#once again invested in 2 minor characters from a tv show

[flying-elliska]

Okay, I'm reading Chap18, and I really hope this comment won't hurt your feelings because I love your fic and I really just want to understand why you wrote it this way, but I have to tell you that for the first time I've been disapointed with Diamants AU. I already felt it was going this way with Daphné, Arthur, Vallès, Emma and Alexia being LGBT, but I kind of felt betrayed with the Yann/Alex thing, and now I'm sensing Manon and Daphné will be together at some point too and ...(1)

...I don't understand why you made all your characters LGBT. I get that they are under-represented in most of the books and shows, but with Diamants I'm kind of feeling like being staight is a bad thing, like it's either boring or you're juste an asshole. I've always loved Skam because it shows that very different people can be friends and help each other no matter their religion, sexuality... and this kind of felt like the only reason they stand together is they're all LGBT (2) and I guess this comes from personal experience but that would have been so much more powerful to have straight people being as much invested in this war as the others. Honestly I don't see the point of Yann, Alex, Emma, Manon or Arthur not being straight, for me it doesn't bring more to who they are. This really feels like they would be nothing if they were straight. So I juste wanted to ask you why you decided this? Again, really hope this won't hurt you... (3/3)

hey anon. So, I’m going to assume this comes from a place of good faith and a sincere desire to understand, and explain my choices. That said, I do have to say that even though it didn’t really hurt me (it mostly made me laugh), it did make me a little angry too, because there are a lot of harmful implications in your messages.

1) First of all, about you “not seeing the point” of making certain characters LGBT. This functions under the assumption that there needs to be a reason for people to be gay, bi, trans, etc - and that straight people are the default. That is...really not great. People are gay in real life, for no reason whatsoever. If you don’t go to writers asking why they made their characters straight if there is no reason in the story, you shouldn’t do this either. Characters can be queer without it being a big part of the story - it’s just a part of them, and the idea that they have to ‘deserve a place’ in the narrative through their gayness (often through a deeply tragic arc full of suffering to Educate Straight people) is deeply heteronormative, and fucked up. LGBT people are not in a story to make a point, they’re there because they exist. Yes, some of my characters have arcs that are deeply entangled with their sexuality and struggles with it. Some are not. When it comes to Yann and Alex, I didn’t think too much about it, I thought it would be funny and unexpected and give some good shenanigans. Sometimes that’s all you need.

2) As for turning a majority of the canon straight characters LGBT : listen, in the end, this is my fic, and I do it because I want to. I’m bi and my life is full of queer people. This is my normal, this is what comes naturally to me, and what I find interesting to write about. I set out to write a James Bond parody with some deep character exploration, it’s meant to be a very transformative fic. I have no obligation to stick to any Skam ‘guidelines’. I am also not aiming to write a particularly realistic story, if the secret mobster conspiracy didn’t tick you off already. The ethos of fic is to make canon your playground and to let your imagination go wild. That said, this trope you’re probably used to, of having one or maybe two queer characters and not more in any given story, I would say is the less realistic one. In real life, LGBT people often tend to cluster together, often before they even realize their sexuality, especially as they get older. But a lot of mainstream media is afraid of that because they don’t want to alienate their straight audience, so they don’t show it. I have no such compunctions. Your message seems to imply that there is a limit to how many gay people there should be in a story and I find that deeply offensive. There is incredible relief, peace and power to be found in community, especially after being struggling so much with your sexuality, like Lucas did for instance. I wanted to show that joy in this chapter, and how it plays a part in him slowly letting his walls down.

3) I notice you don’t mention Imane. She’s straight, she’s super invested in this war, she’s neither boring or an asshole, in fact she’s probably the most important character in the fic after Lucas and Eliott. She’s badass and amazing and complex and if you don’t feel she counts as ‘good straight representation’ I find that slightly odd. Is she too ‘other’ for you that you would dismiss her like that ? Also, Basile is straight lmao. There’s plenty of straight people in this fic. And plenty of people who have incredibly different life experiences ; sexuality not being the main one doesn’t change that.

4) I do find it sort of silly that you reduce the characters’ reasons for fighting to being LGBT after I spent like 400k words proving otherwise. Like - Lucas wants to avenge his mother, Eliott wants to take down his father, Imane wants to avenge her father, Daphné wants to steal jewels, Alex and Emma are bored, Alexia’s a good friend (and also bored lol), they’re trying to stop horrible people from doing horrible things, their trajectories are layered and complex and if you tell me that can all be boiled down to ‘they’re gay’ I kind of wonder if you’ve paid attention to what you’ve read at all.

5) All that said, a majority of my characters being LGBT does have a symbolic point. It’s an opposition to the world of the Shadow, which is deeply sexist, heteronormative, homophobic, and macho. It represents how questioning your sexuality can be deeply liberating and often put you at odds with the general structures of power and oppression in society and lead you to question a lot more and find people who want to fight with you. Being LGBT can (but not always) make you more politically conscious and that’s a beautiful thing that deserves to be celebrated. And in general, being a minority makes you more aware of inequality because it’s simply your daily life. So it makes perfect sense that most of these characters who fight against symbols of horrible systemic oppression would be marginalized in some way or other. Straight/cis/white/rich/abled/etc people simply have less reasons to question the status quo. I have sat through so many action movies where all-straight heroes save the day ; I’m sure you can sit through the opposite for once. If you can’t, maybe it’s a failure of empathy or imagination on your part.

6) Imagine growing up and never seeing, around you or on TV or in books or movies, someone who shares your sexuality. Or if you ever see somebody like you, they will be a joke, a punchline, deluded, instable, doomed, or worse, a predator. Imagine the sort of damage that does. Imagine that when you finally find some correct representation, you have to make do with crumbs for years. Imagine it gets slowly better, but it’s still overwhelmingly tragic, or incorrect, or stereotypes, or only told after the story is over, or you’re always the best friend, always the minority, the point of interest there to educate, always there to struggle, never the epic breathtaking romance, never centered, never allowed community and to see yourself as the norm. In the best of cases, your identity is more or less ignored. In the rare cases where you find good representation, shows get cancelled prematurely, or your faves never get as much screen time as the straight ones, or storylines get botched because somehow writers think showing queer characters happy has no value. Imagine then you decide to take matters in your own hands and write the sort of queer utopia that makes you truly happy - the one where you’re surrounded with people like you and you don’t have to constantly feel isolated and otherized and you’re badass and don’t have to take any shit and your love story is the epic one that gets centered and you have friends who understand and share your experience. And then imagine someone, instead of taking a deep breath and going back to like, 99% of all media ever made, randomly comes to you and tells you they feel ‘betrayed’ because in this one paltry little fic you wrote, their mainstream experience is not centered like usual. Tell me, how would that feel ?

Again, I don’t bear you any ill will, but your message comes across as ignorant and very entitled. I am open to feedback and criticism but writing a story full of LGBT people is one thing I will never feel sorry for. There are a shit ton of fics out of there where those characters are straight, not to mention canon. If you feel ‘betrayed’ by the amount of queer characters in my fic, then I’d say you have some biases you need to examine. It reminds me of all the times I’ve heard people say that they ‘like gay people but only if they’re not too in your face’ (lol that was my sister, so fun) - this implication that queer people should know their place, never show their difference too openly, accept being a minority in all spaces, need to ‘deserve’ their spot, center straight people’s needs, etc etc...is deeply harmful and toxic.

If you can’t understand all this, then my writing is probably not for you.

[xkandy]

Psycho Pass - timeline and why you shouldn’t hate on S3 that much

I’ve been following Psycho Pass ever since the original run of Season 1 back in 2012. I’d like to make you and everyone who disliked S3 understand some things. Hope I structure this well, here goes.

Obviously there will be some spoilers.

First let’s take a look at the releases in the PP universe so far. We have:

Season 1

Season 2

Movie

Sinners of The System 1,2,3 (2 being a prequel)

Season 3

First Inspector

Before I write anything I’m going to stop you and say that nothing tops Season 1. So there,now that we have that out of the way let’s continue.

Season 1

Takes place in late 2112-2113

Central characters are Akane and Kogami and let’s face it, for many Kogami is the one who carried the show, even if some consider him to be a “generic edgy”  protagonist I think he’s pretty solid as a character at this point.

Akane has had MAJOR character development throughout the whole season and I’ll never forget how upset some people were that she was a noob. That was the whole point, she is a newbie and a model citizen who trusts the system, her character evolution revolves around coming to the realization that the system is flawed.

Makishima as a villain was phenomenal and not because quoting from books , but because his motives and reasoning were clearly established  and he made both protagonists question themselves and the system.

Season 1 is written by Gen Urobuchi , the following seasons (except the movie) are not written by him.

Season 2

Takes place in 2114.

A trainwreck, don’t even want to go here. The disappointment was huge.

I found Mika to be extremely annoying and unbearable with 0 character growth. The only highlights for this season for me were Gino and Akane.

Onwards.

The Movie

Takes place 3 years after the events of Season 1, in 2116.

Nothing of major impact happens but if you love the old cast , namely Gino, Akane, Kogami you’ll enjoy this and I have a feeling this is what they were betting on and wanted to see: the public reaction to the old cast.

The interaction between Akane and Kogami is the highlight (another one being Gino vs Kogami).

It’s clear as day that Akane evolved as a character and Kogami is questioning his past, so let’s say some minor character development.

Sinners of the System

If you enjoy the universe and aren’t too attached to the main cast you will like these, although case 3 is about Kogami so I’m sure it’s the one most people will like.

Case 1 has some minor Mika character development (she still sucks imho)

Case 2 is a prequel that sets up some details about the storyline that will be the Ministry of Foreign Affairs.

Case 3 is the one you’ll want to watch if you want to see S3/First Inspector as it revolves around Kogami and him coming to terms with his thoughts when he is asked by a young girl to train her as he sees in her a version of himself and where this will lead (girl seeks revenge) . 

His story arc regarding Sasayama’s death, revenge, Makishima is complete, it ends here as he decides to head back to Japan.

This triggers the potential for the future series/movies in the Psycho Pass universe to deal with the (possible) unresolved storyline of dealing with Akane once he gets back to Japan, because he will have to face her at one point.

So after Case 3 Kogami is already a complete character , there is no strong conflict or drive for him as the one which had driven the plot of season 1.

We already know everything about him.

Let me jump back to Gino for a brief moment, his first arc concluded when his father died and he became an enforcer, his current arc might be related to what I’ll get to in a second.

Season 3

Alright so here we are,a new season nobody was expecting and 2 new protagonists we expected even less.

Taking place in 2120 , 8 years after the events of Season 1 it follows Arata and Kei in their own CID adventures.

The tone of the series is vastly different from both S1 and S2, most notably :

it feels like those friendly buddy cop TV shows

the violence is greatly reduced, no more “shock value”

the side characters aren’t invested into, they’re just there for being there and plot devices (they’re alright, the new enforcers get some characterization but it’s not season 1 level)

Arata’s “skill” - if you think about it as high level empathy it’s gonna feel less dumb

Being new protagonists, the writers had to make sure we get to like them by offering us details about their past and what drives their motives, I’d say they did an ok job at that.

There’s no room for comparison to Akane and Kogami, those 2 are already established characters who have resolved story arcs and suffered changes.

Keep in mind Akane is 28 now and Kogami is 36, whereas the new protagonists are in their early 20s. They have time for character evolution, it’s easier to write new characters into the universe than deal with established ones such as Akane and Kogami.

Also, we see Kou visiting Akane while she’s in jail, her not being surprised means this may have happened before, which leads to further questions in the storylines that will definitely be explored in the new PP installments to follow:

Details on the incident which caused her to be in jail

What happened when Kogami returned to Japan and how the Sibyl system dealt with this

Kou reuniting with Ginoza, since both work for the hot blonde now

etc, you get the idea

First Inspector

It’s actually not that bad, I’m not going to spoil anything (well...not everything) but I suggest giving it a chance. If you don’t want to watch S3 just read about it and watch this, the most important things to take are from episode 3′s last scenes

Akane is released AS AN ENFORCER by Sibyl and will help Mika

Kogami is sent to get her, there will definitely be a recap between these two

Arata and Kei both have secrets regarding the case they worked on, not gonna spoil anything

Yayoi is alive, and will live with Shion. Just puttin this out there since they’re everyone’s favorite lesbians

Mika is still shit.

Gino is still based as fuck 

Also, there is a post credits scene with Akane saying something along the lines of “ let’s talk about the incident that got me jailed “ . This was only in the theatrical release so you can bet your ass we’re getting more PP in the future.

Thoughts

Lastly, what everyone needs to understand is that S1 made PsychoPass become a franchise. A franchise revolves around different characters in the same universe, sometimes the focus is on the OGs , but sometimes it isn’t.

I would like to note here that Gen Urobuchi is responsible for Season 1 (you know, the dude who wrote Madoka and other stuff like that...) and he did a great job writing a compelling story. Did he want PP to turn into a franchise? This I do not know and I have a feeling this might explain his absence from the later installments of the series. 

He wrote a complete story in 22 episodes which could have been left at that but seeing how well received the first season was it spawned a franchise.

What I want to say is please give Arata and Kei a chance (S3 protags) . They’re not that bad and they help the franchise stay alive as it seems they were pretty well received in Japan. Would you rather Mika be the main character again?! HELL NO

Now I love the main trio - Akane,Kou,Gino - as much as everyone but at this point they’re so high level it’d be hard to write a series just about them. Make one wrong move and the fanbase will hate you.

Also, this one is for all you Kogami x Akane shippers, I view their relationship as professional only but I’ll be damned if I didn’t scream at those 2 short scenes these 2 had in S3 and FI .Can’t wait to see the interactions between grown up Akane and seasoned peace-of-mind Kogami.

If you’re still here thanks for reading my rant, hope I made sense. 

edited to add some stuff

[arcaneranger]

Final Thoughts - 2019 Long Shows

Dear Lord. This is where all the good shows went.

2019 was absolutely awful on a season-by-season basis (except for Summer, anyway), but that’s mostly because most of the best shows ran longer than what has become the industry norm of a single season. And indeed, heading into the new decade, we seem to be seeing a major renaissance for two- or split-cour shows, given the massive success seen by shows like My Hero Academia, Food Wars, and Haikyuu!!..particularly in comparison to the new perpetual-runners Black Clover (which, despite running for over two straight years now, is still not the most popular show of Fall 2017 by viewer count on MAL, and sits at a ‘meh’ 7.2), and even worse, Boruto: Naruto Next Generations, which is faring even worse on both counts even though it premiered two whole seasons earlier and the fact that it is the sequel to Naruto.

As a reminder of my rules, the shows on this list may or may not have premiered in 2019, but they finished airing this year. The split-cour rule (stating that I judge any show that “finishes” and then premieres a “new season” within six months) didn’t come into play for any 2018 shows, but it will for Ascendance of a Bookworm and Food Wars this year, at the very least.

With that being said! 25 shows running longer than thirteen episodes finished airing this year after being simulcast, and of those…

I skipped 6:

Jojo’s Bizarre Adventure Part V: Golden Wind, Fairy Tail Final Series, A Certain Magical Index III, Ace Attorney Season 2 and Cardfight Vanguard (2018) because I either dropped or have not finished their previous (also long-running) seasons.

Yu-Gi-Oh VRAINS because the simulcast started late and also it was bad.

I Dropped 8:

Worst Long Show of 2019: The Rising of the Shield Hero

It’s always fun to see that a show you hated from its first episode only gets more and more distasteful afterwards, but it’s less fun when a service you have to promote because they’re the legal option is forced to shove it down your throat because they had a hand in making it and it became a massive hit that your friends don’t see any issue with because the author wrote a story that justifies its hero’s patronage of the slave industry. This is my punishment for watching the whole first season of The Asterisk War before I knew better.

YU-NO: A girl who chants love at the bound of this world

A confusing mess from the word go, this ill-fated adaptation of a visual novel from the nineties seems like it was mostly made to cash in on the popularity of the Science Adventure series, but failed to present itself in a way that made an ounce of sense or looked remotely interesting.

Fairy Gone

Am I really the only one that saw potential here? I mean yes, it ended up a boring slog that didn’t care to move its plot in a meaningful direction, but the first episode was at least cool. I guess Izetta: The Last Witch should have taught me better.

We Never Learn

I know that I’m in the minority in terms of the male demographic for shows like this, but honestly, how are bland harem shows still this easy to market? A copy-pasted protagonist with copy-pasted waifus drag down what could be an interesting setup for a story. 

Karakuri Circus

The first episode of this one had me excited, the second and third left me bored to tears and wondering if it would continue to look uglier by the minute. I haven’t seen a three-cour show look this janky since Knight in the Area.

Radiant

Having heard good things about this show from my cohorts, I do feel bad for saying I’ll probably never return to Radiant, but when you have a show that’s notably written by a European author...and it turns out to be a frustratingly standard shounen affair with middling production values, well, you can see my earlier annoyance with Cannon Busters.

Ensemble Stars

This one still gets to me. It almost looked like a male-idol show I would finally be able to get behind, what with its rebellious attitude and oddball setting...that is, until the setting got to be too unbelievable and the show began drowning its audience in side-characters because they had to squeeze every husbando from the mobile game into the story, and it all began to resemble UtaPri a little too much...but without the production value.

Boogiepop and Others

This was a hard drop, honestly. I spent a lot of time trying to figure out how I felt four episodes in, before concluding that I was bored and not particularly invested, two things that should never describe the experience of watching a Madhouse show. The fact that this was the project responsible for ruining One Punch Man only made it worse. There’s a slow burn, and then there’s walking away without turning the stove on.

And I Finished 11 (holy crap that’s like three hundred episodes just on their own).

That Time I Was Reincarnated as a Slime (5/10 & 1/10)

I’ll be honest, I had forgotten just how livid I was with the ending (and especially the sad excuse of a recap episode) of Slimesekai, and reading back through my write-up of it, it’s certainly coming back to me. While this year had bigger demons to fight (Shield Hero), the bad taste that Slime left me with hasn’t really faded, and the wasted premise bugs me to this day.

Hinomaru Sumo (7/10)

What Hinomaru lacked in production value, it happily made up for in good execution and earnest heart. I can’t believe this came from the same studio as Conception, Try Knights and 7Seeds, but if they can only get out one good show a year, I’m glad that we got one bringing attention to a sport that many will joke about but few understand, respect and appreciate.

Kono Oto Tomare (7/10)

Speaking of giving love to traditional Japanese culture, here’s a decent-if-unoriginal show about a local high school koto club down on their luck, and the troubled teens coming together under a scrappy protagonist to bring it back to life. Kono Oto Tomare doesn’t have much that you haven’t seen before, but a decently-executed club drama with Your Lie In April-inspired musical performances is more than enough to keep me interested, and since Forest of Piano kinda crashed and burned under the weight of its own self-importance this year, it was nice to have an alternative.

MIX: Meisei Story (8/10)

It’s hard to judge MIX next to the other shows on this list because it’s almost too old-school for its own good, revelling in an eighties storytelling style that didn’t end up jiving with a wide audience this year. But at the same time, its fun character dynamics (and a very good dub from Funimation, despite them saying they’d never touch sports anime again) were very entertaining to watch, even if it didn’t focus as much on the sport it was supposedly about as much as I’d have liked.

Demon Slayer: Kimetsu no Yaiba (8/10)

I fully admit that I’m very salty about the fact that this won Show of the Decade in Funimation’s poll while it was still on and I thought there were hundreds of more deserving shows, but I can’t deny that Demon Slayer was a very enjoyable experience, albeit one that I had notable problems with. That’s not gonna stop me from getting mad when it sweeps the Anime Awards in a few weeks, though.

Fire Force (8/10)

I was very afraid that David Productions wouldn’t be able to match the energy of Studio Bones’ adaptation of Ohkubo’s previous work, Soul Eater, but I was happy to be proven wrong. Even if the last few episodes contained a bit too much infodumping, it was all sandwiched between jaw-dropping fight scenes that proved that the people who make Jojo’s Bizarre Adventure can still handle the reins of a more traditional action show.

Fruits Basket 1st Season (8/10)

I know that my score for this one is a bit lower than others, but I think that Fruits Basket did pretty well in its first season, considering that it was largely spent setting up future storylines and adapting the part of the manga we’d all seen before, but with much higher production value. I’ve been familiar with this part of the story for over a decade, and the scene with Tohru and Kyo (you know the one) still made me cry. Now, we get the real plot going.

Dr Stone (9/10)

A great start to a totally new spin on shounen, Dr Stone gives me hope for survival in the post-Shokugeki world in which we’ll soon live, as a show that wears its research on its sleeve. A complex plot weaving interesting characters in and out of a narrative surrounding a philosophical battle where both sides actually do have fair points (even if one of them is going about it in a pretty cruel manner). More please.

Vinland Saga (9/10)

Once again, a great start to what will hopefully be years of quality storytelling, Vinland Saga made it seem like it was dragging in the middle only to reveal just what its slow burn had been leading up to, with twist-heavy storytelling and a fantastic cast to match the high visual quality of its brutal battles.

Run With the Wind (9/10)

It’s not often that Production I.G. gets to make a complete, fully-realized show anymore, and this one was a glorious reminder of the potential of the studio in the TV space, and a great rebound for the director of Joker Game. It’s gorgeous to look at, the cast is wonderful, and the story is both realistic and idealistic in a satisfying balance. It’s a miserable process to get to the finish line in real life, but sitting back and watching this was nothing but a treat. At least, until a minor fumble at the end.

Best Long Show of 2019: Dororo (9/10)

Speaking of complete stories, Tezuka Productions and MAPPA teamed up for a breathtaking adaptation of an underappreciated Tezuka classic that expands upon the story in exactly the right way to create a thrilling, savage, beautiful masterpiece that focuses a laser-sharp eye into the relationship between two characters in their journey to, literally and figuratively, become complete people. Also, that opening was killer.

And that’s it! That’s the fun list. Next comes the painful one. Stay tuned for the trash heap.

[mbtiofwhys]

How Ni and Ne (don't) binge watch

Premise

MBTI is a serious topic for us mods and we always put our best effort writing articles for this blog. However, we also find entertaining to write in a more light way about how MBTI shows off in real life. This article is one of those: we won’t discuss deeply about theory, but we’ll rather talk about our experiences with binging works of various media, be them books, videogames or tv shows. We love typing fictional characters since we also love works of fiction. Listening to other high Ni and Ne users we found an interesting correlation between those two function and media consumption, especially regarding the topic of binging. So, this isn’t hard science, it's simply a light reflection that 200% comes from our experiences. That being said, we hope this article will be relatable and intriguing. 

Ni dom and binge

INFJ mod here. This may sound counterintuitive, but even if Ni is known to be a function about searching for deeper meanings, discarding options and focusing on the few remaining, I approach works of fictions with a “multitasking” method. What do I mean? Well, I’m not the kind of person who will just sit down and watch an entire season of a tv show, even if it’s the best I ever seen (there are few exception to this rule, works like Persona 5 Royal which I heavily binged. With no regrets). I simply prefer to watch a little amount of episodes, or read few chapters of a book, for example, and then stop, thus having time to reflect on what I saw or read. I just need time to process all of the data and feelings, otherwise I’ll just hit the wall of information overload.

Even if they’re just my attempt to find a correlation between high Ni and all those aspects, I’d like to talk about what the causes of this behaviours may be, with a MBTi perspective.

Binging may be hard for Ni users since they need time to analyze things, putting them in their abstract subjective system. This means, in other words, that the higher the level of complexity is, the longer will be the time needed to absorb it. For example, I can read mindlessly a novel for a mere entertaining value, but if I really like it I’ll just take my time to enjoy the journey, reflecting and talking about my feelings and first impressions to my friends (this is my auxiliary Fe showing, I know).

Ni operates by discarding elements, thus Ni users may reach a point where they simply prefer to stop. This process allows them to elaborate those information, be them characters, facts or emotions (based on personal preferences, for example feelers may tend toward the emotional aspect and T users toward puzzles, mysteries, logical consistency). As I stated above, if I absorb too much data and feelings I’ll just freeze, submerged by the information overload. With works of fiction, I have an underlying fear of missing important aspects of it and the more I read, watch or play, the more I’ll need time to stop and see how all the new things make sense, be them theories, feelings, or simply understanding what’s going on. Even while I’m actively reading/watching/playing I process all the informations as a way to put them into perspective, constantly elaborating them in the back of my mind.

Another personal consideration is: high Ni implies low Se. Low Se may find binging as a form of overstimulation. Moreover Se, in lower positions, requires little stimuli, allowing Ni users to organize the environment (rationally or emotionally through Te or Fe), since high Ni users are J and need a certain amount of control over the environment (Te or Fe) and their feelings or internal logic (Fi or Ti) .

Finally, I think there’s a tendency in high Ni user to consume multiple media, but in small amounts. This isn’t supported by hard evidences, it’s just a trend I noticed talking to friends about the subject. Ni users may prefer to approach different media rather than a single one, splitting their attention and energies through them. So, this is the opposite of binging. Personally, except for few works of fiction which I blindly burned with my passion, I usually switch from a medium to another, a sort of “media multitasking” as a way to “cool down” from one by simultaneously approach another one and still being engaged.

Ne dom and binge

ENFP mod here. I fear I’ll have to repeat the same premise as INFJ mod: This may sound counterintuitive, but even if Ne is known to be a function that works with multitasking and jumps from one topic to the other very quickly, I tend to approach works of fiction by shamelessly binging one and proceeding to be obsessed with it for months (or years.)

This happens especially for the works that end up being my favorites once I finish them - paired with the fact that I usually go through them again at least a second time after I’m finished. It almost feels like that if I’m not binging, I’m not interested/invested enough to care. I binge so much, in fact, that I’ve come to distinguish the ‘soft binge’ from the ‘hard binge’ - where ‘soft’ means a 12 episodes anime in 2-4 days and ‘hard’ means 145 hours of Persona 5 Royal in 3 weeks.

So, how might this work?

Firstly, Ne dom needs stimuli. Constantly. The more, the better. Because external stimuli means more prompts from something that isn’t one’s mind, which causes further reflection, connections and a ton of brainstorming. Ne can connect dots scaringly quickly, and even though proper reflection is appreciated to deepen the subject, connections are often made on the spot. I think it’s very difficult for me to reach a point of information overload - it usually happens with very complex topics and study subjects, for which I need to take a break and write things down into diagrams and lists in order to make proper sense of what I learned. But even in the case of works with heavy and intricate worldbuilding/plot (e.g. Stein’s;Gate, but I’m a sucker for time travel fiction so whichever is fine) I rarely stop watching if something doesn’t add up - I usually understand it later on, or wait for everything to end and search on the internet or talk about it with friends. My only time off is the one between OP/ED (which I NEVER skip and my friends hate me for that.) In that time, I disconnect my brain for 1 minute and 20-ish seconds to recharge.

Ne dom doesn’t have the patience to wait. If it wants answers, it wants them now. Binging is great because it offers both stimuli, questions and answers in a short amount of time. Also, (but maybe this is more of an F thing and for Ti aux might be different) I’m not one to make theories and speculations over fictional works - I might do that, but later, once I’m finished. While I’m enjoying a work, I’m usually so involved that all the theorising is limited to hunches and intuitions. Proper theorising needs time, needs one to stop and reflect on one’s knowledge in order to find hidden meanings and try to predict the outcome. I don’t have the patience to do that. I’m not interested in doing that - I want to know what’s going on, period. The few times I happened to reflect and speculate on a work of fiction were when I watched/read/played the thing simultaneously with some friends and talked to them about it constantly.

Which brings us to: discussing with people. Knowing a work means you’re able to discuss it with others, read reviews and watch video essays and analysis, of course Ne dom wants to devour it as quickly as possible. I literally watched the whole Evangelion (and I mean: the anime, EoE and the 3 rebuilds) in two weeks in order to finally enjoy those sweet, sweet video essays and parody and abridged YouTube wouldn’t stop to suggest me. This may sound silly, but searching discussion topics of the works I went through -even the ones I disliked- is very important to me, because listening to other people’s opinions and prompts is a way to further feed my Ne with different perspectives, viewpoints, things I might have missed while binging.

The problem: the quicker the binge, the more it’s difficult for me to remember details about plot, characters etc that, yet minor, can be important or interesting. Which is kind of the main struggle of having low Si: you know something, but you don’t remember everything you’d need precisely. You can’t pinpoint the scene where a thing happened, you feel you might have already seen a detail but you can’t recollect when and in what circumstances, and the list goes on. And this doesn’t stop once you’ve finished, obviously - it can only get worse. Typing the main Persona 5 cast was such a pain that, during my second playthrough of vanilla P5, I literally had to open a document and write down every single line or detail or plot point that could’ve helped me later. Otherwise, the situation would be: “damn, I know [character] said something alongside the line of [thing that could help me with typing] but I can’t remember what exactly! Let’s spend hours on YT watching walkthrough in order to find by chance the exact scene I’m thinking about.” This may also be why I periodically feel the need to go through my favourite works again: I may know them by heart, but there will always be things that I missed.

[lanonima]

I have finished Jing Wei Qing Shang so it’s update time again~

I’m taking a few days off before I start anything new, but the next thing on my list is about a quarter of the length so it won’t take long once I start.

Romantic - Fucky is not how risque a work is but rather my opinion of the attitude/quality of the main relationship, the way the characters interact with respect to one another. I like a lot of stuff in fiction but if you’re easily made uncomfortable, stay towards the top half.

Easy reading - Plot-heavy is how I personally consider the plot’s intricacy and successful implementation, regardless of the author’s intention.

Jing Wei Qing Shang

Author: Please Don’t Laugh

Quality: 9.8

Enjoyment: 10

Comments: I have to start off by saying: damn girl. The improvement evident in this book is absolutely insane. A few minor issues prevent me from giving it a 10 out of 10 – her transitions are still extremely abrupt, the ending is slightly weak and some plot points remain unresolved, and her use of narrative repetition is too heavy-handed for my taste. Other than that, this book leaves me almost speechless. Very similar to Female General and Eldest Princess, there are many similar themes and events. But while I thought FGEP was fairly cute, I like this one way better. If you like angst, political intrigue, and lesbians, you should definitely read this book. I have no doubt that Please Don’t Laugh will continue to improve in the future, and I really look forward to following her career.

Would I read it again: 100%, I absolutely intend to read this again sometime in the future. It's very long and very dense but delightful and ultimately worth it.

My reviews for everything else are under the cut.

Mo Dao Zu Shi

Author: MXTX

Quality: 9.5

Enjoyment: 10

Comments: I have a huge emotional connection to this novel. There are some weak parts, the tension isn’t quite even, she’s pretty terrible at erotic scenes and not great at fight scenes…but that being said, I love the characters and some of the plot points really ripped my heart out. This is a novel that’s really driven by the characters so if you’re a character-focused person like me, definitely look into it (as if we all don’t already know it lmao). I really, really love this story. Every single adaptation of it has also been great, but the novel is still my favorite. It was my introduction to xianxia novels too, so you can say it changed my life!

Would I read it again: I’ve already read it twice, and consumed every adaptation (sometimes also multiple times)

Scum Villain’s Self-Saving System

Author: MXTX

Quality: 6

Enjoyment: 5

Comments: I’m not much of one for comedy and, as I discovered, not really into system novels either. Clearly weaker than MXTX’s later work, many of the characters are somewhat bland, she hasn’t quite found her groove yet. It’s not my style but the fandom is hilarious and the fans constantly produce content that I actually do find entertaining so overall I still have some fond feelings for this one, even if not for the source material.

Would I read it again: I found a different translation and am willing to try again in the future, I’m also willing to watch the donghua. But I can’t guarantee I’ll like it any more than previously.

Tian Guan Ci Fu

Author: MXTX

Quality: 10

Enjoyment: 10

Comments: I love this book…but not as much as I love Mo Dao Zu Shi. I think the plot is somewhat typical, however the characters are great once again (though maybe slightly less deep than MDZS), and her use of thematic repetition and foreshadowing are killer. Actually, I liked this book more the second time around because it just hits differently. Definitely the best of MXTX’s couples, they are so soft and sweet. Very long, but worth it.

Would I read it again: I already have, was personally translating the manhua before I hurt my arms, and am eagerly awaiting the donghua this fall!

The Villain’s White Lotus Halo

Author: A Big Roll of Toilet Paper

Quality: 10

Enjoyment: 10

Comments: Fuck, I love this one so much…..even though it’s also a system novel. But that part is in it so rarely that it reads more like pure fantasy. I love the characters, I love the plot, I love the way the relationship is developing. Oh yeah, the translation isn’t even complete but I already purchased not only the original from JJWXC but also the print edition. I’ve even drawn fanart for it, which is so unlike me. Every time a chapter comes out, I’m ruined for the rest of the day, I can’t think about anything else. Good fight scenes, which is uncommon. My favorite danmei novel so far.

Would I read it again: I fully intend to once the translation is complete, and also plan to read it in Chinese later (I’ve already read certain parts in Chinese hahaha but not the whole thing)

2Ha (Husky and his White Cat Shizun)

Author: Meatbun Doesn’t Eat Meat

Quality: 8

Enjoyment: 10

Comments: 2Ha is not for the faint of heart, it’s very horny, and violent, and has a lot of questionable content. However I love it so much. The story and characters are great, Meatbun really has me by the heart. The writing is a little more on the casual side but it hardly matters because the story is so great. Good fight scenes. Chu Wanning is like, the ultimate Me™ character, I hate how much I adore him. If you read this, just go into it knowing that it’s a long emotional journey, the characters are very dynamic and there’s a lot of character development.

Would I read it again: Same as the above, I plan a reread when the translation is done and have read parts in Chinese and might read the whole thing again later. Cautiously eager about the up-coming live action and donghua.

Di Wang Gong Lue

Author: Yu Xiao Lanshan

Quality: 2

Enjoyment: 9

Comments: This is one of the most terribly written things I’ve ever read, but I’m a character girl and the characters and ways they interact fucking kill me. I’m constantly entertained….although I don’t think this is actually supposed to be a comedy. If I were going to treat myself and like, take a bubble bath and read something that made me laugh, this is exactly the sort of trashy romance I would want to read. Technically a political intrigue story but it’s so abrupt and full of holes, are any of us reading it for the actual plot? The donghua is on Youtube, I watched it first and recommend others to do the same. If you can handle that, you can handle the book because it’s exactly the same in quality, just gayer. I do love the main couple a lot, the set-up surrounding the relationship is great, and the side characters are also really fun.

Would I read it again: Probably not, but I’m still having fun with it. I watched the donghua and read a bit of the manhua as well, which has very cute art and is probably my favorite version of the story.

Liu Yao

Author: Priest

Quality: 6

Enjoyment: 7.5

Comments: I really struggled getting into this one, it took me about 25 chapters to get invested. Initially I had rated it a 6 in enjoyment but after careful thought, I realized that even though it was so hard for me, it probably is my favorite Priest novel and I really do love the main couple so much. Her side characters also seem to be slightly stronger than usual in this one. Decent plot, not too much or too little. It seems really chill to me, doesn’t provoke much of an emotional reaction but I do think it’s very sweet, which is nice sometimes too.

Would I read it again: No, but I think (?) it’s supposed to get some kind of tv adaptation (drama or donghua, not sure), and if that happens, I’ll watch it.

Didn’t Know the General was Female

Author: Rong Qing

Quality: 4

Enjoyment: 6

Comments: Not the greatest thing I’ve ever read, but cute. It’s short, and a little lesbian fluff is never a bad thing. Writing is a bit weak and the plot is basic, but the characters are enjoyable and I liked it overall.

Would I read it again: No.

Wrong Way to a Demon Sect Leader

Author: Yi Zhi Dayan

Quality: 4

Enjoyment: 7

Comments: Again, not the greatest in writing or plot, it’s a bit shallow. But I found the idea of it to be entertaining, and actually liked it more than I would have assumed. It’s fairly short and cute, like a good summer beach read.

Would I read it again: Probably not, but possibly, if the stars align.

Female General and Eldest Princess

Author: Please Don’t Laugh

Quality: 7

Enjoyment: 6

Comments: A very good first effort, but the writing is a bit weak. It’s slow to start and I don’t think the political plotline is spectacularly strong. Some things were left unexplained, and her sense of battle tactics and fight-writing were very confusing, definitely room for improvement. I don’t think it’s as good as people say, but she writes with the air of someone who will continue to improve. And also, a lesbian author writing lesbian stories so that’s a plus. Overall I enjoyed the experience, this story is definitely worth a read.

Would I read it again: Maybe, but probably not.

Sha Po Lang

Author: Priest

Quality: 7

Enjoyment: 7

Comments: Originally I rated this one higher, but on later thought I realized that I actually enjoyed Liu Yao more. I personally have issues with the way Priest writes, and this book showed a lot of them. Characters were okay, I did like the main couple, but side characters were weak as usual. The plot is pretty good, though not great, and I think some of the pacing is off. Some descriptions were confusing, but that could be a translation issue. Overall, still a pretty good political drama, but I would say that of the three I read, this was the Priest novel with the least impact on me.

Would I read it again: No. But I will watch the live action if it ever gets made.

Guardian

Author: Priest

Quality: 6

Enjoyment: 5

Comments: I love Shen Wei and Zhao Yunlan, thought the plot was interesting, and there were some enjoyable moments. But it has all the problems I usually have with Priest in addition to some choices that offend me as a queer reader. I spent about 75% of the time reading while pissed off. And actually the fact that it had a happy ending kinda bummed me out because I love a good tragedy. Overall, I can only give it an average score. If you like Priest, you’ll like this one too. I’m not a tv person but I binged the hell out of the live action, I really loved it, so I was sort of disappointed that the source material didn’t seem as strong as I had assumed.

Would I read it again: No, but I will happily watch the live action again some day.

[talesofafangirlwithadvr]

January 2020 Picks

And we’re back!!! Been watching a lot of great stuff recently that I’m excited to chat about. These are just a few of highlights. I’m not 100% caught up on the Arrowverse shows yet, but did enjoy the Crisis a lot-especially after the second watch through. Check out my full review on that here: https://talesofafangirlwithadvr.tumblr.com/post/190372384413/crisis-on-infinite-earths-reactions

SPOILERS AHEAD!!

ANNE WITH AN E

This 3rd season was my FAVORITE so far, which makes it even more depressing that this is the end. I watched it the fastest and even stayed up till 1 AM to finish the series after watching four straight episodes. (Normally I try to space out bingeing stuff because I don’t want it to end so fast.) This series has always taken liberties with the source material to make it even more relevant to today, but I especially felt that during this season. It did not feel forced one bit. From Bash losing Mary and overcoming being a minority in Avonlea to Ka’kwet’s story line that brings me to tears every time I think about it-especially because she made it ALL the way home just to be taken back. Would love to believe she’s back with her parents, but the ending this season doesn’t show it. Perhaps they were thinking about pursuing it more if there was a 4th season. Josie Pye’s assault was a nice commentary on the Me too movement as well as the Human Rights and Women’s Rights march. I’m so happy Matthew survived this series! I was so worried for him. (As readers know he dies at the end of Anne of Green Gables the novel. Most adaptations often keep it in and I am happy we diverted from the original this time.) Jerry and Diana were adorable at the start, but Jerry deserves so much more! (He got SO TALL! As I often remarked while watching this season.) I absolutely loved the boy craziness this season because they were “Now 16!” Tillie balancing two guys! Ruby’s crush on Moody was super cute. I loved when Anne was forced to ask Gilbert about having babies by the girls. THE STRONG FEMALE CHARACTERS!! (applause) 1) Mrs. Stacy: as a widower she will not settle for just anyone to marry. 2) Prissy Andrews: I really like that they brought her character back up and that she attended college. So sad that Billy will still be the head of her family. 3) Diana gets to go to Queens (a change from the novel as well, but one that was a great choice). I really liked her chat with Aunt Josephine. 4) Of course Anne Shirley. There’s so much to say about Anne, but one of the things I really liked this season was getting insight into her own personal family history. Seeing her mom’s book at the end was very touching. I love that she also had red hair. Last thoughts: Delphine is the CUTEST BABY EVER! Seriously a fantastic actress. Her relationship with every person in the show was amazing. And of course my beloved Shirbert. I knew they were endgame (because of the source material), but BOY did they take their time getting there). Screw Winnie! Anne and Gilbert’s relationship hurt my heart throughout it all, but so many adorable moments between them proving they are meant to be. Forever my OTP!      

SANDITON

I am seriously feeling the period pieces this month (but then again when am I not). As a HUGE Jane Austen fan I was extremely excited when I heard that her unfinished novel, Sanditon, would be adapted for the TV screen. Because I was unfamiliar with the story (which is always a fun time when one of your favorite authors has been dead for the past few hundred years) I made sure to add the novel to the top of my 2020 list. Due to its length I was able to finish it before the series started a few weeks ago. While I was not a huge fan of the unfinished novel, because I found it difficult to connect with any of the characters or see where the story was headed, I already feel differently about the mini-series. By the end of episode 1 I was already hooked and very happy that PBS aired the second episode immediately afterwards. I can see parallels to Austen’s work as well as echoes to other Austen novels (naturally Pride and Prejudice). When listening to the Masterpiece podcast in which they interview Rose Williams (who plays Charlotte Heywood) she described Charlotte as a cross between Elizabeth Bennet and Catherine Morland (from Northanger Abbey), which I think is really accurate. I like how Charlotte goes to Sanditon because of her interest in seeing this place that Tom Parker gets so excited about. She honestly isn’t looking for a husband, but rather an occupation. Something different away from her farm. Is romance involved? You betcha. This is an Austen adaptation afterall. But that is not her main focus. There’s so many other things going on with the story, but I’d have to dedicate a complete other post to explain it all. I really feel it is fitting in well with other classic book to screen adaptations coming out right now like Little Women and Anne with an E. If you’re a fan of either one then Sanditon is worth a try. And of course if you love Jane Austen and the 1995 Andrew Davies adaptation (he’s producing this one as well) then it’s worth a shot! 

THE MAN IN THE HIGH CASTLE-SEASON 4

Just like with Anne with an E, I think this was my favorite season of The Man in the High Castle (and ironically also the last season. Although this series knew that going in to production). It held my interest very well and I watched it faster than the previous season. I really don’t think I’ve been this invested since season 1. Lots of new characters were introduced and while I missed some of the old it just shows you how much this show has developed. I also felt myself liking the new characters really fast. At first all of the multi-verse stuff was pretty intense and a little hard to follow, but it got easier as the show went on-EXPECT FOR THE END! Were all those people coming through because their worlds were much worse? What happens next? How are the Smith children? Amy and the other students who were brainwashed-will they change? Kido will stay. Did Childan find Kikuko? (Loved their relationship btw. I’m going to believe they got to be together in the end. It will make me sleep easier.) I was constantly saying to myself: How are they going to wrap this up in only 4 episodes...3...2...etc.. But I feel like it could have been a bit stronger. Despite this I still am a big fan of this season. I just get picky when it comes to series finales.  

DOCTOR WHO 

Last I had posted about Doctor Who I was very behind. Like I only watched last year’s holiday special this year behind. It was just tough for me to get into last season. I’ve really enjoyed Jodie Whitaker’s take on the Doctor. I feel she brings a new energy, but at the same time reminds me of the way Tennant and Smith portrayed the role. It’s just that I missed some of the familiarity of the show. It’s always hard getting a new Doctor because the show takes on a different feeling, but with all new villains, companions, TARDIS, etc it was tough. I wanted a couple more old references. I also didn’t love all of the episodes (although a bunch of them were really good: Rosa Parks, Demons of the Punjab, Kerblam! to name a few). So when I watched last year’s special at the beginning of the month I felt I zoned out a bit. However, Spyfall (parts 1 & 2) that kicked off this season were entertaining and I’ve been hearing good stuff about this season so far. Now that the show is on its second season with these characters, I’ve heard there’s more of a rhythm. I can’t wait to continue. I also can’t wait to see these guys again: 

PLUS I discovered a HUGE spoiler about last week’s episode that honestly that has honestly gotten me so pumped; it is the main reason why I am catching up faster. (I won’t spoil it here if you still don’t know it. I foresee I’ll probably write an article just about that episode.) 

VIOLETTA 

My guilty pleasure that I have been bingeing on Disney+. This musical telenovela from Buenos Aires has three seasons of 80 episodes a piece! (That’s right I have my work cut out for me.) Currently only the first season is up on Disney+ and the show is pretty hard to find, so I am really hoping that by the time I finish it they release at least the second season. I only started it in the new year and am already on episode 42, so you can say I’m enjoying it... :) Basically once I hit 30 I was hooked. (Although I was enjoying it a lot before that, now I’m just more obsessed.) There are several characters in the show from the students, to the teachers and family members, but the main character is Violetta who has lived in many different countries all her life with her dad who is a very successful businessman. She has been home-schooled forever due to their lifestyle and because of her dad’s worry that she will be hurt in the real world. Her mother was a popular singer who died when Violetta was very little that she barely remembers her. When they move back home she secretly gets enrolled in a music school that her mom just so happened to attend. Her tutor is secretly her aunt (who no one recognizes because Violetta’s dad told her that her mom had no relatives) and she has to hide attending the music school and singing which is her ultimate dream. That’s just the basics because there is so much more drama in the series. Lots of lying, deceit, love triangles that just won’t quit, ridiculousness and music. While they repeat a lot of the same songs, many of them are quite good and really catchy that you can’t help but get them stuck in your head. My sister (who loves this show) kept talking about it and that made me want to watch once we got Disney+ (she was lucky to watch two seasons when it was still on Netflix). As she said to me, you should watch it in the original language, which is Spanish with English subtitles. I feel like I’m learning more Spanish while watching it. Probably be fluent by the end (ha ha ha ha-not really). 

So, what are your favorites of this month? Are we watching any of the same things? Anything look interesting to check out? Let me know! 

[l-egionaire]

My Personal Opinion of Kristanna

I've seen a ton of people voice their opinion of Anna and Kristoff's relationship and so I thought I'd give my own personal take on it. And my take on it is this: Their relationship is meh.

I'm not an Anti-Kristanna, I don't mind reading and writing works where they have them together but for the most part the ship itself isn't one that I feel is all that interesting. And I have 2 reasons for that.

1) Their relationship really isn't that important.

And by that I mean that If you took their romantic relationship out of the first movie, it really wouldn't change anything. You could have Anna and Kristoff end the movie as best friends, take out the kiss, and that would not adversly affect the plot of Frozen at all. You could still have Anna try to kiss Kristoff and thinking she loves him and have Kristoff come back because he doesn't trust Hans or sees the storm or whatever, just have them decide at the end not to be together and that wouldn't change the overall plot of the film. The same goes for the shorts too. Take out their romantic relationship and nothing really major changes. Kristoff could still be at the palace just as Anna's best friend rather than her boyfriend. I know that a relationship doesn't have to super impact the plot of every piece of media, but my personal feelings are that if you can cut an explicitly romantic relationship between two main characters and not have anything change, it's really not that interesting. And Kristoff and Anna's just isn't that important. The only places where it is are the sequel and the Once Upon a Time TV show and in those it's treated more as a plot device rather than an actual relationship. Even on most official Frozen merchandise, the two aren't really featured together. Anna is usually with Elsa or just completely by herself while Kristoff is relegated to being with Sven and Olaf. They might have some small romantic moments together but overall the two of them being together really isn't that important to the franchise as a whole. Heck, even the creators of the series have said that they considered breaking them up because their relationship took away from the plot of Anna and Elsa. There's just not that much reason to invest in the two of them being together.

2) We never get a "campfire" moment with them.

We never get a moment to see what it is that would make them feel like they should fall for the other. Take the campfire scene from Tangled. Rapunzel and Eugene talk about their pasts and connect over their hardships in life. Or the scene in Aladdin where Jasmine and Aladdin discuss how they both feel so trapped in life. We never really get a scene like that with Anna and Kristoff. We see scenes of them talking, sure, but we never really get a scene of the two of them kind of connecting the way we might with other couples. The most they ever really get is some minor ship tease before suddenly just deciding they have feelings for the other. And that's especially important since one of the main points of Frozen was not being with someone you just met. The two of them decide to start a romantic relationship after saving Arendelle but in reality really don't know much about each other. Kristoff probably doesn't know much about Anna's life and Anna once again doesn't even know her partner's last name. That's not to say they couldn't have a somewhat good relationship. Just that they kind of rushed into things without really thinking which is somewhat realistic but that could just as easily lead to a break up or at the very least a period where they wonder if they actually want to be together just as much as it might lead to marriage or children. They just don't know each other and that might not help if they want to be together.

[the-desolated-quill]

BBC’s The War Of The Worlds blog - Episode 2

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)

Never before have I witnessed something this god awful. I’m actually gobsmacked. I knew Peter Harness was a terrible writer, but I didn’t think even he could fuck up this badly. I was utterly dumbfounded by the end of the second episode. I couldn’t believe what I just watched. Not only does this fail as an adaptation of War Of The Worlds, it fails as a story in and of itself.

The problems with Episode 2 surface almost immediately within the first few minutes. A flash forward to a post apocalyptic Earth where we see Amy taking care of her son as humanity struggles to survive because of the red weed (which doesn’t look terribly convincing sadly, but that’s the least of this series’ problems). From there the episode continuously switches back and forth to the invasion and the aftermath throughout, which completely ruins the pacing, but it’s actually even worse than that. These flash forwards also giveaway the ending of the story. That the Martians end up losing. Harness tries to act all clever-clever with it by having British propaganda claim that the army defeated them, but the damage has already done. Thanks to this reveal, Harness has successfully managed to completely suck all tension from the story completely. The Martians no longer pose a threat because we, the audience, know they eventually lose, and we know that Amy at least survives, so at no point do we ever worry about her safety. I was absolutely flabbergasted when I saw this. I couldn’t believe any writer could be this stupid as to sabotage their own story by completely defanging their villains. As for the red weed slowly killing the planet, not only do I feel this unnecessarily complicates a perfectly simple narrative, it also opens the door for humanity to overcome their Martian oppressors when the whole point of the original story was that we only survived by the skin of our teeth. Our human ingenuity had nothing to do with it. We’ll have to wait and see what Episode 3 brings, but I’m not optimistic.

Meanwhile the invasion itself is still just as stilted and lacking in focus as it was before. Certain scenes stand out, like the black smoke enveloping London and the Tripods attacking the ferries, but because we know the Martians ultimately lose and that Amy survives, there’s absolutely zero suspense. (And yes, I know War Of The Worlds is a hundred year old story and everyone knows how it ends, but that doesn’t mean you can’t build tension). Also because of Harness wilfully reducing the Martians to incompetent fools, he has to resort to cheap shock tactics in the desperate hopes of scaring the audience, like when we see one of the Tripods kill a baby. Or how about the bit where Amy almost gets raped in the post invasion scenes? After all that performative feminist posturing last week, it’s quite galling to see such a sexist trope be used here for a cheap bit of drama. It’s fucking pathetic.

And once again the focus is in all the wrong areas. Instead of depicting the horrifying events of the Martian invasion, Harness is more preoccupied with Amy and Rupert Graves’ character (I’m sure he has a name, but I can’t be bothered to remember it at this point) squabbling every five minutes. Guys! Humanity is being destroyed by fucking aliens! Can this not wait?!

I’m assuming the whole baby killing thing was an attempt to show us the selfish nature of man or something, but George and the Artilleryman barely make the effort to actually look for the baby and the scene doesn’t go on nearly long enough to get us invested in the search and their eventual failure. The baby is practically thrown away just so Harness can have a moment where social media will go ‘OMG, they killed a baby in War Of The Worlds! How edgy!’ And the annoying thing is the book does actually have morally grey and shocking moments that Harness could have adapted if he wasn’t too busy trying to second-guess the audience and show what a dark and edgy writer he is. There are two important characters in the source material that the narrator encounters who offer different points of view on the events of the novel. There’s the priest who we see slowly lose faith in God and become more and more panicked and erratic, and there’s the Artilleryman, who represents British colonial attitudes, believing that humanity will ultimately triumph when the evidence clearly doesn’t support this. Here the Artilleryman is played by Dudley Dursley himself Harry Melling, who does a decent job with the material he has been given, but unfortunately the character he’s being forced to play is just utterly inadequate.

Continuing with his trend of writing allegories to things that have nothing to do with War Of The Worlds, Peter Harness takes the opportunity to comment on military conscription, even though conscription wasn’t introduced to the UK until 1916. So now the Artilleryman isn’t some impressionable nationalist that has willingly bought into imperial dogma, but rather he’s a scared little bunny rabbit forced to fight a war against an enemy beyond his comprehension. Worse still, George gets conscripted into the military for literally no fucking reason. He doesn’t get given a gun or anything and despite the fact that he knows more about the Martians than the soldiers do, none of them fucking listen to him when he tries to explain the heat pulse thing or why it might not be a good idea to shout at a Tripod. Then, when they think they won the battle, the captain points his gun at George and forces him to wade into the marshes and investigate. Again I must stress that George doesn’t have a gun! It’s just utterly contrived!

Oh but don’t worry. Harness finally addresses what the source material is actually about. British imperialism and colonialism. Unfortunately he does it with the subtlety and nuance of a giant steamroller driven by Marilyn Manson. Now admittedly the book isn’t very subtle about it either as the narrator comes right out with the comparisons between the British and the Martians, but the thing is the book gets away with it because it’s told from the perspective of a journalist writing about his own experiences after the fact. H.G. Wells has the licence to draw direct parallels because the narrative form he has chosen allows him to. A TV series however - a visual medium - cannot get away with this. Harness, not having the faintest idea how to address the themes of the source material organically in the visuals or the plot, resorts to sledgehammer tactics to get the point across. In the flash forwards to post apocalyptic Britain, we see Amy’s son reading a book that details how the British defeated the Martians as part of some propaganda initiative. A speech is made about how powerful and unstoppable the British Empire is, whilst intercut with soldiers having their arses handed to them by the Tripods. We see several characters maintain a stereotypical ‘stiff upper lip’ attitude as though the Martian invasion was a minor inconvenience instead of a shocking tragedy. There’s even a moment where the Minister of War is babbling on about how much more powerful the Empire can become if they can use Martian technology before succumbing to the Martian’s black smoke and we see literal bile foam from his mouth. It’s all so painfully on the nose and doesn’t offer any intelligent points or topics for discussion other than ‘empires are bad.’

And that’s not to mention all the other contrivances and annoyances in this episode. Despite Eleanor Tomlinson giving it her all, I still couldn’t give two shits about her character. Rafe Spall’s performance as George is still utterly atrocious, running around with a gormless expression on his face as though he’s just lost his wallet. Rupert Graves is utterly wasted as George’s brother and has no good material to work with. We also have a little girl join the group in a desperate bid to draw some sort of emotional reaction from the audience (it doesn’t work) and we have a sick older woman who serves no purpose whatsoever as far as I can see. In fact she really pissed me off due to the way in which she gets poisoned. It’s clearly meant to be there to establish the Martians terraforming Earth, but good God it’s stupid. How does she get poisoned? By drinking a random cup of water someone had just happened to leave lying around in the middle of a field.

I... I... Harness.... Harness, does your brain work?! How the flying fuck did you ever manage to get a career as a writer?!?!

BBC, I beg of you, please stop using our TV licence fees to fund hack screenwriters’ poorly thought out and unentertaining fanfiction!

PLEASE!

[ifeveristoday]

god what is your childhood trauma

I knew trusting Jordie was a good idea. While I still have timeline/minor pacing issues (Issue #9 has Joyce believing Buffy’s on an out of state field trip for a week - which means the issues are covering 1-2 days at a time?) It’s all very Jeremy Bearimy.

Issue 10 introduces Kendra, more background parents, more details about Rose (!!!!), Robin’s mission, and Giles continues to have a terrible, horrible, no good, very bad attitude. Is this Toxic Masculinity or just the Hellmouth amplifying bullshit?

I will post my thoughts about the last issue of Angel eventually, because wow, the gay - but I will say it’s interesting how each line is dealing with the absence of its titular character. With Angel’s absence, the Fang Gang is concerned, but they’re handling it. Buffy’s absence in Sunnydale is having major repercussions however and while it was touched on in issue 9, issue 10 really emphasizes how she’s a necessary part of the Scoobies and how they’re floundering without her.

I could say it’s because Angel hasn’t built up a bond with his gang to the extent Buffy has, but also I think it’s just where the characters are in their lives - the Scoobies are sixteen, and it’s implied that Fred and Gunn are older young adults, with more independence and less family/school to concern themselves with. 

The pressure to fit in, to be normal, to belong - it matches up neatly with Sunnydale coping with the aftermath of the Hellmouth opening. Robin, much like Willow in issue #9, is frustrated with keeping with the status quo and it's his POV this issue opens up with. He knows there’s bad shit going on, and that they should be focusing on surviving/fighting, not worrying about grades and chores like raking the leaves.

Except he doesn’t know exactly what he should be doing - and it doesn’t help that Kendra is counting on him to be her Watcher. She asks him when they’re going to be talking about hellfire and her training, and Robin tells her that they don’t do any of that, Buffy does. Except of course - she’s not there and Robin has to admit again that he doesn’t know.

For an informant to the Watcher’s Council, Robin knows less than was hinted at in previous issues, and it’s amusing that Kendra knows more about his background than he does hers. Which is a nice little inverse from the usual Watcher - Slayer relationship, isn’t it? 

Kendra is apparently older than Robin, but it’s not stated by how much - she does have TV canon’s sense of tradition, but with less ‘the Watcher is always right and I am the Council’s tool,’ and more ‘we’re partners and I’m already fifty steps ahead of you, so catch up, you fool’ which is just refreshing from the start.  “You’re the only resource I have in this town...it’s time you make yourself useful.”

BAMF energy. 

Speaking of which, let’s talk about Cordelia, and her Jurassic park quoting excellence. I’m telling you, every character gets an issue or two (or three) to shine, and in this issue, the girls we haven’t seen as much of, really get their day.

The sequence of Cordelia walking to school is nifty for the sense of humor - Cordy has been the omniscient ‘Gossip Girl’ for the series and would naturally be the best at social media in 2019. Just as she’s documenting ‘life finds a way’ about the bird making a nest in the ruins of a tree, the audience spots what she doesn’t, the snake crawling up the other side of the tree, poised to strike.

And just as Cordy says, “Gives me hope!”

She gets lured into a trap.

The incel/sad lonely white boy in the basement stock character is not one I enjoy reading about because too many times his real-life counterparts murder a lot of people (often out of hatred of women) and I have no sympathy/interest for that.

He’s a pathetic figure but that makes it no less scary to see him throw Cordelia down a flight of stairs into his basement.

I think this being potentially excused away (thanks not vague enough official preview summaries!) as part of the Hellmouth is bringing out the worst in the dudes is weak because again, real-life losers like these characters do this without an evil mystical force being the reason all the time.

But something is clearly wrong with Giles, as he almost attacks Robin in the library, and Robin nearly attacks him back. The copious amount of sweating, the murder eyes - the verbal knives out. Giles was scary in issue 9, and he’s even more menacing in this confrontation. He’s abusing his authority as an adult and being incredibly dismissive of Robin, which is bad enough on a personal level, but as an educator - really bad.

Willow and Xander luckily come in to defuse the situation, but now Robin has a problem with them and how come he’s suddenly responsible for Sandy Noxon’s disappearance (oh yes they did and yes I saw what they were doing there).

It’s accusation town as Robin rips into Willow and Xander, but not before he tells Giles that he’s lost Buffy, they all have, and that he [Giles] is a failure. This conversation is another one of those where two characters are talking around each other - Giles is thinking Robin is being disrespectful, while Robin is pointedly calling out Giles for his failure as Buffy’s Watcher, and as an authority figure in general. Giles tells Robin he’ll do nothing, but Robin scoffs ‘Watch me.’

Old versus new, tradition battling discovery - it’s a pretty obvious parallel setting Giles up as the Old Guard and Robin forging his way with ‘his’ Slayer and their new mission.

Back to Robin tearing into Willow and Xander: their conversation in the hallway reminds me a lot of the fights that the Scoobies had in the show - while not as ugly as the DMP confrontation or that bullshit season 7 episode *cough*, it does some excellent character work in the dialogue: it reinforces the idea of Willow and Cordelia being friendly/nice to each other, Xander’s unwavering loyalty to Buffy - and getting annoyed with Robin on her behalf, and then Robin calling out Willow for ghosting Buffy (aha, so he did notice her even when he was ignoring her) in the previous issues. Robin goes a little Mr. Hyde then - accusing Willow and Xander of shifting the blame on others when Buffy isn’t around, which...kind of a stretch because how would he know?  The Evil Flop Sweat is back, and he projects his frustration with Giles not helping him on them - yelling, ‘Instead of going to other people for help, why don’t you figure out things yourself, for once?’

and then ends on, “Buffy isn’t here, and we don’t know when she’s coming back...you should try to get real comfortable with that.”

The panel that follows after Robin’s outburst? A M A Z I N G.

David Lopez’s expressions for Willow and Xander is just...guys. 

Xander continues to be the most emotionally well adjusted of the Scoobies (!!! The growth! We love to see it.) as Willow tells him she and Rose are broken up and for him to just leave it.

Which brings me to the unicorn I’ve been chasing since she debuted in the comic, SOME ACTUAL PERSONAL DETAILS ABOUT ROSE. I was frustrated with their breakup for a number of reasons - a) we know so little about Rose beyond the being Willow’s girlfriend, b) so much of their relationship was off-page, c) Willow was lying to her for a lot of the time, d) when they broke up, it lacked real emotional depth and I wasn’t that invested in the first place.

BUT NOW.

Rose has a tattoo! That says I TRUST YOU in FRENCH. A semi-absent father figure but one who is loving and supportive! What’s that? Two dads and a possible stepdad and Giles when he’s not being Evil Flop Sweat Man? That’s four canonical Father figures that aren’t evil or negligent. Points to House Bellaire!

And Rose being a kid that moves around a lot because her dad relocates for work, and Sunnydale being a ‘real’ home and staying for good because her mom made it happen. Then wanting Willow to meet her dad when he was in town - but now, of course, that’s not happening and guys. Character details have been provided.

I have a better idea of Rose now, and I like it. And I like that she’s kind and looks after her classmates.....

even bad news bear Luke. LUKE. 

The sense of dread (and the colors! I love the work the Boom! colorists are doing for Buffy and Hellmouth) is excellent as she goes downstairs and discovers a bound and gagged Cordelia in the basement.

When Rose and Cordelia team up against Luke - it’s one of the best sequences in the issue. It shows that Cordy is unbelievably assured in every situation, no matter how dire it initially looks, and that Rose is really brave and resourceful (and deserves to be part of the Scooby Gang. Draw her on one of the covers, you cowards!)

It’s telling that Cordelia and Rose assume that it’s Buffy who saves them at the last minute - Cordelia because she associates Buffy with weird feats of strength and also just showing up at these moments, and Rose with hearsay - Buffy’s weird, but she gets results.

Kendra about to introduce herself and then Robin stealing her thunder and her reaction shot to said thievery?

I’m so glad she’s here. And that we’re going to get a girl gang in the next issue.

[kingofthewilderwest]

Hey :) I want to watch more httyd but sadly I've seen all the movies, are the tv series' any good? Which one should I start with?

Oh goodness, I have a post somewhere answering this very question, but I’m too lazy to find it. TIME FOR A REWRITE! XD

I find the HTTYD television materials VERY worthwhile additions to the DreamWorks Dragons franchise. I feel like we are extremely blessed to have over a hundred episodes of a show filled with fantastic moments and memories. Personally, I always encourage people to check them out. The shows won’t be for everyone, which is alright, but I feel that the television series has a lot going for it. I love the shows myself and constantly reference some points from them in my analyses because I think they’re so critical. I’ll explain pros and cons so you can make your own choice about whether or not the shows might be your thing.

I’d say the number one highlight of the television series is the increased time with the dragon riding gang - Hiccup, Fishlegs, Ruffnut, Tuffnut, Snotlout, and Astrid. Many of these characters are secondary in the movie trilogy, having little time on screen, but the television series fleshes them out. It’s because of the show that I fell in love with Snotlout’s character and saw him in three-dimensional depth; I’d say he’s the character they handle best, going into how he hides his insecurities with machismo because he wants to impress a berating father. It’s the show for why I attach to the twins; their sibling devotion and love for one another is brought out wonderfully on screen. There’s good moments with everybody, and you’ll see everyone pair up with everybody - what’s the friendship between Astrid and Tuffnut like? Now you’ll know.

I think a decent test for whether or not you’d enjoy the character dynamics is… well… did you like the character bantering that happened in THW? If so, that had a very distinct tv series feel to it - to the point that they were even referencing ongoing television series gags like Snotlout getting his ass caught on fire.

There’s other characters to meet and engage with too! We’ve got Heather, a badass young woman who connects well with Astrid. We’ve got Gustav, an obnoxious wannabe “Snotlout” who shadows the older dragon rider. We’ve got Mala, the queen of a warrior-trained society that reveres dragons. And there’s Atali, Minden, Throk, Savage, Alvin, Dagur, Mulch, Bucket, Mildew, Krogan, Johann, Viggo, Ryker, and more!

The television series is also good for laughs. Did you ever want a musical episode where Snotlout sings about how amazing he is? Did you ever want to see an entire pile of fish dunked on Hiccup’s head? How about where Hiccup painstakingly tries to talk without using the letter s? “TOOTHLEH! PLAMA BLAT!” is a moment I’ll never stop laughing at.

I also think the best DreamWorks Dragons villains are in the television series. Alvin the Treacherous is a hoot on screen, delightfully voice acted by Mark Hamill. Dagur the Deranged has his fan base for a reason. And for me? Viggo Grimborn is my number one favorite villain from the DreamWorks side of HTTYD - a manipulative, morally gray trader who is such a keen strategist he makes Hiccup appear a foolish child.

One small last point: there’s extra depth to appreciate about the films if you go through the shows. Astrid sympathizing with Hiccup in the first film makes even more sense once you realize her family name got tarnished and she felt social ostracization herself. You see Hiccup attempting to develop his flight suit and sword, leading into HTTYD 2 material. The presence of Fireworms in the third film is a reference to a dragon species introduced in the shows. A conversation point in THW about having dealt with “their kind before” (that is, dangerous people like Grimmel) is a reference to Hiccup’s adventures with Viggo Grimborn. The underground caves that become stables in HTTYD 2 were first found in the television series, explored in DOB. Stoick and Hiccup have several conversations about leadership that lend extra feels to the tragedy in HTTYD 2. Tuffnut yakking to Hiccup ridiculously in THW brings up all the memories of weird conversations they’ve had before… there’s extra context, content, and background to appreciate when you approach the movies with knowledge of the full franchise. 

Now, the shows aren’t perfect, and it’s usually the same reasons why people don’t get engaged with the shows. Again: some fans love the shows and scream their way through episodes, some fans dislike the shows and refuse to touch them, and some fans are “meh” about the shows and get through them with liquor. It’s all dependent on the sorts of things you tend to attach to, and the things that tend to bother you.

One reason some people don’t engage is that the first episodes of the first series (Riders of Berk) can feel childish in tone with low stakes. It is to note that the adventures and stakes do grow from the start. The animation levels also drastically improve from start to end… it’s a wild difference to compare the first episode of Riders of Berk with the finale of Race to the Edge.

Another reason is that the shows are not about the dragon characters. There will be the introduction of many cool dragon species like the Death Song, Scauldron, or Thunderdrum, but the shows aren’t about the humans connecting with their dragon friends. They do not focus on the dragon characters. So don’t go here for Hiccup and Toothless dynamics. There’s a few feelsy moments to talk about, but not many; Toothless is mostly a background character as the stories focus on the humans instead.

Next, some people feel like the characters are “dumbed down” or written inconsistently, and while I wouldn’t phrase it exactly like that, there’s a point to be made there. Some audience members especially don’t like how Hiccstrid gets handled in the first half of RTTE, where they feel like the bumbling hesitant startings of romance is inaccurate to how the two would develop relationally. (It’s to note that another group of people fawn over the Hiccstrid dynamics). Others hate Heather, calling her a “Mary Sue” (a term I think should be retired from existence because it’s a pointless criticism word anymore, but anyway, some people feel like Heather is an Angst Child who takes too much screen time, and that’s a fair point too). Astrid sometimes feels too damsel-in-distress-y for me. As far as Hiccup? Well. Hiccup’s personality is presented a bit differently than you usually see in the movies. RTTE!Hiccup is some of my favorite Hiccup, but he is presented with a different flavor.

Next, some people say that the television series story is inconsistent, completely irreconcilable, with the events of the trilogy. I personally find the continuity blips minor at best, and similar to franchise blips that happen anywhere, but it’s your call, and it’s totally fine if you find the continuity irreconcilable. It’s your take! It’s your experience with the story! Things like Hiccstrid romantic development, whether or not Berk was at peace during the five year gap between HTTYD and HTTYD 2, whether or not Hiccup knew anything about Bewilderbeasts, and whether or not Hiccup had run into other dragon riders before Valka… well… the television series will present something different than you might have presumed from movie material alone. This HIGHLY irritates some people, as it can feel like it sabotages the efficacy of certain moments in the films. For other people like me, it’s an entire non-issue. All is all fair because we engage with media in different ways! Here’s the issue just so you know: you can make your call about whether or not continuity questions will bother you.

Last, the plot. The first two television series, the plot is straightforward and fine. For RTTE, the plot is not the best presented. I think the first two seasons start out GREAT, but then it gets increasing issues. It’s for this reason that some people like ROB and DOB but aren’t engaged with RTTE. There’s a lot of fun to be had in it, and there’s many points at which I was fully engaged. In many ways, RTTE does some things BEST of the whole series. BUT. It doesn’t take much observation to realize there are logic gaps, motivation questions, convoluted but repetitive plot twists, some eyebrow-raising unrealistic moments, and instead of showing smooth characterization, people have a tendency to suddenly jump forward or shift in spurts. If you’re someone who gets invested in a show primarily for long-term plot arcs, you might get irritated at decisions in RTTE. But if you’re someone who’s willing to go along for the ride and just have fun and take it for what it is, RTTE has an entertaining story with lots of adventure.

For me? The television series is a blessing and COMPLETELY worth the watch. But I hope this discussion of pros and cons can make your decision best for you!

So! With all that said! What order should you watch them in? The order that they were released:

Riders of Berk

Defenders of Berk

Race to the Edge

Riders and Defenders of Berk are not on Netflix and you’ll have to go elsewhere to watch them. Race to the Edge got released on Netflix and is still available there… though all the shows have been released on DVD by this point.

I highly encourage you to watch the shows start to end as they came out because of plot reasons. RTTE especially needs to be watched in episode order, but RTTE makes sense only in the context of you seeing ROB and DOB first. There are filler episodes, but there are overarching plots. If you went straight into Race to the Edge first, you’d have no idea who the Helheim Heather and Dagur are, and why it’s important to run into them. 

I hope this helps you and any others considering the shows! It’s so much more dragons dragons dragons dragons dragons and I hope that, if you watch, you have just as much of a blast as I did!

[dangerliesbeforeyou]

my top 10 series of 2019~

aka i gush about shiz i watched this year for waaaaaay too long lol... 

i watched a lot of stuff this yr (well... it felt like a lot? there’s a lot more i wanted to watch but i’m terrible at time management lol...) so let’ssss explore that in a ~numbered list~ lol

(spoilers - there’s a lot of gay shit here lol... what can i say, twentybiteen really pulled thru lol)

10 - Stranger Things (series 3) 

i know some people didn’t like this series, but i legit thought it was really good lol... i felt it had gone back to the style of the 1st series a lil more? (whereas series 2 had felt a lil disappointing in a way??) & i loved all the new characters introduced (robin is a personal fav, obv), & the whole splitting off into the lil groups was really effective in not just feel like it’s always the same group together, and it also allowed for some interesting character moments!

visually, stranger things always looks amazing! but i thought the whole summer/july 4th vibes really made it especially stunning tbh... as most things on this list, i’ve only seen it once, so i would like to rewatch it at some point (actually wanna do a full stranger things marathon tbh i was trying to explain what had happened in the show to my friend who stopped watching it early in series 1 & it was so difficult to remember exactly what had happened in it lool... ) 

there were obv things about it that i wasn’t as big on, like the whole evil russian-invincible guy was v cliche and kinda silly, & some of the actions scenes were a bit awkward(?) feeling... but i’m a sucker for any 80′s style media so those things just reminded me of the goonies or some shit lol

9 - Ghosts 

actually the funniest & cutest series ever tbh!!! as someone who grew up with horrible histories with the original cast, this just made me immensely happy to see the whole team together again! the humour style is v similar to horrible histories too btw, though i feel they let themselves have a lil more ‘dark humour’ than in that (since this is more a general audience, whereas hh was definitely more aimed at kids tbh... tho they still won a comedy award for it lol! actual legends lol anyway...)

only downside is that it’s only 1 series atm & it’s pretty short... but i know there’s gonna be a new series at some point so i’m v excited for that!! i feel there’s sooooo many places they can go with the concept (i.e. exploring how/when the other characters died (like kitty!!! i need to know her story lol i love her!), maybe introducing another character who can see ghosts?? like a medium/psychic or something/etc ...) but legit, please watch this if u haven’t!!! 

8 - Good Omens

this pretty much took over the internet this year lbr lol & tbh i’d def say it was worthy of the praise!! ineffable husbands aside, the main story is super engaging and enjoyable, with some really awesome side characters (& some of my fav character designs in anything ever tbh!!) but definitely the biggest draw was the ‘6000 years mutual pining’ romance which they did so well lol & it was something that was genuinely so lovely to watch tbh!! i also really loved the ending message of the show! i really hope to rewatch this next year when i think it’s gonna be aired on british tv at last????

downsides would be that the plot can be a bit confusing at times? but maybe that’s just me being dumb lol... but i imagine it’s a lot easier to understand if u’ve read the book lol?? i don’t have a problem w/ aziraphale & crowley not being “explicitly” gay or whatnot (i know i’ve seen some people annoyed with this?), since the whole idea of their relationship is so much larger than just them bonking or whatevs lol? (in general i think more media should have less focus on kissing/intimacy as an indication of love/romance... which is something i’ve already talked about lol)

oh, and the title sequence is INCREDIBLE lol i seriously loved it so much!!

7 - Killing Eve (series 2)

finally finished this the other day & it was so good!!! i really love the dark comedic tone of the show tbh & i def feel there was more of it in the 2nd series then the first! i also liked the further development of villanelle & eve’s relationship, which is obv the highlight of the show tbh! there was also a nice lot of twists tbh, though i’d say it was a lil less intense than the 1st series? (overall i’d say i prefer the 1st series, but the 2nd was a fab continuation... btw i also watched the 1st series this yr lol)

negative points are that the plot wasn’t quite as interesting as the 1st series... i think cos the focus of the murders was taken off of villanelle that we lost some of that drama from the 1st? i thought the ghost was gonna be a more integral part but she was kinda weirdly pushed aside once we learnt her identity? & the creepy son dude just annoyed me lol (but i suppose that was the point lol...)... so like yh there were lil things that didn’t engage me as much as the first, but overall i still really enjoyed it lol

this is def fulfilling the hannibal-shaped hole in my heart tbh... (another series i finished this yr...)

6 - Dark Blue Kiss the series

look, it’s no surprise this is on my list lol... i was hella hyped for this series when it was announced last yr, even though my expectations were VERY LOW after kiss me again the series (which, lbr, is a massive mess lol... like it’s My Mess tho)... but for real, this series really exceeded all my expectations... & then some! like i’m legit shook at how good it was ngl! especially morksun’s storyline, which was by far my fav in the show (as much as i’m petekao trash lol...) also, i was surprised by how genuinely pretty this show is! esp in comparison to kma (like i know i keep going on about the goddamn bruise makeup but it is so ugly in kma, but they really did a great job in dbk tbh!)

ok so there’s a lot of flaws lol... like... a lot (i’m already complained a lot so i won’t bore u with that rn lol...) but for real, the thing that i love the most about this is the discussions of coming out/homophobia/general young people struggles/etc etc which is so refreshing to see in these series! like i love that despite the cheesy tropes, it still knows when to be serious & genuine...

5 - He Is Coming To Me

another thai series, i believe this has the same director as dbk? (don’t hold me to that tho...)... legit one of the best, if not the best, thai series i’ve ever seen tbh! so adorable, so well acted, so funny & heartwarming like... legit it’s so good!! i was already excited about it from the trailer, but the way it really delivered on the emotionality, whilst keeping it lighthearted, was truly wonderful tbh! the main actors did a brill job i gotta say, and all the side characters were amazing too (there really wasn’t a character i didn’t like i’d say tbh? i need to rewatch tbh... there’s a lot i’ve forgotten since this came out p early in the year lol)... also, visually it’s so pretty!! i swear the cinematography in these thai series just keeps getting better & better & it def improves the watching experience tbh!

a down point would be that the first ep is a bit slow/awkward to get in to... & i think it def could put someone off? but i’d say to stick w/ it since it just keeps getting better & better! i’d actually say there isn’t really anything else i didn’t like about it ngl? it’s just so good guys... u really need to watch it!

4 - Russian Doll 

probs the only series on this list that i actually actively went to rewatch straight away lol (didn’t do a full rewatch btw)... it was SO good for real! i already loved the premise lol (it’s basically groundhog day, which is already such a great film, but they explored those ideas even more in this which i loveeeed) the leads are fantastic, and the story is generally so interesting!  plus the editing & song choices are really brill tbh... 

my one complaint would probs be that the series loses a lil momentum at certain points (esp later in the series), but it still keeps ur interest, and the ending is really well done too! i know there’s gonna be a 2nd series, so i’m really hoping it’ll be able to live up to this one, and also explore more of the characters/concepts/etc! i’m def hyped for it tbh!  

i feel like this series is simultaneously underrated and also v well known lol?? like i know everyone sees that ‘thursday! what a concept’ meme but i feel like i didn’t see as many people talk about it as much as other series this yr??? 

(for my top 3, i’d say i love them all equally/for different reasons... so the order they’re in is changeable lol)

3 - Gentleman Jack

one of the greatest bbc series of the year, maybe even the decade lol! actually a masterpiece of cinematography, incredible acting, gorgeous costumes, beautiful depictions of love and intimacy, hilarious characterisation & just generally a wonderful series!! like i can’t praise it enough! it’s literally everything i could ever want from a series, and more!!!!!!! like everytime i think about it i just feel like ‘!!!!!’ constantly lol... like... what did we do to deserve such a series for real?? something that i esp loved was that i vividly remember not that long ago w/ people complaining about the bbc for having minor lgbtq characters in things, so to have a actual main lesbian couple series be on prime time bbc telly is kinda mind blowing lol... like.. i know we’ve got a long way to go, but it does make me immensely proud!! 

i have no complaints lol... other than - needed to be longer (i think we’re getting a 2nd series right???? i hope so tbh!!)

2 - The Untamed 

look, i don’t make 15 piece series’ for nothing lol... this show really got to me ngl... like i knew it was gonna be amazing from seeing tonnes of mutuals start watching it & praising it.. .but ohhhhhhhh boy i wasn’t reading for the angst and heartbreak and just generally how invested i’d be in all the characters lol... like genuinely there’s so much to praise about this show! it may not be as super ‘polished’ as some of the other shows on this list, but it really has so much heart and hard work and dedication put into it which really shows in the final  product!

there’s obv issues with it, but i feel like it’s kinda unnecessary to go over them lol? there’s so much more of this series that has brought me genuine joy, the biggest being the fact they were still able to depict a really beautiful, loving and /romantic/ relationship despite the strict censor is truly incredible lol!! like w/ good omens, it just shows what you can do to depict love/romance without having to over-sexualise something...

i feel like i’m saying less for these top 3, but it’s just cos i’ve already gush to high heavens about how much i love them lol... 

1 - HIStory 3 - Trapped

you - *pretends to be shocked that this is my number 1*

yeh... no surprises that this is in my top 3 lol... what can i say that i haven’t already screamed about for months??? this series truly surpassed any expectations i could have had for a HIStory series... the story line is complex & pretty well done (it’s not perfect... but nothing is so....), the characters are wonderful & also brilliantly acted! i think the thing that i love the most is that the director wanted to create a series that wasn’t just a cheesy gay series (don’t get me wrong, i loVE cheesy gay series’ lol... ) but also would have a more interesting, well developed & more ‘mature’ story line (i think esp in comparison to other HIStory series’ which are usually school/uni based)... it’s also one of the few lgbtq series i’ve seen that isn’t just about ‘first loves’, and doesn’t place a big emphasis on a sexuality/identity crisis... it’s just so unabashedly a mystery-romance drama, which is just so refreshing to see! & i genuinely hope we can see more series like this, where gay characters don’t need to ‘prove’ themselves in order to be in a series or to be in relationships (which it often feels like, where writers need to explain /why/ characters are gay...)...  

phew... that’s a lot of text lol, just like w/ the untamed, i feel like i’ve already talked about the negative points of the series (plot holes, awkward moments, weird editing/sound choices, bad tropey plots), but the positives of this series seriously make it worthwhile, and i’m just so so SO happy this show exists lol...

all 3 of these series have a special place in my heart of inspiring lots of my own exploration of art, as well as writing, which has been really crucial in me understanding what i wanna do with my life (i know that sounds kinda weird, but at the start of the year i really didn’t know what i wanted... and i wasn’t even sure what i was good at lol... so thru these shows i was able to discover a lot more about my own style of working & thru all of them i was able to meet some wonderful new people on here which has made 2019 actually one of my most enjoyable years on tumblr! 

this has been an...... interesting year lol... but definitely these shows made it just a lil bit better!!! 

Happy new year to anyone who actually read thru this & let’s hope 2020 brings us even more brill shows ~~~

[talesofafangirlwithadvr]

JULY PICKS

What emotions I experienced this month! Does the CW understand that they can’t have TWO series finales happen on back to back days? It’s hard enough to say goodbye to one show. From binge-watching to theater going there’s a lot to talk about; so let’s get started!

Are you really shocked that there’s a SPOILER warning? 

STRANGER THINGS

We’ll start with one of the first watches of the month: the third season of Stranger Things. I teased at the end of last months wrap up that I might do an entire post just on this last season, but time got away from me. Nonetheless, I’ll try to keep it short. (Or try) ;)

THIS IS ANOTHER SPOILER WARNING!! DO NOT CONTINUE IF YOU HAVE NOT SEEN THE THIRD SEASON OF STRANGER THINGS!! But I’m sure you have already. 

Don’t watch the finale at 12:30 in the morning or later, unless you want to cry. That was just me...okay. But seriously, why Hopper? Now I know since it was released everyone has theories that Hopper’s not gone for good. We didn’t see him turn to ash like those Russians. There was a look but not enough to warrant this is the end. And of course the notorious, “The American” line during the after the credits scene. I just hope this isn’t TOO overly obvious making it not true because that will really upset me...A LOT.  I love the fact that El is staying with Joyce. (It makes complete sense that she would.) Don’t love that she doesn’t have her powers. I thought it was interesting in the end how Mike and El are like ‘See ya later,’ because they’re moving, but Jonathan and Nancy feel like they’ll never see each other again. I don’t know if that’s supposed to be because El and Mike are kids and their love isn’t as deep? Either way I really hope this isn’t the end of Jonathan and Nancy. Big fan of Steve (as usual) and Robin and honestly just the whole Scoops crew (”It’s not America without Erica!”). They were definitely one of my favorite story lines of this season (and there were many). I feel bad that Steve is without love again this season, but I love his relationship with Robin and I think they did a great job introducing her character. I’m excited to see what happens next season with her. Overall, just really like all the relationships this season. Of course Dustin’s girlfriend is real and yes I haven’t been able to get that song out of my head since. Big fan of El and Max getting some girl time. El exploring the mall was one of my favorite scenes. It was also great to see so many old stores (shout out to Sam Goody!). While this season was definitely the darkest so far, I really liked the energy it brought and am excited to see what’s next. My only big suggestion is to give Will more actions than just touching his neck when something bad happens. We know he’s capable of so much more after season 2 and I’m upset he didn’t do more this season. Oh and always make sure to give us a cool team up scene where they circle around each other ready to attack. (See below--it’s the best one I could find, but you know what I’m talking about.)

Jane the Virgin

One of the two series finales I’ve watched this month. It’s so bittersweet when a show is over. You hope they do it right and don’t want any loose ends, and at the same time you’re so sad it’s over. (Or you have that weird feeling where you’re in denial and expect another new episode next week.) Jane the Virgin was a show that I started bingeing this year and I knew would be upsetting when it ended. (I mean I was upset when I had no new episodes to watch.) But I am really happy (and satisfied) with how they ended it. The hour long special prior to the finale was a nice touch looking back on the show and talking about how revolutionary it was for the time period (especially when it started). There still is nothing else like it on TV and I’m not sure anything ever will be like it again. I loved all the magical realism they included in it and how despite all the crazy moments (”speaking of telenovelas..”), it was so relate-able. As someone who was Team Michael from the beginning, I grew to really love Jane and Rafael. So the start of this season when Michael came back with his amnesia and then when he got his memories back was extremely frustrating and I wasn’t always excited to watch it. But once that plot was resolved it became more entertaining for me. I love Matteo and the girls. Petra’s character development was HUGE and she has become one of my favorites-especially her sisterhood with Jane. Xo and Ro, Alba and Jorge. It’s really sad to say good-bye to all of these characters. I might have to re-watch some old episodes...     

iZombie

Wednesday was Jane the Virgin’s series finale and Thursday was iZombie. Like I said earlier: really CW? After a “minor” hiccup of the episode not taping (Okay, I was really upset about the fact I had to wait to watch it on demand), I watched it the next day. This season there was SO MUCH going on from the Dead enders, to Fillmore Graves, and then Liv’s dad. As we were quickly approaching the end, I wasn’t sure how they were going to address everything and then I was really hoping that they weren’t going to drop the ball on anything. But the finale really delivered (as all seasons did). All of these story-lines came to a head and Seattle saw its war on zombism that was bound to happen. There were casualties and people becoming zombies that I didn’t see coming, but in the end the cure was FINALLY created. Lots of twists and turns to get there and then we jumped ten years. I liked looking into the future and hearing from Clive, Ravi and Peyton. Deep down I knew Liv couldn’t be dead, but they did have me worried for a little bit. Or for the fact that they didn’t know she was alive. So it was a really nice touch in the last few minutes where Liv and Major spoke with them. (Btw super happy that they were endgame. I desperately wanted it this season and they didn’t have too many scenes until the last few episodes, so I didn’t believe, but PHEW!) One question I still have is what is Seattle like now? Do only zombies live there now or is Liv’s family the only remaining zombies? It was a little confusing to me. Let me know if you better understood it.  

The 100

Disclaimer: I have not watched the finale..yet. I’m sorry. But this is relating to all the episodes leading up to it. 

Something I’m noticing with a lot of the shows this summer season is that the second half is more intriguing. I tend to save up a lot of episodes and then when a certain plot line starts to pick up I feel more invested. This season of the 100 has been like that for me. But since the group (or should I say Bellamy) discovered that Clarke was alive and then she fought with Josephine, I have found it really entertaining. I like the transformation that Octavia has gone through, Echo has really grown on me (believe it or not) especially since watching her backstory, and as usual Murphy is one of my favorites. In the last episode I watched when Clarke goes back and pretends to be Josephine I love how we got to see who Murphy was truly loyal to. And then when Clarke talks with them and he says Josephine called him John. So good. The only part I’m really not a fan of his Maddie’s story-line. i just feel like we’ve got so much other stuff going on that it feels forced. But then again it will probably play a big part in the finale. 

As a huge Bellarke fan since day one I have been taking in all of these moments between them these past couple of episodes and seriously feel like if they don’t get together next season (which is their last) it will be a mistake. Bellamy’s face when Clarke was dying...He needs her and her him. Come on Jason! (Okay rant over. If you want more Bellarke see my page: Lydia-yougowith-Stiles.)    

KRYPTON

I know this SYFY original started its second season back in June, but I truly didn’t start to catch up until July. (Like A LOT were saved on my DVR and I did seriously think about cutting it loose.) I enjoyed the first season and the story of Superman’s grandfather and was interested to see what would happen in season two. The beginning of this season felt slow for me though. I just wanted most of the characters reunited and to know that Seg was alive. I had a feeling Brainiac would somehow be in him because it would be too easy if the villain was gone. Once people started interacting with each other it held more of my attention and then once SPOILER SPOILER SPOILER.......  Lyta “died.” (It’s really only on a scifi show that you can put “died” in quotes.) That really through me off. I didn’t think she’d die. So was I completely shocked when it was revealed that she didn’t die and her clone did instead- a little? I was more upset. I felt like for her character to die would work because characters would transform and react in a way that would stir up the show. Like I said this was one of the reasons why I stayed tuned in. I mean there’s still a chance (haven’t watched the last episode of this either) that she will die, but I have a feeling she won’t. I like seeing Val alive and present on the show rather than just a hologram in the fortress. Seeing Dev and Jayna team up has been really great. I always enjoy Nyssa and Seg’s relationship and just about jumped up and down when JOR-EL GOT HIS NAME!!! You knew it had to be him all along, but at the same time I was like when is it going to happen? It was so epic with the dramatic pause and the Superman theme playing in the background. One of the best parts of this season (in my opinion). Now they just have to get him back. 

PANDORA

I feel like I’m watching a lot in the Sci-Fi genre this summer. This CW show was one that I hadn’t heard of before the first episode aired. It grabbed me because there were so many familiar faces in the cast. (If you’ve watched shows like The Librarians, Ride or Free Rein you’ll know what I mean.) It follows Jax who lived on one of Earth’s colonies called New Portland, which was recently bombed. She was the only survivor. As she makes her way to Earth, to live with her Uncle and attend the academy, she is on a mission to solve her parents’ death and discover what truly happened. This is VERY Sci-Fi (which shouldn’t come as a shock I know). It’s cast of characters include humans, telepaths, aliens, clones, and part cyborgs. In the first episode you’re introduced to A LOT of characters, so it’s a little information overload. I also find that when I start a new episode it often feels like you’ve missed a previous one or that you started midway. I think it’s because of the styling of the episodes. They often jump a lot of time without telling you, or think you understand a definition, but really don’t. (There’s something involving Jax’s past that I still don’t 100% get.) But there’s something about this show that has me actually caught up with episodes. Right now it feels very much like a first season because the episodes are (not to use the same word) episodic. Something happens and then is solved the same episode. There’s an overarching plot, but it’s just in the background (probably until the finale). With the large cast of characters there are also a lot of ships and almost everyone interactions lead you to believe they could be a couple, so i feel very conflicted. RIght now though I keep getting drawn back to Jax and Xander. 

The Outpost

This CW Fantasy debuted its second season not too long ago. (I feel like I group it with Pandora because 1) they’re both summer shows and 2) not your typical CW style. I like the representation of Fantasy and Sci-Fi on the network.) I enjoyed the first season last summer, but it is REALLY hard for me to get into this season. I usually put this show off for a couple weeks and watch it when I have nothing else to watch. I think it’s because of the new black blood as well as Gwynn’s plot. Maybe it’s because last season there was already so much action and looking at this season we are trying to get more names and summon a demon army for Gwynn who awaits the Prime Order. And that’s been going on for about 3 out of 4 episodes? (Wow there’s only been 4 episodes?) Last episode with the return of Garret I found myself liking it more. I also like how Dred isn’t the head villain. We now know who he answers to. So that will be interesting to explore. I just hope the show picks up a little more. 

AT THE MOVIES

Yesterday

I was very excited for this movie to come to theaters. I thought the concept was great-strange but great. What if you knew all the Beatles songs, but no one else did? Jack Malik is a struggling musician who just can’t get his big break, so when he gets hits by a car and is the only one who remembers the band he does what anyone else would: play the songs as if they were his. I enjoyed most of the movie (and the inclusion of others who also remembered the Beatles), but did not like the ending. It brought down the movie for me. I’ll be good with this one and not give much away, but after you watch it let me know what you think. 

Spider man Far From Home

Another movie that I was very excited to see in theaters and it did not disappoint. I was a fan of Homecoming and was interested to see Tom Holland as the webslinger once more. Great dynamics with the cast. Loved Ned and Betty’s relationship. Zendaya’s MJ is one of my favorites and I liked her awkward interactions with Peter and how she was suspicious of him. All the echos back to Tony made me tear up. The scene in the plane when Peter is making his suit and the same song from Ironman plays and he’s basically doing the same moves. It hurts to just think about it now. I didn’t know about Mysterio before going into the movie, but it still wasn’t a shock what his true motives were. Especially because it seemed solved so early in the film. I think his reasonings make complete sense, which made him an entertaining villain. When first seeing the trailer I didn’t know how I felt about Jake Gyllenhaal, but I really liked him (and all the interviews he did promoting the movie, especially this one:https://www.youtube.com/watch?v=H3FcCz2y2mM. Watch it. You’ll like it!) That first after credits scene was CRAZY! First I was dying at the return of J.K. Simmons and then the reveal! Can’t wait for it to come out so I can watch it again and again. 

*************************************************************************************

That’s a wrap! Any of my picks yours? If not what did you watch this month? Let me know in the comments!         

[stormblessedcastiel]

The MCU Generation

So I’ve been thinking about Marvel a lot lately. Specifically Infinity War. And I have some Feelings™, so I just thought I’d share. This is probably going to be long and super inaccurate and cringe-y, I don’t mean to offend anyone, but I just wanted to get it out of my system. BTW there will be lots of spoilers.

Iron Man was released in 2008, and many people including me consider it the true beginning of the cultural phenomenon that is the Marvel Cinematic Universe. I was eight years old when it came out, man that makes me feel old. I didn’t really know much about/pay attention to/care about superheroes much at that point, but my dad liked those kinds of movies so I had watched things like the Tobey Maguire spider man movies and Christopher Nolan’s batman movies (the first two were out at that time). They didn’t really hold much interest for me at the time. Iron man rolled around and dad seemed excited about it, but it still just seemed like another comic movie that the family would maybe re-watch if it were on TV or something. No big deal, right? Well, time went on and I started to hear talk about a bigger story. Iron man 2 came out when I was 10, and introduced nick fury and Natasha Romanoff. Still, I paid little mind to the film besides casually enjoying it like any other decent action film. Then came Thor. One year later, we got the first taste of the universe outside of Tony Stark, and that universe was much larger than I had anticipated. Looking back, the first Thor movie was definitely not the best superhero film ever made, but it did a lot of things right. Most importantly, it set the stage for more heroes who quickly joined ranks. It’s at this point that I feel the MCU really started to gain traction, at least from what I was hearing. My eleven-year-old self was beginning to view this collection of movies as something with potential, something to get excited about. In that same year, Captain America: The First Avenger hit the big screen. This is where I became truly and totally hooked. I don’t know what did it, but something about the story, the characters, or the message seemed to grab my full attention. This was the movie that had me craving the next installment. It probably helped that at about twelve years old I was starting to enter the social media world, if only in small doses. I discovered Pinterest and quickly realized that other people around my age (maybe a few years older) were talking about these movies, interacting with each other, making jokes and edits and headcanons. If I wasn’t invested in the MCU characters before then, that changed rapidly. Seeing other people’s takes on what the heroes thought or did off camera, speculation about subtext relationships, comparisons and continuations of themes from the comics, all mushed together to bring me closer to this Story than I had ever been before. So I was ready for Avengers. The Big One. The superhero movie that did what no superhero movie had done before. It brought together a cast from multiple movies into one glorious world-saving group. By this point, everyone could see that this franchise would make an impact. It truly was an entire universe, and we had just touched on the surface of this super team potential. Fans were everywhere; people at school, on the street, in commercials had their favorite heroes’ logo somewhere on their clothing or bag. There had never been (or I maybe just never noticed) such a widely spread media infatuation. 

Then came phase two. Iron man 3, Thor dark world, captain America winter soldier, guardians of the galaxy, age of Ultron, and ant man. These came out between my 13 and 16th birthdays. In my opinion (back then and now), none of these movies were quite up to par with those of phase one, but nostalgia may have already been clouding my judgement, even after just a few years. However, they did give us more characters to love, and also let us enjoy learning more about our old faves. I think this phase was Marvel kind of trying to find their footing in this huge undertaking they just opened up, trying to figure out how to write their stories now that they had to feel like they were in such a large universe?? I don’t know, it just feels like Phase One took place in a box the size of a fridge, and Phase Two now had to try (or at least start) to fill out an entire swimming pool. I was still excited with every new movie announcement and was happy to watch them, but after age of Ultron I feel like I lost a bit of steam. So much that I didn’t see Antman at all when it came out. It just didn’t seem worth it.

Phase Three. Civil War. I think this movie is the turning point for the MCU, into a much darker and somber tone. Inner conflicts among the avengers that have literally been boiling for years come to a head, we see so many characters in the same place, see their stories starting to turn in different directions from each other and we, as fans, are starting to get torn apart. Team Iron Man, Team Cap, and social media is stronger than ever, and more prevalent in my life. We don’t even get a solution at the end of the movie. It ends with both sides hurt, betrayed, and with no clue where to go from here, just like us viewers. It’s fair to say that I was re-invested in this universe once more. Though it hurt, I think Marvel needed to introduce some real, lasting damage to its characters. I feel like this movie took itself more seriously as well. That was 2016. After that, we got Dr. Strange, GotG volume two, Spiderman homecoming, Thor: Ragnarok, and Black panther. While these movies were not perfect either, I think they got a lot closer to what marvel wanted to make their universe feel like. They know what they’re doing now, and we fans got some great new characters out of it, along with a fun new take on some old ones (I’m looking at you, Mr. Waititi). I do want to mention a couple little things about some of these. Spiderman was worrisome for me, because the character had had two separate franchises in the last decade or so. That’s a pretty quick turnover. Let it be known that my fears have been quelled, and Tom Holland is my true Spiderman. (Tobey will hold a special place in my heart though. Sorry Andrew, better luck next time). AND THEN. The sensation that was Black Panther. This was when I was really getting into social media; tumblr, youtube, deviantart, all that jazz. It is also when I started college, so imagine that absolute upheaval of perspective. This movie was so important for minorities, and it caused such a stir just as my life was turned 180 degrees on its head. I didn’t know what to think. But I loved it.

Everything was going good. Marvel was hitting its stride again, life was changing, and my mind was expanding and finding out things that I had never considered before. I was 18 years old.

Then it happened. The one everyone had been waiting for for several years. “The endgame.” 

Infinity War.

Let me tell you what it was like when I sat down in the theater that cold spring day. I had heard whispered rumors. About loss, about death. I brushed them off as speculation, trying not to latch onto any spoilers. I wanted to be totally oblivious as to what was about to happen, so I could experience it as mine and only mine the first time. I sat down in that dark theater with my parents, brother, snacks, tissues, and blanket. Mind you, the tissues were for allergies that had been acting up the past few days. I never cried at movies. Never. The trailers played, my family and I whispered to each other about needing to keep an eye out for this or that film when it came out. Then the lights dropped to almost nothing. We settled in for the long haul as the Marvel logo began to play. You know the one, where it shows clips of the past movies, coming together to form the name of the company? Except this one said “MARVEL STUD10S.” Did you get that? There was a number 10 in the name. I was confused for a minute or so, until it dawned on me that the Marvel Cinematic Universe had been making movies for ten. years. More than half my life. I was still in elementary school when the first Iron Man came out. And now here I was, a year into college, about to watch characters that I had grown up with and come to love, in the movie that people were saying destroyed their souls. At that moment, I knew I was in trouble. I was right. Straight off the bat, we lost my favorite villain who really just needs a hug, one who really was instrumental in bringing the Avengers together in the first place. Loki Odinson, in his own words. Right up till the end, he was a trickster, but he loved his family. He and Heimdall were the first hard losses, though seeing all of Asgard torn to shreds was a wake-up call that no one was prepared for the utter destruction that had been avoided until this film. No more clean Disney kid-friendly-ness anymore. Throughout the movie, we got to see reunions, long-awaited meetings, even more characterization and growth (geez marvel, how did you even fit that in? This is the endgame movie? How are you still teaching us new things about these people?) torture, fighting. The tension to the final battle was mounting, and at some point it became clear to me that the Avengers would not be together when this threat arrived. And as anyone who has ever seen a horror movie can tell you, splitting up only leads to death. Now, here’s where my memory gets a little fuzzy. Things were happening so fast, switching from group to group of heroes trying desperately to stave off the destruction of everything we’ve ever known. Things are going wrong all over the place, no one knows where anyone else is or what they’re doing, people we love are fighting each other because they’ve never met before now. What I do remember is when we get to the fight on Titan. Half of the Guardians, Tony, Peter, Strange. Tensions are running high. When Thanos arrives, I have no Idea what’s about to happen. They start fighting, and we finally get a demonstration of some of the more amazing feats the Infinity Gauntlet can pull off. The upper hand swings back and forth so many times, but finally the heroes get their plan to work, they’ve got Thanos on the ground, the Gauntlet is almost off. And Quill… ruins it. What else can he do? He just found out that his love is dead. So he messes everything up. Thanos gets free, pummels everyone into the ground, and then… gets the stone. Strange gives up the stone, even though he swore he would let a child die before he would ever give up such a dangerous object. What the hell Strange???? Was my immediate reaction. I knew it had to be more than just some newfound compassion for these people he met a day ago (was it actually a day?? Has all of this only happened in one short day?) Obviously the doctor has a plan, but this still seems like the worst possible idea. Now to earth. We get some truly awesome moments here; Bucky and cap’s reunion, Shuri showing off her mad science skillz, epic fight moves against hordes of zombie lizards, Thor’s entrance, his little banter with Steve, “I am Groot” “I am Steve Rogers,” Scarlet Witch dropping in at the last second with that massive power move. Everything seems like it’s going ok, and then suddenly, its not. Everything drops so suddenly into Not OK Town that I can still feel the whiplash. People are scrambling to get to each other, calling for backup, getting knocked down and thrown around, and then Thanos makes his entrance. He practically wipes the floor with our remaining heroes. The only thing standing between the universe and total ruin is Wanda. I’ve been preparing for a scene like this the whole movie, but it didn’t hurt any less to finally see it. Vision begs Wanda to destroy the stone, to destroy him, we all know that she has to give in. That’s what heroes do. So she says goodbye to the man she loves and uses her power on him. Now I don’t know about you, but I feel like I’ve seen this scenario play out before. I’m expecting someone to get there at the last minute and just fricken’ knock Thanos out cold, or maybe discover that Shuri had enough time to basically detach the stone from Vision, even if it didn’t look like it. But no. Wanda destroys the mind stone and Vision actually dies at her hands. Even after all the death that’s already happened in this movie, I was still surprised and devastated.

But they couldn’t just end it like that, could they? Marvel Studios needs to drink every last drop of pain from their fans. 

Thanos moves back the clock. He takes the stone. Vision’s sacrifice was in vain, Wanda had to watch her love die for nothing. Nothing that anyone did made a difference. Since Avengers came out in 2012, these characters have been fighting to keep this evil at bay, to protect the stones, even before they knew it. And now none of it matters. Because Thanos the Mad Titan has all the infinity stones. It’s all over in my mind, I wait for the quintessential Villain Laugh™, the gloating, and then whatever evil thing Thanos has planned. But wait! Thor to the rescue with his brand-new hammer-axe! My heart leaps as he skewers the big purple raisin. He gets his revenge for Loki, for Heimdall, for all of Asgard, for us. Except. except. “You should have gone for the head.”

Wait,

snap. .

.

. My body is rigid and I can only stare unblinking in confusion at the screen. What’s going on? What did you do? WHAT DID YOU DO? Thanos disappears. Everything is quiet. “Where did he go?” Steve asks in confusion, mirroring all of our thoughts exactly.

“Steve?”

We see Bucky walking towards us, and then he just…. Dissolves. Into dust. what’s going on what was that My mind is sluggish. I don’t understand.

Wakandan warriors disappear in the wake of the battle. T’challa tries to help Okoye up but then he’s gone. Groot. Wanda. Sam. Mantis, Drax, Quill, Strange.

And oh god. 

“Mr. Stark? I don’t feel so good.”  Oh god no.  “I don’t know what’s happening, I don’t want to go, I don’t want to go, sir, please, I don’t want to go… I’m sorry.”

Gone.

Through this whole thing, it is silent. No music. Just emptiness, confusion, fear.

And that’s where we’re left. The audience is motionless. I do not cry at movies, but my throat is tight like a noose and my sleeves are soaked from wiping away tears.

Like all good Marvel fans, we remain still in our seats. I try to comprehend what just happened to me as the white credits scroll over a void and dramatic music accompanies them. We wait for our first end-credit scene. Instead, what we get is a fading of the music. Avengers: Infinity War shows from the center of the black screen, and a familiar melody plays. A few slow, simple notes on a piano. The triumphant theme of our heroes, earth’s mightiest protectors. It sounds lonely now. The last note plays, and the title dusts. And I almost scream.

If you’ve read this far, wow! Thank you for reading my absolute monstrosity of a garbage post! It’s been a few months now since Infinity War, and I’ve had time to think. What I figured out was this; when I’m older-old enough to be a parent myself-and looking back on my childhood, these are going to be the movies I remember like my dad remembers Star Wars. I was so lucky to be just the right age when this all started to enjoy every single one, and to remember experiencing them all for the first time. I was just the right age to forge a bond with the characters and their world. I think it was a special kind of bond that only occurs when you’re young but not too young, one that weaves webs of innocence and nostalgia through your most transformative years, and grows with you as you become a new person, and stays with you like a friend even as you see things so differently than when you first started out. What I’m trying to say is that I feel like I grew from child to adult just as the MCU did. We grew together. I don’t know if anyone my age feels the same, but these movies feel like the first big mainstream thing that really belongs to my generation. Like they came at the perfect time to shape me. It feels like they were made for me.

[fadedtoblue]

Overall thoughts on Jessica Jones S2

So how about that S2 huh? I finished it Sunday night but found that I really needed to take some time to sit and try to destruct all of the emotions I had over it. A good conversation with a friend the other morning helped me get a better grasp on my feelings regarding this season. Specific thoughts below the cut...

Clearly this season has been a divisive one amongst the fans...mostly that it imploded a lot of things / characters who were well loved and didn’t live up to what it was in S1 -- to a certain extent that might be true. I’ll say that I  understood what they were trying to do with this season but I don’t think they were able to bring it altogether with the execution. Nothing wrong with trying to do something different but when the final product doesn’t feel like the best outcome, it’s difficult to not be disappointed. Anyway, I’ll try to break down what I liked and didn’t like.

The good stuff:

Seeing these characters in this world again. Coming off of Defenders, I was most intrigued to see Jess, Trish, and Malcolm and well, if that’s what you’re looking for you get it in SPADES. Everyone plays a crucial part in season 2. 

Character driven stories to the max. If you enjoy character driven stories, then you’re in luck, as this is essentially the majority of JJS2. Any of the good stuff that happens is purely on the character level -- whether’s it’s shading in more sides of Jessica’s personality and messy internal conflicts, or showing Trish’s steady and frustrating decline, or introducing new side characters to drive home the crux of each character’s central conflict...this is where the show really made sure to take their time. Everyone has their own moment to drive the narrative forward, though some are able to do it with more purpose than others. 

Exploring new relationship dynamics. This will probably also end up being in the bad category lol, but generally speaking, I liked that they tried to show our primary characters in dynamics that felt different from last season. It made me feel like the world had continued moving, and the characters were growing, which was cool. And I realize I may be in the minority but I actually ended up liking Alisa and the surprise twist that she was Jessica’s mom actually worked for me?? I wasn’t sure what they were doing with her, as I found her to be frustratingly one-note when they first introduced her -- like, okay, she’s just going around killing people involved with IGH? What’s the point? But the reveal that she was actually Jessica’s mom made it all click for me. Sure, it still skirted the line a bit between drama and flat out soap opera but I think this was one of my favorite new dynamics. It was a hot mess in a lot of the moments, and it really shouldn’t have been one of the main drivers of conflict in this season, but I’m sympathetic to the messed up mother / daughter connection and seeing Jessica fall apart and not know what the hell to do about this woman. 

Malcolm. Special shout out to Malcolm who was truly the MVP of this season. He also goes through his own shit but he is probably the one who manages to come out of it in better shape than he went in. It was sad that the trust was so broken by the end between him, Jess, and Trish, but I think he needed to mature beyond the naive idealist who idolizes Jessica and find his own footing. 

The bad stuff:

Too much character focus, not enough of anything else. They threw a LOT our way for all of the characters. Jess dealing with her family’s deaths. Jess dealing with her trauma at IGH. Jess dealing with her relationships with Trish and Malcolm going down the shitter. Jess going apeshit on the competition and going on probation and to anger management. Jess dealing with her mom being alive and being a scary ass murderer. And oh wait, Jess also randomly kills a guard and has a dissociative episode where she imagines Kilgrave around every corner. And this is just Jess! It’s incredible that for all of the things I listed, which I think worked in that they contributed to Jessica’s gradual breakdown over the season, it really felt as if we were treading water most of the time narratively. Because every time something bad happened, or she made a bad decision, or whatever...nothing happened. Nothing got really resolved or truly broken until the end of the season. And the thing is, I 100% track with why Jessica keeps flip flopping around. I absolutely see that she’s barely hanging on and she literally can’t deal with it all and especially WHY she can’t deal with it. But it could have been more to the point and still driven us to larger, more important story details. This feeling of nothing happening also applied to Trish, who had a story line I appreciated on paper -- showing just how hard a person can spiral downward, especially someone who used to be an addict and now isn’t just dealing with street drugs, but ridiculous power-inducing shit -- but my god, this woman has this awful fall off the wagon, pretty much blows up her life, career, relationships, also nearly dies in her quest to gain powers from the mad doctor, but still manages to bounce back enough to snipe Alisa with a handgun from 50 feet and deal with zero consequences. I’m not going to list out every storyline for every character, but while these character building moments work to a point, the lack of balance and payoff make for difficult TV watching. Also Jeri’s storyline started out intriguing when there was still a connection to IGH but once that went out the window, it just felt like it should have been on another show altogether. 

Too many plot contrivances. This was a point of conversation I had with my friend and like, nothing wrong with plot contrivances to create moments for our characters to DO something but I think a better written show could have created these moments more naturally. And maybe the problem was that some of these moments felt contrived because things were getting dragged out and it was hard to ignore the moments when they happened. 

Bad overall plotting of the storylines. So the weird thing is that I pretty much got why everything happened the way it did. But literally every storyline could have been condensed by 2-3 episodes. It was as if this stubborn dedicated to driving the story purely by character also meant to the writers that they needed to slowly draw out each detail and reveal. No, not really. With each delaying tactic that kept us from getting to the next point in the story, it killed any momentum that was starting to build up. I have no expectations that JJ should be an action driven show, but if you’re going to go full tilt into the psychological slow burn, there has to be a balance somewhere. If it’s not going to be some overarching villain, then it should be a better mystery. You know?

Lack of payoff with IGH. Listen, I don’t know what’s up with TPTB and if there’s something preventing these creative teams from writing compelling shadow organizations or whatever, but we’re 0/2 now and that’s so majorly disappointing. To find out that IGH was ultimately just one somewhat well-intentioned dude who got a little carried away with human experimentation...really?! That was something that majorly deflated my sails as it could have been exactly the kind of grounded connective thread that could’ve being pulled across all four shows. This is where the separate but connected universe really bites these shows in the ass because obviously, they all exist in the same time and place and share characters but because they also need to stand as individual shows and be able to pursue their own creative agenda, the choices made by one show inevitably affect the others show that could’ve used IGH. 

Random stuff:

As much as Tennant’s Kilgrave (and his crazy good screen presence) was missed, I think it was ultimately the right choice to keep him limited to an episode. My husband was griping about how they could have integrated Kilgrave’s over the shoulder taunting throughout the whole season instead of saving it for the end, but I disagreed. The way they set up his reappearance made a lot of narrative sense to me -- that her accidentally killing the guard, on top of the incredible stress she’s under to take care of everyone’s shit, is what makes her temporarily dissociate and conjure up this vision of Kilgrave. The shtick would have gotten old quickly if he’d be present the whole season, and it would have severely undercut her progress from last season, at least the aspect where she was able to face her abuser and take back her life. I guess you could have done some version of PTSD and that’s why he’s in her head, but I think it would have been a distraction. 

Trish is an interesting pickle for me. I am not that emotionally invested in her as a character so for me, the shift in direction doesn’t devastate me as much as it seems to have done for a lot of people I know. And honestly, I think the point of her storyline was to make her this awful and unlikeable. There was already a kernel of the competition and jealousy that existed in her relationship with Jess, but her idealism and compassion for her sister usually won out. And I think it’s also worth noting that she was already pushing Jessica’s boundaries way too hard, even before she falls off the wagon, but obviously falling back into drugs  exacerbated a lot of the things that were already lurking under the surface. Also, I don’t think I was even bothered by the fact she’s the one who killed Jessica’s mom, but as I briefly alluded to earlier, it really bugs me that she didn’t reap the full consequences of her season long arc, especially since she still gets to become Hellcat at the end. That being said, karma has a way of coming back and biting you in the ass. If Jeri had to reap the karma of her craptastic behavior of S1 this season, then I fully expect Trish to face it in S3. Ideally we’ll see her attempt to be the hero she’s always wanted to be and crash and burn in spectacular fashion. There’s a reason why our heroes are the heroes and while I don’t think it means Trish will never get to be a hero, being a hero for the wrong reasons doesn’t make you a hero. And this is a tough lesson that I really want to see Trish learn. 

Alright, I think I covered most of it. Apologies for any errors, I try to edit my word vomit but I’ll usually miss something :p. And if you want to chat / vent about particulars, I’m all for it! Hit up my asks or send me a message!!

[digitalxtreme]

The rise and fall of one of my most beloved shows: The Walking Dead

Back in the day if someone had ever said that AMC would turn out some of my all-time favorite Television Series, I would have laughed hysterically. Boy, I was wrong. Breaking Bad will probably hold the top-ranked place for non-science fiction (which is my favorite genre) on my list of all time Television series. The casting, production, writing, and direction were of a level not seen in TV production for a long time (since the launch of moronic, sub-par, talentless, & cheap “Reality Shows” that were an affront to the industry I spent 25+ years working in) and finally marked the return of quality TV done by professionals. When it concluded I was truly sad to see it go because I had invested so much in the characters and storyline that it was like losing an old friend.

Being someone that has always been a fan of horror and zombie genres (mainly due to George A. Romero’s Night Of The Living Dead & Dawn Of The Dead), I was overjoyed that AMC would be producing a zombie apocalypse type show that if it was done right would replace the soon to conclude Breaking Bad as my favorite to watch. I had never read any of the comics before the show aired, so I was basically a completely virgin to the Walking Dead story. Once I got into the show I started comparing and foreshadowing events to come in the series from the comics. 

From that very scene of Rick and the little girl Walker, I was hooked. I thought to myself that AMC has surprised me again with another high-quality TV series with some serious talent. I knew I was in for one hell of a ride and again highly invested in the characters and storyline. The first 3 seasons were great providing me with an experience that I had a cult-like relationship with. Everyone knew not to disturb me while watching the show and it had my entire attention.

Season 4 and 5 were still really good even though there were times it dragged but necessary for character/storyline establishment. Its main appeal was the Governor/Woodberry/Prison storyline. Also, Season 4 is when Scott Gimple took over as Showrunner and the show started to morph (note this was the start of the show’s demise).

Then came season 6 where I found myself losing interest and would do multitasking type activities while watching the show. The show had switched from the Walkers being the threat to fellow living survivors being the danger. The storylines started to drag and The Walkers became more of a secondary background obstacle. The pendulum had swung way too far to the other side and the production quality along with the storyline took a severe hit. The Actors and crew did an excellent job of trying to maintain the momentum, but the weaker storylines and mistakes seem to increase with each episode. 

The “Jump The Shark” moment happened in the Season 7 premiere with the overly gruesome and graphic deaths of two beloved characters at hands of Negan and Lucille. I am not one that is easily affected by graphic violence being depicted on a TV show, but it even turned my stomach to the point I will never watch that episode again. AMC had forgotten the diverse demographics of who watched the show (which included children) that lost them a lot of loyal viewers that night to never return. Yes, the show has a gruesome history & nature, but this graphic depiction of two “living” characters brains getting bashed in was over the top (the same impact storywise could have been achieved without being so graphic). Then you have the whole Negan/Saviors storyline that has played out far too long (Governor/Woodberry was just the right length) and is still playing out in Season 8. Even more loyal viewers have stopped watching due to this very issue. I was honestly unsure if it would be renewed for a 9th season (which I think it barely was).

The final straw for me was the death of Carl which I will explain in more detail in an accompanying blog. Suffice to say that on 2/25/18 (The Mid-Season 8 Premiere) will be the end of the road and storyline for this loyal fan. This is my personal choice (though shared by many) and I am in no way trying to influence others on what to do.

I truly want to thank all the great Actors, Crew, Producers (except the one that destroyed the show), Writers, and Directors for all their hard work on The Walking Dead. You really turned out a great and iconic TV series that was beloved by millions and we are very grateful. It will be missed and never forgotten. I wish all of you good luck in your future endeavors and hope this experience will be one you cherish as much as your fans do.  

One last thing, for those that would say that those of us that feel this way and are ending our Walking Dead journey/viewership with Carl’s death are not true fans, you are absolutely WRONG. A true fan call also be one that not only has a loyalty to the show but also to the actors, to the comic’s based storyline with only minor changes that never involves killing off the top main characters essential to the established storyline, and to the integrity of the production's treatment of the principals (cast/crew/fans). 

[aion-rsa]

Superman & Lois Episode 2 DC Comics and Movie Easter Eggs and References

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This article contains Superman & Lois spoilers.

There’s no question that Superman & Lois really knows its stuff. The first episode was a genuine love letter to Superman history, and proved once and for all that you can do a faithful, reverent take on the Man of Steel legend without just retreading stuff people have seen a thousand times.

Superman & Lois episode 2 digs a little bit deeper for its lore, but once again pulls tons of terrific deep cuts from both DC Comics and the character’s history in movies and on TV.

Here’s everything we found…

Captain Luthor

Captain Luthor is from a world that was ravaged by an evil Superman (one wearing the black suit that we saw him wear on Elseworlds). Could this mean that this Luthor is from a world similar to Earth-3 in DC Comics, where the people we know as heroes are in fact evil and vice versa? If so, Captain Luthor could be Alexander Luthor, the power-suited and heroic champion of Earth-3 who fought against an evil Justice League known as the Crime Syndicate.

We have much more about Captain Luthor right here.

Human Defense Corps

One of the soldiers working with General Sam Lane is referred to as “Rosetti.” Could this be Colonel Reno Rosetti of DC’s Human Defense Corps? I think so, especially since it leads into…

7734

The mysterious 7734 is more than just “HELL” in numeric and backwards form. Its existence dates back to the Superman: New Krypton special, which kicked of a massive saga in the comics that eventually culminated in War of the Supermen.

There, 7734 was indeed the brainchild of Sam Lane, and it was meant to keep the planet safe from Superman-style extraterrestrial enemies. It blended military expertise with Lex Luthor-esque super science, so you can see how/why Captain Luthor might have been involved on his world.

Morgan Edge

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It’s not often that we get an Arrowverse character created solely by the legendary Jack Kirby, but that’s Morgan Edge! Edge first appeared in Superman’s Pal, Jimmy Olsen #133 in 1970. This isn’t Edge’s first turn in the Arrowverse, having been played by Adrian Pasdar on Supergirl already. This appears to be a different Morgan Edge than the one Pasdar played (who ended his Supergirl run as a known criminal rather than the shady vulture capitalist we see here), which is certainly a result of changes made to reality in the wake of Crisis on Infinite Earths (like the recasting of Sam Lane and his warmer relationship with Clark and the very existence of Jordan Kent and the aging up of the boys to teenagers).

Chrissy Beppo

The character of Chrissy Beppo is a new creation for the show, but her name harkens back both to the classic Superman comics and to the trailblazing CW superhero series Smallville, albeit by way of the comics. The Smallville Legends web series expanded the universe of the show and featured a Smallville Ledger columnist named Christopher James Beppo.

The Beppo name comes from Superman comics of the 1960s, where it turned out that Jor-El had used a Kryptonian monkey as a test subject for the rocket that sent Kal-El to Earth. Beppo the Super-Monkey (look, the Silver Age of Comics was a weird time, ok?) eventually made his way to Earth, gained powers, and served alongside the Legion of Super-Heroes in the Legion of Super Pets. No, I am not making this up. This wasn’t even the 12th weirdest thing in Superman comics between roughly 1950 and 1969, so don’t @ me (or do!)

There’s another big Smallville connection, too…

Mayor George Dean

The sharp-eyed folks at the ever-reliable Kryptonsite pointed out that Mayor George Dean is played by Eric Keenleyside. And while Mayor “Dean” could possibly reference former TV Superman Dean Cain of Lois and Clark: The New Adventures of Superman fame, he has a more direct connection to the Superman mythos, however minor.

Keenleyside played Chloe Sullivan’s father in a deleted scene from the Smallville pilot. He later turned up as “Mike the Bartender” in a single episode of Smallville season 2, “Suspect.”

Man of Steel

The music all through this show evokes the mood of Hans Zimmer’s excellent Man of Steel score, but it’s particularly noticeable in the Fortress of Solitude scenes. Additionally, the idea that it was a depletion of natural resources that started Krypton’s eventual spiral into destruction is something from the comics, but that was really spotlighted well in Man of Steel.

But speaking of that Fortress…

The Fortress of Solitude

The Fortress of Solitude looks slightly more claustrophobic than the way we’ve seen it portrayed on Supergirl in the past (where it featured the statues of Jor-El and Lara, a whole bunch of visible Kryptonian tech, and even a Legion flight ring) but hopefully we get to see more of it in the future. That being said, the color is consistent with the way we’ve seen it elsewhere in the Arrowverse and it’s still appropriately cold and icy looking.

The notion of using a sunstone crystal to operate a control panel that produces a hologram of Jor-El (more on him in a minute) who functions as the AI of the Fortress of Solitude as well as Kryptonian history teacher originated with 1978’s Superman: The Movie, which is not only incredibly influential on this show, but has seen elements of it increasingly adopted by the comics as well.

That holographic map of Kryptonopolis looks pretty cool, too. I can’t attest to whether or not this is the first mention of Kryptonopolis in the Arrowverse (we’ve had plenty of talk of Kandor and Argo City, of course).

Also, in the Son of Superman story by Peter Tomasi and Patrick Gleason which helped introduce Jon Kent in the comics, Clark does indeed take his son to the Fortress for evaluation after he first starts to display his powers. Only there it’s a much younger Jonathan (since Jordan has yet to be introduced in the pages of DC Comics).

Jor-El

That’s Angus McFayden (Braveheart) as Jor-El and he looks pretty cool in the role. It’s only recent portrayals of the character that have given him facial hair, which has also become the standard in the comics, too (in the past, Jor-El often looked pretty much indistinguishable from his son). Even though Clark said in the previous episode that his mom made him the costume (at least that cool early version we saw), it’s important to note that the “S” is still very much intended as the family crest of the House of El, just as it has been established on Supergirl.

There’s one other neat touch on Jor-El’s costume that feels like another nod to Superman: The Movie, though. The black and white color scheme is very similar to how Marlon Brando’s Jor-El dressed in that film, and in particular, the white sections of the costume reflect light in a way that’s very reminiscent of those costumes. It’s really cool.

New Carthage

Lois makes reference to some failed investments that Morgan Edge made in New Carthage. New Carthage is a fictional town in the DC Universe, roughly located around upstate New York like Poughkeepsie or New Paltz or somewhere. And like that latter college town, it’s the home of Hudson University, where Dick Grayson went to college. Folks, if this show is gonna keep dropping Batman deep cuts, I’m just gonna have to keep pointing ’em out!

Batman? Is that you?

On that note…Moldova is a real country, albeit one that was parodied/fictionalized as “Moldavia” in the very first episode of the 1966 Batman TV series, “Hi Diddle Riddle.” If you want to include the “Rory’s First Kiss” joke on the movie marquee from episode 1, this is the second Batman Easter egg on the show. No? Too much?

Friday Night Lights

The Smallville High football team is coached by “Coach Gaines.” Gary Gaines was the Permian Panthers football coach who was played by Billy Bob Thornton in Friday Night Lights. Helbing has also pointed out the Friday Night Lights vibes they want to evoke on this show with its football sequences, and how Lois and Clark handle small town parenting.

Conduit

The Sequoia movie theater has some graffiti that seems to be the initials BK or KB. Could this be Kenny Braverman, the supervillain known as Conduit who knew Clark had powers back in Smallville? OK, fine, I’m probably reaching here.

Miscellaneous Stuff…

The moving company that the Kents use to move from Metropolis to Smallville is called “Change of Pace” with the slogan “Go anywhere, anytime.” This may or may not be an echo of a sentiment Superman & Lois showrunner Todd Helbing expressed to me in a recent interview about the decision to move Superman’s base of operations. “The way we approached it was, if Flash is the guardian of Central City and Supergirl is the guardian of National City, Superman is the guardian of the world,” Helbing says. “So it really doesn’t matter where Superman’s based. He can fly anywhere in the world in a matter of seconds. Once you understand that, it really doesn’t matter where his home turf is… it could be anywhere.”

The post Superman & Lois Episode 2 DC Comics and Movie Easter Eggs and References appeared first on Den of Geek.

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