#of course letting poverty get to this point

[fairuzfan]

the reason i shared my great-grandmother's story on here a few months ago is not for sympathy or anything, its to illustrate to you just how deeply, deeply anti-Palestinian the idea of zionism is.

i remember my grandmother, the one who watched her mother die in her home, she called us with a plain tone of voice, and she said "she asked to be buried in [her village] but of course the the zionists wouldn't let that happen." the thing that will not leave my head was the way my grandmother said it, the way it just seemed so natural and so obvious to her. my grandmother is *not* a quiet woman, she yells everything she ever says, whether happy or sad but this she said softly. like she was resigned to this, she expected this.

this woman was exiled once from her village, then again from Palestine, then again and again and again and eventually forced to live in poverty in a refugee camp, she knows the 'israeli' state more intimately than anyone i know, she knows what it will and won't allow in its genocidal apparatus and to her it was obvious that they would not respect her mother's body or last wishes. she knew that.

and i always go back to it when i see discussions on here or on twitter or in academia, like you guys (the moderates, the apologists) have never ever spoken to a nakba survivor or a naksa survivor. you don't know just how deeply its affected our families.

so when we ask you to completely reject zionism, when we demand it from allies, we aren't saying this to be stubborn or nonsensical, we're saying it because we know where zionism will lead us. we've been through the "we just want peace" and the "we need to just talk it out" phases already, how can you not think we've been through those phases after 75 years. we've had our meet and greets and our appeals and now we're at literally the worst stage of genocide against our people and you're still insisting on "talking it out" or some variation of it.

the truth of the matter is that we don't have patience for zionism anymore because look where it got us. look where we're at. even soft zionists, you need to stamp those people out from pretending they've got good points, or that you need to build community with them or whatever. we are literally at the worst part of Palestinian history ever, we need to stop pretending there are grey zones to this. Zionist apologists and the like are creating ambiguity that literally gets our families killed under the guise of "complication". I'm sick and tired of watching these same discussions over and over again about how "Israel is a result of antisemitism" when it very much is not. I'm sick of seeing people who know NOTHING about colonization push their own agendas and provide cover for zionists to do whatever they want. Just stop talking about things you don't understand because I promise you, you're directly contributing to the violence you claim to abhor.

[princessbellecerise]

Sweet Like Sugar

──── ✧*･ﾟ*✭˚･ﾟ✧ ────

summary | In which you’re Coryo’s sugar baby

warnings | smut, sugar daddy!coryo, slight public sex

this is an eighteen plus fic. minors do not enter

divider by @princessbellecerise

You’re not sure what to say at first when Coryo proposes this idea to you, but you have to say that you’re shocked

You’re nothing more than a district girl, having been raised in not quite poverty but not abundance either

You’ve never had anything other than the bare minimum, so when Snow offers to give you the world and to take care of your family as well?

Well, it’s obvious what you choose

Quickly, you end up being transported from your district to the Capitol in no time. While your family is given a high rise apartment and grocery deliveries every month, you’re given your own space; a house not too far from his own mansion

Snow likes to keep you close, as he does with all of his prized possessions

And first things first, you’re spoiled

There’s no one in Panem that has more than you, no one that has more jewels, clothes, makeup, etc. Not even Coriolanus himself

He takes such good care of you, making sure that you want for nothing and that you have everything you need

He’s surprisingly generous; but you both know that it doesn’t come without a cost

The world outside of the capitol is a harsh one; one that you desperately don’t want to experience again. You’ve seen people starving to death or being maimed by wild animals in your district and you do not wish to live that kind of life. You’re content, comfortable with how you live so any price he states, you pay

Usually it comes in the form of Coryo being on top of you, a hand around your pretty little neck while he fucks you on his desk

Or, sometimes it’s in his room, with your face stuffed into his luxurious pillows as he fucks you from behind

One way or another, he uses you like you use him. Whenever and however he pleases

You don’t mind of course, loving the way you’re bouncing on his cock one minute and then the next he’s buying you a diamond necklace

He likes for you to get dolled up for him, so he can show you off and make everyone around him jealous

He sees the way they look at you, and the way other men and even women envy him. He knows that they’d give to have you but they can’t. They can’t afford you

Sugar daddy!Coryo that always makes you call him ‘sir.’ He tell you that it’s the proper way to address him as he is the president, but really he just likes the way it sounds coming from your pretty little lips

Often times, he’ll call you nicknames such as ‘Doll,’ or ‘Pretty Girl’

They’re fitting seeing as you’re always dressed up, whether that be in fancy dresses or silk night gowns that he’s specifically picked out for you to wear

Sugar daddy!Coryo that takes you out for fancy dinners, only to end up fucking you in the bathroom like he’s a commoner. He always hates when he looses his self control like that but fuck—sometimes you just look so good that he can’t help but to stoop to that level

Sugar daddy!Coryo that kisses you desperately in some random bathroom stall, that has you pressed up against him and can’t stop rambling about how hard he is

Coryo that has you stepping out of that expensive dress in no time, even tearing it a little so he can reveal your pretty cunt

You’re always wet for him, always so eager and that’s what Coryo loves

He loves the feeling of you wrapped around him, moaning his name and begging him to let you cum

Of course, before it even reaches that point, he also has you on your knees, sucking him off to try and relive some of his desperation

Even after everything, Coryo likes to think that he’s a gentleman, so of course he lays his jacket on the floor so your knees won’t be hurting

It’s the least he can do because fuck—you always have him cumming in no time, and again once he’s fucking into your tight cunt

He never cums inside of you, always on your tits or in your mouth

He just loves the way that you look up at him, pretty face coated with his seed. He always take a few seconds to admire you before cleaning you up, making sure you’re presentable once again before finally settling down at your table, thirty minutes later

And of course, before he takes you home for the night, he also makes sure to fuck you one last time in his fancy limousine, windows fogging up and all of Panem having no clue what’s happening behind those tinted windows

[thewriteadviceforwriters]

Creating Compelling Character Arcs: A Guide for Fiction Writers

As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.

Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.

What Is a Character Arc?

Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.

A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?

The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.

The Anatomy of an Effective Character Arc

Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:

The Inciting Incident

Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.

Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.

Lies They Believe

Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.

Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.

The Struggle

With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.

Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.

Moments of Truth

As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.

These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.

The Resolution

After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.

A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.

Tips for Crafting Resonant Character Arcs

I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:

Get Specific With Backstory

To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.

Strive For Nuance

One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.

Make the External Match the Internal

While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.

Dig Into Your Own Experiences

Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.

Happy Writing!

[princesssarisa]

Pride and Prejudice adaptations with a modern setting – e.g. The Lizzie Bennet Diaries, Bride and Prejudice, Pride and Prejudice: A Latter-Day Comedy, Fire Island – seem to almost always save Lydia from Wickham in the end. Either Darcy stops the elopement, or the elopement is replaced with an online sex tape which is taken down. Wickham is either arrested or at least left behind permanently, and Lydia learns a lesson and gets a happy ending. Neither she nor the other characters have to live with her mistake for the rest of their lives the way they do in the original.

I've just been rereading several people's posts on this subject, and about Lydia's portrayal in general, which show some very different opinions about it all.

Of course, part of the issue is that in a modern setting, it's much easier to save Lydia. In most of the modern Western world, a teenage girl running off with a 30-year-old man would result in the man being arrested, not in their needing to get married to save both the girl's reputation and her whole family's. And even if they did get married, divorce is an option.

But I suspect the bigger issue is that Austen's original ending is considered cruel, unfair, and a product of outdated morals.

People view Austen as punishing Lydia for being a "bad girl" by leaving her trapped in a loveless marriage to a worthless man and always living on the edge of poverty, when by modern standards, she's guilty only of teenage foolishness. They accuse Austen of "making an example" of Lydia to teach young female readers how to behave, in contrast to the virtuous, well-behaved Elizabeth and Jane with their happy endings, and they call it anti-feminist.

Not only is Lydia's marriage bleak for her, it slightly mars Elizabeth and Darcy's happy ending too, as well as Jane and Bingley's. It means Wickham will always be a part of their lives, and for Lydia's sake, they're forced to treat him as a family member. Darcy is forced to financially assist his worst enemy – though at least he draws the line by not letting Wickham visit Pemberley – and even Jane and Bingley's patience is worn thin by the long periods of time Wickham and Lydia stay with them.

By modern standards of romantic comedy, this isn't normal. The heroine, the hero, and all their family and friends are expected to live entirely "happily ever after," while the antagonist – especially if he's a womanizer who preys on teenage girls – is expected to be punished, then never heard from again.

But of course, Austen didn't write simple romantic comedy. Her work was social commentary. Lydia's ending arguably isn't a punishment, but simply the only way her story could end without disgracing her or killing her off, and it arguably it serves less to condemn Lydia herself than to condemn the society that lets men like Wickham get away with preying on naïve young girls and forces their victims to marry them or else be disgraced forever. It also condemns the type of bad parenting that leads to Lydia's mistake. Lydia is the product of her upbringing, after all: between Mrs. Bennet's spoiling and Mr. Bennet's neglect, she's never had any decent parental guidance or protection. And our heroines, Elizabeth and Jane, both pity their sister and regret that marriage to Wickham is the only way to save her honor. No sympathetic character ever says she deserves it.

The fact that Lydia is trapped in a bad marriage, and that Wickham does go unpunished and the other characters will always have to tolerate him and even cater to him for Lydia's sake, arguably drives home Austen's social criticism. The fact that it adds bittersweetness to the otherwise blissfully happy ending is arguably part of the point. If we change it just to create a happier ending, or in the name of "feminism" and "justice for Lydia," doesn't that dilute the message?

Then there's the fact that by the standards of Austen's era, Lydia's ending is remarkably happy. She doesn't die, or end up abandoned and forced into sex work or a life of seclusion. Nor, despite Mr. Collins' recommendation, does her family cut ties with her: the ending reveals that Jane and Elizabeth regularly welcome her into their homes, and Elizabeth "frequently" sends her money. Other authors would have punished her much more severely.

But of course, that was a different time. While in Austen's original context, Lydia's fate might seem fairly happy and lenient, by modern standards it seems more cruel. And since most of the modern retellings that change her fate are screen adaptations, not books, maybe the difference in art form further justifies the change. I'm thinking of that post I recently reblogged, which argued that some of Austen's more "merciless" plot points would seem darker on film than in print, and therefore tend to be softened in adaptations.

So how should a modernized adaptation handle Lydia's ending? Is it better and more progressive when they save her from Wickham? Or for the sake of social commentary and retaining Austen's sharp edges, should the writers follow the book and find a way (not necessarily marriage to Wickham, but some modern equivalent) for her mistake to leave her trapped in a less-than-happy life, and add a slight bittersweet note to the other characters' endings too?

I think a case can be made for both choices and I'd like to know other people's viewpoints.

[centrally-unplanned]

We have results of the "Denver Basic Income Project" targeted at homeless groups in the region, which from their lens must be quite disappointing:

Groups A and B are the experimental groups, receiving $1k a month for a year or the same amount as a lump sum. Group C got $50 a month, a "compliance" payment to make sure they show up for data collection essentially. Hilariously, the website is pretending Group C is not a control group, since they got the pennies they dug out of the sofa cushion, and saying this is all a success!

"Statistically significant across all groups" this is a hate crime against data science. But it is so laughable that it isn't really worth getting into; what else can you say?

More substantially, what you are observing in this data is that the homelessness population is a little bit bimodal between the chronic and the temporary. Not fully ofc, but it's normally evident in the data - the median person is homeless for ~12 months, but ~1/3rd are chronically homeless while another ~1/3rd are generally only homeless for a few months, and then the rest bleed out in the middle. With no UBI the results above are what you would expect - half the group found income sources, found housing, and returned to being poor-but-housed, that is the default. For the other group, homelessness is a combination of the "willing" homeless and the structurally excluded, from drug problems to actively violent behavior to track records of similar that disqualify them as too high risk, or those who simply loathe all bureaucratic systems and refuse to comply (mood).

$1000 a month is pretty substantial, you aren't realistically going to have UBI higher than that. And it is not like recipients were excluded from SNAP/food stamps or anything. Giving radically more could maybe shift things, sure, but I think you are seeing close to the "cap" here on what you can realistically shift with lump sums.

For a certain kind of UBI proponent I could see this being a failure, like "oh why did money not fix this". I sort of view it as the opposite? Why would I expect money to fix this in that way? UBI is a consumption subsidy, the entire point is that it's no-strings. If people want to spend their consumption differently than I would expect, good for them? UBI is about broad based income support; it is not targeted at specific social ills by design. I think it can have structural changes in the economy - UBI permanently shifts bargaining power between workers & employers a bit for example - but I wouldn't expect it to say close the educational achievement gap outside of marginally.

I do think this should be a check on a sort of naive "poverty" lens for social ills; ~50% of homelessness is about money churn. This paper actually does a bad job of showing that, because it tracks everyone at "time zero" when they are all homeless. If you look at other studies where housed and unhoused alike get UBI, you see that they are less likely to become homeless to begin with. And it is just one study of course - additionally 2021-2022 was a bad year for housing as temporary Covid eviction & rent control measures expired, and this pilot started in 2022, while meanwhile it was a *really* good time for the poor-but-working income-wise as low-end wages increased dramatically, so it was a big dip combined with big churn in the poverty rates. Still, with all those caveats poverty is probably not the lodestone for that other ~50%. If you want to address those social ills you are going to need more involved social programs - or be a libertarian about it and let them do as they wish. Your call, as long as the limits of "throw money" at a problem is understood.

[keepittoyourshelf]

Since the algorithm on my various socials thinks I actually want to see a ton of people simping over Rhys and ACOTAR, let’s get down to the bones of why that algorithm is fucked beyond all comprehension, shall we?

I’ve never hidden the fact that I’m pro-Tamlin, not in the sense that I approve of what he did, but from the place that I believe he’s worthy of forgiveness in the same way any of the men that SJM otherwise glorifies in her work is worthy of it for any of their transgressions.

I shouldn’t have to do a paint by numbers thing here to make this obvious, but based on the actual text written by SJM in her own words, Tamlin has objectively done nothing better or worse than Rhysand has.

The big complaint is his temper, of course, and pro-Rhysies love to bullshit about how the red flags were all over book 1 and SJM is such a master at foreshadowing.

He locked Feyre in a house against her will to protect her, when she clearly didn’t want to be caged. How is that any worse than Rhysand…drugging her and making her give him lap dances, in order to protect her, when she clearly didn’t want to be dancing naked in front of strangers?

Go on. I’ll wait for your rationalization.

Rhysand’s whole shtick was that he’s only playing the villain to keep Velaris (and only Velaris) safe…those fucks in the Hewn City can eat a bag of dicks, right? But tell me again how Tamlin is the really bad one for enforcing a tithe because it’s unfair to those who can’t afford it (fair point). But Rhysand chooses to save the one city in his court that has zero problems. Let’s let those that might already be suffering from poverty get kidnapped and tortured by a psychopath. That’s probably better than a tithe, right?

And let’s not forget how Tamlin mocked Feyre and Rhys at the High Lords meeting. While funny, it was in poor taste. At least Rhysand didn’t publicly mock Tamlin. He had the decency to do it privately when he went out of his way to go to a deeply troubled man’s house and, in the midst of an obvious mental health crisis, not only had the gall to ask for resources from a man that has no resources because his own wife fucking destroyed them out of spite, but proceeds to rub in his triumph over a man that has nothing left. Nothing to see there, right?

Even if you could ignore all of that (and you’d have to be willfully fucking thick to do so, which a lot of these people are), I shall leave you with Tamlin’s role as a spy for Hybern. That’s obviously supposed to be a real shock because TaMliN BaD at this point, so why would anyone believe him? It’s not like he had a really good explanation like Rhys gave when he murdered literal children and innocents just to ensure Amarantha didn’t know how noble he actually was. Right? RIGHT?! And it’s not like anyone would have a harder time believing someone who had played evil and done actually evil things for the “greater good” (a collectivist dog whistle if there ever was one) for fifty fucking years over the dude that suddenly goes bad after being a progressive and respected high lord for the same period of time? I mean, it’s not like we’re dealing with severe mental anguish and trauma here. That’s crazy talk.

Shadow Daddy does no wrong. Even when he does. Because reasons.

Those idiots on TikTok making stupid videos showing their bf’s being all shocked and I KNEW IT when Tamlin “turns” can chew glass along with all those dipshits selling mugs that say “Tamlin’s Tears” on Etsy right next to merch glorifying a man that literally gaslit his soulmate into believing that forced drunken naked lap dances were actually a good thing, when you think about it.

SJM isn’t a master of foreshadowing. She’s a sloppy writer of moderately entertaining fiction that has a kink for glorifying severely unhealthy behaviors without the benefit of a trigger warning.

Fuck off if you think that’s all okay and think that anyone that says Tamlin isn’t any worse comparatively is the crazy one. Projection is a real disorder. Look it up. Right after you order your 543rd Rhysand candle.

[distort-opia]

What kind of non lethal crimes do you think Joker would pivot to in a relationship with Bruce? I'm thinking about your REMS characterization. Also thinking about a line from Joker in the last chapter, about not throwing his career down the shitter and killing to defend himself. What would a career look like for him being with Bruce? Surely he would still be incredibly silly about them, with varying levels of violence that *just* teeters the edge. Love your work!

Glad you like my work, thank you! Hmm, what I had in mind when writing that in REMS (or for a sequel) was Joker's penchant for... well, breaking people and exposing hypocrisy, but minus the murder. With his love of drama and performance sprinkled on top, of course; as you say, he'd never stop being silly.

He usually kills indiscriminately, yes, because he considers himself as just playing into the cruel meaninglessness of the world. But the reason why Joker fixated on Batman, and why his M.O. includes using a gas that basically forces people to see the world like he does right before they die, is Joker's need to prove a point. He wants people to admit that there's no order to life and that tragedy can strike at any time; he wants Gotham to realize how arbitrary rules are, and Batman happens to be the perfect embodiment of that.

So I think that a Joker who won't murder anymore would basically create situations in which people's darkest sides are exposed, to various degrees of seriousness and violence. And not only that-- he would do things that would expose the ridiculousness and heinousness of the world people live in. Capitalism and its self-cannibalizing focus on profit, the skewed interests of the government, the suffering of the poor... Joker's already done this sort of thing, it's not much of a stretch. For example, seeing how many people we're being hurt as a result of superhero fights, one time Joker promised to pay the medical bills of each Gothamite that posted a video on the DC equivalent of Facebook... but only if they shouted the word "Balyushka" and then did something ridiculous to make him laugh:

Batman: Gotham Nights #6 ("Balyushka!")

And he keeps his word! But of course, this creates utter chaos, because people are doing fucking crazy shit to get that money. And the thing is, he doesn't do this just for funsies. He has a point, and Bruce can't help but admit it:

Batman: Gotham Nights #6 ("Balyushka!")

Joker exposed the problems that Batman could not tackle with fists, and then Bruce listened. He actually used his money and influence to help.

Ironically, again, it's not the first time Joker did something that made Bruce go "Hmm, maybe I should look into the systemic corruption":

Batman: Gotham Nights #4 ("The Dragnet")

I won't go into too much detail, but Joker paid Harleen Quinzell's tuition without much prompting, he went and helped (in his own way) a child who wrote to him and was clearly being abused... it's about the cases he can empathize with. And they're all connected to his own life-ruining trauma. Red Hood fell into the vat most of all because of poverty. Because he had no choice except to turn to crime-- otherwise him and his family would not have had food to put on the table. So of course he hates the society he lives in, one that had no safety nets or mercy for people like him who were drowning.

This is a very long-winded way to say that I imagine a non-lethal Joker being a mix of this and... stupid ass pranks on a massive scale, because let's be honest, he wouldn't give them up. He just wouldn't kill people at the end (because it'd make his boyfriend sad).

fanfic writer ask game - director's commentary

[dark-frosted-heart]

Roger Barel Main Route - Chapter 1

As usual, can’t guarantee 100% accuracy on this. I’m doing this for archiving purposes and you can probably find a better translation out there.

Destiny, unrealizable dreams, incurable disease, war, poverty…

It just goes on.

This world’s a bargain sale of despair.

And it’s called “despair” because you can’t do anything about it.

However, that’s not something I’ll allow.

If you can’t overcome despair— then what’s the point of me, of us humans, being born?

That’s why these days, I live my life flipping it off.

--

It’s been a week since I started my “sinful life” as a Fairytale Keeper.

It wouldn’t be long before I could go back to my former life after keeping this secret—at least that’s what I thought.

--

Darius: While I didn’t expect there to be a get-together soon after our arrival to England, I’m happy.

That night, a dinner party he called a get-together was held…

Between “Crown”, an organization directly under the command of Her Majesty Queen Victoria, and “Vogel”, an organization directly under the command of Germany.

All members were together in one place.

Vogel had just arrived from Germany a few hours ago.

~~ Flashback ~~

Victor: Vogel is a research organization that’s dedicated to the societal contribution of the Cursed Ones. They will be staying in the palace for a few months as goodwill ambassadors.

Darius: Our motto is “the betterment of society through the Cursed Ones”

~~ End flashback ~~

(They looked friendly, not people you should be wary of)

However, there’s something that’s been bothering me for a while now.

Harrison, whose power allowed him to see through lies, said “they’re lying”— 

(So long as we don’t truly know them, we shouldn’t let our guard down yet)

Darius, who I believe is the chief of “Vogel” was sitting next to William and enjoying his conversation with him.

(For now I think it’s better for me to lie low and stay quiet)

On the table was a spread of dishes that Victor had put his all into preparing.

(Even though it all looks so delicious…I’m too nervous to eat)

Nica: What’s this? Robin, you haven’t touched your food. Then I’ll take this cherry.

Ring: Nica, you’ll get a stomach ache if you take a stranger’s food.

Nica: What’s with the serious warning, little brother? It’s just an excuse to make an appeal to be friends. Ring, you’re really out of touch.

Ring: …I’m ignorant.

The twins looked similar, with the same hair and eye color.

Kate: Nica and Ring…right?

Nica: Yep, you remembered our names? We remember yours too, Kate. Even though we just met, I think we’ll get along? Hey, show us around the palace. Let’s get out of here.

He slipped his arm around my waist with a practiced gesture and whispered in my ear.

(Wha…)

The moment I stood my guard, I felt someone tug my arm from the opposite side.

Roger: Sorry to interrupt, but Kate’s got a prior engagement with me.

Kate: Roger!

Roger: The queen’s aide’s great at showing people around the palace. He’ll be delighted. Victor, would you mind showing our guests from Vogel around?

Victor: Yes, of course! I will show you around every nook and cranny.

Nica: (¬_¬)…

Nica narrowed his eyes at Victor and then smiled.

Nica: Vielen Dank (Many thanks)

William: While I’d rather not, it’s time to call it a night.

Darius: You’re right, Lord Rex. We of Vogel would like to get along with Crown like a family. Should you ever be in trouble, we’d be delighted for you to turn to us for help, okay?

--

—In a room in Crown’s castle.

In a luxurious room prepared for Vogel, Darius sat comfortably in his chair and smiled.

Darius: What did you think of our get-together with Crown?

Nica: Amazing. I tried to lure the lrobin, but the hunter got in the way.

Darius: Hunter? Ah, you mean the “double-crossing hunter” Roger Barel. Hehe, wanting to snatch the robin* from them is quite reckless.

Ring: …About Roger Barel and that girl…are they together?

Nica: They’re not. But there’s no doubt that Crown cares for the robin a lot.

Darius: Gathering information is our main goal. It’ll be valuable material for eventually realizing our ambitions. Ring, Nica. Continue to gather any useful information on Crown and Robin.

Nica and Ring: Verstanden/…Understood

Darius: …Roger Barel. A former doctor with a strange fixation of “Cursed Ones”. Does he have a place in our “family”?

--

As the get-together came to a close, people started filing out of the room one after the other.

Before I knew it, even Roger disappeared…—

(H-huh?)

I ran out into the hall and saw his solid back.

Kate: Um, what was that prior engagement you mentioned, Roger…?

When I called out to him, he looked back at me in the empty hallway.

Roger: Did I make a mistake thinking you were in trouble?

You did that to help me? +4 +4

I was in a lot of trouble. +4 +4

You weren’t mistaken. +4 +4

Kate: You didn’t. Thank you.

Roger: You looked like a lost dog so I thought I did you an uncharacteristic favor.

(Dog? …No, I didn’t hear that right)

When I thanked him again, I saw a hint of scheming on his face.

Roger: By the way, I didn’t say I did it for free, did I? You’re gonna have to pay me back for saving you.

(Eh?)

Roger: I was thinking about going out drinking with Ellis and Jude. Join us.

Kate: Huh, now? Woah…Wait, Roger!

--

Roger: Phew~That hit the spot. The first drop of beer’s blood, you know.

Ellis: Heh, that’s what you always say.

Jude: Can’t believe he’s a doctor. Well he’s a quack.

(Before I knew it, I ended up getting dragged to a bar)

(It’s something I’ve noticed, but Roger can be a little…no, very pushy.)

Furthermore, it’s a wonder how Jude, who looked like the type to refuse an invitation, was sitting here with a sour look. 

Red-headed waiter: Here you are. Fish and chips, bramboraky(?)**, and…

Jude: Just how much did ya order? Ya ate a lot at the get-together.

Roger: I never have my fill when picking at those small fancy food.

Ellis: Are you full, Jude? I can still eat.

Jude: You’re still a growin’ kid.

The trio act like close friends…

Kate: Heh, hehe…

I couldn’t help but laugh and Roger squinted at me with a beer in hand.

Roger: The heck, so you can laugh like that after all.

Kate: Huh?

Roger: You know you haven’t laughed since you became Fairytale Keeper?

(What…what? But he’s right, this whole week, I haven’t…)

Roger: You don’t eat much and when you do, it’s like you’re chewing sand. Maybe you did…Or I should say, maybe you didn’t notice yourself?

(Tasked to keep a secret for a whole month as a Fairytale Keeper, and to record the evils before my eyes)

(Not to mention…Vogel’s sudden visit)

Desperate to just push through it all, I gradually neglected the things needed to live, like eating and laughing.

I was like a plant slowly wilting away.

Roger: I know you got a lot of things on your mind that make you anxious. But it’s times like these where you gotta work on yourself. Eat, sleep, play, laugh, recharge your energy. Otherwise you’ll easily get swallowed up by despair in this darkness, lil’ lady.

Kate: …

Roger’s words pierced my heart.

(He’s right…What was I so weak for?)

I could struggle all I wanted, but the anxiety would never leave until I’m safely out of this darkness.

I know that…but.

(The only one who can truly protect me, is me)

(I absolutely cannot give in)

Kate: …You’re right. There’s no time for weakness or despair. Thank you Roger. Now then, time to dig in!

As if to get over it…I stuck my fork into the steaming meat before me and brought it to my mouth.

Kate: Mm…delicious.

(...Somehow, it felt like I was properly enjoying food for the first time in a while)

(It’s so good to be alive and have delicious food)

Roger: …

Jude: Oi, who do ya think you are takin’ the first bite.

Kate: Ah, sorry! I got ahead of myself.

Ellis: Don’t worry about it Kate. Here, try these chips with rock salt.

Kate: Wow, this is really good! It pairs well with alcohol.

Roger: Oh, you drink pretty well. Barkeep! Two more beers.

Barkeep: Gotcha. Two large beers comin’ right up.

The golden beer and the food were delicious, and laughter reached my ears.

(...Ah, this is fun. I feel like I’m finally able to breathe)

(He pretty much dragged me here, but I’m glad I accepted Roger’s invitation)

I didn’t know how much of Roger’s actions were calculated and how much was in good faith.

But it’s a fact that his pushiness saved me.

(Roger really does have a lot of common sense and is like a mature older brother)

With those simple thoughts in mind, I continued on drinking and drinking…

--

—I woke up in a soft bed.

(Huh…last night I was drinking at the bar, and)

While in my drowsy and lethargic state, I groped around for a warm cloth when—

Kate: Hm…? …??

(...I’m naked?!)

I quickly wrapped myself up in a blanket with only my face peeking out.

…And noticed something familiar laying by my pillow.

(...Glasses?)

The black-rim and intellectual-looking frame was definitely memorable.

(These glasses…)

The moment I nervously picked them up, the bed squeaked— 

Roger: Hey now, those glasses aren’t a toy…Come on, give it here.

When the glasses were snatched out of my hand, I looked up to see a half-dressed Roger hovering over me.

Kate: …W-why are you here…

When I looked at him, he smiled as if to tell me the question was pointless now.

Roger: You passed out drunk so I had to carry you back. And after dropping you off, you wouldn’t let me go.

Whether it was true or not, the way he said it made it sound like I was pleading for him and my cheeks warmed.

(I-I held Roger back?)

(And…moreover)

My eyes took in his muscular chest and abs that were freely on display.

(T-too much stimulation…)

(I don’t know where to look)

Not just his bare chest.

Muscular arms peeking out from his shirt, broad shoulders that connected to a thick neck, and a lean waist.

(But, he was like beautiful sculpture)

My eyes unconsciously traced the supple skin.

His muscular body disguised his intelligent features and that gap alone was enough to make me dizzy.

Roger: …It’s not bad being ogled like this.

Kate: Eh?!

Roger gave me the wickedest of grins.

I’d been unconsciously staring at his body and my cheeks burned in embarrassment.

Kate: S-sorry…

Roger: Don’t worry about it. You’re a lot cuter than you were yesterday.

Kate: Did I…end up doing something yesterday?

Roger: “Something”.

Roger lowered himself and whispered to me.

Roger: …Yeah, last night was pretty hot, wasn’t it lil’ lady?

(N-no way…Me and Roger?)

-

*Darius says red riding hood but the subtitle says robin

**Send help. I have no idea what the heck バンブリーキ is. Perhaps bramboraky according to @/hoerayner

[bu-blegh-ost]

A short essay about how Caspian is mathematically not a mole (ep. 115 spoilers) (and for the whole series for that matter)

Okay, alright guys, I saw your concerns. I saw it all, and you are right to be worried that your favourite blue wet man's blue and equally wet best friend may turn out to be a traitor. And so am I, trust me. Which is why I went through every single bit of Caspian's past I could dig out to create an unltimate timeline of his entire goddamn life to see it it'd be plausible for him to become a mole at any point in time and ultimately prove his innocence! If that's something you're interested in reading, then buckle up!

"Jay, you come from a division of soliders that were purposely put to infiltrate pirate crews, especially the new and upcoming ones. This is totally seperate from the Black-Ops situation that you learned about in the Stronghold. And you, in this book, can tell that there is a plant on Lizzie's crew."

This, of course is something I need to point out first. Whoever Lizzie's mole might be, they are not a doppelganger. They are not a clone, or Black-Ops, just a solider of the Navy, a person that must have gotten into the Navy via regular recruitment, be trained by them and then put into a spy division. Jay ofc had this entire process sped up, due to her grandma's influence, but no one other than her, especially an Undersea citizen, who would probably have to put in extra effort to be trusted given their shaky political situation few years back, would get the same treatment. What I'm trying to say, Caspian would need time, at least few years of training to become a mole they'd trust to infiltrate a crew, and not just any crew might I add. More on that later. Let's go back to his most early years for now. This is a fragment of episode 84 in which Caspian talks to Gillion abt his early life:

C: We all have family. I consider my life up here, this crew to be my found family. But my previous…tribe with the water genasi in the Undersea, where I was growing up…sort of in a [illegible]... remember me telling you about the outskirts? We um…was very nomadic, quite a, quite a peaceful, tranquil life, but it was always, you know…mixed with this life of poverty and my family wasn’t very…wouldn’t really have much but the water around us, and each other, I suppose, so uh…You know...I mean my mother didn’t make it past old age, and uh…

G: I’m sorry…

C: When my sister left the tribe, my father sort of fell into a depression of sorts and he stopped moving around. And when we stayed in one place, I was 18 or so, maybe 16, it was a while ago, and then…that’s when I left as well. Ventured to the Oversea, and um…and it’s history, so that’s my family. Not sure what they’re up to these days, I mean…I know my sister went to the capital, where you were.

G: Pirating is a pretty lucrative business, maybe if…we managed to find them or run into them, we can give something back, put them in a better situation.

C: …Well um…I mean this was 10-15, 10 to 12 to 15 years ago, quite some, quite some time, so I don’t even know if my father is alive still, I mean I don’t really have the desire to go back to the undersea, Gill.

G: Wha-why not?

C: Because I like my life up here. This is where I’m happy.

So, before we go to what all of that entails, one more quick crazy thing to mention: so, Caspian's sister is an Elder of the Undersea. Like for sure. This is confirmed by this part from ep. 79:

The Triton who you remember as the Elder Odolaf, who looks like he is about to speak, but is cut off by the water genasi, who has been doing a lot of talking thus far, who is Elder Celeste. They stand up and there is a familiarity that you notice now in their face. It’s like you have met them before, but not in the way that you know them because they are the Elder, but in a way that it’s like, they look like somebody you know. And she has sort of these uh, white tied-up like dreads that are tied up in like a bun and they come across the face and then one side is shaved. And there are beads and piercings in her hair, her ears are a little bit more sea elf-like in the way that they are pointed and they kind of like gradient into pink. They all kind of wear the same sort of ornate robes, though hers is more, I guess faded and like cut a bit, look a bit more warriorous, or like tribal, but still very well-made and professional.

Tribal clothing, a water genasi, that looks like someone Gillion saw before in the face. The only water genasi Gillion met after leaving the Undersea is Caspian. Elder Celeste is Caspian's sister. Wild. Anyway, not what we're here for, but I needed to mention that.

The crazier thing is that Caspian left to Oversea when he was 16-18, and it has been 10-15 years since then. That means Caspian is currently 26 at possible youngest, and 33 at his oldest, which was surprising to me, I did not imagine Caspian as a man in his 30s! But that's straight up facts, so holy shit, you know?

Okay, so I'm going to list a lot of small facts that determine a lot of ages in quick succession. I hope it's not gonna be too scary to look at, I'll simplify it all at the end. [Deep inhale]

Right now Gillion is 22. So when Caspian left the Undersea, Gillion was 12-7. Jay is 21 and Ava was 2 years older, same age as Lizzie. So Lizzie is 23 now. When Caspian left the Undersea, she was 13-8. Chip is 19, so Lizzie is 4 years older. Hole in the Sea happened when Chip was 9, so Lizzie was 13. So Caspian left the Undersea around the same time Lizzie crashed on the uninhabited island with Chey after the Hole.

It's a lot, I know, I know. So let me clear this up a little.

Hole in the sea was 10 years ago. Chip was 9, Lizzie was 13. 10 years ago Caspian was in the age between 16 and 23, and he left the Undersea when he was 16 or 18. So roughly at the same time the Black Sea happened, Caspian came to the surface for the first time.

(also pls note that we are talking in estimates, casue in ep. 36 Lizzie says she was 11 when the hole happened, but in ep. 101 she says she was the same age as Ava which by the power of math would put her at 13. Either way, somewhere around that age)

After that, Lizzie spend some time on an uninhabited island with Chey, the Black Rose cook, who sacrificed herself for Liz, so she could survive and died shortly after. We do not know how much time passed, but I assume no longer than few months, and after that she was saved by Captain Shadowbeard where she met Caspian. They were a part of Shadowbeard's crew, Caspian saved her from the massacre where Shadowbeard was killed, and then Lizzie went on to create her own crew, Grandberry Pirates with Caspian never leaving her for a second since he met her. That means that the only time Caspian could have joined the Navy would be RIGHT after he came to the Oversea for the first time, roughly at the same time Lizzie was stranded on an island, and in that short period of time (between Lizzie's crash on the island and her being found by Shadowbeard) he would have to find the time to be trusted and accepted by Navy, get trained specifically for infiltration AND infiltrate not anyones BUT FUCKING SHADOWBEARD'S SHIP. Not a NEW crew. A crew of one of the most legendary pirates on the sea. Cause before Lizzie, Caspian was Sadowbeard's crew member, and since then he never stopped being a pirate, so if he was a solider, he would have had to be one before Shadowbeard. And remeber what Grizzly said in 115: "Jay, you come from a division of soliders that were purposely put to infiltrate pirate crews, especially the new and upcoming ones."

Shadowbeard was not new. Not upcoming. He was dangerous and Navy must have had the balls of steal to send a rookie solider, which Caspian would have been at that point in time, to infiltrate him. The numbers say it's impossible. Guys, the numbers! They don't add up!

Anyway, so basically Caspian could not be a mole. He is not a new pirate, he was not a member of a fresh crew, becaue his pirate journey did not start with Lizzy, it started with Shadowbeard. Grandberry Pirates is a new crew, but Caspian is not a newbie in it. You know who is? Rudith. I mean what kind of doctor lets a bunch of rowdy pirates have a secret base under a place where sick and vulnerable rest??? Like ANY other place would have been better and more respectful! Also you know what's interesting? Gillion could heal these people with lay on hands easily, and yet the only thing Rudith did for them was give them potions that didn't seem to help and look after them on purely non-medical level. Bro didn't do shit. Like, why would you even become a doctor without having access to healing magic? The answer, you are not. You are a Navy solider in disguise.

Okay, okay, I'm done, that's all. If you got this far, you are a hero, thank you for reading this insanely long ramble, but that's kind of the conclusions that I came to, of course, any counter-theories and discussion in general is very much welcome! I'd love to hear your opinions! Love you guys, bye~

[y-rhywbeth2]

Yesterday my brain made the conection between Sceleritas telling me that Durge was always "pining" for Bhaal's blessing in the form of the Slayer, and Shadowheart saying that all she's ever wanted was to serve Shar and receive her blessing in the form of becoming a Dark Justiciar. And then I lay awake screaming internally until 2AM thinking about character parallels and similarities and Shar and Bhaal's competition to be the worst parents in Realmspace.

"Shar inflicts constant agony on me but she doesn't kill me in situations where she could, which means she must love me! She must!" meet; "Dad deliberately sending me into cardiac arrest, letting me fear for me life and then resuscitating me with a sensation compared to the lash of a whip is affection!" (And they're both so desperate for their gods' love because said god will never really let them have anyone or anything else.)

Shar wants Shadowheart to kill her parents so that she will have no other attachments but Shar, Bhaal forced Durge to kill their adoptive parents so that they would have nobody else but Bhaal.

Both of these characters have been groomed from a young age/birth to be hollowed out into the vessel of a god, and both had the people that raised them forcibly taken away so that they couldn't interfere. Shadowheart was kidnapped from her family so that she could be taken in by her new "real family". Durge was forced to kill their family before they hit puberty because their "real family" would be coming to get them soon.

Shar and Bhaal both inflict pain on them in order to keep them in line.

She's "Shadowheart", because it's a name that suits Shar. They're "The Dark Urge," because it's a name that refers to Bhaal. Both of these names erasing and overwriting the names their family gave them; Jenevelle and whatever Durge's adoptive parents named them.

Shadowheart never lost herself anywhere close to the extent of Durge as far as I've seen, but neither of them could quite erase their personhood. Even when she was destroying lives and torturing people for Shar, Shadowheart couldn't shake the caring girl who loved animals and flowers. Even the Gate's most prolific serial killer stopped to give coin to a beggar, because buried somewhere in there was a child who experienced poverty and homeless and felt empathy.

Differences in power dynamics mean this one isn't a perfect parallel, but it's still interesting how Shadowheart has Viconia and Durge has Orin - people in their lives who resent them and want to see them fall, because they feel the other has robbed them of their proper place of honour in the eyes of their joint deities.

And, of course, they're both amnesiacs whose amnesia is actually the key to them escaping their abuser.

Anyway, I'm sure there are more dialogue parallels and things to find between them, but the main point to take away is that there should be an option in certain cutscenes to shank Shar and Bhaal.

[boyjumps]

"Do not pursue what is past. Do not think of what is yet to come. The past has already been abandoned. The future has not yet arrived...cont.

Therefore, observe the present, Without wavering or moving, And practice with discernment. Only try the hardest what needs to be done today. Who knows what death will bring tomorrow?" - Buddha (Majjhima Nikāya 131)

We cannot use time in the past that has passed. Nor can we use time in the future, which is yet to come. We can only use time in this day. Then let us not dwell on the past. Let us not worry about the future. Cherish this day. Live in the present moment. But not too much effort, live slowly and at ease.

Many of us, if we are poor, suffer from hardship and try to overcome it somehow. If you try to overcome poverty, you have to lead a life that is hard and frustrating.

That is no guarantee that you will overcome poverty.

Even if you do get rich, what is the point of living a life of toil, frustration and grind?

If you don't bother about being poor, if you live your life as it is, leisurely and joyfully, then maybe you'll get a chance becoming rich.

Of course, you may not.

Nevertheless, even if you don't, there is great value in a life lived in a relaxed, leisurely and joyful way.

That is the way of life Buddha is teaching us.

[gabessquishytum]

You know what concept doesn’t get explored enough in Dreamling fic? Dream teaching Hob how to read. Like, I’ve seen one or two off mentions of it in canon adjacent fic, but nothing that really gives focus to that idea, y’know? And while I think it would be fun in canon, I’m gonna go au real quick.

So Hob as one of those kids unfortunately left behind. Probably a combination of living in poverty and his undiagnosed adhd. And he’s definitely way too embarrassed by this to actually ask anyone to teach him. So now he’s an adult who doesn’t know much more than his own name and his numbers. And while that probably wouldn’t be enough for most people to get by, what Hob DOES have are people skills. His ability to charm people and talk around them let’s him get through life well enough.

Then there’s Dream, mister wet cat himself. If he’s not an Author™️ then he’s definitely a voracious reader. But he has a personality of a damp paper bag. Like, even he has to admit his lack of social skills is actively hindering his life and relationships at this point. Probably add some autism for ✨flavor✨

But Dream does have moments where he’s too observant for his own good. Which is how he clocks that Hob avoids reading like the plague. (I’m envisioning Hob as a bartender at the pub Dream goes to to try and learn human behavior. But idk if he could avoid reading with that job.)

So Dream corners Hob and proposes a trade off: Dream will teach him how to read and Hob will teach him some social skills. Once Hob realizes he’s not being threatened (seriously, Dream really sucks at this talking to people thing) he hesitantly agrees. At least it’s less embarrassing if Dream also needs to be taught something? And it would be rather helpful…

Obviously during the course of their lessons they fall in love 🥰

This means so much to me!!!! I love it. The idea of Hob hiding the fact that he can't read is so heartbreaking but actually so real and its way more common than people imagine.

I also love the idea of Hob + Dream = One Normal Functioning Adult. That's my favourite thing, when they're each other's missing puzzle piece <3

I figure that Hob might have picked up a few words from around the environment of the bar. Like, each tap has a label on and he knows exactly which is which and he can technically read "Guiness" and "Wherry" and a few others, but they're not the most useful words. Anyways, Dream gets the idea that he'll keep using things around the pub to teach Hob to read: menus, newspapers, posters for old gigs, crisp packets. It's a good way for Hob to build confidence before Dream presents him with an actual book.

And similarly Hob uses the bar as a place to teach Dream about social skills. He coaches him through identifying body language and expressions, quizzing Dream on how he thought each customer might be feeling. Then he encourages three way conversations between him, Dream and regular customers. He gives Dream topics to focus on and gives him safe ways to get out of an interaction that he's not vibing with.

By the time Hob stumbles his way through his first novel, Dream is able to talk to a stranger about the weather without any issues. And they're both mutually crushing on each other so hard!! It only seems fitting that the pub which has been such a cornerstone for their friendship and some pretty awesome personal milestones, is also the place where they have their first date.

Hob reads love sonnets to Dream in a hushed undertone. And it's like the whole building sighs happily at the sights of them together <3

[heavenlymorals]

How a Modern Perspective Skews Historical Characters: A Mini Rant on the Hatred of Female Characters in RDR2

This isn't that organized cuz it's more a rant than a retrospective but fuck it it's my blog, I do what I want-

There are so many people who have actual hatred, not criticisms, for Abigail, Molly, Grimshaw, Mary, and other female characters in the Red Dead universe.

And honestly? I find it very interesting. Sure, men will probably always find a reason to hate a female character, but what I find interesting is how many women also hate these wonderfully crafted characters.

It could be so many reasons as to why this may be the case but honestly? I think it's because people forget that they CANNOT analyze this game authentically through the modern lens of morals and behaviors. This game takes place in 1899 America. Let me say it again. This game takes place in 1899 America.

One more time, just for good measure- this game takes place in FUCKING 1899 America. Women had to be dependent on men because otherwise? They'll either be in poverty, exploited, killed, or all three. There was also the honor system. When had to be the moral high ground for their family so them messing up has consequences on their fathers, mothers, siblings, cousins, and anyone connected to their family name.

Abigail getting pissy at John for getting in trouble all the time? If course it'd feel annoying if you're looking at it through the modern perspective but when you don't, it's a woman telling her man to act like a man and be careful because if he doesn't, she and her son will be destitute and destroyed.

Mary not getting with Arthur but using him? What's the likely hood that the law would bother to help Mary when the two people she needs help with are her father and brother- two grown men who can make their own choices that she literally can do nothing about because as a woman, it wasn't her place to dictate what they do. Arthur was her only option. "Girl, what her family thinks doesn't matter, she still should've gotten with him" girl no, because it's much harder and difficult than that- it's like tearing away an entire identity that you depend on to fucking survive.

"but what about Sadie? She was also living during this time period and she isn't drowned by societal expectations-"

Seriously. Do some research, read a book, expand your knowledge of gender roles and what that entails for people because it explains so many things about these characters in such a human way. They aren't "bitches", they are women of their time and people have to understand that.

No. Sadie isn't a part of this discussion because though she is a fun character and an amazing character, she is a mishmash of historical women who did masculine things to survive at one point but then went back to traditional roles, even if they did occasionally go back to to those old activities for sport sometimes, like Anne Oakley or Calamity Jane. Sadie's entire character is basically "but what if they didn't and committed to the nontraditional lifestyle". There are many inconsistencies that Rockstar did regarding the time period that they established earlier to accommodate Sadie's character better. Sadie is a great character but she doesn't belong in this discussion.

Edit: Ok, since this was a rant, as mentioned previously, I was a bit too rushed with the Sadie aspect of this post and ignored some crucial details. I'm not gonna change the post besides just this though. @hillbillyhipster84 made some great points that Sadie was a reference to Appalachian women and real outlaw women who did run and were accomplices in men's crimes, that I was too ignorant to mention prior beforehand because I didn't do much research. I still don't believe that People should use Sadie to bash the other women though, because those women mentioned above were not the status quo and thus were more trivialized because of it.

So many cultures still operate like this too so if anything, you're just learning something new about another culture.

But I swear, anytime someone talks shit about these characters, y'all got me looking like this-

[dropthedemiurge]

Boys Be Brave [EP.4] // Translation notes

Not so many this time so let me know if you're curious about anything else, I'll point out what I thought was interesting^^

"If you like someone, you start to feel ashamed/embarrassed. I'd rather die than to show him how embarrassing I am."

This interestingly ties to my previous post! Where I mentioned that Balgeum said the same word in another phrase: "Don't follow me around like a clueless fool. It's fucking embarrassing".

He didn't use any other specific words so I noted how vague it was, and I wonder if he was trying to tell Inho he was shameful for clinging to him but that's actually a word he found to describe his own feelings towards Inho. It doesn't matter whether Balgeum spends his entire life in poverty, debts and hustling as he said he's used to it, but he's ashamed of being with someone, even loving someone while he's so pitiful in his own eyes. A hole in his sock, family in financial ruins, he just doesn't dare to see a carefree happiness for himself, and he punishes and curses himself out for even having hope.

What is also interesting – I'm not sure whether other character names really have meanings or wordplays, but 밝음 means "brightness". Which also feel like a bit of a cruel joke to be named like that and live such tiring and grey life.

I was so confused with the subs here. I can guess what they tried to go for, but Kiseob literally says '아쉬었어', "I feel a bit bad about yesterday =)" It's a word that can be translated to "It's such a shame that... (something happened)", "It's too bad that... (I didn't achieve something)", like you can say it when you tried to buy a ticket but they were all sold out instantly. Or you missed some opportunity and regret it now.

We know Kiseob was talking about something else (I think he wanted to say it's too bad that he and Jinwoo couldn't enjoy making out for longer or something) but it's no wonder Jinwoo got so offended by this, because he thought Kiseob meant he regretted that he even kissed Jinwoo yesterday because the kiss was too bad. Does this sentence even make sense?xD

And that's why he started riling himself up and freaking out that it was all because of his kissing skills.

That's Kiseob's confusion right there after seeing that Jinwoo fled the scene after his comment. He didn't actually call himself a pervert of anything but he wondered what was wrong with his words, were they too much for Jinwoo to run away. I do believe he meant that it was too bad that nothing much happened after that kiss yesterday instead xD

So he apologized via message that it might've been too much and he will be careful from now on. Jinwoo, of course, read that completely differently again. And then Jinwoo angrily tells him not to be so arrogant after just that first kiss (he's not good but he'll be with practice, and Kiseob should not be the judge!). Meanwhile (I think) Kiseob is confused and focuses on the word 'the first kiss', so to him, that might sound like a promise of more to come, therefore he just sends 'okay'? But he also says they didn't really get to talk about their kiss later. I might be confused with the last msg too x)

Miscommunication, BL's beloved.

(if you're curious about the heart and emoji message, it was from the last time, Kiseob sent "I want to give you something as a last gift... can you come out?". And idk why, the message before that says 'Refridgerator', probably also something from 1-2 episodes xD)

"Who are you to evaluate me?" The boy really thinks Kiseob is the alpha expert on love, daring and romance, and he misjudges him himself huh xD

"By the way, you become weak-hearted if someone is hurt". My interpretation of this line – Kiseob talks about how Jinwoo cares about him and his wound anyway, despite all his defenses and rejections. Jinwoo, of course, denies and says it's because Kiseob will be a nuisance when he' gets's hurt.

Just a little nuance – Kiseob asks Jinwoo about everything, he doesn't say it in a mocking factual way at all. "Your schedule is disrupted because you like me, right? And you did that (kissed me) yesterday because you like me, right? Why do you like me?"

He is constantly asking because he doesn't know the difference. He is trying to understand himself through Jinwoo's feelings, so he asks. Asks why people like, how do they like, how does that feeling manifest in real life – because he doesn't know anything, even if he likes Jinwoo, he doesn't know why, he doesn't really realize it himself. He doesn't know why he kissed. He dated but he never experienced the feeling of love. He can't give Jinwoo any honest answers yet. Well, he's honest that he's not sure about anything, but it's not the answer planning-and-unambiguous Jinwoo wants to hear.

Can I just step out of BL show for a lil bit and say that I really liked them?! I think they were adorable together. Too bad polar opposites attracts and Jinwoo needs Kiseob and not the certain copy of himself (who also isn't the prim and perfect as she shows herself).

Anyway! There is one point in Jinwoo's perfect-ideal-type checklist which says 'To have J in the name like in 'JIN-woo''. 진 (jin) can also come from 'truth' so he invented that symbolic connection/condition for a partner. Which is also why Kiseob in the previous episode wanted to change his name to the one that includes J as well, but he choose the name 'Jongji' which had a ridiculous meaning of 'stop'. Again, technically correct but absolutely far from what Jinwoo actually wanted.

Isn't it interesting that, even though he went on a day with his Ideal Type, Jinwoo still enjoyed not the library date or the meaningful messages, but the game arcade time? The one that's supposed to be meaningless and not productive and with the purpose of just having fun? And he kept being distracted by the illusions/thoughts of Kiseob?:D Yeeeah... Maybe your perfect type checklist needs some revisions, Jinwoo.

About the side couple – I was right! They will go to three dates because Balgeum gave in. He even will sacrifice his never-ending-worktime for that. Hehe. He also says 'I have to become rich' with determination which in my mind, connecting to his 'I'd rather die than look so embarrassing to Inho' means that he now has a new goal. To... I guess, work even HARDER to be able to have a chance dating Inho. Will they even work out right now? No one knows, but it's obvious they both are willing to give it a second chance.

And the last bit – it's pretty obvious, but Hyejin actually shouts 'You fucking bastard!!!', which is so hilarious.

[spacecasehobbit]

So... Saltburn is not a romcom and Emerald Fennell has explicitly said that we're meant to read Felix as an awful person, yet there's so much talk about Oliver's frankly shoddy manipulation that worked 99% only through luck and Catton hubris, and so little talk about Felix's sketchy as hell behavior.

By which I mean, how Felix Catton displays a number of deliberate emotionally manipulative tactics towards Oliver and waves massive red flags all over the screen throughout the movie.

He love bombs Oliver in their first meeting, which is a deliberate manipulation tactic designed to overwhelm the victim with affection and positive attention early on - with out of the gate love declarations and overly effusive praise among the hallmark love bombing examples - and often is a precursur to nastier manipulative tactics down the line such as extreme withdrawal of affection when angered even by minor things (like when Felix ghosts Oliver after Oliver pretty accurately calls him spoiled for letting his room get so disgusting), and attempting to control the victim's appearance and behavior (the first that come immediately to mind include things Felix does when Oliver first arrives in Saltburn, such as: failing to inform Oliver in advance that the staff would go through his suitcase while he was occupied elsewhere and inform Felix's mother of anything they found noteworthy without Oliver's knowledge or consent; failing to inform Oliver that he would need dressy atire for dinners at Saltburn, and thus locking Oliver into wearing Felix's old clothes; even the razor Felix gets Oliver without any advance warning, under the excuse that Elspeth requires all the men in the house to be clean shaven).

Felix is also the one to initiate the oversharing of personal information during their first real conversation, in which he shares a bunch of very personal and likely traumatic details from Farleigh's past (in spite of knowing already that Farleigh and Oliver already know each other and don't get along), after which he badgers Oliver into divulging private details of his own past. Oliver even initially tries to offer a more true but less satisfying answer that, "there's not much really to say," about his life, which is a perfectly reasonable way to answer personal questions from someone you barely know. People are allowed boundaries around when and to whom they divulge personal information, whether or not that information involves trauma, but Felix keeps pushing until Oliver gives him an answer he finds more satisfying, at which point he rewards Oliver with more love bomb-y praise and attention.

And then Felix promptly turns around and proves exactly how right Oliver was not to trust him with anything private and true, by sharing Oliver's private confessions with all of his friends - including Farleigh, who, as Felix is still aware, already knows Oliver and doesn't like him.

(It's not unreasonable, either, to read this as part of his isolating Oliver, when he shares all of Oliver's private 'confessions' with his friends at Oxford, classist kids who wind up looking down on Oliver for his supposed poverty, only to then get mad at Farleigh for sharing the same information with Felix's family - specifically Felix's mother, from whom we can infer Felix gets his voyeuristic interest in lonely people with troubled pasts - and prove with his comment to Farleigh of, "that's private!" that he knew the whole time that he was sharing information that should have been private behind Oliver's back.)

Then Felix takes this shiny new friend of his, a guy who supposedly grew up in a house full of drug and alcohol problems that destroyed his parents' lives, promptly invites him to all sorts of parties and bars and clubs full of rampant alcohol and drug abuse, and convinces him to develop an addiction of his own when he gets him to start smoking.

And of course, to top off the big red flag behaviors of a controlling manipulator, there's Felix's massive boundary violations when he feels entitled not only to answer Oliver's phone without even telling him about it, but then plans a surprise visit to Oliver's mother in spite of knowing, at that point in time, only that Oliver supposedly did not get along with his mother and viewed her only as a toxic and traumatic part of his childhood that he wants nothing to do with anymore. In terms of Felix's behavior there, it does not matter that Oliver was lying, because Felix did not know that Oliver was lying. He simply saw no issue with forcing Oliver into what he only had cause to believe would be a stressful and traumatic experience, one that Oliver had explicitly stated he did not want before even getting to Saltburn and then repeatedly asked Felix not to do on the drive to Prescot, because Felix does what Felix wants even when his supposed best mate is literally terrified and begging him to turn around in the car next to him.

Oliver displays his share of toxic behavior and makes a series of increasingly terrible choices culminating in murder, but Felix is very far from an innocent victim.

Oliver thought Felix genuinely liked him, and he wanted to give Felix what he wanted in return. The problem with that, and one of the big reasons things went so badly for them both (in, honestly, such a narratively satisfying way!), is that the things Felix wanted from a 'friend' were unhealthy things from the start.

[capobegone]

Spiraling About Kimetsu Academy Hakukoyu (Again)

EVERYBODY WAKE UP THE NEW KIMETSU ACADEMY CHAPTER CONFINED THAT KOYUKI’S SICKNESS IS STILL A THING :’(((

Like she clearly seems healthy now?? Which means that this follows canon in which she got better by the time she was sixteen and Hakuji was eighteen—but considering Hakuji is still set to take over Keizou’s dojo, a lot of the tragedy in their past might still have happened.

The thing that surprises me here is that it specifically points out both of their parents, which means Hakuji’s dad has to still be alive (unconfirmed about Koyuki’s mom, who may have still been unable to cope with her daughter’s illness). However, the death of Hakuji’s father was what caused him to meet Koyuki and Keizou in the first place—so how would that have happened?

So, of course, I’ve made a theory.

The Kimetsu Academy canon states that they’re neighbors, so it wouldn’t be too far fetched to assume that they are friendly with each other. In order for Hakuji to become so close with Koyuki’s family, though, it would make sense if his father still got sick. Assuming that Hakuji’s mother is still not in the picture, Hakuji’s father would likely have a hard time keeping his family afloat (hence their sudden dip toward poverty).

Of course, Hakuji would be prone to getting into trouble around this time. He described himself as a rule breaker, which is very common among young students with trouble at home. (The pickpocketing habit is debatable—it would have been much less effective nowadays, when getting medicine is a lot more complicated.) This could be the time where his childhood persona ‘Akaza’ came around. Unlike Hakuji, Akaza wouldn’t have to worry about people he loved getting sick or going to bed still a little bit hungry, because all he had to worry about was being tough and strong. I could definitely see this as a way for Hakuji to channel his stress—because who doesn’t love beating people up as a coping mechanism? He might have been spending a little more time around the dojo at this point in an attempt to keep getting stronger, which could lead Keizou to notice the subtle signs of struggle.

Assuming that Koyuki was sick around this time as well, I can see Keizou setting up a deal with Hakuji’s father, who I imagine must have been ashamed to ask for help. His proposal: Keizou would provide free childcare by letting Hakuji stay at his place while his father worked (also would keep him out of trouble!), and in exchange, Hakuji would help out with keeping Koyuki company and doing chores around the dojo. This arrangement obviously worked out quite well, and would take a little stress off both families. As Hakuji was exposed to Koyuki’s gentle influence, he grew out of his Akaza persona (around the end of middle school, probably.) And, of course, both Koyuki and Hakuji’s father got better!! Yay!

Obviously, this is all speculation. But it would piece together all the little pieces of their backstories we have, and explain how Hakuji and Koyuki’s families became so close. The one question I still have…is Soyama Hakuji’s family name, or Koyuki and Keizou’s? (of course, thanks to my trusty translator fertheart on insta who is literally my only source of Kimetsu Academy content lmao)