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mishy-mashy · 4 months

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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

#KUDO IS UNDERRATED NEEDS MORE CONTENT RECOGNITION HES THE KINDEST WITTLE BOY EVER #my thoughts #i think ppl who write resistance stuff should also consider that not everything was black and white #there will be moral arguments where you cant decide. and the resistance has faced those sorts of things where There Is No Right Answer.#kudo is really kind tho. exactly because he cares so much he does all these things and tries to harden himself #but like exoskeletons work - its only an armor to protect the soft squishy insides and keep them from drying out #i woke up and had to put this stuff down #me: *picks up a sentence note in my fic notes* *puts it down here and elaborates*#the line was in relation to putting down stuff about the vestiges to remember dynamics #[Kudo is the kindest despite appearances]#kudo seems like he would be fiercely protective over ppl he cares about. exactly because hes seen so many of his comrades die over and over #kudo #bnha #mha #boku no hero academia #my hero academia #spoilers #ofa #one for all #bruce #bruce is the meme of “*chuckles* I'm in danger” and its just. Kudo w/ his new crazy idea chasing him down with Gearshift and Yoichis Factor #hikage shinomori #en tayutai #yoichi shigaraki #ive been thinking he was kind for a long time but never elaborated why. if u look at his actions words and thoughts it all makes sense #theres underlying kindness in there. he wants to be kind but the world would scorch him if he didnt have a stick up his ass #also adding on to the prev tag of kudo and fiercely protective- because in their times comrades were everything. otherwise you were alone #the world sucks resources are limited and youre a diseased human [Meta]. but you have someone willing to walk with you.#also about the [Kudo is the kindest] note among the vestiges- i dont think any of the other vestiges would do what kudo did #calmly volunteering himself rather than it being in panic. extending a hand and saving what shouldve been his mortal enemy. yknow

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moxley · 11 months

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"i love chubby characters" "i love soft tummies" "it's dad bod time"

my brother in christ you drew him the same way he looks in-game but without extra ab definition.

#tal.png #i'm realising nobody has any idea what i mean when i say i like to picture raphael w a soft stomach bc they think i mean This.#i do not. i mean the kind you can hold in your hands.

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astralhope · 3 months

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Yuma beings Astral's main concern even when Astral himself is in danger.

#Astral always worries about Yuma even when he is the one in danger to be honest #I think about this episode way too much #because those two always make me scream even when they are separated #I just can't with them I'm sorry #the second Astral felt that Yuma was calling for him he didn't care about anything else #even when he confronted Number 96 #he sent Utopia to Yuma even if the Number was his only protection from 96 #he got distracted in his escape because Yuma was in crisis #and even when he was literally on the verge of being absorbed by 96 even if he was in pain his only thought once again was Yuma #also the way Astral says Yuma's name in the third gif is so soft and sad #he was feeling that Yuma was giving up #Astral didn't have any idea of what was happening outside the Key #and aside from sending him Utopia Astral couldn't do anything else to help Yuma #and this breaks my heart #Astral loves Yuma so much #so much that I can't think rational when I think about them #they are so precious to me #and I love Astral so much I can't stop repeating it #keyshipping #astral zexal #astral yugioh #yu gi oh zexal #yugioh zexal #ygo zexal #zexal

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hislittleraincloud · 10 days

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dude can you just stop using the wenclair tag? like its annoying seeing these kind of posts. some of us are just here to see the fun dynamics, other’s interpretation, arts etc. and i get that you’re against it or whatever, so maybe like leave these tags alone? stop abusing the tags if you don’t like it

The last anon I just answered didn't even have the Wenclair tag even though the anon mentioned it. But thanks for reminding me to go back and remedy that. 🥹

Look, I get it, you don't read anything that goes against your little echo chamber, so you missed what I fucking said in the next to last one that WAS tagged Wenclair:

It's not my fault that you can't stand criticism of the novel or the ship within the constraints of the novel and fandom. I had never had a problem with any Wenclair fanon until y'all creamed yourselves over this novelization. I read it (slowly, for me, so I could catalog each instance of fuckery with canon in my brain that I could), and that is what I have a problem with.

I've always supported Wednesday and Enid the same way M&G support it, since accepting and building friendship was what Morticia had stated in the beginning in the limo she'd hoped for her daughter/what Wednesday had stated she was extremely resistant to throughout ("I like being an island...a well fortified one surrounded by sharks."). Seems like no one cares to comprehend how wild a jump from a strict antisocial loner who hates people to Spanish-spewing yandere "Willa" in the span of four weeks actually is, and that's how fanon can be*...only now Mejia's injected 100% fanon [see the defiling of "Woe What a Night" for the worst of it] into the canon that millions of people around the world saw and y'all are calling it canon (when it is not, despite being published through the studio). In my last real fandom I participated in there was a screenplay "tie up" in lieu of a fourth season published by Showtime and written by Neil Jordan himself that was roundly rejected by fans as canon because it was so out of character for our main characters from what we had seen for three seasons. Same goes for the Jack Thorne's Cursed Child nonsense in Potter (even Potter actors have called it fan fiction).

TLDR: It's not abusing a tag if the tag is relevant to the post's discussion. Grow some skin and learn how to deal ("cope" like you kids love to say) with reasonable criticisms.

#anon #anon ask #anon answered #wenclair #look i “abused” the tag again #wait no i didn't #because i'm fucking talking about it #what the fuck is wrong with you kids these days #i wasn't even against it until y'all started being SUPER obnoxious about it and sucking on this teat of fanon that shits on canon #wednesday novelization #wednesday novel #wednesday #wednesday addams #wednesday netflix #netflix wednesday #shipheads #shippers vs. shipheads #writing wednesday #*eta: i do use a similar idea w afterburn wednesday...however the difference is is that abw has been on the hunt for an older guy for year #(cont'd) so her leap isn't as big of one as it seems ... plus she still remains a right psycho towards everyone else except donovan and eve #(cont'd) then he's not immune to her coldness or standoffishness. still her softness is reserved for him and thing...and some for enid and b

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o-uncle-newt · 8 months

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A guide to John Finnemore (in particular his Double Acts) for the Good Omens S2 lovers, haters, and everyone in between (I promise, there's something for all of you!)

Found this in my drafts recently and honestly, I feel this is evergreen, so here y'all go:

As I mentioned semi-facetiously in my previous post, I don't care whether you loved or hated Good Omens S2- you're probably sleeping on John Finnemore. He's a super talented writer and while he's collaborated with other writers like Mitchell and Webb and Armando Iannucci before, I still think his best stuff is his solo stuff.

But where to start? Behold! I shall now recommend a different Double Act (that is, a different episode of his radio series of excellent half-hour two-hander comedies) for every kind of person who has reacted in literally any kind of way to Good Omens.

If you love stories about two people working on opposite sides in a conflict who over time break down each other's defenses to become valued friends despite the continued conflict between their sides, with some queer undertones: Unquestionably you want S2 E4, Penguin Diplomacy

If you loved Good Omens S2 because it's quiet, gentle, and romantic: S1 E6, Hot Desk

If you like quiet, gentle and romantic in principle but wish there was a bit more plot structure: Still Hot Desk

If you like quiet, gentle and romantic but watched Good Omens S2 and were like "this is quiet, gentle and romantic?!?!": DEFINITELY still Hot Desk

If you hate quiet, gentle and romantic and want something darker and more cynical: S1 E3, Red Handed

If you were meh on S2 but did find yourself enjoying the Job minisode: FREE ROLL! You can choose any Double Act at random and will probably enjoy it.

If you loved Good Omens S2 because you love characters who give off vibes of being dim yet helpful: Well, really you want to meet Arthur in Cabin Pressure, but from Double Acts you'll do great with S2 E5, Here's What We Do, and in a very different way S2 E2, Mercy Dash

If you loved Good Omens S2 because lesbians: S2 E3, The Rebel Alliance

If you like lesbians in theory but wish that Good Omens S2 had maybe sketched out theirs a bit more: Still try Rebel Alliance

If you were annoyed by the minisodes because there wasn't enough old-timey dialogue in the olden-day bits: S1 E4, The Goliath Window

If you like the Victorian minisode because you like the era: check out S2 E1, The Queen's Speech, which literally has Queen Victoria in it

If you think that Crowley making gentle fun of Aziraphale's magic tricks is entertaining: try S2 E6, The Wroxton Box

If you like relationship dynamics where one half is trying/pretending to be cool and the other one has absolutely no interest in it and likes the first half just how they are: try Here's What We Do

If you enjoy the whole corporate-nonsense aspect of Good Omens: give S1 E2, WYSINNWYG a whirl

If you think that one of the main flaws of S2 was that it didn't have Mr Young in it anymore: S1 E1, A Flock of Tigers

If you like Good Omens because you like fandom and fanfic: S1 E5, English for Pony Lovers

And, if you love the idea of a cliffhanger but also want the satisfaction of knowing there's an amazing ending coming: Wait on Double Acts and just listen to Cabin Pressure. And when you get to the end of Yverdon-les-Bains, before you move on to Zurich just take a moment to remember all of us who nearly died for two years waiting for the finale.

Anyway, happy listening!