Neptune's Mysterious Secret: Only one orbit since discovered! #fact #isro #spacemission
Explore the captivating story of Neptune, the distant ice giant, as it completes just one orbit since its discovery. Unravel the secrets of this enigmatic world and the mysteries of our solar system.
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Thinking about. Stanley Pines. Once summer, not long after Weirdmaggedon. Sitting in his seat, staring at the tv but realising slowly he's not really watching TV, he's listening.
Listening to Soos, taking a tour group around the Shack, his voice confident and happy, eagerly telling tourists all kinds of tall tales. Soos, with his young son strapped to his chest, held close and dear to his heart, always knowing he is loved and wanted by his father.
Listening to Wendy and Melody, laughter turning to deeper conversations in the gift shop as Wendy pours out her latest dating drama and Melody listens sympathetically--not quite a mother, but an older sister figure is all Wendy wants at the moment.
Listening to a distant boom coming from the basement, a cause for some concern that fades quickly as three peals of laughter follow soon after. One deep and familiar, as comforting and close as the sound of a ship's motor and the open sea. One young and high, cracking with adolescent awkwardness. One loud and cackling, a hint of madness never quite leaving it but more settled than it used to be. And Stan figures it's probably time to send someone down to drag Ford, Dipper and McGucket upstairs before they forget what light is and get too nerdy.
Besides it's nearly dinner time, and he's listening to Mabel's steady, unrelenting chatter in the kitchen, punctuated by a few grunts of acknowledgment from Abuelita as they prepare a meal.
And Stan feels a strange, unusual sensation wash over him, something he hasn't felt for over half a lifetime, by a boat on a beach. A sensation of contentment, of security, of peace. And he realises that if he stood up and walked into any one of the rooms in the Shack he would be greeted with smiles and faces lighting up to see him and cheerful cries of his name.
And he looks down at the darned pig sleeping beside his chair and things, with oddly misty eyes, that he spent thirty years trying to find his brother again. And he succeeded--but somehow, he got more than that. He had formed around him, without even realising it, a family.
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Horrortale Sans fandom flavors I’ve noticed
Bastard TM
- the most problematic fave TM
- "my axe is my buddy. I never leave without him.”
- nasty
- all the mental illnesses
- would feel perfectly at home in a campy horror movie, frankly
- morbid sense of humor
the Puppy
- scary on the outside, big softie on the inside
- friend shaped
- trying so hard not to relapse
- it’s PTSD time baby!
- frequently depicted with short term memory loss
- either his motif is “lonely hunter in the woods” or “the way to a man’s heart is through his stomach and I took that personally” and sometimes it’s both.
Yandere lite
- obsessive, possessive and permissive
- all the mental illnesses X2
- red flags buT HE LOVES YOU
- he loves you so much
- gives off so many kicked puppy vibes
- just wants attention :(
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I’M CACKLING SO HARD
“The entity of Camp 98.7 holds no liability of those who got absolutely wrecked, impaled, cannibalized, launched into orbit, met their expiration date, felt the cold embrace of the void, etc.
For those lost- Sam, Emily, Darren, Rebecca, Student, and StudentGreen, you are not eligible for this poster.”
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I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.
Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.
It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.
And it's the same with Vanitas.
When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.
Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.
While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.
Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.
Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.
Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.
Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.
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popping in randomly after almost an entire month just to talk non stop about the tsaritsa again everyone sit down.
specifically just thinking about the implications of tsaritsa's ideals originally being about love + the abandonment of those ideals to complete her goal of, presumably, destroying Celestia or whatever she's cooking up. to the point even her people don't love her and I probably don't even remember a time her ideals were of love. now it's all just ice and snow and cold.
which makes romantic fics w her even funnier because she's purposely removed this part of herself and suddenly reader walks into teyvat like they own the place (they do) and I can only imagine her reaction. angry, probably. because why you? what are you doing to her that's caused her hundreds of years of strict adherence to rejecting "love" both from others and to others to just. collapse. absolute shattering of her world and you probably don't even know it bc if nothing else she's good at hiding it. a lot of denial. tries to pick you apart and see what's makes you so different.
and oh she just hates it. she loathes it.
basically one sided enemies to lover trope because she can't stand you for a while but if you stick around she starts warming up to you and it makes it WORSE. so much worse. tries to distance herself but your just everywhere and it gets on her nerves because why does she love you? she isn't capable of love, not anymore. she thought she was.
g-d forbid one of the harbingers or PIERRO notices she'd never live it down. might even consider the implications of just killing you (she doesnt). worse if you know about it and act like a brat she will lose her damn mind
just the tsaritsa being an absolutely horrible mess internally.
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