#now we can draw more attention to it :-)

[atroquinine-my-love]

My piece for @desire-asoryuu-zine! Who knew planning a wedding would be so hectic…

If you happened to miss Desire or Intimate Desire the first time around, there’s currently a charity run supporting Care For Gaza!

[taikanyohou]

found this super interesting. this person below is an acting coach and scriptwriter that's worked on/working on: kinnporsche (2022), only friends (2023), playboyy (2023) and mansruang (2023):

[firefly464]

Two souls. Both given a second chance. Both waiting for a third.

Some bonus versions under the cut :D

also shoutout to @fishcop for listening to me ramble about this idea and then showing up with a beautiful drawing like. an hour later :D

[butterflieswhisper]

hiiii ^^ beastlife fishie analysis. spoilers ahead. etc etc

okay so. the main point of this is simple. I don't think the salmon head cursed c!fishie. Explaining that is the harder part I think. also i'm going to refer to the salmon head thing in e5 as "the incident" from here on out because frankly i think it's funny

Let's start with the incident. The big day. etc. What happened? Why did it happen? Obligatory third questioning statement? Well. She was gifted the salmon head for her birthday by kiwi(or like. someone in the kiwibird system. -bird system. the birds). Immediately upon receiving it she relives parts of season one and fishie herself doesn't really acknowledge it. The other players definitely notice but im not caught up enough in any other pov yet to like have thoughts on that I'll come back to that point someday. Fishie seems shaken, sure, but she moves on so quickly, especially considering what happened just there. 37 seconds of standing frozen, unresponsive. she recovers in 5 seconds. And seeing how she reacts later on to realizing the memory situation--if she was aware that happened, she would probably be concerned by it. She puts it on for a brief second at the end of the party and takes it off immediately. She's otherwise normal -- well. as normal as she is otherwise up to that point. Because that is also how she acts with pretty much any salmon head, even just kiwi herself.

I raise: Episode one, about 8:20 in. The slow zoom on kiwi as the static overtakes every other noise. This is the *exact* same behavior displayed when fishie receives the salmon head, albeit without actual concrete old video footage style flashbacks. In episode two (28:55ish) the same thing happens when she looks at the salmon head in moch's house, but this time there is technically a flashback -- kiwis grave. Fishie moves on immediately and doesn't acknowledge her behavior at all, and, seeing as it is fishie, im inclined to believe that means she does not know she is doing it. Fishie (when alone) will discuss all of her problems in immense, and usually misguided detail (bestie i promise kiwi doesn't hate you???) to the audience and/or herself. I mean she's not alone in episode one, and it is technically presession, and i guess getting struck by lightning is a decent distraction from your problems, but in episode two? She is completely alone. There is nobody with her. She went looking for moch and moch is not there. She still doesn't acknowledge the fiveish seconds she is completely frozen. This happens again and again with kiwi and salmon heads.

And then that leads you to e5. The incident. She's. well. she's doing worse. 0:50. "This will distract me if i leave it up." This is the first mention from fishie herself about how fucking weird she's being, and even then she doesn't seem concerned. I think she does not realize she's being so so incredibly weird about it. If the static and freezing is what's referred to as "distraction" then keeping it in her inventory makes it worse actually so it wouldn't really make sense unless the way it is distracting her is NOT the. well. whatever the fuck is wrong with her (affectionate). After she puts the head on there's the static all the time but for a short brief amount of time she's like significantly more normal and i don't really know if that means anything i just think it's really funny.

And then we all know what goes on during the incident i'm not analyzing this video frame by frame. um. i could. but i am not going to right now. And then she has the conversation on the table with kiwi where she like is normal for 5 minutes. Like genuinely the most. i guess stable? fishie's thought process is is like in the moments directly after the incident. She is immediately understanding with the antikiwi situation, they come to an agreement that they're like. okay now. "thank you for everything and im so sorry i couldnt do more" / "it was short, but it was nice" "i knew what i was getting into when i married you" etc etc and then they kind of rush it at the end because people won't stop dying. But then fishie is fishie and takes it in the complete opposite extreme (from. um. whatever was wrong up until now. to "oh kiwibird must secretly hate me because" and then there's no real good reason she's just like that) and it's also an issue. And i think the season two memory thing is also a part of that but this is so long already and so i'm not going to get into it rn. So bringing all of this back to my original point: the salmon head was not the cause of the curse(?) because she's been so weird all the time forever and the salmon head thing was just like. an effect. of whatever went Wrong(tm) in the season transition. like the head was a vessel to Be Worse about it but i feel like it would have worked with any salmon head she got her hands on and that it happened to be kiwico was a coincidence and also that the head wasn't cursed at all there's just something deeply wrong with fishie s3 in general and uh yeah 👍

I'm so sorry this is so disjointed i had a thesis statement and everything. alas

[neptunesailing]

mayoi (enstars x hnk au)

[see-arcane]

After today’s entry, I am once again baffled by any adaptation that makes Renfield out to be some direct and obedient minion to Dracula’s whims. This guy literally breaks out the second he thinks his Lord and Master (read: Idealized Supernatural Benefactor He’s Decided Will Give Him Grisly Boons and Superpowers) is being ‘stolen’ from him and begins wailing on those he deems responsible...

...except those same guys are the ones hired specifically to carry out Dracula’s instructions of Transylvanian dirt box removal/delivery. The actual, if unwitting, minions getting paid to do his mysterious bidding. Considering Renfield’s mindset, it reads a lot less like ~protecting his Master~ and a lot more like--

Dracula, having a grand time: Well, that’s Miss Westenra taken care of, obstinate guardians notwithstanding. Oh, and here come my laborers for the earth moving! Lovely. What a productive few days this has been--

Renfield, Victorian era “Girlfriend” by Lady Avril Lavigne blasting in his head, attempting to murder the Count’s secondhand employees out of doing their job: DON’T YOU DARE TOUCH MY MAN OR HIS DIRT

Dracula, now t h i s close to having people turn up to snoop around Carfax to figure out what this guy’s problem is with the place/apologize to the homeowner and revealing his whole deal: 8)

All of which lends more weight to Renfield being less an outright Igor caricature being unduly influenced by the Count, and more like Dracula getting a taste of, How About That, Not So Fun Having a Fixated Aggro Stalker, Is It? medicine himself.

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[icewindandboringhorror]

sometimes looking at like Self Help Strategies lists for the symptoms I'm having is always just like:

thing that I already do

thing I have tried 10 times

thing I already do

thing that I don't have the money to do

thing I already do

thing I've been doing since I was 10yrs old to no avail

thing that is impossible given my situation

thing that doesn't apply to me

thing that I already do

thing I have already tried

hrmm, oh wait, maybe finally- OH, yeah.. okay. thing that I already do but it was just phrased slightly differently

thing I have already done

[chiropteracupola]

sometimes you start to wonder what the historical record for the guys you made up looks like in the fictional world where they existed. and then you make some fake documents about it.

[moth and compass is a collaboration with @natdrinkstea!!!]

[todayisafridaynight]

That fuckin new bucket list trailer for 8?????????

hey what if we all just cut ourselves in half after this huh

[meatlessmcmuffin]

twitter suspends me for "violent speech" seconds after i make a joke about tapeworm physiology but the overwhelming amount of people who responded to wednesdays shooting by blaming lewistons somali community are just fine? fuck offff

[goldensunset]

you know you’ve lost when you keep editing the drawing that you’ve already publicly posted and sent a bad version of to your friends

[always-a-slut-4-ghouls]

Podcasts are frustrating because I can’t listen unless I’m almost asleep or busy with my hands but whenever I try to think of something to do with my hands (other than art or maybe cleaning) it’s reading!!! Which does not go with podcasts! I can’t consume words x2 at the same time and I’m angry when I realize that 😠

[headspace-hotel]

Oh my god I'm sooooo mad right now

So. I have no business telling people not to collect wild plants/materials.

I do it all the time.

However.

The words "wildcrafted," and "foraged," even "sustainably harvested," are terrifying to see in an ad on Etsy or Instagram

There is a such thing as the honorable harvest where you ASK the plant if it is okay to take, with the intention of listening if the answer is NO. Robin Wall Kimmerer talked about this, She did not make it up, it is an ancient and basic guideline of treating the plants with respect.

Basically it is not wrong to use plants and other living things, even if this means taking their life. But you are not the main character. You have to reflect on your knowledge of the organism's life cycle and its role in the ecosystem, so you can know you are not damaging the ecosystem. You have to only take what you need and avoid depleting the population.

Mary Siisip Geniusz also talked about it in an enlightening way in her book Plants Have So Much to Give Us, All We Have To Do is Ask. She gave an example of a woman who was on an island and needed to use a medicinal herb to heal her injured leg or she would not survive the winter. In that situation she had to use up all of the plant that was on the island. This was permissible, even though it eliminated the local population, because she had to do it to save her life. But in return the woman had the responsibility to later return to the island and plant seeds of that plant.

And what makes me absolutely furious, is that there are a bunch of people online who have vaguely copied this philosophy of sustainability in a false and insulting way, saying "wildcrafted" or "foraged" materials to be all trendy and cool and in touch with nature, when it is actually just poaching.

If you are from a capitalistic culture the honorable harvest is very hard and unintuitive to learn to practice. I am not very good at it still. This is why it is suspicious if someone is confident that they can ethically and respectfully harvest wild materials with money involved.

So there's this lichen that is often called "reindeer moss." It looks like this:

It grows only a few millimeters a year.

This is "preserved" reindeer moss.

It is from Etsy, similar is also sold in many other online shops, many of which have the audacity to describe it as a "plant" for decorations and terrariums that needs no maintenance.

It is not maintenance-free, it is dead. It has been spray-painted a horrible shade of green. The people buying it clearly don't even know what it is. It is a popular crafting material for "fairy houses," whatever the hell those are. So is moss, also dead, spray-painted, and wild-harvested. Supposedly reindeer moss is harvested sustainably in Finland, where it is abundant, for the craft industry. However poaching of lichens and mosses is absolutely rampant.

It's even more upsetting because there's hardly any articles drawing attention to the problem. This one is from 1999. And the poaching is still going on.

There is a "moss" section on Etsy, and it is so upsetting

These mosses and lichens were collected from the wild. Most of the shops are in the Pacific Northwest or Appalachia, which are the major locations of moss and lichen poaching. There are some shops based in Appalachia selling "foraged" reindeer moss.

Reindeer moss may be abundant in Finland, but in Appalachia it should NOT be harvested to be sold on Etsy as craft supplies! Moss doesn't grow quickly. Big, healthy colonies like this took years to grow. Some of these shops have thousands of sales, all of bags and bags of moss and lichen, and thinking of how much moss and lichen that must be, I am filled with horror.

Clubmosses do not transplant well, and these ones have no roots. The buyers do not realize they have bought a dead plant because clubmoss stays green and pliable after it is dead.

This is especially awful because in Mary Siisip Geniusz's book she talked about clubmosses being poached so much for Christmas wreaths that they had almost disappeared from a lot of forests.

I don't even know if this is illegal if it's not a formally endangered species so I don't know if I can report them I'm just. really sad and angry

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.