#no im not done with this story

[rubyfunkey]

The Rehabilitation of Death by @bamsara

didnt have time to clean this like i wanted but i needed to get this scene out of my head desperately. im good now

[steviesbicrisis]

To me it’s the fact that Steve assumed Robin had a license but still woke up 3 hours before his work shift to drive her to school everyday.

That is not a plot hole everybody, that is just the kind of person Steve Harrington is.

[reds-skull]

Needed to see this man beaten and bruised, but in pink this time

(Also hey I actually have free time again)

[choccy-milky]

from my new oneshot, 'the vexing village of vellmore' ✨ ao3 / wattpad ((it's about seb & clora visiting a cursed village and trying to figure out how to break the curse, and since it ended up being 50k words i decided to split it into 2 chapters and the next part will be out soon!🙏 also, while it does have spoilers for the raven and the snake, it's a standalone story and can be read blind💖))

[tender-emotional-music]

I need to do a whole post ranting about this, because it is so hilarious how people will see the leaks of byler always filming together and teaming up and say "it's just them on bikes! Byler isn't real!" or the alleged casting call for young byler + Jonathan and say "omg you delusional losers! There aren't going to be any romantic scenes between 8 year olds!"

Because surely they understand story structure and realise that El and Mike ending on ambiguous terms in s4 + Finn and Noah constantly filming together + Millie and Finn not filming together past the first two episodes + El apparently having a storyline with Hopper and Lucas/Erica/Max (just as the s4 finale foreshadowed!!) does indeed mean something?

I constantly see them refuse to place this information in the greater scope of the narrative and character arcs for s5, instead just interpreting them in isolation. We aren't excited about the flashbacks because we want to see romance between children; we're excited because it demonstrates that their early relationship is important enough to warrant showing on screen, and that whatever that scene establishes will be important to their current-day selves. The bike pics aren't significant because they're hanging out; they're significant because they suggest that they truly are teaming up in s5 and that this pairing will be important to the overall narrative (as is always the case when couples team up in the show). These things imply that the writers do take this plot seriously.

Of course, this doesn't CONFIRM byler, but as I've said before, the only place they can really take mlvn in s5 is them being a team, proving they did work through their issues in s4. But that does not seem to be happening, and yes, that does mean something. People will say that Will needs to move on and learn to be himself. If that were the case, he would not be paired up with Mike. He would be with someone/a group which enables him to foster his identity outside of Mike. Funnily enough, that does seem to be happening....with El.

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[dipndotz]

idk sketch dump i simply cannot explain to u

[hellspawnmotel]

remember when I did this?

well I did more

[ruporas]

feast (ID in alt)

[slavhew]

breaking badifies them. happy pride motng

au elaboration under cut

this is just copypasted from twt i forgot to post yetsterday

I imagine that the Dirkjake dynamic would be down on his luck partyboy and the estranged high school friend that coerced him into a drug dealing operation. For reasons he refuses to elaborate on. Jake doesn't really want to be cooking meth but he needs the cash and sees Dirk as the one stable thing in his life really. Dirk really needs a partner and an in to the business and is most of the brains behind the operation.

Dirk is also doing a fair bit of posturing to keep them both safe but Jake... hooo Jake. Dear whining Jake will become a loose cannon when it counts. The power balance would fluctuate alluringly.

To be honest I imagine their dynamic would be much closer to a hypothetical high school au turned drug-dealing and wouldn't be much like Walter and Jesse. Wanna think there would be a happy ending but realistically they'd sink into their worst traits & probably end up in a saw trap by the end of it. I wanna imagine most plot beats still happen... gf dies... "gale" dies... Codependent yaoi and corruption arc flourishes.

I imagine Dirk's wardrobe would start to resemble more and more of Bro's and some of his personality might too. But I also don't think he'd go as far or be as bad as Walter, since here there's a care and concern for Jake as more than a pawn and stand-in (aka the Walter special). Damage would still be done though. The love didn't save anyone etc etc.

Bro and Grandpa would have a dynamic MUCH closer to the s1/2 duo. Devil-may-care stoner and the guy who needs cash FAST and doesn't have time for this shit. I dont think Bro has the tender heart Jesse but he definitely develops some terrible loyalty complex regardless. Honestly have a LOT less idea how their story would go so I'm all ears

[masonjarart]

absolutely adored dead boy detectives but god did it make me miss when we got more than 8 ep long shows like i love what we got and they did the best with the time they were given but there are so many things that could have been explored if the show had more time to breath

[crescentfool]

judgement day 🌕

[umossu]

Zukka Big Bang 2024: The Pretender

writer: @sulkybender

for @zukkabigbang2024

more art under the cut →

NSFW art

[bookshelfdreams]

I know it has been said before, but really, what do streaming services even want?

Dead Boy Detectives didn't flop by any measure. It did perfectly fine. The numbers where there. The reception was overwhelmingly positive. It had potential, and it was successful.

But I guess that's not enough. I wonder what would be enough; overwhelming numbers aren't, innovative storytelling isn't, a preexisting fanbase isn't. So what is?

Generating new subscribers? It seems that Netflix, and other streamers, are still trying to figure out how to make infinite growth happen in an inherently finite market - audience retention does not seem to factor into their calculations at all.

I have had a Netflix subscription since 2015. I have always kept it out of nostalgic fondness if nothing else, even when the prices rose and the quality of the offered media declined.

But I'm done. I don't see the value of the service anymore, when most of what you find on there nowadays is sloppy "documentaries" and half-finished stories that will never be allowed to go anywhere. Why would I continue to pay for that?

[todayisafridaynight]

[lesovyart]

((shows up to Willow 2 yrs late)) I LOVE THEM