#not that i think the author actually put symbolism in it

[deltaruminations]

quick breakdown of what i think The Legend (as told to us by ralsei) might be communicating, since i don't think i've actually laid out my thoughts on this before

Once upon a time, a LEGEND was whispered among shadows. It was a LEGEND of HOPE. It was a LEGEND of DREAMS. It was a LEGEND of LIGHT. It was a LEGEND of DARK. This is the legend of DELTA RUNE

this first section is just serving to establish broad themes and symbols relevant to the story. it's scene-setting, and suggests an origin for the legend ("whispered among shadows").

For millenia, LIGHT and DARK have lived in balance, Bringing peace to the WORLD. But if this harmony were to shatter... a terrible calamity would occur. The sky will run black with terror And the land will crack with fear. Then, her heart pounding... The EARTH will draw her final breath.

we know as of chapter 2 that this part describes the Roaring, and vaguely gestures at its cause (the "harmony" between light and dark being "shattered"). in a normal RPG "prophecy," this would be describing the Terrible Outcome that the heroes are destined to prevent.

the part that confounds theorists is how it seems to contradict the next bit, which more or less directly states that the three heroes of legend won't even arrive until after the Earth has died. what this implies is that the Roaring already happened before the game even started. if we're doomed from the start, then what's the point?

if we say that this is a "second take" of the world, then this is actually internally consistent. the Roaring did, in fact, already happen in a different "session" or instance of deltarune's story -- maybe it happened in this timeline, and the timeline was recently reset, or maybe it was a different timeline from which this one was spun off. either way, the world was given a second chance to stop the Roaring, but this only became possible after it had already happened (at least) once.

if we put stock in the idea that gaster wrote the Legend (as it's told by ralsei), we could speculate that this part of the Legend isn't actually prophetic, but rather based on some kind of prior experience, whether because he saw it from the outside or experienced it first-hand.

Only then, shining with hope... Three HEROES appear at WORLDS' edge. A HUMAN, A MONSTER, And a PRINCE FROM THE DARK. Only they can seal the fountains And banish the ANGEL'S HEAVEN. Only then will balance be restored, And the WORLD saved from destruction.

this is, of course, setting the scene for our current "session" and laying out the basic goals for the rest of our journey (or at least, what those goals are *supposed* to be).

under the "take 2" interpretation, this is the section describing the world's second chance. the Roaring is fated to happen, and indeed already has, in a different "session." without intervention, the Roaring WILL happen, by default. so the Legend hasn't simply tasked the heroes with preventing a calamity that theoretically COULD occur, but rather with changing the very fate of a world that is supposed to be DESTINED for that calamity.

"Angel's Heaven" could be referring to some end-state of a Roaring'd world, but it might refer to something else, depending on who or what we think this "Angel" actually is. if we consider the Angel some kind of demiurge, creator figure, or even author stand-in, then "heaven" could even refer to the story itself, whereby the narrative described in the previous section -- the one that prescribes a "fated" Bad End -- might itself be the Angel's "Heaven." it's a world of the Angel's design, that follows Its will; "heaven" in this sense might not refer to the specific quality of someone's Happy or Good Place, but more generally to the Angel's holy domain -- Its sphere of control, or maybe Its sandbox. to prevent the Roaring and change the story's ending is, in a way, to "banish" that story and replace it with a story that the Angel didn't design and can't control -- a story of profane (or perhaps "hellish") origin, which happens to be consistent with gaster's roles as both Actual Satan and the possible orchestrator of the current "session."

Today, the FOUNTAIN OF DARKNESS- The geyser that gives this land form- Stands tall at the center of the kingdom. But recently, another fountain has appeared on the horizon... And with it, the balance of LIGHT and DARK begins to shift...

and of course this is just setting up chapter 1 lol

anyway that's all. thanks. bye

[mycartoonmonster]

With the context of the Book of Bill and the characterisation of Bill, I ended up finding that all the members of the Zodiac have a thing or two in common with Bill Cipher.

Six fingered hand-Stanford Pines

-Both have a genetic mutation which they got ostracized for but made them interested in the worlds beyond.

- Both are egocentric and smart.

-Both have a thirst for revenge to prove the people around them they were wrong about them.

-Both didn't mean to endanger their dimension (Ford wanted knowledge and Bill wanted to show them the stars)

-Animals aren't safe around them (Ford set a bird on fire by mistaking it as a Phoenix and Bill ripped out a deer's teeth in his debut and in the storyboards of Weirdmageddon P1 he uses a deer to forcibly kiss Ford's statue as if they were his Barbie and Ken)

-Both have a weird sense of humor

-Both are considered criminals in the multiverse (Theft in Ford's case and Manslaughther, Murder alongside other stuff like mass property destruction in Bill's case)

-Both project onto others they see as similar to themselves (Bill with Ford-and on a minor scale Pacifica-and Ford with Dipper)

-Both ended up getting tricked by a conman (Ford by Bill and Bill by Stanley)

-Both are authors! (The Journals and the Book Of Bill, which are essentially diaries that talked about what their lives were, a bit about themselves and the creatures they found through their life)

Crescent symbol/Fish-Stanley Pines

-Both are scammers

-Both share mannerisms, one of them being referring to Ford as Sixer(which led to people theorizing Stan was Bill's reincarnation)

-Bad relationship with their parents but seem closer with their mom (Bill's parents tried to make him blind to the 3rd dimension but it seems Bill genuinely loved his mama Scalene while Fildbrick didn't value Stan as much as Ford and Caryn was the only one worried about Stanley and was one of the 2 persons that assisted his fake funeral)

-Both were seen as a bad kid growing up (Bill by the people on his dimension due to his mutation and the habilities this granted him while Stan was seen as lesser than Ford due to the latter's gigantic IQ and his rebellious nature)

-Both made one mistake that heavily affected the course of their lives and can never return home because of it (Stan ruining Ford´s project and Bill setting his home ablaze)

-Both didn't mean to push Ford away from them nor put their families in any danger initially(Bill wanted Ford to continue with the portal and got sad after their fallout and Stan did what he did in a moment where he wasnt thinking rationally and it cost him 30 years of loneliness and guilt)

-Both went to jail on different occassions (Stan on Colombia and Bill after going on a rampage in the bar while drunk after the fallout with Ford and the Theraprism if you wanna add it)

-Both tend show only 1 eye to people as well as a cane (Bill only has 1-although he can shapeshift and have multiples as seen in his demon form- and he uses the cane mostly in Dreamscappers, a bit in Sock Opera and in the intro for Weirdmageddon while Stan uses a patch and an 8 ball cane for tourists during his mystery man persona)

-Both used their art to influence people (Stan with the Mystery Shack's attractions and Bill using animation and figurines which failed, unlike Stan's works, unless you count the Lil' Stanley comic)

-Both have used a red demon costume once (Bill in the book and Stan in a picture in Gideon Rises)

-Both wanted to set the journals on fire (with Bill actually doing it in Weirdmageddon Part 1)

-They find Dipper's disstress/fear and annoyance hilarious (Stan teasing him vs Bill terrorizing him)

Glasses-Fiddleford McGucket

-Both end up going insane after a traumatic event (The destruction of his home dimension in Bill's case and McGucket taking a peek into Bill eating his own exoskeleton after crossing the portal)

-The times they helped/aided people it ended bad for them (In McGucket's case, Dipper with his new voice and the Gideon Bot that ended up getting destroyed in the scuffle with Dipper and in Bill's case; Dipper became Bill's puppet and Gideon didn't get the Shack's signature hence he had to use dynamite as a plan B and Weirdmaggedon only lasted 4-5 days for the Henchmaniacs while in McGuckets case's Shacktron didn't survive against Bill as they didn't consider protecting the arms and legs the same way that the Shack was protected)

-Both played a part in the creation of secret societies (Fiddleford by creating The Societyvof the Blind Eye and Bill by the Ciphertologists and inderectly creating the Anti-Bill Cipher society by terrorizing 4 persons)

-Underneath all that insanity and very deep in that broken mind, there is one very smart broken guy.

-Both lost their families (At least Fiddleford could reconciliate with some of it but Bill doesn´t have the same chance anymore)

Bag of ice-Wendy Courdory

-Both are rebellious and dislike authority figures.

-They like to do what they want with no regard for rules

-Both abused their power on more than one occasion (Wendy by stealing snacks and throwing water balloons at the elderly when working at the pool and Bill throughout his deals and in Weirdmageddon)

-They've had guts to face powerfull creatures (Bill the Time Baby and Wendy stuff like the ShapeShifter, the Unicorns or the Eye Bats in Weirdmageddon)

-Both lost a mom when they were young.

Questioning Mark-Soos Ramírez

-Both are smarter than what they look like upon first sight.

-Both lack a dad (Bill's died while Soos's left him)

-They have a funny side to them (Bill more leaning to sadism though)

-Both had their eyes damaged by Mabel (Soos by getting attacked with glitter in Stan Is Not What He Seems and Bill by getting sprayed with graffiti paint in Weirdmageddon Part 3)

Stiched heart-Robbie Valentino

-Both had their relationships ruined by their own arrogance, negligence and dishonesty (Bill being an abusive partner while Robbie was immature).

-They did not take the fallout with their partner well (at least Robbie would never dare to do anything similar to what Bill did)

-They tried to pursue their partner after the break up but to no avail (Bill with threaths and later on with offers of power and Robbie by using music as seen in Gideon Rises and both actually using messanges-Bill wasting Ford's Post-it notes and Robbie sad emails and texts to Wendy)

-Both are good with music (Bill can play the piano and xylophone as seen in his apology video and Robbie can play the guitar and both can sing)

-Both insulted Soos or referred to him in condescending ways (Robbie called him Big Dude and Bill adressed him as "the fat one")

-Both had beef with a 12 year old and wanted to harm them (Robbie wanted to fist fight a child aka Dipper and Bill planned to commit suicide in Dipper's body, turn the mystery twins into corpses, disassamble their molecules and almost kills Mabel in the series finale)

'Both got turned to stone at one point in Weirdmageddon (Robbie when it started and Bill at the end of it)

One eyed Pentagram-Gideon Gleeful

-Having too much power that they acquired at a young age which heavily affected them and began their rise to villainy

-Both have a hatred towards Stanley Pines for meddling with their plans to obtain absolute power and ultimatetly ruining their plans which ended with them in prison.

-Both burnt a picture of the object of their affections; destroying the section with the rest of their family and leaving their faces untouched.

-Both planned to use Mabel and Dipper to get one of the original mystery twins to give them what they wanted

-Both left the Pines Twin they were interested on imprisoned during Weirdmageddon.

-Both deep down craved adoration and attention.

-Both lead a gang of criminals but dont treat them with a much respect as the one Pines Twin they are pining on while hating the other twins for thinking they turned them away from them when in reality it was their actions that did.

-Both got punched in the face by a Pines Twin in a season Finale inside someone´s head (Gideon Bot's and Stanley's)

-Both seem to care about their appearance (Gideon worrying about his hair the most and Bill about his bowtie, given the scream he lets out when Dipper blasts him and him readjusting it a couple of times during Weirdmageddon)

-Both ended up in prison after acquiring a position of absolute power where they do art therapy

-Both are snappy dressers and use their charm to trick people

Llama-Pacifica Northwest

-Both had messy childhoods that turned them into who they are now.

-Both are pretty good liars and can trick people very easily (Bill with his deals and Pacifica in the Lost Legends comic)

-Both look down on people they see as inferior to them(Bill with humans and Pacifica with the working class, hillbillies and the Pines before the events of The mystery of the Northwest mansion and Weirdmageddon)

-Both see themselves as monsters that cause havoc no matter where they go or what they do (Pacifica in dreams and Bill due to what he did in his home)

-Both were forced by their parents to act in a certain way (Bill´s at least loved him and were good intentioned)

-Both are fighters (Pacifica by defying her parents wishes, facing against the ghost and the face stealer in Lost Legends and refusing Bill's deal in her dream and Bill could stand a fight with Shacktron which he ended up defeating and in his book its implied he can fight easily against demons or ghosts)

-Both have wore a crown (Pacifica in her debut episode and Bill in his portrait in the Penthouse suite of the Fearamid)

Shooting Star-Mabel Pines

-Both are agents of Chaos (Mabel being Chaotic Good/Neutral and Bill Chaotic Evil).

-Both enjoy partying and to have fun.

-Both have a wild imagination and a sense of style.

-Both like karaoke and have had a karaoke night with one of the original mystery twins

-Both have eaten stuff normal people shouldn't eat/gross things(Bill his exoskeleton and illegal punch and Mabel getting wasted with Smile Dip, a leaf, huge amounts of sugar that would end with her sick, Mabel juice and she once got hospitalized by eating sniff and scratch stickers)

-Both like makeovers (as seen in a part of the book of Bill where he talks about hiding the blood of his past)

-Both think highly of themselves (Bill's bottomless ego vs Mabel being secure about her talents, qualities and appearance)

-Both have social skills that made others attracted to them, mostly loners or freaks (Bill with his Henchmaniacs for their shared love of chaos and Ford with his smarts and cosmical knowledge and Mabel with Candy and Greta by being weirdos and not being as popular as Pacifica and her posse)

-Both adress Ford as "Fordsy"

-Both have rolled in the grass in Gravity Falls(Bill while possesing Ford during puppet hour and Mabel in Tourist Trapped)

-Both put their wants over other people's and/or their needs (Like in Sock Opera but even if Mabel is sometimes selfish at least apologizes and learns from her mistakes while Bill doesn't care who he hurts and would never apologize)

-Both use white out to exclude certain stuff they dont like from reading material to "fix it" or crayons/markers to cross them (Mabel with the dialog in the Comix Up story in Lost Legends or certain things such as her summer romances and in the Mabel´s guide to color with the picture and Bill with a section where part of The Great Gatsby is shown on his book where he mentions assigned reading or stuff like his exes and his former friend The Oracle/Seven eyes)

-Both became gods of destruction, first time by accident and the second with full intention(Mabel by accident with the rift and ending with MabelLand and Bill with the accidental destruction of his home and with Weirdmageddon)

-You could argue they're awfull when it comes to romance (Mabel's attempts always end in failure and Bill fumbled Ford so so hard)

Pine Tree-Dipper Mason Pines

-Both are good at decoding codes and solving mysteries and have good academic skills.

-Both didn't have many friends growing up and were picked on as kids (Bill for his mutation and Dipper for his birthmark)

-The times they wanted to prove themselves to others ended badly for them (Dipper caused a zombie apocalypse and Bill destroyed his dimension by accident)

-The names they use aren't their real names (Bill confirmed in an AMA years ago that Bill Cipher is just a name he picked so humans could converse with him without going bonkers upon first contact and Dipper's name is actually Mason but everyone refers to him as Dipper due to his birthmark)

-Has cloned himself (Bill's are a natural hability for him while Dipper made copies of himself via paper-rest in piece Tyrone)

-Both were adorable as babies.

-Both got obsessed with someone to the point of messing with their personal lifes (Dipper with Wendy during her relationship with Robbie and Bill with Ford and his relationship with McGucket)

-They changed hats at different points in their life; Dipper in Tourist Trapped changes from his green hat with a five point star to the classic blue pine tree while Bill sported a multicolor hat as a kid before changing into a tophat (if we take the theory that Bill's hat was originally his father's then both Dipper's and Bill's were owned by a family member before being passed on to them, Dipper's belonging to Stan)

I know this is probably just a coincidence (save the stuff with Ford as some were meant to highlight the bond these two had and establish parallels between the two, making them doomed soulmates and adding another layer of sadness over the toxic yaoi) but a fun one still.

Thanks for reading!

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[la-pheacienne]

I feel like I understand people's blorbofication of Javert because I get why someone would really cling onto a complex (male) antagonist with a traumatic past whose entire life is a lie and who kills himself when he reaches that final moment of realization. It is absolutely tragic, and it is easy and natural to cling onto that, we've all been there. But you need to understand that two things are in motion here: the first one is Javert's individual tragedy, and the second one is the broader system he personifies. He's a symbol. His primary function in the narrative is to personify the hateful, bigoted, cruel, inhumane legal system that intervenes after the fact and crushes all those that society has already put down. He, the incarnation of that bourgeois legal system, delivers the final blow. He finishes off what society started, and he does it with joy. When we say that he killed Fantine, it's not even about Javert the individual per se. It's about the entire system he represents. That system killed Fantine and Javert is its flesh and bones. Fantine was a poor girl that was exploited and let down by society in every single way and when she was herself a victim of actual physical violence, the Law, personified by Javert, instead of protecting her treated her like an animal, dehumanized her, humiliated her. The Law was scandalized that a woman like her dared attack the bourgeoisie. The Law was horrified that such a disgusting creature got medical care because she should just drop dead on her street. The Law rejoiced in tearing down her sole protector. The Law prevented her from getting her child back from the con artists that have been stealing her for years because the Law doesn't care about the crimes committed against marginalized people. That's not its function. Its function is to use its discretionary authority in order to dehumanize and punish people that ended up on the wrong side of the street.

So when you come at me with nonsense that Javert "didn't tEchNIcALLy kill Fatnine", "he was just rude", "he was just bitchy", "he just stole her final happy moments", respectfully, you don't know what you're talking about. Javert absolutely killed Fantine. He's not the only one who did but he eagerly and enthusiastically precipitated her execution, and that is the entire point Hugo is trying to make. Your arguments against it are nothing but a mere technicality that stems from the fact that the individual's actions technically do not qualify as manslaughter. It's as if we literally had an individual at court and we were thinking of whether or not to condemn him for manslaughter. It's not about that. It's not about your blorbo and his sadness. Your blorbo has a whole other function in the narrative. You have completely missed the mark of the entire book and you have let your personal emotional attachment for a character prevail over Hugo's main argument about the structural punitive violence that literally kills people. Javert being the product and the embodiment of an entire system that exceeds his individuality does not mean that, as a police officer, he's not responsible for his actions or their consequences. On the contrary, he's precisely entirely responsible for the structural violence committed against Fantine, that's what "embodiment" actually means, that's what we mean when we say that he personifies that system. Absolving Javert of his crimes goes directly against the themes of the book, because while systems operate above individuals by definition, they need those individuals to function. The system needs Javerts. Javerts are everywhere around us, yes even today and it is important to hold them accountable for their crimes. I can't believe I have to explain this tbh.

[intynidad]

Would you mind writing about a yandere emperor who falls in love with a royal mage/sage who works for the empire?

I really enjoyed working on this request! I think it was a little longer than i was planning but i would love to continue exploring a more fantazy style world for my characters!!

Anyway here is what you asked!!

Yandere emperor x mage/sage reader

As you trailed behind your master, the esteemed sage of the kingdom, you couldn't help but feel dwarfed by the towering walls of the palace. Each step you took seemed small in comparison to the grandeur that surrounded you.

Your master had been summoned to attend a crucial meeting with the young emperor, who had recently ascended to the throne after the tragic loss of their mother, the late empress. The country was gripped by the ravages of a merciless plague, and the weight of responsibility rested heavily on the shoulders of the young ruler.

With each passing moment, the air seemed to grow heavier, carrying the weight of grief and uncertainty that plagued the nation. The palace, once a symbol of opulence and power, now held an air of somberness as it grappled with the aftermath of loss.

As you quickened your steps to keep up with your master's hurried pace, you couldn't help but wonder what role you would play in this meeting.

Your steps came to a halt as you stood before a towering door, its majestic presence adorned with glistening jewels and shimmering gold. The heavy doors slowly swung open, revealing a grand chamber bathed in soft light. As you stepped inside, your eyes fell upon a young man seated upon the magnificent throne, his regal demeanor exuding a mix of authority and youthfulness.

Your master, radiating confidence and wisdom, advanced with a steady stride towards the young emperor. Their years of knowledge and experience seemed to lend an air of respectability to the room, commanding attention and reverence. You, on the other hand, found yourself waddling nervously behind, feeling small and insignificant in the presence of such power.

The young emperor's gaze shifted from your master to you, curiosity flickering in his eyes. A momentary silence hung in the air, as if the weight of the world rested upon this encounter.

One thing you appreciated was the rule that the sages were the only people that didn't have to kneel when meeting a ruler, because you were sure that you would trip with your own feet if you tried to.

"Your majesty," your master began, their voice filled with a gentle yet commanding tone. "We have come in response to your personal summons, fully aware of the significance behind this audience."

The young emperor nodded solemnly, acknowledging the unspoken understanding between you all. The weight of the plague that ravaged the kingdom hung heavy in the air, an unspoken truth that reverberated within the depths of your being. Your mind brimmed with questions, thoughts swirling like a tempest, but caution held your tongue.

In that moment, as your master conversed with the emperor, your gaze met his fiery ruby eyes. It felt as if time stood still. The intensity in his gaze hinted at hidden depths, a soul burdened by the weight of responsibility and loss. There was something captivating about the way he held himself, an aura of strength and vulnerability intermingled.

“You may be wondering why i asked both of you to come here” the emperor said

“Me and my royal alchemist been working on an elixir to eliminate the plague once and for all, but we both lack the magic you sages poses to actually start producing it” the emperor looked at you “it should all work on theory, but without magic to start the process we are hand tied”

The emperor slowly started to descend the stairs, their eyes lock on you

“I know that i'm asking for a lot but please i implore that your apprentice stays in my kingdom as my royal mage and help me save my people”

Before you could speak your master put a hand on your back

“My apprentice will do their best”

With that your fate was seal, it was an honor to be able to work as a royal mage but being the royal mage of THE emperor was another level

Well this would be interesting…

————

Your magical abilities were no joke, the young emperor was more than impressed and with a few magic tricks and the alchemist abilities the plague was no longer around

But as the plague started to disappear something new was blossoming in the kingdom

The seed of love and the seeds of obsession…

The emperor started to notice small things about you, the way you said the magic word or how cute your focused face was when you studied your ancient book.

The emperor was walking towards your chambers with a fragrant rose in hand, his feelings were too much to bear and he needed to confess.

“Now that the plague is gone, what do you plan to do?” The emperor heard a voice coming from your chambers

“I don’t know…probably get back at my studies in the sage tower or something like that” the heart of the emperor sunk in realization.now that the plague was gone you had no other reason to stay in his kingdom.

“Maybe we could go together?, i mean only if you want too”

his despair quickly turned to anger as he recognized the voice of his alchemist responding in a flirtatious manner. The audacity of his own trusted alchemist making advances on you ignited a seething rage within the emperor. How dare they cross that line and attempt to pursue you?

He will not stand for it.

Quickly he went back to his own workshop, and there it was sitting on a small box…a virus

He never intendente to create it, it was an accident when he had tried to find a cure. Now it served a new propuse.

——

The relentless return of the plague had consumed your every waking moment, leaving you exhausted and desperate for a breakthrough.

A knock on your door shattered the silence, momentarily diverting your attention. Wearily, you called out, granting permission for the visitor to enter. The door creaked open, revealing a figure standing in the doorway.the emperor

“How are you doing my dear mage?”

“As good as one can do with this predicament your majesty”even though you two had grown close you still wouldn’t call him by his name

“I see” he looked at you with heart eyes, even though you looked exhausted “i brought you a cup of tea, i thought you needed a little rest”

“Thanks your majesty, but i shall not rest, not when the people of your kingdom are suffering”

Oh you will be an amazing ruler, so preoccupied for your future subjects. He can’t wait for when he finally has you.

“Since you send your royal alchemist away its been more difficult to advance”

A-yes that, to the rest of the kingdom the alchemist was send away to investigate new cures but he knew the true, he send them a way to keep them away from you

“Don’t worry my dear,as long as we had each other we will be okay”

How he wishes that you would look at him the same way he looked at you, but he needed to be cautious of his actions, after all he was powerless against you if you ever decided to reveal yourself against him. But it was okay, when he managed to have you whining under him he will be sure that you wouldn’t think about that kind of things

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)

[keystonepublishing]

Under The Brine by bonesandthebees

Wow, it's really been nearly two months since I posted! Besides the usual life stuff, I also took the plunge and bought Affinity Publisher just so I could control the typeset to a greater finesse than clunky Microsoft Word. And this is my first result of that!

This fic, Under The Brine by @bonesandthebees is one of my favorite Crimeboys fics, and I had so many ideas to try out to visualize the situations and vibes of the plot. As you will see, the result was a mix of established layouts and new experimentation. The cover itself is made using Affinity, printed onto paper to give a papery feel on the hands!

The chapter pages are designed with voluminous double-spread images because I wanted the reader to "fall in" to the story. I want to bring the feel of unnatural uncertainty, fear, and dread into a visual form; if a picture tells a thousand words, the right one can convey the mood of an entire arc. Having the opening paragraphs shifted to the side accentuates the visual feel.

As per usual, I have my layouts for pre-fic notes along with an appendix section for end notes and author comments to curious readers (albeit this time on Tumblr). But I also diverged by adding a playlist, curated by the author for this fic, along with a Spotify code if typing the song names onto YouTube is too much.

With Affinity, I also took the time to lay out the fic's dream sequences. I wanted a complete opposite to a normal page to convey the act of dreaming, and so made the pages all-black. However, the volume of needed black ink did confuse my printer and created a number of paper jams, so I don't think this style is going to be used much.

Additionally, I formatted the phone-text-messaging part of the fic so it actually looks like a text message convo! This was one of the most fiddly parts of typesetting as I had to balance not only the text messages, but the error alert symbol and words as well.

And lastly, I experimented with putting last paragraphs and the ending image together, instead of putting them onto separate pages as per my other binds. I do this because I wanted to visualize the moody feel of the ending... and because I was running out of paper and wanted to save pages.

Full thanks to @bonesandthebees for writing this fic!

[bonefall]

also PLEASE can you make galestar and stripestar yaoi or yuri or yaori. gay love so powerful it merged clans

I was thinking that the whole time lmaoo

As you know, the Clan cats in BB don't forget history "out of shame" like canon does. They reframe stories in ways that fit their narrative, changing details and altering StarClan itself over the generations. So, I was struck with the idea that I'll adapt canon by making them misgender Galestar and Stripestar over the years.

As a recap; Clan Culture has three genders. It is a trinary gender system.

Ssuf/Tom (what we might consider masculine, linked to social passivity and out-of-camp activities)

Yaow/Molly (what we might consider feminine, linked to social aggression and camp-defensiveness)

Meewa/Gib (we don't really have a word for this in English. It's "above behavioral sex-based characteristics" in a way you could roughly describe as 'de-sexed,' but even that doesn't totally capture it. Linked to wisdom, long-term planning, and blessedness.)

The Clan Culture perception of a queer cat is one that doesn't fall into the trinary. Multigender (Finleap), agender (Twigbranch), and genderqueer (Dustpelt) cats are distinctly queer in a way that's hard to translate.

So, I'm thinking that BB!Galestar and BB!Stripestar were both Meewa-gendered cats (Xey/Xem in English), from birth. They seemed destined to eventually occupy positions of authority within WindClan and ThunderClan, and THAT is what was forgotten over the years. It was a great shame that two incredibly wise, blessed cats did something so drastic, so they were remembered as a molly and a tom instead.

Meewa-gender is usually assigned based on "atypical" traits in newborns, such as unusual colors, multiple toes, or even certain intersex traits. For Stripe and Gale, I'm thinking they actually had six toes each-- on the opposite side of each other. So when they put their paws together, it was like they made a complete set of twelve claws.

Symbols are also not that strange in BB!Clan Culture, as they have a rudimentary writing system. I might make it that StormClan's symbol isn't really the thing that the Clan cats used to signal to the Wildcats that they're allies-- but a pawprint with an extra toe.

(...It would also be neat if Galestar's wildcat mate had a 6th finger too. Something about the way xey associate it with xeir gender and inherent blessedness... only to find that such things exist everywhere. That xey weren't just made to fit one mate. Losing Stripestar isn't the end of xeir world but the start of a new one.)

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!

[salvadorbonaparte]

How to set up a research journal

This is just one way you can set up a research journal but it's helping me tremendously so maybe it also works for you. My set-up is partially inspired by this video by Answer in Progress and I suggest you check out their curiosity journal.

Preparation

First you need a notebook. The trick is to find a notebook that you're not afraid to "ruin". We all want a really neat, aesthetic research journal, but the reality looks more like hasty scribbles, but that's okay, that's where the research breakthroughs happen.

I personally bought a cheap lined notebook from Søstrene Grene that I thought looked cute and put a sticker on it. That way I feel good about using it but I also don't mind when my handwriting gets messy because it was only like 3€.

You should also stock up on pens you like writing with. Different colour highlighters and post-its are also a good idea but not a must. Keep it cheap but comfortable.

Title Page

Here you should put down all the really important information: year, title, deadlines, word count, supervisors. Maybe add an inspirational quote to spice it up but keep it simple and relevant.

Key

This should either be your next or your last page. I personally use the last pages of my journal so I can add thing and find it easier. Your key is there to list abbreviations and symbols.

For example, I have different symbols for statistics, dates, new terminology, questions, breakthroughs, important notes and abbreviations for the most important terms in my field. It's shorter to write T9N than Translation.

The trick here is to have enough abbreviations and symbols to save time and effort but not so many that you constantly have to look back and forth between your page and key. They should be memorable and not easy to confuse.

Topic Mind map

If you hate mind maps you can skip this of course or use a different method but what helped me is to visualise all the topics that connect to my research project in a mind map. I then colour-coded the main groups of topics with my highlighters. It helps me to keep an overview on how many topics I need to do research on.

Proposal

If you're writing a thesis/dissertation it can be helpful to have a page set aside for your proposal and take some bullet point notes on methodology, chapter structure, research context, aims and objectives and think of some titles. You can also do this for your lit review and a list of works to include.

Hypothesis and Question Pages

I set aside four pages for this but you can adjust this to your needs. The first page is my hypothesis. It doesn't have to be fully formed yet, it can just be bullet points with five question marks. You can always revise and update it but it is important to keep an eye on what you're actually trying to find out.

The next idea is basically just stolen from Answer in Progress: a section for big questions, medium questions and little questions. These aren't necessarily hypotheses you aim to answer but questions you have about your topic that might be good to look into (maybe they lead somewhere, maybe they don't).

Research Notes

Now comes the big, fun part. Research notes are allowed to be a little messy but you should have some sort of system so you can actually find what you're looking for afterwards. I'm currently just looking at books and articles so that's what my system is based on. You can totally adjust this to include other forms of research.

What I do is that I put down and underline the author and title of my source. Underneath that I use my highlighters and mark the topic of the paper based on how I colour-coded them in my mind map. You might have to do this after you've finished reading. For example, if a text talks about censorship and dubbing in Germany, three of my topics, I will draw three lines in light blue, dark blue and red, the colours I chose for those topics. This way you can easily browse your notes and see which pages are talking about which topics.

When it comes to the actual research notes, I include the page number on the left and then take bullet point notes on whatever is relevant. These are often abbreviated and paraphrased but if something is especially important I will write down a full quote.

As mentioned earlier, I have a key of symbols I use so I can simply put down a '!' in order to differentiate a research breakthrough from a normal note. You can insert your own thoughts much more easily when you know you'll be able to tell them apart later on. At the end of each article, book or even chapter I write down my main takeaway.

Other Notes

This is your research journal and you can do with it what you want. I also added lists of films that might be relevant for my research, a list of databases and publishers to check for papers and tips on research strategy.

If you're working with interviews or surveys you could write down your questions. If you're nervous about your research you could include a list of reasons why your research project is important or why you're doing it. You can include a to-do list or a calendar to track meetings with supervisors. Anything that helps you with your research.

[lilislegacy]

an analysis: piper calling percy unimpressive

(warning: i wrote this at 1 am)

so basically

remember how we all despised piper mclean when she had the audacity to call our beloved percy “unimpressive” and we all lost our shit on the inside a little bit?

i truly don’t think she meant it in the way we think she did. i think we’re all just defensive of our boy.

piper clearly states that she is comparing percy to jason. first of all, jason is her boyfriend, so of course she’s biased. second of all, hera was manipulating piper to be obsessed with jason. so other guys and girls are automatically unimpressive to her.

and here’s the big thing: piper does not call him unattractive. she does not call him ugly. she simply says he’s not her type. piper is clearly attracted to the “good boy” look. jason is literally your all-american boy. he’s tall with light skin, a sturdy build, neat blonde hair, and blue eyes. part of why annabeth doesn’t trust him is because she is unsettled by his “perfect” appearance. jason is also obedient and well-mannered. he’s your standard good boy.

and the fact of the matter is: percy looks like a “bad boy”. and often, he acts like one too. him and jason are contrasts of each other. a symbolic representation of this: their features. percy has a darker complexion, messy black hair, unique green eyes, and a “sarcastic troublemaker smile.” he’s muscular, but in a leaner and more trim way. he’s tall, but he’s not a towering muscleman by any means. not that jason is either, but don’t forget, percy is a whole one. inch. (GASP) shorter than jason (which to me isn’t even noticeable, so her pointing it out as a flaw just proves that she’s so incredibly biased towards jason.) their other big contrasting feature: their personalities. jason is respectful and well-mannered. very obedient and under control. percy, however, makes jokes during inappropriate moments, talks back to people of power and authority, gets angry quickly, and loses control easily. i mean, literally right after she says this, percy starts insulting the roman god Bacchus and rapidly escalates a situation because of his natural instinct to be disobedient. piper is horrified by him doing this, especially because jason would never. does it make US all love percy very much? yes. but piper isn’t us.

THAT SAID, even she can’t actually call him unattractive. she even went as far to state that she can see why annabeth likes him, which means even her magically-obsessed-with-jason brain can still recognize his attractiveness and see why girls find him appealing. she calls him “cute in a scruffy way,” meaning she thinks that he’s got a disheveled attractiveness to him. she also once said that his pleading eyes are like a cute baby seal’s - even she can’t deny that his eyes are wonderful. so even though piper calls him unimpressive, i think rick put in a lot of clues here showing us that she acknowledges him as a conventionally attractive person, even if she’s not personally attracted to him.

let’s sum it up, shall we?

what does it say about percy? absolutely nothing. piper calling percy unimpressive is an inaccurate and unreliable source when it comes to analyzing percy’s physical appearance, especially if you don’t consider the context. this was rick’s way of showing piper’s clear preference towards jason, just like annabeth has a clear preference towards percy. and even though she said this, rick also made her give us several hints that percy is handsome, just not in a way she’s inclined towards. rick wanted love triangles to be completely out of the question with these 4. he wanted to make it very clear that annabeth had no interest in jason, and that piper had no interest in percy. so since piper is so drawn towards jason, percy had to be very different from him in her eyes.

jason is your a superman, percy is your batman

jason is your captain america, percy is your iron man. some even say spider man.

so put yourself in piper’s shoes: after hearing percy jackson’s name non-stop for 6 months, hearing him compared to jason, hearing of all his accomplishments and how heroic he is - i mean, the guy was literally honored on olympus and offered godhood - she was expecting a stereotypical good-boy hero. a hercules. a superman. your standard muscular blinding-white-teeth-smile hunk. the conventional, well-mannered good boy. and instead she got a wild and untamed, trouble-making bad boy. percy has an edge to him. he’s intimidating and unpredictable. he’s sarcastic and witty. he just looks like he’s up to no good. she wasn’t expecting any of that. that’s not what we’re taught a hero is supposed to be like or look like.

jason is appealing in a “he’d be a respectable and sturdy husband” way.

percy is appealing in a “he’s gonna fuck up my life but i so badly want him to” kind of way. (even though once you get to know him, you see he’s literally the world’s best boyfriend. piper even gets jealous of how loving he is towards annabeth.)

she had this exact idea of what he would be, and he wasn’t that. hence her calling him “unimpressive.” but it says nothing about his attractiveness.

i rest my case, your honor.

thank you for coming to my ted talk

disclaimer: i am not saying percy is actually a bad boy or a bad guy. he is a sweetheart. he has the biggest heart ever. he’s a cute little cinnamon roll. i am simply talking of first impressions from outsiders, and how he appears if you don’t know him.

[apollos-olives]

hey, so, someone linked me this article, to "prove" to me that i should "condemn hamas". as a non-palestinian i was told there is no way i can refute this, since it comes from a gazan. i was wondering if, as a journalist and a palestinian, you would mind writing a rebuttal that i could show to people? if you have the time and energy.

https://www.newsweek.com/hamass-western-apologists-have-become-hamas-enthusiasts-gazan-im-horrified-opinion-1849228

okay sure let's go through this together

first thing i urge you is to be weary about propaganda. this person may be getting paid, blackmailed, or just genuinely might be brainwashed, in order to write this.

second is that this article might genuinely be this persons opinion 🤷‍♂️🤷‍♂️ and if it is, i urge you to come and analyze it with me in order to point out it's faults

third, let me say that NO ONE is forced to support hamas as an entirety. but as this person's article states, he is against hamas even as a freedom fighter group, so i'm gonna walk you through some of his bullshit okay :)

one thing i noticed is that there is a LOT of propaganda that was debunked in the past that is still being used in this article

the actual number of "civilians" killed was 900, most of which were actually killed by the iof as they shot at their own "civilians" and soliders. so the author of this article may not be as educated as he might make you think he is.

he's saying that the attack on oct 7 wasn't a "legitimate armed resistance to occupation" but it literally was. there are like a billion un resolutions that state that armed resistance against an occupier is allowed. hamas has every right to fight back against israel. and what? you think armed resistance isn't going to get messy??? of course it will. it is already messy. people are going to die no matter what. that is how you fight against your oppressor. people will die. that's the whole "armed resistance" part. this person is utterly ignorant if he thinks that we can free palestine by a few peaceful protests (which i will come back to soon!)

and yeah what is wrong with "contextualizing" the attack by telling people that gazans are living in a concentration camp?? because they are. and they have every right to fight back. hamas wasn't the only one who was resisting that day, and more than one palestinian resistance group were there as well. condemning only hamas for this shit is idiotic and honestly grouping ALL palestinians, even ones who were not part of hamas, as hamas is... well do i gotta say it? racist.

this author is using a lot of words like "horrific nature" ...... palestinians who fight against their oppressors have a "horrific nature" ???? doesn't that sound... racist to you? and what "numbers" are involved ???? 900 "civilians" that were killed by their own army???? yeah. what massive numbers that hamas killed ooohhhhhh 😰😰

bruhhh this shit sounds like the whole "hamas is their new fandom" bullshit 💀💀💀 also where is he seeing this stuff???? how are bulldozers, paragliders, and motorcycles showing support to hamas?????? maybe they're just people who support palestine in general and mean to use them as symbols of resistance. mocking the "underprivileged fight back" hmmmm that sure sounds so inclusive and supportive of you mister palestinian author!!

this guy brings up international law when LITERALLY THAT IS THE WHOLE POINT. BY INTERNATIONAL LAW HAMAS AND OTHER PALESTINIANS ARE ALLOWED TO FIGHT BACK AGAINST THEIR OPPRESSORS. BY "ALL MEANS NECESSARY" - ughhh this is exhausting. and the fact that they call hamas enthusiasts (💀) "inhumane" ... wowwww what happened to the whole "stop dehumanizing poc and the oppressed" ???? this guy is a fucking weirdo.

and again with the "civilians" dude seriously???? israeli civilians are illegal settlers. there are no innocent israelis except for the children, and any harm that may come to the children should put the parents to be held accountable for bringing/settling their child into a land that isn't theirs anyway.

why would you equate being jewish with israel?? yeah a lot of israelis are jewish but pro-palestine jews have repeatedly told us that we should not and must not equate judaism and israel together, and that doing that is antisemitic because it's equating judaism as a supporter of genocide.

and why are you, as a palestinian, calling what's happening in palestine a "conflict" ??? even after years and years of palestinians begging for people to stop seeing it and calling it a conflict and name it for what it is, systematic ethnic cleansing and genocide ?? this guy's wording is ridiculous and so full of that "both sides" liberalism shit it's so exhausting.

wow we love the blatant propaganda. you could tell that the hostages were comfortable enough to wave or handshake the members who released them. they were smiling, no one was forcing them to do that. no one was threatening them harm. many family members have spoken out and have told the media that hamas has treated the hostages well, even if the conditions weren't very glorious.

and AGAIN with the whole "women and children" as if men weren't victims too. you are trying to push for the safety of israelis but disregard the men ???? hm

wow calling palestinians terrorists that's totally not racist at all!!!!

ohhh my god how many times do we have to say that peaceful protests DO NOT WORK !!! no one is listening to us. we've TRIED peacefully protesting. gazans tried peacefully protesting a few years back and HUNDREDS got killed and THOUSANDS got injured!!!! peaceful protesting isn't going to work alone. we need action!! we need to start fighting back!!! we need to make a difference!! palestinians have been begging for people to do this for years now!!!

what "slogans" ????? "from the river to the sea" ???? is that a dangerous slogan, mister palestinian author ?????? don't make me laugh.

and there is a FINE line between anti zionism and antisemitism. yes a lot of zionists are jews but also a lot of christian zionists are antisemites as well. we are allowed to call out and fight anti zionism without being antisemitic. but i guess you would know SO much about that huh, mister palestinian author.

wow what a totally normal thing to say!!! linking palestinians to their constant suffering under the occupation and linking them to be forever tied to their oppressors. "millions of jews will forever be part of the land" YES !!! PALESTINIAN JEWS !!! WHO WERE FOREVER PART OF THE LAND !!!!

ok that's all for the screenshots but i DO want to mention that not once did this guy say ANYTHING about how hamas was bad for gaza. he did not say anything or show any proof about gazans suffering under hamas' rule, and only talked about the "poor israelis" ☹️☹️☹️ who were huwt becawse they wewe illegal settlews on a land that's not theiw's :((((((

this guy was probably paid or blackmailed or something. or just brainwashed.

many palestinians ARE anti hamas as a whole. but we DO support their fight for our freedom.

i hope this helps. keep these arguments in mind next time you're reading an article.

[acourtofthought]

It doesn't bother you that Lucien is friends with the man who joked about his mate getting raped? Interesting take....

I want you to do something for me since you decided to come to my page and ask for MY opinion.

I want you to set aside your own personal agenda and really think about what I'm saying.

I get it, we all have lived different lives and are triggered by different things. In real life, SA is not a joking matter, it's not appropriate, it's not something to giggle about between friends. I never returned to a job the day after a boss corned me and inappropriately touched me and I felt too uncomfortable to speak up since he owned the company. I was inappropriately touched by a neighbor when I was around 9 years old, someone who allowed me to stop by and play with his two dogs since I loved pets so much. I consider myself lucky because neither scenario escalated to what others have dealt with but those scenarios still give me enough empathy to realize the fear of being put in a position where you feel helpless against someone bigger, stronger and who holds power over you.

But the ACOTAR series is not what happened to me or anyone else no matter how many parallels or connections some find. It's fantasy fiction and in fantasy fiction (whether you agree with it or not), things that are serious in the real world are never given the same weight as in the book. Take murder, torture, and using others as pawns for example. These things are done by the main cast of character and nobody bats an eye. In fact, the fandom applauds them for it, turns them into sex symbols for it. Azriel literally tortures people yet many are more interested in the size of his wingspan than the things he's done to people who are unarmed in his torture room. Since Jurian's comments are so offensive and unforgivable, how are you comfortable thinking torture is something it's ok for the fandom to turn a blind eye to when it's a hotly debated issue in the real world as it relates to torture of POWs? Since you're sending me this anon I have to take a guess and say you're an e/riel and that means you're fine with torture in books but not fine with SA comments in books though both exist in real life.

Onto your specific question though, how am I fine with Lucien being friends with Jurian after he made those comments.

Simply put, because I'm reading the story the author is telling. Your reading experience seems vastly different from mine because I'm choosing to read the story as it's actually being told whereas you seem to be reading the story you wish was being told based on very specific things that are personal to you.

If I was basing my reading experience on real life morals and things that personally effect me then I could have never gotten behind the Feysand relationship because Rhys did some pretty horrible things to Feyre UTM. He forced her to drink wine she didn't ask for, he put her in clothes she was was uncomfortable wearing, he forced her (while she was drunk) to dance in his lap in a way she was embarrassed to hear about and he coerced her into a bargain she clearly didn't want, going so far as to twist the bone in her arm to force her to agree.

But I'm not basing my reading experience on real world morals, I'm allowing myself to let Sarah take the reins. I'm allowing an author to lead me so I understand what they're telling me (so long as I'm losing myself in this fantasy world) , to shape my mind, to rewrite the rules. The second I step away from my book I am once again a law abiding citizen of this world who understands right and wrong but in the ACOTAR world? I'm just a spectator along for the ride. I forgave Rhys because Sarah wanted me to forgive him, because her explanations were to serve the reasons for his actions.

"Just because Sarah forgave Rhys doesn't mean we have to listen!"

If you've already decided that she's wrong, that you don't have to agree, then you're no longer reading the book as it was intended to be read. And that's fine, feel free to hate on it as much as you want, but it doesn't change the story she's telling. Your personal opinion DOES NOT CHANGE WHAT'S HAPPENING.

It's the same with Jurian. He said / did bad things, we thought he was a villain (just as we did Rhys) until Sarah told us he wasn't. Until the author said, "this is my story and this is the reason for his actions and now he's a good guy strongly connected to the plot and the other good guys in the series". You can feel free to remain stuck in the past, unable to move forward with the series but that's not why I'm here. I want to know the story Sarah is telling, not what nameless faceless person decides I should have an issue with because they have an issue with it. If the author moved forward and the characters no longer have a problem with something that happened way back when then what good is it doing me to remain stuck in past plots? The plot moved forward therefore I move forward. It's honestly as simple as that.

I don't use the ACOTAR novel to teach me how to behave in real life. I use the ACOTAR novel to teach me what is happening with these characters. Therefore when said ACOTAR novel says "Jurian good" I'm going to accept that because that's the journey we're going on. I'm not sure why you take such issue with a reader simply following along with the story that's being told, isn't that the entire point of reading fictional books?

[leslie057]

rating things owned by nancy elizabeth wheeler

because she’s got a lot of little things. mostly they are very cute and strange little things.

starting off strong we have the prettiest tissue box in the world. 9/10, i think if i were sick it would make me feel better to have such a nice tissue box.

i’m fairly certain this is her diary beside it because her diary looks pink in the upside down version of her bedroom. so this is probably it? 11/10, i want to read it so bad. and very sweet pic with mom—7.5/10.

next up these pinstripe pants !! 10/10 i love them so much. oh and the index finger ring is there obviously, 8/10, such a consistent piece of her character.

a ribbon for being the bestest girl ever in the world. 10/10. also the card of cardinals: 6/10, probably just a christmas card or something rather than a symbol of her love for birds. but i still like it.

mr rabbit gets 11/10 for the name alone. and why does he look dead. i love him. he’s me.

descent from xanadu: QUITE LITERALLY 0/10. at first i was SO excited to cheer her on for reading a sex and drugs book at school but as it turns out? bizarre and gross. seems to go heavy on nonconsensual stuff. i snagged a free pdf and command f’d for whore and bitch. lots of results obviously (one use of c*ck crazy bitch…lovely). it seems men in this book say a lot of sexist stuff that the women pretend to hate but love which i can’t imagine is great for a teenage girl to consume. also just not sexy at all.

literally so bad, and this is not the worst of it.

sooo bad. the author was what 70 (??) writing that his female character got clinically DIAGNOSED with being a slut for every guy she comes in contact with. i know options for sexy literature were probably limited at this time but…please go check out something else. i wanna bonk her on the head with this book (paperback) and hug her. you don’t need to read this to be cool and sexually aware. moving on.

on the other side of that, the blondie calendar gives us a sense of the GOOD media she’s consuming!! a 10/10 no questions asked. we don't really get to see many of her hobbies or interests outside of investigation so this is a much appreciated detail.

of course like all good things in life the blondie calendar does get replaced. its replacement is what i will call Weird Antinaturalist Art Piece #1 seen in her room in s4. i give it a 4/10 because idk what’s going on really.

and here is a very crunchy screencap of Weird Antinaturalist Art Piece #2 from s4 which i will give a 5/10. note the boyfriend typical photography above it, for sure a 10/10.

there is also Weird Antinaturalist Art Piece #3 which gets an 8/10 because i like the composition and the piano player. where did she get this and why. interior decoration is her passion.

the sleeping bag and crochet pillow setup. 7/10. would take a cat nap here.

pluto!! 15/10, the best mickey mouse character i would say. i hope her cousin is taking good care of him.

bulletin board 10/10. i love how obvious it is that she has had this up for forever. probably a nice constant in her life.

and my favorite pic up there is this precious one. look at herrr. 5000/10.

her floral weekender bag. 6/10, i like it, but not as much as i like the speedwalk and the toss into the backseat. she was SO ready for her lab takedown road trip.

trapper keeper is a 9/10 because they probably put anything and everything on trapper keepers back in the day and yet still she chose this lovely understated hot air balloon. elegant.

tom cruise poster is 1000000/10 actually. she is so loyal to that man. actually though not a great pic of him all things considered so maybe i give it a 999999/10. (i love it so much because i know for a fact that jonathan byers works proactively to never acknowledge this poster, because he is more mature than that.) (he is not more mature than that, in fact he is a little pouty about mr cruise.)

KITTY FIGURINE. 10/10. i thought it was just in s4 but i found it on her other nightstand in s1. very very adorable. i imagine it is now one of the first things she sees in the morning (well that and her blue telephone: 8/10) which is bizarre and cute. the mixtape drawer gets a 10/10 for reasons that i don’t think i need to get into.

white fingerless gloves! 10/10. so chic for monster hunting.

black fingerless gloves from s4. hmmm 3/10, they're cool i guess but they don’t feel very nancy and the white ones are so much better. especially because you may get the splatter effect of monster blood on them in a battle scenario, which would be badass.

piggybank (with her name on the side). 2/10 unfortunately i don’t like him. he looks at me like i took out his whole pig village and i just need some quarters. also did she paint this herself? in that case, 3/10 for customization lol.

pastel underwear drawer: 10/10. her committment to the hollistic aesthetic and color palette of her room is impressive here. it was a good idea to use this drawer as a deterrence against her little brother and a money hiding place but clearly he has no manners and is a THIEF.

STRIPED SOCKS. 10/10. i realize it's hard to see because she's moving so fast (slow down he is not going anywhere) but they are indeed stripey even though i would have guessed solid white. and wow what good sleeping socks. stripes are just cozier. hope she got lots of sleep in those.

[weebsinstash]

I try try try try TRY (unless I'm intentionally being self indulgent) to not give Reader too many similarities or hobbies as myself

But oh my god an Author Reader, whether an actual author or a self published small time fanfic writer such as myself, really does have so much potential for Hazbin pairings and ideas

Like for example if you think of my poly radiostatic idea from before, then you would have Vox representing video, Alastor representing audio, and Reader representing the written medium/scripts symbolically, rounding out a perfect trio, with your skills inherently tying into both of their mediums while also being uniquely different

There's the obvious and juicy potential of porn author Reader catching Valentino's eye and him liking your work or seeking you out after reading something of yours online, OR you already being a cute lil employee of his and he's snooping on your laptop one day and finds loads and loads of kinky goodness he didn't know you had in you

I've even thought of Reader writing horror novels and other "normal books" and Alastor is absolutely thrilled by this, loves reading your works regardless of how skilled you are in terms of like the more technical things like prose or symbolism or whatever, and THEN he finds out you also write smut and he's just :) immediately wanting to put a stop to that. Oh honey you mean you... waste your time putting your name on such... filthy content to be read by complete strangers? Especially men? Oh no no no, he can't have that at all. Doesn't want you writing it, doesn't want you READING IT, unless it's "tasteful" enough, which, by his standards probably means the most vanilla, barely described missionary sex between two married individuals--

Maybe your skills and descriptors and visualization can directly translate into certain illusionary powers, either creating visions or temporary manifestations of things. You could sit and talk with Lucifer about all the different sights you've seen on Earth, going to parks with your dad as a kid, feeding the geese and their fluffy yellow goslings, allow him to feel the warmth of the sun on his skin, feel a lovely lakeside breeze...

You could tell all your Hotel buddies or new Hell pals about where you grew up, or places you've been, things you've seen, stuff you've done, and SHOW it to them. It'll make those who have died miss being alive and seek out your company for the nostalgia, and those who have never seen Earth all the more eager to talk to you and learn even more...

[goghwilde]

Elain choosing not to wear Lucien's enchanted gloves right now has everything to do with their bond

Elain not wearing gloves when she gardens was something Feyre only speculated one time, but every instance we actually have in canon of Elain gardening, she is always wearing gloves. Feyre only speculates this because she's trying to make sense of Elain's reaction upon opening Lucien's gift on Solstice. She theorizes that maybe Elain would prefer to have torn and sweaty hands because the dirt and cuts were proof of her labor and joy, something that I don't believe is ever confirmed by Elain nor is there any evidence that she would agree with that.

This idea that Elain either no longer wears gloves or would prefer not to was then pushed by some in an attempt to make Lucien's gift look bad. Because if he gives her something that she would prefer not to use, then that's not a very thoughtful gift, is it? But that's not the case, and in fact, when Lucien asks Feyre about Elain, Feyre TELLS him she wears gloves to garden. This is a detail about Elain that Lucien then tucks away to remember when picking out her gift months later. It's actually incredibly thoughtful.

If Elain was inconsistent in wearing gloves throughout the series, that would actually make the fact that she chooses to not wear Lucien's enchanted gloves less impactful because then you could reason that her not wearing his gloves is simply because she doesn't always like wearing gloves in general, and not because of the real reason: that what putting on his gloves would mean/symbolize to her. It's an attempt to downplay not only the sincerity and thoughtfulness of the gift, but also the meaning of the gloves entirely, much in the same way some try to downplay their mating bond.

The truth is that she has always worn gloves in canon both as a human and as a fae and that there's only one very SPECIFIC pair of gloves she's refusing to wear right now. And these specific gloves are clearly being used as a metaphor by the author to showcase Elain's stubbornness in accepting the bond.

Is this evidence of Elain self-harming? No, I do not think in the sense that she's wanting to inflict harm on her new fae body, but metaphorically, yes, she is absolutely hurting herself by not accepting her faeness fully, and by extension, Lucien and the mating bond.

Sidenote: I'm seeing more and more people romanticize the fact that Elain's hands get scarred from refusing to wear the enchanted gloves and using that to draw parallels to Azriel's scarred hands, so I just want to remind people that Elain choosing to not wear Lucien's gloves, and by doing so being harmed in the process, has EVERYTHING to do with the bond between Elain and Lucien and NOTHING to do with Azriel. And the fact that some go as far as to say Elain likes that her scarred hands remind her of Azriel's, which were a result of his childhood trauma, and romanticize that, is incredibly weird and gross to me.

Thank you to @acourtofthought for inspiring some of these thoughts