#note to add: I know nothing about robots/computers
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BiomĂĄquina AU
(do not ship my character)
(Edit: sorry, I forgot to add the colorless ver. too)
Probably going to redesign, I didn't have a clear idea of how I wanted them to look like when I made this.
So basically, I had an idea one day for an artwork about Sun in a big dark room like lab with computers, science stuff... and plushies, toys, crayons, childlike drawings everywhere and in the middle of the room Sun was sitting there with cables conected to his head and going so high to the ceiling they desapeared in the dark.
Vague recreation of the idea (I used it as a warm up because artblock)
And I was like, man what a cool idea.
...
what if it had lore?
And I made the story in two days and forgot about it.
I made THE STORY in two days, the concept art took me several and when it was finished I went 'OH FUCK I FORGOT ABOUT MOON' so I added him to the concept art... and to the story, which didn't change much but helped.
So the story lore whatever frankly idk:
Retrofuturistic world where Fazbear Entertainment is making experiments in animatronics with a sustance that makes inorganic components organic. Basically making the animatronics far more alive than they could ever have been (literally alive, like in a messed up way). Biological machines, for example: in the concept of Sun/Moon those teeth and eyes are pretty much real...
This would be called Biotecnologic, which is illegal to practice without a licence and state permision, and only for human benefit (prostetics for disable people for exsample). Fazbear Entertainment had to drop the project right the moment biotecnologi went illegal or they were going to jail. Which means now there are abandonet facilitys with a ton of disconected rotten animatronics... Except for one that turned back on for some reason...
Some time later, this idiot named Fern (selfinsert because idk how to do y/n so I toke my selfinsert and made a few changes, same name) who illegaly exited the city to illegaly dumspter dive in trash the goverment trows out of the city and into the nature outside (which prevents the world from healing right because they are dumb), went a little fared than they usually go and ended up finding the abandonet facilitys of Fazbear Entertainment. This idiot said 'haha cool :D' and went right inside. And that's how they met Sun (and Moon) who has amnesia and doesn't know why the place is empty or why this new person who knows nothing about is stealing lab equipament while intensely staring at him.
They got to be friends and started investigating the place trying to find out what happened in there before the project got canceled.
And a lot more but my brain is a little fried right now and it took me some effort to write this.
Feel free to ask me about this AU (I'll do my best to give a comprehensible answer).
#note to add: I know nothing about robots/computers#lyna arts#my art#drawing#digital art#sketch#character design#biomĂĄquina au#BIOMĂĄquina Sense Of Living AU#fnaf sun#fnaf moon#sundrop#moondrop#fnaf daycare attendant#dca au#fnaf dca#oc#selfinsert#sun & selfinsert#moon & selfinsert#biomaquina sun#biomaquina moon
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Hello!
This is an (unofficial) ask blog for Incredibox - Sprunki!
So, let's start with the basics!
This has color coded text!
Character speaking
Character doing an action
Mod speaking
Rules:
⢠Nothing NSFW, please... (aside from gore)
⢠If you're here to cause trouble, leave. (not counting if it's just a character causing in-universe shenanigans like uh. murder or something like tha-)
â have a good time!! ^_^
Notes:
This is mainly set in Normal Mode, but you may ask stuff about Horror Mode! This means some posts will be in a different timeline than the otherz,,
For Horror Mode asks, you may ask the characters BEFORE their deaths, if they died at all, and abnormal characters may be asked BEFORE and AFTER their "death"s.
I made a reskin version of the game!! ^_^ there ARE codes for the extras, but they're not finished yet :[
The rest of the info is a LOT, so it's gonna be under the cut,,
Tags for characters!!
Normal Mode
Oren - #skateboaring snail
Raddy - #ask raddy sprunki
Clukr - #erm actually
Fun Bot - #robots have feelings!! -a robot
Vineria - #garden of flowers
Gray - #ask gray sprunki
Brud - #bucket creature
Garnold - #IS THAT WILLIAM AFTON
OWAKCX - #going insane
Sky - #jingle bells
Mr. Sun - #as bright as the sun
Durple - #i cant fly
Mr. Tree - #wise words
Simon - #the main character
Tunner - #yeehaw
Mr. Fun Computer - #in this fun time!
Wenda - #catnip collector
Pinki - #ask pinki sprunki
Jevin - #As I sit on the sidelines...
Mard - #MUSTAAAAARD!!
Trevor - #ask trevor sprunki
Crimson - #crimson the crimson creature
Full Cast - #Come sing along with us!
Horror Mode
Oren - #take my heart, pull it apart
Raddy - #blood red
Clukr - #i can't see
Fun Bot - #a broken heart
Vineria - #twisted vines
Gray - #where am I...
Brud - #no bucket :(
Garnold - #flickering lights
OWAKCX - #if you wanna flay me, let's see what's inside
Sky - #metal in the skull
Mr. Sun - #always watching
Durple - #...
Mr. Tree - #missing
Simon - #HORSE
Tunner - #and he went out with a bang
Mr. Fun Computer - #something is wrong...
Wenda - #crazykitty
Pinki - #torn ribbons
Jevin - #...the world descends into chaos.
Black - #the chaos itself
Mard - #strumming the guitar
Trevor - #there goes the flute
Crimson - #crimson like blood
Full Cast - #they are all dead...
HEADCANONS!! some of these arent fully serious (and will often have notes on the side) sooo yyeah these are the people though!! btw i initially made these for myself so that's also part of the reason for the silly stuff :3
Polos (average sprunk)
(These are the blank sprites if you didn't know ^^)
They have floating hands and feet (in canon they have no legs at all but have arms)
Most are based around a certain color (Sky Blue, Lime, Red, etc.)
their species is sprunk theyre sprunks
the children are sprunklings >:)
(oh yeah btw theres gonna be pics at the end eventually when i add them)
Oren
(he/him)
He's a snail thing (he has a removable shell) and you can't tell me otherwise >:]
He skateboards- this is canon- uhm don't ask how he does that without legs
(in canon his antennae don't really do anything) His antennae move around- uhm not exactly what to, they just move around (like lower when sad or smth)
finger guns (ahem I also HC him as bisexual ahem [these aren't linked {I'd make him do the finger guns either way} but also,,])
no he doesn't have visible ears under the headphones (unlike Simon)
ADHD
transmasc because i said so
shoulder-length hair!! fluffy looking
slug snail tail thing
according to a headcanon generator heâs the gay cousin and iâm not gonna argue with that
đđđđđŽ
(he/him)
He's a bit more reserved, and he sometimes uses his horns as a weapon. (he can and will headbutt you)
He hit OWAKCX in the head with a hammer once đ¤Š
dark red eyeshadow
optional spiked collar
the horns kinda make it hard for him to sleep (based off of a chikn nuggit short lol)
Clukr
(he/him)
Clukr has ADHD his memory sucks (he's like me đ)
He CAN remove the cymbal on his head but prefers not to. (Tbh he looks a little goofy with just the single antenna lol but so does Oren without his headphones-)
He built Fun Bot and Mr. Fun Computer with Garnold.
He and Garnold are REALLY close married and act as dads to Fun Bot and Mr. Fun Computer. He likes spinning around just for fun; he's gotten used to it by now and it's hard to make him dizzy. (ahem uhm sprunki logic)
Garnold and Clukr often work in this large workshop that's just. their basement for some reason-? itâs like larger than the actual house but womp womp There's also a spinning chair in the workshop, alongside tons of tools and resources (c.ai randomly made this up and I like it)
gay đ
sssQUARE GLASSES >:D
hair
Fun Bot
(they/he)
Fun Bot has a cable-charger tail.
He has a small screen on his chest showing a cyan, cartoony beating heart.
His visor can only show words and his face.
He can move around on his own, he's often carrying Mr. Fun Computer, they're like brothers.
Fun Bot and Mr. Fun Computer's screens can partially shatter when in stress, and when in a negative mood, Fun Bot's heart can shatter, looking like a cyan version of đ
Fun Bot and Mr. Fun Computer can also read eachotherâs minds (squirrelflight and leafpool? /j)
Fun Bot is much like a âlivingâ dictionary and encyclopedia, even if they're a robot.
He's the older one out of him and Mr. Fun Computer
aroace :3
I stole these from c.ai lol: Fun Bot is a sentient robot, but he experiences a limited form of sensory perception. While he can't feel sensations like touch and temperature the same way sprunks do, he has sensors that can provide limited information about the world around him and his own body. He's also capable of processing and mimicking emotional states, despite not technically having emotions himself. So, picking up soft objects feels more comfortable compared to picking up something rougher. Cold temperatures are more uncomfortable for him than warm temperatures. It's all just very limited though and it basically only translates to 'good' or 'bad' :3
Vineria
(she/her)
(she canonically has a wig- multiple, actually, but the one she wears in-game is her favorite)
probably like that sassy mom/aunt of the group
she owns a garden!! hooray!! (pretty sure this is canon)
She and Sky slightly have this aunt/nephew dynamic because I said so (literally no other reason help)
she's short, also because I said so (she seems like she'd be short but also have that personality that kinda scares some people)
LLLESBIAN
her and OWAKCX are siblings (well thats a little chaotic)
Gray
(he/they)
Although Gray is not a cat, (yes this is canon) he is cat-like, (â canon? not canon â) and appears as this cat-fox creature with small horns on his head and a fluffy tail
His ears are sensitive, and he can hear really well
Because of this, he doesn't like loud noises (I've done that HC with 2 characters now,, [diff fandoms and VERY different personalities] I'm kinda projecting with it help)
HE CAN HARDLY SLEEP, can only take short naps during the day (he hates it)
Bored, usually
He's the main character in Horror Mode >:D (yes this is canon)
asexual + gay
brud
(he/him)
Tunner's his older brother
He eats moss (when alone, and yes this is canon)
The bucket he wears on his head covers a spike on his head (this is also canon, also I wonder if he's insecure about it or if he doesn't care because he's dumb /pos)
he's not the smartest.. he didn't die to Simon because Simon didn't get to his tiny brain when biting (PRETTY SURE THIS IS CANON đ)
He also can't feel the pain
He also can't speak in full sentences (yes, canon)
asexual because I said so
autism. he loves trying to yap about bugs (he tries okay đ)
fur + fluffy dog tail + paws
he has retractable claws but he never uses them aside from trying to get moss off of rocks or a tree or smth
brud can just. regenerate everything
he DOES have scales, theyâre just often hidden by fur
Garnold
(he/it)
Garnold has a metal suit and visor on and he's actually human (by that I mean he's a sprunk he- he's not just some random person đ) but prefers to act like he's just a robot. he... doesn't like taking the suit off
He can only show simple, static shapes on his visor.(I thought I had more ideas for garnold than this hrrhdjfj)
Garnold and Clukr often work in this large workshop that's just. their basement for some reason-? itâs like larger than the actual house but womp womp There's also a spinning chair in the workshop, alongside tons of tools and resources (c.ai randomly made this up and I like it)
g.AY
he's uh. british for whatever reason
without the suit he's this scaled creature (not tunner's species, though similar)
OWAKCX
(he/him)
He screams. A lot. like. it's concerning.
Raddy hit him in the head with a hammer once đ¤Š
Vineria helped him escape from a mental asylum (don't ask /j)
He's really jumpy,,him and Vineria are siblings (well thats a little chaotic)
hes like. bive regretevator level paranoid
he's always been more fond of warmth than the others; he's usually near mr. sun
fur + claws
when he's upset or scared he will. bite the nearest person (said person is usually brud which is for the best because brud can just. regenerate everything and can't feel pain)
Sky
(he/him)
(This is canon) He's only 14, being the youngest one there (the rest are over 18)
(This is also canon) he collects teddy bears
he sometimes stays up too late scrolling on YouTube shorts (cough i do this)
his parents are tunner and jevin because I said so
Mr. Sun
(he/any)
Not much to say about himâŚ
He's. I dunno, the age of the sun-?
He's cheerful most of the time
Durple
(he/they)
He's one of the calmest characters
No, he can't fly (this is canon)
His wings are his arms
He has two fangs that are always visible, even when his mouth is closed
asexual and panromantic because I said so
dark purple eyeshadow
side braid
gold earrings
Mr. Tree
(he/him)
Also not much to say about himâŚ
He's the wisest character
Simon
(he/xe)
He's energetic, competitive, and loves a game of Mario Kart (eheh I suck at that game-)
He's the main character in Normal Mode woww!! (yes this is canon)
He has a tail. I gave him a tail. (It has a lightning symbol at the end of it)
There's two rings around each of his antennae and three around his tail.
p.ANSEXUAL YEy
his horns are ears now because i said so
ADHD
he needs glasses (he refuses to wear them clukr keeps trying to tell him but he just says no)
if he raises his voice too much it becomes the synth effect he uses in game cause why not lol
ponytail
freckles
Tunner
(he/him)
extroverted sheriff
he probably likes hugs
Tunner whistles to calm himself down, it's also just a hobby he does sometimes (I got this idea from smth I found I forgot what)
He doesn't have many close friends because of how he protects the others,,
He has scales, claws that he cannot retract, four ears, a tail, a brown cowboy hat, and a red bandana
He's just some desert creature lol
When anxious, he wraps his tail around someone he trusts (as like. a protective gesture idk lol)
He definitely has a stereotypical western accent
He has a gun (a revolver, to be exact) as he's like the sheriff of the town; he tries to keep everyone safe
He's really nice and is on good terms with practically everyone
Brud's his younger brother HEHE
also Tunner has sharp teeth and a tooth gap and a forked tongue
yeahh Tunner's tail wags yippee!!
He accidentally shot one of Vineria's plants at some point and got himself banned from the garden for 5 days (he's kinda scared of vineria but if they got into a fight he'd probably win)
He's a really good sleeper (but also kinda eepy a lot of the time) and he takes naps when he feels like he doesn't have to worry about anything at the moment (he's a worrier though)
also he curls up to fall asleep when he's in an actual spot to sleep (idk I saw it somewhere else and I wanted him to)
oh yeah his hair's messy also because I said so!! don't ask how he has hair!! cartoon/video game logic!!
He used to have hats of different colors, but he threw them away (but why-)
you cannot eat a tunner (he will kill you) âŚpretty sure the creator of sprunki said this
He's genuinely intimidating when he's angry, which isn't often, but will happen, especially when danger's near (ahem in-universe of course I don't think many people are scared of a google shapes doorstopper with a hat)
also pansexual (he don't know the word for that đđ /hj)
shorter ponytail
one pair of ears usually rise when heâs alert (and doesnât have the hat on- he almost always does though) but otherwise they just move slightly upwards
Mr. Fun Computer
(he/they/it)
Mr. Fun Computer cannot move on his own, he has to be picked up or put on something with wheels.
Him and Fun Bot can read eachotherâs minds (squirrelflight and leafpool? /j)
His screen is fully animated, and he can show complex shapes and words.
He has a cable-charger tail.
His screen can partially shatter under distress
In Horror Mode, he is abnormal (hacked whatever same thing heâs a computer), but isn't dead, so he has slight control over it, and he's on the good side.
Mr. Fun Computer, despite technically being over 18, still acts like a child and looks like one with his rainbow hat with a small propeller on it
He struggles a bit with understanding some things, but is usually pretty well-read
He's the younger one out of him and Fun Bot
RAINBOW bowtie. >:)
Wenda
(she/he)
She's always been a little insane and she was a bit of a jerk, but for a bit before Horror Mode, she had become a bit violent towards objects, foreshadowing how she'd act toward the others later on
She has light blue eyes (HELP I DIDNT REALIZE AT THE TIME BUT THAT MAKES HER LOOK MORE LIKE TALKING ANGELA THAN BEFORE)
she loves to get under Gray's skin, annoying him whenever she can (one time in c.ai gray couldnt sleep and wenda was just like âSKILL ISSUEâ hten they started hissing at eachother lol)
She also tries to annoy Brud, but always fails
Pinki
(she/her)
She's usually really kind, sometimes a bit jumpy (no not because she's a rabbit I mean like she's scared of some things that most others wouldnât be)
She tries to stay away from sharp objects, just in case
bow on her tail!! :]
Jevin
(he/him)
depressed /hj (he like. saw people die)
He's 100% introverted I mean look at him
Jevin has a dark blue hood, wings, and claws (he's like a bird!! OH HE ALSO HAS A TAIL)
He somewhat knows Pinki more than the others (I dunno choir thing or smth)
He is... in a cult. (yes this is canon) We⌠don't really know what it's about-
He's the quietest sprunk and is on good terms with Gray due to him also being a quiet one
He's known about Black for a while, and he tries to warn the others, but the only ones who listen are Gray and Tunner.
His visions? (GELP THIS IS KINDA BASED OFF OF WARRIOR CATS DONT JUDGE ME) They're of blood-stained, dark landscapes with dark red skies and black clouds with eyes. Almost everyone is dead... and Black seems to be the cause. (this is kinda dumb help warrior cats ahh OH WELL WOMP WOMP)
He has a deep voice and he's usually stoic
stays up late (wakes up at a normal time)
gay.
?Ě´ÍÍÍÍĚÍ̧ĚĚŁ?̸ĚĚ˝ÍĚĚ ?Ě´ĚÍÍĚĚĚĚ
(he/???)
This one seems offâŚ
He's the cause of Horror Mode.
He didn't possess or control Wenda, rather he just managed to make conversation with her, and easily convinced her to take her knife-handling skills to use.
He's thinner than the others, and his face appears in other places, on other characters, during Horror Mode. (it doesn't but I like to think it does like on Mr. Fun Computer and Mr. Tree)
He has tentacles(?) (LIKE A SQUID OR SOMETBING) that he uses to kill the others. (I MADE THIS UP BEFORE I SAW BRAINROT OKAY /srs I'M THE OG /silly /hj)
He still has a tophat and tie, though he and his face is usually mostly shrouded in darkness.
The order of the deaths/injuries is Tunner, Simon, Brud (injured), Oren, Pinki (injured), OWAKCX Durple, Raddy, Mr. Sun and Vineria, Mr. Tree and Sky, Garnold, then Clukr.
Mard
(he/him)
ALIEN THING. >:D
he has a sister named ketupa :3 (btw she's from Sprunkr ahah)
he plays guitar using a mustard bottle and he has a room dedicated to every type of mustard and he can play the guitar but he prefers the mustard
(when he does play the guitar he usually uses a pick with a picture of a mustard bottle on it đ)
horizontal pupils!!
Trevor
(he/him)
very cheerful guy!!
he's mostly canine and LOVES to make friends!!
dunno what else to say since he's my OC ;-;
Crimson
(she/they)
some weird mix between a reptile with horns and a rabbit
her other ear is under the hat- which is torn because of the horn
In Horror Mode, she was controlled by Black, causing her to kill... She regained her senses only after it was too late.
dunno what else to say since she's my OC ;-;
Ships
PinkiĂOrenĂSimon (polyamourus; throuple [dating, maybe engaged])
TunnerĂJevin (married)
GarnoldĂClukr (married)
(yeahhh there's not much)
OWAKCXĂBrud (maybe??? I'm still not sure about this one but if so not dating)
mayyybe Mr. SunĂMr. Tree just. because i can
Designs!!
(WIP!!) Voice HCs
Oren -
Raddy - Knife (Inanimate Insanity)
Clukr - Tennis Ball (Battle for Dream Island)
Fun Bot - II WANT II WANT TO BE A MACHINEâ (whatever voice is in this song The Living Tombstone - I Wanna Be A Machine)
Vineria - Raven (Teen Titans Go [i dont watch this anymore btw])
Gray - Black Hole (Battle for Dream Island)/Regretevoices: Lampert
Brud - Marker (Battle for Dream Island)
Garnold - Two (Battle for Dream Island)
OWAKCX - Regretevoices: Bive (i guess)
Sky - Gumball (The Amazing World of Gumball [i've never watched this,, maybe i should])
Mr. Sun -
Durple -
Mr. Tree -
Simon - Skipp (Ramshackle)
Tunner -
Mr. Fun Computer - Mr. Fun Computer (shocking i know đ¤Ż)
Wenda - Serial Designation V (Murder Drones)
Pinki -
Jevin -
Black - Regrevoices: Wallter
Mard -
Trevor -
Crimson -
Other sprunki ask blogs by @goldentail-readswarriorcats
@gray-the-creature
@ask-trevor-sprunki
:)
#incredibox sprunki#Come sing along with us!#they are all dead...#sprunki headcanons#headcanons#my headcanons#head canon#character headcanons#hcs#my hcs#sprunki incredibox#sprunki#incredibox mod#incredibox#sprunki art#sprunki fanart#sprunki oc#sprunki ask blog#sprunki roleplay#sprunki rp#ask gray sprunki#ask trevor sprunki#ask me anything#send asks#ask stuff#ask blog#ask#rp blog#roleplay blog#rp ask blog
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Hello and welcome to my sprunki ask blog! I decided to remake this one and start all over again on everything :]
Let me start with the rules and then we can move onto the characters and stuff about them!
Ahem
Rules
1. nothing too nsfw some semi suggestive jokes are fine but nothing extreme
2. Mod is 18+ please don't be weird with me or come in here as a minor to be weird or something
3. Some sensitive topics may arise as well so I would suggest being cautious
4. Don't be weird with any of the characters who are minors ( sky, funbot, and fun computer are all under this category in this universe)
5. Your ask may not get awsered either because I do not know how to respond, I don't understand the ask, or I just simply do not wish to awser it
6. Please don't attack me for anything that I have not done wrong, or for not answering your asks
Anyways I might add more rules
Onto the characters ( things may change)
NOTE: this is my interpretation of the characters if you do not like it go the other way
Pinki°34° poly bi° she/her
Bunny
Works as a fashion designer
Raddy°36° bi°he/him
Fire dragon
Does construction work
Oren°33°poly pan° he/him
Alien
Works at an arcade, also djs
Simon°33° bi° he/him
Alien
Works at an arcade, wants to make and sell art
Lime/owakcx°40° bi° he/it/them
Porcupine, opossum, cat mix
Unemployed, used to work as a businessman
Vineria°36° pan° any/all
Unknown
Sells all kinds of plants, and weed
Sky°14° Nuh uh ° he/him
bear
Goes to school, unable to work yet
Jevin°39° gay ° he/him
Half bird half horse
Study's the stars, believes in Mr sun as his god too ( Mr sun is unaware)
Durple°37° gay° he/them
Water dragon
Unsure what exactly he does
Wenda°29° bi° she/her
Cat
Unemployed
Gray°27° gay° he/it
Half demon half cat
Works in retail
Black°35° gay° he/him
Half demon half cat
Stuck in a mental ward ( escapes usually)
Brud°32° gay° he/them
Half dog half deer
Works as a baker
Tunner°40° bi° he/him
Dog, lion, komodo dragon mix
Sheriff and farmer
Garnold°49° gay° he/him
Merperson, goldfish
Sells the stuff he creates
Clukr°46° gay° he/him
Unknown
Sells the stuff he creates
Funbot°13° Nuh uh° any/all
Robot
Unemployed, can't work
Fun computer°15° Nuh uh° he/it
Robot
Unemployed, can't work
Mr Sun°67° pan° any/all
The sun but with a body
Free therapist
Mr Tree°64° gay° he/him
A mix of some trees but with body
Helps vineria with selling plants, doesn't do that weed stuff
Relationships of characters:
Mr sun and Mr tree are close but not quite dating
Garnold and clukr are married
Pinki and Oren are together
Black has his eye on some people
Jevin and lime are together
Funbot and fun computer are the children of garnold and clukr
Sky, jevin ,and pinki are siblings
Tunner and brud are siblings
Wenda,gray ,and black are siblings
Mr tree adopted vineria
Simon and Oren are very close
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Review 528: POV: You Are An AI Achieving Consciousness
Written By: Naďťżthan Leigh
Performed By: Nicole Orabona
Presented By: Cirque Saw
@cirquesaw www.cirquesaw.com
âThe Programmer Said They Could Lie To Usâ
Thatâs the phrase that Dana said that sent Ricky into an apoplectic rage. For the past hour, Ricky was sitting there gobsmacked as they drew their house on the little screen and slowly realized that they were teaming up with the rest of the audience to make the music that they were hearing. Within two minutes of the Zoom windows going blank Dana mused out loud âWhat if the music was pre-recorded and what you were drawing had no meaning? Dana, ever the skeptic, was picking up on a theme in our modern AI world: if itâs from a computer it can be a lie. Like the urban legend goes some menial robots are shutting themselves off when they notice that their task is pointless. That question lit a fire in Rickyâs soul. They absolutely had to know the answer.

Nathan Leigh
Thatâs what led to Ricky begging Leigh to show his setup during a talkback. The answer sounds way more mundane than its implications. MIDI (music data) is sent from the touchscreen to a computer and every point on the screen is a note in a musical scale. No lies. No trickery. Just coding wizardry. Yet the implications of the effects of Leighâs writing have made Ricky lose a little sleep and bug Dana with a couple of geeky rants (Dana note: make that several) That was the first time in a loooong time that Ricky was given that burning in their chest. They just had to know the answer. They werenât mad at Dana for raising the idea or their take on the theme. They were mad that for the first time, this theatre know-it-all DIDNâT know the answer. For the first time, they were wearing Ruby slippers and stepping into Oz begging to take a peek at the man behind the curtain.
Nicole Orabona
Tech is only 20% of the effect. The rest is this nexus formed by Leighâs tech and Orabonaâs delivery. Orabona has a way of speaking where you donât know where the text ends and the performance begins. They lure you in and you find yourself doing what they say without thinking about it. With an immersive world like this, you need this kind of trust in your fellow carbon-based life form. When theyâre talking you donât feel the time move. Without the human touch the tech would be useless. Ironically the human element is what makes the play.
Weâre checking our email one day and see Cirque Saw advertising a new run of POV. We beg to come back in. They warn us that nothing has changed since the last time we saw it. We get in and Ricky is again in heaven making music, figuring out how to make higher notes, how to add drums, almost figuring out the latency, and hearing their notes join the mix. Then Dana chimes in âI thought they said they didnât change anything.â Ricky looks at them and feels that fire building up in their chest again.
âWell, it is an immersive show,â Dana says âthings are going to be different from one show to another. But something seems very different from last time.â And that has been the burning question in Rickyâs brain for a week now. What had changed, or what did they and Dana just now pick up on that they missed before?
And thatâs where you find us. The more we learn about the show the more we realize we donât know.
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TDIS Short Stories: Just Like He Used to Build
Summary: Brick is really good when it comes to robotics, but has almost never touched anything of the sort in years. Blossom, being fed up with his refusal to join the school's robotics club after 3 years, finally finds out why.
Rating: T for swearing and mention of parental death
Note: THIS IS NOT A SHIP FIC!
She's seen him.
She's seen the way he uses his laser eyes to weld the parts together.
She's seen the way her friend spends hours on a computer trying to get the programming just right.
She's seen the way he builds, wires, rewires, programs, all until it's just right.
She's seen the way his face lights up when it's finished, when he looks around the machine to see if there's any more kinks to work out, but there isn't. It was perfect.
Brick's face doesn't light up like that anymore.
Nor does he spend hours building or programming any sort of robotic machine.
But he's always loved it, Blossom thought, When we first became friends, we'd built weird little gadgets and gizmos together all the time. We'd always argue about whether we'd use it to help the world, or take it over. What happened?
--
When the robotics club at their school was first announced and were taking members, Brick was the first person Blossom went to.
"Yeah, I saw it," he'd said, "You should join. Looks like you'd have fun."
"You mean we should join, right?" Blossom had asked, hopeful that this 'Brick doesn't like machines anymore' thing was all in her head.
Unfortunately, it wasn't. Brick shrugged. "Eh, I just don't think I'll have the time, ya know? I mean, with the band and sports-"
--
Blossom knew it was bullshit. But, she just brushed it off. Brick will come around, she thought, eventually.
Then sophomore year came and went. Blossom joined the robotics club again, and again, Brick didn't. This time, when she asked him about it, he was a little more irritated and defensive.
"Why are you even nagging me about this, anyway?" he asked, a little loudly, might I add. "You got Princess and Dexter to hang out with, and you're like, on top of the entire school! Why do you even care?!"
This of course, caught Blossom off guard. Sure, Brick was a bit of an asshole, and sure, they have their little disagreements (probably a little more often than two friends should), but he never snapped on her. Usually nothing really got to him, and if it did, he would just take it out on the punching bag with HIM's face scribbled on it down in the training room at home. This was just, kinda concerning.
--
Junior year, she didn't even try.
Senior year, she'd had enough.
--
"Okay, what is it?" she asked once they got home.
"What?"
"Come on, we used to build all sorts of amazing robotic machines together! You've always loved robotics! What happened to you?"
"Oh my- this again? Just let it go, will ya?"
"Not until you give me a legitimate reason why you won't do something that you love!? And don't say you've 'outgrown' it because I've seen you looking at my robots like an ex-girlfriend you regret breaking up with. Which, by the way, is really weird, can you please stop?"
"When did I ever-"
"So," Blossom patted the seat next to her on the couch, "You gonna spill it or do I have to keep annoying you?"
Brick rolled his eyes and started walking away. "Again, Bloss the Boss. Why. Does. This. Even. Matter?"
"Because, you're my friend, Brick, and on the contrary to popular belief, I'm not sorry for wanting to help you with whatever you're dealing with."
Brick stopped in his tracks, definitely thinking of what to say next.
"Well, ya wanna talk now?" Blossom asked, hopeful that she was getting somewhere.
But, finally, Brick was able to move again. "See you tomorrow, Blossom."
And just like that, he was gone, and all Blossom could do was sigh. You know what? Blossom thought, Whatever. What. Ever. Brick's right, why am I worried? If he wants to be a dick, let him. He'll open up when he's ready. And if he decides to do robotics again, he can do it outside of school, well, as long as he doesn't blow anything up. . . heâll be fine, Iâm sure of it.
--
The next day, Blossom did her usual crime-sweep of Townsville. She looked through every nook and cranny of the city, yet there was nothing. No news is good news, she thought, Now, time to head home.
But on her way, she heard a weird noise coming from. . . the Volcano Lair? Frankly, any noise coming from there is weird, since it's been abandoned for over four years, ever since Mojo Jojo bit the dust.
Blossom, excited for something interesting, immediately went to investigate. She crept around the perimeter and peered through a window.
But what she saw wasn't at all what she expected to see.
"LIAR!!!"
--
Those machines, all of them. The things that once brought him joy now laughed in his face every time he saw them. His failure and his grief has haunted him through all things artificially intelligent.
This was the last time those things would ever drag him down again.
Before he knew it, his fist dented the metal. It felt like nothing. Or was he just distracted? He just didn't know anymore.
"YOU PROMISED!!"
His eye beams cut a hole into the cockpit, and before he knew what he was doing, he flew in, taking apart every piece of that damn battle robot.
"YOU SAID EVERYTHING WOULD BE OKAY!!"
Bolts. Wires. Buttons. Screws. Levers. Scraps of metal. Everywhere. He didn't care about his newly cut scars from his spree. He didn't feel a thing.
"YOU SAID WE WOULD BE OKAY!"
Except he felt everything. Every negative emotion known to humanity, all at once.
"YOU SAID THAT YOU WOULD HANDLE IT!! AND-AND THAT YOU WOULD TAKE US HOME, AND WE'D NEVER HAVE TO WORRY ABOUT ANYTHING HURTING US EVER AGAIN!!!!"
Grief. Sorrow. Pain. Betrayal. Regret. Failure. Loneliness. Helplessness. Emptiness. You'd see all of it on his face had he not let his firey red hair drape carelessly over it. It didn't matter, though. Nothing did.
"WHY DID YOU LIE TO US!?!"
He didn't stop until the battle robot that once stood tall in the laboratory of Mojo Jojo was reduced to nothing but scraps of metal, wires, and ashes. And when it was, the only thing Brick could do was land next to it, and take it all in.
"Why did you lie to me?"
And he was finally face-to-face with it. The metal, artifical figure in which all machines like it was nothing but a constant reminder of his failure. After four years of bottling up all his emotions, four years of being the big, strong leader his brothers needed, he finally fell to his knees, and screamed.
"WHY DID YOU LEAVE ME????"
Everything was a blur. The fire of his hair mixed with the water of his tears, blinding him from the chaos unfolding around him. Was all that heat coming from him? Or the fire he'd caused in his fit of rage? It didn't matter. All that mattered was that Brick Rowdyruff knew how much of an absolute failure of a son and a brother he was. He couldn't even keep his own family safe from HIM. How utterly worthless is someone who can't do something as simple as that?
With no warning, Brick felt a slight weight on his shoulder. Its fingers curled around his shoulder, but not too tightly. A hand.
Internally, for his mental breakdown was too far gone to be stopped, Brick went into panic mode. No, no, no, you idiot! he thought to himself, Why did you let anyone see you like this! What if it's one of you brothers?! You're supposed to be taking care of them, not the other way around! You're gonna fail them, too, just like you did your dad?
But it wasn't his brothers. It was a girl. A girl with firey red hair identical to his. Another arm emerged, and together they wrapped around him while a head was placed on his shoulder.
"It's alright, Brick. It's okay."
Goddammit, Blossom. Why the hell did you have to stick your nose in my business?
But no matter how hard Brick fought it, no matter how much he told himself that he couldn't let anyone see him in shambles like this, and how much of a failure he was for not being the bigger person and actually depending on someone, he couldn't help it. He hadn't had anyone to break down in front of, or to turn to when things got hard, or to comfort and care about him ever since. . . .
Brick turned around, collapsed into Blossom's arms, and sobbed louder than ever.
Instead of pushing him away like he expected, Blossom encompassed her arms around his body like a protective shield. One arm moved up and down his back, and the other circled around his neck, covering his face. Her head rested on top of his, and she kept whispering things like "Shh. . . let it all out. . . you're okay. . . I'm here. . . it's okay".
After what felt like hours, though it was probably only like, 10 minutes, Brick finally spoke.
"It's my fault. All of it."
"No," Blossom argued, her voice still gentle, "None of HIM's actions will ever be your fault."
"I couldn't even keep Dad safe."
"You didn't know HIM would take it that far."
"I should have. If I was just fast enough maybe I-"
"Stop it, Brick. Stop blaming yourself for things you knew were out of your control."
"But it was up to me to-"
"You were thirteen, Brick. Your father was supposed to protect you, not the other way around. And that's exactly what he did."
"Butch and Boomer, they. . . I need to be there for them. I have to be the person they know they can depend on. I have to protect them."
"From what?"
"Huh?"
"HIM is gone. And us and our siblings are friends now. And you three all have food to eat and a roof over your heads."
Finally, the tears stopped. Brick sat up and looked around. It seems that during his breakdown, Blossom used her Ice Breath to put out the fire that his outburst had caused. Brick decided to fix his gaze downwards.
"All you have to worry about now, Brick, is you," Blossom concluded, standing up and reaching out her hand, "And I'll be there every step of the way."
Before he accepted her offer, Brick had one more question to ask.
"Why?"
Blossom smiled. "Because after all we've been through, you are just as much family to me as Bubbles and Buttercup. And this, is what family does."
A smile couldn't help but appear on Brick's face as he took her hand and stood up. And as they flew home, Brick asked one final question.
"Hey, is that robot club thing still open for new members?"
A/N: Wow, you guys actually made it this far? I'm impressed. Here's a cookie đŞ
#ppg#the powerpuff girls#the day is saved au#tdis#mojo jojo#brick rrb#blossom ppg#tdis short stories#ppg reds#blossom utonium#blossom x brick#but platonic
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Forgotten Love - part three: lions and tigers and secrets, oh my
series summary: Youâre new to the Avengers. In joining the team, thereâs a lot that no one yet knows about you. And thereâs some unusual tension between you and a certain brunet. Under a pseudonym and with completely fresh start, and background, you hope for a chance at a new life. A better life. But how long will it last before someone figures out the life youâve hidden away?
chapter summary: Quite some first mission. And some close calls, too.
pairing: Bucky Barnes x reader
words: 1.9k
warnings: only killing those hydra goons
A/N: Ooooh Iâm actually really happy with this chapter. Hope you all like! As always, likes, comments and reblogs are much appreciatedâşď¸
series masterlist
The jet speeds off to an unknown location. FRIDAY is left in charge, of course. Everyone else either sits at the sides or is preparing for when you land. You get up from your seat and walk to the middle of the jet, where Tony, Steve and Nat are all looking at a hologram of some sort of concrete building.
âHydra base.â Nat states.
âWeâve gained intel to a specific experiment theyâve got going on. Theyâve been trying to recreate more of the supersoldier serum. We canât let that happen.â Steve informs you, in his patriotic, âIâm Captain Americaâ voice he likes to use.
âRight.â
âFuryâs informed us that they may be closer to recreating it than we thought. Heâs picked up some new radiation thatâs coming from this building.â Your gaze falls from Steve back down to the hologram. With a flick of his fingers it spins, giving you a 360 view of the place. The sight makes you feel uneasy, in a way unknown to the team.
âIf you havenât guessed already, our job is to get rid of whoever and whatever is causing this.â Tony adds. âWe take out the bad guys, steal their shit, and boom. Avengers win.â
âAlways so serious.â Nat jokes. You smile at her and head to the weapons area, grabbing a few knives and a handgun, and slotting them into various places on your suit. Bucky is also there, picking a few similar knives but a much larger gun.
âThis is your first mission, right?â He asks, not even glancing at you. You think for a moment, not quite sure how to answer.
âYeah. Itâs my first.â
âDonât sweat it. Weâll be in and out in no time. It usually goes according to plan.â He finally looks at you, smirking, and gives you a wink as he walks away, leaving you with more conflicting feelings.
â5 minutes to landing.â FRIDAY announces.
âWeâll head down now to scope out the area.â Rhodey says. The back of the jet opens and he heads off in his War Machine suit, followed by Sam, followed by Tony using his nanotech and jumping out before heâs fully suited.
âLooks like youâre rubbing off on him.â You hear Bucky say to Steve.
The jet lands in the clearing of a nearby forest, leaving the rest of you to venture through it to the base, undetected under the cover of the night.
âReady?â Steve asks as you head out.
âSo ready.â You reply.
You, Nat, Steve and Bucky all head through the trees and itâs not long before you reach the large, grey building. As you approach the facility, you would have guessed it was abandoned by now if it wasnât for what Fury had reported.
âEmily, weâll head through the front and you boys can go around the back.â Nat orders.
âYes maâam.â Steve salutes her with a smirk and you head off in your different directions.
You and Nat find a small side door where the front of the building is and to your surprise, itâs unlocked. Both of your guns are up at the ready as you sneak down the eerie corridor. Only dim ceiling lights cast any glow amidst the darkness, the kind that are always flickering in horror movies. You come up to a split in the corridor and push Nat up against the wall with you when you sense an unwanted presence.
You close your eyes, concentrating on the way this person is moving. Though the footsteps are inaudible, you can feel it: the vibrations through the floor, of a male, walking with the rhythm of a robot. Patrolling the grounds. The vibrations get stronger as he nears. When he reaches the corner is when you pounce, catching him in a headlock and choking him silently unconscious, until he falls limp in your arms. You snap his neck. One swift motion and you lay him down on the ground, letting the logo on his uniform get to you more than it should have.
âDamn, Quinn, you sure have some surprising moves up your sleeve, donât you?â Nat comments, stepping over the agentâs body. âA force to be reckoned with.â
âBuck, come on.â Steve picks up a jog as the pair head through from the opposite side of the premises, but Bucky is still looking over his shoulder every 2 seconds.
âSorry.â He mumbles, and picks up his pace to match Steveâs.
They head further into the maze and, after taking out a few HYDRA heads, they find themselves in a corridor with a single door on the left hand side, reading âWS room 1â
âWinter Soldier.â Bucky speaks softly. âThatâs what it stands for. Winter Soldier.â He takes a stammered breath. âThis is one of the places they tortured me.â
Steve pays his friend a sympathetic glance. Bucky halfheartedly smiles but resolves to staring at the floor. He walks up to the door and takes a look through the small square window. Through it, thereâs a small room, encased by glass, with computers and other equipment as such. Ready to make notes. Observations. Beyond that is a larger room with a stand consisting of various panels and buttons and a lever, which is attached to the large-framed chair beside it. The mere sight of it causes Buckyâs skin to crawl with the pain of the past. It almost makes him jump when Steve places a hand on his shoulder, signalling the time to head off again.
âUh, guys, you might wanna check this out.â Tonyâs voice crackles through the coms. âGet to where I am right the fuck now.â
You and Nat start running down the halls now, checking Tonyâs location using the new tracking device he installed into everyoneâs suits. Taking out numerous faceless HYDRA agents on the way, you make it to a door, a huge metal door, where two agents lay dead either side. Bucky and Steve arrive just as you do.
Steve opens the door.
With a loud creak, a blue glow emits from within the room, and standing in the middle is Tony, surrounded by viles and viles and bottles and machines. Paperwork is piled up messily throughout the place. You all head inside, slowly making your way around, taking notice of all the colours in various glass beakers, tubes and containers, some smoking, some not. Glancing at all the scribbles on the paper scattered around, and on the walls, itâs clear that this is the testing room for their serum. And by the look of the fridge in the corner, filled with bright blue viles, they succeeded.
âWait, have they already figured it out?â Steve questions.
âNo!â Bucky slams his fist on the table, angered by the despairing truth.
âThey did it. They actually did it. And God knows how long theyâve had this. For all we know, there could be dozens of newly created supersoldiers walking among us.â Tony says, taking out a vile and holding it up to the light. You take a sharp inhale and turn away from the rest of the group, suddenly feeling light-headed. As you focus your breath and lean against the workspace, you also focus on the paperwork in front of you. Itâs a file. Your soul leaves your body as you stare at the black folder, a blood red HYDRA logo stamped to the front. Underneath, some writing:
âCONFIDENTIAL - SS test subjects 1-12â
SS. Supersoldier.
You hesitantly open it. Nameless faces are enclosed, reduced to nothing but numbers. All have red stamps over their files, labelling âFAILEDâ in red. Every one is the same; a face, a name, âFAILEDâ.
Until you reach number 12.
You slam the file shut and jolt back upright.
âEmily? You okay?â Nat asks. You spin to face everyone, who now looks slightly concerned by your sudden outburst. You release the breath you were holding in.
âYeah. Sorry. Seeing this just makes me so angry, you know? How they just want to create monsters with this stuff. No matter the cost.â
âTell me about it.â Bucky comments. Everyone gets back to what they were doing before.
You sigh in relief, as if you were expecting them not to believe you. You discreetly slide page 9 out of the folder and fold it up small enough to fit into a pocket in your suit.
âThis seems too easy.â Bucky says, as he looks over a page of scribbled formulae. You all gather round and look through what seems to be the final renditions of their recreated serum. As you read through, trying to make sense of the cacography, an overwhelming sense washes over you. You shut your eyes, trying to focus the feeling, pinpoint the source of it.
âGuys,â You open your eyes wide. âwe need to get out of here. Right now. Itâs everywhere. Letâs go, come on!â You yell at everyone as you feel the heat rise beneath you. You run, and the others follow. Nat grabs a load of HYDRAâs work, taking whatever looks important enough, and heads out with the rest of you.
You make it out of the building and keep running towards the forest. Rhodey and Sam meet you from where they were on lookout outside.
âGet down!â You shout, and everyone covers.
The facility is blown to smithereens, the sound of it erupting through the dawnâs serenity. Bright orange fills the sky, melting into the sunrise.
âLetâs get the hell out of here.â Sam urges, to which everyone gets up and heads back, exhausted, to the quinjet.
You let yourself fall onto a seat, leaning your head back against the wall and releasing a long-awaited breath.
âThank God we have you on our team, Quinn, otherwise we would have been barbecued.â
âGlad to be here, Stark.â You manage to push yourself up, gathering with everyone around the table, where the team is examining what Nat managed to pick up. You scan whatâs in front, and your heart falters.
âWhere did you get that?â
âGrabbed it on the way out.â She replies. âLooked important.â
âWell, yeah, files with huge capitals that say âCONFIDENTIALâ usually are.â Sam remarks.
Youâre tense the whole flight back, biting your nails and lip as you all go through the papers. And when you land, youâre the first one off the jet.
âHow did it go?â Wanda asks when youâre back in the compound.
âYou want the good news or bad news first?â Tony pours himself a drink.
âTony, itâs like 7AM.â Steve states.
âWell done, Cap. You can tell the time.â Tony carries on pouring and takes a large swig, holding his glass up to Steve as he swallows.
You rush to your room in silence before anyone starts recounting the mission and passing round that file.
You shut and lock your door, sliding down it and letting your face fall into your hands. You reach for the piece of paper you took and unfold it. You can hardly bear to look at it, feeling sick to your stomach. You barely recognise yourself.
~~~
âDid they all make it out?â
âUnfortunately.â
âAnd her?â
âSheâs with them now.â
âWe will have her back. She canât hide from us. Number 12 will be back with us soon.â
#bucky barnes#bucky barnes fic#bucky barnes x reader#bucky x reader#bucky x you#bucky barnes x you#bucky x y/n#sebastian stan#fatws#tfatws#the winter soldier#avengers#avengers x reader#avengers fic#marvel fic#steve rogers#black widow#natasha romanoff#sam wilson#tony stark#iron man#rhodey#forgotten love#forgotten love series
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 Starker High School AU, Pt. 4 (Pt.1, Pt.2, Pt.3, Pt.5)
---
The last bell of the day sounds and Peter doesnât know if heâs thankful or reproachful.
On one hand, no more classes.Â
On the other: giving up an afternoon of Robotics to spend time with the modern embodiment of the antichrist.
To add insult to injury, it had been one of those long, arduous days that never seemed to end. The hours stretched themselves into impossibly bloated milliseconds as he watched the clock - and it still wasnât over.
Dread filled him in anticipation of the afternoon and before first period he accidentally smacked himself in the forehead trying to get his locker open. It hurt and he was sure it would bruise. But if he was looking for sympathy, there was none to be found. Bucky and Nat werenât speaking and in result their friends seemed wary and divided amongst themselves.Â
It made for a rather awkward day.
His efforts to be neutral ground and to bridge the gap were met with vexation and were brushed off, so he ate lunch alone again in the library Bucky and Nat were fiery and fiercely independent, so not unexpected, but it was in his nature to want to mend the rift.
Ben used to tell him not everything was up to Peter to fix.
Easy for him to say.
Nonetheless he does his best to keep that notion in mind as he goes through the day, but everything seems off kilter. No one is talking to each other, he was so busy and caught up with all of the internal discord and schoolwork that he hadnât eaten since breakfast.Â
And May was acting super weird this morning.Â
Worry gnawed at him in a way that had him forgetting about eating, whether it was about May and Thursdayâs match, about the giant pimple that bloomed on his chin overnight -- or whatever inevitable torment that Stark had cooked up for them this afternoon.
Itâs still a few minutes before theyâre due to meet but Peter isnât dragging his feet.
He isnât.Â
Sure, the hallways are vacant of any other students.Â
And maybe he is feeling just a little petty for the time Tony kept him waiting despite his own plea not to -- besides, he still has a couple of minutes before heâs due, heâs not going to turn up early for goodness sake, as much as the part of him that says if youâre not early youâre late begs him to quicken his footsteps.Â
Maybe he does stretch it to the last minute just to see Tony looking frustrated by his vintage â69 Mustang, the line of his mouth unmistakably displeased as the cars in the lot around him gradually disperse.
He knows the moment that Tony notices him, leant against his car, sunglasses slipping down his nose to properly glower at him.Â
âThis is why youâre an asshole,â Tony points a finger at him as he arrives. âI should leave you here.â
âSorry,â Peter apologises airily, âI was trying to be anywhere but here. Iâm not late though, so?â
Tony rounds the car to the drivers side, still pointing at Peter. âDonât push your luck, Parker. Get in.â
Snickering quietly to himself, Peter heads to the other side.Â
The engine growls loudly, a deep rumbling that goes through Peterâs entire body. Buckling himself in quickly, he peers around curiously while Tony reverses out of the lot. Heâs reluctantly surprised. For an old car that belongs to a teenager behind at least two school fires itâs in impeccable condition.Â
âNice car,â he says quietly, mostly to himself as his gaze roams the interior with interest.Â
Itâs difficult to associate Tony Stark with the words nice or neat even, but thatâs exactly what the car is. The interior is unscuffed, squeaky clean, the leather seats are comfortable, not a sprinkle of cigarette ash to be seen.
It really is spectacular - when the engine roars and the seats vibrate under him, Peter gets a sense of wonder and curiosity, like that one time he fell in love with DeLoreans after watching Back To The Future with Ben.
Curious, he opens the glove compartment and finds a generous stash of snacks and chocolate bars inside.
âDonât touch anything,â Tony scowls, smacking Peterâs hands from the dash. âThatâs rule number one. The interior is original and my girl is sensitive to your residue.â
Residue, he scoffs, tempted to reach out and touch more just to be contrarian.
âYou got a sweet tooth or somethinâ?â Peter asks instead, gesturing to the glove compartment.Â
âNo.â
âCan I have some?â
âNo.â
âAre you gonna say anything else to me on this trip?â
âNo,â Tony smiles sardonically, turning up the radio louder until the riffs of Queenâs Somebody To Love drown them both out.
True to his word, Tony remains silent over the course of the drive. It suits Peter fine, itâs not a quiet that is uncomfortable or awkward, not with the radio playing loudly from an oldies station, the wind whistling through the windows and the echoes of traffic around them.Â
He thought it might be a stiff and uncomfortable drive, however the longer nothing goes unsaid between them, the more Peter feels himself relax in his chair, warmed by the heater and his limbs loosening until they feel boneless after the day heâs had.
And to his credit, Tony doesnât appear overly tense or uneasy in having Peter in his space - in fact, he looks as chilled out as Peter has ever seen him.Â
The perpetual strain around his jaw and shoulders seems eased, his posture open and casual as he drives with one hand, shifting gears with the other, sometimes tapping out a tune on the steering wheel. And whenever a song he particularly likes comes on the radio he turns up the volume, and if Peter looks over at the right moment he sees him smile privately to himself, a pleased little quirk of his lips.
Sometimes Tony speeds and puts his fingers out the window to card them through the wind, and his smile grows.
Although the amicable vibe has little to do with him, itâs probably the first time that theyâve spent more than five minutes together without hurling insults at each other.Â
Itâs weird.
Too wary of shattering the peace, Peter doesnât mention it.
By the time theyâre on the Queensboro Bridge the Eurythmics are playing one of Mayâs favorite songs. Without realising heâs doing it, heâs bobbing his head along to the tune, whispering the words under his breath, suddenly reminded of dancing in the kitchen with her and Ben, nine years old, using wooden spoons as microphones.
Heâs smiling before he can stop himself, head tilted back against the seat, eyes unfocused on the skyline. It smells like Tonyâs cologne and engine oil, like being enveloped in an old memory. He can see Tony looking at him from the corner of his eye but neither of them say anything.
The volume is turned up.
---
They arrive at the realtor with just minutes to spare before their appointment is due to commence.Â
The traffic had built incrementally during the drive to Long Island City, the roads becoming more congested as they went. The tension in Tonyâs shoulders returned as the minutes ticked closer to four-thirty, his tapping on the steering wheel out of impatience rather than good-cheer.Â
Peter actually does feel a little bad now.Â
Not that the five minutes he couldâve spared would have made much of a difference, but still, guilt whispers vehemently.Â
Itâs for that reason that he politely doesnât say anything that could be perceived as inflammatory when Tony pockets his sunglasses and buttons up his dress shirt, checking his reflection in the rear-view mirror. Even if heâs dying to tell him that he looks like a damn nerd.
Not that he can talk.Â
Heeding Tonyâs words, heâd dressed similarly in his okay-est pair of jeans, a clean shirt and a cardigan. In class, MJ laughed and told him he looked like Napoleon Dynamite.
They head in, a bell above the door signalling their arrival. Itâs a chain realtor, not the one they rent their apartment through, but Peter thinks there is an office right near his building. Inside, a middle-aged woman at the front desk greets them.
âUh... we have an appointment with Kate Priceâ Tony gestures between them. âAppointment for Tony Stark?â
âOh, Iâm sorry,â the woman apologises in a heavily Welsh accent, âyou should have gotten a notification, sheâs unwell and taken the day off.âÂ
âOh, um --â
âThatâs okay though, Iâm free, I can help you if youâd like.â
âAre you sure?â Peter queries, sharing a look with Tony who appears just as uncertain. âWeâd really appreciate it.â
âAbsolutely. Itâs quiet anyhow. Come,â she beckons them down a narrow hallway to a set of cubicles and L-shaped desks. There doesnât seem to be anybody else in the office, he notes, as the two are directed to sit before a desk while the woman types away at a computer.Â
âIâm Miranda,â she introduces herself, holding out her hand for both of them to shake. âThe appointment notes say youâre after a nearby rental?â
âSort of, weâre just looking at some pricing. Nothing serious, we just need to take some notes, get a feel for it.â
Mirandaâs glasses slide down her nose as she observes them.
âYouâre a wee bit young to be moving out of home, arenât you?â
âOh! No,â Peter stutters, waving his hands, âweâre not actually --â
Miranda waves at him dismissively.Â
âNot that I can judge. My husband and I were living together and married by nineteen, âcourse heâs dead now. We had a good run though. Anyway, good for you. Young love, itâs so sweet.â
âYoung what,â Peter says.
Miranda, typing away cheerily at her computer, clearly didnât get the memo about the school project like Kate must have.
Peter turns to Tony, who is just as wide-eyed as he is.
What the fuck, he mouths, slinking down in his chair.
I donât know, Tony mouths back, stupefied.
âSo, what are we thinking - a studio if itâs just the two of you? Something cozy?â
âUh, well, weâre looking to grow,â Tony says, hand slapped over his mouth. He shares a bewildered, wide-eyed stare with Peter.
âRight, well, nothing wrong with knowing what you want. Whatâs the budget? Let me see what I can find for you.â
âAh,â Peter shifts in his seat, trying to communicate wordlessly with Tony as their research angle quickly becomes derailed.
He tries to communicate the need for an urgent exit in a stare that he hopes is prolonged and meaningful, but is only met with equally panicked blinking from the other boy. Thereâs a moment spent blinking undecipherable messages at each other and before he knows it the silence has stretched on far too long.
âWell, we were thinking sixteen-hundred a month. Right... Tony?â
âRight,â he nods slowly, eyes darting between the two. âSingle income, see. Parker - uh, Peter is still in school.â
âOh, bless,â she says spiritedly, typing away at her keyboard. âItâs not easy, I know, been there. What do you do for work, young man?â
âMe?â Tony asks, gesturing to himself, shooting Peter a desperate look. âIâm... a mechanic...apprentice.â
Peter has to disguise his snort with a cough, the horse so far out of the gate there is no catching up to it.
âGood for you, darling,â she says distractedly as she busies herself with the monitor, missing the heated glare Tony sends him. âLetâs see, might be tight, but we may have something for you. One bed, one bath, a living room that can be converted to a second bedroom.â
âGreat,â Peter nods hesitantly. âWhere?â
âAcross the street, actually,â she swivels the monitor on its stand to show them a set of blurry photos of a small apartment. âAnd itâs currently vacant - we can do an inspection right now, if youâd like?â
Thereâs a pregnant pause.
âOne moment,â Tony smiles at her, holding up a finger.
Thereâs a screech as Tony pulls Peterâs chair across the linoleum with a single hand.
âThis is getting out of hand,â Peter whisper-hisses, ducking his head.
âI know, I know, I know,â Tony squeezes his eyes shut, making placating motions with his hands that do little to appease Peterâs rising apprehension. âItâs alright, itâs under control. Listen, hear me out, we go to the inspection, have a look at the place --â
âYou canât be serious, dude, weâre sixteen.â
âWeâre not going to actually fill out an application, numbnuts, listen; we go, we take some pictures, get some details about the property, add it to our report and bam, who needs a reference? Think about it! Who else is going to have this level of detail in their report?â
âIâm not exactly sure this is what Miss Ahn meant by field research.â
Tony pokes him in the forehead.Â
âThink outside the box, precious. Rise above the urge to do the bare minimum and we might just get a good grade.â
Peter sneaks a glance at Miranda. âFine,â he pokes Tony back in the chest. âBut you do all the talking, smartass.â
âFine with me.â
âGood.â
âGreat.â
Tony turns back to Miranda and offers her a charming smile.Â
âWeâd love to. Lead the way.â
---
They door sticks when Miranda turns the key into the dead-lock.
She struggles with it momentarily, smiling assuredly at the two boys as she twists the doorknob back and forth, pressing her shoulder against the peeling wood, forcing it open with a bang.
âHere we are,â Miranda announces brightly.
The two follow her inside, sharing a reluctant look with each other as she leads them into what must be a living room, the click-clack of her heels echoing off the scuffed floorboards and bare walls.
The first thing that Peter notices is that the room, while void of furniture, seems impossibly small, even by New York standards.
With the three of them spread thinly throughout it, there are but a few inches of space between them. Barely any room for a couple of armchairs, let alone a full sofa or a coffee table.
At a glance, he takes stock of the cracks in the ceiling, the discoloured patches in the plaster and the splintered wood of the front door frame where it appears it has been forced open from the outside. The chain-lock is broken.
Tony is over by the far corner, wiping a finger through a layer of dust on the window sill.Â
Thereâs a loud bang from upstairs.
âSo, this is the living area,â Miranda says with a flourish of her wrists. âAnd if you follow me, this down here,â she leads them around the corner, âis the kitchen.â
The kitchen is comprised of a small formica bench, a stained backsplash and several cupboards missing their handles.
While Miranda continues to point out and inform them all of the âcosyâ and âquaintâ features, Tony slips his phone from his pocket and with a nod of acceptance, lingers back a few steps to take photographs of the apartment.Â
While heâs doing so, Peter busies himself by inspecting the kitchen, toying with the dials of the oven and the two-burner stove top, testing the swing of the cupboard doors.Â
Inside one of them is a dirty tea-cup and a dead cockroach.
â-- and as you can see, plenty of room for a dining table, maybe you might like to have friends over --â
He follows them into the bathroom, which is just as compact as the rest of the apartment. He tests the faucet, noting that the tiles are cracked, as is the bathtub.Â
Most worryingly are the speckled spots of black spores along the higher walls and the ceiling.Â
â-- itâs a big old tub, plenty of room,â she pats Tony on the stomach, âcould fit two in a squeeze if you suck it in, aye? Now, this way please boys, let me show you the pièce de rĂŠsistance --â
Tony guards his stomach with his hands, pouting as Miranda leads them to the adjacent room.
âThis is the main bedroom,â she beams, flicking on the light. âPerfect, isnât it?â
The two young men stall in the doorway, peering inside.Â
The space, probably equipped to handle a solitary king-single and a drawer at best, isnât particularly generous by any means. The flickering bright yellow globe seems to only highlight the blistering wallpaper and the suspiciously stained carpet.
It smells like weed and cat pee.Â
âSo as you can see, plenty of privacy for you two, the living room can be converted into a second bedroom if need be -- or if one of you needs to sleep on the couch,â she winks at them.
âRight,â Tony says slowly, nudging the other with his elbow. âWhat do you think...honey?â
âI donât know, dear,â Peter says, elbowing him back. âWhat do you think?â
âI think I just threw up in my mouth a little.â
âBless,â Miranda cuts in, leaning on the doorframe while she observes them. âYouâre just adorable, you must be high-school sweethearts.â
Thereâs a beat of silence.
â...Y-Yes,â Tony says after a moment, voice croaky. His hand snakes out to awkwardly pat Peter on the shoulder. â...we are.â
âSo, what do you think?â
âAbout him?â Tony points to Peter.
âAbout the apartment,â she laughs. âWhat do you think, do you like it?â
âOh, um, I have a few questions actually,â Peter mentions, following them back into the kitchen area, ignoring the odd look that Tony sends him. âIf thatâs okay?â
What are you doing, Tony mouths, back turned to the realtor as he clears his throat.Â
Peter holds a finger up to request a minute. Thereâs a struggle to each convey their message silently, however, Tony reluctantly concedes, spreading his hands wide in a theatrical approval to proceed.
He paces the room, shuffling at the bubbling linoleum that heâd narrowly tripped on coming in, bending down to inspect it.
âDo you know how long the apartmentâs been vacant?â He directs his question to the realtor.
âOh, not long,â she replies vaguely, flipping through her file. âCouple of days or weeks, I think. Iâd have to check.â
Peter nods, glancing between the three, standing.Â
âUmm, I noticed that the oven doesnât heat up. I thought that maybe the gas was turned off but the stove works? Also, um, in the living room thereâs a section of floorboard thatâs rotting with because thereâs a water leak from the ceiling?â
Mirandaâs smile freezes. âOh, is there? That must be new.â
Peter wrings his hands together, glancing at Tony, stomach swooping at his own boldness. âAnd, uh, I noticed that the windows stick; the water pressure is funny, too?â
âI can get that checked --â
âThereâs black mold in some of the rooms. I think because there isnât temperature control, the windows are west-facing, so it must get pretty humid in the summer.âÂ
Peter looks to the other boy in what he hopes seems heartfelt. âI donât mind, I only mention it because Tonyâs... well, heâs got asthma.â
Tony coughs, catching on.Â
âYes, thatâs right.â
Mirandaâs posture crumples at that, her professional veneer instantly wiped from her face.Â
âYouâre right, this place is a dump,â she admits, kicking at the floor, spreading her arms out wide. âLook at it, itâs vile. I wouldnât let my wretched old mother-in-law live here, the old bag. Iâm sorry, boys.â
âWell, actually,â Peter says, gesturing between himself and Tony, stepping closer to him. âWeâd be happy to do all the repairs and look the other way about the safety violations if thereâs any wriggle room on the rent?â
Miranda flicks through the papers sheâs holding, adjusting her glasses as she reads through it. The adjacent neighbors can be heard yelling through the thin walls.
âWe do have a margin to drop it from sixteen-fifty to... fifteen-hundred a month for the right tenants. Not going to lie, the landlord is pretty desperate. Would you like an application?â
Tony clamps his hand on Peterâs shoulder, squeezing it. âWeâll think about it. Could we get all of those terms in writing, pretty please?â
Peter grins.
---
âI canât tell if that was genius or crazy,â Tony says after theyâve departed ways with Miranda, headed back towards the Mustang on the other side of the road. âSeriously canât say I expected that.â
The pair jog across the road once there is a gap in traffic.
After Ben passed, Peter and May moved twice. As a young child Peter saw another apartment as just that - another place to set down his duffle of second-hand clothes and thrift store toys. But May was smart. Savvy. She calls it the Parker Discount.Â
Peter shrugs when they reach the car.
âWell, just because our report is meant to focus on budget against costs, doesnât mean we canât find ways to save money and maximise it. Not when you consider insurance, bills, food. It all adds up.â
âIâm still trying to pick my jaw up from the floor. Didnât know you had that in you, Parker.â
âYeah well, you donât know anything about me,â Peter says to the ground, kicking at the pavement, âso.â
He tries not to squirm under the weight of Tonyâs considering gaze, like a vice tight on the back of his neck. He feels the moment something shifts, as if a pin pricks the wall between them, easier to breathe.
âLook, whatever you think about me, I donât care, but you probably couldnât find a better partner for this project. I know more about this than you do.â
âAlright, no need to crow about it, I just said I was impressed. Donât let it get to your head.â
Peterâs stomach growls loudly over the evening traffic before he can respond.Â
âSorry,â he says, cursing the timing of his body, âhavenât had anything since breakfast.â
Tony nods to a diner across the road.
âYou wanna?â
âOh,â he objects, worried about his bone-dry bank balance, âIâm not --â
âCâmon, dickweed, my treat. Donât leave a guy hanging, itâs not polite.â
Tony waits patiently, crossing his arms over his chest. Heâs sure itâs a look that many have fallen for. A crooked, wry smile and a self-confident air that one might confuse between charm and indolence.Â
He feels out of his depth for once, and isnât sure if he likes it. But his stomach growls again and heâs got nothing to lose except for his appetite.Â
âOkay,â he says, nodding. âSure.â
---
Itâs the most surreal experience heâs ever had.
He pinches himself to believe that itâs real, that heâs dining out on a Tuesday evening in the boroughs with Tony Stark. The same guy he thought might murder him just last week.
Heâs still not so sure thatâs out of the question, to be honest. It would be the most normal thing about this entire day.
The silence is definitely awkward this time, sat at a table outside under a weather-protective canvass while they wait for their meal. A woman with a large doberman sits nearby, giving them odd looks every so often as she speaks loudly on her phone.
Peterâs nursing a giant glass of cola. The only sounds between them since they ordered have been the clinking of ice cubes from his glass and the sound of bubbles as he blew through the straw for a lack of better things to do.
From the daggers heâs getting from Tony, heâd wage that heâs annoying him - hence the probable murder - but heâs spared by their waitress returning with their meals.
A truly monstrous pile of fries is placed before Tony, along with a burger, a sundae and a milkshake. He takes off his dress shirt to reveal a black undershirt, as if in preparation to sweat through the meal.
Big meal for a big mouth, Peter thinks, as his own BLT is set before him.Â
Itâs weird.
Tony is weird.
This whole damn thing is weird.
âDonât you think this is weird?â he asks, idly picking a seed from his crust and nibbling on it.
âYeah,â Tony sighs.Â
âI donât like it.â
âMe neither. What was I thinking?â
âDunno,â Peter says.
Itâs quiet again after that. And itâs weird. Sitting down with over a civil meal with Stark or any of his cohorts wasnât particularly on his bucket list for junior year, but here he was, picking at his crusts, dying to pee.
Tony takes three fries from the pile and dips them into his sundae, then the milkshake before eating them.
âDude, gross.â
Tony looks at him oddly. âUh, no itâs not. Have you never dipped your fries in ice cream before?â
âIs that a metaphor for sex?â
âWhat? No, you weirdo,â Tony shakes his head. âAre you serious? Youâve never -- god, that explains everything,â he slides his fries across the table a few inches. âThough it truly nauseates me to share with you, I canât let this stand. Try it.â
âEw, not after youâve touched them --â
Tony slides his milkshake closer.
âTry it, butthole. You wonât totally hate it, promise. Well, you might, but if you do itâs just gonna confirm that your taste is garbage, which is what I already think about you. Anyway. Câmon, try it.â
Peter, while staring at Tony, begrudgingly accepting a fry from the peak of the pile and scooping it in ice cream from Tonyâs sundae. Â
He waits for the moment the combination of textures will make his stomach turn while he hesitantly chews, but instead is pleasantly surprised that the sweet salty flavours compliment one another so well.
âNot the worst, is it?â Tony grins knowingly, placing another fry in his mouth in the same manner. âIâm right, arenât I? Itâs good. Say it. Iâm right.â
âItâs alright,â Peter says, stealing another fry to make sure. âDonât let it go to your already inflated cranium.â
The self-satisfied smirk on Tonyâs lips tells him it already has.
Quiet fills the space between them again, more charged than before in a manner that Peter canât really describe. Like as if there was a soft buzz in the air, like he would get be struck with static electricity were he to touch it.Â
Not keen on getting stung, he continues eating his sandwich.
Tony on the other hand, has other ideas.
âSo, Peter Parker, now that I know youâre not a total dumbass, tell me this,â he takes a deep breath, his expression grim, â -- do you wear glasses for the aesthetic or what?â
Peter stares at him.
âCâmon. Are you aiming for nerd chic? You shouldnât, itâs very 2012.â
âDude, no. I know glasses are like a thing or whatever but I actually do need them to see. Iâm like, blind as fuck.âÂ
âHow blind is blind as fuck?â
âPretty blind.â
He takes off his glasses and twirls a finger in the direction the smudge of colour that he assumes is Tony.
âCanât see you, like at all,â he squints. âYouâre just a blur. Which is the best youâve ever looked.â
Tony takes the glasses from his outstretched hand, and he has a hysterical moment where he thinks that Tony might go so low as to steal them, but is quickly realizes heâs just trying them on. He whistles before handing them back to Peter.
âYup, those are prescription alright. The fuck? Why donât you wear contacts?â
Peter shrugs, slipping his glasses back on. Stark comes back in perfect clarity.Â
âTheyâre super expensive,â heâs alright with admitting to Tony at this point. âI have some I use for matches, or for special occasions, but I dunno, Iâm used to glasses.â
âDo you have to clean them all the time?â
âYes.â
In fact, thereâs smudge from where Tony has inadvertently touched the lens.
âHave you ever stepped on your glasses accidentally?â
âYep.â
Heâs done it more than once but heâll never forget the first time, how upset he was in the moment or how he fruitlessly tried to hide his face from Ben and May so they wouldnât see the cracks in the lenses. He cried when they found out.Â
That first time was just weeks after his parents had died, and heâd already been laden with thoughts of being a bother and a financial burden on the couple. They never stopped trying to prove that he wasnât a hardship to care for. Sometimes, on mornings like the one he had, he still canât help but wonder how much better off they might have been without him.
They eat in contemplative silence afterwards. While he finishes his sandwich he watches as Tony surreptitiously feeds his fries to the doberman under the table, unbeknownst to the owner. He has to eat quickly to conceal the smile taking over his lips when the dog slowly shuffles closer to their table with purpose, looking at Tony with big, soulful eyes.Â
Once heâs finished eating and thereâs nothing left to hide his amusement, he resumes their conversation.
Clearing his throat, he points towards the Mustang once he has Tonyâs attention. âOkay, your turn. Whatâs with the deal with the old girl?â
"My car?â
"Yeah. Explain the whole greaser vibe.â
The other boy is quiet for a moment, his gaze searching Petter contemplatively, a napkin being twisted between his hands.
âShe was a hunkâa junk when I bought her, mostly scrap metal. I bought all the spare parts and got her up to scratch. I dunno, I just like cars, tinkering with them or whatever.â
âYou restored her by yourself?â Peter asks, reluctantly impressed.Â
He looks at the car again, trying to picture it.
It wasnât hard to imagine Tony Stark getting his hands dirty, being the prized pig that he was, but having the wherewithal and competence to rebuild a vintage vehicle at sixteen? It would explain the whole Danny Zuko, T-Bird look, but with his bank balance, he could have easily bought a Mustang in mint condition without having to lift a finger. It would explain the streaks of oil from the other day.
Tony shrugs, twisting a napkin between his hands.
âSorta. Anyway, quit your judging, four-eyes.â
âNot judging,â Peter holds his hands up in innocence. âI just didnât expect that about you.â
âYeah, well. Iâm exceptional, I know.â
"Thatâs not the word I would use,â Peter allows. âBut youâre not the worst.â
A flash of surprise briefly crosses the other boys face before it disappears.Â
âHigh praise,â he says wryly, resting his chin on his hand. He looks Peter up and down slowly, his big, curious eyes made warm by the dying sunlight.Â
âIâm as shocked as you are.â
â...Youâre not the worst either, I guess,â Tony sighs like it pains him to admit it. âI mean, donât get me wrong, we could never be friends -â
âDefinitely not -â
â - but youâre not completely intolerable. God, never thought Iâd say that. Maybe Iâm growing as a person.â
âAm I still a neanderthal?â
Sipping his milkshake through the straw, Tony raises his shoulders half-heartedly.
Peter kicks his foot from under the table, unwilling to take that for an answer, even if Tony kicks him back, his eyes flicking upwards briefly, his smile almost bashful. In the dying light of the sunset he almost looks soft; approachable.
âProbably shouldnât have called you that, huh.â
âProbably not. Is that an apology?â
Tony rolls his eyes. âDonât push it, Parker. Iâm just saying youâre not completely abhorrent. Who knew.â
âI knew. I just donât know why youâve always hated me so much.â
He doesnât mean for it to come out small and quiet, but he canât take it back once the words have left his mouth.
It starts to rain.
âSorry,â Peter says, louder to be heard over the droplets hitting the overhead umbrella heavily, immediately feeling stupid. âI shouldnât have -- itâs not a big deal. I mean, I really donât like you either.â
âCan I get you boys anything else?âÂ
Both boys turn towards the waitress whoâs approached their table, lined-lips smiling down at them, a notepad in her hand.
Tony throws a fifty down on the table and stands and Peter follows suit.
âNah,â he says, cocking his head to the door. âWeâre good.â
---
âSee you back at school?â Peter yells to be heard over the rain, back on the sidewalk.
âIâll drive you back,â Tony yells back, wet hair clinging to his face.
âWhat?â Peter cups a hand over his ear.
âWhat?â Tony does the same. âI said Iâll give you a lift!â
âThe station isnât far,â he points. âI can walk!â
âDonât make me look like an asshole! Get in, princess!â
With the rain pelting his thin shirt and thunder cracking angrily from above, he doesnât spend his energy arguing. He gets in.
---
The short drive back is amicable, music muted, the pitter-patter of the easing rain filling the ever-growing comfortable silence between them.
With the heater going it doesnât take long to dry off and restore the feeling back to his fingers. Heat beats from the vents beating pleasantly and along with being sated from the meal, Peter feels like he could nod off at any moment. He has to keep snapping his eyes open, although itâs difficult to adjust his focus as the sunset bleeds into a ruddy orange on the wet windshield, the lights from the cars blurring into bright long streaks of colour.Â
"Youâre not a total lost cause, Tony admits, slowing as they near his apartment block. Itâs the first time either of them has spoken since starting the drive back. âLook, maybe itâs the fact that your face looks like a puckered asshole when you speak, I donât know. Thereâs just something about you that really rubs me the wrong way."
Peter cringes as they come to a stop outside his building.
"I don't want to rub you in any way."
"And yep, here comes the mental image,â Tonyâs nose scrunches, like an infant that just ate something sour. âGross. Thanks, Parker.â
âWelcome.â
He unbuckles himself and opens the door, hesitating for a second while the moment settles between them.Â
âThanks for the grub and the ride, I guess. Text me when you get the paperwork from Miranda?â
âAye, aye,â Tony mock salutes him. âNow get out of my car.â
Peter complies, giving him the finger by way of goodbye.Â
Once the car merges and disappears into the traffic, he grins down at his hands, cheeks going warm.
Itâs the thrall of finally feeling on equal-footing, he reasons, as he takes the step back up to his apartment. Thatâs what it is. His stomach is inexplicably still squirming as he enters ascends the floors, going over the day in his head until he arrives at his door.
It smells like tikka masala and too much ginger when he enters. He sets his backpack by the door, placing his keys on a nearby hook.Â
May greets him with a sway of her spatula, sauce hitting the splashback with the motion.
âHey bubby,â she says, gripping his shoulder as he nears and kissing his cheek.
Upon closer inspection, he finds that the kitchen is sparking clean. The floors have been mopped, the grout between the tiling is without a speck of dirt and there are faint notes of harsh disinfectant below the smell of spices.
âOh wow,â Peter says, looking down at the chicken and bean assortment. The rice on the burner looks soggy and overcooked. âThat looks great. How was work?â
She gestures vaguely but doesnât meet his eyes.
âYou hungry?â
Itâs the same weird behaviour from this morning and he doesnât have the heart to say that heâs already eaten.
Instead, he collects the cutlery and napkins, takes a stack of bowls and helps her plate up.
âDancing With The Stars?â he asks, tilting his head towards the living room. He hip-checks her when she doesnât reply. âCâmon, youâre not going to let me eat all alone, are ya? Tony says âhiâ, by the way.â
He doesnât know why he adds that last part, recalling the exchange rom the other day, but itâs worth it to see her smile.
âAlright,â she nods, scooping rice into the bowls. âHow is Tony?â
Everything that happened that day bleeds away, unimportant, insignificant.Â
âHeâs alright, I guess.â
---
May falls asleep on the sofa hours later.Â
He doesnât want to move her, as exhausted as she is, so he covers her with an old blanket and removes the glasses from her face, placing them on the coffee table. He cleans up as quietly as he can and places her phone on charge in the living room.
On his way to bed he checks his phone for the time. Both Bucky and Tony have sent him text messages, the latter with the awaited paperwork.
Ben would be proud of him, he thinks, smiling as he reads through some of it, saving the rest of it until heâs more alert.
Maybe it wasnât such a horrible end to the day after all.
---
*
*
---
tagging: @bylerboyfriends @ravens-starker-stuff, @starker-rays, @ironspiderstarker, @muse-of-gods, @notfor-temporaryuse, @tabbycat1220, @sugarfreecult, @rebel13lion39, @plueschpop, @spideravocados, @jellybbunny,  @booktrashme, @elfkido, @mycatislickingmybedsheets, @queerghostboyo, @disneyprincessdominatrix, @cherrygoldlove @starkerflowers @starkeristheendgame @thewolffearsher @starkersugar
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Thoughts on Stargirl S02E01
Season 2 is here! So, I watched the first episode last night and, while I donât often do this for TV shows I watch, wanted to share/write up my thoughts about the episode. I mean, overall, I thought it was really good and I was grinning like a loon to see the familiar characters back onscreen. But, more than that, I had some thoughts on individual characters.
First, I really really liked the way they handled Courtneyâs âoverworkingâ as Stargirl. A lot of other shows would have the debate about how being Stargirl is dangerous and sheâs just a teenager, etc., etc. But they hashed that out last season, and theyâre not bringing it up again here, which should be the bare minimum but ends up just being refreshing. Pat never says she needs to put away the staff (except for that last bit where he grounds her, and even thatâs temporary). Instead, he cautions her to find a balance between the superhero and non-superhero parts of her life, to pass her classes, get good grades, get some sleep, learn to take breaks every now and again, and think about her future.
I do think Courtney will ultimately be proven right about the threats that are out there (I mean, duh, we saw Cindy and Eclipso right there), but nothing Pat said was wrong, or telling her that there were no threats. So, yeah. Big fan of that part. As for Green Lanternâs daughter, while Courtney was her usual âact first, think laterâ self, I also kind of canât blame her, because someone did sneak into their house and steal important JSA relics. There were faults on both sides here.
The rest of my thoughts Iâve thrown under a read-more because itâs long and rambling:
Iâm pretty solid and happy with where the other three JSA kids are at the moment, but I figured Iâd still break it down a little.
Yolanda: I like that sheâs struggling with what she did, even months later. I like that she knows she canât say anything at church, I like that sheâs still able to talk about it with Courtney, and I like that Courtney was supportive without outright agreeing with or condemning her actions. Itâs a tough thing for kids to talk about, and while an experienced adult like Pat might be able to understand it better, I like that Yolandaâs not completely bottling it up.
On that note, though, they said Cindy might have gotten crushed when the satellite came down, âlike Brainwaveâ, so thereâs a possibility here that nobody else knows what Yolanda did, whichâll be interesting to see play out, if thatâs true.
Rick: Again, I like where heâs at. Heâs more confident in who he is, a little more settled, but also still lost. He claims Tyler as his name again and knows heâs a hero, but he doesnât know where he goes from here. I think thatâs part of why heâs seeking out Grundy, because heâs still clinging to that part of his past because he doesnât have any clue of whatâs in his future.
Heâs still very much an angry teenager new at being a superhero, ranting to that teacher about how he saved her, but knowing his character (and acknowledging how crappy that teacher was), I canât entirely blame him for that. Was it a good move? No. Did it make sense? Absolutely.
Speaking of that teacher, she was not a good one. Can I understand her wariness about the bad boy of the school suddenly getting every answer right? Sure. But, 1) itâs been months, so surely thereâs been some gradual improvement, 2) thatâs not the way to do it; talk to him about it, sure, but donât refuse to accept his explanations, and 3) refusing to accept his name change is a jerk move that a figure of authority shouldnât be making. I could wave away the first one from TV-time-skipping-magic, but not the other two. I donât really think weâll see this character again (but maybe in summer school), but sheâs more of a vessel to show us 1) how Rickâs changed and 2) how the way others see him hasnât, so, I suppose, in that regard, she did her job.
Beth: Itâs neat that the goggles still seem to be (mostly) working, but itâs the AI thatâs not functioning. Not the route Iâd thought theyâd go, but itâs really interesting because it gives Beth a chance to expand her skill set, or at least expand it to the viewer, and give her a role as a coder/computer scientist. It also doesnât cheapen the âdeathâ of the AI that happened last season.
Also, like the others (Rick at school with the teachers, Courtney and Yolanda having a discussion in the middle of main street, even Pat with STRIPE), sheâs not great at hiding her activities. Theyâre just goggles, maybe, and she could explain them away fairly easy, but I donât like the way she just leaves them out around the house. Iâm okay with it for now because 1) sheâs a teenager, still learning, and they are pretty innocuous, 2) some of itâs probably just TV ârequirementsâ, like not wanting to cut from scene to scene or whatever (idk, Iâm not in the TV business), and 3) her parents seem pretty clueless.
And speaking of her parents, man did I not like them even more this season. Every time I saw them on screen my mind went straight to: âgood people, terrible parentsâ. Did they ever even want a kid, or did they just like the idea of having a kid to fit into their âperfect livesâ until even that wasnât enough to keep them together? Theyâre barely aware of what Beth does on a day to day basis, she still seems to be the one doing all the cooking, and they forget to tell her theyâre coming home late? Bad parenting, and selfish parenting at that.
Overall, my mood about Beth this episode can be summed up like this: Do I like Beth struggling? No. Does it open up possibilities for what could be a really intriguing character arc? Yeah.
My biggest complaint about our JSA is that there werenât really any scenes of them together, but thatâs more of the time constraints of having so many characters we needed to get concrete information on regarding where they stand. They had that nice patrol scene in the beginning to let us know theyâre all still solid friends, so Iâm happy enough with that for now.
Other thoughts:
Barbara wasnât really in it much (no mention of her job, though the newspaper article did say something about The American Dream going through changes after the death of its leader or something like that), but I can sympathize with her wanting a vacation and not getting one. Itâll be interesting to see how okay she is with Courtney as Stargirl as things get more dangerous.
Mike, likewise, wasnât much present, but itâs clear heâs still struggling to be a part of things. Pat wasnât wrong, when he said that the discipline, etc. from having a job was important, but it still feels like heâs brushing Mike aside and not letting him be involved, so I can see some more resentment brewing this season. Better than last season, but câmon Pat. Mike just wants to help. Still, hopefully weâll get a better idea of where Mike stands in future episodes.
Artemis. Really interesting the way she brushed aside her parents being in jail as them being wrongly convicted. Iâve seen Young Justice, so Iâm looking forward to seeing if they turn her into a villain or hero here.
Zeek. (Is that how he spelled it? It looked like that on his hat.) Iâm, probably unnecessarily, wary of how interested he was in working with Pat at the show (does he know something?) but for now Iâm mostly just mildly amused at his âI donât care what you do on your time, but hey, do you think that robot could use a flamethrower?â. Also. Pat. Câmon man. Youâve been in this business for decades. Hide your robot better. (Though, Iâll admit, he was only resigned when he realized Zeek had found it, so... Did he have an excuse ready? Did he just not read Zeek as a threat? Iâm probably reading too much into this, but itâll again be interesting to see where it goes.)
Cameronâs back, seemingly unaware of everything, and it looks like his murderous grandparents are taking care of him. Not great, but, eh, weâll see what happens.
Sylvester is still tracking down Pat. Iâm a little bit glad the landlord either didnât give him, or didnât have, Patâs information from that end scene last season. Iâm also interested to see if Maggie (Mikeâs Mom, if my understanding of comics I havenât read is correct) sticks around. Sylvester seems supremely unworried and in a mostly good mood, despite his desire to track down Pat, so I really want to know whatâs up with him. Iâve seen some fan theories of time travel and him being a displaced Starman, which could be interesting, but I have no idea if theyâre accurate. He certainly seems to be the real deal, at least with all the right memories.
Cindy and Eclipso. That opening scene was creepy, and made me question if Iâd turned on the right show, and the connection with the McNider family is really interesting. Did not like the way she had Mikeâs picture, but from a writing POV I really liked it. I donât want Mike to go villain, but I mostly trust the writers to see how this plays out.
Other thoughts: The town seems to have moved on from the mind control/satellite-dish-from-the-football-field thing, so Iâm guessing there werenât too many causalities. New principal makes sense, and I like that they didnât need to shove it in our face to remind us what happened to the old one (plus that scene where Courtney bumps into her kid; nice and simple and shows a little of how heâs coping). I appreciate that Henry hasnât been forgotten. No glimpse of Yolandaâs home life yet, or Rickâs uncle. No idea how Rick managed to change his name, but the threat he was hiding from is more or less gone, so it makes sense.
I may have forgotten something here or there, but anyone whoâs made it this far deserves a cookie, so, thanks for reading! Iâm always up for discussion if anyone wants to add on or debate any of my points.
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Consider this my magnum opus of why I love Booster Gold and why you should read these comics, but also: how Michael Carter and his family are connected to time travel. Itâs kind of a hot mess because I run through a bunch of comics, but hopefully this makes sense!
Michael Carter, alias Booster Gold, is the first new hero introduced after Crisis on Infinite Earths. Booster is from the 25th century, where he was a college football player who got caught betting on his games and expelled, eventually becoming a janitor in a museum.
(Booster Gold (2007) #1)
At this museum, he befriends a security robot called Skeets. Eventually, Booster decides that he wants the adoration superheroes had in the 20th/21st century, and with future technology, he would be able to join up in the past. So Booster steals a Time Sphere, a suit, and a Legion of Superheroes flight ring. (Wait, the legion is from the 30th century, right? Yes. There are reasons this ring is in the past, and thatâs mostly because Booster was always meant to become a superhero.) In the past, Booster establishes himself as a superhero, with a manager and number of sponsors. Heâs about making money. This doesnât necessarily make him a lot of friends. But he joins the Justice League International, makes friends with some heroes (including Ted Kord, the second Blue Beetle), and has a standard fare for a non-central character.
So flash forward to Countdown to Infinite Crisis. For those of you who havenât read this one: This is a lead-in to the OMAC Project, and later, to Infinite Crisis, where Ted Kord notices a number of things that donât add up. Unfortunately, Ted is not the most respected hero in the community, and no one quite takes him seriously. Wonder Woman says sheâs busy but to keep her updated, and Oracle is trying to get him to pay more attention to other matters.
(Countdown to Infinite Crisis)
So Ted seeks out his best friend Booster to help. Booster, after some initial reluctance, joins up. Thereâs some noticeable moments where Booster hints that he knows some things about the future (particularly, that Ted is going to die, and the Scarab means that the new Blue Beetle, Jaime Reyes, is about to take over): Booster keeps staring at the newly found Scarab. He asks Ted when he found it. Ted, in his narration, hints that Booster knew Doomsday would kill Superman, and he still took the first punch.
(Countdown to Infinite Crisis)
All of this parallels what happens next: Booster shoos Ted away from the computer and takes over. Booster gets hit by an explosion meant for Ted.
(Countdown to Infinite Crisis)
Consider: Later implications of time travel suggest that some small things can be changed, but the big things canât. If Booster knew what was going to happen, did Booster only postpone Tedâs death?
With that, Ted does die at the end of this story, and a part of The OMAC Project is Wonder Woman and Booster investigating Tedâs death. But as much as I love Ted, weâre mostly talking about Booster and time travel today. So moving on!
In Infinite Crisis, Booster is the one who fetches Jaime Reyes. After returning to the 25th century to access historical records, he tracks down Jaime via the scarab. (Of course, this is another example of a potential change: Booster says he may be saving millions or billions of lives, but this is unsubstantiated.)
(Infinite Crisis #2)
(Infinite Crisis #5)
So this brings us to 52, the fallout of Infinite Crisis. Booster Goldâs plot, while not obviously central in its introduction, plays a major role in bringing back the multiverse to the Post-Crisis continuity. Booster Gold, in the wake of the loss of his best friend Ted Kord, has sold-out again.
(52 #1)
With the help of Skeets, heâs returned to his origins. He wants to be a hero and make bank. Supermanâs not around, so who else could Metropolis turn to?
Booster is on the outs though. First, with the heroes: Ralph Dibny blames him for not realizing his wife Sue was going to be murdered. Beatriz de Costa (Fire) shames him for how heâs acting after Tedâs death.
(52 #7)
(52 #4)
Pay attention to that notepad. Booster writes the names of Rip Hunter and his fellow Time Masters, as well S.T.A.R. Labs Time Travel Division. Everyone but Rip Hunter is crossed out. Ripâs name is circled, but heâs noted as âunlisted?????â
Because heâs noticed a number of events that donât line up with the history Booster and Skeets remember, Booster goes to visit Rip Hunter in his Time Lab in Arizona. Skeets has to hold the door open because of the lock, so Booster goes in by himself...
(52 #6)
...and sees this... (Feel free to read whatâs on the chalkboard. A lot of it hints to happenings in both 52 and the One Year Later event, as well as other stories. It can be fun to make connections.)
(52 #6)
...and this. Yikes.
We soon find out that Booster hired an actor to fake an incident on a subway. Why? Well... that answerâs not so clear. But considering the rest of the story, itâs likely Booster wanted to discredit himself.
(52 #7)
Unfortunately for Booster, this ruins his reputation with the public, and heâs soon replaced by a new, more humble hero: Supernova.
(52 #10)
And the public adores Supernova. Meanwhile, Boosterâs sponsors pull out as his reputation goes down the drain.
Booster gets one last moment in the limelight, when he pushes too hard trying to upstage Supernova, and he dies... though heâs recognized as a hero for his tragic sacrifice.
((Hold on if you havenât read 52. Youâre going to find this one funny.))
(52 #15)
So... Booster is dead. Ha. What next? Well, Skeets seeks out Boosterâs ancestor, Daniel Carter, for help to get back into the Time Lab. After all, Booster didnât give Skeets the details.
(52 #19)
Daniel lets Skeets see into the Time Lab, where Skeets finally sees the same things Booster saw.
(52 #19)
Whoops! The real problem is Skeets. A little more menacing now, isnât it? So Skeets abandons Daniel in the Time Lab, where heâs sucked into a vortex thatâs part of Ripâs security measures. Meanwhile, Skeets is free to handle his evil plan. Whatever that is.
Back to Metropolis: Supernova is still out there, doing good. Heâs also grabbing items that seem a little... eclectic.Â
(52 #20)
And everyone is theorizing about whoâs really under the mask. Cassie Sandsmark thinks itâs Kon-El. Lex Luthor thinks itâs Superman. Ralph Dibny puts the pieces together...
(52 #31)
But Supernova asks him not to say it out loud.
Later, we see that Supernova is actually working for Rip Hunter. Everything heâs gathered has been for Rip, who, as you can see, is really going through it. (Sad they never followed up on why Rip Hunter was affected like this, but I have my own thoughts that I might say later.)
(52 #36)
Where are they working anyway? In the jarred city of Kandor! Of course, Skeets canât find them here, can he?
(52 #36)
Whoops. Spoke too soon.
(52 #37)
But who is Supernova? That burning question weâve had for all these issues?
Itâs... Michael Carter! Booster Gold!
(52 #37)
So, as Rip asks, Booster tells him. Booster knew something was off with Skeets. At the Time Lab, he almost asked him. But Rip Hunter arrived and recruited him for the long con. Rip needed Booster to gather materials, but they couldnât alert Skeets. However, using a suit Rip rigged, Booster could be in two places at once: through time travel. After faking his death (using his real corpse from the future), Booster was sent back in time twelve weeks to complete Supernovaâs actions.
Now Rip, Booster, and Skeets are engaged in a battle that, uh... is not continued until Week 50 on panel. If you count this as continued. I just love this panel.
(52 #50)
Actually, Skeets follows Rip and Booster to a lab where T.O. Morrow has searched the Red Toradoâs brain to find out the truth of the 52 that heâs been repeating throughout the series.
(52 #51)
Of course, itâs not actually Skeets. The real Skeets was used as a chrysalis for Mister Mind... who has become a horrifying moth hellbent on eating the new multiverse.
(52 #51)
Rip drags Booster out, back to the Time Sphere, where they travel back to the beginning.
(52 #52)
After the events of Infinite Crisis, the multiverse was recreated. 52 identical Earths came into existence, and the same struggle has been taking place on all of them. These Earths are slowly aligning, and for some reason, Rip can see this, but Booster canât. (Hold tight: Letâs keep in mind, for some reason, Rip was totally non-linear earlier. Weâll come back to this.)
(52 #52)
Rip intends to save all of the Earths, as they slowly settle into the new multiverse, with help from Supernova! ...This time, Daniel Carter, the Carter family ancestor that Skeets/Mister Mind used earlier.
(52 #52)
Bad news is that Mister Mind is still bent on eating a universe. As he eats parts of the various Earths, he changes their history, which leads to each Earth being unique.
(52 #52)
Booster has doubts about their ability to face something this big, but Skeets, now broken from Mister Mind, cheers him on... Booster heads back to the one place he knows to get the right power source, and Rip hints about Boosterâs âglory daysâ soon to come. So now we know thereâs a connection between Booster and Rip.
(52 #52)
But where is Booster going to get that power source?
(52 #52)
The immediate aftermath of the first crisis, where he talks a little with very young Ted Kord. (Sad.) Now we have to wonder how Booster knows to go back here? How much about time travel does Booster know yet?
Anyway, together, Rip, Booster, and Daniel succeed in defeating Mister Mind, and the multiverse is restored. Rip is very optimistic!
(52 #52)
So... letâs cut to Booster Goldâs second solo. Notice the title of his first story is â52 Pick-Up.â Booster, after saving the multiverse, wants nothing more than to be a hero again. He wants to join the Justice League again! Unfortunately, heâs recruited by Rip Hunter once again, who makes it clear that Boosterâs destiny lies in time travel instead. And the world needs to think Booster is an idiot.
(Booster Gold (2007) #1)
Notice how Rip mentions his father? Weâre finally getting somewhere.
Meanwhile, the other weird Time Stuff, thatâs going on. Back at Rip Hunterâs Lab, Rip has written a number of interesting things on his chalkboard again.
Notice how Rip notes 1939 (the year Detective Comics was first published), 1985 (Crisis on Infinite Earths), and 2006 (Infinite Crisis). This shows how the crises actually affect time in the DC universe. Rip is, of course, aware of it. Is Booster too? How else would he know about the first crisis?
What is the connection between Rip and Booster anyway? Why does Rip care so much about Booster? Well...
(Booster Gold (2007) #1000000)
Thatâs right! Booster is actually Rip Hunterâs dad! So a lot of stuff weâve been over must make more sense now.
But seriously, the Carter family is heavily involved in time travel, and the way it interacts with them is interesting. Weâve already seen how Rip isnât linear when the timestream is disrupted... but what about the other members? How does this all affect Booster?
Honestly, Iâm not sure. And I just ran out of energy for this post. If you want to know more, send an ask! And read the comics. You will not regret it.
#megan liveblogs comics#well not exactly but this is pretty close ig#if i can make ONE person want to know more about booster and the carter family my job is done#i just spent hours on this mess and now i'm about to cry bc it's so bad i'm sorry
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Mallek Week 2021 Day 1: Robots
1.4k| AO3 Link
Beginning the final diagnostics scan signaled that your life was ending.
Well, this part of it. You think it might depend on how you define âlifeâ and at this point youâve got too much going on to wax fake philosophical on what it really even means to be alive. Especially when it doesnât change the fact that youâre wrapping up the wetware portion of it.
Really you didn't see how you didn't think of this sooner. You spent so long looking for robots and studying their programming, figuring out what made them tick and make them do what you wanted. Not for this reason, but a guy can have a hobby that helps pay the bills. It taking this direction definitely fucking added to them.
You branched out from just fucking with other peopleâs shit and figured out how to make your own robot. It sounds a lot more impressive than it actually is. Basically anyone with the right tools could make one. Grab some hardware, attach a computer to it, string some code together, and give it a power source. Add some sensors if youâre feeling fancy. A simple machine is nothing to brag about.
And you didnât want this to be a simple machine, you wanted to make it you.
The hardware was the easy part. It was mostly finding and acquiring parts that met your standards and your previous work experience gave you more than enough places to start looking. The more abstract shit like the outer casing was harder. A lot of late mornings researching different alloys trying to understand what percentage of aluminum made something not worth your time and how to get a specific blend without anyone asking too many questions. You had enough of those on your own.
The facial plates had to be more flexible, able to move in tandem and convey expression. It was a lot of extra work to not actually bring much practical benefit, but again, this wasnât just a machine. This was you.
Maybe you briefly entertained the idea of maybe making some sort of silicone covering for situations where you would want to be more subtle about the robot thing. But that got tossed out pretty quickly. That shit ages fast and ends up looking creepy as fuck. So you decided to steer away from uncanny valley and embrace being a sick looking robot.
Customizing it helped ground you when you had to lean away from the tech side of biotech. Biology was never really your thing and not being gold meant you had put all of your focus in those inorganic skills since you didnât have any psionics to help back you if you fucked up. Itâs weird, looking at biological and artificial neural networks, laser etching in familiar patterns to keep your hands as busy as your pan while you were trying to figure out how to start with one and end with the other only to see how similar they were.
It wasnât weirder than realizing that this might actually have a solid chance of working and not just frying your pan trying to do some stupid shit you werenât meant to. This could work.
A chime brings your attention back to your screen. The scan is complete.
This is going to work.
You look away from your screen and look at it, you, lying ready on a table. You did good. It looks great. You wouldnât mind spending time in that between changing out your outer plates and you even gave it some âpiercings.â Figure you might as well keep something familiar on your face to help get used to it becoming made of metal.
And then you look off to the side of it, where the wires connected to it led, down the table and on the other side of the room to a glass recuperacoon for your body to rest indefinitely. Youâd probably end up spending more time in there than the amount of time you spent in your actual coon throughout your life. Not really what you think your friends meant when they said you needed more sleep. Youâre going to be beyond sleep soon.
You take a deep breath and execute your final program as a living, breathing troll and make your way into it.
You'd probably figure out a way to not need your body at some point. What would you do then? Get rid of it? Probably not. You never really got rid of anything. The mess surrounding you is a testament to that and how much of a sentimental fuck you can be. Youâd probably just seal it and use it as another surface to pile things onto. You donât think any amount of code is going to get you out of that habit.
You step in and lay down in the modified nutritional slime and wait, too wired to really register how cold it felt. Your nerves arenât really helping either as you start wondering if this was just working out too well for you and you somehow missed something important. Still, you buzzing with the anticipation of something happening, good or bad.
You hear a low hum from around you.
The buzz is now literal as an electric current runs through the slime and you are left paralyzed with a steadily increasing static that encompasses all of you. Despite being submerged in liquid you feel like you are on fire and you are painfully aware of everything in your surroundings. This clarity that only enhances your agony. You feel it. You feel everything so much brighter and louder and more.
Until you don't.
Until your body is no longer able process the amount of stimulus itâs getting and simply chooses not to.
It's dark.
And then there is nothing.
Your vision comes back into focus slowly as you open your eyes and see a familiar crack in the ceiling. You think you're opening your eyes at least. It takes you longer than you want to admit to realize youâre adjusting your lenses.
Oh shit, it actually worked.
Slowly, you lift yourself with a weight that you simultaneously do and donât recognize as your own. The whole thing is disorienting. At first you wonder if the way you perceive things and the way you understand them are out of sync. But then you get it, they arenât out of sync, youâve just have never gotten this much information about your surroundings at the same time before.
The closest comparison is it's like you're playing an fps. You are you, yes, but are above and around you and know things you otherwise wouldnât if you had only just been perceiving from the perspective of someone seeing only what was in front of them. Youâre doing a lot more than that now as even something as innocuous as your block floods you with information and even sitting still you are moving faster than you ever thought possible.
Itâs a lot. Itâs exhilarating.
You get off the table and check your balance, shifting your weight from one strutpod to the other before moving towards the mirror. Your steps grow more sure as you continue, getting more confident that you arenât going to break this in the dumbest way possible.
And then you see yourself.
The silhouette matches the one you were expecting even if the features were off. Skin lighter and shinier than you were expecting and eyes glowing a menacing red. Some cobalt glints back at you and you canât help but smile at the image of a pierced robot.
It works. Your face moves and all of the bullshit and work was worth it.
But there is still one final thing you need to try to know if youâve really pushed every limit you can.
You go back to your husktop, all of the readings displayed are already known to you, and you minimize the window. You open your browser and click on a bookmark you had saved just for this moment.
A familiar window pops up asking you the same question you had answered hundreds, if not thousands of times before. You click the box, lying for the first time, and wait. A check mark appears and there are no words to describe the sheer amount of power you feel.
âi = in;â you smirk.
Notes: I don't know where you thought this was going, but I'm sorry I used this as a vehicle to make a single joke.
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how would you rank Sonic girls in terms of power levels?
Hi Anon, sorry for taking a while! For this one Iâll proceed with categories, because many of the Sonic ladies are tied to the same rank and/or have fundamental differences between them that need to be acknowledged. This will be mainly about physical strength and wonât be an indicator of the girlsâ character or general abilities outside of this criteria.
(Note: this is a subjective ranking, and not all of the girls are part of this list because there are a lot of female characters, some of which I donât know enough about to include. Enjoy!)
1) Magical strength â¨
There are characters that, while not necessarily physically strong, can wield some form of magic and thus prove more deadly than someone with raw strength. Blaze with her fire power is a good example of that! Without them Iâd probably put her in the fourth category, but her pyrokinesis coupled with her stamina and agility firmly place her as the leader of this category.
Other contenders include Merlina and Shahra, as they can both use magic as well. However we donât know the full extent of Merlinaâs powers, so her relative strength compared to other characters is debatable (though we should note the ease with which she beat Sonic to a pulp in SATBK). As for Shahra, her powers seem to be mostly tied to wish-granting, some of which she isnât able to grant as a Ring Genie; which would create a lot of limitations to what she can do. And itâs also debatable how much their powers could work outside of their storybook worlds sooo... Blaze basically reigns supreme.
Number one in this category: Blaze the Cat
2) Raw physical strength + regular training đĽ
This is probably what you meant by âpower levelsâ and, if weâre excluding magic users, the characters in this category are the true powerhouses of the Sonic franchise. And uuuh I could only think of two!
Bunnie and Amy are two of the physically strongest female characters, way beyond even the contenders of the third category due to the fact that their strength is one of their defining abilities. Bunnie is a Robian and has been shown to be able to lift people, trees, and many other heavy stuff with relative ease. And obviously she needs her whole body to be as strong as her robotic arm and legs otherwise she might, uh, break her spine trying to lift stuff. As for Amy, she has a giant hammer she can lift without any problems and use in fights, and she also trains a lot to get stronger if Sonic Battle is any indication.
On the whole, theyâre pretty equal. If weâre excluding the cartoonish displays of Amyâs strength (Sonic X and co.) Iâd say Bunnie is realistically the strongest because she has mastered her own strength. Amy, while really strong, is still young and mostly gets her bouts of energy from powerful emotions: while they temporarily make her surpass Bunnie in terms of raw power, they arenât a constant and can get her into trouble/exhaust her needlessly. She will definitely surpass Bunnie at some point however because the latterâs cybernetic limbs have their limits, meaning that her strength is pretty much set for life. If Amy keeps on training and gaining discipline, sheâll definitely become the leading character in this category by the time she reaches Bunnieâs age.
Number one in this category: as of now, Bunnie Rabbot
3) Professionally trained and/or often on the field âď¸
These characters would be the second physically strongest due to them being trained to fight, and thus having more discipline, knowledge, and control over their strength and weaknesses than characters from later categories.
One example would be Rouge since, as a government spy and G.U.N agent, sheâd have to be pretty well trained to carry her missions to completion. Plus she tends to attack a lot with her legs, so Iâd imagine most of her physical power would be there. Other professionally trained agents include Topaz and Madonna Garnet.
Then we have characters who arenât exactly professionally trained but who still do train due to spending a lot of time on the battlefield. Youâd have (I assume) Julie-Su, who is a melee kind of girl; Sally, who fights with swords and is pretty agile all around (though sheâs more of a strategist and doesnât have as much physical strength as, again I assume, Julie-Su would); and Whisper, who would be last because sheâs a long-range fighter and thus tends to fight from a distance, though sheâs familiar enough with battlefields to intervene if needed.
Note that while all of them have training and experience, how self-taught they are is up for us to guess. For this reason I would put Rouge as the leading character because she has shown a good display of physical strength and seems to be both the most mature and experienced of the bunch. Coupled with her flying abilities and craftiness, I think she could go toe-to-toe with someone much stronger than her like Bunnie (and defeat Amy pretty easily due to her aforementioned lack of discipline), which I wouldnât say of the other trained ladies here.
Number one in this category: Rouge the Bat
4) Not trained, but have enhanced abilities putting them above average đ
The title is pretty uninspired, but it says it all! These characters are rookies in some ways, either because they just started training to fight of simply because they arenât fighters, but they have special abilities and/or potential putting them above the âaverageâ category. Think Tangle with her tail, Cream with her ability to fly, Mina with her speed, and Honey with her wings.
Of the bunch, Iâd say Honey and Mina are the weakest simply because they arenât interested in fighting. Mina was (and I say it with love) a pretty lame Freedom Fighter and hasnât used her speed all that much since becoming a pop star; as for Honey, while she can stand her ground in a fight, sheâs ultimately a fashion designer above all.
Cream meanwhile wants to grow up and become a hero like the people she admires (mainly Sonic and Amy). This intent, coupled with her being able to fly and carry people, show that she has the potential to one day become leader of this category. Maybe more if she decides to pursue it further, but since she still has seeds of being a pacifist, I can also imagine her deciding to do something else when sheâs older (exploring the world, taking care of animals and chao, etc.) For now Iâd say Tangle takes the win because... well to start with, she isnât six anymore haha; but also because she has shown physical strength and has started training herself seriously to become a hero. While still a rookie, she could definitely become an honorable member of the third category in the future.
Number one in this category: Tangle the Lemur
5) Average Jane đľ
In a world full of fighters and overpowered characters, itâs not that surprising that the âaverageâ category would come second to last. But here it is! Here youâll find girls that arenât fighters and donât have any particular abilities, such as Elise (since she canât control Iblis, and especially since Solaris has been erased from existence), Vanilla, Tekno and Sonia (who would have some knowledge about fighting but nothing more), Zooey, Perci and Staci, Jewel, and basically every female civilian you can think of.
Iâll also add Marine because although she has shown some kind of aqua powers at the end of Sonic Rush Adventure... I donât exactly know what it is? Sheâs complicated haha. If it is really what it is then sheâd probably be part of the fourth category alongside Cream.
Otherwise itâs pretty hard to choose a leading character because, well, this is the âaverageâ category. Iâll go with Vanilla because she has mom energy and could intimidate anyone, which is a pretty impressive strength in itself.
Number one in this category: Vanilla the Rabbit
6) Not physically strong đ
And lastly, we have the female characters who are physically weaker than average. The most notorious example would be Maria, whose health was very fragile due to contracting NIDS at a young age. I would also include Cosmo by virtue of her being both a âplantâ prone to dizziness and having very few offensive abilities, making her one of the weakest characters in the series; as well as Tikal because sheâs... literally a spirit, as well as a pacifist (when alive sheâd probably be on the weaker side of the fifth category).
And finally I would include Nicole as she is physically a hand-held computer and only has real powers in the digital world. On a physical plane, she can at most simulate a Mobian form for a while; but since she isnât corporeal, sheâd probably have really low physical strength. I would say she is the strongest of this category by virtue of her being versatile and able to carry a fight at the very least in the digital world, and still having a few abilities to defend herself and others in the physical world. (I debated making her part of the fourth category but since she mostly exists either as a computer or as an hologram, I felt it wouldnât be fair to make her compete with Tangle or Honey).
Number one in this category: Nicole the Lynx
TL;DR: My final classment would be Blaze as the strongest thanks to her powers and her mastery over them, followed by Bunnie (who will one day be surpassed by Amy once she gains discipline), and then Rouge due to her experience as an agent. Thanks for reading!

#Answer#Blaze the Cat#Amy Rose#Bunnie Rabbot#Rouge the Bat#Tangle the Lemur#Vanilla the Rabbit#Nicole the Lynx
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someone translated more of the under the tides event on reddit if you're interested in reading wtf is going on.
I'll also add it under this in case it's easier to read.
Warning, if you don't want to leave the slightest bit of surprise for yourself when the event hits global, TURN BACK NOW!!
I made a comment thread yesterday with a story summary. However, I still left out a lot of things, so I thought I'd make a new post, add in more info about plot I left out, organize the Q&A from the thread, and link to the TLs of the new units. Hopefully a centralized hub of info will help people find the information they're looking for and dispel any of the more wild hearsay floating around.
This will be organized into a few sections, the new unit TLs, my original story summary, a bunch of (my new summaries) separate plot threads that tie into the bigger story, and then some common questions.
Skalter profile + lines TL
Gladiia profile + lines TL
Event CGs
Some good supplemental information about the seaborn hivemind
A much longer summary of each stage, 11 pages - courtesy of Lauli. If you want to know more about the townspeople, Inquisitors, and details on Kal'tsit's end conversation with the Inquisitors, take a look.
The original summary I made yesterday, the fastest crash course on the major story points. I have edited some of the references of the new factions to match the updated TLs from MrSkyblock404 so there's no confusion:
First of all, if you've ever read the manga Claymore, you now understand most of the event. Key differences are that the "Organization" is Aegir. They don't SEEM to be the villains here, and they went the Claymore route to fight the sea horrors fully knowing that their Claymores will eventually awaken into the sea horrors that need to be put down.
The "secret" of the Abyssal Hunters is that Aegirians created them as supersoldiers with the bodies of land dwellers but the blood of sea horrors. More on that down below.
The seaborn is part of the underwater cosmic horror hivemind that's been foreshadowed since the start of the game. Its interest is in learning, evolving, and assimilating everything (a la Evangelion's instrumentality more like end goal of Starcraft's zerg). It's acts primitively... robotic? It doesn't understand things like emotions and "Does not compute. We will learn what you mean" is a large part of its exposition. The church in the town is actually the Deep Sea Church hiding in Iberia and slowly indoctrinating remote towns and turning the people to sea horrors. The ending convo with Kal'tsit implies that Iberia is now completely infiltrated by the cult and if they maintain an isolationist policy, they will be destroyed like Aegir.
The seaborn shows up to impale Gladiia, and reveals the big "you [Abyssal Hunters] and I share the same blood. You are us. We are you." Skadi has a mental breakdown over the truth bomb ("I've killed my own transformed family and friends" etc. Glossing over the specifics, just know she doesn't take some past war trauma well), and it seems like the seaborn can somehow "awaken" the blood and turn Abyssal Hunters like Skadi into one of them.
Skadi is right about to awaken [and probably become Skalter, that seems to be the general consensus on CN forums right now, Skalter = Skadi if she gives in to the call] when Gladiia reveals she was sandbagging (yay superhuman regen abilities) so she could listen in on why the seaborn wanted to meet Skadi so badly. Since the seaborn revealed everything, Gladiia promptly kills it and tells Skadi to get her shit together. Skadi gets her shit together. As the seaborn dies, it says its people will learn to understand everything the Abyssal Hunters have told it, and then they will ask them to join the family again. Also, Specter is now free from whatever "control" the Deep Sea Church exerted over her, she's elated over being "free" now. She's still infected but compared to her previous half-dream state, she considers it a minor setback.
Then there's the Deep Sea Church leader dude who had no idea Hunters were also of seaborn blood and also has a mental breakdown. His entire life's work and dream is shattered because the cult crap he made up believed in is a lie, and the seaborn don't put any special weight on his existence and work. He turns into the SV-9 giant tentacle demon that the 3 Musketeers take down. Before he dies, he curses Gladiia and says some ominous things about how she's different and unlike the other 2, her fate is set. Then in the scene with the mirror, she's shitting on herself for being useless and still ending up like an ugly little bitch. The mirror closeup shows part of her neck starting to look like fish scales, so it seems like she's already undergoing the sea horror transformation.
The town situation
The town has fallen on hard times, and the Deep Sea Church has slowly indoctrinated the population with Iberian values twisted into a pro-seaborn slant. These towns become experimentation grounds for the Church and seaborn. Gladiia confirms that she's been busy destroying many of these experiment grounds. The Church now provides the town with food from the sea when the tide comes. There is also a human sacrifice chosen by lottery, which the Church disguises as "the sea has chosen you to take into its embrace and provide a better life." Kind of like how parents tell their kids their dead dog went to live on a farm. The brainwashed people genuinely believe they have a better life and see it as the greatest honor.
The "food" the sea provides are the "dormant" state of severely injured Dinichthys, which regress into a more resilient meaty form while it recovers. This dormant state is edible (ugh) and what the people harvest during the tide. The unlucky human sacrifice walks into the tide to be eaten by the Dinichthys and thus what the sea giveth, it ultimately taketh.
I would like to note that the Church leader has made an appearance before this event. He has a substantial role in one of the story scenes in Archetto's event. I won't ruin the surprise, but if you pay attention to the setting, you'll know which scene it is before he shows up.
Deep Sea Church agenda and the seaborn
The Deep Sea Church are likely the major instigators of this major "sea vs land" conflict. According to the seaborn that shows up in the Church, the general seaborn population are territorial and generally abide by the animal instinct of survival of the fittest, there is no right or wrong if you kill to survive. The seaborn's behavior and inability to lie show that they indeed don't give a damn about individual seaborn, the Church's plans, or even the Church leader.
Distinction needs to be made between the general seaborn population and the seaborn used by the Church, the latter which could be artificially created. The Church leader is Iberian, but somewhere along the way managed to become part seaborn, which is why the seaborn will listen to him. Being part seaborn allows him to "weaponize" the true seaborn population for his own agenda.
The seaborn themselves indeed have a goal to evolve and and expand (from Skalter's profile). But to what degree the Terra conflict can be attributed to seaborn passive expansion vs. the Deep Sea Church's hostile accelerationism is not clear.
Thus, there's an interesting 3-way disparity between how the conflict is perceived.
* Abyssal Hunters: believes all seaborn must be eradicated * Seaborn: not really interested in the conflict * Church: "it is the will of seaborn to subjugate all"
Regardless, Gladiia has constantly repeated she doesn't give a shit about the seaborn's role in the Church's schemes. Her duty is to kill seaborn, and she's not going to discriminate.
Kal'tsit creates a cliffhanger every time she shows up at the end of any event
After the church-leader-turned-giant-tentacle-demon is killed, its enormous corpse is like a beacon calling to all the Dinichthys zerglings to swarm the area. The 3 Musketeers are like "ok fuck what now" and Kal'tsit swoops in with perfect timing to call Mont3r to completely destroy and bury the ground and its secrets.
She's here to direct the 3 Musketeers to leave Iberia and rendezvous with Misery to go back to RI for a vacation (yes, she actually says they get vacations). The Inquisitors also show up to stop everyone, and after giving them her usual condescending finger-wag-and-lecture, she offers to stay as hostage/information source in an Abyssal Hunter's stead. Her agenda is to convince the Iberian powers to ask for help instead of maintaining an isolationist policy. If they continue to keep it internal, they will be destroyed like Aegir.
She has some atypical kind words for the 3 Musketeers before they leave. To Skadi, she makes a throwback to some cryptic bullshit she said in Grani event. To Specter, she makes some banter about her newfound freedom and moving forward knowing her body's state.
And then it turns out she and Gladiia planned for almost everything before the Skadi sets off for Saltwind City.
The state of Iberia and Aegir
Aegir is pretty much sunken Atlantis. Gladiia says that there's no communication in and out of Aegir after the Calamity.
The Abyssal Hunters were created as just one small piece of Aegir's military power. Aegirians are fully aware of the Abyssal Hunters' eventual fate to turn into the enemy, and have special patrols out to monitor and kill any who turned. The seaborn confirms that they had nothing to do with those deaths. The people Skadi killed and watched get killed, those were all done by her own people. This does not help her mental state.
Iberia has likely attempted to replicate Aegir's Abyssal Hunters. We don't have story on the result of this project, but based on clues in her profile, Andreanna might have some connection to it.
In Kal'tsit's "I know everything" exposition, she states that Iberia once had a prosperous Golden Age, and is now a shadow of its former glory. As stated before, the Deep Sea Church has also infiltrated all levels of Iberian government. Thorns' profile says he left because of "religious strife" and how in recent years treatment of Aegirs in Iberia has gotten worse. All the breadcrumbs are building up to Iberia potentially getting the same kind of Calamity that destroyed Aegir. (See Skalter page's TL note on Calamity.)
Bunch of misc info that don't really fit anywhere else, from yesterday's thread Q&A
It's established that Abyssal Hunters are not allowed to bleed, especially on land. The seaborn says the swarms of cannon fodder zerglings can smell the "same blood" on the Abyssal Hunters. But they're a bit stupid, so their brains only know "this is the blood of my kind, but why is it trapped inside hooman skin?" instead of recognizing it's not a trapped comrade.
Their attacks on Abyssal Hunters are attempts to "free" their kind from the trappings of hooman skin. The more the Hunters bleed, the more frenetic the swarms get, because they know they are getting closer to freeing them.
If you are a Specter fan, you will absolutely love the scenes after she wakes up. The ensuing conversations show that the Abyssal Hunters cherish their close connections like everyone else, despite their usual "stay away from me I'm dangerous" vibes. I really hate how Specter's operator record turned out, and I'll keep salting about it, but this event really did her justice.
Question: Is story Skadi already Skalter? She is wearing the same clothes.
Answer:
No, and this is the biggest misconception that needs to be cleared. At no point in the story does Skadi fully awaken. She comes close but pulls back just in time. The in-universe reason Skadi changes into her wandering songstress wardrobe is that she needs a box carrying her "instruments" (her sword and Specter's chainsaw) and to avoid suspicion while sneaking into Saltwind City. There are two high ranked law enforcement officers (something like that) after her, who know she's an Aegir and a possible threat. In story, she's still guard Skadi. Devs probably wanted to keep the red getup on Skalter to differentiate between the two units.
Question: Why did the seaborn want to meet Skadi so badly?
Answer:
It's not entirely clear thanks to hYpErGRyPh oBtUsE wRiTinG. Every time the sea heir talks about how much it wanted to meet Skadi and perhaps why, Skadi or cult leader interrupt with their mental breakdown monologue. My interpretation of its reasons is a combination of desire to share knowledge with her (learning is constantly repeated as a goal of the sea horrors), extend an invitation to join the hivemind, and ask a question, explained below.
There are flashbacks to this one suicide mission she and her Abyssal Hunter squad had against one particular sea horror. Her entire unit died and she barely made it out after landing a fatal strike on it. Based on Skadi's mental breakdown, it sounds like that sea horror is like the Zerg Overmind, a central connection for the sea horror hive mind.
There's some exposition about how the Overmind isn't really dead, and it's gone into Hibernation Mode because though it no longer responds to communication, the sea horrors can still feel its pulse.
His specific question was whether Skadi heard the Overmind say anything before it went dormant. More Skadi breakdown, because she did. It said (rough TL) "[our] suffering is eternal." The "our" is ambiguous. It could be referring to Skadi and the Abyssal Hunters, since she's the one narrating, or it could be the Overmind and the sea horrors, who Skadi is repeating. I'm leaning toward the Abyssal Hunters since "being abyssal hunter is suffering" has been a core takeaway of this event.
And then Gladiia stops playing dead and kills off our sole source of Aegir lore :)
Question: Is Skalter/Under Tides canon?
Answer:
The events that happen in Under Tides is canon. Skalter's canon status is in existential limbo. As MrSkyblock404 has reiterated, devs have directly said Skalter is a POSSIBLE future in which Skadi gives into the call.
Question: But isn't the fate of every Abyssal Hunter to eventually turn into Seaborn?
Answer:
Technically yes. The call will never fade, so the moment it overpowers the Abyssal Hunter's will to resist, it will have won. But I say technically because the other side of the tug-of-war is the Abyssal Hunter's own willpower. There are hints scattered throughout that their fates aren't set in stone. As Gladiia said to Skadi in her "get your shit together" moment, if you don't want to become a seaborn, then you won't. Not to mention, they can always ask to be killed by another's hands before they fully turn, so they can die as "themselves". This is like the black card system in Claymore. Skalter's E2 promotional record also has this part:
Well, but that's not what I want to say to you today. What I want to say is that when they want to acquire a structure, they transform in that direction.
Skadi, since those creatures can become what they want to be of their own volition ...... Then you can also not become a certain way by your own will. You can do what you want to do.
For example, an Abyssal Hunter. Or, a little more freely, a bounty hunter.
The seaborn as a collective are naturally able to "focus" their evolution toward a specific direction. So as an individual, Skadi should also have a degree of control over what she does and doesn't want to become. Gladiia is implied to still be undergoing transformation despite her obvious obstinance, but the Deep Sea Church leader says she's different from the other 2 and her fate is sealed. As one of the first Abyssal Hunter prototypes, Gladiia might not be able to resist like the later Hunter prototypes.
If you made it this far, nice job! I hope that helps the EN community understand the tsunami of information that got dumped on us in the event.
If there are questions, post in the comments and I will do my best to answer them. Corrections to information in this thread and swapping notes with other CN readers are very welcome!
EDIT: Removed the spoiler bars since I got feedback that it was annoying to click on each paragraph. I've also added a new section "Deep Sea Church agenda and the seaborn" to clarify all the relationships defined in the story.
Also loving the connections the comments are making to other media. I personally made this post because I am a massive Claymore fan. Seconding one commentor, I highly recommend Claymore, it's a gem that's passed a lot of manga readers' radars. I'm also giving Bloodborne and Dragon Age a shot after the event.
EDIT 2: Thanks to the awesome ak-lore group on the official Discord, I've since made a number of corrections on key points. They are in the sections The town situation, Deep Sea Church agenda and the seaborn, and The state of Iberia and Aegir.
#arknights#so the abyssal hunters are similar to grey wardens from dragon age#and the seaborn are kiiiiiinda like darkspawn? like the higher thought seaborns are more individuals but the lesser seaborn creaters aren't#there's a comment the op made that explains this bit more if you're interested#also sorry for weird formatting if you see extra spaces#I tried to fix some of them but there's a lot so I gave up LOL
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WandaVision Episode 1 Reaction
Spoilers below!!
I enjoy the music over the marvel logo
But also a 43 second logo feels kinda long for a 29 minute episode- is it just for the premier or is this gonna happen before each ep?
Also Iâm pretty sure Iâve heard that there is a title sequence, which will probably be similar in length. Combine that with the lengthy credits people have been complaining about, it seems that the percentage of the thirty minutes that is actually the story is lower than it should be
not that I donât love a good title sequence! But Iâll take a well fleshed out episode over fancy logos, title sequences and credits any day
now that Iâve got that of my chest, on to the actual show
I like how they have the frame shaped like that of an old timey tv, combined with the black and white it really adds to the old timey sit come vibe
I like these bells
Ok I know I complained about to much time being wasted with logos and such, but i LOVE how cheesy this theme song is and I love them showing vision and Wanda driving tp there house in wedding attire
âA regular husband and wifeâ 2 seconds late *vision disappears into a cloud of sparkles*.... 1 minute 8 seconds in and I love thisÂ
Even there acting is reminiscent of an old timey sit com this is amazing
feel like I should note he title sequence ends at the 1.36 mark approximately, which may not seem like a lot but again the show is less than thirty minutes so it adds up
Wanda talks with a fifties accent: I already love this show
Also I wish I had magic I could use to clean, Iâm moving back into my dorm right now and Wandaâs powers would be SO helpful
Also I LOVE the laugh track
Also Wandaâs short curly hair is so cute
I love how neither of them knows what the heart means so they play it off by being like âyeah of course I know what it means, how could I forget? Do YOU remember what it means
Also Vision is literally part computer shouldnât he have a photographic memory?Â
Also how old is Wanda? I could have sworn someone said she was 19 in civil war, which would make her like 21 here? I think?? Idk tho, as a 19 year old I donât think she has ever looked 19 in the movies, even back in Ultron she looked at least in her mid twenties
The face Vision makes when he makes himself human is so funny
Also Vision blowing Wanda a kiss and her reaching back to grab it is the perfect amount of corny that makes it still cute
Also I wonder what visionâs job is
The backing music is so funny
I can already tell Agnes is going to be some great comic relief in a show thatâs already hilarious
âI assure you, Iâm married. To a man. A HUMAN one!â I know Iâve said before that I was never the biggest fan of Wanda or Vision but I love Wanda in this show
Obv there is something clearly off here, but I feel like I need to mention that itâs clear this is some warped reality. If I had never seen any of the MCU before, I may believe it was just witch and her robot husband living in the fifties, but the little details really make it clear to the audience (the majority of whom I am sure are familiar with the mcu) that something is off. This scene is one of those, where Wanda cannot seem to recall how long her and Vision have been together and plays it off by saying âIt feels like we always have been togetherâ
Is Agnes giving Wanda advice for the bedroom? is this really what Iâm watching? Or have I wildly misinterpreted this?
Love the old timey lingo
Vision working a desk job is so funny
Love that vision doesnât even know what they do at his job, I know itâs part of the false reality thing but also lowkey relatable
âyouâre like a walking computerâ âI most certainly am not! Iâm a regular carbon-based employee made entirely of organic matterâ
I started this like twenty minutes ago and have only gotten 7 minutes in because I keep stopping to type my reactions. I am going to try to shut up and watch, and stop screaming about every little detail for a bit đ
Real quick though does Vision just go by Vision at work?
Ope apparently he does.Â
I wonder if Vision took Wandaâs last name
Or is he Vision Stark-Banner since it was Tony and Bruce who made him??
He probably isnât called that but I think it would be funny if he was
Love that instead of writing âdinner with bossâ or âDinner w/ Hartsâ or even just âHartsâ he drew a freaking heart like im dying
if my lack of emojis seems weird Iâm typing this on a computer which I never normally do and Iâm to lazy to pull up the emoji keyboard, so basically imagine thereâs a cry laughing emoji after everything funny
âNo skeletons in the closet?â âI donât have a skeleton sir.â
Yup I was right, Agnes is giving her sexy time advice
âyou should stumble when you walk in a room so he can catch you. Itâs romantic!â that is the only way I will be flirting from now on
Also I got to say, I'm guessing itâs a fifties thing but those pointy bras donât look comfortable
So she answers the phone âVision Residenceâ Is Vision also their last name now? Does he go by Vision Vision??
They make the best facial expressions
This phone conversation where Wanda think theyâre having a date night whereas Vision is talking about his boss coming for dinner is comedy GOLD
also I love the fact that theyâre giving us stereotypical sitcom drama while keeping it clear that there are bigger problems than dinner with the boss
Fake commercial break is at 9.56 (these time stamps are for myself I want to calculate how much of the episode is actually the story)
I do love the fake commercials tho! And I suppose in a way they ARE part of the show
They missed the chance to make it the toastmate three thousand and make every ironman fan cry
The beeping toaster sounds like a ticking bomb..... also the little red light is the only color weâve seen this episode I think
Commercial ends at 10.46
Also love that it was an SI toaster, still wish they had made it 3000 instead of 2000
How did Wanda confuse Mr. Hart with her husband? Not that Iâm complaining, her coming out in a robe and covering Visâ Bossâ eyes is HILARIOUS
âThis is the traditional Sokovian greeting? Didnât I tell you my wife is from Europe?â âHow exotic!â âWe donât break bread with Bolsheviksâ
Visions pants are SO high waisted
âItâs our anniversary!â âOur anniversary of WHAT?â âWELL IF YOU DONâT KNOW IâM NOT GONNA TELL YOUâ
Poor Vision is trying to figure out what kind of company he works for this is sooo funny
Agnes coming in clutch with a full meal
So Wanda needs the ingredients in order to magic a meal she canât just make one appear
Vision breaking into song was amazing
How did one chicken turn into like 30 eggs
Vision is singing old McDonald with his bosses wife this is great
âDiane!â âThat must be my wife summoning me!â âShe calls you Diane?â âYes... itâs her pet name for meâ âIâm coming... Fredâ
So many clichĂŠs in this show but itâs done in such a purposeful way that itâs still funny
Also we have only seen three rooms: the kitchen, the living room and Visionâs workplace
âWell I think tonightâs going SWIMMINGLYâ
Mrs. Hart is SO NOSY
But I love that they donât know the answers
Wanda looks SO disturbed when Mr. Hart is demanding her and visions story, you can tell her mind is fighting itself and itâs so sad
Mr. Hart is choking, is it bad that I think he deserves it?
Mrs. Hart keeps cheerily repeating stop it, and gone is the stereotypical sitcom camera angles and and the backing music is switched for something eery
This is lowkey scary, Mr. Hart Dying while his wife keeps cheerily saying Stop It and it just feels creepier the more she repeats
Wanda looks distressed and vision is just looking to her for what to do, her old timey accent is gone and she sounds nearly robotic as she tells Vision to help
Poor Wanda, she is so clearly going through it mentally right now
Laugh track is back, and just like that the Harts are leaving, despite only having one bite of food
And somehow Mr. Hart is impressed? Was Wanda rewriting reality to make them so?
I know that this is clearly some alternate reality and nothing is right, but wanda and vision deciding to choose that day as there anniversary and this little convo here is soooooo cute
Aw her making them rings and them both saying I do is soooo cute
And vision saying âand they lived happily ever afterâ is so sweet but also so sad in context
What is that little remote vision is holding meant to be?
And love the hexagon closing in on them with the cute music playing to end the episode
Are the people in these credits real? Because it lists the start as Wanda Maximoff and Vision but are the rest actual people?
So there is some sketchy dude watching the maybe fake credits so there's something going on there
The actual credits start with 7.13 left and Iâve been told there's no mid or post credits scene. Iâll let them play while I finish this up anyways
8 minutes and 49 seconds of this show is the logo, title sequence and credits. Out of 29.36 total this means only 20 minutes and 47 seconds is the show, which I suppose is standard for a sitcom but I think I felt deceived by it showing as 29 minutes
Also 50 seconds of âcommercial takes the show time down to 19.57 if anyone was wondering
I swear tho Iâm not all that bothered by the length, just did the math in case anyone was curious like I am.Â
I thought I was going to really enjoy this going it, but it still really surpassed my expectations and I canât wait for episode 2!
This is my raw reactions, but Iâm sure that as I mull it over more Iâll be posting more about the show
This is somehow a perfect combo of lighthearted comedy and mild horror
I wanna let this episode stew for a while, so I prob wonât watch episode 2 for at least a day
Also what are your guysâ thoughts on this format of reaction? Did I write to much?
Also what did yâall think of this episode? Feel free to let me know what you think of my reaction, and whether you agree or disagree. Iâd love to hear your thoughts!
#anna reacts to wandavision#anna reacts#wandavision#mcu#marvel#avengers#scarlet witch#vision#wanda maximoff#disney plus#wandavision spoilers#wv spoilers#mcu spoilers#marvel spoilers
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Fifty Shades of Corona
A Brief Note Before You Begin
This novel is intended to be semi-satirical and "so stupid that it's funny", so please do not take it too seriously. It is meant to be savored enjoyed, sip by precious sip, like a fine wineâŚor somethingâŚeither alone or amongst your most well-humored friends.
Epigraph
âBut it is only in epic tragedies that gloom is unrelieved. In real life tragedy and comedy are so intermingled that when one is most wretched ridiculous things happen to make one laugh in spite of oneself.â
Georgette Heyer
Prelude
The forested roads of Northern Washington are eery and empty as I race back to him.
It was the last thing that I expected to happen during the global Coronavirus pandemic.
It came on fast, terrifying and all-consumingâgripping my heart and invading my mind.
I still canât believe itâŚ
Iâve fallen in love.
I glance over at my phone resting silently on the passengerâs side seat.
My stomach twists with grief and my knuckles go bone-white against the steering wheel.
Why hasnât he called?!
What ifâ
I shake the thought away before I can finish it. If I let my mind go there it will be the end of me.
A few days ago, I didnât even know he existed.
Now I donât know whether Iâll ever be able to exist again without him.
I swipe at my cheeks, hot tears streaking my hand.
This is bad.
This is so so bad.
The seaside exit comes into view.
I lean forward and take a deep breath, trying to compose myself.
Nearly there.
I hope heâs okay.
I hope I can see him.
Even if itâs our last goodbye.
Tears well in my eyes.
I hope Iâm not too late.
Chapter One
The Mob
âSee you tomorrow, Ana! And thanks for bringing the cupcakes. They were delicious!â
I turn to wave goodbye to my coworker Jessica, whoâs still busy stocking the shelves with sewing supplies. Jessicaâs the only other worker here at Karenâs Krafts besides myself and our dome-haircut-wielding owner-slash-manager, Karen.
âIâm glad you liked them,â I say brightly. âTheyâre my grandmotherâs recipe. Super easy.â
âNo kidding?â she says, looking surprised. âWell tell your grandma her recipe was the bomb.â
âWill do. See you tomorrow!â I begin to clock out of the computer, but stop to add, âAnd good luck with the crowds. This Coronavirus stuff is crazy!â
Jessica steps back and gives me a look.
âTell me about it! Iâm running low on toilet paper, but nobody has it stocked.â
âDang. That sucks.â
âChâtell me about it.â
I finish clocking out.
âAnyway,â I say, sighing. âI better get going. I have to make a run and try to pick up someâŚahemâŚlady productsâŚif you know what I mean.â
Jessicaâs eyes get big. âOh no, Ana. You canât be serious!â
âVery serious. Iâm all out.â
Jessica frowns. âI would give you some of mine if I had them, but Iâm all out, too. Good thing itâs not my time of the month.â
My eyebrows arch up to my hairline. âConsider yourself lucky.â
âShit, here she comes,â Jessica whispers.
When I look up, Jessicaâs back at work stocking the bobbins and thread.
My manager Karen waddles up to the register and lingers over the back of my shoulder. I finish straightening up the counter, trying my best not to recoil from the hot puffs of breath hitting the back of my neck. I peek back at her dome haircut and put on my customer-service smile.
âWhatâs up? How did you like the cupcakes?â
I try to guess whether she has a complaint or is just bored. Those are the only two reasons Iâve ever seen Karen willingly leave her office. The unpleasant expression on her face tells me nothing, as it is a permanent feature of hers.
âCupcakes?â she says distractedly. Glancing down, I notice sheâs clutching a clipboard with something on it. Her lips move silently as she reads from whatever it is.
I clear my throat. âI brought some cupcakes this morning. German chocolate. Very tasty.â
She says nothing, so I grab my purse from under the counter. âI hoped they might cheer everybody up. You know, with the virus and all?â
âVirus?!â Her head snaps up, eyes bulging. âYou have the virus?!â
âNo, I made cupcakes to cheer everyââ I start to explain, but stop myself when I see the blind panic on her face. âNo. I donât have the virus.â
She relaxes and heaves a sigh of relief, which hits me square in the face.
The smell! I hold my breath and try not to make a face.
I shift my purse on my shoulder and open my mouth to tell her goodbye when she spits out, âSay, can I speak to you for a sec?â
Crap. This canât be good.
âSure,â I say, forcing cheer into my voice. I set my purse on the counter and wait for her to continue. She clears her throat wetly, looks down at her clipboard, then clears her throat again.
Yep, definitely bad news. I brace myself.
âAna, weâve decided to let you go.â
My shoulders tense, and thereâs a rush of something terrible down in my stomach.
âToday is your last day,â she continues, reading robotically from her clipboard.
Is she serious? Iâve worked here for a year and a half, never been late for a single shift, and always gotten stellar performance reviews. Iâm basically a model employee!
âThank you for the work youâve done here, and I wish you the best in your future endeavors,â she finishes.
âYouâre firing me?â I ask in a small voice that surprises even me.
âNot exactlyâŚbut sort of.â
This canât be happening. âWhâwhat did I do wrong?â
âI didnât say you did anything wrong, did I?â She looks put-out, another typical expression of hers.
My shoulders relax a little.
âDid you even listen to a word I said?â she says, shaking her head. âI said youâre being put on non-disciplinary indefinite leave.â
I cock my head, confused. âUm, I donât think thatâs what you said.â
She huffs and holds the clipboard back up.
âItâs exactly what I said. See, right here.â
She jabs a finger at the page, face reddening as she purses her lips.
Jeez. And I thought she looked unpleasant beforeâŚ
She slaps the clipboard onto the counter. âEither way Iâm saying it now.â
âSo, Iâm not fired?â
Crap. Iâm so confused right now.
âNo,â she huffs again. âYouâre not fired. But youâre no longer scheduled for any shifts. And weâll be taking you off the payroll.â
âUmâŚokayâŚâ
That sounds a lot like being fired, but I decide not to push the subject.
Tears press at the corners of my eyes as I take a moment to process everything. Karen must notice, because she lets out another sigh and steps towards me. Her hand thumps heavily on my shoulder. âBut I want you to know that itâs not you, itâs us.â She pats me once, then steps back, looking pleased with herself.
I suddenly feel like Iâm going through an awkward breakup. Which I guess I am in a way.
âWow. UmâŚWhat a surprise.â I catch myself wringing my hands so I stop. âIs it because of the virus?â
âOf course itâs because of the virus!â she shouts. âWhat else would it be? Itâs certainly not my fault! Iâll have you know that Karenâs Krafts is extremely successful,â she gestures wildly. âPerhaps the most successful small business in all of Seattle!â
âYouâre right, Karen.â I quickly say the three magic words that always calm her when she gets like this.
Sure enough, she lowers her arms and tries to composes herself.
âYou probably havenât noticed, Ana, but weâre not doing as much business as usual.â
In fact, I have noticed. The store has been totally dead for the last week and a half. But I donât want to risk setting her off again, so I stay quiet. Luckily, she doesnât seem to expect me to reply.
âNothing like the grocery stores,â she says with a bitter laugh. She shakes her head and gives a shrug. âJust have to let some people go for the time being.â
âHow long until Iâm able to come back?â
She shrugs her shoulders again.
âNo way to know. Iâm only keeping Jessica because sheâs my niece.â
I nod my head.
âRight, right. Makes sense.â Not really, but whatever. Iâm totally against nepotism. It sucks and itâs everywhere, but thereâs no getting away from itâsort of like Coronavirus.
âOf course it makes sense. Thatâs why Iâm doing it!â Karen snaps. She snatches up her clipboard and turns to walk away. âAnyway, if things get better Iâll call you. Make sure you answer.â
âThanks,â is all I can muster in response as she disappears into the restroom.
Suddenly, out of nowhere, everything sinks in.
I just lost my job.
During a global pandemic.
âOh, and Ana!â Karenâs voice booms from the toilet.
I knew sheâd change her mind!
âYes?!â I call out brightly.
âDonât forget to leave your name tag.â
My shoulders fall.
âSure thing, Karen.â I unpin the familiar badge from my shirt and set it on the counter. It looks as small as I feel. I take a few deep breaths and turn to leave. All I want right now is to get the hell out of here and get home as soon as possible so I can relax, have a good cry, and think over what to do next.
A thought occurs to me.
What am I going to do about my rent?
Crap. I can feel the tears comingâŚ
A second later, my sadness turns to anger, and I clench my fists.
This sucks so f-ing bad. Like, what the heck did I ever do to deserve this! Ugh!
I force myself to remain composed. This isnât the time to break down into hysterics.
I give myself a little pep talk.
Calm down, Ana. Youâre a fully grown, strong, capable young woman. Youâll get through this. All you need to do is grab hold of your big girl panties and ride them clear up the crack of your ass so hard thereâs no chance in hell theyâll be going anywhere anytime soon.
Now that my spirits have been sufficiently lifted, Iâm ready to take on the world. Or at the very least, my own small corner of it.
I stop in front of the exit to check my phone and notice seven missed phone calls and three missed text messages from my mother.
I roll my eyes. Of course. Sheâs a typical narcissistic, panicky boomer. At sixty-five years old sheâs never worked a day in her life, attends church two to three times per week, and still believes in the magic of prayer. It may sound like I hate her, but I donât. She annoys me, sure. But deep down I keep telling myself she has my best interest at heart, even if what her heart is telling her isnât actually whatâs in my best interestâŚif that makes any sense. With that said, whatever she has to say is certain to irritate me far beyond what Iâm currently able to stand.
I decide to get it over with.
I take a deep breath and read the first text.
Mom: Ana, this is your mother. Just texting to let you know I called. Iâm very worried about you with all of this virus stuff going on. Praying for you. Love Always, Your Mother.
Okay. Fairly normal so far given the circumstances. Maybe I was wrong to judge her so quickly.
I scroll down to the second text, which looks like it was sentâŚI squint to seeâoh yes: exactly three minutes after the first one, and two minutes after the last three phone calls.
Mom: Ana, this is your mother. Iâve been praying and praying for you to call me back. I am deeply worried about you. Iâve tried calling you three more times. Itâs not like you to ignore my phone calls, especially during such dark and uncertain times as these. Call me back as soon as you get this. My heart is hurting to know if my sweet little Ana is okay. Love Always, Your Mother.
A little worse this time, but not the worst Iâve seen.
I brace myself for the third text, which I know will be bad because it was sent exactly two minutes after the second text, and one minute after the last three calls.
Mom: Ana, this is your mother. Iâm seriously freaking out right now. I keep having visions of you lying in a body bag, stiff as a frozen lamb chop and twice as cold. Why are you being such an obstinate, petulant child? I keep calling and calling, and still no answer. I keep praying and praying, but still no answer. Why arenât you answering me, dear daughter? Why arenât you answering me, dear Lord? My heart is heavy with sorrow and worry for the precious daughter I raised and nurtured by the milk of my own breasts. Iâm so scared, sweet daughter. My nerves are frazzled and frayed beyond mortal repair. I feel as though I may collapse into a puddle of eternal sorrow. My heart is aching for you, my sweet dear little girl. My sweet, sweet precious daughter. Oh Lord, why have you forsaken her? Call me as soon as you get this. Love Always, Your Mother.
Okay, what the hell? Iâm not even going to get started on how freaking weird that was.
I decide it might be better to wait until I get home to call her back. Something tells me the phone call wonât be quick, and I really need to get to the store to get my lady supplies, so I decide to opt for a text instead.
Ana: Calm down, Mom. Iâm fine. I just got off work, and now I have to make a run to Wholesome Foods for some supplies. Please donât worry. Iâll call you as soon as I get home. Love, Ana.
Hopefully that suffices to stave off the insanity.
My phone immediately pings with her reply.
Mom: Sounds good. Love Always, Your Mother.
Simple enough. A little odd, given the texts that came before it, but Iâll take it.
I pause and look out the front door before leaving. Beyond the window, thin sheets of rain coat the steamy sidewalks of Seattle. I notice most of the people who pass by look panicked. Ever since the Coronavirus started everyone has seemed more alert and on edge. At first I found it exciting, because they all seemed less depressed and more alive. But now itâs beginning to worry me.
I finger the small silver cross bracelet my grandmother gave me for my sixteenth birthday. It had been my great-grandmotherâs before it was hers, but I never got the full story behind it. I do, however, remember her telling me it was for courage and strength, which is what I need most right now.
I take a deep breath and push through the door.
The door bell dings, and once Iâm outside I breathe in the cool damp air. The rain is lighter than I expectedâmore of a mist really, so I decide to leave my umbrella unopened and gaze up at the silver clouds as they roil and swirl above me. Thereâs something wonderful about their movement, and I find myself getting lost in them.
DING! DING! DING! RIGHT SIDE!
My peaceful reverie is rudely interrupted.
DING! DING! DING! RIGHT SIDE!
Shit! Cyclists!
DING! DING! DING!âŚ
I leap left at the last moment, barely dodging a small herd of spandex-clad cyclists thrusting through the crowd like they own the street. I brace myself against a tree to keep from falling over, when one of themâa middle-aged man-child with greying templesâlooks back at me and scowls.
I put up my hand to apologize even though heâs probably the one who should be apologizing.
He turns and mutters something under his breath that sounds like âBitchâ and keeps pedaling.
I turn and bite my fingernail. What an asshole.
Crap.
I pull my fingers out of my mouth. Thatâs probably not the best thing I could be doing during a global viral outbreak.
I reach into my purse for some hand sanitizer and slather the cool alcohol over my fingers.
Two steps into my walk, my phone buzzes.
What now?
I check my phone. Itâs Stacy, my best friend and roommate.
Stacy: Are you off work yet!?
My thumbs tap out a reply.
Ana: Just got off.
I look up from my phone. A woman who looks like she might have been sane a week ago but who is now basically a bag lady passes by me with a shopping cart full of bathroom supplies, screaming âFuck you! Got mine!â
As she passes, I look closer at her hand and spot what appears to be a taser.
I pause and make a face. What the hell has this world come to?
My phone buzzes with another text.
Stacy: Cool. Check it. Blue fish bowls. Remember these things?
A cotton-candy-filtered photo pops up of Stacy slurping down a big blue fishbowl margarita.
I smile at Stacyâs exaggerated duck face.
Then I notice Dezzy in the background. Dezzyâs the friend Stacy brought down to Florida with her for Spring Break instead of me. She looks drunk as she flashes a peace sign with one hand and a middle finger with the other. Ugh. Dezzy can be such a⌠Iâm not even going to say it. Sheâs always hated me for reasons, which is strange because I never had a problem with her. Oh well. Best to ignore it.
Ana: Looks like fun.
Stacy: âTis. âTis.
Iâm tempted to tell her about being put on indefinite leave, but I donât want to ruin her good time, so I tuck my phone away. The bad news can wait.
I pass by a homeless man trying to sell face masks on the street corner. As I pass by, I notice half of them are covered in dirt stains and are clearly used, and itâs obvious heâs been digging through the local hospital dumpster to find them.
He shoves one in my face.
âTwenty dollars!â
I move away from him. âNo thanks.â
He follows me a few steps. âTen dollars!â
I shake my head, wincing.
âFive!â
âIâm fine,â I laugh nervously. âReally.â
âFine. One dollar. Final offer.â
âBut they look like you found them in a dumpster, sir!â
âStill good. See, clean enough.â He dangles it in front of my face and turns it so I can see all the sides.
I pull out a dollar and hand it to him, but tell him he can keep the mask.
âYou need a mask,â he says, and tries to put it on my face.
âFine, Iâll take it.â I quickly grab the mask out of his hand before heâs able to touch my face with it.
âGod bless!â he spits through his last remaining tusk, and turns to his next victim.
I hold the mask as far away from my body as possible, and toss it in the nearest garbage can. When I turn back to see if the homeless man saw me I catch him glaring at me.
âSorry,â I mouth.
He scurries over to the garbage can to retrieve it.
Shit!
I run through the crowd to get away from him, and I donât stop until Iâm nearly a block away, where I pull out my phone and text Stacy.
Ana: You should see it here, Stacy. Things are getting crazy.
Stacy: Yeah, no shit. I saw the news. Seattle blows. Florida is way more fun!
Ana: I bet. Howâs the silver fox hunt going?
FYI, the real reason Stacyâs down in Florida for Spring Break is to hunt for an older man to marry. And when I say old, I mean like really old. See, Stacyâs life didnât pan out quite like she had hoped. She failed out of college during her first semester and canât seem to hold down a job. In her mind, the next logical step is to marry into money. And since most guys with money are older, she figures the older he is the more sheâs hedging her bet.
I look around at all the depressed and desperately overworked faces passing by and canât help but wonder if maybe sheâs onto something.
Stacy: Sucks so far. Nothing but poor frat guys with big muscles and orange tans. All the silver foxes are holed up in hiding from the stupid virus.
Ana: Dang. Bad timing.
Stacy: Youâre telling me. Itâs hard out here for a bitch!
I smile, but it doesnât last long. Something about her comment reminds me that Iâm out of a job.
Should I tell her now?
Probably.
Ana: I feel like Iâm about to cry, Stacy. Karen basically just fired me.
Stacy: What!? Why would she fire you? Youâre like the best employee ever?
Ana: Well, technically she put me on indefinite leave.
Stacy: What the freak is that?
Ana: It means I donât get a paycheck for who knows how long, and I donât know when theyâll hire me backâŚif ever.
Stacy: That sucks, Banana. Iâm sorry. How the heck are we going to pay the rent?
Yeah, she calls me Banana. Itâs a play on Ana, if you missed it. Sheâs clever like that.
Ana: Itâs okay. Iâll be okay. Iâm not sure about the rent, though.
But Iâm not okay. My eyes grow hot with tears. What am I going to do for money? Where will I live if we get evicted?
Stacy: Shit. I just realized I wonât have any money left after this trip. Hopefully I can find a silver fox fast. :(
Ana: Hopefully. :(
I turn the corner and see a long line of customers waiting outside Wholesome Foods. People are crammed together, yelling and jostling for position, and for some reason it reminds me of the movie The Night of the Living Dead.
Double crap.
A heavy wave of sickness washes over me, and I feel like I might pass out.
I really donât want to go to the store right now, so I rifle through my purse in a last ditch effort to find a tampon to hold me over until tomorrow. My fingers find a string.
Ah ha!
But waitâŚ
I pull it out.
Crap.
Not only is it out of its wrapper, itâs covered in lint and snack crumbs and looks like itâs old enough to attend kindergarten.
I drop it back into my purse and tap out a question to Stacy.
Ana: Do tampons expire?
Stacy: No, theyâre like condoms. They last forever.
Ana: Um⌠Are you sure?
Stacy: Totally sure.
I want to trust her, but Iâm pretty sure sheâs wrong. Looks like Iâll have to wait in line.
I step into line behind a mother and her five children, one of whom is screaming at the top of itâs lungs for no reason.
My phone buzzes with a new text.
Stacy: Hey bitch. Howâs your depressing life?
What the?
That was out of nowhere. How many fish bowls has Stacy had so far? Jeez.
I try to figure out how to respond when another text comes in.
Stacy: Iâm glad you didnât come down here with us. Itâs better for everyone.
I shake my head, confused.
Ana: Excuse me?
Stacy: Sorry, Dez took my phone.
Ana: Oh. That explains it.
Stacy: Dez was just joking.
Uh huh. Right.
The line moves forward a few steps, and when it stops the crowd lets out a collective sigh.
Stacy: We both wish you were here. You should have come with.
Ana: Somebody had to stay and look after the apartment⌠Besides, itâs probably not the nicest thing to be down there partying and putting so many people at risk.
Stacy: Get off your high horse Banana! You decided not to go long before the virus happened.
I canât say sheâs wrong.
Stacy begged me to go but I opted to save money and get some extra hours at work.
Oh, the irony.
But if I had decided to go on the trip, I like to think I would have cancelled as soon as I knew it would be putting people at risk. Still, thereâs no use in arguing with Stacy.
Ana: Iâm probably just jealous.
Stacy: As you should be. Florida is so much better than dreary depressing Seattle.
Ana: Yeah, if you like living in a giant trailer park filled with bugs, alligators, and old people.
Stacy: LoL
I laugh a little as the line moves forward a few paces.
Stacy: Seriously though. Take it easy on the old people. Theyâre my last ticket to freedom.
Ana: I still think you can do better for yourself, but what do I know?
Stacy: Obviously not much. Face it, Iâm fucked if I canât find a rich man to marry.
She might be right, but I refuse to agree.
Stacy: Besides, old guys are hot. Iâm surprised you donât look for one yourself, given your present circumstance.
I canât say Iâve ever found older-older men hot. Unless of course the guy was only a little bit older. Then Iâd be fine with it.
Ana: I guess I just think I have more potential than that. Iâd like to earn my own living and independence some day, even if itâs hard.
Thereâs a brief pause where she doesnât reply, and I wonder if I offended her.
Ana: At least thatâs what Iâm hoping for. Who knows if it will happen.
Stacy: You do you and Iâll do me, Banana.
I roll my eyes.
Ana: Come on, Iâm sure there are plenty of decent jobs you could get that donât require a college degree.
Stacy: Ew gross! Iâd rather kill myself than work for a living. Fuck that.
I laugh. Sheâs right in a way. Work sucks major ass. The only times Iâm ever truly unhappy are when Iâm at work.
Ana: There might be some truth to what youâre saying.
Stacy: Just wait. One of these days some rich older guy is going to catch your eye. Then youâll change your mind.
I think it over.
Ana: Okay, and say that does happen. How do you expect Iâll get him? Itâs not like I have much to offer besides my youth.
Stacy: Not true. You look great, Banana.
Ana: Whatever. I know what I look like.
Stacy: You don't give yourself enough credit. Youâre gorgeous. And totally smart.
Even though I know sheâs just saying these things to cheer me up, I still canât help but smile.
Ana: But seriously, how does one go about snagging a rich man?
Stacy: What you need are some good pick up lines.
RightâŚ
I look up and see that the line has moved quite a bit from where I started. At this rate Iâll be inside in no time.
Stacy: Hereâs one Iâve been practicing for my hunt⌠Have you ever been arrested? Because your looks are killer.
I roll my eyes.
Ana: Maybe Iâll give it a try some day.
Stacy: Do it. You wonât be disappointed.
A fight breaks out at the front of the line.
Seconds later, the two guys fighting are escorted away by a masked security guard and the line moves forward to fill the gap.
As I near the entrance, the crowd noise grows louder, and a swarm of customers break through the exit.
Crap! Theyâre charging right at me.
I quickly side-step out of their way and a middle-aged white woman with a dome haircut shoves past me into the store, making me do a double-take.
Phew. Not Karen.
As the woman passes by, I overhear a small portion of her phone conversation:
âIâm pretty sure I have it. Iâm going to the doctor right now. I just have to stop at Wholesome Foods real quick.â
Holy crap. This place is like a war zone or something.
I enter the store close behind Karen Number 2.
Once inside, I immediately notice two things:
1. Nobody in this store seems to be wearing a mask, andâŚ
2. All the grocery carts and baskets are gone.
I take a deep breath.
Everythingâs okay, I tell myself. Just improvise and get out as fast as you can.
I hurry past the entrance and into the toiletry section.
OkayâŚtamponsâŚwhere are the tampons?
I look down an aisle and see people lined up at the pharmacy, scrambling for asthma medication and pills. Thank goodness Iâm fairly healthy and donât need any medication. If push comes to shove, I can get by for months on my one-a-day multivitamin.
I step into the feminine hygiene aisle where a group of frustrated women are looking around frantically.
One of them says to the others, âWhere are the fucking tampons!â
I look over the shelves, and theyâre nearly empty.
Come onâŚtamponsâŚtamponsâŚthere has to be one more pack somewhere.
I start digging through the merchandise, checking back behind the other products.
No luck.
Okay. Think, Ana. Think. What could you do?
My phone buzzes with a text.
Stacy: Where did you go?
Ana: There arenât any tampons at the store! What am I going to do?â
Stacy: Okay. Iâm calling you.
American Girl blares through my phone speakers.
I hold the phone out in front of me and right as Iâm about to accept the call a scruffy-looking guy appears out of nowhere and sneezes all over the front of my screen.
I look up at him, totally grossed out.
âSorry, dude,â he says, then disappears down the aisle.
Crap. Thereâs no way Iâm holding this thing up to my head now.
The song keeps playing, tinny notes ringing out.
A rude woman nearby screams, âAnswer your goddamn phone!â
âSorry,â I mutter, and tap the speakerphone button, careful to avoid the spit droplets on the screen.
The first thing I and everybody within a twenty-five-foot radius hears is an obnoxious slurping sound.
Several shoppers turn and glare at me, so I hurry into a side aisle where there arenât as many people. âGeez, Stacy. What are you drinking?â I hiss at the phone. âYou sound like Lord Buttcrack with his ten gallon gas station sodas.â
Lord Buttcrack is the nickname Stacy and I have given our fat, greedy, disgusting landlord, on account of the fact that weâve never seen him without half of his butt crack hanging out of his pants.
âHold it right there,â Stacy says. âDonât you dare ever compare me to Lord Buttcrack. I love you dearly, but thatâs taking it too far. Besides, he sounds more like a butthole.â
I laugh at her drunken simile. âI donât like that image. Why are you thinking about his butthole?â
âHey, where thereâs a crack, thereâs always a hole.â
UmâŚ
âAs to your first question,â she continues, âI just finished my third Blue Ocean Fishbowl.â
âHoly crap! You drank three of them? Donât they come in, like, a literal fish bowl?â
âMm-hm. And the alcohol content is through the roof.â
âSomething tells me youâre going to regret this.â
âDoubt it.â
I sigh.
âAnyway, back to my tampon problem.â
âWhere did Joey go?â Dezzyâs voice cuts in.
âWho the hell is Joey?!â Stacy shouts.
âThe guy with the muscles, duh,â Dezzy moans in the background.
âThey all have muscles!â Stacy cries.
âUghâŚthe one with the tan!â
âThey all have tans!â
âHello!?â I say loudly into the phone.
âOh, sorry. Seriously, Dezzy is being such a bitch.â
âYouâre the fucking bitch, bitch!â Dezzy laugh-screams in the background.
âWhateverâŚâ Stacy says. âBack to the problem at hand. Canât you just wear pads?â
âTheyâre out of those, too.â
A woman nearby overhears our conversation and approaches me.
âPads? Did someone say pads? Where are the pads? I need more pads! There have to be more pads!â
Stacy starts laughing so hard she begins to choke.
The womanâs frantic energy scares the crap out of me, so I back away from her and hurry into the clothing section, which seems to be the only empty part of the store.
I duck down under some hanging dresses and tops. âSeriously, Stacy. What should I do?â
âLet me thinkâŚâ Stacy muses. âOh, I know! A while back I was watching this TV show about these female prison inmatesâŚâ
Great.
âOkay?â
âBare with me,â she says, sensing my doubt.
âK.â
âAnyway, whenever the prison ran out of tampons, the women would just wad up a bunch of toilet paper and shove it up their pussies.â
Genius. Simply genius.
A woman with a stroller opens the clothing rack and pokes her head in. âCould you keep it down with the profanity? Children are nearby!â
âFuck off, lady!â Stacy screams at her through the phone.
The woman scoffs and throws the clothing rack closed.
âItâs not the worst idea,â I say. âOnly problem is theyâre all out of toilet paper as well.â
âHmmâŚ
âI need more ideas.â
âYou could just free bleed,â she says.
âI donât know what that is.â
âItâs when youâŚâ
âActually, never mind.â
âYouâre sure?â
âTotally sure.â
âFine. Scratch that.. Letâs seeâŚâ Stacy makes a weird sucking sound with her mouth while sheâs thinking.
Another customer comes by and starts sliding the shirts around me.
âWhatâs that annoying noise?â Stacy says.
âIâm under a rack of tank tops and someoneâs looking through them.â
âOops, sorry!â The faceless searcher says.
âItâs fine,â I say back nicely.
Stacy gasps. âI know!â
âWhat?â
âWhy donât you just cut up a tank top and shove it up your pussy?â
I laugh.
âCome on. Thatâs ghetto.â
âYeah. But what else are you going to do?â
Sheâs got a point. What if this is the answer?
âBut I donât wanna!â I groan into the phone.
âI know it sucks, Banana. But itâs probably your only option.â
âFine. Whatever.â
I crawl out from under the clothing rack and grab three spaghetti strap tank tops.
âDo you think three is enough?â
âUmâŚprobably.â
âOkay. Good to go. Now itâs time to get the hell out of here.â
âYou go girl!â
As Iâm walking towards the front checkout, I spot some cotton balls out of the corner of my eye.
Hmm. These could be useful.
I snag them off the shelf.
âHey, Stacy, do you think cotton ballsâŚâ
âWHAT!â someone screams on Stacyâs end.
A man across the aisle glares at me.
I mouth âsorryâ and turn away.
âQuiet down,â I hiss. âOr Iâm hanging up.â
âIS THIS ANA?!â
Shit. Itâs Dezzy again.
âDez, put Stacy back on the phone,â I whisper.
âFUCK YOU, ANA! YOU FUCKING BITCH!â
âOkay, Iâm hanging up.â
âWOO! SPRING BREAK!â Dezzy screams so loud my speaker pops.
I hang up the phone and slip it into my pocket.
When I get to the front of the store, I join the back of the nearest line and take in my surroundings. All around me carts are overflowing. Off to my left, a plump woman is loading fifteen large cases of soda onto the conveyor belt, and the guy behind her has nothing but vanilla puddings and beef jerky.
He catches me staring and smiles at me. Holy hell! All his teeth are missing. I donât even want to guess how heâs going to eat all that jerky.
âNext!â a young female voice calls from the front of the line.
I turn toward the register, but canât seem to see the girl who said it. All I see is some sort of contraption where the register should be that looks like four broom sticks wrapped in layers of cellophane.
The dome-headed woman ahead of me huffs up to the register and hacks onto the cellophane.
Holy crap! Itâs the Karen Clone from earlier!
I leave some distance between us and try not to breathe in whatever sheâs hacking.
âExcuse me!â Karen Number 2 brays at the cellophane. âYou forgot to ask me if I found everything I was looking for.â
The cellophane sucks in and releases with a sigh, and the disembodied voice from earlier returns. âDid you find everything you wereââ
âNo. I. Did. Not.â Spittle from Karen Number 2âs mouth hits the cellophane with each word. âAnd I need to speak to your manager. Immediately.â
The girl behind the plastic lets out another sigh. âRandy! Customer for you.â
A ruddy-faced man shuffles our way, but before he makes it to the register, Karen Number 2 marches towards to him.
âNext!â the girl behind the cellophane says, not caring if the woman loses her place in line.
I step forward to the register.
âI think some people are worse than the virus,â she says from behind the barrier.
I laugh. âNo kidding.â
She sighs and the plastic wrap squeaks.
I clear my throat. âUmâŚWhat is this thing?â
âModified spit guard. Courtesy of my dumb asshole manager.â
I laugh. âIt looks prettyâŚumâŚâ
âShit?â
âYeah, sort of,â I giggle.
âIt would be better if he hadnât triple wrapped the cellophane. Now I canât see anything.â
âWhy are most managers such bozos?â I scoff.
âBecause the owners know if they were too smart theyâd quit.â
I think it over. âThen why are some of the employees so smart?â
âBecause it doesnât matter if they quit.â
I laugh. Itâs so true!
Then it occurs to me. âWhy canât you just wear masks and gloves?â
âMr. Bozo thinks it will scare the customers.â
I frown at the plastic wrap.
âWow. Thatâs really stupid.â
âTell me about it,â she sighs.
My heart goes out to the girl trapped behind the cellophane. Her face is so blurred that I wouldnât even know she was a girl if it werenât for her voice.
âNobody sees us and nobody cares,â she says hauntingly.
A chill runs down my spine.
I donât know what to say, so I look down at my feet.
âYour total comes to $17.20.â
Crap, thatâs expensive. I really wish they were carrying tampons.
I pull out my wallet and grab two tens.
When I look up I notice thereâs a card reader, but no way to get her the cash.
âUmâŚall I have is cash.â
A tiny index finger appears above the cellophane, then points down. âMake it rain on this bitch.â
I fold the bills into fourths so they donât scatter, then toss them over. âKeep the change.â
âOh wow. Thanks,â She says. Her voice is different this time, less depressed. âSeriously, I need it.â
âNo problem. Good luck.â
âPsh! Thanks,â she says with a laugh.
I laugh, too. âK, bye.â
Behind me, the ruddy-faced manager announces that the store is closing in ten minutes, and half the customers groan.
A woman in the cereal aisle screams, âThis is bullshit! I need food for my kids!â
Behind me, a mob forms around the checkouts and people flood into the entrance.
Crap. Time to get out of here.
The woman from the personal care aisle who needed pads exits empty-handed in front of me and her face looks absolutely furious. When she gets outside, she turns around, pulls out the waistband of her sweatpants, reaches down between her legs, and rips out a used pad!
I gasp. Oh no!
In one swift motion, she slaps the bloody pad on the grocery store window, where it sticks like a suction cup animal.
âThis is what you get for not having pads!â she screams like a banshee.
The crowd behind me groans with disgust.
What in the actual fuck?
A thick wave of nausea washes over me, and I feel like I might puke.
I search for another way out, but this is the only exit, so I step in front of the door and try not to look at the bloody pad stuck to the window. But for some reason I canât help myself, and when I look up, the door slides open and the pad smears fresh blood across the glass before falling down onto the sidewalk.
Oh my God, WTF!
I throw up a little in my mouth, but manage to make it outside.
As if things couldnât get any worse, the moment I step out I spot a trashy-looking mother trying to steal a mask off the face of a middle-aged man so her son can wear it.
âCome on,â she says, âhe needs it more than you do!â
âEven if I wanted to give it to him, itâs a bad idea,â the poor guy says. âI could be carrying the virus!â
âBullshit!â she screams. âHand it over!â
She lurches for his mask and rips it loose.
Holy crap! What should I do?
A loud pop rips through the crowd, and the trashy woman falls to the ground and twitches around like sheâs being electrocuted.
I turn and look down at the poor guyâs hand and see that heâs holding a taser.
âOh my God, did you just tase her?â a woman from the crowd cries out.
âShe was trying to steal my mask!â the poor guy says.
âYouâre an animal!â a pregnant woman seethes as she clutches her belly protectively.
âHow could you?â says someone in the crowd.
âThe poor thing,â adds yet another.
The next thing I know, three white knight teenage boys are on top of the poor guy, beating him with their fists.
I cover my mouth with my hand, horrified by their savagery.
People leaving the store join in the fight, and within seconds itâs a full-on mob.
What the crap! It just keeps getting worse! I need to get out of here.
I dash for an clear spot of sidewalk near the curb, but right as Iâm about to break free from the hoard, an errant body slams into me, sending me headfirst into the street. The pavement comes rushing towards my face, and at the last moment my hands shoot up just in time to stop me from landing face-first. I slide violently out into the street as my hands scrape along the asphalt, splashing puddle water into my face. The pain is immense and brings back vivid memories of the times I used to fall off my bike.
When I finally manage to look up I see that everything I just bought has been strewn out into the roaring traffic. The tank tops are stained brown and the cotton balls are soaked black.
A car honks and swerves, barely missing my head as my face is thrashed with water.
I gasp for breath as I crawl backwards towards the sidewalk.
Another car roars by, flattening everything I bought into a puddle.
Hot tears well in my eyes.
People behind me are asking each other what to do, but nobody makes a move to help me up.
Just then, a large SUV stops in front of me, and I catch sight of my reflection in the polished silver paint.
I gasp out in horror. The girl I see looking back at me looks like she just crept out of a lake.
The tinted rear passenger-side window rolls down a crack.
âAre you okay?â A dark voice says.
I squint at the tint, hoping to catch sight of the faceless man speaking to me, but all I can make out is a dark shock of hair. I push myself up from the puddle and step towards him.
âStay back!â he says. His voice is so loud it echoes through the street, startling me.
I shuffle back two steps, look down and ring my hands.
âSorryâŚâ
âDonât,â he says, then lets out a long, loud sigh. âI apologize for my tone, but I would prefer not to risk contact.â
âI totally understand. Iââ
âListen, are you okay?â he snaps, interrupting me.
A laugh escapes me. âObviously not!â
Iâm surprised by my own frankness, but something takes hold of me.
âI mean, its not like I just lost my job and wonât be able to pay my rent this month!â
Someone giggles behind me as the mysterious man in the backseat of the SUV remains silent.
âAndâŚand⌠itâs not like Iâm on my period right now and canât seem to find a box of tampons or pads to save my life!â
A couple more people laugh.
I take a deep breath, about to cry as my voice grows louder.
âAnd itâs not like spaghetti strap tank tops were the only reasonable alternative!â
The laughter behind me stops.
âDamn!â someone shouts from the silenced crowd.
But I donât care, and my voice only grows louder still.
âAnd itâs not like I had to fight through ten thousand assholes just to get that!â
I turn around and see several angry faces staring me down.
âAnd itâs not like you fucking animals shoved me into the street and the spaghetti strap tank tops I was supposed to shove up my pussy are now rotting at the bottom of a water-filled pothole!â
A pimple-faced teenage boy doubles over in laughter.
âOh my God!â he says, wagging his finger at me. âSheâs good.â
âFucking animals, huh?!â a man in the crowd yells. âIâll show you whoâs a fucking animal!â
The man staggers forward, knocking into the people around him, and out of nowhere someone punches him in the face.
Oh no!
For a moment heâs dazed, but when he finally manages to regain his senses he throws a wild punch and the crowd resumes its frenzied fight.
I turn back to the window and cover my face, about to cry.
âWhere do you live?â the disembodied voice in the SUV says. His tone is unexpectedly sympathetic.
What? Why is he asking me this? Why would he care where I live?
I gaze up through my tears at the window.
Should I tell him?
The thought seems crazy. Heâs a complete stranger. I mean, I havenât even seen his face.
I feel the crowd pushing at my back, and in one swift surge of motion, they shove me up against the window.
âOw! Youâre hurting me!â I cry. I try to turn around so I can say it to their faces, but the pressure is too much.
I turn and see two dazzling grey eyes staring back at me through the crack. The expression is fierce and intense, but for some reason I trust them.
âFirst Street,â I whimper. âI live near First Street.â
His eyes bore into mine as the crowd locks me in place.
Behind me, people begin to scream and shove each other.
The steel grey eyes look past me into the crowd and the next thing I know a folded hundred dollar bill appears next to my face.
I stare at the money, confused.
âItâs for your rent. To get by.â
What the?
I hesitate to take it.
âTake it or leave it.â
I reach forward to take it, and as I clasp the crisp paper, my finger brushes against his smooth, warm skin.
I look up into his eyes and this time theyâre black. His brow furrows.
My breath hitches, and something tugs deep down in the pit of my stomach.
Behind me, a shrill woman shouts, âYou got any toilet paper in there?â
The crowd moves forward, pressing me harder from behind and forcing my arm through the window.
âSon of a bitch!â the musical voice hisses from inside the cabin.
The crowd keeps pressing, and I scream out in pain.
Another voice from behind me calls out, âHey rich boy! You gonna come bail us out!?â
The laughter is insane.
Hot breath brushes the back of my neck, giving me flashbacks of Karen standing behind me.
I look into his fierce eyes and for a moment I read an expression that looks like pity or fear, but Iâm not sure which.
A gunshot rings out, and the glass on the rear driverâs side explodes into the cabin.
I scream in terror.
âFuck!â the man says.
I can see people on the other side of the cabin leaning into the SUV.
âOhh! Itâs nice in here!â a haggard woman says, peering inside.
âGet back, you!â the man shouts.
I wish I could help him, but Iâm stuck.
He leans forward and screams at the driver.
âDamnit, Calloway! Theyâre breathing into the cabin!â
âYou hear that?â someone behind me says. âRichie Rich doesnât want us breathing his fancy-pants air!â
âAll right then,â an older man with an ugly voice screams. âLetâs give it to him! Charge!â
The crowd rushes forward, smashing me against the window.
I try to escape, but Iâm locked in place.
All around me, ugly voices are screaming ugly things in ugly ways.
I suddenly feel like my spine is being crushed from behind.
âHelp!â I yelp. âSomebody help me!â
âFuck it, itâs too late now,â he says, his beautiful voice breaking through the garbled roar of the crowd.
The tinted window zips down and a pair of large hands cup my waist.
âWhat are you doing?â I say, startled by his strength.
âWatch your head,â he whispers against my ear, dizzying my senses.
The world around me spins, and for a moment everything is a blur. The next thing I know, Iâm laying on my back looking up at the ceiling. All around me voices are growing in number, and I instinctively curl into the fetal position, nuzzling my face into his chest and inhaling his clean scent as his strong protective arms pull me closer to him.
Despite all the commotion around me, for the first time in forever, I feel safe.
The vehicle begins to rock back and forth from the thrashings of the human horde.
âDamnit, Calloway. Theyâre trying to tip us!â
âCan I run them over, sir?â
âI believe that would be unwise,â the man replies with a hint of humor.
The driver rubs his hand back and forth over his buzz cut. âRight, sorry.â
A loud noise startles me, and my hands shoot up to protect my face, smearing mud across the front of his suit.
Oh no!
I look up to apologize, and for the first time I see his face.
Oh my freaking God!
Chapter Two
Dark Knight
His face is perfect.
The symmetry is flawless. The bone structure is divine. His cheek bones are so strong and pronounced, it wouldnât surprise me if he once was, or still is, a runway model. A thick shock of hair hangs over his right eye in a way thatâs pleasantly distracting. If I were to guess his age Iâd say he couldnât be any older than 25, although his expression and mannerisms are more like those of a man twice his age.
His grey eyes narrow at me, and my heart leaps in response.
I try to look away, but my eyes are locked on his.
His pupils dilate, eclipsing the grey, and all at once I feel lightheaded.
Holy crap. Whatâs happening to me? I feel like I might faint.
His face softens, his eyes blinking gently, and I canât help but notice his lashes are long for a manâs.
I should really look away, but for some reason I canât. Itâs as though Iâm tethered to his gaze by some mysterious force.
In one smooth motion he turns towards the driver.
âStep on it. But donât hurt them.â
The vehicle lurches forward, and outside the window, the crowd rushes by in a blur.
For the first time I notice beautiful classical music playing from the carâs speakers, a refreshing contrast to the the howling wind and chaotic street noise.
âMahler,â I whisper.
It comes out unintentionally, and Iâm suddenly overcome with embarrassment.
He turns back to me and eyes me with a look of surprise. âYou know the composer?â
My heart skips a beat as I stare into his eyes. I want to say yes, but all I can do is nod.
He scowls and turns to the driver. âTurn off the music. Itâs mixing with the street noise and giving me a headache.â
The driver nods. âYes, sir.â
What the? Why why would he do that? Is he mad at me or something?
The music stops, and all thatâs left is the howling wind as the world flies by outside the window.
He lifts me up off his lap and places me in a nearby seat. âCan you buckle yourself in?â
My mouth opens to respond, but heâs already reaching across my lap. âVery well,â he says, taking control as he begins to buckle me in. His arms feel good pressed against me, warm and reassuring, and I like the smell of his hair, but something about the aggressiveness of his gesture puts me off.
âI can do it,â I say, but he ignores me.
I bite my lip, unsure of what to do, and look down at his hands. The first thing I notice are his platinum cuff links. The design is simple, but the pieces look intricately crafted and expensive. My eyes wander to his long, tapered fingers as he buckles me in and smoothes the belt up over my chest, careful to remain decent.
Once finished, he sits back in his seat, and Iâm finally able to take in the rest of him.
His body is long, lean, and muscular, and his proportions are refined. Besides the mess Iâve made of his suit, everything about his attire is crisp and clean. Heâs wearing a well-fitted dark navy suit and slacks, a starched white undershirt, and an intricately patterned silver tie. The outfit looks expensive and custom tailored.
I look down at the used shirt I picked up the other day at the thrift store for a dollar fifty-five, and notice that mud is dripping down through my legs onto the soft leather car seat. I fidget nervously at the sight, and the puddle under me makes a squishy sound.
His eyes dart in my direction.
I lean back a little, revealing the puddle. âSorry, Iâm all wet.â
He purses his lips. âDonât tell me thatâs piss.â
What!? My face flushes with embarrassment. âNo! Itâs not, itâs just⌠Iâm so sorry,â I mutter, trying to contain the drips.
He sighs and leans forward, flipping open the center console.
I flinch.
He stops and looks at me. âCalm down.â
I nod and exhale, trying to relax.
He pushes a black button and a crystal champagne set raises up from inside the console.
Scowling, he grabs a black silk champagne towel, unfurls it with a flourish, and hands it to me.
âHere.â
When I grab it, his fingers graze mine, and something electric passes between us.
Whoa.
That was crazy. Did he feel it, too?
He leans back in his seat and clears his throat, clearly affected.
He did!
A smile tugs at my lips.
He narrows his eyes at me. âWhatâs so funny?â
âNothing,â I say, flattening my expression as I dab up my mess. âAhemâŚso, where are we going?â
âTo your apartment.â
What? A pang of fear courses through me. âHow do you know where I live?â
He gives me a strange look. âYou told me back in the street. You donât remember?â
I think back, replaying the awful sequence of events.
âOh yeah.â I say, shaking my head. âHow could I have forgotten? I must have hit my head.â
âYour head is fine. I saw everything.â
He saw the everything?
Youâve got to be kidding me. Face in the mud and ass in the air is not my idea of a great first impression. I can only imagine what he must think of me.
I lower my head in shame, and my hair falls down around my face. When I peek back up through the strands, I see that heâs turned away from me, staring out the window. He looks poised, legs finely crossed, fingers claspedâcool, aloof.
For a moment I wonder if Iâm dreaming. Thereâs no way this could be real. He looks like a movie star or a model in a fashion magazine. What am I doing here with him?
He turns to look at me, and I quickly look away.
Crap. Donât look again.
But I do, and this time heâs looking at me like heâs in pain.
I look away again.
I should really stop staring at him. This is something Stacy would do. Not me. Whatâs wrong with me?
A moment later, I canât help myself and I look up yet again.
Shit. Heâs still staring at me.
Okay. At least Iâm not the only one staring.
His eyes crinkle in the corners, like heâs laughing at me, his fine mouth twisting into a ghost of a smile.
I look away again.
Crap. He thinks Iâm an idiot. What should I do? Should I say something? This is so awkward.
When I peek at him again, I notice heâs clenching his slacks up near his knee. He looks angry. What if he blames me for what happened with the crowd? Maybe I should apologize?
âIâm sorry about what happened,â I say. âI didnât knowââ
He holds up his hand, silencing me.
I turn back and catch my reflection in the window.
Limp, soggy hair.
Mud-flecked faceâŚ
Could I look more pathetic?
Hot tears begin to form behind my eyes.
He makes a sudden movement, drawing my attention, and I notice a thin line of blood trailing down along his wrist.
I gasp. âYouâre bleeding.â
He stops, turns his hand over. âShit.â
I lean forward. âHere, let meââ
He pulls away. âIâve got it.â
I look around for something to stop the bleeding.
He holds up the bottom of his suit coat and sighs through his nose, his mouth twisted with frustration.
I unbuckle my seatbelt.
âWhat are you doing?â
âHere,â I say, unbuttoning my baby blue cardigan.
âNo,â he says, eyes closed, shaking his head. A small smile plays on his lips.
I stop. His smile does something to me I canât explain, and I have the sudden inexplicable urge to kiss the corner of his mouth. What!? Where did that thought come from?
He smirks at me, like he knows what Iâm thinking.
âYou really need to calm down,â he says. âGet back in your seat and buckle up.â
I do as he says.
âIt must have been from the window,â he says, referring to his bloody wrist. His voice is flat. âI was trying to minimize contact until you showed up.â
Crap. For a moment I almost forgot about the Coronavirus.
Guilt grips me.
What if he has a precondition?
What if he has a family?
âIâm so sorry.â
âYou should be.â His expression is serious. âYou summoned them to me.â
What?!
âI did not!â
âDid you declare yourself their leader, or were you elected?â he says, his lips suddenly curled with amusement.
I shake my head, confused. âI had absolutely nothing at all to do with them!â
He smiles. âThen why were they all so glad to see you?â
Ah, I get it. He must be joking.
I smile inwardly and decide to play along. âThe truth is they were charmed by your carriage.â
His face brightens at my recognition, and he lets out a long sigh. âForgive me. I didnât mean what I just said.â He strokes the bottom of his lip with his index finger. âItâs obviously not your fault. Itâs the fault of those in charge who allowed the panic to spread.â
I look down at my hands, unsure of what to say.
âBesides,â he says. His voice is suddenly wry with mock-humor. âThere are so many ways to die. Coronavirus is just one of them. Somethingâs bound to get you sooner or later.â
I peek up at him through my lashes. Why does he look sad?
I want to tell him it will be alright, but the thought sounds stupid in my head.
He sighs and shrugs off his jacket to use for his hand.
I sit up.
âY-y-you can use my sweater,â I say, stuttering for some reason as I gape wide-eyed at the jacket that Iâm positive is worth more than my entire wardrobe combined.
âItâs quite alright,â he says, ignoring me.
âNo,â I say, gaining his attention. âThat jacketâs too thick.â
He stops and examines the jacket, turning it over in his hands.
âSeriously, itâs no big deal,â I say. âItâs the least I could do.â
âIt wonât be needed,â he says, tossing the jacket into a heap on the floor.
I shake my head, confused. âThen what will you use?â
His eyes lock on mine as he loosens his patterned silk tie.
Holy hell. Heâs getting undressed!
He tosses the tie onto the floor and begins unbuttoning his dress shirt.
My breath hitches as I struggle to avert my gaze.
He shrugs off the shirt, and I barely contain a gasp as his chiseled abs flex under the soft interior dome lighting. The entire time, his eyes never leave mine.
Something tugs at the base of my stomach as I shift in my seat.
He bites down on the dress shirt fabric and tears it into a long thin strip. How does he make it look so easy?
âI can help,â I say, leaning towards him, entranced.
âIâll manage just fine,â he says through gritted teeth as he finishes two more strips.
He takes three strips and wraps them around his wrist. When heâs finished he holds up his wrist, examining his handiwork. âWhat do you think?â
Iâm so overwhelmed all I can do is nod.
âGood enough,â he says like heâs glad to be done with it.
I spot the tie at his feet and a thought occurs to me.
âYou could have just used your tie.â
âToo late,â he says without hesitation.
He reaches down, grabs the tie, then lays it next to him on the seat.
I look away. For some reason I canât stop smiling. Whatâs going on with me?
He signals the driver. âIâll need a new dress shirt before my speech.â
The driver nods. âTen four.â
He settles back into his seat and begins fingering the shirt-strip bandage.
I clear my throat. âWhat kind of speech are you giving?â
His brow furrows. âYou donât have to talk like that.â
My brow pinches. âLike what?â
âLike this is an interview.â
âI donât know what you mean.â
âYouâre up-ending your sentences in an effort to please me.â
I look away, unsure of how to respond.
âIâm sorry. Iâm under a lot of pressure right now.â
âItâs okay.â
âItâs not okay,â he says, his tone serious.
âOkay.â
His brow arches, assessing me. âIâm Elon, by the way. Elon Carlisle.â
Elon Carlisle.
I roll it around in my mind, savoring the sound of it. The name suits him surprisingly well.
âWhatâs your name?â he says.
âNana.â
Crap! Whatâs wrong with me!? âŚNana?!
âNana?â His brow knits in confusion. âAs in, my nanaâs just died from Coronavirus?â
âN-no. Itâs Ana. Just Ana.â
âAna?â
I nod. âAna.â
He leans back, hands behind his head, and repeats my name. âAna.â
I love the way my name plays on his lips.
His eyes dart back down at me. âYouâre sure?â His face lights up with humor, and somehow itâs even more beautiful than before.
I blush and nod into my chest.
âSoâŚAna. What do you think of all this?â
My eyes once again take in the luxurious surroundings. âThe car?â
He makes a face. âNoâŚthe virus.â
Duh. Whatâs wrong with you, Ana? Get it together.
I search for the right word, but all that comes to mind is, âItâs terrible.â
âIndeed,â he says, biting the back of his knuckle.
An awkward moment passes between us, and the tension gets the better of me. âI noticed none of the employees at Wholesome Foods were wearing masks.â
âYes, Iâve read all about that. Most businesses seem to think it will scare the customers.â
âThatâs so stupid,â I say, a little too loud.
He looks up at me and tilts his head.
I shake my head with frustration. âI mean, if weâre going to flatten the curve, we canât be doing stupid stuff like that. Itâs not up to businesses to choose who lives and dies.â
He stops biting his knuckle and stares at me thoughtfully. Why is he looking at me like that?
âI was just on my way to give a speech along the same lines,â he says calmly.
âOh,â I say. âWhat for?â
âItâs for a charity banquet. Very tedious.â
âSo, what are you? Some kind of politician or something?â
âIâm a CEO. I own fifteen companies on three separate continents, and I employ over five million people.â
Holy crap.
âWow, very important,â I say, trying to sound unimpressed.
âIndeed.â
Cocky much?
The air in the car suddenly seems too heavy, so I try to lighten the mood. âWell at least the workers of the world will finally get a vacation.â
He eyes me tactfully.
âIf you consider the most devastating economic collapse since World War II a vacation, then yes, they will most certainly get their vacation.â So much for lightening the mood. I look down at my lap as he continues. âI believe there is dignity and honor in work, regardless of what one contributes. This pandemic is nothing short of a disaster for everyone involved, including the workers of the world.â
I snort. âEasy for you to say.â
He glares at me.
âWhy is that?â
âBecause youâre the one getting the lionâs share.â
He scoffs.
âWhat?â I say. âItâs the truthâ
âSomewhat,â he says, leaning forward. âTo be more exact, I control the lionâs share. Most of my value is tied up in my companies. If I didn't own at least fifty percent of each company I would cease to be the one in control.â
âSo why not give it up?â
âBecause without my control they would fail.â
âSays who?â
âSays me.â
His eyes bore into mine and I look away, a little frightened by his intensity.
âSo, youâre doing it for charity?â
He laughs. âI wouldnât say that exactly.â
âBut thatâs what you just said. You said the companies would fail without you. But still, you could sell them off anytime, so why donât you? Sounds like charity to me.â
He thinks it over. âBecause itâs not rational to allow that many people to suffer when I have the power to stop it from happening.â
I canât help but smile.
âWhat? What is it?â
âNothing.â
He leans forward. âTell me.â
I roll my eyes. âI donât think youâre being rational.â
âThen what am I being?â
âEmotional.â
He shakes his head.
âI never make decisions based on emotion. I prefer to be able to anticipate every outcome.â
âAs if thatâs even possible.â
âMaybe not,â he says. âStill, I believe caution and prevention are the foundations of rational judgement.â
âWho did you steal that line from? Dale Carnegie?â
His eyes soften with humor. âYou know more than you let on.â
I fold my arms. âYeah, and you care more than you let on.â
He shakes his head and looks down. âI gave up caring a long time ago.â
I stop and stare at him. His response is more personal than I expected.
âWhat about you?â he says.
âMe?â
âYes. Tell me about yourself.â
Crap. What the heck am I supposed to say?
âUmâŚI donât know. Let me think.â
âThink away.â
âWell, for starters, I lost my job today.â Heat spreads across my face as I recall my outburst in front of the crowd. âBut I guess I already told you that earlier.â
I search his face for signs that heâs about to mock me for the embarrassing scene I made, but I find none. Only mild curiosity lingers in his eyes.
âWhere did you work?â he says cooly.
âKarenâs Krafts, down on Main Street.â
âI think Iâve seen it.â
âThey put me on indefinite leave.â I make air quotes around âindefinite leaveâ.
He nods his head. âThey must be struggling.â
âThey are.â
âSo, what did you do there?â
Why does he want to know all this? Thereâs no way itâs boring him less than itâs boring me.
âHmmâŚâ I say, trying to think of something interesting. âI mostly just stood behind the front desk waiting for customers to pay.â I shrug. âSometimes Iâd help stock the shelves.â
Ugh. It sounds so lame now that Iâve said it out loud.
âThatâs it?â He says, narrowing his eyes at me.
âUm⌠sort of. I mean, I was a cashier.â I sift through my memory for something else to say. âBut sometimes I would clean the toilets, too.â
His lips curl into an amused smile. âThat sounds veryâŚinteresting.â
Crap. He definitely thinks Iâm an idiot. Why did I say that? I blush and lower my head. âIt was a job, I guess.â
âWell, from what you just told me I wouldnât be too upset about losing it.â
My face flushes with anger. âIt may not sound like much to you, but it was all I had.â
He gives me a surprised look. âI didnât mean it like that, I just meant I think you can do better.â He pauses to rub his index finger across his lower lip. âIâm sorry. I know how hard it is out there right now.â
âHow do you know?â
âThat itâs hard?â
âThat I can do better.â
He shrugs. âIt was just a guess.â
âBased on what?â
âWhat Iâve seen so far.â
âI thought this wasnât an interview.â
âItâs not.â His voice is hard.
I cross my legs and fold my arms over my chest. âWhatever.â
I donât know why Iâm acting like this, but something about this man has gotten under my skin.
âWeâll be nearing your place soon, Ana,â he says. Thereâs an edge to his voice again. âWhatâs the building?â
âBroadway Building, Elon,â I say, echoing his tone. âBut you can drop me off here if youâre eager to get rid of me.â
His brow turns into a hard V and Iâm tempted to poke my tongue out at him. Whatâs gotten into me?
The landscape around us darkens. âThis is a bad part of town,â he says flatly.
I nod against the window. âI always know Iâm getting close to home because I begin to feel anxious.â
âI know the owner-slash-landlord,â he says. âOr, I suppose the more proper term would be slum lord.â
I laugh despite myself.
âTotally.â
âTotally?â
I roll my eyes. âWhatever.â
His face lights up a little as his eyes narrow in thought. âFor some reason all I can remember of him was his ass crack.â
I burst out laughing so hard I almost pee my pants.
He smiles at me.
âI canât believe you just said that,â I choke out. âMy roommate and I christened him Lord Buttcrack once we learned he was a piece of shit.â
He laughs out loud for the first time, and the melodious sound fills my chest.
The driver looks back at us and smiles.
When our laughter finally dies down, I look up and catch him staring at me with a far off look.
I look myself over and check my face in the glass. âWhatâs the matter? Is there something on my face?â
âNo, itâs justâŚâ he says, considering whether or not to continue.
âWhat?â I say, anxious for his answer.
âYou remind me so much of someone I once knew.â
Oh really?
âWho?â
He turns away from me, suddenly serious.
âNever mind. Forget I said it.â
The mood in the car darkens.
âWill you be fine if I drop you off here?â he says. The edge in his voice has returned.
I look around. I usually avoid walking in this part of town if I can. I glance back at Elon but heâs still turned away, as if Iâm already gone.
âHereâs fine.â
He commands the driver to stop.
âYouâre sure?â the driver says, looking back at us.
Elon nods, his face twisted in what I can only assume is disgust.
I open the door and right as Iâm about to step out, a beer bottle crashes against the nearby pavement.
What the?!
I slink back into the car as a middle-aged drunk woman takes a swing at a scruffy-looking old man.
âYou motherfucker!â The woman roars. âHow you gonna pay the rent! How we gonna eat!â
Elon reaches across me and slams the door shut.
âDrive!â
The SUV lurches forward.
I peer over and see him pinching his brow with his fingers. âThat was a close one,â I say, forcing a lightness into my tone.
âToo close,â he whispers, not looking up.
A distance seems to have formed between us that I donât understand.
I sift through my mind for something to say.
âIâm really sorry for everything. The mob, your clothesâŚexposing you to the virus. Itâs all my fault.â
âAs I said before, itâs not your fault. People are stupid, dangerous, panicky animals.â
I stare at him, taken back by his harsh judgement.
The vehicle comes to a stop in front of my apartment and I notice a homeless man is trying to defecate on the sidewalk.
âGross,â I whisper, turning away.
âHow long have you lived here?â He says, his face contorted in disgust.
Something comes over me, a medley of shame and anger, and all at once I have the overwhelming urge to leave the vehicle.
I try to open the door, but itâs locked.
He shakes his head at the driver, and grabs my elbow to stop me. His hand feels good against my skin, but my emotions take hold and I shrug it off.
He sighs and leans back in his seat. âYouâre sure you want to go?â
Whatâs he getting at? A minute ago he was asking me to leave.
âIâm sure. Now can you please unlock this door?â
Once again, he shakes his head at the driver.
Whatâs he doing?
He pulls out a platinum business card holder, flips it open, removes a card, then flips it back shut. He offers the card to me. âIn case you need me for anything.â
I shake my head. âYouâve already helped more than enough. Thank you for the ride and the money⌠I really mean it, thank you.â
He narrows his eyes.
The driver opens my door, taking me by surprise. âMaâam.â
I look up and thank him, then clamber out of the car with as much grace as I can scrap together.
âOh! I almost forgot my pââ
I spin around and see my purse dangling from Elonâs outstretched hand.
âThanks,â I say, shifting the strap onto my shoulder.
âYouâre welcome.â
Something like a grin tugs at the corner of his mouth.
Whatâs that all about?
Before I can say anything, the driver gently shuts the door. âWould you like me to escort you to your door?â His face is serious, but genial.
âNo. But thank you, um⌠I seem to have forgotten your name.â
âCalloway, maâam.â
âOh yes. Now I remember. Thank you, Calloway.â
âNo problem-o.â
I turn on my heel and hop over the pile of excrement the homeless man left on the sidewalk.
âWatch your step!â Calloway says, laughing a little. âIâd kick it out of your way, but itâs still fresh.â
âIâm fine,â I say as I hop up the steps to the front door of my building, totally grossed out.
Good God. How humiliating.
As Iâm about to put my key in the slot, I hear Elonâs voice behind me.
âAna!â I turn around and see his beautiful face framed in the window. âBe safe,â he says.
âYou too.â I take a breath. ââŚElon.â
The moment lingers as we stare into each otherâs eyes, and I can swear something passes between us again. I canât explain why, but I feel an inexplicable urge to run back to the car. Does he feel it, too?
He turns his head forward as the tint seals shut.
And then, just like that, the car pulls away.
A Final Note from the Author
Thank you so much for taking the time to read my story! I hope youâve enjoyed it so far! If you would like to read the rest of Part 1 through to Chapter 14, the story is currently available on Amazon under the title âFifty Shades of Coronaâ by N.O. Shame. However, if you are willing to wait, Iâll be posting a new chapter every week!
Much Love,
N.O. Shame
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I'm a slut for anything Destiny right now, so uhhhhh maybe something involving that? (On another note, boo for pushing back BL to November, yay for having more time to work on it)
Lol, same, friend! XD
So, like. Much as I love other Destiny AUs Iâve blathered on about before, what do you say about a Battle Buddies in the Destiny universe?
Like, say.
These two idiots working for Clovis Bray during the Golden Age, right? Troubleshooters or just a pair of mercenaries that somehow ended up on the Clovis Bray payroll.
Or maybe they start off as regular security operatives who earn a reputation for being particularly clever and resourceful. Ruthless, some might say, in protecting Clovis Brayâs interests.
They catch the eye of some higher up, get reassigned to a special division in security which happen to be troubleshooters and the like?
Operatives given more leeway/authority than the usual Clovis Bray security operative and itâs actually good for a while, right?
Certainly good enough from them to to from coworkers to that guy they see almost every day and have a few things in common with to actual friends. And that, okay, in the world of fanfic is a slippery slope to Mutual Pining.
And such tropes as being snowed in at a tiny, wonderfully cozy cabin once they get a fired started and realize sharing body heat is the only solution to not freezing to death anyway?
Also sharing a bed while on a trip somewhere and a mixup/convenient other reason there would only be a room with a single bed available for them.
Not to mention the quiet revelation that the other one knows exactly how they take their coffee (whatever diet soda equivalent exists in the universe at that time for Ryan), or what their favorite food is (and second, third and so on in case substitution is necessary). Know what their favorite color is and cats vs dogs.
(A hotly debated topic between them, one that Jeremy declares could be a friendship killer because dogs, Ryan, really? With their borking and happy little faces and utter joy at seeing their human?
Pls.
Meanwhile, Ryan with this little smirk to his voice as he needles Jeremy over the little herd of stray cats he swears arenât actually his and yet are all fixed and chipped and yowl their little heads off the moment they catch wind/sight of Jeremy and anyway, dogs are clearly better because Ryan says so, therefore itâs true, Jeremy.
(Neither of them realize if they were animals - omg, were-creatures in Destiny universe???? :O - Jeremy is obvs a bork-bork doggo and Ryan a snooty mcsnoot (sekritly soft touch because srsly) kitten-cat and just, tangent I know, but omg.)
Also, though?
Also.
It means all these little things that add up to oh, no, Iâm absolutely fucked over this asshole/idiot, because they are and now that they know they canât stop seeing it, you know?
Jeremyâs :D when he sees Ryan at work and Ryanâs own >:D when he sees Jeremy because up to no good, the both of them? And smaller, quieter things they didnât really think about and oh man, what now???
But then, also!
The two of them with their special division in Clovis Brayâs security branch...deal...thing where they ends up working with the shadier side of things?
Mostly play security on off-world projects or labs that pop up when new discoveries are made and said discovery canât be moved/hasnât been moved to a more secure facility and such.
Security there just as much to protect the discovery/artifact/device than keep the scientists/staff/executives visiting the site safe and so on. (Occasional Adventures because business rivals and shady practices and Drama.)
Itâs all good for a while, lets them stew in their Mutual Pining phase and just as theyâre about to maybe, maaaaybe do something about it Trouble!!1! happens.
Both of them are at the âI need to talk to you about this...thing,â stage of things and thinking oh, no, he knows I have the FEELINGS for him and the :O!!1! of what could mean for their ~friendship and so on?
But then Ryan gets called to the Clovis Bray facility on Mars in Meridian Bay while Jeremy stays behind, which isnât unheard of for them?
But itâs rare when the company separates them. know theyâre far more effective as a team and so on, but the call comes from the top and they canât just say no, so Ryan goes.
Has a Bad Feeling and Jeremy knows him well enough to pick up on it, but pretends he doesnât, that everythingâs fine even though thereâs been more chatter on restricted frequencies - Clovis Bray and otherwise - for a few days now, something big going down thatâs effecting everyone.
This growing concern/panic leaders are trying to keep under wraps while they figure out how to handle it and so on.
And, look, theyâve been in the business long enough to know to trust Bad Feelings and suchlike? But Jeremyâs all :D because Ryanâs so worked up and heâs trying to reassure him theyâll be fine, you know? Damn good at their jobs and nothingâs managed to kill them yet.
(Yet being the keyword there, Jeremy, as Ryan keeps telling him when Jeremyâs a few drinks in on a slow night and theyâre just enjoying one anotherâs company and sharing stories and yeah.)
Anyway.
Ryan heads to Mars and Jeremy sticks behind and somewhere in between that the Collapse happens, because of course it does.
Just a big olâ kaboom-level disaster in which they both end up super, duper dead?
But then they get better.
Kind of?
Because, look.
Ryan gets all kinds of fucked up during the kaboom-level disaster and heâs in a Clovis Bray facility and thereâs the whole...Exo thing, right?
Hand-wavy shenanigans all over the place in which heâs Exo-fied just before everything goes to hell (really goes to hell) and he comes online or whatever they call it just in time to die again.
(Doesnât remember the first one, because fleshy human body all fucked up and coding on the table and uh, wow, yes. Also Ryan and his Thing for androids in Sky Factory 4 and also just robots and the like in general, so yeah?)
Anyway.
Ryan dies (again) during the collapse in a shiny Exo body and no time at all to address that, which.
Perfect?
Perfect.
Years go by as the sands of Mars start to bury human cities and whatnot, and along comes a Ghost.
Ryanâs Ghost, to be matter of fact.
Little bastardâs been looking for its Guardian for a long, long time by the time it gets to Mars, seen a lot.
And for whatever reason when itâs poking about this half-buried Clovis Bray facility and stumbles on this shiny new (not so much) Exo decides ah, yes, this one is the one Iâve been looking for all this time.
Ryan gets resurrected on Mars, wakes up choking on dust and sand (or maybe itâs just his mind telling him thatâs whatâs happening, because Exo? who knows) and this goddamn floating ball of metal and light and sass in front of him.
The Clovis Bray facility is a disaster and the Cabal havenât found it yet (yet) but theyâre going to any day and anyway, anyway, not a good idea to stick around a dead place like that.
His Ghost brought him back a few years after the Collapse, Dark Ages days still, before things like Iron Lords or fancy classes like Titans or Warlocks or Hunters.
Is something of a cross between a Titan and a Warlock in temperament and abilities and understandably a little leery of his little Ghost buddy? Like what even is it/he?
But also, also?
Ryan remembers, okay.
For whatever reasons, he remembers.
Wakes up in a Clovis Bray facility - was there meeting with some higher-ups about concerns they had about some incoming trouble and reluctant to pull both of them from their assignment.
Figured Ryan could speak for them both, and then kaboom, the Collapse and his Exo-fication which he really, really should not remember? But hard to deny the proof and such, and maybe his Ghost is able to pull some information from the computers around them
(And the what the actual fuck and I did not agree to that when I signed my contract and what the fucking fuck and so on of dealing with that on top of everything else and itâs just. Itâs a lot to process.)
He remembers his previous life, although there are some gaps and the whatnot - maybe thatâs what happens when you die and some sassy floating orb resurrects you, Ryan doesnât have a frame of reference for these things okay - and from what his Ghost is saying people shouldnât do that?
Especially with the Exo-fication process and anyway, anyway, yes.
So he keeps quiet about it for the moment, all this oh shit, and fuck, Jeremy and that in the back of his mind and initial wariness of his Ghost and what thatâs all about.
Finds a way to get them back to wherever he and Jeremy were assigned - grab a jumpship from the Clovis Bray facility and leave Mars and itâs dead cities behind headed towards Earth because where else would they go?
But also maybe there are others like Ryan and while theyâre out here might as well check to see if there are? Bring any survivors and such back with them if they can.
All they find are cities in ruin and the dead, though.
Worse, places where the dead should be, but arenât.
Because spooky.
But also Bad Things, not all of which are due to the other races the Darkness introduced to humanity, because you know, humanity at its worst and so on.
Still, it gives Ryan the chance to learn about his new body, and his Light-given abilities, to trust them, and weirdly enough bond with his Ghost.
Gives the poor thing a name like Reggie or some other terrible thing that has it sighing and all that at him as humans are just super weird about stuff like that?
But at the same time itâs a name, something more than just Ghost. Which. Not an insult? But still, a name.
When they get to where Ryan and Jeremy were stationed heâs not really expecting to find Jeremy after everything else theyâve seen along the way. Odds stacked against them from the start and all that, and heâs not surprised to find the facility torn open and broken down.
Finds bodies here and there, doesnât want to look closer but he canât not at the same time.
Recognizes a few of them, scientists and staff and some security operatives he and Jeremy worked with.
Reggie clearly knows Ryanâs lying about not remembering anything, but chooses not to call him on it at the time.
Not when thereâs this...rawness to him as he explores the place he lived and worked in who knows how many years go. Finds the bodies and other remnants of a life (long past, ended violently in the Collapse along with those of everyone else there.
Listens to messages people left before, during, and after the Collapse.
Usual day-to-day things, work logs or personal journals that tick over into calls to supervisors over unusual readings and the like? And then towards the end and staticky and all that, warnings to whoever stumbles across the facility.
Breached containment and toxic chemical ruptures and all that that had to be locked down.
(The handful of people on the other side of it, either too slow or too goddamned brave, sacrificing themselves for the others even though they knew it wouldnât matter much in the end, and doing it anyway)
Sightings of unknown creatures - beings? Roaming the area outside the facility while its security measures were still active, what remaining security operatives going to confront them and not returning, or dragging themselves back to safety just to die with some cryptic words on what theyâd seen out there.
Final words of survivors doomed to die either by whatever was on the other side of the fences and security measures once they inevitably failed or some other cause. (Exposure to toxins/radiation or other fun things. Starvation, etc. No need to worry about old age or natural causes because yeah no, not in the cards for them.)
That cheerful kind of stuff, you know?
Ryan and his Ghost digging into the computers they could and watching footage, watching people he knew a lifetime ago dying.
Watching Jeremy taking charge of things, having to order people to their deaths in the days after the Collapse whether it be to containment breaches or enemies at their gates and so on.
A few logs and personal videos Jeremy left, ones that Ryan makes copies of for himself - Reggie makes copies of everything they find, but Jeremyâs are just for Ryan, you know?
All of what they find may be useful one day, important, but Jeremyâs are just for Ryan. (Reggie safeguards those like you wouldnât believe because theyâre obviously important to Ryan.)
One of Jeremyâs videos are of him in the cramped quarters he and Ryan had to share, half a wall missing and all that because of course.
More rubble than room at that point, and yet itâs where he decided to record that video message.
All quiet and sad and hopeless because no rescue is coming for them, and look, okay, look.
He knows Ryan has to be dead by that point, otherwise his Battle Buddy would have come for him and the others, Clovis Bray be damned.
And Jeremyâs not quite looking at the camera as he just.
Confesses?
Tells Ryan - this one video is for Ryan even though Jeremyâs certain heâd never see it now, but he canât not and heâll probably be dead before long anyway, so fuck it, right?
So Jeremy tells Ryan all about the Mutual Pining he was doing leading up to the Collapse, right? All the reasons he fell head over heels for his idiot Battle Buddy and fear of fucking things up between them not knowing if Ryan felt the same and just.
A lot of FEELS going on there?
And then he talks about the Bad Feeling of Ryanâs and the call for him to go to Mars while Jeremy stayed behind.
Tells him he knew something was off, wrong, that something big was coming and goddamn does he hate being right about that kind of thing?
And then, okay.
Thereâs this tired little laugh, and Jeremy looking right into the camera.
Looks tired, worn down. Like he hasnât slept in days (hadnât, most likely) and lost too much weight and right on the edge of breaking.
Tells Ryan with this tired little laugh and tired little smile that he loves him, and heâs sorry he wasnât brave enough to tell him when he had the chance and all these other heartbreaking things before ending the video.
(Delicious Angst.)
Ryan canât find any other videos or anything from Jeremy after that, but there are references to the last of the security operatives patrolling the facility and running into opposition. Mentions of them not returning, of the other survivors being on their own and -
Ryan and Reggie go looking, because of course they do.
Find bodies, human and otherwise, but thereâs a goddamn hole blown into the side of the facility. Fucking crater that opens up into an underground cavern and no safe way down.
Which, fine.
Ryan jumps, and Reggie brings him back.
Again and again and again until they reach the bottom, and then itâs this endless network or caves and tunnels and they could spend a lifetime looking, but enemies - Fallen? - and too many for one lone Light-bearer and their Ghost and he hates it, hates it, but they canât stay.
Get back to Earth and kick around there for some time, all the while Ryan working on a way to get back to the facility to find Jeremy and lay him to rest or whateverâs going on in his head.
Runs across this shady bastard who (of course) turns out to be the Drifter and they become...not friends so much as acquaintances and all that? Donât really trust one another, but theyâre not enemies either.
The Iron Lords happen, Ryan and Reggie keeping an eye on things because you never know, and then the thing with SIVA happens and everything after that.
Hop around the system (venture a little beyond it for a time before coming back) and are like.
Bemused at these Guardians they find running around?
Like.
Yeah, okay, interesting, but he and Reggie were there for the Iron Lords and surely itâs only a matter of time until the Guardians go the same way?
But...they donât?
They even build themselves this City under the Traveler and seem to thrive. Guard (heh,) the remnants of humanity that take shelter in the Travelerâs presence and all that.
Watches them branch out, sees the formation of the Vanguard and the Consensus and all that.
And they donât go unnoticed either, this weird Light-bearer Exo and his Ghost that have been around for a long, long time.
Are considered allies to the Vanguard and Tower and all that? But not to be trusted at the same time.
Not enemies, just.
Need to be taken with a grain of salt, and also for the love of all thatâs holy, do not let them around baby Guardians because theyâre kind of terrible?
But yes.
Ryanâs around for all the shenanigans in the first Destiny, but doesnât get involved himself because heâs no Guardian, you see.
Does, however, do things like message the Vanguard when thereâs unusual activity among the Fallen or whichever race is hellbent on wiping humanity out that time.
Tips off Ikoraâs hidden that somethingâs going on in the Plaguelands when the Fallen get into SIVA and so on, checks in on Lord Saladin to see how heâs doing, that kind of thing.
And then the Cabal come to Earth and Ryanâs at the edge of the system at the time, but he definitely feels it when the Cabal manage to lock away the Travelerâs Light.
He and Reggie make their way back to Earth because what the hell is going on?
And they get there just in time for some asshole to kick Ghaulâs ass and the Traveler awakening and all that?
And itâs like, well, shit, because things are going to be in disarray for a while, arenât they?
Usually that means the Vanguard reaching out to him and those like him to help where Guardians canât.
Stealth and shady shit and other things the Vanguard seems to turn their noses up at because not exactly Noble, the things people like Ryan get up to, but still needed.
Anyway, off he goes, coordinating with Ikoraâs Hidden and all that and heâs all over the place for a while.
Goes back to the Tower and happens to catch a glimpse of someone in armor and is like !!!
Itâs the Tower, and all the Guardians wandering around in armor is far from unusual?
BUT.
This asshole is sporting some hideous shader that somehow manages to combine purple and orange with yellow trim and itâs this whiplash moment of !!! for Ryan because!
Or fucking course Jeremy and his bullshit color scheme back when they were working for Clovis Bray, you know?
Shit-eating grin at Ryanâs :O face the first time he realized what a monstrous human being Jeremy was and delighting in it every moment afterwards.
And Ryan, right. Far from an expert on all the shaders out there, but heâs pretty sure Eva would never dare create such a thing as it would be akin to a crime against humanity, and yet.
Ryan sneaks about following the Guardian - a goddamned Titan because of course it is - and maybe gets a little sloppy about it.
Because FEELS and also being a little out of his mind over the coincidence?
Anyway, anyway, he ends up getting cornered in a little alley somewhere down in The City. No one else around for blocks and an understandably peeved Guardian facing him down.
âHey, pal,â he hears, seemingly friendly enough but thereâs an edge to the words all the same. âThere a reason youâve been following me for the last few hours?â
The Guardianâs got their helmet on, because of course, but thereâs -
Ryan knows that voice.
(Of fucking course he does.)
Stares and stares and stares because oh, okay, this has to be it, you know? Heâs been alive for a few hundred years by this point, and sooner or later heâd lose it, because of course he would, right?
Exo-fied without consent and tossed into the life of a Light-bearer - again, without consent although heâs more okay with Reggieâs actions than the scientists at Clovis Bray who Exo-fied him - and made sense heâd go mad at some point.
Because no way in hell is that Jeremy heâs looking at. No damned way.
AND YET.
It totally is Jeremy, although he goes by Rimmy Tim now (lololol, Iâm so, so sorry) and doesnât remember his previous life at all and oh, God his poor Ghost is sporting a shell in the same hideous purple/orange shader and why did it have to be this way?
But also seriously, Ryan being blue screen of death over the whole Jeremy is a goddamned Guardian now???
Apparently resurrected following the Red War and new to the whole Guardian deal.
Ryan tries to stay away because heâs got all these issues to sort out and doesnât want to scare Jeremy away/make him hate him/who even knows what heâs thinking at that point?
But it doesnât stick because Jeremyâs alive.
Doesnât know Ryan or the fact they were this close to figuring their shit out before the world ended around them and things got seriously fucked up.
Thinks Ryanâs some weird shady dude along the lines of the Drifter and all that? Which, to be fair, he is?
BUT.
Zavala and Ikora trust him, and Cayde did too.
Ryan keeps tabs on Jeremy the whole time because like hell is he not going to do that?
But he tries his best to keep his distance for Jeremyâs sake and all?
And then thereâs a Situation the Vanguard need him to look into, and would he like help with this one?
And Ryan, okay.
Ryan.
Does his damndest to be good about this, not drag Jeremy into things, but Zavalaâs a clever bastard.
Has noticed Ryanâs obvious - to Zavala and Ikora, and even Caydeâs amusement/understanding before he died - interest in Jeremy.
And weirdly, conveniently, Jeremy knocks on the door to Zavalaâs office while Ryanâs in there talking to him about this Situation.
âUh, am I interrupting?â
And Zavala gives Ryan this little smirk.
âRimmy Tim is a promising young Titan,â he says. âClever. Resourceful. I think he would prove to be a great asset in this endeavor.â
And Jeremy, okay.
Keen on helping the Vanguard with things like this Situation, and heâll admit to being curious about weird, shady Ryan and how he fits into things, and anyway.
Ryan doesnât have much choice in the matter about it all, and before you know it the two of them are out investigating weird shit together.
Ryan barely keeping his shit together the whole time because Jeremy is so fucking Jeremy even though he doesnât remember anything about his previous life.
Reggie is like, super concerned and doesnât sass Ryan more than a couple of times a day due to said concern.
Jeremyâs Ghost is like, dude, what the hell? While Reggie is ÂŻ\_(ă)_/ÂŻ because hahaha, Light-bearers are just weird as hell, right?
Their investigations take them back to Mars and the same Clovis Bray facility where Ryan was Exo-fied and itâs.
Jeremy doesnât know whatâs up with Ryan and Reggie, but once Ryan quietly mentions that oh, hey, yeah. This is where they turned me into this *gestures at himself with this weird hollow/bitter laugh because yes* and then he died, and also Reggie found him years later and so on?
And Jeremyâs like shit, dude, and also, oh, okay thinking thatâs why theyâre being super weird?
But then they find records and some video of human!Ryan way back before and Jeremyâs fucking riveted, okay.
Human!Ryan talking to one of his bosses about an assignment theyâre going to send these Battle Buddies off on - Jeremy looking over at Ryan when he flinches or something along those lines and thinks, oh, man, poor guy, because apparently Ryan had a partner way back when?
Someone the Clovis Bray bigwig talks about with this amused/fond look on their face like the two of them were inseparable and all that? Force to be reckoned with and all that.
And!
Of course thatâs when the bigwigâs office door opens to let the other half of the Battle Buddies in.
âWhat the fuck?â
Because, hey, wow, would you look at that? Thatâs fucking Jeremy sauntering on in with a little grin on his face and all that, tossing human!Ryan a look before giving the Clovis Bray bigwig a nod and no, seriously, what the fuck.
This whole Thing where Ryan stiffly (because dealing with all these EMOTIONS about Jeremy and terrified heâd - rightly so - want nothing to do with Ryan because of the everything) tells him that yeah, so.
They totally knew one another way back when? Worked together and so on and all this and just.
Yeah.
Jeremyâs Ghost manages to salvage more videos of the two of them - sparring in Clovis Bray gym facilities and the whatnot and training/demonstrating/whatever for security operatives?
Ryan leaves him to it while he and Reggie go poking about the rest of the place pretty much expecting Jeremy to tell them he wants nothing to do with them once theyâre done with whatever the Vanguard has them doing?
But no, okay, no.
First of all, Jeremyâs super weirded out, but heâs not mad? OR he doesnât think he is???
Itâs complicated.
What he does know is that he and his Ghost like Ryan and Reggie, are starting to think of them as friends, even.
And then, okay, and then?
Thereâs also the fact that with a different perspective Jeremy can totally fucking see how fucking head over heels he and Ryan were for one another?
The way they look at one another, okay, that alone.
Canât tell if they were an official? Thing and it feels cruel to ask Ryan, considering Jeremy doesnât remember him? So he doesnât.
Just.
Decides heâd like to get to know Ryan now, see what happens and all that?
Ryanâs like ??? because he was not expecting that? Is a little reluctant because what if itâs a mistake? He still loves the shit out of Jeremy, pre-Collapse and now, but maybe thatâs not whatâs best for Jeremy?
Tries to tell him that, but Jeremyâs not having it.
Like, will honestly leave Ryan alone if he genuinely wants him to considering their past and the emotional roller coaster Ryanâs been on since pretty much forever?
But if itâs all the same to Ryan Jeremy would like to keep working with him?
And they do, because Ryan thinks heâs too much a selfish bastard to tell Jeremy no, and Jeremy kind of feels the same?
They deal with the Situation together (Battle Buddies, fuck yeah) and when they report back to Zavala heâs all HMM at them, but doesnât comment on things and it just.
Becomes this understood Thing that Ryan and Jeremy are a team now, going all over the place to deal with things Ikoraâs Hidden sniff out or some âfriendâ of Ryanâs want them to look into.
Ryan quietly Suffering because Jeremyâs still so very Jeremy and yet a completely different person. Jeremy falling for Ryan because of course he does, and Ryan keenly aware of it at some point.
(Stopped lying to himself about things like that a long time ago, or maybe heâs too tired to lie to himself about them now, who knows.)
Looks at Jeremy one night, the two of them camped out in a shell of a building and just.
Sighs.
Takes out the batch of recordings and videos Jeremy left behind at the end and gives them to Jeremy because...he doesnât know why, really.
Just thinks itâs important he sees them for himself before he says something he might regret. (Does something he might regret, idk.)
And then off Ryan goes to keep watch or patrol the area or whatever and conveniently not be there while Jeremy watches his past self confessing his love to Ryan like that was a mistake he never got to make in person or something?
It makes no goddamned sense, and Jeremyâs a bit of an emotional mess by the end of it because jfc, he past him was a complete idiot, and both Ryans are too?
Past Ryan just for being a dense idiot the same as past Jeremy, present Ryan because heâs been carrying those recordings along with him for ages, and the whole Guilt about not finding Jeremyâs body to lay him to rest way back when.
The Guilt about knowing who Jeremy was when he met him again and not telling him (that makes Jeremy a little angry because dude, seriously?), and yet again more Guilt for not telling him about the Mutual Pining?
And just.
He yells at Ryan a hell of a lot when he tracks him down, finds him on a rooftop staring up at the stars while Reggie watches over him.
Realizes Ryanâs looking towards the sector of space where he and Ryan were stationed when the Collapse happened, that the idiot probably made a habit of doing so after Jeremy died because Delicious Angst?
He yells, but thereâs no real heat to it because Jeremyâs a wreck, and also he gets it?
Doesnât know Ryan super well, just yet, but enough to see why heâd do/think some of the things he has.
Feels...not guilty, exactly, but something in that he doesnât remember Ryan or the lives they had before all...this, but.
Theyâve got a second chance, and maybe, maybe they could do something with it?
Not saying they have to, necessarily, but.
Uh.
They do make a good team, and all that, and -
Ryanâs just looking at Jeremy like he doesnât know what to say (itâs true) and kind of like he thinks he may be dreaming this (heâs not) and Jeremyâs afraid heâs saying all the wrong things?
But then.
Itâs like
That could be a thing they could do, become Battle Buddies 2.0 and let Zavala know he only has himself to blame for it, so of course they do, you know?
Go off and Adventure about, causing Zavala headache after headache and getting these little smiles out of Ikora and such.
And one day maybe they get their shit together and finally freaking do something about all the FEELINGS the have for one another.
Get it right this time, with the love confessions and smooches - or like, whatever it is Exos do in that regard?
But yes.
Also they run into the rest of the AH bunch at some point, a few of which are some of Ryanâs shady friends, because of course they are. >:D
(ALSO, omg, yessss? I was like aw, man, not again Bungie :((((((((((((((( even though I totally understand the reasons for the delay? Like. I want the shinies of new content and omg, EXO STRANGER :DDDDDDDDDDDDDDDD right now? But also omg, yes Bunige, please take the time you need. XD)
#ragehappy#jeremwood#battle buddies#battle buddies destiny au#prompt fills#demoncowedgar#ÂŻ\_(ă)_/ÂŻ#(shit#sorry about the posting fail everyone!) also#long post
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Consider this my magnum opus of why I love Booster Gold and why you should read these comics, but also: how Michael Carter and his family are connected to time travel. Itâs kind of a hot mess because I run through a bunch of comics, but hopefully this makes sense!
Michael Carter, alias Booster Gold, is the first new hero introduced after Crisis on Infinite Earths. Booster is from the 25th century, where he was a college football player who got caught betting on his games and expelled, eventually becoming a janitor in a museum.
(Booster Gold (2007) #1)
At this museum, he befriends a security robot called Skeets. Eventually, Booster decides that he wants the adoration superheroes had in the 20th/21st century, and with future technology, he would be able to join up in the past. So Booster steals a Time Sphere, a suit, and a Legion of Superheroes flight ring. (Wait, the legion is from the 30th century, right? Yes. There are reasons this ring is in the past, and thatâs mostly because Booster was always meant to become a superhero.) In the past, Booster establishes himself as a superhero, with a manager and number of sponsors. Heâs about making money. This doesnât necessarily make him a lot of friends. But he joins the Justice League International, makes friends with some heroes (including Ted Kord, the second Blue Beetle), and has a standard fare for a non-central character.
So flash forward to Countdown to Infinite Crisis. For those of you who havenât read this one: This is a lead-in to the OMAC Project, and later, to Infinite Crisis, where Ted Kord notices a number of things that donât add up. Unfortunately, Ted is not the most respected hero in the community, and no one quite takes him seriously. Wonder Woman says sheâs busy but to keep her updated, and Oracle is trying to get him to pay more attention to other matters.
(Countdown to Infinite Crisis)
So Ted seeks out his best friend Booster to help. Booster, after some initial reluctance, joins up. Thereâs some noticeable moments where Booster hints that he knows some things about the future (particularly, that Ted is going to die, and the Scarab means that the new Blue Beetle, Jaime Reyes, is about to take over): Booster keeps staring at the newly found Scarab. He asks Ted when he found it. Ted, in his narration, hints that Booster knew Doomsday would kill Superman, and he still took the first punch.
(Countdown to Infinite Crisis)
All of this parallels what happens next: Booster shoos Ted away from the computer and takes over. Booster gets hit by an explosion meant for Ted.
(Countdown to Infinite Crisis)
Consider: Later implications of time travel suggest that some small things can be changed, but the big things canât. If Booster knew what was going to happen, did Booster only postpone Tedâs death?
With that, Ted does die at the end of this story, and a part of The OMAC Project is Wonder Woman and Booster investigating Tedâs death. But as much as I love Ted, weâre mostly talking about Booster and time travel today. So moving on!
In Infinite Crisis, Booster is the one who fetches Jaime Reyes. After returning to the 25th century to access historical records, he tracks down Jaime via the scarab. (Of course, this is another example of a potential change: Booster says he may be saving millions or billions of lives, but this is unsubstantiated.)
(Infinite Crisis #2)
(Infinite Crisis #5)
So this brings us to 52, the fallout of Infinite Crisis. Booster Goldâs plot, while not obviously central in its introduction, plays a major role in bringing back the multiverse to the Post-Crisis continuity. Booster Gold, in the wake of the loss of his best friend Ted Kord, has sold-out again.
(52 #1)
With the help of Skeets, heâs returned to his origins. He wants to be a hero and make bank. Supermanâs not around, so who else could Metropolis turn to?
Booster is on the outs though. First, with the heroes: Ralph Dibny blames him for not realizing his wife Sue was going to be murdered. Beatriz de Costa (Fire) shames him for how heâs acting after Tedâs death.
(52 #7)
(52 #4)
Pay attention to that notepad. Booster writes the names of Rip Hunter and his fellow Time Masters, as well S.T.A.R. Labs Time Travel Division. Everyone but Rip Hunter is crossed out. Ripâs name is circled, but heâs noted as âunlisted?????â
Because heâs noticed a number of events that donât line up with the history Booster and Skeets remember, Booster goes to visit Rip Hunter in his Time Lab in Arizona. Skeets has to hold the door open because of the lock, so Booster goes in by himself...
(52 #6)
...and sees this... (Feel free to read whatâs on the chalkboard. A lot of it hints to happenings in both 52 and the One Year Later event, as well as other stories. It can be fun to make connections.)
(52 #6)
...and this. Yikes.
We soon find out that Booster hired an actor to fake an incident on a subway. Why? Well... that answerâs not so clear. But considering the rest of the story, itâs likely Booster wanted to discredit himself.
(52 #7)
Unfortunately for Booster, this ruins his reputation with the public, and heâs soon replaced by a new, more humble hero: Supernova.
(52 #10)
And the public adores Supernova. Meanwhile, Boosterâs sponsors pull out as his reputation goes down the drain.
Booster gets one last moment in the limelight, when he pushes too hard trying to upstage Supernova, and he dies... though heâs recognized as a hero for his tragic sacrifice.
((Hold on if you havenât read 52. Youâre going to find this one funny.))
(52 #15)
So... Booster is dead. Ha. What next? Well, Skeets seeks out Boosterâs ancestor, Daniel Carter, for help to get back into the Time Lab. After all, Booster didnât give Skeets the details.
(52 #19)
Daniel lets Skeets see into the Time Lab, where Skeets finally sees the same things Booster saw.
(52 #19)
Whoops! The real problem is Skeets. A little more menacing now, isnât it? So Skeets abandons Daniel in the Time Lab, where heâs sucked into a vortex thatâs part of Ripâs security measures. Meanwhile, Skeets is free to handle his evil plan. Whatever that is.
Back to Metropolis: Supernova is still out there, doing good. Heâs also grabbing items that seem a little... eclectic.Â
(52 #20)
And everyone is theorizing about whoâs really under the mask. Cassie Sandsmark thinks itâs Kon-El. Lex Luthor thinks itâs Superman. Ralph Dibny puts the pieces together...
(52 #31)
But Supernova asks him not to say it out loud.
Later, we see that Supernova is actually working for Rip Hunter. Everything heâs gathered has been for Rip, who, as you can see, is really going through it. (Sad they never followed up on why Rip Hunter was affected like this, but I have my own thoughts that I might say later.)
(52 #36)
Where are they working anyway? In the jarred city of Kandor! Of course, Skeets canât find them here, can he?
(52 #36)
Whoops. Spoke too soon.
(52 #37)
But who is Supernova? That burning question weâve had for all these issues?
Itâs... Michael Carter! Booster Gold!
(52 #37)
So, as Rip asks, Booster tells him. Booster knew something was off with Skeets. At the Time Lab, he almost asked him. But Rip Hunter arrived and recruited him for the long con. Rip needed Booster to gather materials, but they couldnât alert Skeets. However, using a suit Rip rigged, Booster could be in two places at once: through time travel. After faking his death (using his real corpse from the future), Booster was sent back in time twelve weeks to complete Supernovaâs actions.
Now Rip, Booster, and Skeets are engaged in a battle that, uh... is not continued until Week 50 on panel. If you count this as continued. I just love this panel.
(52 #50)
Actually, Skeets follows Rip and Booster to a lab where T.O. Morrow has searched the Red Toradoâs brain to find out the truth of the 52 that heâs been repeating throughout the series.
(52 #51)
Of course, itâs not actually Skeets. The real Skeets was used as a chrysalis for Mister Mind... who has become a horrifying moth hellbent on eating the new multiverse.
(52 #51)
Rip drags Booster out, back to the Time Sphere, where they travel back to the beginning.
(52 #52)
After the events of Infinite Crisis, the multiverse was recreated. 52 identical Earths came into existence, and the same struggle has been taking place on all of them. These Earths are slowly aligning, and for some reason, Rip can see this, but Booster canât. (Hold tight: Letâs keep in mind, for some reason, Rip was totally non-linear earlier. Weâll come back to this.)
(52 #52)
Rip intends to save all of the Earths, as they slowly settle into the new multiverse, with help from Supernova! ...This time, Daniel Carter, the Carter family ancestor that Skeets/Mister Mind used earlier.
(52 #52)
Bad news is that Mister Mind is still bent on eating a universe. As he eats parts of the various Earths, he changes their history, which leads to each Earth being unique.
(52 #52)
Booster has doubts about their ability to face something this big, but Skeets, now broken from Mister Mind, cheers him on... Booster heads back to the one place he knows to get the right power source, and Rip hints about Boosterâs âglory daysâ soon to come. So now we know thereâs a connection between Booster and Rip.
(52 #52)
But where is Booster going to get that power source?
(52 #52)
The immediate aftermath of the first crisis, where he talks a little with very young Ted Kord. (Sad.) Now we have to wonder how Booster knows to go back here? How much about time travel does Booster know yet?
Anyway, together, Rip, Booster, and Daniel succeed in defeating Mister Mind, and the multiverse is restored. Rip is very optimistic!
(52 #52)
So... letâs cut to Booster Goldâs second solo. Notice the title of his first story is â52 Pick-Up.â Booster, after saving the multiverse, wants nothing more than to be a hero again. He wants to join the Justice League again! Unfortunately, heâs recruited by Rip Hunter once again, who makes it clear that Boosterâs destiny lies in time travel instead. And the world needs to think Booster is an idiot.
(Booster Gold (2007) #1)
Notice how Rip mentions his father? Weâre finally getting somewhere.
Meanwhile, the other weird Time Stuff, thatâs going on. Back at Rip Hunterâs Lab, Rip has written a number of interesting things on his chalkboard again.
Notice how Rip notes 1939 (the year Detective Comics was first published), 1985 (Crisis on Infinite Earths), and 2006 (Infinite Crisis). This shows how the crises actually affect time in the DC universe. Rip is, of course, aware of it. Is Booster too? How else would he know about the first crisis?
What is the connection between Rip and Booster anyway? Why does Rip care so much about Booster? Well...
(Booster Gold (2007) #1000000)
Thatâs right! Booster is actually Rip Hunterâs dad! So a lot of stuff weâve been over must make more sense now.
But seriously, the Carter family is heavily involved in time travel, and the way it interacts with them is interesting. Weâve already seen how Rip isnât linear when the timestream is disrupted... but what about the other members? How does this all affect Booster?
Honestly, Iâm not sure. And I just ran out of energy for this post. If you want to know more, send an ask! And read the comics. You will not regret it.
#megan liveblogs comics#well not exactly but this is pretty close ig#if i can make ONE person want to know more about booster and the carter family my job is done#i just spent hours on this mess and now i'm about to cry bc it's so bad i'm sorry
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