why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
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I'm hoping episode 3 let's Ruby see the dark side of the Doctor. I feel that adds a very important dynamic to a Doctor-companion relationship, when they see how dark he can be and still choose to travel with him early on.
Rose watching Nine drag Cassandra back to die. Eleven yelling at Amy "Nobody human has anything to say to me today!" Donna begging Ten to stop drowning the spider babies, and then again to go back and save someone in Pompeii.
Fifteen has been FUN and I know he can do emotional range, I've seen his fear and his tears already. But I want to see him dark, and I want to see Ruby respond to that. I think it would add a LOT of depth to their relationship and is something missing.
Plus showcasing the Doctor's flaws (selfishness) will make him a much more interesting character. I want to see some conflict between the Doctor and Ruby.
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trials of apollo but instead of leo getting revived its octavian. calypso not understanding who he is, what he's done, grieves leo's death but doesn't blame octavian.
and then they make it to camp half blood and apollo - his ancestor, the one who had supported him and let him see into the future. a future where the greeks destroyed new rome, one that he had been desperate to avoid. even at the cost of his morality and his sanity.
the same ancestor who had rescinded his support, and octavian had convinced himself it was because the damned greeks were trying to control his gods.
that ancestor was disappointed to see him alive, had been hoping that the other one had survived. and it wasn't just apollo. everyone at camp treated him with varying levels of disgust, every single one of them made it known to him in some shape or form that they hated that he was alive. that they would have preferred him dead.
anyway i haven't actually thought this through, but something about an 18yo who was driven to insanity not just by himself but because of gods who had manipulated and used him. that 18yo needed reviving to a world that hates him, a city that he had wanted to protect which now shuns him.
for funsies make leo's ghost unable to pass on and be tethered to his. or something. have the prophecy force octavian to go along with apollo, meg and calypso to the waystation. have him question everything he stood for, everything he believed in, everything he became. give him a second chance because he was 18 and a pawn of the gods like everyone else.
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In case anyone who follows me forgot or did not know. Good lord I love Saizo and bless him for finally getting an alt and also bless him for being the only reasonable adult once again (in the paralogues). This man suffers so much from the people around him and the fact even his alt isn't a vacation but more stress is really funny to me (and bad for him, sorry buddy).
Saizo Dislikers please leave it at the door I don't wanna hear it. I've read enough rude tags on my art of him to last me a life time. o7
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brb, i have to go and. make strangled noises at nothing real quick; it just hit me over the head how Wyll's use of the metaphor of dancing as a stand-in for romance and intimacy really just. accompanies him all throughout his story, and how perfect it is
I guess I should have expected a character like him, that's both deeply poetic in his speech and courtly in his upbringing, would come to idealize a chivalric romance a bit, and translate his feelings on/of love to an element of courting that's as ritualistic and processional as ballroom dancing, but sometimes just realizing the obvious can really knock you off your feet for a second
like. just like how there is almost a blueprint to a perfect storybook romance in both stories and -consequently- in his head (I think romance might even be one of the literary genres with the highest number of unwritten rules that need to be fulfilled for a work to count as a romance), there is also a fairly strict method to a court dance. There is a series of well-known and practiced steps that was laid out in advance, and one is to perform them in succession, and in sync with one's partner. If one of the parties doesn't know or doesn't want to follow the rules/steps, it gets... tangled, messy, and you both stumble. The dance and the relationship both fall apart. The happy ending of a tale is not reached without all the steps in-between being followed, and he so dearly wants his fairytale ending, his happy, fulfilled love, I just---
it's such a perfect metaphor, and what makes it even more perfect is that Wyll is ostensibly aware of it, and he chose it, purposefully, and i don't want to watch the Act 3 commitment scene because I've not yet done it myself and don't want to spoil it, but I would be so surprised if he a.) made no mention of storybook romances, or b.) didn't just straight up propose y'know
i'm (metaphorically) crying, if it were possible to play this game on six different characters simultaneously without getting bored or confused I fucking would
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it's paradoxical but i love in a video game where you do not feel the least bit good about what you're doing. i mean there are times where you're like "god these characters are so stupid please just give me the dialogue options to avoid this" and that's not fun, and i guess ymmv on what you consider falling into those categories, but i mean like. when you know the fate you're walking is inevitable you cannot put down the sword you have no choice but to continue walking even though you desperately want to stop. it's always a good narrative and imo games portray it better than any other
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