#not sure i like this one as much as the others actually but i've been working on it for god damned AGES so

[merrysithmas]

Charles' line "There's so much more to you than you know" has always struck me because it's SO easy for Charles to come off unlikeable-

"There's so much more to you than you know" (But I do)

"What do you know about me? - Everything." (Whether you like it or not)

"I know what this means to you but you have to let go!" (Stop this nonsense)

"There's a mutant here already! [Exposing Hank]"

"I don't want your pain. They sent back the wrong man [To Logan]"

"I've seen what Shaw did to you"

"I feel your agony [After Nina died]"

"[Jean expresses no one knows how it feels to be tormented telepathically] Oh but I do."

Like on a base level what he communicates is such an invasion of privacy and instantly gets the hackles up because it's not natural. He can sound, at first glance, self-important and even dismissive (Erik at one point calls him 'arrogant'). Charles' telepathy gift is so alienating. He knows people's most personal thoughts, feelings, dreams, and nightmares. Seeing into someone's soul is as simple as breathing and second nature to him -- and he knows how repulsive this must be (see: how profusely he apologized for outting Hank. This speaks to a past/youth where he clearly unintentionally shared the secrets of others or caused trouble with his abilities and disturbed the people around him or endangered himself/others).

But Charles can't help his powers in the same way that Rogue can't - actually, Charles' abilities could easily been seen in some regards as the psychic equivalent to Rogue's physical gift. She can't touch ANYONE without hurting them in some manner, she is dangerous in some regard. And it's the same thing with Charles -- wherever his mind goes he exposes and hurts people. It's a side effect of his powers.

But unlike Rogue, Charles can't wear gloves. He can try to keep up psychic shields (which hurt HIM), or he can promise Raven he'll never read her mind, but he can't ever lessen his gift. He can't be perfect but he has to try. He can't or he'll be hated, despised, and feared. Rogue and he share a similar distress. Rogue suffers from touch-starvation but has to deal or she'll be seen as a monster. Charles suffers from the same kind of thing is a psychic way - he has to block his abilities or be seen as arrogant, invasive, and holier-than-thou. He has to starve his mind and powers.

So that's why it's sooooo touching that he tries SO hard to do good with it despite all that. Especially as he grows as a person and sees how powerful he can be with appendages like Cerebro. He ALWAYS makes an effort to clarify his knowledge of someone's mind with encouragement, love, understanding, and hope.

He can't help reading someone's mind but he CAN help how they react to it or how they feel about what's been exposed and the constant effort he exerts to express empathy, kindness, and aid is a testament to how hard he works to do good with his mutation. He frankly just doesn't have to do that. He could be like Emma Frost or Jean Grey or Psylocke. They know your thoughts, they use telepathy, and it's as simple as that.

Charles feels people's pain so ardently, sees their struggles so clearly, that it literally torments him not to help. How can he see that and just walk away? Innermost pain and secrets are revealed to him by nature -- he could ignore it, exploit it, or use it maliciously. Instead he takes the information and tries to help (surely in part to make up for how sensitive the invasion is).

"There's so much more to you than you know" (But one day you'll be more powerful than me. Don't get lost, keep going, you have so much more to remember and you aren't just made up of this pain that is so so heavy for you. This is not all that you are, I've seen what you forgot, I promise it's still there. You're still a person. Hold on).

"What do you know about me? - Everything" (I have seen your whole mind - the good and the bad - and still I came out here to ask you to stay. Because nothing in there scares me and in fact it gives me hope. I need you. We could do something great together.)

"I know what this means to you but you have to let go!" (They'll succeed in killing you if you let them. You deserve better)

"There's a mutant already here!" (Thank god! And you're incredible!)

"I don't want your pain. They sent back the wrong man." (Proceeds to cry at Logan's life and is amazed at his strength, you poor poor man. Is inspired to keep going from Logan's strength).

"I've seen what Shaw did to you." (Shaw did it to you. It's not a shameful secret and you aren't Frankenstein's Monster. It won't stop me from seeing who you really are. You're free).

"I feel your agony." (Come back to us. I can help you. You're not alone. You never had to leave. You still have a family. Grieve with us.)

"Oh but I do" (I survived. So will you. I didn't have help and I also had parents who didn't love me. I won't let that happen to you or leave you alone. I promise. You can sleep. You're safe. I'll protect you.)

[harksness]

No Going Back

Summary: An incurable illness plagues you, something one of a kind that has never been seen before. It corrupts magic, leaving you unable to use your powers without risking death or worse. Someone wants all of your unused power themselves, and a reluctant Agatha Harkness is convinced to keep you safe after some bribing.

A/N: aaa I've had the idea for this for like 2yrs now!!! I'm super excited to be finishing it and posting it finally!! It's my first in depth, planned fanfic and I'm super excited to share it I hope you guys like it <3

(Also lowk paranoid that some of the creative decisions I made for this fic are gonna end up being explained in the show so just nevermind that if it happens we're just here for some fun romance and smut with Agatha ok)

WC: 3k

Anxiety gnaws away at your insides as you flick on your blinker, knuckles tightening around the steering wheel as you turn down that familiar dirt road that you hate so much. That long, winding dirt road that also leads to the house that you hate so much.

You try the breathing exercises your therapist taught you. The slow, calculated inhales, the holding your breath, and slow calculated exhales, but it does nothing to relieve the feeling in your chest that’s suffocating you. 

The cars headlights cut through the darkness, thick layers of tall, old trees swarming each side of the road as their branches bow overhead. You can’t even see the night sky through the thick layers of leaves.

You’re positive that if you had consulted your therapist about this little visit before coming, she would have told you that it’s not a good idea. That reopening old wounds after basically being no contact for four years would undo a lot of healing and hard work. 

But, when you listened to your fathers urgent voicemail, you knew you needed to come. You had no choice. The deal you made with him before leaving was more than fair. He agreed to leave you alone and only contact you if it was a necessary emergency. And you agreed to that more than fair deal.

He wanted you to be as far away from him as possible, and you wanted the same thing. To be far, far away from him and any reminders of what happened to you, your childhood and the toxic magical community you grew up in.

You’re sure that you were only able to get away because of your little defect. And because after your mother died, he immediately remarried and your father didn’t waste time popping out plenty of new babies, pureblooded heirs that could flawlessly wield their old blood magic unlike you.

If your father called you back home you know it’s a serious, urgent matter. And that only makes your chest grow tighter as you turn the last bend and your childhood home comes into view.

“Well.. Here we go..”

You grumble to yourself, the tall, menacing house looming over you amongst all of the trees. The night sky actually cuts through these parts, the moonglow illuminating the house and its surroundings as you pull up to the front door. Immediately you kill the engine and shift your car into park, leaning forward to peer up at the house.

The pristine white under the moonlight makes it look like it’s glowing. It stands tall and proud and perfect, no chipping or dirt in sight. A black roof sits on top, perfectly black framed windows spread along the sides of the house, and not a single one is lit up with evidence of life. Curiously, you keep peering, checking for a sign of anyone being in the house. With a deep breath you grab your keys and your bag and exit the car.

It’s dead silent, save for the sound of crickets and the rustling of leaves in the trees when a soft breeze blows through. You pause as you take a deep breath to steady yourself. Cautiously, you walk around to the other side of the house, leaning over and peering just enough to see if any lights were turned on. 

Nope. Nothing. All of the windows are black as pitch. You groan, pinching your eyes shut as you try to soothe yourself by rubbing your fingers on your forehead.

Whatever. You’ll just go inside and call your father. You’d be dead meat if you left without his permission, anyways. He sounded very urgent. Deathly urgent. With a deep exhale pushing past your lips, you walk back around the house, the wind chilling your cheeks as you start to make your way up the front steps. 

No door handle, just a block of smooth painted wood that looks like a door. A wave of exhaustion overtakes you as you press your palm to the smooth center of the wood, your features dropping as an electric blue glow flows in ripples over the door before it parts for you, splitting down the middle and swinging open.

The main hall is eerily dark and you have to force yourself to move forward. The moonlight is bright enough to where you can see, but everything is shadowed. The hall stretches out far, down the length of the entire house before leading to the wide, open stairs that would take you up to the expansive second level. 

A hard, loud slam echoes through the halls and shakes the house. It’s enough for you to let out a scream and jump as you fling yourself around to the source of the noise, noticing the front doors are sealed closed. Your face scrunches in confusion at the sight. It should just.. Close like a normal door as soon as you are comfortably in the threshold of the house. Never have you seen it linger or slam like that before, not even in your years growing up here.

You sigh, deciding to brush it off even though you know something is wrong, more so because you know that you’re incapable of protecting yourself like a normal witch would be able to so gaslighting yourself is just the easier option for now.

Besides, whatever’s wrong can’t be life endangering to you. The property is warded and safe, it’s basically impossible to get through to the house let alone inside of it. Hundreds of years of magical wards and barriers make sure of that. So, you grab your phone out of your coat pocket, your fingers cold as you pull up your fathers contact and press the call button.

You raise the phone to your ear as the sound of the monotonous chimes ring through the silent rooms as you pass through them, cautiously walking into the family room. The sound of your boots is muffled by the thick carpet as you walk over it to peer out of the window. The wind rushes against the side of the house, the echo of the noise whispering through the silent halls of your childhood home.

“Okay, I’m at the house. What’s going on and where are you? Please… Just call me back.”

Lowering the phone with a tense sigh, you drop it back into your coat pocket before turning back to the window. You decide to analyze the treeline for any sign of something being off, and you see something that makes your heart drop into the pit of your stomach.

One of the protective runes carved into one of the trees has been singed off. You can tell by the sizzling burn marks that it was magic, the bark of the tree burned all the way through and to the wood underneath, leaving no sign of the runes that were previously there. Your throat dries up.

Whoever did that had to have broken through two other protective barriers on the property. It’s tough magic and in order to break through it… You’d need some scarily powerful magic on your side.

There’s only been a few times over the decades since the house was built that someone has been able to break through the protective barriers. The last time was when your mother was assassinated and you were left for dead when you were a child.

You can’t stop the panic from bubbling in your chest this time, not knowing what to do or how to protect yourself. Your mind is frantic as you search for a solution, your hand moving to fist the pendant hanging from your neck, but something catches your eye and you freeze. In the reflection of the window you see her, a woman reclining in your fathers favorite chair. The back of the extravagant, plush red chair reaches high, the woman is slumped down in it, her black heeled boots dangling over one armrest of the chair as she gently swings her feet back and forth, the fabric of her purple skirt swaying with each movement.

Her body is twisted just a bit so that her front is tilted towards you, her chin resting in her palm. She’s donning a very traditionally witchy getup. Her wild, brown curls fall off of her head in crazy waves as it cascades over her shoulders. Her lips are quirked in the snarkiest smirk you’ve ever seen, your chest tightening even further when you notice her bright blue eyes are planted right on you. 

You whip around to face her, your eyes widening when you see her with your own two eyes and not in the window's reflection, confirming this is real and not a figment of your imagination.

“Oh my goodness! It took you long enough to notice me! If this were a horror movie, or if I actually wanted to kill you, you would’ve been dead the second those doors slammed shut, sweetheart.”

The woman's smooth voice has a taunting edge to it. She swings her feet over and around and they land against the carpet with a dramatic thump! before she pushes herself out of the chair and onto her feet.

“Thank god I don’t want to kill you.”

Her smirk drops into a warning smile, her voice doing the same. You’re gripping your pendant so tightly that you can feel it cutting into the skin of your palm.

“What do you mean? What do you want?”

You ask, your voice shaky and soft. She drops her gaze to your fist, pointing at it.

“That’s what I want.”

Her eyes meet yours again as she takes a few steps towards you. 

“Are you gonna be a good girl and give it to me? Or do I have to take it from you?”

She holds out her hand, and that’s when your gaze catches on the pendant on her neck. Your eyes widen in horror, taking a slow step backwards.

Every witch knows about Agatha Harkness. About her long list of crimes, both magical and not. Especially those of you connected to the elder families. She’s successfully stolen from some, even killed a few. She was a suspect in your mothers murder and your assault, but was ruled out for having been out of the country at the time.

“Why do you want it?”

You stutter through the sentence, trying to distract her for a moment as you mentally prepare yourself for what you’re about to do. You just keep hoping, praying to whatever god is listening, that you can get your magic to work right just this once.

“Stop stalling, honey.. You know exactly why I want it.”

You take her words as your signal to call on your magic, and it appears in a sickly blue-ish yellow glow, enveloping you as you feel it wash over you, turning you invisible. You start cursing internally, knowing your magic won’t last long enough to keep you safe. But you have to try something. 

You don’t know what to do. Just run to your car, which probably won’t work, hide, which also probably won’t work, or somehow try to distract her which is your best bet but also probably won’t work.

So, you start booking it down the hall, the hard thumps of your feet on wood rattling through the old house as you dart for the stairs. Your fingers wrap around the bannister and you start running up the steps, taking them two steps at a time as you desperately search your mind for a good place to hide. 

“It’s funny you think you can hide, sweetheart.”

Agatha calls after you, and you can already hear her making her way up the stairs. She’s taking her time as she follows after you. You bolt down the hall, finding your old bedroom. When you throw open the door you’re not surprised to see that they renovated it, it seems to be an art studio for your step mother now.

You step back into the hallway, remaining invisible as you quietly move out of the way. Agatha is making her way down the hall, her robes and long hair flowing dramatically behind her as she approaches the door you flung open.

“Oh, come on.. Just make this easier for the both of us and come on out.”

She laughs as she sticks her head into the room, surveying it. She must be suspicious that you’re not actually in there. You take the opportunity to do something you’ve never tried before, something stupid that could kill you- and you call on your magic.

You raise your hand, closing your eyes as you carefully begin to draw your power from the pendant around your neck. It’s unstable in its pure form like this, your anxiety bubbling in your chest as you draw it into your hand, feeling it crackle and pop like a fire. You feel the invisibility spell wash off of you like water, your fingers flicking backwards in time with the powerful bursts of magic.

You build the magic steadily, higher and higher as you wait for her to turn around.

When she finally does, you twist your arms, using all of your strength to fling the yellow-blue ball of magic right into the woman. She flies backwards, and you hear the crashing noises as she falls right into all of the easels and canvases.

Peering through the door, you see her in a clump on the floor with the broken and tattered art supplies. She blows a long piece of thick brown hair that hand landed in her face out of the way with a dramatic puff of her lips.

“I thought you couldn’t use magic..”

Agatha grumbles as she climbs to her feet, dusting herself off. She pauses, an uneasy look overtaking her face.

“What.. What was that?”

She groans, wrapping her arms around her stomach where your magic had landed. You let out a breathy, surprised laugh. 

“What did you do to me!? I thought you couldn't use magic!”

Agatha yells at you, rage seeping through her voice as it booms in the halls of the house. Fear grips you again as you straighten up, not bothering to give her an explanation.

She groans out in pain behind you, and you start running. Your feet heavy thumps as you book it down the hall, thinking you finally got a chance.

Not only does she need to realize what's happening to her, she needs to purge it from her body. Someone that powerful shouldn't have an issue dealing with it, but fighting it out should stall just long enough for you to get away.

Or so you thought.

Something hits you so hard that you fall to the ground, landing roughly on your right arm. The force of your body hitting the hard wood beneath you causes your head to snap against the floor too, a loud yelp of pain pushing out of your throat as pain shoots in hot flashes across your skull and down your arm.

A few seconds later you’re blinking dumbly as you try to regain your senses, your head ringing and vision blurry from your hard fall. Your eyes roll in your head, a groggy groan escaping your lips as you desperately try to pick yourself off the ground.

Your right arm is stuck. Shoulder to hand, as if it’s superglued to the wood beneath you. Desperately you pull on your arm, trying to sit up to no avail as you hear the woman approaching you from behind.

You’re basically a bug that walked into a sticky trap, helpless as you watch your impending demise approach you. You turn your head to the sound of boots on the wooden floor, seeing Agatha sauntering towards you, purple skirt swaying around the ankles of her black boots. You’re just barely able to make out a coherent thought through all of the pain and fog clouding your mind- you’re fucked.

Your heart is pounding in your chest, your head throbbing in time with every beat as the woman crouches down before you. You’re unable to focus on her features, desperately wincing and pinching your eyes shut to try and get rid of the pain. Her fingers wrap around your jaw, biting softly into your cheeks as she focuses your lolling head on her gaze.

“I’m sorry.. I didn’t mean for you to hit the ground that hard. Don’t wanna risk damaging that pretty face, hm?”

You blink rapidly as she starts to come into focus. You try to gargle out a response, but find yourself unable to as pain shoots through your skull. She coos at you with wide eyes, raising her free hand to run softly over the top of your head.

“At the very least, there’s gonna be a bump. At the very most, a concussion.. I really am sorry, but I needed this-”

Her hand is reaching towards your neck. Panic spikes in your chest when you realize she’s going to grab your necklace.

“N-no!”

You force the word past your lips in a desperate stutter, your voice echoing through the long hall so loudly that it surprises you. The witch before you even seems a bit taken off guard, curling her fingers back as she retreats her hand only slightly.

“What’s wrong with your magic..”

She asks, her voice soft and firm as her eyes narrow at you in curiosity. Panic is bubbling in your chest, rising in your throat.

“I don’t know.”

You whisper in return, before that all too familiar flash of blue-yellow magic lights up between the two of you. Agatha raises her hands, manifesting a wide, purple shield the exact moment your unstable magic collides with it. A loud noise sounds right when it collides with hers, shaking the house and echoing loudly in your ears. Your head flies in the opposite direction at the force, smacking against the floor once again as your vision goes black.

[80rosequartz08]

Vivziepop Can't Write POC

TW/CW: Racism, S/A mention

Surprisingly Vivziepop's work actually has more POC characters than I first realized. And all of them are...less then splendid.

Valkyrie

Valkyrie...poor, poor Valkyrie...

Forever cursed to sit in the back, shut up, and only stand up and contribute when her white savior girlfriend either royally screws things up or needs moral support.

I've spoken about my strong feelings on Valkyrie many times before in previous posts so I'll only really give one new shred of criticism I've realized: Making your main POC female cast member a former genocidal murderer who spent supposed years killing her girlfriend's kind is...a choice.

Emily and Sera

My biggest issue with Emily and Sera (especially Emily) is that you can hardly even tell that they're meant to be Black. Their skin is a weird dark grayish brown, their features are stock and bland (both of them lacking proper noses), and their hair is some puzzling mix of straight and poofy.

And the writing of them both is also unimpressive. Emily is a carbon-copy, stock "Bubbly young girl" archetype who never really does much other than sing and move around. She acts more like a piece on a chessboard than a character, simply moving and doing what the scene needs her to do. Sera on the other hand, is a personality-less stick figure who just kind of does things because...the plot requires it. Also, great move Vivzie! Making one of the main villains a Black woman who endorses genocide and has to act like a babysitter/manager to the loud, obnoxious, hate-spewing white guy. How progressive!

Velvette (Kind of?)

I...actually have no real words to say about Velvette. Which sounded like a positive until I realized the reason I had nothing to say about her is because she does nothing. Like, ever.

She just kind of stands around being annoying and ignoring her fellow Vee's whining fits and sex crimes. Jeez, uh...that argument between her and Carmilla was stupid, I guess?

Velvette: She sure is one of the characters of all time!

Valentino

Not even worth mentioning, you already know he's terrible.

Alastor/Husk

Oh dear god, Alastor...

Words fail me at how much of an insane fail both of these characters are. One is a offensive caricature of Voodou that would make Dr. Facilier roll in his grave, who's also somehow whiter than snow despite being half Creloe. And the other is a constantly complaining douche and a hopeless alcoholic, who has a whole song devoted to calling a sex worker a loser for being abused/not having a proper coping mechanism. Oh, AND he's enslaved by the other "Black" guy! HOW PROGRESSIVE 😀

Oh and Carmilla is there too, but I've been awake for too long and also have nothing to say about her :/

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[pomefioredove]

since my little dorm post has been getting a lot of notes(?!) I wanna explain why I feel I'd get sentenced I mean sorted into diasomnia ^^

the thing about twst dorms is that while there are superficial traits (ignihyde students being introverted, savanaclaw students being athletic, etc), those are more like stereotypes, and are not why you would be sorted into one of those dorms

the dark mirror reads your soul, not your hobbies. it's not a quotev quiz that'll ask you what your favorite color is. it's about you as a person: your values, beliefs, dreams, wants and needs, etc

like, epel felmier is a rough 'n tumble rural boy who swears and picks fights. but he belongs in pomefiore, because pomefiore isn't actually about looking pretty and doing fancy things, it's based on the fairest queen's tenacity. no, epel isn't proper or polite, but that's not what the dorm is about. he's a goal-oriented, determined, hard-working young man who embodies the spirit of persistence. that is why he's in pomefiore, and not savanaclaw or what have you

so when talking about diasomnia, I am never saying "oh, I think I'd be a really powerful mage" because that's not what the dorm is. that's just a stereotype. etc etc

(I feel like what we actually know about diasomnia itself is quite limited. at least compared to the other dorms. the thoughts I have of it could be completely non-canonical, but I have thoughts, nonetheless. so)

I said somewhere on this blog that I put a lot of value on things like politeness and civility and respect, and that I consider myself a polite person. I was raised to mind my manners and put aside my personal feelings for the sake of formality. I have never started a fight in my life, but I do get very upset when I feel as if I'm being disrespected. my family observes a lot of old traditions that are rather outdated

ex:

if you are invited to something but don't attend, you still send a gift

if you are invited to something, you invite the host to your future events

you always say thank you after receiving a gift

if you don't have anything nice to say, then you can complain about it at home. but you never, ever insult a host to their face. it's so uncouth and terrible it's like a deadly sin to me

things like that. lots of rules about hierarchy and respect. doing something disrespectful or impolite (especially without an apology) is enough to create schisms in my family. we hold grudges here

when I think of the thorn fairy's "nobility", this is the sort of thing that comes to mind. the high emphasis on the hierarchy of respect, on civility and graciousness. the value of tradition, and doing things the old-fashioned way (and the dislike, or fear, of change seems to be a common theme in diasomnia)

you could surely look at the things I just said and say, "well, you would also fit in at pomefiore" because, sure, I would! I can do the rules, I can respect the housewardens, but I lack the tenacity and the want to be something that makes the dorm what it is. diasomnia may have some similarities, but its reluctance to embrace change is what makes it so different

I, as a person, do not have dreams. most of my life has been spent just trying to get by whilst at the level of this hierarchy I was born into. I couldn't be in pomefiore because, unlike epel, I don't have big goals to work towards. I feel more comfortable being a follower than a leader, and I have a tendency of structuring my life around the lives of others rather than my hopes and dreams. I do not live boldly

and it doesn't bother me. I've found that there are benefits to staying in the shadows, and I'm comfortable with my socially nocturnal life

that is why I'm diasomnia, and not pomefiore

my favorite fairytale, which is not sleeping beauty, is very much about social structure. it's about a heroine's malicious compliance to that structure and how she manages to turn it in her favor

ironically, it also is about a spinning wheel

[luvwich]

✒️ writer interview tag

tagged by @dustdeepsea — tysm, this was great fun! read their answers here and mine, if you like, beneath the cut ✨

When did you start writing?

early 2023 was my first foray into writing actual fiction. prior to that i'd done an embarrassing amount of roleplaying many years ago, which i shall speak on no further, but it did form the basis for a lot of my writing now!

once upon a time, i seriously entertained the idea of an MFA in screenwriting, but went on to pursue something even stupider for grad school 👍

Are there different themes or genres you enjoy reading than what you write?

honestly everything i enjoy reading gets smuggled into my writing in some form or another!

Is there a writer you want to emulate or get compared to often?

there are like 26 different writers where i wish to take bits and pieces of their style, send it all into a meat grinder, and press the gunk into sausage casings to be dipped in batter and deep fried. ideally i want my writing to hit like wagyu beef that's been corrupted into a county fair corn dog. but no i'm not sure i've ever been compared to another writer! that would fuck my shit up truly (in a good way)

Can you tell me a bit about your writing space?

typically curled up on my couch, because the ergonomic status of my home office setup is terrible — potentially lethal. sometimes i stay late at my not-home office, hidden away in a dark conference room, but that's usually only if i'm on a self-imposed deadline (i.e. i've started posting a WIP)

What's your most effective way to muster up a muse?

the spark that gets me to write is usually some kind of Dynamic that i want to explore so i do a lot of noodling upon situations and then figuring out how to get there. and by situations i mean smut

also, writing bits of dialogue, even if i don't know the context yet. it gets a character's voice and mannerisms in my head, and gives me a little grain to start building on

sadly, going on a hike and/or reading a really good book are both very effective and by far the most time consuming

Are there any recurring themes in your writing? Do they surprise you?

longing, isolation, identity, the difference between the person you'd like to be and the person you are, strained/dysfunctional family relationships, wrong person right time, hope, blowjobs, self-deception, california, fucking your way through it, guilt, social class, mommy issues, mono no aware, oral fingering, etc; they don't surprise me anymore but the first time i finished a long fic and took a step back i was like "ohh haha Damn"

What is your reason for writing?

i am horny, sad n silly

Is there any specific comment or type of comment you find particularly motivating?

all forms of feedback are so touching! i think much of what i write is pretty niche, so simply knowing someone has read my stuff gets me pumped. a big essay of a comment is like receiving a love letter, and comments that are just an emoji are like someone's tucked a little note in my lunchbox, and both are incredibly nourishing to me. as far as motivation, though, anything that implies someone is looking forward to reading more is the surest way to light a fire under my people-pleasing ass

How do you want to be thought about by your readers?

affable wretch, trickster, wine aunt

What do you feel is your greatest strength as a writer?

i'm not sure any one thing stands out: i believe i'm pretty good in a few areas (dialogue, sensory detail, characterization) and notably lacking in others (action, "plot," pacing, not getting high on my own supply)… okay i'll stop being an asshole though and say my strength is in "delivering on a mood," if that is a thing

How do you feel about your own writing?

generally good. for one, i'm proud of myself for ever finishing and posting anything, because following through on shit isn't something i'm renown for. i tend to hate everything i write after i've gotten some distance from it, but i think that's normal? right? i'm new at it and it's all for fun so i try to be gracious with myself, with mixed success, because beneath my goofy exterior i do take everything too seriously

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

mostly for myself; i do abstractly ask "would someone who isn't me enjoy this?" and never quite know the answer. like most humans i crave external validation and connection, but like a cactus i can survive on just a lil rainfall 🌵

tagging w/no pressure (but with my best barbara walters impression) @corpocyborg @ghostoffuturespast @merge-conflict @streetkid-named-desire @writing-for-soup

[o-craven-canto]

Filters in the way of technologically advanced life in the universe and how likely I think they are

1. Abiogenesis (4.4-3-8 billion years ago): Total mystery. The fact that it happened so quickly on Earth (possibly as soon as there was abundant liquid water) is a tiny bit of evidence for it being easy. Amino acids and polycyclic hydrocarbons are very common in space, but nucleotides aren't, and all hypothetic models I've seen require very specific conditions and a precise sequence of steps. (It would be funny if the dozen different mechanisms proposed for abiogenesis were all happening independently somewhere.)

2. Oxygenic photosynthesis (3.5 billion years ago) (to fuel abundant biomass, and provide oxygen or some other oxidizer for fast metabolism): Not so sure. Photosynthesis is just good business sense -- sunlight is right there -- and appeared several times among bacteria. But the specific type of ultra-energetic photosynthesis that cracks water and releases oxygen appeared only once, in Cyanobacteria. That required merging two different photosynthetic apparati in a rather complex way; and all later adoptions of oxygenic photosynthesis involved incorporating Cyanobacteria by endosymbiosis. For all that it's so useful, I don't know if I'd expect to see it on every living planet.

3. Eukaryotic cell (2.4 billion years ago?): Probably the narrowest bottleneck on the list. Segregated mitochondria with their own genes and a nucleus protecting the main genome are extremely useful both for energy production (decentralized control to maximize production without overloading) and for genetic storage (less DNA damage due to reactive metabolic waste). But there's a chicken-and-egg problem in which incorporating mitochondria to make energy requires an adjustable cytoskeleton, but that consumes so much energy it would require mitochondria already in place. Current models have found solutions that involve a very specific series of events. Or maybe not? Metabolic symbiosis, per se, is common, and there may have been other ways to gene-energy segregation. Besides, after the origin of eukaryotes, endosymbiosis occurred at least nine more times, and even some bacteria can incorporate smaller cells.

4. Sexual reproduction (by 1.2 billion years ago): Without meiotic sex (combining mutations from different lineages, decoupling useful traits from harmful ones, translating a gene in multiple way), the evolution of complex beings is going to be painfully slow. Bacteria already swap genes to an extent, and sexual recombination is bundled in with the origin of eukaryotes so I probably shouldn't count it separately (meiosis is just as energy-intensive as any other use of the cytoskeleton). Once you have recombination, life cycles with spores or gametes and sex differentiation probably follow almost inevitably.

5. Multicellularity (800 million years ago?): Quite common, actually. Happens all the time among eukaryotes, and once in a very limited form even among bacteria. Now we'd want complex organized bodies with geometry-defining genes, but even that happened thrice: in plants, fungi, and animals. As far as I know, various groups of yeasts are the only regressions to unicellularity.

6. Brains and sense organs (600 million years ago): Nerve cells arose either once or twice, depending on whether Ctenophora (comb-jellies) and Eumetazoa (all other animals except sponges) form a single clade or not. Some form of cellular sensing and communication is universal in life, though, so a tissue specialized for signal transmission is probably near inevitable once you have multicellular organisms whose lifestyle depends on moving and interacting with the environment. Sense organs that work at a distance are also needed, but image-forming eyes evolved in six phyla, so no danger there (and there's so many other potential forms of communication!). Just to be safe, you'll also want muscles and maybe mineralized skeletons on the list, but I don't think either is particularly problematic. An articulated skeleton is probably better than a rigid shell, but we still have multiple examples of that (polyplacophorans, brittle stars, arthropods, vertebrates).

7. Life on land (400 million years ago): (Adding this because air has a lot more oxygen to fuel brains than water (the most intelligent aquatic beings are air-breathers), and technology in water has the issue of fire.) You're going to need a waterproof integument, some kind of rigid support system, and kidneys to regulate water balance. Plenty of animal lineages moved on land: vertebrates, insects, millipedes, spiders, scorpions, multiple types of crabs, snails, earthworms, etc. Note that most of those are arthropods: this step seems to favor exoskeletons, which help a great deal in retaining water. Of course this depends on plants getting on land first, which on Earth happened only once, and required the invention of spores and cuticles. (Actually there are polar environments where all photosynthesis occurs in water, but they are recently settled and hardly the most productive.)

8. Human-like intelligence (a few million years ago?): There seems to a be a general trend in which the max intelligence attainable by animals on Earth has increased over time. There's quite a lot of animals today that approach or rival apes in intelligence: elephants, toothed cetaceans, various carnivorans, corvids, parrots, octopodes, and there's even intriguing data about jumping spiders. Birds seem to have developed neocortex-like brain structures independently. Of course humans got much farther, but the fact that even other human species are gone suggests that a planet is not big enough for more than one sophont, so the uniqueness of humans might not necessarily imply low probability. (We seem to exist about halfway through the habitability span of Earth land, FWIW.) The evolution of sociality should probably be lumped here: we'll want a species that can teach skills to its offspring and cooperate on tasks. But sociality is also a common and useful adaptation: many species on our list (octopodes are a glaring exception) are intensely social and care for their offspring. I mentioned above that the land-step favors exoskeletal beings, which in turns favors small size; but the size ranges of large land arthropods and very intelligent birds overlap, so that's not disqualifying.

9. Agriculture and urban civilization (11,000 years ago): Agriculture arrived quite late in the history of our species, but when it arrived -- i.e. at the end of the Wurm glaciation -- it arrived independently in four to eight different places around the world, in different biogeographic realms and climates, so I must assume that at least some climate regimes are great for it (glacial cycles are a minority of Earth's history; but did agriculture need to come after glaciations? Maybe a shock of seasonality did the trick). And once you have agriculture, complex urbanized societies follow most of the time, just a few millennia later. Even writing arose at least three times (Near East, China, and Mexico), and then spread quickly.

10. Scientific method and industrialization (300 years ago): We're getting too far from my expertise here, but whatever. The Eurasian Axial Age suggests that all civilizations with a certain degree of wealth, literacy, and interconnection will spawn a variety of philosophies. Philosophical schools that focus on material causes and effects like the Ionians or Charvaka have appeared sometimes, but often didn't win over more supernaturalist schools. Perhaps in pre-industrial times pure materialism isn't as useful! You may need to thread a needle between interconnected enough to exchange and combine ideas, and also decentralized enough that the intellectual elite can't quash heterodoxy. As for industrialization, that too happened only once, though that's another case in which the first achiever would snuff out any other. I hear Song China is a popular contender for alternative Industrial Revolutions (with coal-powered steelworks!); Imperial Rome and the Abbasid Caliphate are less convincing ones. For whatever reason, it didn't take until 18th century Britain.

11. Not dying randomly along the way: Mass extinctions killing off a majority of species happened over and over -- the Permian Great Dying, the Chicxulub impact, the early Oxygen Crisis -- but life has always rebounded fairly quickly and effectively. It's hard enough to sterilize an agar plate, let alone a planet. Disasters on this scale are also unlikely to happen in the lifespan of planet-bound civilizations, unless of course the civilizations are causing them. A civilization might still face catastrophic climate change, mega-pandemics, and nuclear war, not to mention lesser setbacks like culture-wide stagnation or collapse, and I couldn't begin to estimate how common, or ruinous, they would actually be.

****

I have no idea how common the origin of life is, but the vast majority of planets with life will only have bacterial mats and stromatolites. Of the tiny sliver that evolved complex cells, a good chunk will have their equivalents of plants and animals, most of which may have intelligent life at least on primate- or cetacean-level at some later point. At any given time, a tiny fraction of those will have agricultural civilizations, at an even tinier fraction of that will have post-industrial science and technology. Let's say maybe 1 planet with industrial technology out of 100 with agriculture, 100,000 with hominid-level intelligence, 10 million with animal-like organisms, 100 millions with complex cells, and 10 billions with life at all?

[ghoulfuckersincorporated]

I really don't think there's enough fics involving butt stuff with The Ghoul. He defo strikes me as the type who fingers your asshole while fucking you from behind just to watch you squirm. It's like a dominance thing for him when you've been disobedient, but you'll never admit how much you love being his submissive little slut. Are readers and writers just not into it? Or have I just been looking in the wrong places?

To comment: from what I've seen in the years I've been consuming and writing erotic fan content, stuff that involves anal does, in fact, seem to be weirdly polarizing (depending entirely on the writer and the audience you're publishing to, of course). I'm not entirely sure whether that's due to writers' own personal taste, audience preference, stigma...a combination of factors? It's definitely a phenomenon I've noticed. I also wonder if there isn't just a contingent of folks who have no experience with anal and therefore no interest in it.

Personally, I try to incorporate lots of different tastes and "moves" into my work, and I think the people that subscribe to this blog have come to expect that. Butt stuff is nowhere near the most potentially scarring thing I've exposed y'all to, and will continue to not be. :)

However, at the same time, when I feature actual anal sex in any of my stuff, I try to be at least somewhat tactful and depict is as a realistic sex act, which can be kind of a task sometimes when you're trying to be both erotic and not completely impossible. Poorly written anal scenes both aren't hot and kinda ruin the vibe of the entire work, in my opinion. I think there's a difference between "suspension of reality for sexual fantasy" and "spreading bad sex ed information through fiction". There's certainly a place for pain play/painal type stuff, but there's also a place for the complete opposite. It's a bit intimidating for me when I write it sometimes; maybe some others feel the same, so they don't write it as often compared to other things? Complete conjecture.

To answer your actual ask:

You're absolutely right. That motherfucker absolutely loves making you squirm by giving you pleasure in ways that gross you out. He sees a sliver of his old self in you, himself when he was new to this ghastly world, when he clung desperately to anything that would give him a sense of normalcy. In this, there's a sick thrill for him; he gets to be the one to show you how things really work, his sheltered little vaultie. The world out here is even meaner and more disgusting than you could ever imagine.

He'll prove it.

You aren't inexperienced, but pretty much all of the experience you do have is vanilla, very straightforward sex. Exploration on this topic isn't exactly at the forefront of your mind, either, what with how much of an adjustment period you're having to go through after leaving home for the first time in your life. The stress of it all is what initially drives you into his arms, seeking any form of real comfort you can find from the only companion you have.

The sex is a good stress reliever when he isn't springing things on you. He is rather good for such a hot-and-cold old prick, and he clearly knows it by his demeanor; the way he preens over your crumpled form after he makes you cum so hard you forget how to speak is infuriating. You like fucking him, but you can't let him know just how much. He'd be genuinely insufferable if he found out.

Whether it's your reserved reactions to his obvious smugness, or something else internal, you're unsure, but he quickly begins to push your buttons for bigger and bigger returns. Most of the tricks he pulls you enjoy the feeling of, but the way he watches you to gauge your reaction makes it feel like he's winning, somehow, and it doesn't sit right with you. Doubling down your efforts, you try your hardest to be unshakable.

Unfortunately, the first time he slides his tongue down to tease at your asshole while he's eating you out makes you fold completely.

"That's disgusting!" you huff, wriggling beneath him. Telling him to stop doesn't follow like you want it to; the words get caught in your throat as he pushes the tip of the wriggling muscle into you, his other hand playing softly with your clit as your aching pussy throbs.

"Had my tongue much worse places, believe me." he replies, his eyes burning up at you from between your legs. It's so embarrassing.

However, the next time he's helping you out, before you even realize it, your hips are moving in a pronounced arc, trying your best to will him to slide his tongue further down without having to suffer the indignity of asking for it, of him knowing he's gotten this over on you. It feels amazing and you refuse to beg. Fortunately, he doesn't make you...this time.

When he's finished with you, he doesn't immediately pull away, both of you lying together in a spent puddle of limbs for a breathless moment.

"It's still gross, you know." you say, flat and halfhearted in exhaustion.

"Oh, shut the fuck up." he grunts back, eyes rolling as he pulls himself into an upright sitting position. "I didn't see you whining when you were tryin' to crush my head with your thighs, princess."

"I can't help it! It tickles when you do that!" you argue, indignant and searing hot in the face.

"Oh yeah, kid. I bet it tickles real good. That why you came so hard?" he smirks, leaning back so he can right his clothing, his eyes never leaving yours. You pull yourself up and storm off to the other side of the room to redress, annoyed.

And yes, probably his favorite overall move is to sneak one of his fingers or his thumb into your ass while he fucks you from behind; the shock in your posture, in your voice, along with the tight, hot feeling of your little hole (holes) around him...it's probably for the best that he can't see your face, no matter how badly he wishes he could. He knows he'd cum instantly.

As for you, the feeling is infuriatingly electrifying, right on the line between pleasure and discomfort. His long, nimble digit isn't even all the way inside you, only sunk to just above the second knuckle, but he's quickly working it further and further in, the rest of his hand curling to cup the roundness of your cheek as he supports your hips. The stretch isn't too intrusive, but his skin is so rough in texture that it makes you squirm as he presses on, spit and your other body fluids the only lubrication you're given.

"Fuck, be careful!" you hiss. His only response is a harsh swat to your bare ass with his unoccupied hand, which draws a yelp from your parched throat as he yanks you back even more firmly by the leverage he now has. Your hands scramble for purchase across the sandy desert floor, unable to hold yourself up properly as he hammers away at you with an almost possessed vigor. Quickly, your head falls further down with the force of his movements, sending you sliding forward a few inches.

He doesn't like that.

"Don't fuckin' run from me." he growls, the hand that isn't spearing you wrapping quickly around your shoulder to yank you back again. His hips snap into yours viciously, the pace increasing as he loses his grip on whatever remaining self-control he has. Your battered cunt clenches hard around him at the feeling, at his words, and soon you're both howling out your release as he digs his nails into your thighs, rutting you so hard you fully face-plant into the ground. When it's over, he at least has the courtesy to make sure you didn't bump your head too hard. He does not, however, apologize for the massive bruise on your ass from where he struck you more than once. Typical.

Eventually, you allow him enough control to restrain you, which you know is almost certainly a mistake. However, by now you're addicted to the feeling he gives you when he takes over, when he pushes your boundaries and uses you to sate whatever passion burns inside him. Besides, he's protected and saved you enough times by now to have earned your trust, even if you know that he'll sometimes use it against you for devious reasons.

The rope he always carries doesn't hurt against your skin like you'd feared it would, but he's also quite delicate in how he secures your arms and legs, each limb immobilized and leaving you on your back, completely at his mercy. He spends forever teasing you, worshiping every part of you with his mouth and hands until you're begging, begging for release, begging for him to stretch you.

"It's alright. I'll take care of you." he promises, the tone he uses with you now so much softer than when you met. You feel relief at his words, ready to feel your aching cunt wrap around him, but he doesn't move to expose himself. Instead, he produces a small bottle of what you quickly discover is some sort of neutral oil, which he applies liberally. The feeling of the cool, thin substance running down your folds makes you shiver in the best way, but you're tense when his teasing fingers move from your clit, prodding at your taut ass.

Slowly, he works his middle finger inside you, the sensation more pleasant now that you've become accustomed to it. After a minute or two, he's moving it back and forth freely, adding another dribble of oil before setting the bottle aside, placing his free fingers on your clit. The way he rubs at you as he fucks you with his other hand makes your toes curl, and you get lost in the sensation until you feel his index finger start to prod at you, as well.

"You trust me?" he asks. Your eyes dropping closed, you nod silently.

He's incredibly gentle as he works the second finger in alongside the first, stretching you further than ever before and making your mouth fall open in a silent groan. He watches your face, your body language, closely, trying his best to stay calm and steady as he begins to move his hand once more, the other never stilling on your clit.

The sensation is incredibly overwhelming, a fullness you've never felt before, especially when he eventually adds a third finger. Your body is lit up with sensation and twitching eagerly the entire time, both wanting to pull off of his hand and to plunge yourself down further. When he leans down and seals his lips around your clit, you scream out an orgasm that leaves you trembling against your restraints, which he actually lets you out of before fucking you so hard you literally cannot stand immediately afterwards.

"You're so mean to me, you know. I don't want to like this stuff." you sigh, mostly joking.

"Don't worry, I'll have you begging for my cock in your ass soon." he promises, that wicked glint back in his eye that makes you nervous.

You hide your burning face in his throat as he chuckles at you, the sound of him lighting a cigarette snapping through the air, his other arm wrapped around your waist as you lean against him. Biting your tongue, you hold back the urge to snarkily respond to him.

You know he's right. It's only a matter of time.

[hermitw]

I've been thinking about this reblog of yours for months and I finally figured out how to respond to it.

I went and read No Longer Human by Junji Ito and it was a very upsetting thing to go through. I don't think I can read it again. However, I came out of it thinking that Gege was probably inspired by it.

When Yozo is first introduced, I noticed that Takaba's backstory was very similar. Feeling isolated from others, he decided to become a clown to gain acceptance from others. (Citations in Image Captions)

And later when Yozo was caught "cheating" (it's in quotes because those women are child rapists), I noticed that her face was really similar to the one Higuruma's client made when he felt betrayed by the trial outcome.

There's probably a lot more to say about how themes surrounding CSA and suicide in this work are echoed in JJK, but I'm not able to make the post myself. No Longer Human is too far out of my comfort zone in terms of graphic depiction to delve into it deeper.

But you seem strong enough to handle it, so... Idk maybe run with this some more.

Ohhh this is so interesting! I could definitely read No Longer Human again - tbh I read Junji Ito's version years ago. This year I listened to the audio book and bought a copy - but it's like, a draft in the author's handwriting (bc I thought it would help me study Japanese and if I had an English translation that I'd read it on repeat lmao). But you're real for that - I forget how disturbed people tend to be trying to read through it, I'm sorry that was rough.

I did go back to read the reblog and idk how relevant all that was - I've reread the manga since and felt like, oh I might have been misremembering some things like Uraume - idk if they actually had a freeze response in ch. 219, since they did tell Yorozu to back off though it took a minute - but it's also interesting how their CT deals with ice. Like to have a fight response, they freeze others? It's so interesting but I can't be sure whether it's there at all. (ik that yap II inspired some more coherent posts, like how it influenced Choso's self-image, etc., I linked but didn't tag you back then bc I felt Annoying especially w heavy topics but I can definitely go back and find them if you'd like.)

On a twin peaks note (without spoiling it), I feel like it inspired jjk to some extent - I've been feeling like the last chapter will end the way s2 did. Or at least - with the weird dreamy themes, "we are the dreamer who dreams and who lives inside the dream", etc...

But you're right - Yozo and the others' reactions resemble more jjk characters than I would think to connect. Takaba's jokes are truly a shield... And now I have an excuse to read Junji Ito's version again? Thank u so much (also isn't it funny how September 28 Uzumaki airs and September 30 jjk ends?).

I think gege gets inspired by the most tragic stories, I wonder how much of that is accurate but I can't always be convinced otherwise.... Especially when anime / manga series that he's confirmed as influences often deal with autonomy in ways that I couldn't handle (Evangelion, the night beyond the tricornered window).

By the way - ik we've mentioned elfen lied before, but in the first episode, you know that coffee mug? How it looks like jjk foreshadowing? Even has snail head Mahito - cut off-, the baseball, Panda, the worm (also cut off).... and later the newborn babies that look just like Yuuji...

I swear that elfen lied, Kagewani, and banana fish influenced jjk. It seems so obvious w those, maybe Vampire Princess Miyu as well.

Sorry for getting off topic - I've been looking into why Momotaro keeps coming up in jujutsu kaisen, and in the end it came back full circle to that damn coffee cup. Invest in a baseball team? A zoo? I'm going insane.

All this to say - rereading Junji Ito's version and seeing if I notice similarities between manga panels is so exciting. Gege even made a note that he asked for permission before drawing - I think it was the Uzumaki CT - So we know he's a big fan of Junji Ito. And it seems like there is a rly good chance No Longer Human inspired him as well (though I feel like characters with similar traumas having similar reactions is inevitable to some extent, if they're written in a believable way, it should be clearer when I'm reading both stories in the same format) based on the stories he has officially referenced.

[distracted-and-diffused]

Hit my subscription renewal date - Thoughts Part 2

At this point, my subscription to Netflix is functionally a subscription to Dead Boy Detectives.

That's partly because I really, really love the show -- and I do! Partly because I've been rewatching the show as much as I reasonably can in hopes of supporting the fandom as we hope to change Netflix's mind about the cancellation. And partly because -- for a lack of time, to get a point across, out of stubbornness / spite -- I haven't been watching anything else on Netflix since the cancellation.

My Basic subscription was recently dropped, and before the cancellation news, I was actually telling myself that the forced move to new plan would have an upside, because this show is one of the very few things that have made me wish I had that higher resolution subscription.

I want to see all the details, and it feels rewarding to notice little things in the show, like the plaque on the moose bobblehead in Episode 2, or the wording on the label on the black salt, or the different ways that Esther accessorizes with the evil eye necklace that she wears constantly. I've paused the show so many times to get a better look at things, and it's almost always been rewarded.

And also, before the cancellation news, I thought that I would give "with Ads" a try for at least a couple of weeks, to see if I could live with it, since I couldn't keep my Basic plan.

But I can't imagine, now that rewatching the show is part of my routine, having ads pop on in between scenes. (It would very much be a "flames on the sides of my face" situation if they messed with the timing and transitions of the show at this point. I don't feel like this is a show that is written to have ad breaks.)

And that's not even counting the whole targeted ad situation I talked about in my previous post.

Because of this show and this fandom, I'm watching more Netflix right now than ever. (I'd previously have bursts of watching, at most, a few 22-minute episodes a day while I cooked, followed by weeks of nothing as I watched shows on another service. Now I'm averaging at least 14 hours a week, while I do other things.)

Now, I'm renewing so I can keep up the rewatches (round 12 right now!), and in hopes that Netflix, too, might choose to renew (hint, hint).

But frankly, I'm considering my options, in the event that they don't.

If there's ever an official DVD/BluRay release, I'm going for it. (Very much hoping that Warner Brothers will put one out; what can I say, we're a passionate fanbase, and at the very least I hope they'd see that it would be worth it for them to do so.)

And if there's no hope of further seasons, I can't see myself keeping up a subscription full time. I'm sure I'd want to come back and visit the shows that I already like that have ended, but I don't think I'd have any motivation to try to keep up with anything new that's exclusive to Netflix as it comes out. What would be the point?

(Since the cancellation, I've learned about multiple Netflix shows I've never heard of before that sound interesting to me. I've heard about them specifically because they have also been cancelled -- and because Netflix's recommender thinks I'd be interested in them since I like Dead Boy Detectives. The fact that they have multiple recently cancelled but well-received shows in that segment seems somewhat damning.)

If I do drop back to part-time, I don't think I'd be coming back for enough time to make up the revenue they'd lose compared to the last price point, so that, too, seems like a loss for Netflix. (For the cost of a year's subscription at the last price point for Basic, I can manage almost 8 months of Standard. But I'm not sure I'd be coming back for 8 months at a time, if I knew I wasn't planning to stick around.)

Maybe I'm not the customer that Netflix is thinking of. Maybe I'm not the demographic that they want, or I'm not motivated by the same things that they think I should be.

But for a service that wants steady revenue and is concerned about cancellation/subscription churn, Netflix has been making some odd choices lately, as far as I'm concerned.

[thefallennightmare]

Hi! I have a silly question and I hope it's ok to ask. I've been on tumblr for over a year now and I'm having a hard time finding friends here, especially BO friends. I'm pretty sure all 5 of my followers are bots 🥲 I follow, like, reblog and leave comments but I'm pretty much ignored everywhere. One time someone actually told me they'll only respond to their mutuals not "randoms" and I was like obviously I'm doing something wrong? I'm not looking for a sympathy follow or anything like that, I just need advice on how to engage with the fandom? And any recommendations on who to follow?

Hi love!!!

Tumblr can be a weird place sometimes and take that from me as someone whose been on here for 13 years. Some people run their blogs weirdly but don't fret! You'll always have a friend here! I will admit, sometimes I forget to respond but I do try to respond to every message or comment I receive!

There are a lot of GREAT people in the BO fandom on Tumblr. If you're on the positive side, it's a great place. Here are some of my mutuals! (I'm so sorry if I forget anyone, please don't take it personal, my brain is much right now)

@blueskylinesx @artificialbreezy @follow-me-down-to-wonderland @chewyylynn @sorrowsofsilence @heyyoplayer @hayleylatour @xmads-omensx @collidewiththesavannah @thatchickwiththecamera @flowery-mess @alwaysfightforwhoyouare @dsireland86 @lma1986

Like I said, there are so many others!! Also, I'm always here if you want to chat or just need some advice!

[jazeswhbhaven]

With the whole Leviathan thing. I think is just his archetype is really popular with Japan.

Seeing another game that has a similar to what Leviathan is, and seeing the popularity of that characters type. It seems like, hard wall that has been build up and it takes time to get their walls to broke.

Plus, there's this unknown factor where you think that they are being an Asshole, but they actually have a reason behind their action.

One example I know is with the Character from Ikemen Prince, Chevalier is describe as (this is from the wiki)

True to his title, Chevalier is as ruthless and merciless as a cruel beast and is quick to cut down his enemies no matter who they are. He is indifferent to to almost everyone and doesn't spend much time interacting with people, and usually prefers to be alone. However, in his route after meeting the MC he somehow changes and began to get use to feeling certain emotions such as love, which he views as something unnecessary in the past.

Reading his route, you would imagine that people would not like him, however

2nd voting

Most of the voting, Chevalier always take 1st place.

Often times it just culture differences and people/majority have a preferences. We really can't do anything about it.

For me, often I like least popular characters or the most popular character cause I'm drawn to what I like, and with Chevalier and Leviathan they scratched a certain type I love.

And with MC, its a porn game. MC will be written as a blank slate with the motivation of being horny cause no reasonable person would act like this if you were surrounded with horny and feral devils that speak their mind with no filter or no restrained of their urges.

Like, if we put real life logic with some of the behavior, some of them will be questionable. But this is fictional game with their own logic. The game will do some kinky stuff that people like in their fiction.

Anyway, I wanted to share my 2 cent on Leviathan. I've have my problem with his character. And that fine, if he was just all nice with MC after the contract, that would have been too ooc for him.

Honestly, I like how his dynamic with MC in the main story now (ie. Chapter 6)

I'm glad you put this into words/visuals, because a lot of things I tend to say are usually said better by others. I recognize the character you mentioned because I did play a little bit of Ikemen Prince myself! When it comes to types, I can for sure agree that for myself, anyone with his or Levi's type is not my first pick. I also agree this could very well be cultural differences that come into play as well.

Though I do understand the why for Levi. Childhood robbed from him, experiments, other screwy things. I'd have walls too. In the comics though I see the other side of him that isn't so combative and that's why it's that love/hate thing I've got going on for him as a whole.

I'm unsure if anything I said may indicate that I'm taking his personality to heart, I'd like to clarify that I do not take it deeply that he's this way, it's more of empty rants lol he's nothing more than pixels with a smart mouth.

The way they have MC/Levi's dynamic for Chapter 6 has me satisfied too, I will not be bothered if they keep that up for the future chapters we get.

[all-pacas]

7.04:

HOUSE: […] Yes, [Chase has] been dating at a near-Clooney pace recently, but at this point, the only hole he's trying to fill is the one in his soul, which means it's the emotional connection with Cameron that he misses.

7.10:

WOMAN DOXING CHASE: When we were talking, you seemed like a nice guy. So either you're a great actor, or you're a nice guy who lost his way.

7.14:

PATIENT : Haven't you ever done something in a relationship you wish you could take back? CHASE : Maybe. PATIENT : How'd you handle it? CHASE : I told the truth. Eventually. PATIENT : How'd that work out? CHASE : Not well.

7.19:

CHASE: My time here changed me in ways not everyone in my life thought was for the better. […] MASTERS: Were those people right? CHASE: I think when you do change, it's not so simple to go back.

7.20:

CHASE: I think you're stuck. Last month or so I've turned my life around. I'm happier than ever. FOREMAN: Sleeping with ten women instead of four? CHASE : Try none. […] FOREMAN: […] None? CHASE : Was having tons of sex, and I was bored, hating myself. Was never gonna be ready when something real came along.

[He sleeps with a nurse at the end of this episode, and looks conflicted about it.]

8.10:

ADAMS: Do you think people can change? CHASE: No. But I don't think that's gonna change your opinion, because… people don't change.

8.12:

HOUSE: You can do anything. So you come back to the same building you've worked in for years. Guess you can cross that off your bucket list. CHASE: Can we get to my patient sometime soon? HOUSE: As soon as you admit that you're a confused mess, sure.

-

HOUSE: Or you're terrified of intimacy, which is why you're a serial slut. But right now you're grasping at an emotional life raft. Ideally someone for whom intimacy's not an option.

8.16:

PARK: You were jealous of me. My family. CHASE: Maybe you've got too much, and I've got too little.

8.17:

CHASE: I have meaningless sex with random strangers. Thanks for the insight, but I stopped that months ago. I actually had a relationship. HOUSE: With a patient. You just date whoever happens to cross your path. CHASE: My dating is getting in the way of my dating? HOUSE: You don't go looking for the right person. You just shack up with whoever's in the room, and then you get surprised and/or divorced when it doesn't work out.

anyway, chase's dumb whoring as a symptom of his loneliness. his immediately falling for cameron at the first scrap of affection as a symptom of his loneliness. he sleeps around after his divorce and then stops. he sleeps around after his stabbing and then stops. it takes him a long time to get over his divorce -- there's a running theme of him wanting to change, feeling like he can't, that no one can, that it is a problem, that all he can do is what he's stuck doing, but he keeps attaching to the first people who show him affection (which he mostly interprets as sex) because he doesn't know what other relationships look like.

[sinswithpleasure]

Addressing My Ask Box

Hey guys, Sins here.

I'm sorry if this might seem rude and/or entitled, but I feel that I have to get this off my chest.

First of all, I really appreciate the flood of asks just off today. I like that you readers are actively willing to engage me and reach out in any shape or form, but I have to set some ground rules.

Nearly every ask since my last fic in July has been the same variation of "idol and idol cuddling" and "idol x idol sex", and I'm really getting burnt out on these. Don't get me wrong, I appreciate that you all have put in the time to type all of it out, but I'm really not sure if you want a fic, you're just dumping random things, or...?

I've seen my fair share of "top 5 idols whose pits u wanna lick" to just, pure statements that i can't reply to, such as "i think chaewon has great tits" or "wony can't stop eating gaeul's cunt". Most of the time, I'm actively not sure what to do with this—I'm very lost on your intentions and would prefer more clarity.

I've actually said this privately to a lot of other writers: low effort ask means low effort reply. Any ask I don't understand either gets deleted or answered with one word only. I really don't want to give low effort replies because to me, being a writer is akin to being a customer service representative—my job is to serve up stuff that makes you enjoy yourself, and part of that is giving you good replies to the asks that you put time into to type into my ask box. However, there's really not much I can work on with one liners without context other than "nise" because I really don't know what to do with them, and I do not want to delete asks so readily since you have put effort into them.

I've always found how sapphics send asks to wlw blogs here, as well as on platforms like CuriousCat or Retrospring so wonderful. For example:

kmj saying on live that the other members would be different baseball positions and she would be the cheerleader...three way gang bang for mj in a tiny little skirt please

was a literal ask a friend of mine on twt got about aespa, and it's stuff like this where I can expand on and help you realise a fantasy. Not only that, it's also fun for me because there is context. I need more than sex to build up any piece of a fic for you—idea generation is not as easy as it seems. The example above at least has a setting I can imagine, characters that I can explore, and all in all has space for inspirational expansion.

Tldr—Help me help you. Give me more context, give me something more than the sex acts. This goes for a lot of suggestion-type asks—the more effort you put into an idea to suggest, the more receptive most writers will be.

Thank you.

Sins.

[luckydicekirby]

would love any director's commentary you may have on The Only True Thing if slightly older fics are on the table here bc lowkey it changed my brain chemistry forever. I read it on a whim like four years ago at 1 in the morning and ever since then I've been hooked on making all my fav pairings miserable for no reason. this sounds like sarcasm but I'm being completely sincere the schadenfreude is exquisite

okay first of all I’m SO glad to hear this because making your favs miserable is I think one of the most rewarding activities on this earth so I’m really glad I could help share that joy. thanks also to sylvain for just making it so easy. anyway, here’s some assorted thoughts, hopefully some of which are edifying!

(the only true thing for reference for anyone playing along at home.)

this fic affectionately named the darkling au due to this tweet which I feel like I should put in a hall of fame someday. anyway this entire thread showcases the origin of this fic which was me catie and lily bullying each other on twitter about sylvix, a pastime left behind in 2019 which i really miss.

the thing that really first made me Crazy Cuckoo about sylvain is his B support with Byleth--I'm obsessed with that moment where he very coldly threatens to kill you and then laughs it off, and that was pretty much the jumping off point for Sylvain's characterization in this au--what if he was like that all the time? answer: it would be bad, but also pretty sexy!

One thing I miss about writing for fe3h is the hero’s relics were sooo nice as like. shortcut symbolism. the lance of ruin comes preloaded for you! It’s familial cycles of violence! Easy! and there's a mechanic for it breaking ALSO preloaded into the game mechanics! I wrote like three versions of the ending and the lance getting busted moved around a bit--it originally happened a little earlier.

For a while when I was still femblempilled I was idly thinking about two sequels to this—a sylvain pov sequel about the war, which would have been fun but also Yikes, and then epistolary dorothea/ingrid ideological divorce fic. sorry to dorothea and ingrid who really get the short end of the stick in this universe.

oh there's a playlist. I can’t claim to have put a ton of thought into it it’s just all my fav bad ya boyfriend songs <3 actually dead girl walking reprise is like. yeah that's the fic.

ANYWAY. I feel like a lot of my commentary on this has been washed away by the sea (the passage of time) so a few extras. I apparently wrote like 400 words of sylvain POV of the training yard scene also? Last edited September 26th 2019, here you go:

Felix has always been smaller him, ever since they were kids. Still is these days, to Sylvain’s delight. He wondered about it plenty, these past two years--maybe Felix had a growth spurt. Maybe he caught up to Dimitri. Maybe Sylvain would meet him at the monastery and they’d see eye to eye. Of course they don’t. Felix is a head shorter than him, and he’ll never see things the way Sylvain does. Still. Sylvain thought about it. He’s had a lot of time to think about Felix since the last time he saw him, since Felix ran away. Still a crybaby at heart, no matter how sure he was he’d grown out of it. Not much has changed, Sylvain figures. Felix might have everyone else fooled with that delightfully sharp-edged exterior of his--a pretty decent feint, Sylvian should know--but Felix can’t hide from him. Sylvain sees him down to the bone. The two of them are a matched set: liars at heart.  Like right now. Felix is trying so hard not to cry, his back to the wall of the training yard, his grip tight around the wood of his training sword like he’s actually going to use it. Sylvain hopes he will. He hasn’t gotten to see Felix fight yet, really fight. He bets he’s gotten better. He bets he’s elegant and controlled—maybe less so with Sylvain, and wouldn’t that be nice? That’s how it goes sometimes, when Sylvain dreams about their last day together. Felix’s sword at his throat, biting and cold, ending all this before it began. It would have saved everyone a lot of trouble. Sylvain wouldn’t have had to spend such an awfully long time missing him.  He bets Felix could make him hurt. Nothing seems to do that anymore, except for thoughts of Felix, the ones he can never stop worrying at like a bruise.  Sylvain doesn’t want much these days, and maybe that’s why it’s so hard: he wants Felix in a way that aches, delirious and unstoppable. It doesn’t matter so much how. Felix is welcome to cut him open or kiss him quiet or anything in between. As long as he never stops looking at Sylvain like he is now, hateful and just on the edge of tears, so clearly focused on nothing else. As long as Sylvain can have that, the rest doesn’t matter.  That’s love, Sylvain figures; the cheerful facade he gives the girls is nothing. He forgets about a new one every week. But Felix? He’ll be dead someday, and Felix will still have a grip on his heart, as tight as he’s holding his sword and just as dangerous.

and what exists of the sylvain POV sequel I never wrote:

Felix looks like shit. Of course he’s also beautiful. He’s radiant, for all that his hair’s a mess and his face is drawn and he’s got the kind of dark circles that only come from weeks and weeks of exhaustion. He’s Felix, right? He can’t be anything else. “You look like shit,” Sylvain tells him, because honesty is what Felix thinks he wants from him. He hasn’t seen Felix in six moons, but that probably hasn’t changed. “What are you doing here?” Felix asks. His horse stamps her feet and shakes her head, moving uneasily under him. Felix has never been a good rider. It’s clear he doesn’t appreciate his mare, and she doesn’t appreciate him. Sylvain wonders how long Felix has been making his way across Faerghus like this. He wonders if he stole the horse. It’s awful not to know. “Looking for you,” Sylvain says. “They say you’re searching for the king.” Felix never could stop himself from chasing ghosts. Sylvain hates that about him. It’s just as unfair as everything else: it’s the only reason Sylvain is still here, after all.  “I am. And you should be defending Gautier territory.” “Got a message from your father,” Sylvain lies. He slides off his horse, patting her flank. Felix, clumsily, does the same. “He wants you to come home.” That part’s probably true.  Felix scoffs. “My old man can send all the messages he wants. I’m going to find the boar.” He means it. Sylvain can see that he means it, in the flinty look in his eyes, the fold of his arms, the jut of his chin as he looks up at Sylvain. It’s the saddest thing Sylvain’s ever seen, and he’s seen a lot of shit. “Felix,” he says. He reaches out. He can never help it, not when Felix is like this, not when he believes. Felix doesn’t flinch from Sylvain’s hand on his cheek anymore. “Sweetheart. You know he’s dead.” “Don’t call me that,” Felix says. But when he swings himself back in the saddle and Sylvain does the same, he doesn’t tell Sylvain not to follow. That’s more than good enough. 

[emeryhiro]

Hello!

I am new here and is feeling very overwhelmed right now with that is happening in the caryl fandom. I appreciate your insight into these characters. I am someone who has not seen Daryl Dixon season 1 and is seriously considering if I should even watch it with all that is being said about s2.

Reading all the early reviews that has dropped - I get a lot of mixed reactions to Isabelle's character. Some ppl say she was the best part about season 1 while others don't even mention here in their reviews. The caryl fandom is largely, understandably, biased against her.

I do not know anything about Isabelle and was wondering what your thoughts about her are - how she holds up as a character?

Hi Anon!!

Thank you for your question. I'm really glad you asked this question, and thank you for the kind words🥰 I'm going to do my best to properly answer and share my thoughts on all the points you've mentioned.

Firstly, welcome to the fandom!! 💖 I'm sorry you've joined at a time of so much uncertainty, but I promise that at its core, this community is a beautiful place to be. But like all communities, there is always positivity and negativity, and it's important to be careful with what's surrounding you, ensuring it's a healthy balance that works for you.

I've divided my response into several sections, as I find that to be the best way to convey my thoughts. I also wanted to be as clear as possible since this is a sensitive topic for some, and I want to try to alleviate at least some of the worries.

A mild spoiler warning for a mention of something that happens in episode 1 of season 2.

Reviews on Season 2:

I wasn't planning on reading any of the reviews for season 2, but since you asked for my thoughts, I read all the articles that I could find so that I could give you an informed response. And one thing I advise is to always take reviews with a grain of salt (this includes my thoughts as well) because, ultimately, they're all based on the writers' opinions.

What I've found with all previous seasons of TWD, especially season 1 of Daryl Dixon, was that no single review I read aligned perfectly with what I thought of the show once I watched it myself. And I know I'll say the same about season 2.

Regarding what I read in the season 2 reviews, I don't think I've actually read a single concerning line in any of the ones I've come across, and I'm pretty sure I've read every single one that has been released. There are, however, a lot of people who, out of fear or concern, focus on single lines from a review that may sound negative or worrisome when taken out of context, and ignore everything else in the review that's purely positive.

I can see many people have shared their specific thoughts on different segments of several reviews, but I won't go into my thoughts here for the sake of keeping this response reasonable short. If you're interested in a detailed post about my thoughts on the reviews in general or any in particular, let me know, and I'll share it as soon as I get a chance.

My thoughts on Isabelle:

I found Isabelle to be a fascinating character with many layers. She is unquestionably flawed and has a great mix of both positive and negative characteristics, which I think is what gives her character so much potential. She's intelligent, driven, brave, headstrong, and very protective, but she's also undeniably manipulative, which makes sense when you think of it as a self-defence mechanism that she developed during her rocky life before the apocalypse. I'm also a fan of Clémence as an actress, and I think she's a great fit for this character.

This next bit might sound a bit contrevoursial but bare with me. I've seen Isabelle get a lot of hate for being manipulative towards Daryl, even I personally hated seeing Daryl be treated that way, but it's important to remember that we've also seen Carol behave manipulatively when she's had to in the past in order to protect the people that she loves. This is something you'll see Carol do once again in episode 1 of TBOC, and when I watched it, it made me uncomfortable, but ultimetly, I could see that it made Carol uncomfortable as well; she doesn't feel any satisfaction out of what she does and is willing to carry the weight of that lie and guilt to achieve her ultimate goal of saving Daryl, the person she loves.

Even though, on the surface, it's not an admirable thing to do, we appreciate Carol so much more because of the lengths she's willing to go to for the ones she loves, and we've also seen her journey to this point, which naturally makes us love her and empathise with her.

So my point here is that I can't judge Isabelle for the same behaviour I admire in my favourite character. Just like Carol may act that way to protect Daryl (her loved one), Isabelle was doing it because she believed (to the best of her knowledge) that it was what was best for Laurent (her loved one).

However, what doesn't sit right with me about Isabelle's character is that what the showrunners and writers have been saying about her doesn't align with what I've seen on screen (this is a great example of why I try to avoid looking at unnecessary publicity). I want to love her character for who she is, flaws and all, but the inconsistency in her publicity makes me feel like there's some discrepancy behind the scenes, and that has stopped me from investing in her character and gives me slight concern for the trajectory of her arc, which has so much potential that would be incredibly tragic if wasted.

The only other thing that I would disagree with (IF the show ends up going down that path) is the negative messaging that would be given out about nuns if every surviving nun on the show is portrayed as willing to forget her vows the minute there's a man in front of them that they find interesting. I'm not catholic, but I think that it would be incredibly disrespectful towards actual nuns and the sacrifices that they make for their faith. But please don't take this as fact because I don't think this will actually ever happen. I honestly don't believe that AMC or anyone involved with the show would knowingly do something like that. I'd be happy to explain this a little further, but I don't think it's relevant if you haven't seen the first seasons.

Watching TWD: Daryl Dixon S1 & 2

My question to you would be, what draws you to TWD/TBOC? Is it Caryl itself and potential canon? And if so, do you feel that you'd be left disappointed and/or unsatisfied with the potential lack of romance between the characters in season 2? Or, do you enjoy the show for a combination of things, like the character development, world-building, cinematography, etc.?

I want to emphasise that there is no wrong answer to the above. Everyone is unique, and it's 1000% understandable and fair for each person to have unique reasons for being drawn to and loving, hating, or even being indifferent about a show.

I personally fall in the latter category; I love TWD for its rich story, action sequences, cinematography, multitude of interesting characters, and the mind-blowing ways in which they have developed over the years (the whole package of the show is exactly my cup of tea), and of course, it's no secret if anyone looks at my blog that my favourite character (BY FAR) are Carol and Daryl. I absolutely adore them for everything they are, both as individuals and what they bring out in each other and mean to each other. And if Caryl is ever canon (which I expect would happen in season 3), then that would be the cherry on top of a show I already love.

My very short review of season 1 would be that I really enjoyed it and would rank it at the top between all the other spinoff seasons we've gotten so far. However, in all honesty, I still felt and noticed the hole that was left behind in the story with the absence of Carol, but knowing that she will be returning in season 2 kind of made up for that lack in season 1. All up, I really enjoyed season 1 and have watched it several times in the last year. I'm actually currently in the middle of watching it again in preparation for season 2.

My recommendations:

If you personally fall into the former category and, as mentioned above, feel that you'd be left disappointed and/or unsatisfied with the potential lack of romance between the characters in season 2, then perhaps it's better to wait till all the episodes are released to then decide if it's something that you'd like to watch.

If you're willing to accept and are okay with the potential lack of romance between Caryl in season 2 but are concerned about and would rather not watch any potential romantic relationship develop between Daryl and Isabelle, then I'd say that you should watch the season as it releases because I honestly don't believe that something like that is a real possibility. At most, there may be hints towards one-sided feelings from Isabelle's side and maybe some confusion from Daryl's side, but untimely, it would not mean or go anywhere. I'm personally not even bothered with this worst-case scenario because it doesn't matter how many people have feelings for Daryl or how confused Daryl is because I know that once he's reunited with Carol, there won't be any more uncertainty about where his heart and loyalties truly lie. There's honestly not a single ounce of me that's concerned about this.

If you're more like me and enjoy the show as a whole, even though you may be slightly disappointed with a few accepts, then I'd highly recommend that you watch season 1 before the release of season 2 (if you have the time), because it genuinely was a good season and will give you a lot of backstory and context that would make season 2 feel so much more enjoyable and immersive.

~~~~

Thanks again for your questions!! I hope this all makes sense and that it answers your questions. As I mentioned earlier, if you'd like me to expand on my thoughts on anything in particular, please let me know, and I'd be happy to do so.

My last bit of advice is this: I know it's easier said than done, but I urge you, especially as someone who's new to the fandom, to not allow a lot of different voices and opinions to shape how you naturally feel or invalidate what you take away from watching the show (not that I think that's what you're doing but this is the general advice I wanted to give just in case🩵). It's really easy for anyone to be influenced by negativity and positivity when they find that that's all they can see from the people around them.

I personally try to focus on what I see on screen and what I hear directly from Norman and Melissa because, at the end of the day, showrunners and writers come and go, but Norman and Melissa have embodied these characters from day one and understand them more than anyone else ever could.

♡♡♡