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#now i understand how swifties feel
untimelyambition · 6 months
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i can’t believe fall out boy played 33 songs this show thats. an abnormal amount of songs i know they were EXHAUSTED
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vogelmeister · 5 months
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anyways i am feeling kinda brave today so im gonna share a potentially unpopular taylor swift hot take. when i was talking to my friend yesterday about ttpd i realised that i kinda have a similar problem with the anthology as i do with evermore.
like don't get me wrong, both have absolute gems (willow, tolerate it, long story short, gold rush and NBNC from evermore are great and i love the albatross, so high school, the prophecy black dog, manuscript etc) but i think both collections (bc anthology is not an album) suffer because they came out connected to a much superior more cohesive work, and both almost feel like rejects from the body of work that proceeded it.
#actually like i said to my beloved mutual “thanK you aIMee” kinda feels like she woke up one day and went “fuck you kim actually”#which i can kinda relate to in a way bc the amount of times i randomly go “fuck you”#but my mutual said if there were more songs about being screwed over by people that could be a storyline. but theres not. its just there#like its a great song but also i kinda went “we are covering this ground again”#if there were new developments in the relationship i could kinda understand it#like how she wrote innocent and then backtracked that with rep bc things happened#but idk the anthology just feels like scraps she deemed good enough for release but in my opinion needed editing#the stupid ass 1830s lyric highlights this bc i get what shes trying to say but she worded it so badly#that i kinda see why its being clowned on#also imgonnagetyouback... yehahahahah liv did it better. now it feels like a done concept. im shocked she included it#she knew it was coming come on#anyways the anthology while good kinda felt unfinished#she should have given it a few more months and polished it#bc holy hell at least folkmore felt polished#even though evermore is cohesively weaker#my friend who is a folkmore swiftie kinda also feels like this fyi so dont come at me screaming “burn 1989 rep midnights stan!”#burn me idc#and while im at it both are in my bottom three only right above debut#tldr: both collections are tied to another work thats just so much better and cohesive#this is just me saying i cant get into anthology hahaha#and i felt weird bc everyone liked it but when my friend a literal folklore girl said “no im not feeling it” i felt better#bc so many people were saying it was better and those swifties were going 'all of us' and i kinda went... no i prefer standard#i love taylor sm and i love og ttpd its currently no 5 but the anthology has issues and one of them is similar to why i rank evermore lowl#i just went off on a tangent about the issues with the anthology and its songwriting and lack of narrative#i will say so i win you all over i loved the evermore set at eras i thought it was so beautifully done#taylor swift#ttpd: anthology#evermore
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squigglebug · 1 year
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I know I'm a few days late but I still can't believe that fall out boy played ginasfs and I WASN'T THERE 😭😭😭
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neil-gaiman · 3 months
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I apologize in advance, but I have been listening to the Good Omens audio book with my daughter. She enjoys it quite a bit, but of course she has questions and I do my best to answer them as objectively as I can.
She was having a hard time understanding why everything in the Bentley turned into Queen even if Crowley did not seem to even like listening to Queen. I eventually compared the Bentley playing Queen to the radio nowadays constantly playing Taylor Swift. I tried to explain that it was joke about Queen being overplayed and how if the book had been written today the Bentley may have very well been playing Taylor Swift much to Crowley’s chagrin.
I failed to understand how insulting to a 7 year old it is to even entertain Taylor Swift being a joke and Crowley being anything less than personally responsible for the Eras Tour.
(In her mind) The Bentley clearly has access to the radio so they HAVE to know Taylor Swift exists. How could Queen songs ever be good enough that the Bentley wouldn’t just immediately drop them for Bad Blood and Wildest Dreams?
While the mental image of the Bentley and Crowley chasing Taylor around the world with the rest of swifties is hilarious, the discussion of Queen vs Taylor Swift has reached a point where I can no longer remain objective or sane. I told her I would try asking someone who might actually know the answers to her inquiries.
So kind sir, do you happen to know how the Bentley-and I supposed by extension, Crowley- feel about Taylor Swift, her music, and her recent siege of the music industry?
(She’s also asked if Crowley ever took the Bentley to drive in theaters so they could see movies too.)
I very much hope the Bentley in the book would love Taylor Swift as much as it once loved Queen. Alas, there are no drive in movie theaters in the UK -- or if there are now, there weren't when the book was written. But if there were I'm sure he would have done.
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jetii · 14 days
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i loveeeeeee ur writing. its like a masterpiece. mwah. i was wondering if you could do an angsty fic with the prompt "I loved you!" with any clone boy you want (maybe crosshair 👀) I was listening to Cardigan by taylor swift and it lowkey set the mood.
sorry if the request is very vague cause i never watched bad batch yet im a huge simp 🥲 so do whatever you want.
I know you got like a tonnnn on your plate and i lowkey feel bad requesting but you write really good so take ur time to take care of yourself.
hiiiii anon. if you are who i think you are, then you'll have already been watching TBB by now, but if you're not, what are you doing!! /affectionate
after listening to the song (i have a sister who is a swiftie but alas i am not) and thinking harder about your prompt, i was inspired to write this for Echo, so i hope that's okay!
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The Way Back
Pairing: Echo x fem!Reader
Words: 9,621
Tags/Warnings: angst with a happy ending, hurt/comfort, established relationship, dramatic reunion, reader is a lawyer, Tech is a good brother, Echo needs a hug, allusion to panic attacks/alcoholism/depression
Summary: Echo always knew you were it for him, but the idea of seeing you again after so much has changed is more than he can take. Until one day he finds himself outside of your apartment, and the choice is made for him.
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Echo doesn’t leave the ship when it docks on Coruscant.
His eyes are locked on the city-planet, lit up like a giant firefly, watching the endless stream of ships coming in and out. Their trails of light make the whole thing seem dreamlike, surreal. Even that feels like too much, reminds him too much of the view from your apartment, and he tries to close his eyes, but his eyelids are made of glass.
The first time he saw Coruscant, there had been a moment of... what, awe? Terror? Something. Something big, anyway. He didn't understand then that you can have a feeling be a lot of things. He'd looked down on the galaxy's center of power and felt something bigger than he could possibly contain. Now, sitting alone on the Marauder with only the whirr of the vents for company, he thinks maybe the feeling was dread.
The first time they came back here after Echo joined the Batch, the others didn’t notice his unease. Or at least they didn't mention it. It was an adjustment period for everyone, Echo most of all, and his brothers gave him space to do things on his own terms, even when it meant he did nothing at all.
This time, it's different. He can tell they've noticed how he's been acting, and they're not just leaving him alone anymore. He can tell, because they're giving him looks. The kind of looks that ask questions he doesn't have answers for. They make excuses to stick close by, like they're afraid he might take off or that he's going to break down and have another panic attack. It makes him want to hide even more.
He's not going to, though. It's not so bad. Coruscant has always been a source of good memories for Echo, despite what happened. The sights, the sounds, the tastes — they're all still the same. He'd spent a long time on Coruscant before the Citadel happened, and he'd gotten used to it, the way the air smells, the feel of the rain against his skin. He had a whole life here. He was happy.
It's not so bad. He just... doesn't feel like going out, is all.
He knows he’s being stupid. He knows that he should be out there, enjoying what little downtime they’re afforded. Instead, he's on the ship, trying not to stare out the windows, trying to pretend that he isn't bothered by the thought of leaving, of the possibility of running into you again, however small that may be.
The worst part is that he's not sure why.
It's not that he doesn't want to see you. On the contrary, he does. More than anything. He hasn't stopped thinking about you, wondering if you're okay, if you’re happy, if you've thought of him. He's kept his ears open, and has managed to overhear a few stories here and there about you. The most recent had been about you winning a case for a group of Houk refugees who had been seeking asylum in the city, a big deal for a young lawyer to handle.
It had made him smile, a real, genuine smile, the kind he rarely got to have.
But there's something about seeing you again, about you seeing him that makes him hesitate, makes his stomach turn over and his throat tighten. Maybe it's because he doesn't want to know for certain, doesn't want to see that you're happy, that you've moved on, that you're doing well without him.
Maybe it's because he doesn't trust himself. He's different now, he knows that. He's different, and so are you. He doesn't know if he can face you, doesn't know if he'll be able to handle whatever is waiting for him. 
When he woke up in Rex’s arms and realized the galaxy had kept moving without him, he hadn’t thought much of it, solely focused on survival, on the fact that he was alive at all. He hadn't cared about what he'd missed, who he'd left behind. He hadn't known how much time had passed, and the thought that he was a dead man hadn't even crossed his mind. He hadn't thought about you, hadn't given himself the time or space to consider the consequences. You'd been the furthest thing from his mind. He'd had to keep fighting, to keep living. But once he had the time to think about it, to regret, well, it was...
It's different.
There's no other word for it. Everything is different.
Echo has had time, too much time, to think about you, to regret losing you. It's kept him up late into the night cycle, lying in bed, staring up at the ceiling, unable to sleep, thoughts running a mile a minute.
You'd been a good person, a better one than he could ever hope to be, and he had loved you, and then he had died.
Or, he had thought he'd died. Turns out he hadn't. That had been the only mercy.
You'd been the first and only person in his entire life to see him as something other than a soldier, and he'd loved you for it. You'd seen him, really seen him, and you hadn't run. He had been terrified by that, but it had also been the best feeling in the world. And he had taken advantage of it. He had let you in, he had let himself fall in love, and then he had died.
It's different, now. He's different. The galaxy's moved on, and he's a ghost, and he's scared. He doesn't know how to face you, doesn't know if he can. So when they’d made it out of Skako Minor and Rex had asked if he wanted to comm you, he’d said no. And he's been saying no every time since.
A small voice inside his head, one that sounds a lot like Fives, tells him that's bullshit.
His brother would have called him out on his cowardice, and Echo thinks that's a fair assessment. But even though he misses you and wants nothing more than to hear your voice, it's better this way. It's better if you don't see him like this, if you never find out the truth. The thought of you seeing him, of you seeing what's left of the man you knew, is too much. He can't do that to you.
It's better if you never see him again. It's better if you have closure, if you've moved on and don't think about him anymore.
You deserve more. You deserve someone who hasn't lost as much as he has, someone who you won't have to worry about, someone who will be there for you.
Someone who can give you the life you want.
Echo knows he can't do that. And maybe if he says that enough times, he'll finally believe it.
“Why are you still here?”
The sound of Tech’s voice snaps him out of his thoughts. He turns and finds his brother watching him from the doorway, an expression of vague curiosity on his face, a soldering iron twirling absently in his hand.
Echo shrugs.
Tech gives a short, impatient huff.
"That is not an answer," he says, crossing his arms and looking pointedly at Echo.
"I was just..." He trails off. Just what? Just looking out the window and moping? He sighs. "Nevermind."
Tech steps into the cockpit, looking unconvinced. Echo can tell he has a question on the tip of his tongue, can see him considering his options. Tech is not the most tactful person in the galaxy, and Echo isn't really in the mood to hear his thoughts, not when they're bound to be blunt. But instead of asking, his brother simply takes his seat beside him and begins tinkering with the dashboard, checking the systems.
The two of them are quiet for a moment, the only sound the clinking of the tools. Then Tech pauses and looks at Echo. 
Echo fidgets under his brother's gaze. "What?"
Tech doesn't respond right away, taking a second to look Echo over. His eyes flicker around the cockpit, as if the gauges and switchboards will give him some kind of clue, before coming back to his brother.
"There is nothing wrong with the ship," he says.
"Okay," Echo says, confused. "So?"
"So," Tech continues, "there is no reason for you to be here. We are scheduled to remain docked until 600 hours, and you have the day off. You could be anywhere."
Echo rolls his eyes, a prickle of annoyance flaring in his chest. "Yeah, well, I'm here, aren't I?"
"Yes, you are," Tech agrees. There's a moment where he considers something, and then he speaks again, "If I may offer a suggestion?"
"Go for it," Echo grumbles, not bothering to look at him.
"Go for a walk."
"A walk?"
"Yes. Physical activity is proven to improve mood and mental health. And you could do with the fresh air."
Echo frowns. "What's that supposed to mean?"
"It means," Tech says, not even pausing in his work, "that you've been spending an inordinate amount of time locked away in here."
"I'm not locked away," Echo protests.
"No, I suppose not. But you have not been yourself since we arrived."
Echo doesn't have an answer for that.
"Go for a walk," Tech repeats, and this time he does stop and turn to Echo. He leans back in his chair and removes his goggles, letting them rest on his forehead, and the intensity in his gaze makes Echo squirm a bit.
"Where?"
Tech gestures towards the open space in front of them, the sprawling metropolis. "There are a number of options available, I'm sure. There are parks, shopping districts, museums, restaurants..." He ticks the ideas off on his fingers one by one, and then points back to Echo. "Perhaps you should find out for yourself."
Echo snorts. "Thanks, but no thanks."
"Why not?"
"Because I don't want to," he says, the words coming out more defensively than he intended. "I'd rather just stay here."
"Yes, I can see that," Tech says dryly, and Echo gets the distinct impression that his brother is making fun of him.
He scowls.
Tech is undeterred. "But I don't think that is what you actually want to do."
Echo's mouth opens to argue, but then closes it just as quickly. He's not sure what to say, not sure if he wants to say anything. Tech isn't wrong. He doesn't really want to stay on the ship, not truly. The idea of getting out and going somewhere is tempting, and if he's being honest with himself, the last thing he wants to do is sit here, stewing in his thoughts alone. Or worse, with Tech.
And he does need to stretch his legs.
He looks out the window again, taking in the sight of the planet before him. He's not sure what's going to happen once they get the signal for the next job, if they'll ever be back. He might never have this opportunity again.
He takes a breath.
"Fine," he says, throwing his hands up in the air. "You win."
Tech's lips twitch, a barely contained smile. "As I usually do."
Echo shakes his head, a grin playing on his lips. He starts to make his way towards the door, and stops beside his brother.
"Thanks," he says, placing a hand on Tech's shoulder.
"You are welcome," Tech nods. “Try to be back by 0600 hours. If you are late, we will leave without you.
Echo snorts. "I wouldn't expect anything less."
He leaves Tech there and heads to the ramp. His steps slow as he reaches the bottom, but he forces himself forward, out into the bright sunlight and fresh air.
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Echo spends the next few hours wandering around Coruscant, letting his feet guide him.
He goes wherever the crowds take him, stopping at whatever catches his interest. It's nice, being able to let his mind go blank and not have to worry about where he's going. He doesn't have to think about anything, doesn't have to consider the consequences, or the risks.
He just exists.
And it feels good.
When he eventually decides to turn back, he's a bit surprised at how far he's come. He hadn't intended to venture so deep into the city, had just wanted a walk to clear his head. But the area he's found himself in is one he recognizes.
Your apartment is nearby.
Echo can feel his pulse start to quicken, his palm begins to sweat, and he stops in the middle of the walkway.
The sun has begun to set, and the crowds are thinning. You’ll be on your way home from work soon, if you weren’t already. His brain helpfully supplies the route you would take, and his eyes flit up towards the skyline. He can't see your building, but he knows it's there, not far away.
The knowledge sits heavy in his chest.
No, he tells himself, shaking his head. I shouldn't.
He has no way of knowing if you're even home. For all he knows, you could be busy, out with friends or maybe on a date.
Don't, his mind warns him. She's moved on. You shouldn't.
He hasn't been to your apartment since the morning he left. The memory is a sharp one, a jagged knife cutting through the fog of his past. He remembers the way your bed had felt, the warmth of your body, the sound of your breathing as you slept tucked against him.
It had been so peaceful.
It had been so easy to leave.
His mind starts to replay those moments, the goodbye you had given him, and it's like a punch to the gut. He knows how much you care about him, knows that if you were to see him again, that wouldn't have changed. You wouldn't turn him away.
The night before, you talked for hours. Your conversation had been punctuated with kisses and caresses, laughter and confessions. You told him how much you wanted him to stay, how much you wished he didn't have to leave, how much you wished things could be different. You talked about what the future might hold for the two of you, and he remembers how that felt, how it made him believe, even for just a moment, that things would work out.
They didn't, of course.
But Echo is still here, and so are you, and he can't help but think that maybe, just maybe, the galaxy might be giving him a second chance.
He takes a deep breath.
There's no harm in taking a detour, he thinks.
He walks, following the familiar path, trying not to think too hard about what he's doing.
It doesn't take him long to reach the building. He hesitates in front of it, looking up at the facade. It looks just as it did the last time he was here. Same lobby, same doorman, same lift. They haven’t even fixed the panel that's been sticking, and it takes a good deal of force for him to press the button for your floor.
The doors close, and he stares at his reflection, at the dark circles under his eyes, the scruff that has accumulated on his cheeks and chin, the lines that have appeared at the corners of his eyes and across his forehead. And then his gaze wanders to the ports and implants, the reminder of what was taken from him and what he was left with. He traces the outline of one with his thumb, remembering how he used to be.
He looks tired.
What are you doing? He asks himself.
He's not sure what he's expecting, doesn't have a plan for what will happen. All he knows is that he can't get the image of you out of his head. He imagines you coming home from work, and him being there, waiting. Would you be surprised? Happy? What would you say? What would he say?
Echo sighs.
He's an idiot.
The lift dings, and the doors slide open.
Your apartment is halfway down the hall, and Echo's stomach clenches with each step he takes. He reaches it and stands outside for a minute, running his fingers over the metal door, staring at the numbers painted on the surface.
It's just a door, he tells himself. Nothing special. Just a door.
His hand moves on its own, hovering over the bell. He waits, listens. There's no sound coming from inside, no music, no voices. Maybe you're not home yet.
Or maybe you're out. Maybe you're not alone.
He rings the bell and holds his breath, counting the seconds.
One. Two. Three. Four.
Nothing.
Echo rings again, this time holding the button down for a few extra seconds, listening for any sign of movement.
There's nothing.
The knot in his stomach tightens, and he releases the button, letting out the breath he'd been holding. He runs a hand over his face, feeling the heat of his skin through his glove. He's sweating.
Well, that's it, then.
He'd thought he was prepared for this possibility, but hearing the silence behind the door and knowing that you aren't home has shaken him more than he anticipated.
Maybe this is for the best, he thinks. It's better this way. Safer.
But the disappointment is palpable.
He's not sure what to do. He considers waiting a little longer, just to make sure, but the more he thinks about it, the more stupid it seems. He doesn't belong here anymore. He shouldn't be here, standing outside your door, hoping for something that won't happen.
He needs to go.
As Echo turns away from the door, a voice calls out behind him.
"Can I help you?"
For half a second, he's sure he imagined it, sure that it's just his brain playing tricks on him, taunting him. But then the voice speaks again.
"Are you looking for someone?"
Echo spins around, heart leaping into his throat, and there you are.
Standing there, a few paces away, is the woman he's been dreaming about, the one he's thought about every day, the one he's missed so much that it hurts.
Your hair is different, longer than he's ever seen it, pulled away from your face. You're wearing a dress, something he's only seen a handful of times, and your makeup is impeccable, but he can still see the hint of tiredness behind your eyes. He wonders how many hours you've put in at work this week, how much you've had to fight for your clients.
But the most noticeable change is that you're looking at him. Your datapad is held loosely in your hands, a bag of groceries on your hip, and you’re staring at him, your brow furrowed in confusion.
He doesn’t blame you.
This is a strange situation, and you must be wondering who the hell is standing in front of you, why they rang your bell and then walked away.
"Um," Echo says, suddenly aware that he hasn't spoken. He clears his throat, trying to gather his wits. He didn't think this through. "Hi."
You blink, clearly not expecting that response.
"Hi," you reply, warily.
Echo tries to say something, but the words won't come.
He's frozen in place, staring at you, unable to do anything except take in your appearance, drinking in the sight of you. He didn't realize how much he needed to see you until now, and the relief he feels is overwhelming.
"Do I..." You trail off, studying him carefully. "Do I know you?"
He feels his heart break, just a little.
You don't recognize him. Of course, you wouldn't. It's been so long, and he's not the same man you knew. His face is one of thousands, identical and interchangeable. He doesn't even look like a clone anymore, not really. He's more machine than man, now, and he has no idea how he expected you to see him.
"Yeah," he manages to say, his voice hoarse. "Yeah, you do."
You raise your eyebrows, waiting. When he doesn't say anything else, you take a step towards him, squinting a little. He can feel the tension in his body, can sense your scrutiny. It's not comfortable, but it's not unpleasant, either.
"Sorry," you say, sounding frustrated, "I can't quite —"
You stop, your eyes widening, and Echo can see the exact moment it clicks.
"Oh," you gasp, covering your mouth with a shaking hand. The motion makes the paper bag of groceries on your arm start to slip, and Echo rushes forward to catch it, placing it on the floor by your feet. He stands up, and he can feel your eyes on him, can see the tears beginning to well up, can hear your breathing quicken.
He waits.
"Echo?" Your voice is soft, tentative, like you're not sure if he's real or not. Like he's some kind of ghost. He's not sure that's not what he is.
"Hey, cyar'ika," he says. His voice cracks, and he clears his throat again.
A small, incredulous laugh escapes you.
"Hi," you breathe. You cover your mouth again, trying to stifle the sob that rises from your chest. "I —" 
You let out a shaky breath, and then another, and then all of a sudden, you're crying, tears streaming down your face. Your hands come up to wipe them away, but more keep falling, and Echo is overwhelmed with the desire to hold you, to take away the pain and the sadness, to make everything right. But he doesn't know if he's allowed, doesn't know if it would be welcome. So instead, he just stands there, helpless.
"I'm sorry," you hiccup, wiping your face with the back of your hand. "I can't believe it's you."
He smiles at that, his own eyes burning. "It's me," he confirms. "I'm here."
You're shaking your head, your eyes never leaving his face, as if you're afraid that he might disappear if you look away. He doesn't blame you, and he does his best to stay as still as possible. The last thing he wants is to scare you, or make you think he's going to leave. Not when he just got here.
"I thought..." You start, and then trail off.
"I know."
You swallow hard, taking a moment to compose yourself. "I thought you were dead."
Echo winces. He's heard those words from a lot of people, but coming from you, they hurt. "Yeah, I, uh... I thought so, too, for a while."
He sees the look of horror that crosses your face, the way your eyes grow wet again, and he wishes he hadn't said it.
"How... How long have you been back?" you ask. Your voice is quiet, strained, and Echo can hear the question underneath, the one you're afraid to ask. The one that makes his stomach twist into knots.
"Not long," he answers, trying to keep his tone even, light. "Only a couple months, really."
"Months?" you repeat, incredulous. "You've been back for months?"
Echo shifts uncomfortably and nods. "Yeah."
You stare at him, your mouth opening and closing as you search for words. "And... And you didn't comm me?"
"I, uh... No."
You let out a sharp exhale and turn away, bringing your hands to your face, and he can see that you're starting to shake again. You're silent for a moment, and he can feel his heart pounding, can feel the blood rushing in his ears. His stomach churns, and he feels like he's going to be sick.
"Why?" Your voice is tight, controlled. It's the same voice you use when you're working, the one you use to keep yourself calm, to keep yourself from getting angry.
"I just... I wasn't..." Echo trails off, not sure what to say. I wasn't sure if I was coming back? That's true, but not the whole truth. I wasn't sure you'd want to see me? Also true, but also not the full answer. I wasn't sure I was worth it? Yeah, that's the one.
But he can't say it.
He doesn't know if it's fear or guilt or shame, but whatever it is, it keeps the words stuck in his throat. You're waiting for an answer, and he's not sure he has one.
"Echo," you say, your voice a warning. You turn to face him again, and he can see the hurt and frustration in your eyes. He wants to hold you, wants to apologize, wants to take it all back. But he doesn't move. He can't.
"Why?" you repeat, more forcefully this time.
"I didn't want to bother you," he says. It's the best answer he can come up with, and the worst part is that it's also true. At least, that's what he tells himself.
But the moment the words leave his mouth, he knows it's the wrong thing to say. You stiffen, and then your jaw tightens. He can tell that you're barely holding it together, and he wants to say something, to explain, but he doesn't get the chance.
"You didn't want to bother me," you repeat, and Echo can hear the anger in your voice, can feel the sting of it. "I'm sorry, did I not make it clear how much I care about you?"
"No, you did," Echo says, backtracking, trying to placate you. "You did, I promise."
"Then please explain how you thought keeping me in the dark about the fact that the man I love was still alive and well was not a bother."
The word "love" hits him like a punch to the gut.
You love him. You still love him. You're still here, and you're still loving him, even after everything. He doesn't understand, doesn't know why. Doesn't know how. But he doesn't have time to think about it, not with the way you're looking at him, the hurt and confusion clear on your face.
"That's not what I meant," he says, his voice low, pleading. "It's not that. I promise."
You let out a shaky sigh, crossing your arms over your chest. "What's the difference, then?"
Echo opens his mouth, and then closes it again, not knowing what to say.
"I mourned you," you say. Your voice is soft, almost a whisper, but it sounds loud in the silence between the two of you. "I loved you, and I mourned you, and I was doing okay, and then you just show up, and act like it's no big deal, like I didn't spend weeks, months waiting for you to come back, hoping you'd come back, and..."
Your voice cracks, and a fresh wave of tears begins to roll down your cheeks. Echo reaches out to brush them away, and you flinch. The motion stings, but he doesn't say anything, doesn't push it. He lets his hand drop to his side.
"I'm sorry," he says. "I didn't... I didn't mean to hurt you."
"Yeah, well, you did," you say, sniffling.
The words hit him harder than he expects, and he feels his throat tighten.
"I didn't know what to say," he admits, his voice breaking. "I didn't know what to do."
"Why not?" you ask, and your anger has softened, turning into something else. "Did I do something wrong?"
"No!" Echo says quickly. "Of course not. You were perfect. You were... You were amazing."
You look at him, and there's a vulnerability in your eyes that makes him want to gather you in his arms and never let go. He thinks maybe he should. But before he can, you speak.
"So what happened?" you ask. Your voice is quiet, but Echo can hear the desperation, the need for an answer. "Where were you? Why didn't you come back?"
“I—“ Echo looks around, suddenly aware of the hallway and the closed doors surrounding him, closing in on him. The space is too small, the walls are too close, the air is too thick. He feels trapped, like the world is closing in around him, and he takes a step back.
"Can we... Can we not do this out here?" he asks, trying not to let his voice betray his panic.
You study him for a moment, considering. He doesn't blame you. After all, he'd shown up out of the blue, and you had every right to be suspicious. You're still crying, but there's a steeliness in your gaze, and he can tell you're weighing your options, deciding if he's worth it or not. His heart hammers against his ribs as he waits, praying that you'll give him a chance.
Finally, you let out a sigh and nod.
"Yeah," you say, "sure."
You bend down to pick up the groceries, and Echo rushes forward, scooping them up before you can. You look at him, surprised.
"Let me help," he says. "Please."
You hesitate, and Echo can see the worry on your face, but then you nod, fumbling for the keypad. The lock clicks open, and you push the door open, motioning for him to go ahead.
He steps inside, and the familiar scent of your apartment hits him hard. He hadn't realized how much he'd missed it, how much he'd come to associate it with safety and comfort. It makes his chest ache, and he takes a moment to steady himself, willing the tears to stop.
Your apartment is the same, and yet so different.
It's still cozy, but there's a coldness to the air, a lack of warmth. The curtains are closed, and the room is dark, the only light coming from the dim bulb above the stove in the kitchen. There are dishes stacked in the sink, and a few pieces of dirty laundry have been discarded on the couch. The floor is littered with shoes and other miscellaneous items, as if someone came home and kicked everything off their feet, leaving it all in a pile. Echo’s brow furrows at the mess, and he wonders when you started to let the place get this way.
"I'm sorry," you say, sounding embarrassed. You take the bag of groceries from him, your cheeks flushed. "I wasn't expecting company."
"Don't worry about it," he assures you.
"Here, let me..." You trail off, disappearing down the hall, and a moment later, he hears a door slam shut.
Echo stands there, unsure of what to do. His gaze wanders around the room, taking everything in, trying to find something to occupy himself with. It feels like years since he's been here, and the sensation is both comforting and strange. He remembers the nights he spent curled up next to you on the couch, the quiet mornings in the kitchen, the lazy afternoons spent in bed.
He shakes his head, trying to focus on the present.
You're back now, and he needs to concentrate.
He takes a seat at the kitchen table, drumming his fingers against the wood.
It's quiet, but Echo can hear you moving around, and he wonders if you're trying to clean up, trying to make the place a little more presentable. He doesn't care about any of that. He cares about you.
And he doesn't know what to say.
He runs his hand over his face, pressing the heel of his palm into his eye, trying to think. He's rehearsed this moment in his head, has imagined all the different ways it could go.
And now that it's actually happening, he can't remember a single one.
He's such an idiot.
The minutes pass, and you finally return. He hears you enter the room, the soft sound of your footsteps, but he can't bring himself to look up. Not yet.
"Echo," you say, and he can hear the hesitation in your voice. "What happened?"
"I don't know where to start," he confesses, dropping his hand and glancing up at you.
You've changed into something more comfortable, a pair of sweatpants and your favorite sweater, and your face is scrubbed clean, makeup-free. It's nice to see you this way, a reminder of the times you shared together, and the sight makes him smile.
"Why are you smiling?"
"Nothing, it's just..." He pauses, his eyes wandering over you. "I forgot how you looked in sweatpants."
You roll your eyes, but there's a hint of amusement on your face. "Seriously? You're sitting here, after being missing for months, and you're making fun of my fashion choices?"
"I'm not making fun of you," he says, chuckling. The pressure in his chest eases slightly, and he takes a breath. "I just meant that I missed seeing you this way."
You let out a quiet, disbelieving laugh, and then shake your head.
"You're unbelievable," you mutter.
Echo smiles, and for a moment, he feels normal. As if the last year never happened, and this was just a day like any other. As if he'd just come home from a mission, and you'd greet him with a kiss, and everything would be fine.
But then you sigh, and the moment is over.
"Look, I get that this is... Well, I'm sure this isn't what you were expecting," you say. You move to sit across from him, leaning your elbows on the table and resting your chin in your hands. "But we can't keep pretending like nothing happened. You have to talk to me."
Echo stares at you, his eyes taking in the familiar lines of your face, the curve of your lips, the color of your eyes. They aren’t as bright as he remembered, not as full of life, and the realization breaks his heart. This isn't how it's supposed to be.
"Okay," he begins, clearing his throat. "So, uh, this is going to be a lot."
"That's okay," you say gently. You give him a reassuring nod, and Echo feels a swell of gratitude for you. "Just... Start at the beginning, and we'll go from there."
"Right, the beginning." Echo nods, trying to organize his thoughts, and then he starts to speak.
He tells you everything, from the moment the explosion happened, to the moment he woke up and found himself in Rex's arms, everything in between. He tells you about his injuries, the surgeries, the physical therapy. He tells you about his time with the Batch, his newfound abilities, the things he's been able to do, the things he's learned. He talks about the missions, the jobs, the danger they've faced, and the risks they've taken. He tells you about the planets, the people, the experiences. He tries to leave nothing out, even the hard parts. The loss, the pain, the fear. He doesn't want to spare you any of it.
You sit there and listen, asking questions when necessary, but mostly staying silent. And when he's done, he sits there, feeling a strange sense of relief. He hadn't realized how much he needed to talk about everything, how much he'd been holding in. And he hadn't realized how good it would feel to tell you. To have someone who cared, someone he trusted, who knew him better than anyone.
When the words run out, and the room is silent, you let out a long, slow exhale. You sit there, your hands folded together, your gaze fixed on the tabletop, and Echo waits, not sure what to expect. But the longer the silence drags on, the more worried he gets.
"Cyar'ika?" he asks, his voice hesitant.
You take a breath and look up at him, and Echo is startled to see that your eyes are glassy, and there are fresh tear tracks running down your cheeks.
"Sorry," you apologize, wiping at them with your sleeve. "I'm not — I just..."
You take another breath, and then let it out, composing yourself. "Thank you," you say. "For telling me. I know that can't have been easy."
"It wasn't," Echo admits, and his throat tightens a little. "But I'm glad I did."
You offer him a small smile, but it doesn’t reach your eyes. You look like you’re far away, lost in your own thoughts, and Echo has a feeling you're not fully present, not in the moment. And he doesn't blame you. His words can't have been easy to hear.
"Is there anything else you want to know?" he asks, trying to break the silence.
You glance at him, your eyes focusing, and then look away, your jaw clenching. Echo can see the emotion on your face, can tell that you're struggling to stay calm, to hold it together. You've always been good at that, he thinks.
"I just..." You pause, taking a shaky breath, and Echo can see the tears forming in your eyes again. "I just don't understand."
He frowns, confused. "What do you mean?"
You close your eyes, taking a moment to collect yourself. Then, you stand up and begin pacing around the kitchen, your hands clasped behind your back. You move slowly, deliberately, your gaze fixed on the floor, like you're trying to make sense of something, figure something out. 
Echo watches you, feeling uneasy. You're not giving anything away, and the silence is starting to get to him. He's never seen you in the courtroom, but he imagines this is the stance you take when you're interrogating a witness. 
It's effective.
"Can you say something, please?" he asks. He knows he sounds desperate, but he doesn't care.
"I'm thinking," you say, and Echo bites his lip.
He feels like he's going to crawl out of his skin. He wants to get up, to follow you around the room, try to coax a response out of you. He wants to make this better, to make this right. But he knows that pushing you won't help, so he stays seated, trying to keep his patience.
 You continue to pace, your expression blank, and the seconds tick by, the only sound the muffled noises of the city outside. It feels like an eternity has passed when you finally stop, standing in front of him, your arms crossed.
"I can't believe you thought I wouldn't want to see you," you say. Your voice is low, almost a whisper, and there's an edge to it that Echo doesn't recognize. It's not anger, not exactly. It's something else, something deeper.
"I know," he replies, his voice just as quiet.
"I thought you were dead," you say, the words coming out in a rush. "I grieved you. I mourned you. And then you show up, and you're... You're alive, and you're here, and you think the best thing to do is to leave me alone?"
"I didn't know what would happen," Echo explains, trying to keep his tone calm. "I wasn't sure if I was coming back, and I didn't want to —"
"No," you say sharply, cutting him off. "That's not an excuse. That's bullshit, and you know it."
Echo swallows, and nods, not sure what to say.
"We made promises," you continue, and Echo can hear the anger in your voice, can see the frustration on your face. "To each other. We talked about our future, we said things that... We made things that were real, and then you just decided it was too much, and you walked away. What the hell is that?"
"I'm sorry," Echo says around the lump forming in his throat. "I shouldn't have —"
"No," you interrupt, your eyes burning. "You shouldn't have."
Echo looks at you, and he feels like he's going to shatter. You’re staring at him with such intensity, and there's an anger in your gaze that he hasn't seen before. It's so different from the gentle look you usually give him, and it makes him ache.
"I didn't mean to hurt you," he says. "I swear, I didn't."
"Then why did you?" you ask, and there's a note of pleading in your voice. “I spent so long wondering, worrying, and you just... You didn't care."
"Of course I did," he argues. "It wasn't about that."
"Then what was it about, Echo?" you demand. "What was so important that you thought you couldn't tell me? That you couldn't comm me, or send a message, or do anything that would have let me know you were alive? That would have told me you were okay?"
"I didn't think —"
"What, that I'd care? That I'd worry? That I'd miss you? That I'd wonder where you were, and if you were okay, and what the hell happened to you?" you say, your voice rising.
Echo can feel the frustration building inside him, and he knows he shouldn't respond, knows that getting angry won't help, but the words tumble out before he can stop them. "I'm sorry," he snaps. "I wasn't exactly thinking clearly."
"That's not an excuse," you snap back, and Echo blinks, shocked. You're the most level-headed person he's ever met, and he's never heard you yell before.
"Yeah, well, it's the best one I've got," he says.
"Echo, I loved you," you say, and the past tense stings. "When Fives told me what happened to you, I —" Your voice catches, and the fight goes out of him. He can see the pain on your face, the hurt in your eyes, and he can't help but feel responsible. "I can't even describe it. It felt like my whole world was ending. And I don’t blame you for doing your duty, but I do blame you for not coming back to me."
"I know," he whispers. "I'm sorry. I really am."
You shake your head, turning away from him. "Why didn't you comm me?"
Echo hesitates. He doesn't want to admit his fears, his worries, the insecurities that have plagued him. He doesn't want to tell you how much he doubted, how much he doubted you. It feels too vulnerable, too raw. And it would only make you feel worse. But the longer the silence stretches, the more you deserve the truth. And he can't avoid it forever.
"I didn't think I was worth it," he says, his voice low. He can feel the heat in his cheeks, the sting of embarrassment. He can't look at you, doesn't want to see the pity, the disappointment, the anger. "I didn't think I was worth it."
You turn to face him, your expression softening.
"You were all I had left," he says. He feels exposed, and it's not a comfortable feeling, but he can't stop now. Not with the way you're looking at him. Not when he's so close to fixing this, to getting you back. "After everything that happened, I just... I couldn't bring myself to do it. I didn't think you'd want to see me."
"You really thought I'd just leave you?"
Echo can hear the hurt in your voice, and he's surprised at the sharpness of it. He expected to be met with some amount of anger, but he didn't expect it to cut so deep. He didn't think his insecurities would upset you so much. He's used to it, by now. After everything he's been through, the doubts and worries have become a constant, an almost comforting presence. But you were never supposed to know about them.
"It's not that," he says. "I know you wouldn't have left me. It's just... I didn't want to drag you down with me."
"That's stupid," you reply. There's no malice in your voice, but there's no sympathy, either. "What makes you think I couldn't handle it?"
"It's not about what you could handle," Echo says. "You didn't sign up for this. You didn't sign up for any of it."
"I signed up for you," you argue, and Echo is startled by the fierceness of your tone.
"And look at what that got you."
You fall silent, and Echo regrets the words the second they leave his mouth. He's always known he wasn't good enough for you, but it's different to actually say it out loud. It makes it real. And he's not sure he's ready for that. But you're looking at him like you can't believe he said it, and the disappointment in your eyes makes him feel even worse. 
Your eyes rove over him, taking in the scarring, the metal implants, the ports and wires, the armor. You look like you’re seeing him for the first time, and the disgust and fear he’d thought might appear are nowhere to be found, just a profound sense of sadness and resignation.
"Oh, Echo," you breathe. The words are quiet, but they feel like a slap, and he has to look away, not wanting to meet your gaze.
"I'm not the man you knew," he says. He sounds defeated, even to his own ears. His eyes are burning, and he has to fight to keep the tears from falling. He hates how weak he feels, how small, how vulnerable. "I can't be. I'm... I'm not him anymore."
"Yes, you are," you insist. You reach out and take his hand, squeezing gently, and the sensation makes him jump. He'd almost forgotten how warm you are, how soft. How safe. He wants to hold on, to pull you close, to never let go. "You're still the same man, the same Echo, I just..."
"What?" he asks, when you trail off. "You just what?"
You sigh, dropping his hand and running your fingers through your hair, tugging lightly. The familiar gesture makes him ache. "I don't know, Echo," you admit. "I'm... I'm sad. And I'm angry. But I'm mostly just... Confused."
"Confused about what?"
"I'm confused as to why you didn't come back to me," you say. "I'm confused as to why you thought I'd want anything else."
"I thought you deserved better," he says, the words sounding hollow, even to his own ears. "I thought you deserved someone who was whole, who could give you a normal life, who didn't have a hundred years of baggage and trauma to deal with. And I was terrified that you already had that."
"Had what?"
"A normal life," he answers. "Without me. And the more I thought about it, the more I convinced myself it was true."
"It's not," you say. Your voice is quiet, but firm, and Echo looks at you, searching for any trace of doubt, of hesitation, of insincerity. But all he finds is determination, and it makes his heart clench. The intensity in your gaze is too much, and he has to look away. His eyes trail over the walls, the ceiling, the floor, lingering on the groceries on the table, the dishes in the sink, the empty bottles of wine shoved into the trash, the pile of laundry on the couch. There’s a dent in the wall that wasn't there the last time he was here, and the carpet is worn. He wonders when that happened.
He feels a tug on his arm, and then you're reaching up to cup his face, your hands soft and warm. You turn his head to face you, your thumb stroking his cheek. The touch is gentle, comforting, and Echo can't stop the sigh that escapes him. It's been so long since someone touched him like this, and it's nice. It's more than nice. It's familiar. It's safe. It's home.
"I only wanted you," you whisper.
"Even after everything?" he asks. He doesn't mean to sound so incredulous, but he can't help it. He's spent so long convincing himself that you were better off without him, and now, hearing you say the opposite, hearing you say the words he'd only ever hoped for, the ones he'd tried to convince himself were true... It's a lot to take in.
"Even after everything," you affirm.
"You could have had anyone," he says. "Why me?"
"Because I love you," you answer, as if it's the simplest thing in the galaxy. As if it's the most obvious thing in the universe. "And I don't want anyone else."
"Cyar'ika..." His voice cracks, and the tears are falling freely now. You wipe them away, and the touch makes his chest ache.
"I've never stopped loving you, Echo," you say. Your voice is barely audible, but Echo hears it. And it's the best sound he's ever heard. "And I don't plan on stopping now."
"I'm sorry," he says. "I'm sorry I left you, and I'm sorry I didn't comm you, and I'm sorry I was such a coward, and I'm —"
"Shh," you murmur, cutting him off. "I forgive you."
Echo can't speak. He's not sure he can move, can't even breathe. The relief is overwhelming, and it threatens to knock him off his feet. His chest tightens, and the tears won't stop falling, and he doesn't know what to do. He's missed you so much, has regretted leaving every single day, and now that you're here, now that he has you back, he can't find the words to express how grateful he is, how relieved, how happy.
"You really thought I was going to leave you?" you ask, and Echo can hear the note of humor in your voice, can see the ghost of a smile on your face. It's reassuring, and he lets himself smile, too.
"Honestly? Yes," he admits.
"Never," you reply.
Echo leans down and rests his forehead against yours, closing his eyes and breathing deeply. You move your hands down his face, brushing the tears away with your thumbs, before bringing them around his neck, wrapping your arms around him. He moves to do the same, pulling you closer and wrapping his arms around your waist. You let out a quiet gasp of surprise, and Echo chuckles, holding you tighter.
"I missed you," he whispers, and it feels good to say the words out loud. "So much."
"I missed you, too," you say, your breath warm against his neck. You tilt your head and press a kiss against his throat, and Echo feels his heart stutter. "More than I can say."
Echo hums and pulls away, bringing his hand up to brush the hair away from your face. Your skin is warm, and soft, and he leans in and presses a kiss against your forehead, savoring the contact. You sigh, and he can't resist the urge to kiss you again, this time on the cheek.
"Echo," you murmur, letting out a shaky breath.
He kisses the corner of your mouth, and then your jaw, and your grip on his neck tightens, your fingers digging into the fabric of his blacks. He moves down your throat, trailing kisses along the column of your neck, and you gasp.
"I missed you, too," he murmurs, and you laugh.
"Yeah, I got that," you say. "Now, will you please kiss me?"
Echo smiles and obliges.
The kiss is soft and sweet, and it tastes like home. He cups the back of your neck, his scomp moving to rest on your hip, and you let out a pleased noise, your hands sliding down to his shoulders. The warmth of your mouth, the way your lips part, the little gasps and sighs you make, it all makes him want to get closer, to be nearer.
You break the kiss, and Echo lets out a quiet whimper. You chuckle and rest your head on his shoulder, and Echo brings his hand up to stroke your hair, his fingers combing through the strands. You sigh and lean into his touch, and he can't help the contented smile that spreads across his face.
"I'm glad you're here," you murmur. "I'm glad you came back."
"Me, too," he says. He tilts your head up and presses a kiss to your temple, his lips lingering. You close your eyes and nuzzle his neck, and Echo sighs, holding you close. It feels so good to have you in his arms again, to be able to hold you, and he wishes he could stay here forever. But the reality of the situation catches up with him, and he can't help the wave of guilt that washes over him.
"I'm sorry, Cyar'ika," he says.
You frown, and pull away slightly. "What are you apologizing for?"
"I didn't think this through," he admits. "I... I didn't know what was going to happen, and now..." He pauses, letting out a frustrated sigh. "I just... I'm sorry. I’m leaving soon, and I know it's going to be hard, and I know you're going to have to say goodbye again, and I'm —"
"Echo," you interrupt, and your voice is firm. You put your hand on his chest, and he can feel the heat of it, even through the layers of armor and clothing. "I know what I signed up for. I'm not expecting anything different."
"But —"
"No," you cut him off. "No buts. I knew what this was, Echo. And I still want it."
"But you shouldn't have to," Echo argues. "I don't want to put you through that."
"Well, it's a little late for that," you reply. Your tone is sharp, and Echo winces. "Look, Echo. I know the situation isn't ideal, but I'm not going to walk away because it's hard. And I'm not going to stop caring just because it hurts." You look at him, and the determination in your gaze makes his heart skip a beat. "You're worth it, okay? No matter what."
"Cyar'ika —"
"No," you say, shaking your head. "You're not changing my mind. You can try, but it's not going to work. So don't waste your time." You give him a stern look, and then your face softens. "Okay?"
"Okay," Echo agrees. He knows it's futile to argue. He's never been able to say no to you. Not when it matters. "I'm still sorry, though."
You roll your eyes, and then stand on your toes and give him a quick kiss. "You're lucky I love you," you say, and the words make him feel lighter.
"Yeah, I am," he agrees, grinning.
"So, what now?" you ask.
Echo shrugs, suddenly feeling overwhelmed. He's been so focused on finding you, on convincing you to forgive him, on making things right, that he hasn't thought about what comes next. The prospect of it is both exhilarating and terrifying, and he doesn't know where to start. There's so much to do, and so little time. And he doesn't want to waste another second.
"Do you want to stay?" you offer.
"Stay?"
"Here," you clarify. "For a while. I don't know how long you can, but..." You pause, a flush spreading across your cheeks. “I was going to make dinner. If you wanted to stay."
"Dinner?" Echo repeats, and he can't hide the excitement in his voice. The idea of a home-cooked meal is so far removed from his life now, so distant, that the thought of it almost makes him lightheaded. "Really?"
You laugh, and the sound fills him with warmth. "Yes, Echo. Really."
"What are you making?" he asks. The question sounds childish, and he can't believe how eager he is, how excited.
"Just a simple dish," you say. You move towards the counter and begin putting the groceries away, and Echo follows you, a smile spreading across his face. While you tell him about the recipe, he moves toward your sink, picking up a dish and turning the water on. You look over at him, and the fondness in your eyes makes him blush. "You don't have to do that, Echo."
"I know," he replies. "I want to."
"Well, alright then."
The two of you work together, talking and laughing as you wash the dishes and prepare the food. Echo feels lighter than he has in months, and it's a relief to be here with you, to have something normal and familiar to do. Something so domestic, so ordinary, and yet, so special.
He wants to remember this.
When the food is ready, you gesture to the table, and Echo takes a seat. You sit across from him, and for a moment, the two of you just look at each other. He's missed you, missed this. Missed being here, missed having someone who knew him, someone he could trust. Someone he could love.
You're both quiet, and Echo can see the wheels turning in your head, can see the way your eyes dart over him, taking everything in. You're cataloging, committing him to memory too. The realization hits him, and his chest tightens. He'll be leaving soon, and you're doing what you can to make sure you won't forget him. It's a sobering thought, and he's not sure how to handle it.
"Hey," you say, and Echo looks up, meeting your gaze. "It's okay. We'll be fine."
"How did you know?" he asks, startled.
You shrug. "It's written all over your face."
"I'm sorry," he murmurs. "I wish I could stay."
"It's okay," you repeat. “We have the night, and that’s more than enough. For now, let's just enjoy the time we have."
Echo nods.
You're right.
You always are.
You smile, and it's so beautiful, so genuine, that it takes his breath away. You reach across the table and take his hand, giving it a gentle squeeze. He squeezes back, and you lean forward, resting your elbows on the table and putting your chin in your hand. The way you're looking at him, the affection in your eyes, it makes him feel like he's the only thing that matters, like he’s home.
And, right now, he is.
He's missed this.
He's missed you.
And as the two of you sit there, enjoying each other's company, Echo knows he's made the right choice. He knows that coming back was worth it, that finding you, fixing things, making things right, it's all been worth it. And he knows that, no matter what, he'll be back.
He'll find his way back to you.
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miley1442111 · 5 months
Text
fresh out the slammer- a.hotchner
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
a/n: yes, i am a swifty- sorry lmao.
intended for fem reader!
summary: based off of fresh out the slammer by taylor swift
pairings: aaron hotchner x reader
warnings: sad ending, talk of falling out of love, aaron is still in love with Haley
the tortured poets department masterlist
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Now pretty baby, I'm running back home to you
Fresh out the slammer, I know who my first call will be to
Fresh out the slammer, oh
Aaron unlocked the door to your shared home, one thought on his mind. Haley. 
He missed her more than life itself. He missed being a family with Jack and her. He missed it all. 
You were his girlfriend, you should’ve been on his mind. You had been there for him during his recent recovery after the stabbings with Foyet, you were working at all hours to try and find Foyet, you were always there for him. He loved you, truly. 
But you weren't Haley. 
Another summer takin' cover, rolling thunder
He don't understand me
Splintered back in winter, silent dinners, bitter
He was with her in dreams
He lay beside you in your bed. You were already asleep, soft snores falling from your beautiful lips. A certain unease settled into Aaron’s body. He realised something slowly, and it led to a heavy sense of dread, shame, regret, and guilt. 
He didn’t love you. He was still in love with Haley. 
He thought of Haley everyday, every night. He wondered what she was doing, now that he didn’t know where she or Jack was.
Sleep evaded him that night. 
Gray and blue and fights and tunnels
Handcuffed to the spell I was under
For just one hour of sunshine
Years of labor, locks, and ceilings
In the shade of how he was feeling
But it's gonna be alright, I did my time
Weeks passed and Aaron became more and more distant. He cancelled dates, came home late, he was reckless at work. 
You felt hopeless. You knew something was wrong, but you couldn’t figure out what. You decided to confront him, staying up late enough to catch him. 
“Aaron, what’s going on?” You asked as he walked into your shared bedroom. He stared at you for a moment, then sighed, sitting on the edge of the bed.
“Nothing,” he lied.
“Aaron, I’m a profiler too. Tell me.”
He felt conflicted. He liked you, a lot. He’d been dating you for a year. He’d thought he was over Haley, he was wrong. “I’m not in love with you anymore, I’m not sure I ever was.”
Your heart broke, but you swallowed it back. “Ok,” you whispered and got up, grabbing your go-bag and walking out. Aaron didn’t chase you. He didn’t want to. 
You got into your car and let yourself break down. He never loved you. He was still in love with Haley. You were just a placeholder for her. 
You went to Penelope’s place, knowing she’d be there for you. She let you in immediately and comforted you to sleep.
Now, pretty baby, I'm runnin' back home to you
Frеsh out the slammer, I know who my first call will be to
(Frеsh out the slammer, oh)
Haley was dead. You felt devastated for Aaron and Jack, not enough to speak to him though. You attended the funeral, you stood beside the rest of the team, then went straight to Strauss. You handed in you badge and gun, leaving the BAU behind. You cut everyone off, blocking their numbers, moving house, taking up a job in the CIA instead. 
Aaron had officially lost you. In the weeks of your breakup, he’d realised how wrong he was, that he had loved you, that he was in love with you. 
Camera flashes, welcome bashes, get the matches
Toss the ashes off the ledge
As I said in my letters, now that I know better
I will never lose my baby again
He spent weeks trying to find you, finding nothing. You’d asked one of your new colleagues to essentially wipe your existence off the face of the earth. You changed your name, you changed. 
He’d made Penelope look for you for months, he went to your family as a last result. 
“You want to know where Y/n is?” Your father asked. “We thought you’d know.”
His heart stopped. You were missing. 
He got the team on it immediately, until Strauss called him in. 
“Aaron, Y/n Y/l/n is not missing. She’s been reassigned,” she explained.
“Why can’t we find her then! All of her accounts were drained and closed, her family don’t know where she is, and she left the BAU!” He demanded. 
“She was reassigned Aaron, that’s the end of it.”
He was helpless. You were gone. 
My friends tried, but I wouldn't hear it
Watch me daily disappearing
For just one glimpse of his smile
All those nights, he kept me goin'
Swirled you into all of my poems
Now we're at the starting line, I did my time
He took a leave of absence from the BAU for a month, deciding to try and find you on his own. He looked through everything on you, tried to remember details you’d told him, but he came up with nothing. 
Until he saw you on a case. 
Now, pretty baby, I'm runnin'
To the house where you still wait up and that porch light gleams (Gleams)
To the one who says I'm the girl of his American dreams
And no matter what I've done, it wouldn't matter anyway
Ain't no way I'm gonna screw up now that I know what's at stake here
At the park where we used to sit on children's swings
Wearing imaginary rings
You were a CIA agent, you were happy the way you were. You’d found a husband in the 2 years since you’d left the BAU. He loved you and adored you like you were supposed to be adored. He was a childhood best friend, one you’d had a crush on as a child. Aaron walked into the CIA building and saw you with your hand in his. His world crumbled for the third time in his life. 
You had found someone else. You shot him and the entire team a small, knowing smile, and assisted them on their case.  
“We thought you’d died,” Derek admitted as you were all cleaning up the conference room they were using as an office. 
“Well technically Y/n died, I’m Y/n/n now. Y/n/n Scott,” You smiled, showing off your wedding ring and smiling at your husband, the other CIA agent that was helping with the investigation. Aaron’s stomach turned. At least you were happy. 
But it's gonna be alright, I did my time
224 notes · View notes
wildflowerluver · 2 years
Text
sweet pea
aaron hotchner x teen!reader, bau team x teen!reader
5 times the team hears about you and the 1 time they actually meet you
cw: fem reader, set over the span of three years, case mentions, broken family unit, hotchner trio, hotch is a swiftie, also refers to his daughter as ‘sweet pea’, team is nosy, eating/food, forehead kisses run the hotchner home
wc: 3.4k
༺♡༻
1. inception
child cases are always rough.
they’re not only extremely sensitive, but they hit emotionally for everyone involved. 
it’s a small town and yet no strong leads. there’s no reason for the case to be as difficult as it is, but every case the team looks into is different.
local p.d. bring in a woman named chancy solace. she was the last one to see the missing boy alive and no one wants to wait around for another death to happen to look for evidence.
hotch was set to do the interview.
he asked basic questions about the missing boy, keeping his voice calm as she recounted her day through tears. they all knew she was innocent, no doubts about it. he was set to finish up after a few moments. it was clear she didn’t know much.
as he went to stand, however, solace had stopped him.
“do you have children, agent hotchner?” her voice was broken.
hotch nods. “i do.”
“how old?”
“my son is 3 and my daughter is 13.”
the air outside the room went stale. everyone on the team knew jack. some had even met him within his first few weeks of life. he was three, that was a fact - but a daughter? not once had hotch mentioned one, let alone one with such a large age gap. jack never rattled about a big sister either.
solace frowned, more tears welling up in the corners of her eyes. “then you must understand the guilt i’m feeling right now. can you imagine if you were the last one to see your daughter before she disappeared? how can i possibly have it in me to be a part of this?”
hotch doesn’t want to think about the question she posed, not at all.
“we’re going to find him. it’s going to be alright,” it was a promise, one hotch intended not to break.
he left the room after that. their only known witness wasn’t much help for the case and there was no point in wasting time.
rossi stops hotch before he can walk away.
“why’d you lie?”
there’s no question on what rossi is asking about. it’s profiling 101 that lying to a suspect, no matter innocent or not, could be dangerous.
hotch glanced at his team.
“i didn’t.”
2. first encounter
you’ve had a really, really, really bad day.
from the second you woke up, everything seemed to go wrong. school wasn’t any better and by the end of the day, the only thing you wanted to do was see your dad. he’s your favorite person and a hug from him always reassures you that things will be okay.
you text him before your last class of the day to ask when he’ll be home. if it’s even possible, a deeper frown appears on his face when he tells you no later than six. 
part of you wants to be happy from that response. no later than six means there’s no cases and he’s on top of his files. but after the day you had, you just need someone and waiting nearly four hours for him to get home is less than ideal. 
can i come to the bau?
your text is a shot in the dark. your dad keeps you out of his profession and you’ve never stepped foot in quantico. you just hope he gets some sort of semblance for what's going on if you're asking to come see him.
he responds back seconds later. ‘i’ll send an agent.’
it’s not that he doesn’t trust you to get there on your own, there’s even a direct line from the train station closest to your school, but you're still young, only 14, and you know he would feel more comfortable having an agent pick you up.
the next time you check your phone, your dad has sent a message with the name of the agent and instructions on how to prove that it’s him. it’s not him being overprotective, it’s him wanting you to be safe. 
agent anderson is easy enough to spot. you run through the procedures your dad wanted and once you know it’s the right person, you get in the car.
he doesn’t say anything when you shove your earbuds in your ears and shuffle your playlist and you’re thankful for that. you’re especially grateful that he doesn’t ask questions when you bite your lip and swipe away stray tears that have fallen down your face.
music is an outlet for you, an escape, and right now that’s all you wanted to do. 
earbuds remain in your ears as you step into the bau building. anderson leads you through security and gets you a visitors badge. you very faintly hear any of his verbal instructions.
he leaves you once you reach the right floor, pointing through the glass doors to show you where to go. with a smile, he’s gone.
you weigh your options for a moment before walking in. you told your dad you're here but you don’t know where his office is. and right now, you really do not want to deal with anyone else. but with a deep breath, you decide to take your chances and head in.
a child walking into the bau is an automatic red flag, let alone one with puffy eyes and red cheeks, a clear sign of crying.
morgan and j.j. are the first two to stand up, wasting no time in circling their desks to walk to where you stand at the bullpen entrance; j.j.’s mouth already open with an “are you alright?” on the tip of her tongue.
but before they reach you, and before j.j. can speak, hotch is out of his office and moving down the stairs.
he steps in front of them when he faces you, thus shielding you from the prying eyes of the team. you look up at your dad, eyes full of a new wave of tears.
hotch doesn’t hug you then, though he desperately wants to, nor does he explain who you are to the team. instead, he places a strong hand on your shoulder, turning you slightly before guiding you up to his office. the door is shut and the blinds are closed. the two of you are cut off from the others and all of them know not to intrude.
“who was that?” rossi questioned after stepping onto the catwalk. the commotion was noticeable.
“i think we just met y/n.”
3. phone call 
on flights home from cases, what the team does onboard genuinely varies with what time of day it is.
during early morning and late night flights, you can find most of the team asleep, trying to make up for the rest lost in the past few days. anything between that is typically a more active time.
hotch is dealt into a game of poker with the entire team. rossi acts as the dealer claiming he’s “not in the mood to get outsmarted at his favorite game.”
the entire group is laughing and chatting among themselves as they play. there’s no reason not to, it was a successful case - worth the positive mood on the jet.
hotch’s phone ringing cuts through emily’s turn.
he holds his hands up in defense and mumbles a quiet apology.
“hi sweet pea,” hotch barely has time to greet you before he gets cut off with your frantic “did you listen?”
his laugh causes the others to bring their heads up from their cards. a hotch laugh is uncommon, rare.
“i did. we finished up here last night so i listened before i went to bed and finished when i woke up,” he answers your question. 
he waits for your response, already knowing that you want to know his thoughts on the album.
“well,” hotch pauses. “if i’m being honest, i liked it more than fearless.”
j.j. and emily are the only two who have any idea what he’s talking about. a record could be set for how fast their eyes snap to each other once it clicks.
hotch is quiet for a few moments. though no one can make out exactly what you’re saying on the other end, they can hear your muffled rambling.
“yeah yeah, i liked that one too,” hotch agrees. “i think my top two are dear john and haunted, though. her songwriting is incredible in those.”
whatever he means clearly pleases you judging by the content look on his face.
“alright i have to get going,” he starts. “but i have the vinyl reserved at the record store. we can go when i get back? should be home by two.”
you agree without hesitation, several “thank you’s” being repeated. hotch won’t admit it ever to anyone besides you, but he’s excited to hear it on vinyl too. it’s kinda your shared thing.
“i’ll see you when i get home, okay? i love you.”
he hangs up after goodbyes, placing his phone back onto the table before picking up his cards. the silence lingers in the air even after he makes the motion that he’s ready to continue. “what?”
“you listen to taylor swift?”
hotch smiles, a genuine one. “my daughter loves her. have to keep up somehow.”
4. vacation 
when hotch doesn’t show up to work for a week, it takes only the first day for the team to panic. it had been a little over a year and a half since foyet had stabbed hotch and hotch had gone missing. no one was going to take chances when their boss, who typically had perfect attendance, showed up without notice.
rossi and morgan went to strauss at the end of the day. 
their interrogation on hotch’s whereabouts is in good faith, but it doesn’t take a profiler to notice strauss’ sigh at their concerns.
“agent hotchner is on vacation,” she starts. “he should be back next week. until then, i am under orders to not assign a new case unless necessary.”
the agents turn to each other in confusion as they leave. “a vacation? come on rossi, when in all the years of knowing him has hotch ever willingly gone on vacation.”
the older man shrugs. “i don’t know. maybe this’ll be good for him.”
there’s no arguing with that.
when hotch returns the following monday, no one hesitates to notice the change in his physical appearance.
his skin is tanned and he has a slight tinge of sunburn on his nose and cheekbones; a clear sign he went somewhere warm.
“hotch!” emily catches him before he can retreat to his office.
all eyes are on him and he knows it. 
“where were you?” she inquired. 
hotch sighs. “greece.” 
this catches the attention of the other team members in the bullpen. rossi seems to have found an empty chair at j.j.’s desk. even garcia had chosen this exact moment to get a new cup of coffee.
“greece?” emily stutters. “like the european country?”
hotch nods. “that’s the one.” 
morgan whistles. vacations in the bau are fairly uncommon. the looming threat of being called back for a case stops most from planning. even if the timing does work out, no one goes far; let alone out of the country. 
“and you just decided to go there for a casual vacation,” j.j.’s tone isn’t condescending, but rather showing genuine curiosity.
“it’s y/n’s birthday in a few months and she’s always wanted to go,” hotch explains like it’s the most casual thing in the world. “jack’s still a little too young so he stayed with jessica.”
he doesn’t mingle around after that, choosing to head up to his office to get set up after his week away.
“huh,” garcia murmurs. “didn’t take him for a greek island guy.”
“guess that shows just how much he’s wrapped around y/n’s finger.”
5. baked goods
you don’t have school today.
despite that, you still get up early to have breakfast with your brother and dad. once jack is picked up by the bus for school, your dad gets ready for work.
you stay in the kitchen, however, moving the cookies you made last night from one container to the other.
when your dad reappears, you wait for his hands to be empty before posing your question.
“is there any way you can give these to agent rossi?” you practically shove the container into your dad’s hand.
aaron raises an eyebrow. “rossi?”
“you mentioned he was italian,” you wait for a nod of confirmation. “these are canestrelli, they’re an italian cookie. i wanted to know if you could give these to him for a taste test.”
he smiles. “trying to expand your baking horizons?”
you match his expression. “exactly.”
with a kiss to your forehead, your dad is out the door and off to work.
“delivery,” hotch’s tone is steady as he knocks on rossi’s office door.
“from who?”
“y/n,” hotch answers as he sets the container down. “she tried to make canestrelli and wanted your opinion. i’m just the messenger.”
rossi takes the container from hotch. he opens it up before plucking a cookie out and examining it. “looks authentic.” 
if he’s being honest, even if the cookie isn’t good, he’ll still love it.
but it isn’t.
of course it isn’t.
rossi takes one bite and his eyes widen.
“i haven’t had canestrelli this good since the last time i went to italy. tell her she should be very proud and i will be happy to pay for more.”
hotch can’t hide his proud expression. “i will.”
+1 first meeting
you always wait for your dad to get home from work. it’s routine.
plus, you made a promise to jack when you put him to bed that you would send your dad upstairs when he got home.
you bake in the meantime. it’s something to pass the time and you figure having something fresh to eat would be a nice surprise for your dad.
music plays from the record you have spinning. you keep it quiet as to not wake jack up upstairs. he’s not a light sleeper, but you don’t want to disturb his rest.
the side door opens as you're mixing the flour to the batter. tonight’s bake is gingerbread. easy enough to make. 
it surprises you when your dad doesn’t call out a hello. he’s come home this late before when you’re still up and he always makes it a point to greet you. plus, you have music playing. there’s no doubt he can’t hear that.
“dad?” your voice is quiet.
you peer around the corner, stepping out a bit further when you see him, though you freeze when you notice the other people following him. 
“hi sweet pea,” his voice is tired, you can tell. you close your eyes when he hugs you and kisses your forehead. if his team is here you know it’s not good.
“what’s going on?”
he turns to you. “i can explain in a few minutes. are you okay for introductions?” his voice lowers for the last part, not wanting the team to hear if you say no.
you nod, though anxiety bubbles at the pit of your stomach at the deflection of the question.
“everyone, this is y/n, my daughter,” your dad starts. unsure what to do, you wave slightly. “y/n, this is my team, that’s dave, derek, emily, spencer, j.j., and penelope.” he points to each of the people as he rattles his name off.
while your dad kept you out of his work, you did faintly know each member of the team. he talked about them in passing and jack rambled often about something “uncle dave” or “uncle derek” did.
“why are they here?” you hope your question doesn’t come off as rude.
your dad squeezes your arm. “can you go back in the kitchen for a few? i’m going to get these guys set up and then i can explain. is jack asleep?”
you nod. “i put him to bed a few hours ago. he was asking for you.”
“thank you,” he starts. “i’ll go see him in a bit.”
the conversation is over. you feel awkward standing in the foyer where you’re clearly the center of attention. you turn and walk into the kitchen. finishing your baking seems like a good idea.
aaron enters the kitchen as you’re pouring the batter into the pans. the music is off by now, though the record stays on the turntable. he waits for you to put the pan in the oven and face him before explaining.
“there’s a mole in the bau. we’re trying to figure it out but we obviously can’t work there. i volunteered our house. we would’ve gone to dave’s but he’s having work done.” you know he’s giving you the most minimal answer possible.
“oh,” you’re honestly not quite sure what else to say.
he continues. “we’re hoping to have it cleared up soon but we don’t have a lot of our normal equipment. i wasn’t expecting you to be up for all this. couldn’t sleep?”
“was waiting for you to get home,” you shrugged. “you know i always do.” 
“yeah i know. i should’ve called.”
you turn to him. “It’s alright. i’m just going to clean up while i wait for the gingerbread to be done and then i’ll go to bed.” 
your dad nods. “let me know when you do.” he disappears out of the kitchen after that.
cleaning up doesn’t take long and you’re still elbows deep in soapy water when the oven beeps. you take it out of the pan and set it on a cooling rack before gathering your stuff. you’re honestly exhausted.
going into the living room takes a moment of mental courage. you know everyone is in there and you don’t want to interrupt them. but, you’ve missed your dad and you want him to say goodnight.
“um, i’m going to head up to bed,” your voice echoes through the room. it was fairly quiet before and you feel embarrassed for interrupting that. the first part is directed at your dad. you turn to the rest of the team. “i made fresh gingerbread if anyone wants any. it’s on the counter, help yourself. i also put on a fresh pot of coffee and that should be ready soon.”
aaron’s heart is so full that he almost forgets the case at hand.
“i’ll be up in a minute,” aaron voices.
you hum, nodding to the team as a non-verbal goodnight.
he dishes out individual assignments within the team. they’ll work as a group to start before taking shifts so others can rest.
jack’s room is his first stop. he doesn’t wake the boy, choosing to instead kiss his forehead before picking up his stuffed dinosaur, a gift, and placing it back on the bed.
you’re just getting under the covers when your dad knocks.
“come in!”
your dad steps inside, shutting the door slightly.
“hi,” you smile.
“hi,” he echoes. “good day?”
you shrug. “yeah, i guess so. i got jack from school and we spent the afternoon together. missed you though.”
aaron frowns. “i’m sorry sweet pea. didn’t think this was going to happen. none of us did.”
“i know you didn’t. i’m not mad.”
you want to continue your statement and wash away any guilt you know he’s feeling. but, your body betrays you and a yawn cuts you off.
“alright, time for bed,” his words make you feel like a child but you know he’s right.
he tucks you in and like with jack, he kisses your forehead.
“goodnight dad, i love you.”
“i love you too.”
his demeanor changes when he goes downstairs and sits with the team. he’s serious, ready to work. right now this case is his priority. he, like others, wants to wrap it up quickly and efficiently. 
emily nudges him when he sits down beside her. spencer and derek’s banter about the case is long drowned out.
“she’s a good kid.”
hotch beams. 
“i know.”
3K notes · View notes
arctichotch · 2 months
Text
the cod boys at the eras tour ✨
Johnny “Soap” MacTavish:
this man might actually be more excited for the show than you are.
he’s made his own friendship bracelets, handed some out on base. he would never mention it, but he saw ghost wearing his while training rookies.
a dedicated swiftie, knows the setlist off by heart. makes a list of surprise songs he wants.
only listened to taylor for you, but fell in love with her. wants to buy the poster from your show.
maybe tears up a little seeing how happy it makes you and loves that you guys can share this together.
beyond fascinated at the pyro during bad blood. maybe you shouldn’t tell him about the picture you sent to ghost of johnny eying up all the fire.
won’t take any mocking that he’s a taylor swift fan. that’s his singer and he will defend her to the death (not literally but close enough)
Simon “Ghost” Riley:
less into her and more reluctant to attend the show with you. doesn’t understand why you wouldn’t want to go with a friend instead of him. he doesn’t think he’d fit in.
definitely the tall ass boyfriend who blocks people’s view and feels bad about it.
allows you to jazz up a balaclava of his for the show. he normally wouldn’t wear one in public, but he doesn’t exactly feel comfortable in a crowd of thousands, especially with his scars. doesn’t want to scare kids (:()
listens to you talk for hours about taylor swift. anytime you guys are driving together, she’s playing.
wouldn’t consider himself a swiftie, but he knows his stuff. you saw him swaying at times and vibing to shake it off at the show.
you love any reference to ghosts in her songs, even though they’re mostly extremely depressing, because that’s your man!!!!
one of the best nights of his life, but he’d never admit that.
thinks the tortured poets department is one of the best albums ever made. listens to it constantly when he’s away from you.
John Price:
this dude is old!!! he’s not really that old, but acts a lot older than he is! so he honestly doesn’t have a clue who this “taylor swift” is when you two first get together.
boy, does he know her now.
honestly, a swiftie. he can’t deny it. she has some bangers.
cheered you on when you were in the ticketmaster battle to get tickets, not letting on that he was also in the queue on base with his own code. ended up surprising you with the tickets after your attempts failed. will never forget the look on your face.
(he definitely also had selfish reasons trying to get tickets. he just has to go!)
loves it. i mean he doesn’t look like he’s in the eras tour spirit but inside he’s feeling it. looks like someone’s grumpy scary dad, but also knows a solid 80% of the words.
he was big into rock and metal type bands when he was younger. went to tons of shows as a teenager before enlisting. this was his favourite he’s ever seen.
can’t stop admiring the technical aspects. finds it all fascinating. thinks he could’ve been a roadie in another life.
Kyle “Gaz” Garrick:
now this man has been a swiftie since before you two got together. teardrops on my guitar was his jam in secondary school.
glad he can be open with you about how much he enjoys taylor swift when you are together.
you both compiled a comprehensive list when trying to get tickets. with who was going to try for what shows, budgets, codes, dates, times. it reminded him of a mission brief. almost with the same stakes.
you ended up getting tickets for 3 shows across the UK.
had the best time at all of them. would go another 18 times if he could. kept noticing things at each show that he hadn’t seen before and you both kept pointing different cool things out to each other.
definitely one of the best summers of his life, and he got to do it with the love of his life by his side.
cried when the kids got brought up for the 22 hat.
56 notes · View notes
garbinge · 4 months
Text
The Original Swiftie Of Chicagoland
Richie Jerimovich x F!Reader 30 Day Fic Challenge
Word Count: 2.6k words A/N: Back at it with everyone's favorite <3 This is a little more cutesy-cringe kick your feet and giggle than I usually write but I hope you all still enjoy!! Also please be kind, I have not attended the eras tour so there might be inconsistencies there!
Warnings: All my fics are 18+ regardless of content.
The Bear Taglist: @drabbles-mc @justreblogginfics @quixscentsposts @dadbodfanatic-x @adorable-punk-superheroes @lodeddiperrodrick @isalver @captainweasleybarnes @musicwithteeth @fancyvoidtragedy @shinebright2000 @knight4xmas @gills-lounge @navs-bhat @cosmicak (have been a bit inactive on tumblr so this might not be up to date, if you'd like to be added to my The Bear taglist please shoot me a message!) Other fics from this universe
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Richie’s voice was like a morning alarm to you as he spoke up in the car. You had began to doze off a few minutes ago, as you came to it you recalled the last thing you remember talking about. 
“What’s your favorite Taylor Swift song?” You had asked Eva as you all waited in the drop off line. 
“Enchanted.” Her answer was quick but not as quick as her follow up. “Taylor’s Version.” 
“Always TV.” You leaned back in your seat when she answered, your hand extending out to turn the radio up slightly since there was a Taylor mix currently going. 
“My Dad’s taking me to go see her, at the Era’s tour. I’m making friendship bracelets at school, too.” 
“That’s going to be so much fun.” You meant what you said but you felt the sleep starting to fade over your eyes. It had been a late one the night before, you were up searching for those cards for your dad and one thing turned into another and suddenly your entire apartment looked like it threw up boxes and memories. 
When Richie texted to see if you were up and wanted a ride to the restaurant, it felt silly to say no despite the complete lack of sleep you were running on. 
It was now that Richie’s voice was alerting you awake. “Sorry I think I fell asleep.” 
“You did, I brought you back home.” He was pointing over to your apartment building. “You’re shot, ain’t no way you’re gonna help tear down walls today.” 
“Tear down walls?” You questioned, when you offered to help today you thought it’d be painting or planning, not demolition. 
“Yea there was a raccoon, and then the pipe with the thing, so it’s all gotta come down.” 
“You miss one day and you miss everything.” Your hands were rubbing your eyes until they waved him off. “I’m fine, I can help Nat with something.” 
“Humor me.” Richie’s eyes closed in a tad bit of frustration. “How bout I come pick you up later in the afternoon.” 
“Only if you bring me whatever Syd’s making for lunch.” You were starting to grab your things when Richie stopped you. 
“Um, real quick.” You could tell he was feeling weird about something, he was stumbling a little bit on the few words that he was speaking which wasn’t like him with you. 
“What’s up?” You fell back against the passenger seat, your head leaning to the left to stare at him.
“Sorry, I should just ask you later.” He shook his head, and turned to put his car back on so he could leave. 
“Ask me now.” You smiled. 
“Nah it’s fine.” He couldn’t make eye contact with you. 
“Richie, I won’t be able to sleep if you don’t tell me.” The fake seriousness washed over you and that made Richie look over at you and sigh in defeat. 
“You know how Eva mentioned that Errors Tour.” 
“Eras.” You corrected him with a smirk. “Yes, I do.” 
“Yea, well, Cicero he got me 3 tickets, and I was wondering, I mean, if you wanted to come with me–us.” Watching Richie stumble on his words was humorous to you, the smile grew large on your face. 
“Are you asking me out, Richie?” 
It had been a while of whatever this was with Richie, and the two of you skipped over the going out on dates phase and went straight to the sex and sleepovers at each other’s places. It made it understandable why he was nervous in asking right now. 
“Yea, I mean– Eva also asked if you could come.”
“Well then I can’t say no.” 
He looked at you, and the Richie you knew came out for a minute, “but if it was just me asking you would’ve?” 
“I would’ve thought more about it.” You teased him, not being able to keep your face neutral as you said it. “I don’t want to interrupt though.” 
“Trust me, I think I need you there, I don’t know shit about this.” 
“Oh, you realize this is going to consume you over the next few weeks, the Era Tour isn’t just a concert, it’s a lifestyle, we have to plan–prep, there’s going to be jewels, glue, tulle, and glitter, lots of glitter.” 
Richie looked at you with a bit of a crazy look. “Don’t worry, I’ll handle the outfits, all I’m gonna need from you is Taylor on repeat, everytime you’re in the car.” 
“I already feel like I do that.” He chuckled and turned to you thinking you’d be laughing too but your face was serious. “Alright, yea, I’ll listen.” He lifted his hands up. 
“Great, I’ll get started on everything else.” You started to gather your things, despite the conversation between you two, the exhaustion was still front of mind for you. 
As you moved to step out of the car, and close the door, you bent down to look at Richie. “You know you’re not getting me out of bed until I have a full 12 hours of sleep, right?” 
He turned the gear of his car into drive and nodded. “Yea I know, I wasn’t gonna come in the afternoon, just knew it’d be the one thing that’d get you out of the car.” 
________
You were currently painting the 13 on Eva’s hand to match your own, she chose purple glitter to match her dress, a child’s version of the enchanted dress. You had on a custom denim jacket that called out all the different eras of Taylors paired with a “I <3 T.S.” t-shirt. 
“Do you think we’ll match?” Eva looked down at her dress and began to twirl. 
“Totally, but honestly?” You faked looking around to make sure no one was around before whispering. “I think you’ll have her beat.” 
This made the girl giggle until Richie walked into the room. “We got like 15 minutes before we should head out, the traffic is going to be awful, I hate driving to the Soldier Field, it's a nightmare.” His stress completely paused as he looked up and saw his daughter. “Wow you look beautiful, kiddo.” He squatted down to be at eye level with her and smiled as she twirled around again. 
“You need to get ready.” She stopped twirling and took a look at Richie. 
He looked down and frowned, “I am ready, babe.” 
“No you need an outfit.” Those last two words were emphasized so deeply that even though Richie had no context or understanding of The Era’s tour aesthetic, he fully understood what his daughter was talking about. 
“Oh no, I was just gonna go like this, I–” 
You cut him off, “I got you a little something” You moved to take something out of the bag you packed. “And I think we can convince your dad to have a 13 on his hand, right?” 
“Yes!” She gripped her fist and chugged her arm down as she said it. 
“Here.” You handed the t-shirt to Richie. He practically did everything but roll his eyes as he grabbed it and unfolded it. It was a blue t-shirt and in the upper left corner was The Beef’s logo but in place of the typical large “BEEF” writing was the word “SWIFTIE” in all caps so the whole thing read “The original SWIFTIE of Chicagoland.” 
“I knew it’d be like pulling teeth to get you in anything else.” He turned the shirt around so now Eva could see it. 
“It’s kind of perfect.” She nodded in acceptance. 
“Yea it is.” His head raised to look at you and nod in gratitude. 
“But you’re not getting out of the 13, let’s go, if I just do the outline we can be on the road in 5 minutes and we’ll make it with plenty of time.” 
_____
The seats were phenomenal, although you couldn’t put it past Cicero to know someone who knew someone to get seats like this. Your seats were on the floor and you hadn’t been to a concert in the pit like this in years, and you’d never been to one where they had seats set up in the pit. This was next level. 
“Are you overwhelmed.” It was a question spoken more as a statement as Eva guided both of you to your seats. 
��Very.” He said looking around at everything. 
Once the show started, the overwhelmingness of the concert itself disappeared and the insanity of the show took over. It was truly a production and a work of art combined. The crowd was electric, the lights from the wristbands, the screams, the costumes, on stage and in the crowd, it was incredible. 
As the entire stage turned purple, everyone’s bands flashed a purple tone, and the screens on the stage rose up, you could see a large purple dress appear and instantly you felt the tug at your jacket and Eva was grabbing you to stand up on the chair. Her face lit up in a smile as she saw Taylor practically matching her. 
As she began singing Enchanted, you turned to Eva and began singing with her, you knew this was her favorite song and this was a moment she had been waiting for all night. You were dancing with her, twirling her around, she’d twirl you around, a real core moment for the both of you honestly. Richie was on the other side of the young girl, making sure she didn’t fall but you’d catch his gaze falling on you occasionally and just act like you didn’t. Each time you’d immediately turn back to Eva and then the stage. Funny how in the midst of a crowd of thousands of people, you could feel like the only people there. Your face felt hot, not in embarrassment but just high off the vibes of everything. The atmosphere, the song. All of this running through your mind as you swayed back and forth mumbling “enchanting to meet you” right before the first chorus outbreak.
Quickly your mind had little to no thoughts in it as Eva screamed in your ear as the chorus began, and similarly she did as the bridge started but this time with every beat she was stomping her feet causing you and Richie to both move to the girl so she didn’t fall off the seat but she had balanced herself with no help needed. 
It was a moment later that you felt Richie’s hand on yours, you realized he had gone to grab fingers and intertwine them in his own There was no purpose behind it, there was no guiding you through the crowd, he was just holding your hand as one of the most, well, most enchanting songs played in the background. 
You looked over at him, and his eyes on you felt hot in passion, the nerves were like static in your gut, similar to an anxiety but for the very opposite reason. It was crazy, you had spent nights unclothed, tangled in sheets with this man, he saw you break down and cry in some of your most vulnerable moments and yet this felt like the first time you were admitting feelings for eachother, because in some way it was. Till this moment everything was very unspoken, and with everything happening around you it felt like the spotlight was on the both you, like the crowd around you was there waiting for you two to announce your love. Obviously that was not the case, no one was looking at you, no one could have given two shits what you two were doing, including Eva. 
It was then that the song ended, her voice as she cheered and screamed snapped both you and Richie out of it and back to the stage, your hands unclasping like someone had come and ripped them apart. 
“I said remember this moment, in the back of my mind, the time we stood with our shaking hands, the crowds in stands went wild.” 
Your eyes couldn’t help but dart over at Richie as you took in the lyrics and while he didn’t look directly at you, he did look down, a little embarrassed and smiled with a chuckle. 
______________
You were stuck in standstill traffic just trying to get out of the stadium’s parking lot. Richie was visibly annoyed, Eva was in the back seat, knocked out, at one point her mile a minute breakdown of the concert just went silent. 
“I think her brain powered down.” You laughed as you peaked back at her sound asleep, purple dress still on but an oversized concert t-shirt was over it now. 
“She’s going to talk about this night for the next month, easily.” He laughed. 
“It was a good night.” You turned back around and settled in the seat, your eyes fell on Richie, “one to remember.” 
The car got silent, Richie was nodding, the snores from the backseat hummed lightly and the honks from the cars around you made you look around at the crowds of people and just utter chaos occurring around you. And yet, you felt none of it sitting in this car right now. 
“You know, I uh–do you remember when you brought those pictures to the restaurant?” The tapping of his fingers against the steering wheel were getting quicker. 
“Yea, when you guys had just started remodeling.” You nodded looking over at him. 
With a nod and a deep swallow he kept talking. “There was one, it was taken right before you left and it just reminded me how I feel like I’ve always been on the sidelines of it all, you know?”
You didn’t want to disappoint him or make him feel like what he was feeling wasn’t valid, but truthfully you were a little confused. “No, I don’t.” It was immediate that his face fell and you knew you only had seconds to recover. “But tell me.” 
“I don’t think I’ve ever belonged anywhere. Mikey brought me in as family but like I was never a Berzatto.” 
“Now that I get.” Your hands were fidgeting as you admitted to it, Carmy brought you in, but there was always that lingering feeling. 
He was searching in his pocket for his phone, and quickly brought the picture up to show you. 
“The picnic.” You nodded and remembered it so well.
 “Look where we are.” He pointed in the background. You were both off to the side, cup in hand, not in the craziness of it all but also not standing next to each other either. 
Suddenly you smiled. “Richie?” You asked him looking up as your nostrils flared and eyebrows raised. “Did Miss Taylor Swift’s Long Live make you reminisce a little bit?” 
He stuttered a little bit, laughed and then shook his head as he put his phone away. “No, alright, I just, the whole sidelines thing sparked the thought is all.” He was adjusting the gear shift like the massive line of traffic wasn’t still in front of you. 
“Taylor Swift, Richie Jerimovich’s muse.” The singsong voice you had was enough for him not to get annoyed with you and act more amused by it all. 
“Yea yea, laugh it up, I just, being on the sideline now isn’t all that bad.” 
That was when you stopped joking and looked at him, a soft smile on your face and you nodded and moved to squeeze his hand. 
“No, it’s not.” 
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loveisbraveandwild · 1 year
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i just….. don’t really get WHERE ALL THESE “fans” CAME FROM???? like i am still so shocked by and stuck on the midnights insta announcement getting 3.4million likes and speak now getting almost 10million in 24 hours and just thinking about how absolutely ridiculously insane and inappropriate and the SCALE of yesterday’s quite literal attack is insane and like boy band level obsessive and then of course the relative ease of getting tickets for rep and even loverfest given there were only 4 shows vs the absolute hellscpae thats been eras tickets…. i just….. dont really understand like ????? in 2019 there were elements of feeling like there were only a handful of us and it was swifties against the world but in other ways i felt like i was vying for taylors attention against millions of people and i just???? dont really get WHO these people r that r suddenly obsessed with taylor and how tf they got here??? like i get it im obsessed w her too but not like that…. never like that….
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Hey. This might be very stupid, but i hope you answer this.
Today I accidently got sucked into your blog, which is ironic since I'm a huge swiftie. (but I'm not here to hate on you, I swear)
The thing is for months I've been doubting where I stand on that. Like if i should call myself a swifte or not. when I was young, I used to worship the ground she walked on. but in the past year, I've slowly realised I've been very sheltered. like the problems people point out about her sometimes are actual real problems, but my brain just doesn't know how to respond to that as it has been taught taylor swift is a goddess and can do no wrong. Since your posts are tagged with #exswiftie, i figure you'd understand.
I am not from america, so I can understand then politics part of it all only to a certian extend. the other things, I just dont know what to say to that. The most i can reply is..."yes that is a bit of a problem". I feel don't feel like a swiftie at that moment.
I had fed my mind this narrative that people who hate taylor swift passionately are like untrustworthy or just a walking red flag, or just "don't get it". Now after reading your actual breakdowns I understand you have a rather educated opinion and perception of things. Which clearly rules out my narrative.
I don't know what I feel like I have to define where I stand on this, I just do. I know I genuinely enjoy her music a lot, even there are songs I don't want to hear more than once. I love the whole swiftie lore, digging deep on each lyrics finding out what they mean, finding clues easter eggs just losing my mind over surprise songs. Then i see this other side, which can't be defined with anything less than deeply toxic, which makes me question whether or not this thing i love so much is genuinely good or not.
Hello dear, apologies for the delay in reply :) I am happy to chat with you. I hope that you did not think I would ignore you.  
I was also a Swiftie for nearly 15 years. I got her debut record as a Christmas present in 2006 or 2007. Though I cannot remember which year it was, I loved her from the start. At 10 years old, I was immediately interested. My mother approved of me owning her music simply because she was inoffensive. She didn’t curse or talk about sex, in the beginning, so she was deemed appropriated for my childhood self.  She and I have since grown up. She is now a terribly pretentious bully- and, well, I grew up much too poor and much too hungry to turn into a bully like her. 
The problem- and something I think you’re very much aware of- is that Swift has built herself up in her fandom as perfect. She encourages fans to defend her every action- and rewards them for their efforts through “Swiftmas” or “Secret Sessions” or “hidden easter eggs that only the smartest- most dedicated fans will figure out.” It’s all methodically calculated to keep up an air of reciprocity between Swift, as the fearless leader, and her band of merry misfits- the fans.  
You are not dumb for falling into her rhetorical situation - she's set the marketing strategy up on purpose. It’s specifically created to attract attention- and, to make people feel good, or productive, by participating in her marketing strategy. She gives people an image of herself as a poor innocent victim of the media, or of any critique, and then rewards people for defending her. In Literary study, we call this “Pathos” as the rhetorical appeal to emotion through messaging- textual work of some kind. Rhetoric like this can be found in all sorts of media- commercials about starving children or beaten dogs, charity event banners aiming to persuade someone to donate. It’s all predicated on the appeal to our common emotion, or human capacity to empathize with each other. For, every time fans are rewarded by her attention- after defending her from a perceived enemy, or figuring out some hidden clue- they feel closer to the idol, they feel happy to have her attention. They get that emotional impact of believing they are helping Taylor Swift, or understanding her better on some more human, connected, level. It’s a game of risk and reward for her. Never mind that none of this altruistic- she gets paid through our attention on her- and if you are not directly lining her pockets with your cash money, she does not actually care about you. It’s the image of caring she projects that matters much more than the fact that she doesn’t actually care.
I’m sure you can think of many more examples wherein Swift has played this game of attention and reward with fans. It’s everywhere- her easter eggs are a great example. Sometimes her use of Pathos is benign- non malicious, therefore a non-issue. However, she often weaponizes this rhetoric in a way that is harmful.
This interplay she sets up, between herself and her fans, is made more intensive through her pathos- heavy approach to Rhetoric. To further illustrate, one of the ways people often explain Pathos is by saying that it represents our, as human beings, judgement affect. We see, or hear, the narrative Swift espouses and make judgements about it. If she says: The music critics are sexist towards me. We say: 1.) Sexism is morally wrong, 2.) Taylor Swift is facing sexism from Music critics, Therefore.) The music critics are sexist and morally wrong, because they are criticizing Taylor Swift.
So, all the critics are bad- and we don't need to listen to them. It's also a way Swift creates permissive attitudes towards attacking anyone who critique's her- because she can so easily label them all as sexist.
She uses this basic syllogism to justify leveraging her fans against all kinds of people- it's not just the critics. I just wanted to give a concrete example, and I will go more in depth on this subject in another post.  
She is playing with people’s emotions, while she is also self-victimizing,and leveraging her audience’s innate human rejection of, for instance, sexism as it offends our personal values. No one is saying that sexism isn't morally corrupt; however, Taylor Swift points to valid criticism and calls it sexism so that her audience will attack. People often have valid critique of Swift- She just doesn't want to face critique at all- ever. If people say her music is too self-centered- Swift says that is Sexism. If people say her music is boring- she calls it sexism. If people say her music is shallow and only centered are relationships- She calls it sexism. When, in reality, it's valid criticism that has nothing to do with her being a woman. Only ever writing songs about your own myopic, self-centered perception of interpersonal relationships is shallow. Her music is objectively boring, because it's derivative. Her music is completely self-centered- and she only admits to that when it benefits her, but when critics say it, she calls it sexism.
Please don’t think badly of yourself. I am not here to hate on you either- I was you. I am not here to hate on anyone at all- I just want to share how my own knowledge, and expertise, of rhetorical appeals and literary analysis can expose Taylor Swift. Swift relies on this rhetorical technique to thrive, she obfuscates the truth, schemes, and manipulates people into thinking her music is the best thing on Earth- or thinking that she is literally a Saint. Clearly- nothing on Earth is that perfect- So why does she need her fan base to consider her a genius, and a saint, so badly?
Personally, I have no problem admitting I have flaws. I think most sane people can admit to their flaws. It’s not a bad thing to have flaws. So why does Taylor Swift react to all criticism like it’s the worst thing on Earth. Why does she have a whole song about calling critics “mean/ and a liar/ and pathetic/ and alone in life” (“Mean” 2010). She has the nerve to call that song an “anti-bullying” song; yet, is it so clearly bullying that random critic who wrote a bad review about her concert one time in 2009? She really hated that guy- and all he was doing was his job. She called him a drunken loser for just doing his job. 
She's written so many songs about how all her critics are just stupid, morally corrupt, or sexist: "The Man" (2019), "Mean" (2010), "But Daddy I love Him" (2024), "New Romantics" (2014), "Shake it Off" (2014), "I know Places" (2014), "Anti-Hero" (2023), "Paris" (2023), "Blank Space" (2014), "I did something Bad" (2018), "Dancing with our hands tied" (2018). There are more songs wherein she carries this theme of "everyone is out to get me, and they all hate me for no good reason" but I think I've listed enough.
The general message is all over "Evermore" and "Folklore" too every time she calls the general public "Clowns" or "masqueraders"
It's just everywhere- her subtle devaluation of legitimate criticism. Trying to chalk it all up to the critics being simply dumb, sexist, or malicious in some way. Perhaps some people are mean- true- but to generalize every criticism as evil? That's just her actually playing a victim card. There's no way every single critic, or person who doesn't like her, is evil, bad, or malicious in some way. Okay?
I’m tired of her claiming to be an amazing person and an amazing poet- when she is just not either of those things. She’s not a kind person- it's all over her music in the ways she maliciously hurts people for fun. She’s not an amazing poet either. I have a few college degrees- and one pass through her work, with a serious intention of literary analysis, I discover that her writing is plain, banal, and derivative. 
She wants everyone to compare her to Emily Dickinson, Dylan Thomas, and Shakespeare. So, I’m doing what she wants and taking her work seriously enough to critique it. Except that, in critique, I find out why it’s all poorly written- and why it’s just a bunch of thinly veiled conservative iterations of the same boring message over and over. All she ever says in her music is “poor me” and “I hate” (insert person- Kim K., Kanye, Matty, Joe, Jake, John, Scooter, Scott, Harry, Calvin, the media at large, anyone who critiques her, and men in the music industry as a whole). She has the longest list of enemies I think I’ve ever seen- and the funny thing is that all these people avoid her at all costs. None of these people talk about her- yet she is still singing, writing songs, and getting her fans to post memes about how awful they are years, even decades, later.  
It all gets a bit tiresome? No? Personally, I don’t wish to live a life full of such self-pity and hatred- so why should I listen to it in music form? Ya know?  
In my posts, I am attempting to find the truth. I don’t want to “hate” on anyone or anything- but I am going to seek truth in her work.  
I will be posting more about how she devoids Shakespeare of his social reformist efforts. I’m going to post more about how she twists the meaning of every literary reference she’s ever made. I am not kidding, she has misrepresented, and misinterpreted every single literary reference in her entire discography. It’s astounding how hard Swift tries to sound thoughtful- without actually being thoughtful. I will be posting about how she only ever name-drops to either tear other people down or self-depreciate herself in effort to seek pity. I will be talking more about her use of rhetorical appeals to both attract an audience, keep their attention through risk-reward trade-off, and manipulate them into fighting her battles for her. I will be talking about how she upholds a bunch of harmful stereotypes in her music. She often alludes, or blatantly includes allusion to colonialist attitudes. She’s used the LGBT community for profit without making any real activist efforts. She’s leveraged feminism like a weapon against other women- yet never actually has feminist themes in her music. She’s just so painfully hollow- upon closer inspection.  
I don’t hate her as a person. I think she’s unethical, sure, but that doesn’t mean I hate her, want her to die, or anything extreme at all. I would never wish harm to another human being. In fact, after seeing a lot of the harmful stuff in her music, especially about her kind of fucked up views on relationships, I sincerely hope she gets some professional help and finds some peace in this world. When I critique Taylor Swift it’s about her work and her brand- It's not about her personhood.  
I just think that no one Earth is above reproach, or critique, and we must all be held accountable for our own actions. She’s the one that puts her work out there for people- It's therefore completely appropriate for me to discuss her work. 
Edit: Oh and I want to add- I wish you luck in figuring out what you really think about Taylor Swift. If you ever need to talk or vent more- my inbox is always open. :) With peace and love- bye bye
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nartml · 5 months
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To Pimp a Butterfly and 1989: a rant
Listen here, three things about me are that I'm a) white as snow, b) Greek, c) still a minor.
What does this mean? It means that I obviously wasn't raised with hip-hop, and I got into Kendrick Lamar's music pretty late.
As in, early this year.
I've known of him for some time, and the moment I found out he had a Pulitzer prize at some point in late-ish 2023, I decided I had to sit my ass down and pull out Spotify.
Now, as an avid reader of both fanfiction (ao3 raised me) and books [I feel the immense need to clarify that I don't associate myself with mainstream booktok. Capitalism's consumerism has overrun that shit and all I see are the same 20 books being recycled and recommended (a substantial amount of those are Colleen Hoover and her variants). Tropes and spice* are officially the defining factors of whether a book is worth it (*your porn addiction ain't cute) and quantity is heavily prioritized at the expense of quality. Also, diversity who?], I was, for a lack of a better word, hyped.
A Pulitzer prize is nothing to scoff at in general, more so in music, more so in hip-hop.
(Edit: Upon quick reflection, I realize that putting emphasis on hip-hop can come across as coded.
I am in no way, shape, or form trying to undermine hip-hop or say that it's somehow less 'sophisticated' than, for example, classical music. I'm very aware of the amount of skill and technique one needs to write a masterful hip-hop album, and I'm not doubting that there are hip-hop artists out there who are also incredibly deserving of such a prize. I meant it in the sense that I've unfortunately never heard of another hip-hop artist who won a Pulitzer before, which is quite telling.)
That's some huge shit, and I'd be a fool not to be intrigued.
Admittedly, I didn't get on that immediately. For a while I procrastinated, because I wasn't in the mood to hyper-fixate on anything new just yet.
Which of course meant I ended up forgetting about it for a few months, because of course I did.
But then I came across a TikTok that talked about how it was insane that '1989' won the Grammy when To Pimp a Butterfly was right there.
Now, a fourth thing about me is that I don't fuck with Taylor Swift.
And a fifth thing about me is that I'm not baseless in anything that I do, say or feel, and that includes annoyance.
Her immature understanding of activism and feminism leaves a bad taste in my mouth. The way she built up her fan base around this portrayal of her as a relatable girl's girl, her refusal to accept criticism, and always making a victim out of herself (even now when she's in her thirties and is a fucking billionaire) while never using her position of power and privilege for good are all reasons that serve to fuel my dispassionate dislike.
And before any Swifties get on my ass, no, I don't think that "But she's a singer! Why are you expecting so much out of her, she isn't even qualified to speak on XYZ—" is a good enough excuse.
She has always been rich, and now she's a billionaire. There are no ethical billionaires, and that includes her.
Fame is influence is power. Uncle Ben said it all: With great power comes great responsibility.
And let me tell you, I don't see her owning up to that responsibility, especially after all that talk about how she supports women, supports the LGBTQ community, and supports the BLM movement. Has she ever actually put her abundant money where her mouth is?
I've never seen her speak about anything that doesn't immediately concern her.
Don't get me wrong. She's not the only celebrity like this out there. I'm sure there are worse cases. I know it for a fact.
To wrap this segment up before I get even more sidetracked, I'll outright state that I don't hate her, because hating her would by definition mean that I, in some way, actually care about her, and that just sounds exhausting.
Best way to describe me is indifferent, leaning towards distasteful.
She's annoying.
And that's how I feel about both her as a person and her as an artist.
I'm not denying her talent, nor her impact on the industry, nor the fact that she does have good songs that even I like.
A select few, of course, but still.
Apart from those...what? Ten songs? I have never, ever been able to listen to any other song of her's all the way through.
I get bored. They do nothing for me. They sound empty. Hollow. Plastic. Repetitive.
Her lyrics, that are praised by fans for being deep and complex, sound pretty surface level to me.
Not all of them. But I'm a sucker for analysis. A literature nerd. Greek is my native language. I can tell when something's deep and when something wants to be deep.
(Not necessarily including Folklore and Evermore in that category. Her storytelling ability is actually great.)
Her music largely sounds like it wants to be deep.
Most recent example being her latest release, The Tortured Poets Department.
Anyway, back to Kendrick.
My initial plan was to listen to 'DAMN.' first, because that's what he won the Pulitzer for in the first place.
There was a change of plans after that TikTok.
I decided to compare the opening tacks.
I put on Welcome to New York, and predictably, I felt nothing.
The rhythm is dance-y, I suppose. But there's nothing substantial about it. There's nothing exciting about it.
The lyrics are juvenile, and I get it, it's a pop song and she was in her twenties.
Nobody is expecting Shakespeare (no matter how much you scream or kick your feet, the only reason Shakespeare couldn't write Taylor Swift is because he's in another league entirely) or Odysseus Elytis. Nobody is expecting mind-blowing lyricism.
But it's the opening track to an apparently Grammy-worthy album. The very least I'd expect from it would be some additional levels of artistry.
Am I being harsh? Probably. Do I care? No.
Disappointed but unsurprised, I put on Wesley's Theory.
I ascended within the first minute.
Don't get it twisted, I barely understood shit.
Not only am I white, I am also entirely removed from America and its culture as a whole. I don't know what's going on there in y'all's daily lives.
And this was baby's first proper introduction to hip-hop as a whole.
My untrained, white-ass ear barely caught two references. I got what the gist of the song was about, and that's about it.
I had to look up analyses of the track to fully grasp what Kendrick was on about, and even then, there was obviously still a disconnect.
And I expected all of that.
I didn't expect to get hooked on that song within the first listen.
I swear to fuck, the beat is addictive. I swear to fuck, even when I was fighting to understand what the lyrics were referencing, I was having the time of my life.
Even I, an amateur in every sense of the word, could tell that there was depth and there was quality and there was intentional meaning in every line of that song.
It didn't matter that I couldn't understand it. It mattered that I knew it was there. Not because someone told me that was the case. But because it was audible.
I listened to the next track. And the one after that. And the one after that. I had listened to all of the tracks, before I knew it.
And the evident permeance of quality, of substance, carried on throughout the whole album.
It had exactly the type of lyricism I'd expect a Grammy-worthy album to have. It had exactly the amount of artistry I expected a Grammy-worthy album to have.
Even better, it had all the ingredients I expected a timeless album to have.
The poetry Taylor Swift fans insist hides in her discography, I found in plain sight within Kendrick Lamar's.
After meticulously reading the lyrics, I watched video essay after video essay, searched for analysis after analysis on this album, each time understanding the meanings behind it a little better.
Needless to say that the Grammy's are rigged and I love Kendrick Lamar.
Hip-hop is gorgeous.
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cera-writes · 4 months
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I love all your fics and i read you wanted to write song fics, and I've been obsessed with TTPD and Gambit this past month, so I was thinking in a hiper angsty fic inspired on this album and other songs, where Gambit meets Avenger! Reader, who is in her twenties, and they have a secret relationship because it could be a disaster between their teams, and she doesn't know Remy and Rogue's history, so when they break up and he goes back to Rogue, the reader doesn't know if everything that they had was real to him, plot twist Remy was using her to get information all that time. And she's heartbroken, but at the same time, she has so much rage.
Some songs by taylor swift that give me the vibe of their relationship: "Gorgeous", "Suburban Legends", "willow", "Slut!" "august", "Guilty as sin?", "Florida!!!", "The smallest man who ever lived", "down bad", "my boy only breaks his favourite toys", "how did it end?", "Would've, could've, should've", "dear john"
plus: "Silver Springs" and "can't catch me now" because he'll always be tormented by her love
* Sorry if there's something you can't understand, English is not my first language!!! Also, I don't know if you like Taylor or if this is a long request for you, so I understand if you don't write this, but I hope it can help you when you need inspiration.
And thanks for feeding the Gambit nation, his fics are scarce and everything you write is amazing xoxoxo
-💫
A/N: hello fellow Swiftie~ I wrote these sectioned into mini parts! It'd probably take me a while to write a full length fic but I summarized their relationship according to each song you requested :) Pairing: Remy "Gambit" LeBeau x (Avenger) AFAB!Reader
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Tangled Threads (A Gambit/Avenger!Reader Songfic)
Part 1: Gorgeous (and secret trysts)
He sauntered in, that Cajun charm dripping like molasses, a smirk playing on his lips that could disarm a bomb squad. Gambit. Not exactly Avenger material, an X-Man, but here he was lounging in the small speakeasy, all roguish charisma and smoldering unusual eyes. The two of you had struck up a secret alliance, amidst a blossoming relationship.
"He's gorgeous," you thought, trying to focus on the holographic briefing flickering before you. "Gorgeous enough to be a criminal mastermind." The internal voice was probably right.
He caught your eye, a slow smile spreading across his face. "Mind if I join the party, cher? Looks like you could use some company."
You rolled your eyes, a reluctant smile tugging at your lips. *"This isn't a party, Gambit. Briefing. And besides. we're supposed to be secretive."
"Even briefings need a little spice, wouldn't you agree?" He leaned closer, his voice a low rumble. "Besides, I brought intel."
That piqued your interest. Intel was always welcome, especially from someone as questionable as Gambit. The next few hours were a blur of stolen glances, whispered strategies, and a thrill that sent shivers down your spine. This shouldn't feel so good, not with him on the other side of the line.
But there he was, effortlessly weaving himself into the fabric of your world, a secret melody in the symphony of my life. "And you're right here, right next to me," the T-Swift song echoed over the ambiance of the bar, perfectly capturing the forbidden electricity crackling between you.
Stolen moments turned into stolen nights. Rooftop rendezvous under the city lights, whispered secrets amidst the chaos. You were a tangled mess, a love story written in code, a secret waiting to be exposed.
"Deep down, I know this is delicate," the lyrics resonated with the fragile nature of your connection. "But I can't turn away." The danger was intoxicating, a forbidden fruit you couldn't resist. But the fear, a persistent whisper in the back of my mind, gnawed at you.
Was it real, or was it just a game? Were you just another pawn in Gambit's grand scheme? The thought sent a tremor through you. "Maybe we got something good," the song continued in your headphones, painting a hopeful picture despite the growing doubt.
But hope, like trust, was a fragile thing. One day, the melody would change, the chords turning discordant. And when it did, the fallout would be a symphony of heartbreak.
Part 2: Willow (and Whispers)
"We can't keep doing this," you whispered one starlit night, the weight of your double life heavy on your chest. "It's too risky. We're on opposite sides."
He pulled you closer, the familiar warmth a bittersweet comfort. "Love doesn't play by team rules, cher." You could never tell what he was thinking. He always had that damn poker face.
"If this was an open shut case, I never would've known from the look on your face, Rem," you replied, challenging his open statement.
"Heh," he smirked. "Daring though, non?"
"But it can get us both killed," you countered, the voice you used for briefings laced with unspoken fear.
"Maybe that's the thrill, yeah?" He winked, the playful facade a mask for something deeper. "You're a prize I'd cheat to win, chere."
A knot tightened in your stomach. Was it just a game to him? Was he another "august slip away into a moment in time," a fleeting fling he'd discard when the thrill faded? "Guilty as sin," you thought, a line from another song echoing your turmoil.
Part 3: Slut! (and Lies)
The news hit you like a psychic blast. Remy LeBeau, back with Rogue. Public declarations, lovey-dovey photos splashed across mutant newsfeeds. The air felt thick with betrayal, the stolen moments tainted with a sickening suspicion. "Slut! Oh, you're the only one who even tried." The song ripped through you, a cruel mirror reflecting your shattered trust.
Fury simmered, a storm brewing beneath the hurt. Were you just a pawn in some twisted game? "Down bad, down bad, but I won't cry." You wouldn't let him break you. Rage, a fiery ember, ignited alongside the heartbreak. Maybe this was for the best. Your reputation had never been worse. At least you could focus on your team and not Remy anymore. But who were you kidding? It hurt.
Part 4: The Smallest Man Who Ever Lived (and Doubts)
Days turned into a blur of training, a desperate attempt to drown the doubts. "Was he the smallest man who ever lived?" You questioned everything, replaying his words, searching for a crumb of truth. Had he ever loved you, or was it all an act? A cruel manipulation to infiltrate the Avengers?
Part 5: Dear John (and Deception)
You cornered him, the raw emotions a maelstrom in your eyes. "Did any of it mean anything, Remy?" The question hung heavy in the air.
His smile didn't reach his eyes. "Always cherish the memories, cher. But some things just can't last."
"Would've, could've, should've," you seethed. "Was it all a lie?" The words were a gut punch, a desperate plea for the truth.
He turned away, a flicker of regret in his eyes. "Maybe that's a story for another time."
Raw, unbridled anger burned through your veins.
"Right," you spat, the bitterness dripping from your tongue. "Just another girl you used and discarded." The weight of his betrayal settled on you, a heavy cloak.
Chapter 6: Can't Catch Me Now (and a Tangled Future)
The training room became your sanctuary. Sweat turned into tears, the pain fueling a relentless drive. Punches became declarations, each blow a defiant roar against his betrayal. "Flying like a jet stream, faster than the white cars can go." You wouldn't be some damsel in distress, a mere conquest in his web of lies. You'd become stronger, faster, a force to be reckoned with.
He might call himself Gambit, but the real gamble was his. He'd bet on manipulating you, using you for his own ends. But the tables had turned. You wouldn't be another forgotten pawn in his game.
One day, your paths would cross again. And when they did, you wouldn't be the naive hero he'd once known. He might slip through your fingers like charged cards, haunted by the ghost of a love he couldn't keep. But as you soared through the air, empowered by rage and renewed purpose, one thing was certain:
"You can't catch me now."
Hope this was okay! I tried to use most of the songs you listed! (´▽`ʃ♡ƪ)
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fairyhaos · 1 year
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seventeen as taylor swift songs
notes: guys. guys im not even a swiftie but ive listened to sooo many of her songs for this hc that i could literally Become one now if i wanted to
[this fic's spotify playlist]
masterlist
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seungcheol
wildest dreams. it's kind of an incredibly, almost painfully romantic song. it's kind of a whirlwind romance song? while it's certainly a little hopeless, there's yearning there, and there's also so much vivid, vibrant love at the same time, a kind of possession, of protectiveness even so. it's seungcheol because of the desperate, helpless love it describes, a 'i couldn't help but fall for you' vibe that is so him.
jeonghan
style. the type of pretty boy x pretty girl energy this song exudes gives me delicate, gorgeous, jeonghan vibes. it's sweet, light, but it's also playful and so romantic that it makes your heart feel so full it might burst. it's something you can scream loudly, but also something you can hold close to your heart. the song is a silvery cream colour, reminding me of jeonghan
joshua
enchanted. i mean???? enchanted is The royal, romantic, sparkling, glittering song of all time. it's gentle and gentlemanly and yearning and hopeful and wonderful and so, so joshua coded it's actually insane. it's a type of strangers to friends to lovers that crescendos into a heart-melting happy ever after that takes your breath away. it's so joshua it makes me cry.
junhui
paper rings. it's so youthful, so bubbly, so young love in the way that only junhui can be the one to embody. it's sweet like junhui's smiles, endearing like junhui's laughs, bright and lovely like the way in which junhui would love with his entire heart. paper rings is so full of brightly orange coloured love, just like junhui is.
hoshi
22. this song talks about living your life to the fullest, no matter the age, for all time, as if every day is your last. it's about finding happiness in every situation, with the person you love the most in the entire world. it's a song that feels like bright, flashing lights, like warm drinks, like soft kisses. it feels like hoshi.
wonwoo
willow. the acoustic vibes of this song feel very wonwoo. there's a sort of undying, eternal love in the lyrics, an idea of always coming back to him, of forever finding endless comfort and wonder and new experiences while loving him. there's a certain domesticity to this song, and honestly the best way to describe it really is eternal love, constant love, comfortable and thrilling and warm all at once.
woozi
jump then fall. honestly, it took me a while to find one for woozi, but then i discovered this song and it fit him perfectly. it's devastatingly soft, so gentle and caring, just like woozi is. it doesn't have any sudden realisations of love, but rather a slow, soft kind of falling in love, an innate understanding of how one feels, and that is just so, so woozi to me.
minghao
all too well. the romantic, elegant, velvet feeling to this song embodies minghao very, very well. it's almost wistful in its love, like remembering a wonderful memory, like making sure that you remember the best times of your life without any animosity, any hatred. it's of real love, of cherishing, gentle and nostalgic and minghao all the way.
mingyu
daylight. it's a little youthful, hopeful, bright, like mingyu. the song just exudes so much "happy ever after" vibes, at the end of a perfect romantic novel, and that's so mingyu. it's the epilogue song, heart filled with warm love, his smiles as sweet and gentle as the chorus of the song. it's hopeful, optimistic, beautiful.
dokyeom
cruel summer. okay first of all—the high notes?? the pretty little voice tremble thingies?? it's so pretty dokyeom voice coded. but also, apart from that, it's such a sweet sounding song, young and happy and and hopeful and devastatingly him. it's yearning and endearing at the same time, full of every emotion in the world, just like he is.
seungkwan
shake it off. it's a citrusy brightly fun song, with lilac undertones and this is gonna sound really really weird but that instantly made me think of seungkwan. it's full of positivity, of bouncing back, of not giving up and and not caring what anyone else thinks. of being the life of the party, of making other people happy, and that is the most seungkwan thing in the whole world.
vernon
we are never ever getting back together. lyrics aside, there's a lot of feel-good energy in this song which feels so vernon. honestly lots of taylor's old songs feel like they can match him a lot, because there's so much young energy, feeling a little like a boundless puppy, and i don't know. the self-assurance, the brightness, the pure pop, light feeling is something that just fits vernon.
chan
red. perhaps an unexpected one, but hear me out, this one is so, so, chan-coded, i promise you. it's like an old love, a sad, wistful love. but a wistful love of a romance that was anything but that: of a romance that had been full of the scent of leather and love and living. that's what chan is, i think. red feels very, very much like loving chan.
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notyouraryang0dd3ss · 4 months
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One lowkey thing that kinda drives me insane about Taylor Swift is discussion about her music. I don't know how to explain this properly but... (sorry for the long ask)
She's not an excellent singer. She's fine, but as a good example from her own discography: look at Florida feat. Florence. Florence singing her verse made me wake up in that album and made me realize how the song could've been delivered! She sings it in a much more interesting way than Taylor did. This isn't even to speak towards other popular artists like Beyonce, Ariana, Lana, Olivia, Billie, etc. who all have their own signature vocal styles and delivery that are impressive and make their songs.
I don't know. It feels bizarre to have one of the biggest pop artists in the world to have such mediocre vocals. TTPD as an album I feel partly got killed because of the way she's so samey about her vocal delivery.
But her fans would say no it's not about the vocals, it's the songwriting. But then TTPD songwriting was meh and just awful at some parts (the 1800s racist line is weird. period. I don't care whatever essay defense they give it). What now? What's the appeal? Why does she get to release something mediocre and get all the attention and praise when some artists have released great albums this year?
Then there's also when she gets the weirdest praise for the mildest things that other musicians have done. Album eras? "Oh, she's so cool and different for that!" No, she didn't invent them, shut up. An album of fictional songs with a story? They act as if concept albums don't exist! The most minor of genre shifts (she's primarily exploring different types of pop) are treated as experimental and groundbreaking. The most milquetoast and shallow political music she ever wrote (YNTCD and The Man) are seen as iconic moments of speaking out. Like what?
It's just frustrating me. I remember when someone told me she screamed in some songs in TTPD (Who's Afraid of Little Old Me and The Black Dog iirc) and I listened to that album and I thought they were joking with me because what do you mean scream??? Why does she get praised for so much mediocrity holy shit!
I think this is why when I hear people say that there's swifties that only mainly listen to Taylor and Taylor-adjacent artists, I believe them. I feel like they're making so many impressed remarks about her work because that's all they know. That's how we get genre takes like someone saying Rep is punk or how they want her to make a rock album. I feel like that's how we get stupid stuff like Gaylors too. Because why listen to actually out queer artists if you can just reimagine your fave artist as queer?
Honestly, I just don't understand the attachment to her music? Every time someone tells me it's because she's relatable, I just shake my head because she's never been relatable to me, even back when I enjoyed her songs. Maybe I'm too un-USAmerican for this, but she was never very universal for me. I enjoyed her because she did fun pop songs. But now I've realized she's so frustratingly shitty as a person, I can't listen to her.
Sorry for the rant, but it's been hard to find a space for this without getting attacked by swifties (especially as a poc).
(1/2)
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