but y’know what? You can do better than that. I loved Nick and I was so excited to see what they’d do with him in the end but NOPE! Justice 4 Nick 2k19

Pete: What a good dude. He stuck by Clementine’s side even when everyone thought she was bit. Love him. Wish we saw more of him.

Sarah: Ha. Ha. PURE WASTED POTENTIAL 2.0. What else needs to be said? This girl had the foundation for a great character but again, NOPE! I really liked Sarah! I wanted to teach her to use a gun to protect herself! The loss of her father fucking broke her and it was hard to watch but I wanted more and just ahaklsdjlaskjdlkakjaskjsaadkljas ahhhhhhhhhhhhhh-

Ava: Yo. Ava’s a fucking gorgeous badass. Really liked her and how she was sweet on Clementine. Also, it’s interesting that she stuck by David’s side like that.

David: I have a lot of mixed feelings about David. On one hand, the complicated relationship between him and Javier is good, even if it’s a little bullshit at times. On the other hand, David’s an asshole. But he’s a great antagonistic character. I do love that about him. The shit with him and Kate was a little annoying, but only because they didn’t ever elaborate on anything. On what level was the marriage fucked? Was it straight-up abusive? What happened to David’s first wife? Why did Kate and David get married in the first place? I got questions! But, like Javier, I think David deserved a better game with better writing.

Jesus: This dude parkour kills walkers. Pretty fucking badass.

Tripp: I feel like I don’t like Tripp as much as some people. I like him fine, but I know a lot of folks gush about him. I think he’s a good dude, a little pushy with Eleanor, but he’s loyal and strong.

S2 Lilly: I fucking hate Lilly. I hate her so goddamn much. She pushes every wrong button with her bullshit “Where's our new recruits?? Lee would be so disappointed knowing he taught you all the wrong things! You’re one of my people now, Clementine” AND THE GODDAMN “Yes, Ma’am” SHIT. Nothing irks me more than every time someone from the delta acts like Lilly’s the baddest bitch and call her “Ma’am” I HATE IT AND I HATE HER. SHE KILLED MITCH. SHE KIDNAPPED MY CHILDREN. SHE DARES TO TRY AND HURT LOUIS LIKE HE’S NOTHING. AND I HATE EVERYTHING ABOUT HER....... That being said, y’all are probably thinking “wtf if you hate her so much why isn’t she in F tier???” and that’s because no other antagonist in these games has ever gotten this strong of a reaction out of me. Lilly is a damn good antagonist. She’s not perfect, and there are definitely things I would change or add, but she does her job and makes me absolutely livid [yeah yeah I know ha ha ha ha] every time she’s on screen doing her bullshit. I hate her and that counts for something. She’s easily the best “villain” in the entire series.

Ruby: I love my funny little hot-headed medic. Ruby’s amazing and I love her.

Willy: This kid really grew on me. I thought he was weird and creepy at the beginning but I adore him now. His brotherly relationship with Mitch should’ve been explored more, and at times his voice acting is kind of jarring, but I still love him.

“You’re fine, I guess...”

Duck: He’s fine. I like Duck. I like the “what if” scenarios we’ve come up with surrounding his character, and his death always puts a lump in my throat, but I wouldn’t go out of my way to say I love him, y’know?

Doug: Again, he’s fine. He has some funny moments when you save him, and he’s got a cool little panda bear on his sweater but... yeah. He’s okay.

Mark: Oh hai Mark. He’s cool, and the reason he’s not lower is because the iconic moment of finding him in the hidden room with his legs chopped off choking out the words “Don’t... eat... dinner” forever haunts my nightmares.

Russell: I’m not a big fan of most of the playable 400 Days characters, but I think if I had to pick a favorite, it’s Russell. His backstory of being with the group that believed in the power of 7′s [I think it was 7 I dunno going off of memory here] was cool and his weird thing with Nate was fun and disturbing. He’s a pretty cool character.

Carlos: I’ve made posts about Carlos before and how I think he had a lot of potential, but looking strictly at his role in the game and I’m left underwhelmed. I did get a lot of shit for where I placed him in my previous tier because he was [and still is] above S2 Kenny but I’m not going to lie and say I like Kenny more than him because... I don’t. I just think Carlos should’ve been given more development.

Carver: A cool antagonist who was defeated waaaaaay too early in the game. They were doing a fantastic job at making me hate him with his treatment of Clementine, beating the shit out of Kenny, murdering Alvin and pulling all that shit with Rebecca, but killing him off so quickly didn’t make it feel as satisfying. Again, underwhelming.

Sam: This pup betrayed me and he ain’t no Rosie, but we played frisbee so he gets a C I guess

Gabe: Y’know, Gabe could’ve been so good. But every time I play through ANF, he ends up annoying me more than Ben. What does that tell you? He’s fine, but he could’ve been a lot better.

Mariana: I’m not so much “meh” on Mari because I think she’s sweet and likable! The problem is I don’t want to put her any higher because really? What did she do? She died horribly because Badger’s a piece of shit.

Abel: Meh this guy’s garbage. I only put him up a little higher because the scene with him in the basement is really good.

Brody: Brody is like the Mariana of S4 for me, just a bit better. I do like her. She had some development but her whole purpose was to die by Marlon’s hand and get the plot going. Would’ve loved to learn more about her, but I couldn’t give her anything higher than a C.

Minerva: Controversial opinion but........ I don’t like Minerva as much as a lot of people do. If I could be brutally honest, if I were ranking these characters solely on how I feel about them without looking at their roles in the games and character development, Minerva would be in E tier at the highest. However, I can’t deny how tragic and complex her character and backstory is. It’s similar to how I feel about Lilly, but different. I think she’s just so fucked up from the delta that she’s become a husk of who she was and it results in her constantly pissing me off with all her shit. Also, the bridge scene alone bumps her up. That shit was crazy in a good yet tragic way.

Omar: At one point, I forgot Omar existed until he got shot in the leg...... but he’s also God so y’know. I like him but I also had to make up my own little backstory for him so...

“Meh”

S1 Lilly: I don’t care about S1 Lilly in the slightest, she’s awful. They made her way more compelling in S4. And she killed my girlfriend which is bullshit on it’s own.

Jolene: If I could rewrite S1, I would’ve thrown out the Stranger and had Jolene be the kidnapper. As Danny said, “What a waste.”

Bonnie: She’s pretty disappointing, tbh. I didn’t like how the game help pushing her onto Clem and overall she’s pretty forgettable.

Vince: He’s okay, I guess. He killed a dude one time. And shot a guy’s foot off.

Wyatt: “Meh” hahaha Eddie was a cooler character than he was

Jane: I wish Jane had been the Molly of S2 and stayed gone after she left the first time. I like that she taught Clementine some useful survival tactics and that’s what puts her on this tier, but I think we all know how I feel about the whole Jane vs. Kenny thing by now so...

S2 Kenny: This Kenny actually moved up a tier because I fully took in everything he’s been through thus far and.... “Meh.” I don’t think he’s good for Clementine, I think she and AJ need a group like Wellington. I recognize that he’s a lot of people’s favorite, but like I said above in his S1 counterpart, I’m the 10% that doesn’t have that strong of an opinion on him. I’d much rather discuss other characters over him.

Sarita: Forgettable, really. Except for when you get the chance to cut her hand off. That fucking scream of hers is anything but forgettable, yeesh.

Walter: Again, mostly forgettable. His death was sad, and I do think he’s a good example of what happens when you’re too trusting in this world, but overall he doesn’t stand out to me.

Kate: I probably would’ve liked Kate more if her romance wasn’t so damn forced. She has some funny lines, but she’s also pretty selfish and fickle when it comes to a lot of things. And I will forever be annoyed at her inability to keep her mouth shut about her and Javi’s relationship [or lack of] in front of David.

“I don’t like you but you’re not the absolute worst, I guess...”

Danny St John and Brenda St John: I put these two together because they have the same issue: They’re fucking creepy. Where Andy was normal and deceiving, these two look like they want to cut my legs off and eat them. I think they’re much weaker in character than Andy was, even with Danny’s weird sexual fixation of his gun and Brenda talking about her husband.

Vernon: He’s not the absolute worst because I do feel a little sympathy for him losing his daughter, but everything else just makes me not like him.

Shel and Becca: Easily my two least favorite characters in 400 Days. I had no real interest in either of them.

Arvo: This guy. I didn’t put him in as the absolute worst because of all the unnecessary shit Kenny put him through. No wonder he wanted to get the hell outta there.

Clint: I literally couldn’t give a single shit about this dude or what happens to him.

Eleanor: I don’t like Eleanor. I found her annoying. Her one good quality is her want to help people, but that want didn’t do much to help Tripp now did it, Eleanor.

“The absolute worst”

Larry: Did you expect anything else? Fuck this guy.

Stranger: Worst final antagonist ever. You’re telling me I have to fight this Mister Roger’s tootsie pop? I’ll bet you $1 I can do it with one hand. Fuck this guy.

Troy: Fuck Troy. All he does is smack Clementine around and then get shot in the dick.

Joan: This lady is a laughably bad antagonist. The worst fucking “villian” jfc...

---

There ya have it. Do you agree, disagree? Maybe a character I found boring you really liked! Maybe you want to tell me why Kenny is the best/worst again! We can discuss it.

I’m always open to talking about these characters!

69 notes · View notes

stevecanmakeanythingnerdy · 5 years

Text

Battle #15

8 Bark: Structurally Sound (Side A)

Vs.

Jets To Brazil : Four Cornered Night (Side D)

8 Bark: Structurally Sound (Side A)

Outside of maybe the people who witnessed their tours and Chicago natives, not many may recognize their name...but to those in the know previously mentioned, they will never forget their name. 8 Bark was a punk band from Chicago, formed by Douglas Ward following the demise of ID Under. The group existed from 1990 until 1994. Relatively short as far as bands go, but longer than some. 8 Bark's sound was notable for its dual male/female vocals. They released several records on the Chicago label Underdog Records, which Douglas helped run. Following their split, Douglas formed V.Reverse and continues to remain active in the Chicago punk scene. There is a distinct sound to 8 Bark. They would fall firmly between the cracks of a band like Fugazi, and helped pave the way for future bands like Marry Me and Braid. Mix in a little emo hardcore helper and you have yourself some pre Cap ‘n Jazz-ercise (#seewhatididthere). It’s fitting they chose to title this LP Structurally Sound, because it literally is. They use structure to create beautiful and raw emotional sound like you have never heard before. The LP is actually The Big Wheel ep with a few more tracks to flesh it out. They are returning contenders from RRW season one. It’s Chicago blue collar emo. I love these guys (and gal) so much. I was introduced to them at the right time during my punk rock development and really keyed in on their DIY ethos and passion. It’s still very much a part of me today. Everything from the lyrics to the packaging scream underground and proud. The econo look plus zine style really gives it credibility in my opinion. “Your Hole” is original and energetic in every sense of the word. Timing is impeccable, the structure is accurate and the warm bass with tight drums and alternating male/female vocals just seal the deal. The title track “Structurally Sound” adds more back and forth with healthy highs and lovely lows. Shawn Scallen knew who they were, and if that name doesn’t mean anything to you, then I suggest you start googling. “Old Wardrobe” is strangely reminiscent of R. E. M. ‘s “End of the World”. It’s the vocal cadence I guess, but it has a similar vibe. Also bonus points for use of diverse instruments like bells. “Eye and Keyhole” is actually a weaker tune by comparison, but still merits some kudos with the harmonies. I guess that’s it in a nutshell. A sound Like nothing you’ve ever heard, but still recognized as a song with verses and chorus and harmonies, but with chaos as the guiding force. “Back To You” might be one of the finest examples of the band’s signature sound, full of hot start/stop Action. Perhaps helping to invent math rock. Rad guitar solos prove they know what’s up with the popular vote, but they still beat into submission your subconscious rock roots. It’s just a damn good song! “Cut” is the final tune and it still sounds as fresh as the day it was...well, cut (#seewhatididthere) in 1992! Do not underestimate how important this band was to early 90’s underground punk in Chi-town. Some of your favorite sweater wearing emo kids owe a debt to this platter.

Jets To Brazil : Four Cornered Night (Side D)

The basis of what would become Jets to Brazil was founded by Blake Schwarzenbach, the former frontman of longtime RRW house favorites Jawbreaker, and Mr. Jeremy Chatelain. When Schwarzenbach relocated to New York City after Jawbreaker had disbanded. The two began working on four-track recordings aided by drum machines until former Texas Is the Reason drummer Chris Daly joined the band, and they signed to Jade Tree Records. The origin of the band's name came from a suggestion by Daly, after seeing it on a poster in the 1961 film Breakfast at Tiffany's. Technically then, the band is from Brooklyn. The band was really quite short lived, existing only from 1997 to 2003. They released three studio albums, of which Four Cornered Night is the second, and honestly the most poorly received by fans. By autumn of 2003, less than a year after the release of Perfecting Loneliness, the band had broken up for unspecified reasons. Coming pretty much right off the demise of Jawbreaker-a band that called it quits literally at the apex of their career JTB were introduced to an almost immediate and desperate fan base. Their credentials seemed to indicate that they would be underground darlings, but not for long. I think everyone had expectations of them exploding to a major label status - however Blake made it quite clear early on in interviews that the major label experience left a bad taste. So this is their sophomore offerings. They had already released the initial collection of tunes which very much were on par with what fans of the previous bands were expecting to hear. This group then allowed for a bit more experimentation and diversity. It’s certainly more indie rock. Side D (yes, “D” -it’s one of those expanded to be a double LP and remastered blah, blah, blah. I hate these actually. Pointless in my opinion. I own it because of my love for Jawbreaker, therefore guilt by association). I want to be mad at this band, but they are good at what they do. And in a nutshell that is “Mid-Day Anonymous”. Good, indie rock with Blake’s amazing poetry as lyrics. It contains Pavement level vibes and bleeds directly into “******* (7 Stars)”. Hey! They took my stars idea!! Just kidding. It’s an acoustic ending as the song winds down. “Orange Rhyming Dictionary” is next. Possibly named after their debut album, but contains more of those exquisite lyrics and pretentious poetry set to a Texas is the Reason soundtrack. Makes sense though, right? Tempos slow and basic templates apply but you won’t care, I promise. Crank! Records May have well released this. “All Things Good and Nice” finishes the album. It’s organ heavy, partially because they added a second guitarist on this one to allow Blake to play keys. Still good, but it’s confusing. Almost a turn away. This song seems like a Dashboard Confessional (#seewhatididthere). As if Blake awakened and the ARTIST shines on JTB. Almost seems like an apology and absolve for Jawbreaker. It’s a complicated relationship between the two. For fans of Jimmy Eats World. Mineral if you’re mining for compliments (#seewhatididthere).

Today, Chicago’s own 8 Bark proved they are Structurally Sound. They burned 104 calories over 14 minutes and 6 songs. That is 17.33 calories burned per song and 7.43 calories burned per minute. 8 Bark earned 13 out of 18 possible stars. Jets To Brazil showed us the nocturnal side of things and it apparently has four corners. They burned 132 calories over 17 minutes and 3 (1/2) songs. That is 37.71 calories burned per song and 7.78 calories burned per minute. In addition to their own 7 Stars, they earned 6out of 9 possible stars. A close one today, but Jets To Brazil are blasting off as the champions!

Jets To Brazil: “Orange Rhyming Dictionary”. Forgive the poor audio as there are better vids out there of just audio, but I wanted to show the mighty Blake in his element. Live.

https://youtu.be/1Gk8iyGNUiM

#Randomrecordworkoutseasonsix

#Randomrecordworkout

#randomrecordworkout #vinyl #90s music #90s #punkrock #punk rock #jets to brazil #jawbreaker #2000s music #early 2000s #jade tree #records #randomrecordworkoutseason6 #underdog #chicago #texas is the reason #emo #emo rock

1 note · View note