Honeysuckle
⚶ ┆ Between his teeth and beneath his nails, an airy fruit light as love is bitten down to the rind. Even with his mouth full of pulp he finds himself desperate for her taste.
A sigh echoed and swallowed, kept locked in his chest like a secret. He held his breath until it burned; savored every hitch and every hum of her sacred song. Each curse spoken like a prayer, like praise; wept like gratitude wrenched raw from the soul — raked clean and spit out like the pit of a cherry. When he's forced to breathe, she is the hallowed riptide, and he would be blessed to drown in her lush.
Ripe as a peach at the crown of her cheeks; soft red flush so sticky sweet. Another of her colors comes to life in his mind. One shade closer to the divine.
⚶ ┆ Woven together like lace under the pale light of a waning moon. He can't be sure where he ends and she begins. She pierces straight through him like he belongs to her, and in some capacity, he knows that he does. There is no room left in his heart for desire of this nature. It has reached its bounds and collapsed inward on itself — a singularity the size of her that takes of these moments and stretches them infinitely, ever deeper, ever denser; inescapable.
Too much would never be enough and yet he counts every falling grain of timesand, tallies them up, and says his Hail Mary's in correspondence. Blessed is he for these hands to hold her, for these eyes to view her, for this mouth to speak her name. Blessed is he for the breath and the bread, the water, the whine.
Under his breath, to no god in particular, he issues his thanks.
"You're still awake." Her voice is strained by the small hours. The calm is sweeping her away and yet she remains afloat, waiting for the rise and fall of his chest to slow before she sinks into sleep. "Your train leaves early. You should rest."
His own voice is gravelly, thick with syrup, when he attempts to quell, "There will be another train. There is always another train."
There is nothing more important than this — her head on his chest and his fingers in her hair, scarlet as the sun's kiss and softer than silk.
She shifts so that she can look at him, and the nightglow catches the honey of her eye. "You should rest," she reiterates, and though she aims to chastise, he can feel her care bleeding through her touch.
"I will," he promises, though he chooses not to specify when. "I'm not ready for tomorrow."
He feels her hum before he hears it. Gentle as a lullaby, it dims his vision, and he finds a brief reprieve inside his eyelids.
"You're ready," she assures, succinct as ever.
"You're right," he concedes through a sigh, "I don't want this to end."
"Then don't end it," she slides her hand into his, weaves their fingers together in an airtight knit, "Water it. Let it grow. Keep it alive while we're apart."
He responds first through a light squeeze, a bit of humor trapped in his chest, and he can't deny that, "There are some things even I can't kill."
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So this is pretty much what it looks like when I’m world building with the partner
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Partner: so I want Evil Tony Stark to have this magic painting of a door that opens into a dark little room to keep my boy in when he’s naughty or inconvenient
Me: oh yes very good. And it’s not like the frame is the door, you open the painting of the door into another dimension
Partner: yeah he’s gotta be able to take it away with him so he can have it on command 😈
Me: okay so how I think this works is he paints the room inside it first to make the interdimensional space, and then paints the door closed over it, so he can paint whatever he wants in the room 🤔
Partner: oh yeah that’s cool, so he can put furniture or a happy little tree in 😋
Me, suddenly vibrating: okay but no he actually paints a Happy Little Tree and it’s just a tree in the corner of this completely dark room that just giggles softly all the time 🫠
Partner: …. And we tell the party as a joke the first time about this old cell the boy was in with a happy lil tree 😏
Me: and then we don’t say anything for like 2 years and then one of them gets put in the dark room and they just hear giggling 🤩
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Or
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Partner: okay so Evil Tony Stark mostly uses constructs and stuff for servants so we’ll put the Robotery in the basement for those 🤖
Me: okay, and when y’all go back to the abandoned mansion do you want there to be one left behind? 🙂
Partner: fuck yeah and the boy knows all of them he loves little creatures (and the house mimics) 🥰
Me: and since the boy was intentionally left behind, this is probably a construct that was doing something related to him so it’s probably reasonably aesthetic, yea? Like feeding him or dressing him up? 😇
(The boy was being kept as a pet by Evil Tony Stark because he glows for Fey Reasons and was pretty literally a living sculpture for 11 years and they did not exactly worry about the “living” part much)
Partner: yeah, if Evil Tony Stark is gonna see it around it’s gotta be aesthetic ✨
Me: so you find this cute sweet little construct friend and then you go a little further into the room and just see hundreds of partially or fully deconstructed bodies of this exact little guy and most of them are just minorly different aesthetics because Evil Tony Stark just trashes them when he wants a new look
Also one is still just barely alive and that’s because it’s one of the ones with a person’s soul bound to it and they’ve just been cuddling in the dark for months since they were abandoned 🥰
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This just happens in the winter okay I become Extremely Fucking Ominous for literally no reason and then it’s Horror Time
Most of our world building is him making cool and interesting places and characters and then me sneaking in sideways like “hey what if they’re also super fucked up 👀”
And to be fair he loves it and he always says yes please and helps me fuck them up more
Anyway we laid the groundwork for Lord Meldacio’s mansion today that the party are gonna get to in a couple weeks and I had so much fun this guy is the fucking bomb
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Every word you wrote about Tamara is just FACTS!!!!!!!!!!!! What I would have given for Grag & Tamara to be so broken because of magic, that they both had plans of revenge. Getting more people involved behind the scenes even. Tragic, yet understandable backstories and a real threat to Storybrooke from the outside world. The fears of some folks in town coming true (the whole E.T. thing Leroy mentioned in the hospital after Greg first showed up). The danger of having magic in a non-magical world.
EXACTLY!!! 'Tragic yet understandable' is the perfect way to phrase it, because OUAT is very good at including antagonists with these kinds of backstories (although, the effectiveness of this varies from character to character) and I'm sad that Tamara didn't get enough attention to receive the same treatment!
Okay, so, I'm gonna lay out some thoughts properly because why not:
(Disclaimer: I'm adding a read more because this got VERY out of hand. But please read on if anyone is interested in headcanoned Tamara backstory!)
(Second disclaimer: I've actually used this general backstory for Tamara in one of my fics before, although I wasn't able to go into quite as much detail at the time)
So, imagine. Tamara is a child (maybe 10 or 11). She has a happy family; parents that love her, a younger brother that she cares about a lot, a pet goldfish, whatever. And then imagine that, one night, 10 year old Tamara hears a noise from her brother's bedroom. She goes to investigate it but, when she opens the door, she finds herself frozen in shock. The window is wide open and her brother is floating in the middle of the room.
There's the faint sparkle of a glowing green dust on him and a dark shadow with bright, hollow eyes floats just beside him. Tamara pinches herself. She thinks she's dreaming. She's not. The shadowy figure spots her and before she can do a thing to stop it, the creature has taken her brother's hand and flown out the window with him. Maybe he cheerfully waves goodbye, maybe he doesn't even notice that she was there at all.
When Tamara finally works up the courage to move, she rushes to the window. Her brother is long gone, but there's a very fine sprinkle of green dust on the windowsill left in his absence.
Of course, she goes to tell her parents and, of course, they panic. Tamara tries to tell them what she saw but they naturally ignore any claims that she saw her brother flying or that the person that kidnapped him was nothing but a shadow with white, glowing eyes.
There was no sign of a break in from anywhere in the apartment. And the investigation team are baffled as to how anyone could have clambered in and out of the window when the room is situated on the third floor of the building. Tamara's brother never comes back and it's eventually considered a cold case.
Tamara has always considered herself honest, logical and responsible. For a long while, she insists that what she saw was true. It's only after she starts getting therapy that she begins to doubt things.
Therapy does little to fix things. Her family is completely broken. A year or so down the line, her parents divorce. Tamara starts to visit her Grandmother more and more often and she develops a very tight bond with her.
Tamara grows up and moves on from it all as best she can. She eventually stumbles into the same conspiracy group that Greg is a part of. They don't connect right away, but, after a couple of meet ups, they discover that they have a lot in common and also come to realise that, perhaps, they're the only two people in this group that have actually seen real magic.
They eventually confide in one another, talking about how 'magic' has ruined their lives. How it's hurt them in ways that no one else in this group that they're a part of will understand. They connect (idk, they can still get together romantically if they want, although I personally didn't see much chemistry between them and the show only really paired them up for shock value let's be honest) and they start talking about fairy tales and Storybrooke.
(Side note, since Greg is kind of aware of Regina being the Evil Queen (right? or is he not aware of that until he reaches Storybrooke again?) maybe he's even able to suggest that it could have been Peter Pan/Peter's Shadow that kidnapped her brother. I like the idea that he's very overly familiar with a lot of fairy tales and stories is more than willing to consider them in the real world ever since his interaction with Regina)
Anyway, I don't know HOW (and forgive me if I'm missing something from canon here, I'm guessing it maybe had something to do with Pan) but I like the idea of Greg in particular managing to track down either August or Neal (since, aside from Emma, those two are the links that lead back to Storybrooke). And, from here, the pair of them start working on plans to get to Storybrooke.
Greg and Tamara are both therefore stuck with these similar backstories, involving someone they loved being taken from them by someone magical. And ALSO similar in the sense that...no one believed them when they tried to tell the truth about this... Not only would this be about getting some kind of revenge (Greg wanting to get closure on his father and then kill Regina when he confirms that she did murder his dad, and Tamara desperate to find some trace of the shadow that took her brother), but it would also be about proving that they were right this entire time. That they weren't lying or 'crazy' or making things up. That magic is real and it's dangerous.
I guess the dilemma for Greg and Tamara is: how? How are they able to prove that magic actually exists, in a world where magic is unseen to those that don't believe in it? (This is a question that I will be pondering on, but not one that I'll be answering here. This ask has already gotten too long, ahahah)
(Still, there's one final thing I'd like to address)
Because, you see, there's something so deliciously tragic about Pan being the one to cause this trauma in the first place. For him to be so heavily responsible for Tamara's tragic childhood and then him continuing to have a chokehold on Tamara years later on. OUGH.
That said? yeah, I absolutely would have preferred if the Pan arc had been kept entirely separate from Greg and Tamara's (aka, they were there exclusively for their own reasons and not just because Pan said so). Greg and Tamara deserved their own arc that had nothing to do with Neverland. No 'home office', no dumb crystal that was triggered to explode the town or whatever (or! DO include those things! but tie them exclusively to John and Michael's story instead!)
I just!!!!!! I have way more feelings about Tamara (and to a lesser extent Greg/Owen) than I know I should and I'm getting a bit weird thinking about her lately!!!!!!
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i wish keroro and dororo would have a conversation about how they feel about invasion. that could open up so many doors for them! love your work kerorowhump!
I'm ngl, a lot of what I like about their dynamic and find fascinating IS how dysfunctional it is, because it brings out sides of their characters that we otherwise don't see much, I think personally it would lose a bit of appeal if a discussion like that happened in canon (well, unless it's like the final volume of the manga, in which case that's great bc we get resolution, or unless it's only brought up but doesn't resolve their conflicts, in which case... JUICY), but THAT SAID, I think it's also perfectly reasonable and even a given that they will eventually have some discussion like that... because at its core they do care about each other and love each other, I mean yeah the whole platoon does, but they also keep failing each other in many ways too (I humorously compared them to the always sunny gang or even south park).
AND ANOTHER THING like,, they absolutely should eventually at least mention their "differences" (less different than they think tbh) about invasion but what I really wouldn't want is any sort of apologyfest... like, from either of them, but especially not if it has keroro basically on his knees begging forgiveness (it's fine in ep13 precisely for how dysfunctional it is, but as a proper resolution? not so much...). I actually really love that headcanon floating around that has dororo assign much of his trauma because of Keron and war to what were otherwise mostly benign childhood memories with keroro in which at worst he was being a bit of a dick but mostly careless... In a way, Keroro does carry all of the sins of Keron already, they are literally stored in the star, he's supposed to know them, so the wiki says... maybe another reason to atone? (istg, the way he wants to bridge that gap between keronians and earthlings deep down, it reminds me of steven)
BUT ABOVE ALL THANK YOU SO MUCH FOR APPRECIATING MY BLOG AND WHAT I HAVE TO SAY??? IM LITERALLY JUST LIKE RAMBLING WHATEVER COMES TO MIND SO IT'S TOUCHING BEYOND BELIEF THAT ANYONE WOULD LIKE 🥹🥹💗 thank u anon you're the best
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