#or ANY of the death mechanics tbh

[quiverymango]

☀️Suntan Scribbles!🏀

Doodles of Sunny and Kel, my beloveds <3

[tonycries]

Haunting You - G.S.

Synopsis. A bIoody trail of vampire attácks, a political marriage, and four suitors you’re forced to choose from - all haunting you. But none as much as the mysterious stranger that makes everything in you scream that you might just be fated for the very thing your kingdom is trying to escape from.

Pairing. Gojo Satoru x Reader

Content. MDNI, fem! princess! reader, king! Gojo, vampire AU, he’s actually ÍNSANE, royalty AU, arranged marriages, creampíes, breéding, fated mátes, FÉRAL down bad Gojo, mentions of bIood and kílling, bíting, óral (fem receiving), spítting, marks (a LOT), fíngering, pórn with plot tbh, overstím, ínnapropriate use of powers, jealous! Gojo, slight inspiration from Persephone and Hades, pet names, swearing.

Word count. 15.8k (HUH???)

A/N. Was listening to Haunted by Beyoncé, and my mind went “ooo vampires.” Hope y’all have a lovely week <3

In all your years being carefully primed to take over the throne, there have only been two rules you were raised under:

You live by the crown, and you will die by the crown. No matter what. 

To stop the vampires - if your father, the king, fails to contain the bloody trail of killings before his own inevitable death, you have to. Or, more according to those tedious meetings with the table of elders, your husband will have to.

And it seems as if they were well and fully intent on enforcing that last rule as of late - with sharply increasing numbers of attacks on your local towns, the public was growing restless - and so was the royal court. 

You weren’t doing any better either - but for a wholly different reason.  

Maybe it was paranoia, but these days, you found yourself constantly catching a flash of crystal blue in the corner of your eye. Or hearing a sweet, sweet whisper in your ear deep at night. Maybe even a soft run of fingers down your spine as you were readied for yet another ball - hands much too large to be any of your ladies-in-waiting.

Like something was watching. 

Waiting. 

“And then I- your highness, are you listening?”

That familiar, grating voice snaps you out of your thoughts, and you’re gasping in embarrassment as you turn back to the prattling man in front of you. 

“My apologies, Lord Naoya.” you smile tightly, desperate to finish up yet another conversation about his latest cavalry expeditions. Nodding dismissively, “Just tired, please continue with your ah- wonderful tales.”

But of course, when he starts right back from the very beginning to “cover the key points you missed”, your stomach turns when you realize that you won’t be escaping any time soon. Great. Wonderful. Perfect.

God, future suitors your ass. You’d been taught that there’s no such company as “bad company” when you’re an heir to a kingdom, but this has been the fourth royal ball this month - and the biggest one yet. The fourth night you had to listen to another uptight lord show off his sparse battle medals, or another elder snide about how you’d be useless against the dangers of vampires.

You knew it was likely some coping mechanism with the grim deaths this week, but surely the nobles were tired of all this silly dancing? You sure were. 

Gauzy dress just a bit too tight, sighs just a bit too loud than was permitted for the princess, you let your gaze wander across the brilliant ballroom. Those intricate gowns, the huge reflective wall, those little pastries you really wish you could walk away from this conversation and-

Blue. 

Crystal blue.

“Wait! Did you see-” you startle, and it disappears as fast as it appeared. Your heavy skirts sway as you whirl around to uselessly track that odd burst of color, “Did you see that?”

“I know!” Naoya gasps, making you turn your head in excitement. “The light reflects off my medal so gorgeously! Oh, and this one-”

Dammit. 

All through your life, it was this same color that’d been flitting occasionally through your vision, now haunting you almost every day.

You didn’t know where to look to find that familiar blue again - and you didn’t want to stand here waiting to find out. At the very least, your ears have definitely been assaulted with enough talk about horses and how “absolutely enormous” Lord Naoya’s weaponry at the Zenin Estate was.

Compensating, you muse.

The thought helps you plaster on a grin to your face, humming in a saccharine-sweet tone, “It pains me to cut through, my lord.” It really didn’t. “And I’d love to chat more later, but I think I hear my lady-in-waiting calling for me.”

He sputters, breathing out a few profanities under his breath that you catch. An arm raising as if to keep you in place, “Now, wait a minute-”

You’re angling your body expertly to make your dash. Batting your lashes deceivingly innocently, “Oh? What was that?” you cup your ear. “I hear her again- I really do apologize, but feel free to recount your valiant um- fairy tales in a letter.”

“But your father-”

Not waiting to hear the rest of his response, you barely even bother with a polite curtsy before determinedly weaving your way through the stuffy ballroom. Nodding by the nobles greeting you, waving past the throng of young lords that wanted to reel you into more conversation. Your satiny feet taking you anywhere but here - anywhere but where you could feel the still, heavy gaze of something burning into your back as you escaped. 

You just prayed that it was only a miffed Naoya and nothing else.

It was around this time that the orchestra struck up another upbeat waltz, and with most people pairing off on the dance floor, barely anyone noticed you tip-toeing out of the ballroom. 

“God-” you’re letting out a sigh of relief when you reach the long hallway, rubbing at your throbbing temples. “The next ball they host, m’gonna conveniently disappear, I swear.”

You didn’t care enough for what matchmaking would happen in the future anyway, no matter what the elders may tell you. 

Your ballgown swishes with every urgent step through the quiet, dimly-lit corridors. Maybe a bit too quiet. 

Strange. You knew that not many nobles would be wandering around the palace during a ball but, surely you can’t be the only one here? Where were the guards?

Just then, a soft winter breeze puffs against your left ear - and you inhale sharply. “Wha- hello?” you shudder, gaze darting around. “Anyone there?” But when only silence greets you, you’re struck with the sudden thought that the windows along the hallway were closed. 

Where did the wind come from?

The realization has you taut with goosebumps pricking at your skin, your pace increasing ever-so-slightly. Gulping, you round the corner quickly, making a beeline for the closest haven you could find - the library.

Ducking past the towering stone archway, you hastily slam the door closed. It takes you a few seconds to get used to the darkness inside. With silvery moonlight ribbons filtering in through the curtained windows, you could just barely make out the rows upon rows of books you’d pestered your father into lining. Surrounded by heavyset tables, and your favorite, cushioned armchair. Luxurious, yet completely dwarfed when seating the lone silhouette-

“If this is an attack, then I surely don’t mind.”

“Fuck-” you scream, reflexively grabbing the nearest book spine you could reach to throw in the direction of the shadow. “Show yourself.”

Somehow, it’s as if the book bounces off an invisible forcefield, plopping down unceremoniously onto the velvety carpet right in front of the tall figure. 

“And here I thought princesses usually curtseyed.” that deep, honeyed voice cuts right through your heavy breathing. He makes a move to get up - languid, and torturous, as if he enjoyed your agonizing suspense. “Well, maybe I do prefer being pelted by a- hey, that doesn’t mean pick up another book!”

In a split-second, you were brandishing a weighty encyclopedia this time - holding it firmly behind your head in a ready stance to throw once again. 

“Show yourself.”

The man sighs, stepping into a channel of low light. It illuminated his stature - taller than you’d thought, towering well above most of the generals in the royal court. Muscled, yet lean - powerful, the thought strikes you. Magnetizing. 

Someone from outside the kingdom, you observe, otherwise you’d have remembered that cloudy white hair, strands falling over a strange, black blindfold stretched across the upper half of his face. Leaving you only a set of high cheekbones, and a pert, pretty mouth to admire.

One that curls into such a mischievous smirk of neat pearly whites, and a tiny dimple digging into his cheek. “Now, I’ve never had anyone this eager to see me.” He drops into a courteous bow at the waist, expensive blue fabrics rippling. “From the North kingdom, Satoru, at your service, princess.”

Your hand falters - partially because of the heavy weight, partially because you recognised that gold “G” insignia in the middle of this stranger- Satoru’s uniform. The Gojo family. 

That mysterious, estranged kingdom from the Northern part of the country that hadn’t been seen since you were young. You’d heard stories of them - everyone in this vast country had, it was impossible not to. Of their cruel winters and even crueler king, how blood stained every room in his palace. It was rumored he was a monster, and yet, no one ever saw his face - if they did, they never lived to tell the tale. 

You knew your father had invited the king to every single ball out of diplomatic obligation, but he’d never attended. Never even bothered to respond. 

So who was this?

“No one. Just a lowly attendant accompanying my king, your highness.” you’re jolting when he purrs, a brow quirking at just how he knew what you were thinking. “The question ah- showed on your face, my apologies.”

Finding your voice, “Um, I apologize, too, Satoru-” You note the lack of a last name, “-for the book. I can’t imagine being hit with Yaga’s 1001 Methods to Crochet was a very warm welcome.” And like a little truce, you’re placing down the encyclopedia in your hand. Flashing him your most practiced smile, “I bet you’re hiding out here for the same reasons as me, then.”

That draws out a pretty laugh from him, bubbly and boyish. “Mhm, the ladies just refuse to leave you alone, too?”

“Well, more like the lords there.”

He hums, something that sends a chill down your spine. Words just a little strained, “Not much for bragging about horses?” 

And suddenly, you get the urge to snark back, huffing in a way you know your preparational teacher would faint at. “Absolutely not. I’d rather face a vampire than listen to Naoya and the “absolutely enormous” weaponry he uses to-”

“-compensate!”

“-compensate.” the two of you finish at the same time. “I like this place a lot better, it’s quiet- though…” your voice trails off in wonder. “It’s strange, guests aren’t supposed to be allowed in the library unsupervised.” His jaw clenches when your eyes sweep him, “We are supposed to have a few guards here but I don’t know where-”

All of a sudden, it’s like you’re being splashed with cold water. And your words are dying on your tongue when the room drops a few degrees in temperature. 

Satoru is unnervingly still, yet he catches onto your slight shiver. “This damned wind, am I right?” And he’s gesturing at the windows with his head. The closed windows. Words tumbling quickly from those pink lips now, “Anyways- why don’t you sit down-” He prowls towards you, slow, confident. Large hands rest at your arms, they’re pale, surprisingly cold - guiding you easily to sit on the unoccupied armchair. “-since m’being nice enough to let you hide out here.”

His words drip with tease, and you still couldn’t see his eyes, but you imagined they’d be twinkling. No one ever dared to speak to you this way - it was always either thinly-veiled condescension or fear towards royalty. 

Surprisingly, you didn’t mind. 

You roll your eyes, trying to hold back your smile. “Yeah? Well what do I owe you in return for that, Satoru?”

His lips part, as if not expecting this response. Before letting out another sharp cackle at your expense, “Well, why don’t you-” You can’t tear your eyes away from his magnetic figure when Satoru begins unbuttoning his flowing coat to reveal a snow-white shirt underneath. Wrapping it snug around your shoulders in one, fluid motion, a hand of his tilts your head towards him. “-give me your soul?”

The Gojo emblem burns into your back, and Satoru’s deep, almost raspy tone rings in your ears. It sounded like a joke - but looking into his ethereal features, there was no trace of a grin on what you could see of it. And once again, you’re struck by the pure power radiating off of him. 

You hoped it was a joke.

“S-soul’s not for sale.” you manage to choke out, trying to make it look like you weren’t breathing in his metallic, peppermint scent. Heady. Pulling the soft fabric tighter around your cold body, “Steep price for a hideout, don’t you think?”

“S’a discount for you, flower.” his chilling breath fans your face. Letting out hushed, “Heh, you should see the prices I charge others.”

You’re reeling, face burning, “Flower?”

“Because you’re shaking like one, see?” The pads of his fingers move from under your chin to trace up, up, up the goosebumps on your exposed arms. Somehow, you can’t bring yourself to pull away.

Hypnotic. 

And his steps are soundless as he walks over behind you, the moonlight giving him an angelic halo. Haunting, almost. “And you’re just as gorgeous, like a wild rose. Way too gorgeous for the fuckin’ bastards out there, might I add, princess.”

The nerve!

Heart pounding, you turn around to- call him out for his disrespect? Snap back? Accept the compliment?

You don’t know - and you don’t get to find out, either. Because before your eyes can search for Satoru’s mysterious figure, the door to the library is slamming open with a deafening bang!

“Ah! There you are!” your lady-in-waiting’s relieved voice floods your ears. And she’s barging in with no comment about your sudden stiffness, or that foreign coat around your shoulders. “We’ve been looking everywhere for you, your highness. His majesty is just about to make his speech of the night and needs you there.”

Shit, out of all the scandals. 

“I- I can explain.” You’re desperately trying to catch Satoru’s eye to make up an excuse for why you’re alone with a strange man away from the ball, shooting from your seat to look around the library. “We’re just-”

The suddenly empty library. 

“Yes yes, I understand that the balls aren’t exactly your favorite pastime.” The oblivious girl is pushing you towards the door, brown eyes narrowed. “But we’ve got to get going now.”

Despite her wrangling you outside, you manage to sneak a few glances backwards, straining to see if he was hiding in the shadows. Only to be met with a now-rumpled armchair and the still, dark bookshelves. As bare as if Satoru never existed - the only proof of his existence being a sad copy of Yaga’s 1001 Methods to Crochet lying on the ground. 

And yet, you can’t help but feel a pair of eyes on you. 

You feel it all through the short walk back to the ballroom, Nobara’s excited chatter about how finely your all-new coat was made filtering through one ear and out the next. Even when you reach the edge of the dance floor, even when you feel every single other eye in the room on you - you feel it. 

“Um, Nobara.” you whisper, discreetly shuffling the coat off your shoulders. “Please take this to my chambers for me.”

The younger girl is positively bursting at the seams, murmuring conspiratorially to you, “So is this where you were? With who- The “G” what does that-”

“Ah! My daughter!” Saved by your father’s booming voice - though, you wouldn’t consider it too much of a salvation when you’re immediately being whisked away to the high platform your father’s throne was seated on. His arms spread wide to greet you in a hug despite stiff etiquette. 

“You’re late.” he whispers in your ear.

It’s all you can do to manage out a quiet, “S-Sorry.”

Without another word, he’s addressing the congregation in the middle of the dance ballroom again. More ruler than father at this very moment. “My people, we are gathered here today to dance, to sing, to forget about the horrors happening in our beloved nation.” To large murmurs of agreement he continues, “And despite it all, it’s a reality we must all live with. Me, especially, as your king, have a duty to fulfill.”

There’s a beat of silence, and you wonder where this is all going - your father never brought up vampires during a time like this. Never. 

Clearing his throat, “And as we all know, I’m not getting any younger here, unfortunately. Which is why-” He claps his hands once, and three figures - one of which being Naoya, amongst two other nobles you briefly recognized - step forward from the crowd. “Ah- there should be one more- Anyway, after thorough consideration with the table of elders, we have decided to go forward with the betrothal process for my dear daughter here. With the joining of hands will not only be the joining of kingdoms - but the joining of arms, and our people shall prevail as one over the vampires.”

You think you might stop breathing, eyes burning and trained firmly on the ground. This had been a topic of conversation - well, more the elders conversing while you skipped out on every meeting once this discussion was brought up. 

You knew this would happen. You knew. But now? At this very moment? All you can do is stand there and listen while he rattles off. 

“I know four of the- erm, three of the most eligible young suitors of the land will do their utmost to vie for her heart - and her hand. No easy task I tell you.” Your fists clench, head swimming. “And in a week’s time, we will hold the grand ball to announce my successor.”

Shit - a week. A week.

Somewhere in your line of vision you see - you feel that spark of blue. And you’re raising your head to cheers echoing from all around the room, and still no sign of where those eyes are. 

“The next time we meet, will be with the future king and queen!”

Fuck. 

---

That night was spent with a few too many tears, and a consoling Nobara at your side all until daybreak. And if you held onto that comforting, peppermint-scented coat through it all, well, you were only glad that you seemed too pitiful for her to question it. 

Feeling much more composed and only slightly less bitter about the prospect of being married off to a stuck-up noble you didn’t know, you made your way to breakfast the next morning. An affair usually spent with your father, or in the palace gardens - but this time, surrounded by four suitors under the guise of getting to know you. Sizing each other up, maybe. 

“Ah, your highness, good morning!” you sweetly reciprocate the greetings once you’re escorted into the dining room, taking your seat at the very end of the long, mahogany table. 

Sighing you take in the scene - on your left was Lord Naoya from last night, the same sharp grins and shifty eyes as you remembered. Seated beside him was the young duke of the Kashimo clan - hair striking, his battle staff laid out next to him on the table. Intimidating. 

But nothing in comparison to the hulking man on your right, it seemed as if his uniform was on the verge of bursting. Face sullen, letting his pink locks fall into place - Sukuna, you think you remember. 

“Your highness.” Ichiji bows, taking his place supervising the breakfast. “I am afraid our guests from the Northern kingdom will not be able to attend this breakfast today. He sends his deepest apologies. B-but-” His face-paled, looking scarred for life. “-he did have his um- attendant send this note-”

You’re gratefully taking the creamy scrap of paper before the words have even left Ichiji’s mouth, flipping it over to reveal slanted, beautiful calligraphy - Apologies for the sudden departure last night, flower. And I hope you forgive my king for not being here to deter the talk of horses - duty holds both man and beast from freedom. Worry not, we will be seeing your sweet smile again soon. But, for now, give those three bastards a rude gesture from me.

You giggle, tucking away the note. A tiny pang of disappointment hitting you out of nowhere at the lack of that gold “G” emblem anywhere along the table - and more importantly, the white-haired enigma that would follow.

All three men were glowering, yet begrudgingly plowing on with their conversation from before as you settled. Not having the energy to contribute, you listened in. 

“-this would never have happened in my estate.”

“Oh buzz off-” Kashimo interrupts Naoya, before throwing a guilty look your way at his crass words. As if you didn’t say worse. “Apologies, your highness. As I was saying-” he turns back to the man. “Don’t think we haven’t heard of those vampire killings in your court that you tried to cover up, your defense isn’t as impenetrable as you want it to seem, Naoya.”

That causes you to raise your brow - and evidently, Sukuna’s as well. “That so? Little fraud, aren’t ya, Zenin?”

The shorter man sputters indignantly, “You- you little- you call me a fraud and yet you’re the only one who didn’t bother to help investigate last night? Got something to hide, oh king-of-curses?”

“Tch, shut up.” That little nickname ticked something off in Sukuna, and his grip on his delicate fork tightens. Smirk intentionally bared to piss off, “It’s just because when the princess marries me, she won’t have to worry about vampires attacking guards in the middle of a ball.”

Wait, what?

“Yeah right, you and what army because I have an absolutely enormous-”

“What do you mean?” Your smooth voice cuts through their bickering, and all three men freeze, gazes snapping to you as if they’d already forgotten you were there. “I didn’t hear about any killings last night.”

If you thought they were tense before then you weren’t prepared for right now - shoulders raising in surrender, for all their blabbering, not a word was uttered after your accusatory question. After a few beats of silence, you scoff in frustration, turning towards your escort, squirming and avoiding your pointed stare at the very corner of the room. 

“Ichiji.” The man looked like he could positively give anything to blend into the meticulously hand-painted flowers on the wall. “Ichiji, tell me what happened.” 

“P-princess!” he yelps, adjusting his glasses. “I- I’m afraid the king said- please I can’t-”

“Ichiji…”

“P-please don’t banish me-”

You’re on your feet now, cornering the poor man. Mentally, you make a note to give him a raise. Eyes narrowing, “I won’t banish you, but as the future queen I have a right to know, don’t I?”

“...”

“...please?”

And the remaining men had been watching with morbid fascination as you worked your magic. They were already aware that the frail attendant was the weakest link out of them all, but what they certainly did not expect was exactly how weak. 

It only took a single bat of your lashes before his pale cheeks colored an almost-concerning pink. Eyes scrunching shut in embarrassment, as the words spilled from his lips. Neverending and slurring with haste as he speaks in one breath, “Th-three of the guards stationed near the outer corridor and library wing were found killed by a vampire last night before you retired for the night, your highness. Their b-bodies were disposed of, and this in combination with all the recent killings was why the king hurried the announcement for your engagement. B-but, his majesty decreed that this never be relayed to you in order to keep you in high spirits after the betrothal eep-!”

“Is- is that so?” you breathe, eyes wide. Taking one last look at the four speechless men, before walking out of the tall doorway. “I seem to have lost my appetite, I will be heading for my chambers now. I sincerely hope you enjoy your stay, my lords.”

Shit shit shit - how did you not notice? 

Maybe you walked right past the killer last night and didn’t even realize - who knows what could’ve been hiding in the shadows. How did you not realize? How did you not see?

Just then, a thought strikes you - did Satoru see?

---

It’s one of the whirlwind of questions ringing around in your mind even by the time you hear a steady knock on your door. Jolting you upright from where you splayed out on your plush, silken bed, rows upon rows of books on vampires haphazardly surrounding you.

Peering out of your large window, you notice the hues of pink and red painting the sky, a big red sun just dipping below the horizon - shit, when did you even fall asleep? 

“Come in.” you answer, voice scratchy. Rubbing away the sleep in your eyes, you could barely make out the hazy outline of Ichiji standing in your doorway. 

“Ah- your highness, I apologize for waking you up.” he bows. “But master Kashimo will be headed out for a late-night hunt at this very moment, and requested your presence shall you wish it. He noticed that you seemed upset at breakfast, and wanted to make it up to you.”

You take a moment to mull over the question - it certainly was rude for you to just ignore your guests all day. And considering you might just be marrying one of them, it wouldn’t kill anyone to actually get to know them.

“Alright.” you reply, voice even. And your answer seems to surprise the other man, “Tell Tsukumo to get my gear ready, I will be down as soon as I change.”

“Y-yes, princess! I will call for Nobara to help you get dressed.”

As the door shut once more behind him, you threw off your heavy blanket- and your coat? Satoru’s coat, which had evidently been draped around your upper half. Heart stuttering, you didn’t remember putting that on before…

Hm, you had to thank Nobara for that later.

---

Hunting with Kashimo was, unexpectedly, dull. 

“So…” you drag your words, trying to fill the tense silence. “What is it that we’re actually hunting for-”

“Shhh-” you hear for about the third time this past hour. A brow of yours quirking at the way it seemed like the two of you had been wandering the woods belonging to your kingdom’s estate for hours, and you still didn’t know what it was you were supposed to be looking for. 

Alright, perhaps hunting wasn’t the best opportunity to get to know your potential future husband. 

“My lord…” you call out warily, already aware of the duke’s affinity for hunting. “Maybe we should rest for a bit, after all, the stars are out already and the moon is so bright.”

He barely even turns to look back at you, “No time. The woods belonging to your kingdom have some of the rarest species of cursed animals in this country. I must make the most of this week in that case, your highness.”

You brighten at the closest shred of conversation in so long. “Oh, yes, I’ve heard! I also hear they-”

“Shh!”

So close. 

Letting out a resigned sigh, your eyes glaze over as you watch Kashimo trace his thick fingers over animal tracks on the dirt. Suddenly, gesturing for you to follow him as he sped off in another direction. 

It doesn’t take too long for him to stray out of sight. Meanwhile, your legs lag behind in protest - and pettiness, you realize. Grumbling to yourself about how you’d rather have watched paint dry as you’re sure the elders often did. Well, you look at the now-barren pathway, at least now you didn’t have to worry about someone shushing you all the ti-

“AHH!”

And then, all of a sudden - it felt like you were the hunted. 

It’s like every bit of blood drains from your body at the blood-curdling scream. Grip tightening on your bow, you’re jolting at the direction it came from - where did Kashimo disappear off to again? 

Yet, for how much you knew your kingdom like the back of your hand, it’s so dark. The moon barely peeking through gloomy gray wisps of clouds that you don’t know where exactly you’re running to - just that something was tugging. Reeling you in. No destination in sight until you’re crashing face-first into- a wall?

“Hey, flower, where are ya running off to this late?”

Your hairs raise, something visceral in your body jolting. 

Satoru - blindfold and all.  

“Wh- Satoru thank God you’re here.” you gasp, looking nervously over his broad shoulders. “I heard a scream, and I’m worried about Kashimo because he went somewhere over there and-” You’re pointing aimlessly in his direction, before clasping a hand around Satoru’s defined bicep. Tugging, “You have to help me, that idiot even insisted on no guards because of disturbing the wildlife and I’m so worried and-”

Before you can react, big strong arms are enveloping you. And you’re suddenly hit with the smell of peppermint and Satoru - something so sickly sweet tinging the air, it makes you droop limply into his firm hold. Your skin burns when he breathes in, deep. 

“Shhh shhh, I know I know, princess.” he hums, pulling you deeper against his chest. Until you could feel every dip and curve of his pectorals. “You must’ve been scared, right?” At your hesitant nod, “You did good. You did perfect- in fact. Especially putting up with that pretentious bastard.”

The shocked laugh that drags from your throat has Satoru sighing contentedly, an almost-pained grunt leaving him as he pulls away ever-so-slightly. You felt much the same. 

“S’alright, I’m pretty sure it was some animal.” he soothes. He clasps your hands with his, running a damp thumb over your knuckles. “I saw him trudging about disturbing more wildlife over there.”

You breath catches in your chest at just how close Satoru was now, his breath mingling with yours. Pretty plump lips so close - too close. Yet you’re leaning in closer, like you’re drawn by a thread. “Are you sure? Maybe we should-” You gasp, eyes widening when you look down at where your hands were intertwined - red. Or, what you assumed to be red, a saturated, patchy stain on your hands where Satoru’s met yours. He stiffens when he follows your gaze, trying to pull away, but you only hold your grip harder. “Satoru, are you bleeding? Or is this-”

“Not mine.” his voice is hard - and for a second you have to wonder whether this is really the same Satoru. And you swear there’s a little tremor in his words as he explains, “You see, I went out on a little hunt myself, flower.”

Even if Satoru didn’t have his blindfold on, you’re sure his face would’ve been unreadable. That almost-familiar grin of his is strained. Too strained. Yet, his movements are unwavering as he tries to wipe away the blood. “Must’ve forgotten to wipe down, I apologize for sullying your hands, princess.”

“Let me-” you mutter, taking a hold of the coat around your shoulders to wipe away the blood. Uncaring for what you were dirtying at the moment. “I swear you need to take better care of yourself, Satoru. Seriously.” 

And you didn’t see them - but somehow you could just feel the amusement dancing in Satoru’s eyes. Raising your confused gaze up to meet his, “What?”

He only flashes you a knowing grin, “S’jus’, you’re wearing my coat, your highness.”

Your movements pause, mouth gaping open while you try to pathetically spout out an excuse. “I- I didn’t mean to get this coat dirty, oh my god. I didn’t think-”

“S’alright.” he inches in even closer. A smirk grazing those sinful lips of his, “I actually prefer it like that, you look like mine.” Taking a deep breath, “You smell like mine.” 

And before you can ask about his cryptic message, he’s placing a hand at the back of your waist. A very improper hand that would definitely make the elders gasp in scandal. “We should head back to the palace, it’s getting late. I will escort you, m’sure that born hunter of yours is already halfway back too.”

“Carry me.” you blurt out, your body aching to feel more of him. And before you can retract your words - probably sputter a few apologies, you’re being cradled by a smug Satoru. One hand under your knees, the other supporting you like you’re weightless. 

“Heh, a princess carry for a princess.”

“Oh, shut up.” you grumble with embarrassment when he walks forward slowly, your legs swaying in midair. “Want my soul for this as well?”

And you can feel Satoru’s muscles ripple, you can feel the way his breath hitches in his chest ever-so-slightly. Rumbling as he drawls, “More than you’d know.”

“S’that a discount, too? You still didn’t tell me what you charge others.” you quip, remembering the conversation from the night before. 

“Oh, you’ll find out soon enough, your highness.”

You’re quirking a brow, something hot churning at the pit of your stomach at that ragged tone to his words. “I’m onto you, y’know.” You stare up at his clenched jaw, highlighted in the dim moonlight. His long, pale neck, the crevices of his blindfold. For a moment, you wonder what it would be like if you could peek under. “Onto you and your absurdly high prices, Satoru.”

He breathes out a shuddering, overly-dramatic shudder. “Mhm, flower, I should be worried.” Before looking up at the sky - and you wondered just how well he could see through his blindfold. “The moon is beautiful tonight, isn’t it?”

That night, you dreamt of long-winded star-gazing and blue, blue eyes. 

---

“What do you mean Lord Kashimo has left for his kingdom?” you hiss, feeling a faint stab of offense. Seriously, were you that awful at hunting? “He didn’t make any indication of it last night.”

And if your careless words made Nobara beam with slight embarrassment, you didn’t take note of it - too caught up in what you’d just heard. Enough so that it takes her next words to bring you out of your stupor, “Exactly what I said, your highness. The lordship and his court have all vacated their wing, leaving behind only a letter of forgiveness for ending the festivities early.”

“Still.” you murmur petulantly. Setting aside another one of your books on Vampire: Mates, Murder, and More. “It’s strange, I thought he was here for the hunting sprees, if not for me.” Your tiara weighs heavy on your head as you turn to your young lady-in-waiting. “I would like for Ichiji to catch up to Kashimo’s traveling party, make sure they’re safe, and send them my well wishes.”

Ha! Take that elders - you’d show them you’re fully capable of holding diplomatic relations as a ruler. 

“As you wish, princess. Additionally, this-” She’s holding out a small pouch of blue fabric that you’d never seen before. “-was found by your bedside when cleaning and I wished to give it back safely.” Before her polite smile drops into a much more devious smirk, “A gift from one of the suitors, perhaps~?”

You gesture for her to hand it over, the silk casing soft under your touch. Detailed. One-of-a-kind, from what your tedious lessons in the history of fabrics had taught you. You didn’t recognize the patterns sewn onto it as something typical for your kingdom - or any other you’d learned about, really.

“M’not sure.” you whisper. Opening the little purse to reveal a flash of gold - a necklace. Thin and intricate, holding a sapphire pendant in the shape of an eye. 

Blue.

A blue you knew too well - the same one that peeked out from every dark corner, that you saw before you slept at night. The one that’s been by your side for years.

Constant. Now coming to haunt you. 

Chills run down your spine, and your fingers tremble at how life-like it looked. Burning into your very soul. 

“Would you like for me to help you put it on?” Nobara asks, mistaking your shock for difficulty. And yet, you don’t correct her - body moving before your mind to simply nod. 

There was only one clasp on the chain - leaving you to worry about the fit. But when it was hooked around your neck, you found that it fit you so perfectly. Like it was tailored to you - and only you. Why was it so perfect?

Why did it capture the exact color you’d been chasing after your whole life - since before you’d even formed memories? Since you were nothing but a surly, teary-eyed little girl that was crying about the dark, babbling about that “blue flash” that no one else ever seemed to see.

“If that will be all, your highness. I will take my leave.” With a nod and a low bow, you’re left all by yourself in your sprawling chambers. Wondering, somewhat in amusement, whether you’d be let off this marriage pact if all the other suitors suddenly left as well. Hell, maybe you could marry whoever got you this necklace since they apparently know you so well. 

And you swear - maybe it was the fatigue from trekking last night, maybe it was the stress from the past month - but you swear the wind picks up in its chilly bite. Howling just low enough that it sounds like a deep, taunting cackle. 

The necklace doesn’t leave its palace around your neck for the next few days. You still didn’t know who’d gifted it to you - right inside your chambers for god’s sake - and if either of the two suitors remaining knew, they didn’t make any indication of it either. 

Three, technically, but it seemed that the more the days passed, the less you saw of the mysterious king of the Northern kingdom. 

While Sukuna and Naoya had taken it upon themselves to woo you by joining you in your daily activities, he hadn’t even shown his face to you yet. You were sure your father would’ve had him humiliated and thrown out of the palace already if he wasn’t afraid for his life. 

But you didn’t mind, because you saw enough of Satoru to make up for King Gojo and Kashimo. The man seemed well and fully intent to stick by your side, talking yourselves well into the night. 

It was on a night like this - sprawled out along the plush armchairs in the very library you’d met, only a few days after Kashimo’s departure - you asked, “Satoru, what color are your eyes?”

That makes him pause in the middle of his extremely animated story about how he’d caught Earl Yaga in the middle of an artistic dance routine. The baritone of his voice cracking so uncharacteristically as he responds with, “Wh-why do you ask, princess?”

“Because.” you roll your eyes. “In four days m’gonna be marrying, and it might just be your king. Yet, I don’t even know his attendant’s eye color - what type of good queen would I be then?”

You knew it was a flimsy excuse, truthfully you just wanted to see Satoru. All of Satoru.

“Not many have wanted to look into my eyes” 

You tilt your head, “How come?”

“Well, I can assure you that they aren’t half as alluring as yours.” Satoru pushes back your tiara ever-so-slightly to reveal your face to him better, fingers dancing down to fiddle with your pendant. “You’re a strange one, aren’t ya, flower?” he chuckles, face inching closer to yours - and for a moment, you think he might do something else. “Tell me, how are the wedding preparations going?”

Ah, right - the wedding preparations. Your wedding preparations, to someone else. 

Did you want him to do something else?

“W-well-” you pull back from his hypnotic presence. Heart lurching, necklace burning cold into your skin. “Sukuna keeps trying to teach me his very particular diet, I swear I’ve spent much more time with Uraume learning it than with him- they’re a sweetheart though, I can’t complain.” Eyes trying to avoid the intensity of his gaze, “Oh- and Naoya still talks about his weaponry, however, I think his Zenin elders had a word with him because he asked to meet me in the gardens tomorrow evening to actually get to know me for once.”

You brave to take a look at Satoru at the end of his spiel - only to be met with a face you never thought you’d see. His mouth a tight gash, jaw ticking, and you could almost hear the grinding of his teeth.

Terrifying. Magnetic. 

Powerful. 

The library was always cold - but you fail to suppress a shiver at the sudden grip in the air. “S-Satoru?”

And suddenly, at the mere sound of your voice, everything clicks back to normalcy. You’re staring that familiar grin painted onto his face again, musing slyly, “How much d’you wanna bet he’ll ask about your weaponry instead?”

“Oh, shut up.”

It’s only much, much later at night when you’re forced to retire early - Satoru slipping past the library earlier than usual with groans of his “attendant duties” that you realize - he didn’t answer your question. 

---

“P-princess, will you be alright going alone? I don’t think-”

“It’ll be alright, Ichiji, I’m just meeting Lord Naoya.” you wave off the stammering man. Tugging your velvety coat snugly around your body, “Honestly, you act like I haven’t been out in the gardens alone before.”

And it was true, since returning from his little meeting with the Kashimo court, your jumpy attendant seemed even more so - and you didn’t even know that was even impossible. Always peeking cautiously behind corners of the winding hallways, always hovering close by you even when his duty didn’t require it. 

He’d told you - in that quiet, shaky voice of his - that Kashimo was well, and headed straight for his kingdom to fulfill emergency duties. To which you’d accepted - you understood the gravity of responsibility, after all. 

“But- but, your highness!” he gasps, pulling you out of your little reverie. “I don’t think- with the way he-”

A spine-chilling breeze rustles the nearby tree, sending shivers down your spine. Howling in your ears. You squint your eyes against the cold, “Sorry, what was that, Ichiji?”

But the man in front doesn’t speak - fuck, you didn’t even know if he was breathing. Face a sickly pallor, mouth gaping open and shut like he wanted to say something - he needed to say something. Yet, he wasn’t even looking at you, wide eyes locked on something over your shoulder. 

“Are you-” Your body holds you back, feeling two burning eyes on you - and you have to force yourself to look over your shoulder. Only to see- nothing? “-are you alright?”

Seeing nothing out of the ordinary, you’re turning back to face your attendant - only to see him sprinting back down the entrance as fast as his knobbly legs could carry him. 

“I’ll see you tomorrow, then!” you call, hoping it echoed far enough to be heard.

Strange. 

It’s all you can think about for the next half an hour you’re seated on that dainty, painted bench in the middle of the palace gardens, waiting for your potential future husband. And for the next hour. And the next. 

It’s by the time the sun has fully set, when twinkling stars are dotting the night sky that you settle with the conclusion that yes, it seems that Naoya has already made his decision about the marriage. And no it doesn’t end with a wedding. 

“Dammit.” you spit, running a hand through the hair you had Nobara fuss about with. “S’not like I wanted to marry you anyway, bastard.”

And you didn’t - you really didn’t. Whenever you dared to imagine walking down that decorated aisle, Naoya was the last person you saw.

But seated alone and abandoned, trying to cover yourself from the biting chill of the night, you never felt more like an unworthy heir. Fuck, if no one wanted to marry you how would you even dare to think of taking over the throne?

Maybe you should just-

“We have got to stop meeting like this, flower. S’like you’re haunting me.”

“Satoru!” you gasp, throwing yourself into his embrace. You’re reaching up to loop two arms around his neck, “Oh, you wouldn’t believe it. That asshole had the audacity to stand me up.” Pulling back so your face ghosts his, “I got all dolled up just for him to leave me like this. As if I wanted to be with him, I was just trying to be a good- a good h-host and-” 

Suddenly, you’re struck with the realization of how close you two actually are. You could count every crease on his blindfold, pinpoint exactly where every dimple at the corner of his grin was. 

Your hands slide their way down to his sculpted chest, pushing slightly. “-I apologize, this was forward of me.”

But his arms only tighten around your waist - when did they even get there? Large and steady, pulling you back to nuzzle his face into the crook of your neck, your racing pulse. “Stay.” he groans, and he sounds slightly out-of-breath, heavy exhales tickling your ear.

“We can’t be caught like this, Satoru.” you breathe, but that familiar little tug has you shuffling closer. Breathing in that familiar metallic sweet scent you’ve grown to love, “I- I’m getting-” Bile creeps up at the back of your throat, and you laugh bitterly. “I think I’m getting married in three days, y’know? To Lord Sukuna, I assume, since two of my suitors ah- ran away and the other refuses to even see my face.”

His thick fingers dig deeper into the extravagant corset at your waist, “I know. Fuck- don’t I know.”

It’s a steady beat of silence, so still. So tense you could hear every stuttering heartbeat of yours, and strangely enough, you had the nagging feeling that he could, too. 

“You could just marry me.” Satoru’s abrupt confession breaks the silence, and you find yourself sinking deeper into his soft coat. Wrapping yourself up in his heady presence. “Be my queen. You wouldn’t have to worry about duties or elders or- or vampires.”

And the night was still. So still. 

Despite the way your heart races, eyes blinking up in disbelief, you find it in yourself to deadpan, “F-funny. Do I have to give you my soul for that as well?” Oh, some stupid little part of you think you might just have.

And you’d expected Satoru to crack a laugh, to give you a teasing smile while he carried on that little inside joke between the two of you. You’d expected him to no sooner shove you off and talk about it being late. Hell, a part of you even expected this to be some elaborate set-up from the elders to get you caught in such a compromising position with the no-longer stranger from the Northern kingdom. 

But, no. It’s anything but that - everything but that. 

Because the taller man only rasps, nose-to-nose now, “No.” Sounding like his sanity was slipping away from him with every breath, fingers making their dance down to twirl your sapphire pendant between them. “I’d give you mine.”

You can feel his breath fanning your cheeks, head dipping slowly - so torturously slowly. As if he was giving you ample opportunity to run away if you wanted to. But you don’t think you could move for the life of you. 

Instead, you’re dipping closer, gliding the tip of your thumb over his defined cheekbone. Mere millimeters away - just one push. Another hand of yours steadies at the back of his neck, feeling those snowing locks under your fingers. 

One. 

Your thumb dips just under the seam of his blindfold - unwillingly. 

“Your highness.” Satoru’s voice is cold, his fingers lacing with your own even colder. Something eerie. And even with the delicate touch you could feel the power thrumming through Satoru’s body. “This is for you.”

You can only stand there in shocked silence as the moment shatters, and he produces a wild rose as if out of thin air. “Consider it from King Gojo.” Touch searing against yours when he hands it to you, you feel drunk off of him “Perhaps the night is late now.”

Right. The king. 

When you’re walking back in the directions of the palace’s warm lights, you don’t think you’ve ever felt safer. Strangely enough. 

“Satoru.”

“Yes?”

“I’m onto you.”

“You’re onto me.” he’s tucking the bloom over your ear. Before stepping back into the inky pool of shadows beside the entrance you came from. “Sweet dreams, flower.”

That night, when you tuck yourself into bed, you swear you hear a faint whisper of those same three words lulling you to sleep. Over and over. 

Sweet.

Dreams.

Flower. 

---

Floral preservation was one of the lessons you’d been forced to attend growing up in the palace, but even you didn’t know how that wild rose Satoru gifted you hadn’t wilted yet. 

It remained as fresh and prim as the night it was picked, bluish pink petals never fading. You didn’t keep it safely in a bowl of water amongst the other plants and flowers in your bedroom. Somehow, never out of place, always tucked safely behind your ear in the days that followed. Perhaps it was improper to keep it on you even when you were being fitted into an engagement gown to be promised off to another man. But Satoru didn’t complain, and you didn’t either. 

With Kashimo departing for his kingdom early, and Naoya apparently following in his footsteps due to “irrevocable differences”, it was now almost confirmed that the future king was to be Lord Sukuna. Not like King Gojo had made any effort to reach out - and Satoru hadn’t mentioned it either. 

Satoru. 

Things were…the same after that night, and you didn’t know what to make of it.

It must be done, you sigh, wincing at the pinch of the flowing white dress being suited onto you by the bustling tailor. At least it could be worse, even if you’d rather…

“Honestly, young people these days.” Yaga speaks up from where he was fussing with the silken hem of your gown for tomorrow. “I heard of that Naoya brat leaving out of nowhere, princess. My condolences.” 

“Ah-” you startle, not expecting to be addressed. “It’s not your fault, we likely didn’t mesh all that well. I just wish he left a note- Honestly, I’m lucky to even have a suitor left after these six days.”

Another grimace leaves you when you feel another tweak of pins pricking at your skin. The other man hums lowly, “Don’t say that, anyone would be lucky to have you. Anyway-” He gets up from his position kneeling, towering over you to admire his own work. “How do you like it, your highness?”

You let out a gasp when you face the floor-length mirror, “Oh my god, it’s perfect.” The dress was regal, decadent. With flowing tresses resembling a petals, and gilded gold and blue weaved into the fabric. 

Blue. 

“I fashioned it after that necklace and flower of yours.” You unwittingly reach for that familiar pendant, “I ah- forgive the assumption, but I assumed you would be wearing them both at the betrothal ceremony tomorrow, princess?”

Taking another long look in the mirror, you nod, “Yeah. I will.”

---

“I knew it.” he laughs shrilly. “I fuckin’ knew there was something wrong with you. As soon as I saw you butterin’ the princess up in the library, I knew you were a fuckin’ freak.”

The other man only responds with ominous silence, letting labored breathing cut through the bone-chilling air. Clearly unsatisfied, “What? Not gonna talk now? Aren’t ya just in it for the crown like me? Have the bitch, just give me the crown.” Goading now, “I bet you’re not even an attendant are ya- I know what you are-”

His words are cut off with another choked-up gasp, followed shortly by a strained growl. “I know- what you are-”

Red stains the marble floor - a problem for later. 

“I know, King Gojo.” And it’s the last thing he sees. “And you’ll reap what you sow, she’ll never love you.”

Blue. 

“You’ve haunted me too long, flower.”

“Satoru–!” you scream, throwing your soft bed sheets off your body. 

It was burning - you were burning, gasping for the cold lungfuls of air that filled your empty bedroom. Mind bleary, distantly, you register that it’s around daybreak - tiny fingers of golden sunlight just barely dipping through your window - your open window. 

Hastily, you’re tumbling out of bed to slam it shut. Heart still pounding when you take in the mess of flower petals from those congratulatory bouquets you’d gotten. Ruined. Only the stems left in the vases after that sudden, chilling wind. 

“What-” Your eyes dart around to look over your dresser, where you always kept Satoru’s wild rose. And a shiver creeps down your spine when you realize it lay snug tucked behind your ear, safe and sound. Exactly where you didn’t keep it. “-happened?”

You couldn’t settle back into bed after that - couldn’t even think about it. So you find yourself reaching for your wardrobe of dresses, running your fingers along the intricate gown made for your engagement ball tonight. Your engagement to Sukuna. 

If this was the nightmare, and tonight was to be the dream - why did your stomach turn so?

---

It was difficult convincing Nobara to let you keep the wild rose on after getting ready. 

“But that’s so last season.” she bemoans. “No offense, your highness, but even old lady Ogami wouldn’t be caught dead wearing flowers in her hair these days.”

You’re giving her your best puppy dog eyes, “Please, Nobara?”

“No.”

“I’ll let you raid my exclusive wardrobe the next time you want to play dress-up?”

“...”

Which was how you found yourself shoved into a dress that was way too gorgeously palatial, barely even having the time to admire the lush gold and blue decorations around the sparkling ballroom before you were being ushered next to your father on his throne. 

You fiddle with your ringed fingers, feeling more and more like a lamb sent to slaughter - a very opulent slaughter - with each step. 

“I am so proud of you for this week, and you look absolutely divine, my love.” your father whispers into your ear once you’re up on the crushed velvet platform. “I hear from Ichiji that you know, I apologize we couldn’t go through with this marriage under better circumstances.”

You shake your head, giving him a calm smile - you’d already forgiven him, sometimes there was duty far greater than any man. 

“My people, as promised, we are gathered once more to celebrate the joining of two hands - and two kingdoms.” The king projects his voice out to the eager crowd, “Together, these two young loves will face their duty. They will face the dangers. They will face our future.”

The thought had you clenching your fist into the soft fabric of your gown, looking down at your feet in a bow. 

“As I did with my father before me - God rest his soul - the future king and queen will oversee their responsibilities to protect our people from those treacherous vampires. The elders-” he stops short, eyes widening at the empty seats on the balcony - where the table of elders always sat. Abandoned. Chilling. “...have decreed, in accordance with our princess, to introduce my daughter to you all as our future queen-”

Your father gestures a hand your way, and you step forwards to cheers, still not daring to look up. And all you could see were two, gold-toed boots stepping into your field of vision.

“-and our future king!”

“Look up, flower, this is the best part.”

Gasping, you raise your head - Satoru.

“Y-you?” 

He smiles that pearly smile at you, one that makes your knees weaken, “Me.” Before leaning down conspiratorially,  “Better get moving now, the king just declared that the big bad Northern king and the precious princess will have their first dance as a couple.”

It felt like you were moving through a dream as you slip your hand into his, flinching at the feeling of his cold lips meeting the back of your hand.

The crowd of whispering nobles part to make a path for the two of you, and Satoru is so gentle when he leads you into the middle of the dance floor. Weightless on his feet, swiftly placing a burning hand on your waist - just below where the elders would consider proper. 

The other intertwining with yours, you barely even register the slow, romantic tune playing from the orchestra. 

“I bet you have questions.” he whispers, breath fanning your cheeks. 

You take in his tall figure, the rows of medals, gleaming only half as bright as the smile that makes its way onto your face. Hissing, “That doesn’t cover the half of it, King Gojo.”

“I-I apologize. I can’t apologize enough but-”

“Though, I did have a nagging feeling about the fifth time you talked yourself up.” you smirk.

Satoru throws his head back in a loud cackle, echoing through the hushed crowds - no doubt gossiping about this being the Northern king, that fearful beast that ruled over the Gojo family. “I know.” His hand comes up momentarily to brush over your sapphire necklace, “And I’ll spend our entire lives making it up to you, flower.”

Goosebumps dance down your arm, your spine, right down to where Satoru held a firm grip on your hip. You two waltz around the edge of the dance floor, perfectly in time. Through the crowd of grumbling lords, the orchestra, past the table of foods.

“And exactly how long would the rest of our lives be, Satoru?”

Slowing right in front of that huge, reflective wall. 

You couldn’t see his eyes, but his biting gaze was all you could feel. 

Lingering on the blue pendant nestled at your chest, the everlasting wild rose tucked behind your ear, the mirror to your right - where the twin image of you shone. Powerful, gorgeous, everything that a monster like him could never have because he wasn’t standing there right next to you. His kind never could. 

In the back of your mind, you registered collective gasps sounding all around you - the rest of the ball attendees that’d also taken note of the lack of Satoru’s reflection. But your eyes stay locked on him. 

A thumb hooks under his blindfold, and he grimaces. “You really were onto me, huh, flower?”

Tugging. 

Your fingers tighten around his, unable to let the most fearsome of creatures escape from your grasp. “You must’ve been onto me, too, Satoru.”

Pulling. 

All you see is a flash of a regal nose bridge, and the flutter of thick white lashes - before every single chandelier in the ballroom snuffs out at once. Cloaking the room in unnatural darkness, it sends every single knight and noble into a frenzy. 

And then, he opens his eyes. 

“IT’S HIM-”

“A body! A BODY FOUND IN THE ROYAL GUEST SUITE–

“VAMPIRE! STAY BACK-“

Oh, it’s blue. 

That crystal blue. 

And then it’s black.

---

SLAM!

“If you must kill me.” Satoru’s voice sounds from somewhere above you. You blink away the darkness, feeling your bleary gaze try and adjust to that unfamiliar high ceiling, the outlines of hauntingly beautiful paintings on it. His ragged breaths cut through your thoughts once more, hastily folding your hand to grip your pendant. “If you must kill me, then I prefer you do it with your own hands, princess.”

You can’t tell whose hand is trembling more - yours or his. Distantly, you realize you’re being pushed up against a luxuriously padded wall, one you’d never seen before in your life. 

Where were you?

“The Gojo palace- Please-” he reads your mind, voice breaking at the end of his plea. Gasping - and you can discern two elongated teeth at his canines. Fangs, you realize with a shiver. “You may leave if you want to, you may kill me for what I’ve done. My life is in your hands.”

“Satoru.” you soothe in a hushed voice, despite the way your head was reeling. The Gojo palace? “I won’t kill you.”

“But-”

“Satoru, what does this necklace mean?” You beg, and at this point, you’re not surprised that the necklace is from him - because it was an exact replica of the two burning eyes staring back at you. The only source of light right now, glowing a blue you’d finally found after a lifetime. “Why did you-” you gulp, heart lurching. “Why did you hand me your…life?”

Soft lips play right over your rapid pulse, murmuring into your skin, “S’my soul.” A long, pale index of his plays with the pendant. “The only part of my soul that’s living, gilded into a necklace to be kept in the safest place I know. You.”

“But-” you cry out, trying to get another look at his eyes - but your fiancé only kisses deeper at your neck. Nibbling at the thundering beat just below. “But why did you give it to me?”

“Who else would I give it to, if not for my mate?”

Mates - there were a thousand and one books and official documents detailing everything from a vampire’s killing pattern to the aphrodisiac toxins found in their blood. But the research on a vampire’s mate was far and few between.

Perhaps owing to the lack of willing mates that can come out without persecution, or perhaps due to the vampires’ intense rumored mating rituals. But it didn’t go without its own gossip, you were no stranger to the ladies of the court tittering about how morbidly “romantic” it was that mates were akin to soulmates - how it was an invisible string connecting two people to share a life, a soul. 

A vampire’s one and only mate.

Satoru was pinning you harder to the wall now, his pink tongue darting out to lick over your pulse. The fingers holding onto the necklace were now tilting your chin up at him, “Speak to me, flower.”

“I’m your mate?” you whimper, your lips ghosting over his. Already knowing the answer, but fuck you needed to hear it from him. “What does that mean exactly?”

He lets out a pained grunt, pressing his forehead gently against yours. “It means you’re the other half of my soul. My only one, I was born for you.” Pressing a chaste peck on there - and you swear you could feel the nip of two sharp canines against your skin. “The one I’ll fight heaven and hell for, until the very last beat of my cold, dead heart.” Your fingers curl at his shoulders when his mouth moves to the shell of your ear. “The one I’ll kill for, take out every measly scum that thinks they can get with my mate.”

He huffs out a burst of cold laughter when your breath hitches, probably reading over the thoughts running through your mind - Satoru killed them. The guards, Kashimo, Naoya- fuck, maybe even Sukuna. He killed them. He killed them. He killed them. He killed them. 

You shiver, “A-and all the wind? The whispers? I thought it was just you these past week b-but- All my life, that was you?”

You know. You knew. 

Another kiss - this time to the corner of your eye, and Satoru licks a long, content stripe up the big fat tears unwillingly welling up behind your eyes. He groans at the salty taste of you, taking in a long, drawn-out breath. “Yes.”

All it takes is that single word for your entire body to collapse, thankfully onto an awaiting Satoru. He holds your entire body weight with one hand around your waist, the other coming up to swipe his thumb under those tears rolling down your cheeks now. 

He kisses your cheek, “All your life.” The corner of your lips, “And all of mine.” 

Run away run away run away run away-

But you can’t - you don’t want to.

Your lips wobble when he nuzzles down your face, leaving a trail of hot kisses with his cold, cold mouth. “As soon as I learned to use my powers - was just a brat you see - I just had to see my mate. To smell her scent.” He’s inhaling deeply again, hands groping over your engagement gown. “Lo and behold, there was you. A cute lil’ princess around my age, tuckered out and fast asleep.” Lingering at your jaw, the hand tight around your waist pulls you painfully closer. Satoru’s knee wedging itself between your trembling thighs, “Imagine my surprise when she took one look at me and cried. Scared me enough to teleport outta there as soon as you opened that smart mouth, flower.”

And the thought of Satoru - tiny and determined - teleporting halfway across the land only to be yelled at by you has you huffing out a shock of laughter.

“So when I heard through the grapevine about your potential engagement, fuck- I couldn’t have ran out of this palace faster. Was so excited I fuckin’ forgot to teleport, too. Even if you were afraid of the ‘cruel Northern king.’” 

Fuck - that’s right. He must’ve heard your thoughts that time you met him in the library. 

Satoru’s tone drops to a low simper, so close now that you could feel every slight curve of his grin. Every twitch of his fingers sweeping up and down your exposed skin, feeling the delicious thrum of your veins. He could bite you right now - easily.  “And luckily, as I grew up, so did my ability to blend in with the darkness.” Eyes boring into yours, something so vulnerable in them now. “But you found me, you always did.”

“Satoru.” you angle your head upwards. “Kiss me.”

And how could he ever deny you?

You wince at the slight pinch of Satoru’s teeth - his fangs - as he crashes his lips into yours in a greedy kiss. Sliding his tongue over to taste those candied lips he’s been dreaming of for years. 

“Fuck-” he breathes out through his nose, jaw sagging open further to kiss you deeper. “Fuck, princess.”

Strong arms pin you harder against the wall, and you’re blindly reaching out to reciprocate even a fraction of Satoru’s neediness. Just dragging your hips up and down his muscled thighs. Sinful. 

Shit, it was so endearing to him seeing you struggle to touch him this way. And with a flick of a wrist, the candle chandeliers hung high above your heads are lighting up at once. “S’that better, flower?”

It takes every bit of will in you to manage to pull away, yet the thought of seeing Satoru - of really seeing Satoru is what spurs you to break the kiss. Delicate strings of saturated spit snapping in the non-existent air between you two, you take a long look at your new husband.

Fuck, he was so pretty.

You always knew he was. 

But even with his face tilted downwards, within the soft light tinting those snowy strands a sunset yellow - you could make out the pretty pink flush all the way from his glossy, ravaged lips, up, up, up to his delicate cheeks - he looked like the last thing from a monster. 

“No you’re pretty.” he hums, and you’re still not used to him reading your mind. Head nodding downwards, “Just look, grinding on my thigh like such a slut.”

What met you was a dark pool of slick saturating his trousers,  just peeking out over the hem of your dress. It makes you give another lingering, experimental grind.

“Satoru—” you’re letting out a honeyed drag of his name, reveling in the way it makes him swallow heavily. “You can hear my thoughts, right?” Look at me. 

Slowly - but surely - familiar blue meets yours. Half-lidded, pupils blown, and if you didn’t know any better you’d have said there were tiny sparks of lightning at the corners of his long white lashes.

You’ve been haunting me my whole life, Toru.

And it was an accident - it really was, your freshly kissed brain too hazy to slur out Satoru’s full name. But the impromptu little nickname has him dragging forwards like he was magnetized. 

A low growl escaping when he’s kissing you again. And again. And again and again and-

“Say it-” Two hands are tugging at those tedious ribbons tying your decadent gown together. Pulling. “Say it again f’me.” Ripping. 

The more his lips are assaulting yours, the more the dress slips further and further down your shoulders. Tattered. The soft satin leaving goosebumps down your spine as it reveals your neckline - all that skin for him to ruin. To mark. 

“Oh-” you’re squealing when one of Satoru’s fangs prick a bit too hard at your lip. Feeling a hot flow of crimson bleed out, the feeling has you so weak. So drunk. “Quite eager, aren’t ya?”

“You have no idea.” he groans again. Soft tongue moving from swirling around your own to lazily pool your blood on it. And you can’t imagine what about the metallic taste would be so euphoric, but he’s letting out his loudest drag of your name yet. Eyes rolling to the back of his head like he’s just tasted a personal slice of heaven. “Fuck- fuck you have no idea.”

You moan into the kiss when he bites down again on your already-bruised lower lip, “I’ve always wanted to do this-” Slow, slow hands kneading up your waist, at a dizzying tempo matching his mouth down your jaw, your neck. Hips bucking, you feel the outline of something so hard between his legs. “-to kiss you. To-” Tethering on the sensitive area of your pulse, “-bite.”

In a split-second, you’re sinking down into plush silk sheets, swallowing you whole in a king-sized bed you didn’t even realize was in the room before. 

“S-Satoru, did you teleport us again?” you gasp, eyes adjusting to the intricate paintings on the ceiling that you hadn’t gotten to admire before. Of white-haired youths and roses, of cold, dark palaces and- and you. 

You - when you were younger, sleeping peacefully while a little boy watches intrigued from the corner. You - passed out in the library after a long night of reading, two pale hands wrapping a blanket around your shoulders. You - your brows furrowed, head cocked while you pushed past nobles to search for that flash of his blue. You, you, you.

You. 

“I can hear the gears in that pretty head turning.” Satoru grins, still kissing you in a languid graze of lips. “And as much as I love it when you hah- admire my lonely paintings, I’d rather you pay attention to-” A low groan curdles at the back of his throat when he’s grinding his massive clothed erection against the syrupy spot at your core. “-me.”

There’s a dark little huff of laughter and with one last bite at the side of your neck, Satoru’s unapologetically tearing right through the middle of your gown. 

And you know it’s made with the finest fabrics the country has to offer, you know that no normal man should be able to even rip a tiny shred through your dress - but Satoru is no ordinary man.

Your spike of disappointment is quickly overshadowed by cold breath hovering over your exposed tits. “Oh, so perfect f’me.” he’s groaning, deep and primal. Biting down on your hardened nipple, “Ya think those uptight elders your court has- ah, had would appreciate me desecrating their precious princess before marriage?”

Through gasps, you peek down at his wicked tongue, swirling around the sensitive spots of your areola. “Who- who gives a shit.”

“So feisty.” The peaks of your tits are left coated in him as Satoru pulls away. “So addictive.” Pinching your soft flesh between his teeth - just hard enough that you worry he’s out to draw blood again. “So- so-” 

Words are failing Satoru’s sharp mouth as he kisses his way down your body. The valley of your chest, your stomach, your hips.

Down, down, down-

“Fuck, Satoru-” you’re hissing when he easily pulls the pathetic remains of your dress off and onto the floor. The rest of your inner skirts easily following afterwards. “Are you gonna…”

“M’afraid not.” he licks sloppy circles at the skin of your thighs. Tasting, nipping, leaving little marks with his fangs for later. Sloppily soothing his tongue over the tiny droplets of blood beading from the bites, he murmurs stubbornly, “Not until you address me correctly.”

Hesitantly, you reach out a limp hand to thread through his dampening white tresses. Tugging softly to lock those devouring blue eyes with yours, “Please, Toru?”

You get absolutely no warning when he kisses right through that flimsy excuse of your drenched panties to slide his tongue up and down your sopping wet slit. Up and down up and down up and-

“Sh-shit, Toru-” you moan when he’s just dipping the very tip barely past your puffy folds. The fabric of your underwear still sticking to you, “Stop being such a tease, goddammit ngh-”

“Why?” Of course, he toys with your patience even now, addicted to those needy whines falling from your lips. “I jus’ wanna play with my princess’s pretty pussy. What am I getting out of it?” 

You smirk, not even having to move your pretty mouth to know you had him in the palm of your hand already. I’d be your mate for life. 

It’s all you can do to watch with satisfaction as the great Gojo Satoru gasps - gasps. Slick-glossed lips falling into a soft oh! Hazy eyes widening almost-comically, and at full heady attention while he takes a few seconds to mull over your words. 

RIP!

In an instant, your soaked underwear is ripped clean off to bare your dripping cunt for him, wrapped tightly around Satoru’s fingers and disappearing down below to where your imagination couldn’t handle. 

“Oh, such a pretty pussy.” he coos, thumbing apart your puffy folds to admire your lewdly winking cunt. Glistening and so so needy, you jolt when he bullies two long fingers past your sloppy entrance. With your greedy hole swallowing every slender inch of Satoru’s fingers easily, “So needy too. This all f’me?”

As if to prove his point, his pink lips wrap around your throbbing clit, grinding his tongue over the ravaged tip. The harsh texture of his tastebuds rolling over every inch of you he could reach.

“Y-yes-” you squeal, hips bucking down mindlessly to try and match his relentless tempo. “S’only for you.”

“Tha’s what I love to hear-” Satoru’s cheeks hollow when he sucks on your sensitive little nub - hard. “Sweeter than I even imagined, shit-”

Every pump of his merciless fingers in and out of your cunt drags along your gummy walls. Deftly curling to prey at those hidden sweet spots of yours he just knew would wrench out such throaty moans from you - and fuck, Satoru thinks- no, he knows that the sound is is favorite song. 

“You’re makin’ me- hah making me fall in love all over again.” he gruffs out into your cunt. The pads of his fingers pressing into the cushiony ends of your pussy. “Because look how messy you are- how loud.”

You didn’t know if he had mind-control powers on top of mind-reading, because it’s as if you’re on auto-pilot when your lolling head is whirling down to look at the absolute sin made of you below. Satoru - running his mouth a mile a minute to send white-hot vibrations along your clit. His milky fingers buried knuckle-deep to stretch out your poor cunt. Your sweet sweet juices drooling all over them in such an obscene sheen down his palm, his wrist. 

He whines, “Makin’ me wanna-” You jolt when he’s biting down so dangerously around your clit. “Wanna-”

Satoru doesn’t end up finishing his sentence - and he doesn’t have to. 

Because he’s pausing his make-out with your clit to spit once. Twice. A thick thumb swiping at the intentional splatter of saliva marking your skin, before surging forwards even deeper - you didn’t even think that was possible. But Satoru has the tip of his nose rubbing methodical circles against your clit, jaw grinding at the base of your pussy, tongue flattening out your pussy lips.

Messy. Harsh. 

“Oh- oh my god, Toru-” you’re keening at the feeling of his wet muscle trying to squeeze in past the fingers still continuing their assault on your entrance. “It- it won’t fit–”

“Shhh shhh, s’okay, princess.” he hushes, letting another round glob of spit wet your clingy pussy. “You can take it. You will - otherwise how are you gonna take your husband, hm?”

That little comment has connotations that make your plushy walls clamp down vice-like around his fingers - his tongue. And you’re angling your head just right, blinking away the lustful haze in your eyes to spy down at the rapid, jerky movements of his other hand. Devouring gaze dropping down to-

Oh. 

Oh fuck.

It was difficult to even look at the sight below - your panties, soaked and completely see-through with slick and precum, wrapped prettily around what you could make out to be Satoru’s aching cock. Standing proud, twitching wildly with every drag of his fist up and down his glistening length. 

“Fuck-” he groans, taking the opportunity to devilishly slip his tongue past your feeble entrance. “Fuck fuck fuck fuck- y’like this, huh?” Drawled out little praises now muffled as he fucks you on his tongue the way he wished he could with his cock. In and out in and out in and out. Pulling back to eye your gaping hole, “I can feel y’getting wetter for me is it because-” Before surging back forwards, as if he’s addicted. “Because-” Again.“Fuck don’t clench around me that way. Was hard enough trying not to fuck you stupid right there in the middle of the ballroom.” 

You whine, tears flowing down freely at the sheer pleasure at this point. “Y-you-” you gasp, your five fingers splaying out over Satoru’s head. Pushing even harsher, “You hngh- talk too much- m’so close-”

Partially because you really needed those pretty lips back at your heated core, partially because every word tumbling from his mouth had you throbbing embarrassingly, your slick spreading a glossy sheen on the sheets underneath you. 

“Oh yeah? Heh, anything for you, flower.” Satoru grins such a sly, sultry grin and you feel it against one set of your swollen lips. “Absolutely anything.”

In and out in and out. He has his brows furrowed now, concentrated on having every flick and divot of movement pushing you closer and closer towards the edge. Faster. Sloppier. You have half the mind to wonder whether it didn’t hurt - whether Satoru’s tongue wasn’t cramping up from how fast he was going, whether his fingers weren’t tired already.

Out of the corner of your spotty vision, you can see those stuttering squeezes of Satoru’s hand speed up. Trying desperately to match each bullying push of his tongue and his fingers into your overstuffed pussy. 

The thought makes you whine, “Oh my god- Toru, m’gonna cum.” And shit, at this point it’s too much. You couldn’t think - you couldn’t even breathe. “M’so close please.” Barely able to even register anything but Satoru Satoru Satoru-

It’s why you don’t even realize at first when you’re finally cumming - Satoru does, though. He feels it in the way your heavenly walls are closing down on his fingers, clenching around him so tight that it was almost difficult to fuck you through your orgasm. Waves of electric pleasure crashing into you and you think you’re drowning.

“Tha’s it.” he rasps. “Cum f’me like that, tha’s it- thaaat’s it, such a good lil’ wife- a perfect mate.” 

The fingers stuffed deep inside your pussy are being pulled out in a flash - not letting you waste a moment of your heady high before he’s toying ravenously with your swollen clit. Pinching, and rolling between two soft fingers. 

“O-oh fuck, m’-cumming? M’cumming m’cumming-” you moan deliriously, mind just now catching up. Your hips drag your sloppy pussy all over Satoru’s pretty face. Just drenching his noble features with your gushing mess. “Feels too ah- good, Toru.”

And he takes it like it’s everything he needs - everything he’s ever wanted. 

Jaw falling slack to let your juices slide down his throat, tongue lolling out flick your spasming cunt through your high. Unstopping. Unwavering. 

Even when your vision stops tingeing with black at the edges, even when you think you’re sane enough to form a coherent thought. Even when your climax is bating enough that every flick of Satoru’s tongue only sends almost painful thrums of pleasure down your spine.

“W-wait m’done-” you sob, tasting the salty stream of tears splashing down your face now. “S’too sensitive- ngh-”

When he doesn’t show any signs of stopping anytime soon, you try again - this time thinking the embarrassing thought out loud. I…I really want you inside me now, Toru. Please?

And he pauses - jolting, as if some dark, primal part of him had just been called back to life. Tongue still hot on your cunt, fist still greedy around his rock-hard shaft. 

“F-fuck you’re gonna be the death of me, flower.”

And before, you couldn’t get enough of those striking blue eyes, but now you couldn’t escape them.

With inhuman speed, he’s shuffling up the soaked sheets. “An absolute fuckin-” Slick-glossed lips meet yours, smearing along the combination of juices till the lower half of your face was as dripping wet as Satoru’s. “-minx, y’know that?”

“Wh-what can I say?” you tilt your head with a smirk, lips a bit too loose than you’d like - but it didn’t matter anyway, he was in your thoughts. Your mind. “I’m your mate, after all.”

He falls back onto his knees at that sinful little sentence of yours, throwing his head back in a guttural groan. “Fuck- you’re mine alright. See what you hah- do to me? See how this is all your fault?” 

If Satoru expected an answer, then he doesn’t receive it. Because every snippy little retort on the tip of your tongue melts when you get a long, hard look at the angry shaft in his hand. So red and angry. Thick enough that you felt your cunt quiver already.

Delicate with prominent veins that glistened and throbbed down his long, long length with each slew of his vigorous fist. And his tip- fuck, blushed your favorite shade of weepy pink, slobbering a sheen of precum all down his wrist, his tufts of cloudy white. 

And you realize with a jolt that he still had your panties wrapped around him - looking so tiny around Satoru’s massive cock. 

Wordlessly, your hand replaces his.

“W-woah- fuck-” His toned waist flexes with the effort to fuck up into the soft cushion of your palm. “How the- ngh how the fuck does your fuckin’ hand feel this good?”

“You’re so big- fuck, don’t know how I’d- Wait you never imagined this?” you bat your eyes up with faux innocence. A thumb gliding over that deep divot on the very tip of his fat head. “Because I sure have, Toru.” 

Satoru’s heavy balls smack against your arm when he shuffles down his pants even further, now fully letting you go ahead with your agonizing torture. “Shit-” he yelps, eyes screwing shut at the image. “Don’t- don’t say that, holy shit.”

You toy with your scrap of panties, massaging every ridge and curve with it. Just dragging your hand up and down. “Would you rather I think it instead?”

Within milliseconds, two sharp fangs are poised right above your rapid pulse, a hand around your throat. “No- no no no no-” Satoru gasps, sounding like he was at the end of his rope. And it takes him a few blinks to realize his position, immediately moving his lips up to nip at your jaw. “Fuckin’ no.” Hard enough that another red pearl of blood drips out, instantly being sucked up greedily by your fiancé. “Gonna make me lose it before I-I ngh-”

With a pained growl, he suddenly has you sitting so prettily on his muscular lap. Your legs splayed out like such a slut, needy cunt slobbering all over where you were sat right on his demanding erection. 

By the time you’re realizing your helpless position, it’s too late - and Satoru’s already shrugging off the rest of his pants. Buttons hitting the floor when he just tears his flowing dress shirt off. 

“Sh-show off.” you breathe, hands mapping out every dip and curve of the plane of defined muscles displayed before you. So mouthwatering. 

“Can tell that you- ngh think m’mouthwatering, flower.” he grins. One hand kneading and groping the flesh of your ass to steady your drooling cunt to kiss at his thick tip. The other keeping one of your palms stuck to his washboard abs, up, up, up to press at his sculpted left pec. “N’ I know m’heart’s not beating, but I’m much the same. Very- much the- same.”

And Satoru’s spent years waiting, yearning - so he doesn’t waste even a second more when stuffing his cock inside your snug cunt. 

“O-oh. Satoru- Satoru please oh-”

The stretch - fuck, the stretch. The stretch is so much that it feels like you’re being split apart. Just the bare tip of his fat cock being bullied in short, determined half-thrusts. 

And it takes only one, lucky collision into the bullseye of your g-spot and you’re already falling apart. 

“Wait- wait wait wait m’gonna-” you gasp, your nails running down his broad, milky back in jagged red lines when you’re cumming once more. Toes curling, hips convulsing wildly on top of a smug Satoru. “Oh my god, ngh- what’ve you done to me, Toru?”

“Now, let me ngh- let me tell you a little secret, hah- princess.” His hand comes up to cup your jaw, gifting a sweet kiss on your swollen lips. “The best thing about mates?” Sharp fangs catch onto your delicate skin, “They feel sex on a whole other level.”

And then he’s bringing down both hands to spread apart the globes of your ass. Your puffy folds are stretched to their limits when he thrusts up once. Muscled thighs flexing underneath yours. Harsh. 

Ignoring your pleading keens and the slight resistance at the intrusion of his intimidating size, “Hold on, princess- hold- fuuuuck.” Lips latch onto yours, drinking up every heady whine when your poor cunt is being fed every inch by fucking inch. “You’re taking me so well.”

And that you were - your pussy lips bulging and struggling to accommodate Satoru’s monstrous size, but still taking him in so greedily. 

“There we go.” he grunts out, punctuated with heavy rams of hips. Up, up, up until you could feel Satoru’s sobbing tip graze against your cervix - your lungs. “Theeere we fuckin’-” Pushing and pushing until there was no more, until your neglected clit was scratching against his snowy pubic hair. Ass coming to rest at his twitching balls. “-go.”

“You’re in so deep-” you’re blabbering, cockdrunk already. The last few dredges of your high still not wearing off, it takes you a few seconds of Satoru still trying to squeeze his cock even deeper to manage to raise a hand about midway up your stomach. Feeling for that vertical bulge that was him, “-can feel you right here.”

“Oh yeah?”

And like he was testing your theory, Satoru fucks up into your gummy hole in another bullying slam. Watching in wonder at the way that little divot in your stomach crashes around the same spongy cervix he was. 

“Fuck- you’re right.” he hisses. Addicted now. Immediately rocking into you with reeling, long rolls of his hips. “You’re so- fuckin’ right.”

You can’t find the energy in yourself to even yelp in surprise when Satoru immediately changes your positions so that you’re now laying fucked-out on the mattress. His domineering hips pinning you down to use you like some little cocksleeve. 

“God-” he pants into your open mouth, tongue swirling with your weighty one. “God- fuck fuck fuck if heaven is real then this is it.” Each little profanity is decorated with a smoldering crash of his tip into your sweet spot. “You’re the heaven I don’t ngh- deserve, flower.”

That neat bitemark on your thigh is being jostled with the amount of ragged movement, and you wince with pain when it starts flowing again. 

“Oh- oh.” 

Satoru’s like a predator that has cornered his prey, and is spending hours tediously unraveling every single bit of you. 

Sliding two smooth palms underneath your legs, they’re urgently thrown over his large shoulders to fold you down, down, down into the meanest mating press you think you could handle - handle without fucking breaking, that is. 

“So good t’me.” he breathes, long tongue easily licking up that sweet nectar of your blood. “Y’know your cute lil’ brain s’too scrambled to even read right now.”

“H-how can I think when you’re ah! Like- like this, Toru?”

The sudden change in angle makes you scream. It makes you clamor for the headboard, the sheets, your husband when that obscenely perfect upwards curve of his dick is massaging every nook and cranny of your cunt. 

“Yeah? Feels good? Now now- don’t run- away” he’s dragging you down those drenched sheets by the legs like some ragdoll, stuffing you more and more with his painful cock. Fucking you so relentless, like he was trying to worship every little hidden sweet spot inside your dripping cunt. “Say it- no no no, not in your head. Say it.”

And you do - a little over fifteen times when his thick hilt pecks your pussy lips over and over with each thrust when Satoru bottoms out, hitting all the way into the back of your cunt - your cervix, your g-spot - like he couldn’t decide which one to bruise more. 

“S’too good-” you’re gasping. Your overstimulated pussy being molded like clay to the girthy shaft kissing down your cunt. Stretching out your elastic walls until you could almost feel them take shape to his swollen cock. Feel every sensitive spot inside you being overstimulated at once with every burning massage against them. “You’re fuckin’ me way too- too good- ngh- can’t even think.”

But that wasn’t enough for him.

Dipping a thumb down to circle around your clit, white-hot pleasure shoots up your spine when he lets out a deep rumble, “Think I fell in love with you when I- fuck, right then and there when I first- hah saw you all those years back.” speeding up with the sloppy staccato of his rude cock. Satoru’s words slurring now, messed up and half-prepared like the accelerating half-thrusts being bestowed upon your ravaged cunt. Like he couldn’t bear to pull out completely. “The first time you saw me, you were so afraid. Look at you- fuck, jus’ look at you now, princess.”

Each word is like a brand onto your sticky skin, accompanied by harsh smacks of Satoru’s balls against your ass, his sharp hip bones digging into your thighs. Him.

“Toru–” is all you can manage to whine out, a limp hand pulling his face closer to yours. You’re jumping with each swipe at your poor clit. “Toru m’here.”

“And- and yet-” he’s still blabbering, still pussydrunk while he fucks you so menacingly. Fingers sopping wet with their assault on your sensitive nub, “And yet I just- fuck-” He cuts himself off to give your messy hole another thick stream of spit. Coating his long, raw shaft - rubbed red with the way your gripping walls were massaging him so right - making it easier to slide in and out. “And yet, I just had to see you, to see the gorgeous mate I don’t deserve. I couldn’t live without you.”

A single overstimulated tear glistens a track down Satoru’s pretty face - one you kiss away as quickly as it appeared. Nudging open those teary, blue gaze to bore down on you. 

Oh, he looked an absolute wreck - white hair mussed up, stray strands sticking to his forehead. Glossy lips parted, drool pooling at the corner, broken grunts leaving him with each smash of his tip back into your cunt. So blissed out. 

Jolting at your eyes on him, Satoru feels his balls tighten so painfully. Abs burning when his pace stutters with need. 

“You’re haunting me, just as much as I was haunting you, Toru.”

The candles go out. Instantly. 

And shit you’re feeling it first when when hé’s cumming and cumming so hard that it almost hurts. Flashes of white startling behind his closed, glassy eyes. “Shit- shit shit shit shit-” Hairs on your body raising as Satoru’s fingers draw circles on your clit so aggressively. Dragging out your high. Forcing it. “Take it- take it all, my flower. Let me paint this pretty pussy all white.” Violent, almost.

So, really, it makes sense that your third orgasm of the night was the same. 

Just shivering, sinful tingles running from your overstimulated mind right down to where Satoru was stuffing thick white ropes of potent seed deeper and deeper down your tight channel. 

Overspilling with each calculated ram, his cum is oozing out of the corners of your puffy lips with each furious clench of his balls. Too much. 

And it’s all you can do to sit there and take it, feeling the sloppy dredges of cum make a mess slobbering down your thighs and his. Starting up blearily at the blurry paintings on the ceilings. The paintings of you - of a still Satoru that looked down at you with only half as much intensity and pure swirling emotion as he was right now.

Something that couldn’t be painted - but would make such a pretty picture, when his fangs bite into that racing junction at your neck.

You scream a soundless scream of his name, eyes rolling to the back of your head as something warm fills your entire body. 

Leaving your words unheard, your ravaged hole loose to let out slobbering squelches of Satoru’s cum. Blood racing and flowing right into Satoru’s greedy mouth. 

“Princess-” he gulps. Tongue licking up every crimson bead his crazed eyes could spot, body aching when he dares pull away from that heavenly taste. More. “Princess princess princess- you- hngh you’re mine. All mine now.”

And he’s letting out more thick globs of cum straight into your waiting cunt. Body bowing even harder to let it seep into your elastic walls, your womb. So much more than you can take and he just keeps giving. 

It seems like forever when Satoru finally pulls away - and within the glowing blue of his eyes, you can see the red staining his lips, dripping down those fangs, his chin. Staining the silk sheets below - staining you with so much more. 

Before you can stop yourself, you’re reaching up to catch his lips in a bloodied kiss. Your own elongated canines catching amateurishly on his lips. 

Satoru hisses - but he likes it. And you can tell. 

You can read every single hypnotizing thought whirling behind those crystal blue eyes - how he wants to ravish you again, how he wants to worship you. To make you his all over, to have you make him yours. The thought makes you smile as you whisper, “I’m onto you, Toru.”

“You’re onto me, flower.” Catching your lips in a sweet, sweet red kiss. “Forever.”

A/N. This was SOOO fun to write omg y’all have no idea. If you made it this far then you get a sloppy smooch from me mwahhhh.

Plagiarism of work not authorized.

[moonshynecybin]

if you have the time or inclination, can i ask what the deal with motogp/those boys is about? i don’t mean that in a mean way btw, im just curious and i love drama

i will try to be brief (1/4358)

SO! valentino rossi (born 16 February 1979, aquarius. italian.) is one of the most iconic people in motorsport, CERTAINLY in motogp. he's a 9 time world champion, your favorite driver's favorite driver, and is generally credited with revolutionizing the popularity of the sport by: a. being insanely good at motorcycle racing, and b. in general having a lot of fun about it. lethally charming and charismatic. all time active listening face. just a fun and funny dude that everyone pretty much likes and MANY younger riders idolize. VERY good at handling the media and his legions of cult-like fans. sometimes treated more like a god than a person. i was in the store yesterday and saw one of his themed monster energy drinks despite him retiring two years ago. his fun retirement activity is racing BMWs and running his own motogp team/training facility/cult for young italian racers. (this is where cele and bezz and basically every italian rider not named enea bastianini come from!)

so in 2011ish valentino had won 9 titles, and he decided to leave his current manufacturer and move to italian manufacturer ducati where he generally had a stone-cold terrible time. EXTENDED flop era for a couple years. any time ive watched content that covers this period everyone is so sad. so sad. anyways he GOES BACK to his old manufacturer in 2013 and is much more competitive. kind of just happy to be winning sometimes and be on the podium. 2013 is also where marc comes in. what could go wrong.

marc marquez! (born 17 february 1993, almost exactly 14 years after vale which i'm sure means nothing. also an aquarius. spanish.) childhood sports idols include: dani pedrosa, VALENTINO ROSSI.

marc carved his way up through the feeder championships until casey stoner unexpectedly retired at the end of the 2012 season leaving a seat empty on a VERY good bike for his rookie season. rocked up and was immediately VERY good at winning and very good at being a crazyinsane person on track that made people mad at him lol. hilarious habit of pissing people off via on-track crimes that i really enjoy. motogp riders are already crazy (they do death sport) but marc is famous for taking risks no one else will. basically if he's not winning, he's crashed out or he's maybe crashed YOU out. he wins the championship as a rookie (insane) and the next year's championship as well. heir apparent to the throne. sweet and goofy but is now known as one of the more reserved riders with the press. probably because of all this drama tbh. undisputed GOAT of acting like a slut on camera

throughout 2013-2014, marc and valentino had a good relationship! marc very clearly idolizes him and is like. bowled over completely with delight every time valentino looks his way. vale likes him! theyre buds! truly an endless well of pictures of vale explaining something with his hands and marc babygirling at him. highly recommend checking out @pgaslys every rosquez podium tag for contextual brain damage. insane times.

(IT SHOULD BE NOTED: before the 2015 season marc visits valentino at his practice track in italy, where they compete to break the track record and almost kill each other bc they are so pathologically competitive. APPARENTLY, marc showed up with some official mechanics and valentino was a little pissed off because it was supposed to be a like. fun thing. and to marc winning is the most fun! if you dont come to win why come at all! anyways marc breaks the track record and credits that to cooling their relationship a bit. good post about it here.) here they are that day:

so what could go wrong, right? WELL. valentino has a chance to win his tenth title in 2015. marc is on a flop bike and crashed a bunch so he's not in the championship conversation but vale is leading the standings from the jump, with his main opponent being jorge lorenzo. i think he really wanted that tenth, and dedicated himself to the season in a way he hadnt really ever before (he was a very effortless competitor when he was young. gym-adverse. king).

marc and him start to get into some scraps along the way, notably in argentina (where they made contact and marc crashed out), assen (where they made contact AGAIN and vale won the race), and phillip island (marc won. GREAT race available here for free). phillip island sees vale finishing P4 and jorge lorenzo finishing ahead of him in P3, reducing his championship lead by quite a bit. no real indication of any tension during these races, and they are asked about it!

this is where valentino's delulu era begins! basically, ahead of the next race (🔥🔥SEPANG 2015🔥🔥) in the pre-race press conference, he goes after marc, saying he was deliberately sabotaging valentino in phillip island because marc wanted jorge to win. in valentino's mind. marc wants jorge to win because a. they are both spanish (??) and b. it would mean marc has to win less titles to equal valentino's total. record scratch. freeze frame.

everyone (including marc!) thinks valentino is joking at first bc that is bananascrazyinsane. he was not joking. (it should be noted valentino STILL thinks this lol.) anyways marc is completely blindsided. he thought they were good! yeah they've been chippy on track but that's racing!! truly like. 22 years old and your friend (AND CHILDHOOD IDOL.) is calling you a snake in front of your face with NO prior warning to the entire motogp establishment writ large including your coworkers and REPORTERS. valentino wont even look at him the entire time. the press conference is available here on vimeo. excruciating gifsets of marc's very stiff bewildered PR smile found here.

anyways so. the race. marc is uh. pissed off. he's stuck to valentino like GLUE the entire time and they trade places a bunch of times. now marc is kind of famous for being a little asshole on track anyways, but its not like he's gonna get out of valentino's way and just let him pass after what he said in that press conference so. hand in unlovable hand <3. truly very fun to watch imo even with the sword of damocles hanging over them. marc is fucking on one the entire race and basically refuses to give valentino an inch until vale gets so fed up with his antics that um. well. it certainly looks like he kicked him. vale says he didnt, and that his leg accidently made contact with marc's bike. marcs says. he fucking kicked me. judge for yourself here!

so valentino gets hauled in front of race direction and penalized for the next race (the deciding race for the championship). he has to start from the back of the grid and it kills his chance at a tenth title stone dead. vale places the blame squarely on marc's shoulders and his legions of fans decide marc is public enemy number 1. him and jorge have to get security at the next race because of death threats, someone tries to break into marc's childhood home back in spain, marc's mom throws away all of marc's valentino merchandise from when he was a kid. vale says nothing.

but the thing about marc. is that he loves very hard and chooses his people pretty carefully. didnt really move out of his tiny hometown until he turned 30 and also made his baby brother move in with him kind of guy. so all this is not really enough for him to let go of vale entirely! 2016 is where the pain lives! bc marc is still reaching out and vale himself stays pretty cold for a couple years. they seem to faintly reconcile for a bit but its not anywhere like it was before sepang.

the real nail in the coffin is argentina 2018. another insane race where marc has to start from the back and goes on a rampage through the field and crashes out like three people. i cant remember. this race is also available on youtube for free its very entertaining. every five minutes marc does something insane. vale is one of the people marc crashes out and afterwardshe goes on a big rant about how marc is destroying the sport and is actively dangerous. marc goes to valentino's garage immediately after the race to apologize and vale doesnt even look at him. he gets turned away at the door after vale's best friend/assistant/henchman yells in his face1!!! and thats kind off all she wrote in terms of reconciliation

anyways that's where we are! they are both very much not over it. vale goes on podcasts and is like. in 30 years i will still be mad, im literally never going to get over it it was such a big and unfair thing and i think about it all the time like it was yesterday. and marc (lying) says as time goes by i dont even think about it :) and i care about valentino less and less :))) but yes he hurt me deeply lol. CANNOT stress enough how much this entire thing is now inextricably liked to both of their legacies. the two arguable GOATs of a sport had an epic fleetwood mac-style beatles breakup divorce and everyone wants to talk about it allllll day long including me :)

additional context! really recommend checking out marc's little docuseries he put out this year about his recent struggles with injury. he is so not right in the head and it goes over the valentino drama in ep3. theres also hitting the apex (2015) which goes over the 2013 season (marc's rookie season) and is a really good introduction to all the major players at the time. its like less than 2 hrs long so its not too much of a commitment

also recommend following scholars @babynflames, @its-always-silly-season, @baking-soda, and @f1vegas as well as many others im forgetting rn bc its 2am!

[magua-vida]

SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================

[modernsuperhero]

Tbh as much as i love seablings i like the idea that lizzie's death has nothing to do with jimmy's curse more. Lizzie's death was her own. If we want to talk about jimmy's curse, instead of lizzie's tragedy, then let's talk about how it was broken on accident.

Consider this: every game has been the same except this one. Certain "curses" are attached to certain people - Jimmy the canary, Skizz the boogey, etc. But not this time - or, well.

Last game was the first time, according to martyn's canon, that two players were so damaged from the watchers' overfeeding on their significant traumas (pearl witnessing scott's suicide, cleo's own traumatic death) that the listeners were able to intervene and temporarily swap their souls out with, ofc, lizzie and gem, to give them reprieve to recover.

I like the perspective that instead of there being one death loop that restarts over and over, there are multiple happening all the time. They overlap. The watchers are of course constantly feeding - and perhaps this is why the members of each loop vary slightly over time. Adding ingredients, removing others, as time wears on. Lizzie was not actively in a loop during limited life - but that does not mean she hasn't been in death games in the meantime. Perhaps even gem has, too, though i believe possessing cleo was her first time.

Also last season, grian was yanked out of his body by the watchers, attempting to remove him from stunting the growth of their anguish farm (making it a game instead of a saw trap, as @stalarys so aptly put it). But he managed to keep his claws in the game, even going so far as to break beyond the literal borders of the game - "we're already dead," as he said, leading the nosy neighbors beyond the veil - because grian is nothing in any universe if not stubborn in the face of authority.

We know from last season that the games are already unstable. The listeners' influence is growing, and grian is proving to be more and more of a problem. (He definitely doesn't know about the listeners' existence, but he's likely unaware of how he may be helping them, and they him.)

Jimmy is not dead first. But he dies so soon after - the second body to fall.

The game, the watchers, the farm - it course corrects when things go wrong.

Grian, who has broken the rules this season not once but thrice - allowing an exception for scar to reroll, even allowing breaking of his own rule on helmets (for both scar and mumbo), and falsely rolling a success last session, is given a chaotic impossible task. (Grian tends to doom his allies - curse or simply bad choices, he is teamed with etho, and their rerolls are entwined. They seem personal, don't they? Etho ran from grian's wither once before. Grian died leading out a warden.) He succeeds, on one heart despite everything, only to be slain on top of the button itself.

He's stuck in spectator. Isn't that perfect? The game, HIS game, GLITCHED. His grip on his in-game body, the part of him he wedged into the mechanics of this death loop, slipped. He regained it, sure, but now he is forced to course correct: he comes back green when he should be yellow.

And grian has just seen the price of breaking too many rules. Jimmy's funeral was too soon. He switches back to yellow, rerolls for his deserved prizes at the cost of his own chances of victory.

(Because victory, while still a goal, is not the point. The point is to break the game.)

(Last season, tango watched one of his closest and most common allies sacrifice himself for his team. This season, he allies with him again. It's ironic that they're giving away their hearts to others - similar to giving away their time. Maybe skizz's death impacted tango too harshly. Maybe his pain fed a bit too much.)

(This is the first season since skizz, an angel, died so full of divine bloodlust that it manifested as the boogey curse, that he has been here and his curse has not. Two curses now, tentatively broken.)

(Martyn feeds the watchers more when he is an unguided hand, wandering and hurting, so ren has not been in this particular loop for a while now. He is available to replace tango, just for a bit, just like how gem and lizzie replaced cleo and pearl.)

Last season, the games finally started to break.

This season, we get to see the cracks.

(The watchers are more obvious this season. The keeper's symbol, grian's lack of achievement entering the end... They're grappling for control as it is slowly but surely dragged away from them.)

[strawberryraviegutz]

People will be like, “cringe culture is dead” “fuck cringe culture and don’t let anyone bully you for what you like ” and then proceed to make fun of/shit on the following

-Disney Adults(obviously we should be boycotting Disney rn but adults are allowed to like “childish” things along with stories about fairytales and magical wonder)

-Adults who enjoy any type of kids media(unless you’re sexualizing the child characters in the series or shipping the child characters with adults then yeah that’s gross. Also not all bronies/male mlp fans are gross creeps)

-Fangirls or fanboys of any kind

-Minors literally just existing(and yall wonder why kids wanna grow up so fast, because adults/older people are making fun of/complain about them for anything they do)

-Skinny Twink tumblr sexyman character designs and people who are attracted to them

-Skinny twink anime male character designs and people who are attracted to them(or any attractive male or female anime character designs tbh)

-Tumblr sexymen in general

-Anyone’s own headcanon human designs for non human characters you personally don’t find appealing(yes I mean people who make Twink/anime human designs for non human characters too. Although if you’re making a fat character skinny and or whitewashing a non white character then don’t do that)

-Creepypasta

-Anime lovers(yes including the ones who larp as anime characters, Naruto run, owning a death note notebook, ect.)

-Danganronpa(obviously there’s a lot of stuff in Danganronpa that’s not good but most people have this misconception that we are okay with the sexualizing of the minor characters or the Nazi skull thingy on Kokichi’s hat, racism, ect. Most of us don’t like that stuff AT ALL. We just wanna enjoy the story and different characters. People can like something while still criticizing it)

-People who discover music through TikTok

-Female gojo fans/any female who simps for any of the jjk men(I’m literally holding off on trying to catch up on jjk because I don’t wanna be made fun of for liking Toji..as for Sukuna, if you’re gonna simp for him, do it for who he was before he possessed Yuji because Sukuna is currently possessing a 15 year old)

-Character x listener audios(Especially the MHA ones)

-My hero Academia

-Twilight(yes there’s a lot of valid criticisms for the movie and book series but no one should be made fun of for liking them)

-People who enjoy spicy books/fanfiction

-VTubers/PNGtubers

-Hazbin Hotel/Helluva Boss

-People who like cutecore and or cutegore(kawaiicore/kawaii kei and or gurokawaii)

-People who wear alternative fashion/alternative people in general(yes the “2020 alt kids” and bunny hat alt kids count too along with e-girls)

-People who are into jfashion/kawaii fashion(especially people who wear Lolita and jojifuku. Lolita fashion has nothing to do with the book or for “trying to impress men”nor is it a fetish thing it’s just about wearing poofy frilly dresses and looking cute. As for jojifuku, jojifuku is NOT AN INHERENTLY BAD FASHION IT WAS NEVER SUPPOSED TO BE SEXUALIZED AT ALL CREEPS/PEDOS HAVE JUST TAINTED ITS REPUTATION ITS ALSO JUST ABOUT LOOKING CUTE. I’d also like to say that jfashion does count as alternative fashion too)

-People who dress “childish” in general

-Age regression(that’s not supposed to be sexualized either. Age regression is a coping mechanism not a fetish or kink.)

-Furries

-Beginner artists/animators/artists and animators that aren’t beginners but are still learning

-Animation memes

-People who selfship with fictional characters(including men. Men should be allowed to selfship too)

-“Marysue” ocs/characters

-self inserts

-Shoujo romance stories

-Miraculous Ladybug

-Genshin impact(same thing as I said with Danganronpa. You can like something while also criticizing it. As a black person who likes Genshin I hate mihoyo for their racism and colorism but I still enjoy the story and its characters. Also stop making fun of the short male characters’ body types. Y’all wanna preach about body positivity but then make fun of the body types of Xiao, Cyno, Tighnari even though there’s people WHO HAVE THOSE BODY TYPES IN REAL LIFE)

-Anything that seems too happy or too whimsical

-Fnaf

-Gamers

-Poppy Playtime

-People who simp for characters that you personally don’t consider attractive

-Cosplayers(yes even the ones who lipsync to music and do dances/poses)

-BL or GL(it is possible to enjoy these things without fetishizing gay people in the process)

-Anime art styles with big eyes(big eyes has always been a staple in most if not all anime art styles, but I’m more or so talking about the 2000’s anime art style along with Kamichama Karin)

-Yandere characters(most people find comfort in this trope because they wanna feel loved by someone. Most people who like yanderes don’t want an irl stalker)

-Undertale/Deltarune

-Skibidi toilet memes

-Sanrio/Hello Kitty girls

-Steven Universe

-The Amazing Digital Circus

-Marvel fans

-Sonic

-Cookie Run/Cookie Run Kingdom

-LPS and LPS YouTube videos

-People who enjoy kpop or jpop

-Wattpad fanfics/fanfiction in general

-“Wattpad Y/N”

-Y/N

- the concept of a “cringy Y/N”/Comparing characters to that type of Y/N archetype. Just because you don’t see yourself in most “typical Y/N” fics doesn’t mean other people don’t nor is there anything wrong with those types of Y/Ns

If you preach against cringe culture but turn back around and make fun of what I listed above then you’re not actually against cringe culture

[lonepower]

ok you know what i need more bodysharing/brain roommates. malevolent got me feeling some kind of way and I need MORE. tvtropes has like 15 different categories that are all sort-of-but-not-really under the umbrella of what I'm looking for, and sorting through all of that is a little too unwieldy, so I'm turning to you guys. 

key factors of the specific flavor of "multiple consciousnesses stuck in the same meat suit" that I'm looking for are:

any variation of, a human (or this universe's equivalent [so like, an elf where elves are commonplace would count]) has another, nonhuman consciousness attached to them and only them in such a way that the two can communicate, and subsequently

they Banter Constantly

^that^ is probably the most important qualifier here tbh

second most important qualifier is that they are not separated at the end (this obv. doesn't apply if the thing is still ongoing). it's okay if the passenger gets a new body (cf. subnautica) or is freed from their binding (cf. baldur's gate), as long as the partnership isn't broken.

Related: they don't actually have to SHARE a body (so enchanted objects, an AI implant, a Mysterious Disembodied Voice, an imaginary friend, etc., also count). they just have to be tethered to each other such that the passenger cannot move around or function on their own without a host. (I think this is part of why it's hard to narrow down on tvtropes: it's more about the dynamic than about the specific mechanism of "possession".)

Third most important qualifier is that only the current host can hear/communicate with the passenger, even if other people around them are aware of the passenger's existence.

two humans stuck in the same body is okay as long as the other criteria are met, but I would prefer it if the host is human(/equivalent) and the passenger is not (or vice versa if the passenger/possessor is the one with control of the body, as with things like the yeerks, most demonic possession, etc).

it doesn't have to be romantic. they don't even have to like each other. conversely, it absolutely can be romantic too.

They DO have to be the POV character/s for a significant majority (like, at least 60-75%) of the work, because the internal back-and-forth is the entire point.

Bonus points if: they do actually share a body; they are either never physically separated either, or are rejoined at the end (voluntarily or otherwise); passenger has lots of setting-relevant knowledge/an alien or fantastical perspective, while host shows passenger what it's like to be Alive™; despite constantly butting heads, host and passenger work patently better as a team; super extra bonus points for all of the above 

My favorite examples of what I am looking for:

Malevolent podcast (super extra bonus points x10000000000000000)

Venom movies (this is probably the codifier for most people here tbh) (super extra bonus points)

Subnautica: Below Zero (AL-AN gets their own body but stays with Robin, and it hits all of the others)

Forspoken (super extra bonus points)

the "a bagel. two bagels." vine

(I know there's a couple others that I'm just blanking on. If I remember them, I'll add them.)

other things that have moments or flavors of this, but aren't focused on it/don't quite hit all of them:

the Bartimaeus trilogy had it at the end a little, but, well. it didn't last very long. (i STILL haven't recovered from that ending and i was, what? 15 or something? g o d)

the emperor in bg3 kiiiinda counts since they're magically bound to the player/party and can't exist outside their prison, but they do have their own body and are not nearly as chatty as I'm  looking for. also, while only the holders of the prism can hear them, All of the holders of the prism can hear them and I'd really prefer one-on-one.

I think Death Note would also count? I read it in like 6th grade and never finished it so my memory is patchy At Best, but since nobody else can interact with Ryuk, he's bound to whoever holds the notebook, and he's the supplier of the holder's powers, it's close enough that I would accept something similar.

Slay the Princess has the bickering in spades and fulfills the "do not separate" criterion depending on your ending, although the jury's out on whether the voices are Actually their own entities or just symptoms of you losing it. Also, nobody in it is human. The bickering is definitely good enough to make up for it though. (The fact that it's Jonny Sims clearly having a grand old time might have something to do with it...)

with the caveat that I have not watched any of it, i think jadzia (and?) dax from ds9 miiight count, but they're part of an ensemble cast and thus fail the "pov characters for a majority of the work" and "we get to hear their constant internal banter" criteria.

things I tried that fit at least some criteria, but didn't like for various reasons:

the good demon by jimmy cajoleas. promising concept, but 1) the protagonist smokes, which is an instant and unnegotiable dealbreaker (seriously, who makes their protagonist do that in The Year Of Our Lord Anything Later Than 1950?? and to a child? DEATH. ONE MILLION YEARS DUNGEON.), and 2) I looked it up and they separate at the end anyways, so there's even LESS of a point. 

the venom comics. honestly I just... really dislike superhero comics, there's always way too many of them to keep track of + I'm very shallow and they're usually unbearably ugly to me (and also having started with the movies I just found comics!eddie really unpleasant tbh) 

parasyte manga. perfect concept, great dynamic, but its particular brand of body horror was... not great for me and I had to put it down. (horror in and of itself isn't a dealbreaker, though, so if you've got something similar that doesn't involve lots of hands bent at nauseating angles, I'll gladly take it.)

Cyberpunk 77 has the two-humans flavor of this and hits almost all of the other criteria, but i viscerally hated literally everything about j*hnny s*lverhand with every fiber of my being and the rest of the game was so mediocre already that i just gave up

....I know it's a highly specific/potentially niche dynamic, but if anyone has any recs, PUHLEEASE hmu!!! I'm looking for original work rather than fanfiction, but apart from that, format doesn't matter at all (although if it's some like super difficult indie game or something, I probably won't get very far lol). the MAIN points are 1) bickering and 2) host-and-passenger, so if you have something that hits those but not the others, feel free to share it anyway!

[catsharky]

Wanted to post these separate from my Art Fight post because I spent too long on these references (really just Fallstreak's tbh) to keep them hidden away on the AF site. Also cause I love these guys and I haven't really talked about them much on here.

So for anyone who was curious about the previous art I posted of these OCs, have some actual information about them!

Nell

Full name Abnell Roache (will also accept 'Nella', but loathes being called 'Nelly'). A health and safety inspector for an interstellar cargo company, Nell becomes stranded on an ocean planet when the ship she's auditing- the ACS Endurance- experiences a catastrophic engine failure and tears itself in two.

Adrift on an endless alien sea with no guarantee of rescue and little emergency food, she has to survive with the help of Bas: an (illegal) AI inhabiting the chassis of her life pod's survival assistant. With her only goals being survival and finding any other survivors, she's unprepared to find herself making humanity's first contact with another sapient species; an alien biologist named Fallstreak who has also found himself trapped on the planet. 

She's thrilled to learn about Fallstreak and his people, as well as teach him as much as she can about humanity, and if she has an immediate, massively obvious crush on the tall faceless alien? Well, the only other person there to complain is Bas. Which he does. A lot.

Bas (Pronounced 'Baz')

An illegal AI inhabiting the chassis of a life pod survival assistant (though to clarify, in this universe all true AI are illegal because they require a human brain scan to be made and that's a legal rights nightmare). After years of only knowing his 'father', Richter (the engineer aboard the Endurance who purchased and programmed him), he boots up to find his home destroyed, his father dead, and himself in the company of a total stranger; Nell. 

He has a lot to deal with: keeping Nell alive, figuring out how to interact with someone other than Richter while also mourning his death, and acting as a middle-man/interpreter between Nell (who he has rapidly developed what seem to be romantic feelings towards) and Fallstreak (an alien biologist who's captured Nell's interest without even knowing what he has). 

And to top it all off? He has a text-to-speech Australian accent.

Fallstreak

An alien biologist with a bio-mechanical body, named after the cloud formation (look up 'Fallstreak holes', they're neat!) that most closely resembled an event that occurred on the day of his birth.

Extremely curious and wants to learn everything about his two new companions, as well as share his knowledge with them. Verbal language is all but entirely unused by his species, however, so the language barrier between Fallstreak and Nell+Bas is a large one. Thanks to Bas' assistance, he's able to understand spoken communication fairly well, and speaks (in very broken sentence structure) by vibrating the membranes in his gill openings, resulting in a voice that sounds somewhat like early English vocaloids; understandable but clearly not a natural voice.

Living a fairly solitary life isn't uncommon for his species, and he hasn't had the opportunity to experience romantic interest before, so when he meets Nell and begins to fall for her, he's more than a little confused (oblivious) about what his emotions are doing. Unfortunately draws some jealous ire from Bas as a result, but is pretty oblivious to the AI's attempted rivalry. 

--

All three of these guys are from a WIP comic called The Rive that I hope to finish some day. I have most of the story figured out, and quite a bit of it scripted and ready to go, I just need to actually draw the damn thing.

[proudfreakmetarusonikku]

anyway quick summary of what i think each character represents to isaacs psyche before i go to bed. regular characters are a part of him as a person and the tainted characters then reflect part of his trauma imo

isaac: obviously himself, but also isaac being a blank slate represents how he created so many personas to deal with his trauma/tainted isaac: the physical abuse isaac experienced and how he had to adapt as a survival strategy

magdalene: his love and admiration for his mother, to the point of wanting to be just like her/tainted magdalene: isaac's desperate need and latching onto any positive attention + his association of love with physical and emotional pain due to having shitty parents

cain: isaac feeling like he destroyed his family and the guilt that comes with that/tainted cain: hoarding

judas: isaac feeling like he’s betrayed both those he loves and his faith/tainted judas: intentionally acting out bc you believe you’re evil anyway

???: isaac's perception of himself after death/tainted ???: generally playing with feces is a common symptom of childhood trauma, which tainted ??? takes to an absurd extent.

eve: isaac's suicidal ideation and desire to self harm, along with internalised misogyny from his upbringing/tainted eve: self harming and suicidal behaviour

samson: isaac's anger and frustration/tainted samson: violent outbursts from trauma triggers

azazel: isaac's religious delusions of being the antichrist and his sins/tainted azazel: isaac's belief he needs to be punished and physically hurt for those “sins”

lazarus: potentially past suicide attempts/thoughts of suicide, and the religious implications of such/tainted lazarus: isaac's fear of purgatory and being unable to enter heaven due to suicide being a sin.

eden: the playfulness and silliness of like, a normal five year old, and isaac's maladaptive daydreaming/tainted eden: the fawn response, changing who you are to try and make what’s hurting you stop

the lost: again, isaac's idea of himself after his suicide/tainted lost: fear of being forsaken and abandoned again bc suicide is a sin and he’d be stuck in purgatory in his own head.

lilith: isaac's negative thoughts on his mother shifted to a “safe” alternative/tainted lilith: fear of sexuality and growing up

keeper: both again isaac's constant thoughts of death + a representation of his father, who he both admires and fears becoming/tainted keeper: indulgence and risky behaviours as a distraction

apollyon: due to the void representing delirium, possibly a reflection of isaac's own thoughts/reflections on his psychosis?/tainted apollyon: dunno tbh the later characters are less obvious and it’s 2 am

forgotten: isaac's idea of purgatory and what he thinks he deserves after his suicide, due to it being “sinful”/tainted forgotten: again, isaac's fear of being stuck forever due to that

bethany: isaac's idea of what he “should” be, being virtuous and holy where he feels he is sinful and damned/tainted bethany: clinging to his religion as a coping mechanism or rejecting it violently out of fear

jacob + esau: desire for a friend/sibling?/tainted jacob: impostor syndrome, feeling like you’ve betrayed/stolen from people around you.

again these are very simplified very tentative and it is 2 am so I cannot elaborate but. i think about this way too much.

[undertalethingems]

Hello, I have a question you mention that Papyrus not knowing anything is fanon and not canon. Im not saying your wrong but tbh i can't recal moments from the game that would prove that statment. But i also haven't play Undertale in a while and was wondering if you could give examples from the game.

Heheh, well, it's hard to say exactly what papyrus does know, but there are indeed hints he knows more than many people, especially early on in the fandom, realized. Like.... there were people who thought he doesn't know what death or murder is (and maybe there still are, though I shudder to think of it)... despite having multiple lines of dialogue that disprove this. Anyway! Evidence Papyrus knows more than he lets on include the following:

He refers to Mettaton having eyes in a call you can get well before the fight with Mettaton that reveals his EX form:

And the jetpack phone all the way back in freaking waterfall

He references the game having multiple endings in True Pacifist:

As well as other game mechanics like repeating dialogue or the keyboard

his nerves here and his really specific denial of you witnessing his first conversation with undyne, which implies he is aware you were in fact there

and then of course there's this:

and plenty more that are more ambiguous, like hints about the amalgamates (be nice to people made of strange materials), trying to make a puzzle resemble his face (from a perspective he shouldn't be able to view?), or even possibly not knowing what happens when you get to the capital because well... a lot of things could happen when you get there. It's not as certain as any other monster might think.

Even if you don't really consider those last ones, Papyrus obviously hints at much of the same stuff about the game as his brother. It's just that they're almost all in his phone calls, which many people never do... So while it's maybe not canon that he has a vast amount of meta knowledge, it's definitely fanon that he's super naive to everything or just outright stupid. That's not true in the slightest.

Anyway, for even more Papyrus facts and musings, I have a few more links: a compilation of facts made by @insanelyadd, and this old post about mysterious papyrus things--though note that some of the links no longer work. You may also want to check out my undertale meta tag, which is a catch-all for interesting headcanons and analysis of the game, including some of papyrus' oddities.

All screenshots I posted above come from @undertale-encyclopedia, which is a truly invaluable resource for all the game's dialogue. I definitely recommend checking it out if you ever need a refresher ^^

[ahotpileofs-it]

I have a shit ton of ideas for tanaka cause hes my favorite hamster in funger

Tbh these ideas kinda give him the plot armour funger never gave for our shonen anime protagonist so if you don't like that, feel free to scroll past

What would Tanaka be like as a playable character?

Here are my ideas:

Since he is a latent soul, he can get the skill trees of others without killing them (of course it will take longer to obtain them rather than killing them, though).

This mechanic will basically be asking others to teach you how to do their stuff TM

So because of this there will be a 'friendship' system for Tanaka. (Canonically, Tanaka won't see this as friendship, tough guy since four and all,... but my fanon heart says that yes he will. I will force Tanaka to be emotionally vulnerable for my fanon heart, and I say this as a threat.)

Some characters are more unwilling to share their skills with Tanaka, depends on persuasion and first impressions (based on what dialogue you choose and how good you are at observe).

I think a special case would be Daän as I theorize that Tanaka asking for his knowledge and skills would remind his relationship of himself and Eihner Von Dutch... probably if you play as Tanaka on a run he would be the first person willing to bring him under his wing, so to speak.

You can probably gain multiple skills from others at once, but for characters that we know do not like each other, if they do realize that Tanaka is also mentored by the guy they don't like, they'll stop teaching him and his persuasion won't work as well on them. Also 'friendship' decreases with them. Sometimes both characters pull out which would be a great loss. (Like anyone with pav, karin with the magicians and daan, if you attempt to learn from caligura in front of any contestant, etc.)

Really big point here: we know that Tanaka is unprepared for the Termina festival, thus being the weakest contestants in the beginning. You'll have the most opportunities for death playing as his character, especially so on harder modes, and that can easily end your run.

Also why Tanaka is the hardest character to play as, because you need to stay alive (which WILL be hard, as both mind, body, and hp are significantly lower. Remember, unprepared hamster not ready for the fears of the jungle) for long enough to be able to start learning from others (would think that this studying starts at day 2, or day 1, which if I remember are the days with the most amount of events that Tanaka could die).

I would like to think that him learning from Marcoh would always be canon, even in any multiverse. He really needs the hp boost.

As you learn more and more, these can be things that naturally give Tanaka increase in body, mind, hp, and any other stats. You can still get these stats from items though.

Because Tanaka never experienced something like termina before, his mind stat is irreversibly capped less higher than other contestants. I think that could be a great way for the game to signify that Tanaka is really traumatized by these events. And also went a bit mad for his late meeting lol.

I really think we should bring back "handsome rugged looks" skill for Tanaka. It would be really funny if he were to be the only contestant that could seduce. Will also increase affinity with Sylvian.

With this "rugged handsome looks" skill your persuasion would be improved, and you can make certain enemies skip their turn using that.

Dialogue would probably be like "... is shocked at your vulgar display." I think the moonscorched villagers were raised in pseudo-christianity where they probably said sex isn't ok and the only exception is for Sylvian cultist/sacrifices for sylvian... and I believe in my heart that this skill is obviously not for that god. (a/n: considering that funger has shown rape, I don't think that this would be realistic... probably still effective, but not THAT effective).

Would think that enemies like the Sylvian trooper would either be unfazed or say some flirty stuff idk (skill won't work)

Also! I really like the extra coin toss skill that other folks think would happen with non npc! Tanaka. Really neat.

Speaking of persuasion, Tanaka would have more effective persuauion than other because he is a salaryman. It's basically his job.

On the 'friendship' system, based on different friendship stats you will get different b endings as what your skills are are directly affected by who teaches you. I would also like to think that once Tanaka's latent soul 'awakens', he won't be willing to go back to his old job with new skills he isn't going to use. (a/n: this is where the op part kicks in. Realistically, his b ending would just be the same: only how fast you defeat Termina and if you did succeed would be affected. Still, I like dreaming for my favourite boy to be happy for once. And leave his family cause they really were not good to him, even though they are miles better than other families, they still suck).

When one of the contestants that teaches him moonscorches, if you encounter them he won't fight them, no matter what you do. He will never fight the person that helped him from the ground up. He can never bite the hand that feeds, even if the hand tries to choke him. And that is written in his stubbon nature. (a/n : he was raised to NEVER reky on others, and even if learning from others DO go against this pesson, it will become his character arc to depend on someone else to be stronger. However, I do think canon!Tanaka does still have some self-preservation, and in this case canon Tanaka would probably prioritize his life over morals like this. But my fanon heart is a sobbing girl that likes to think that it's favourite characters would rather kill themselves than kill their friends, and honestly it needs more angst to feed from).

And this part is REALLY, REALLY plot-armoury and really not canon, but in my heart, and even my head, they both agree that Tanaka's b-ending (in my ideas) wouod be the most canon b-ending, as other contestants 'live on' through Tanaka. He carries their memories, and skills, and he uses them to fight Per'kele.

Note: I still like the idea that the logic god ending is canon and what would happen in the 3rd installment, though.

This is the end to my ramblings, sorry for any grammar mistakes, spelling mistakes, etc. English is not my first language. Tahnks for reading this far, to this long-ass tumblr post. I wonder if I can make this into a scarf.

[nightcolorz]

loveee the armand music discussions i feel the need to talk about some of my most armand songs of all time (no mitski this time as we’ve already discussed that ^^)

- notre dame by Paris Paloma (literally any paris paloma song tbh esp the fruits and labour but notre dame isn’t appreciated nearly enough) Very very religious guilt armand, angel symbolism heavy, also very cult era armand in paris. I would put lyrics here but oh its the whole song. its the entire song.

- Abstract (Psychopomp) by Hozier. again impossible to put specific lyrics but the song being about painful memories, getting past traumas with new loves, and heavy symbolism of a hurt animal in the road and the singer feeling kinship with it is just so SO armand imo its impossible to explain. i always think of a deer being the “poor thing in the road” in the song though it is left to interpretation, and armand’s doe eyes very much come to mind with that.

- Spellbound by Siouxsie and the Banshees (Following the footsteps of a rag doll dance, we are entranced, spellbound) Both these lyrics and the intense sound of the song bring to mind Armand’s heavy use of and skill with the spell gift, especially in TVL (for books) and s2ep5 (the show) You do feel entranced by his spells even if you don’t realise it and this song captures it perfectly (also i think S&TB are very armand overall so honourable mentions to Cities in Dust, Arabian Knights and Melt which are all sooo armand as well i just didn’t want to make this so Siouxsie-centric)

- Devils Don’t Fly by Natalia Kills (Angels were never meant to fall, and you were the loveliest of all) This song reminds me so much of 2018 YouTube but oh the lyrics are so very armand. Always called an angel, even referred to it as shorthand, but so torn religiously that he could never be holy, never be more than a demon with what he is and has been through. But being made so young and so beautiful, its very fallen angel of him.

- speaking of angels, Not Strong Enough by boygenuis (Always an angel, never a God, I don’t know why I am the way I am) I don’t feel like i need to explain this one it just Is

- Teen Idle by Marina (I want back my virginity so I can feel infinity, I want to drink until I ache, I want to make a big mistake, I want blood guts and angel cake) & (Adolescence didn’t make sense, a little loss of innocence, the ugly years of being a fool, ain’t youth meant to be beautiful?) Just something about Armand finding his worth through his beauty and physical desire, not to mention the utter horror of having to be a teenager forever, seen as that same sort of obscene beauty forever. The line about drinking and making mistakes feels very Venice-era as well, with Amadeo’s main coping mechanisms being getting blackout drunk on the daily and sleeping with people he knows he shouldn’t because he doesn’t feel like he’s good for anything else or even able to do anything else (which of course also leads to his death eventually)

- Jolene by Dolly Parton (Your beauty is beyond compare, with flaming locks of auburn hair) Definitely sillier but reminds me a lot about how people in the books (especially lestat) wax poetic about how beautiful Armand is and fear it somewhat in a mix of jealousy and insecurity.

- Dominion / Mother Russia by Sisters of Mercy. this one is much more vibe based that lyrical but there is the detail of armand being described as russian in the books and also the lyrics being very repetitive and prayer like (as well as the ‘some say prayers’ line) very much remind me of his repetitive prayers both when young and in the cult

- Swan Upon Leda by Hozier (One more sweet boy to be butchered by men, But the gateway to the world is still outside the reach of them, Would never belong to angels, Had never belonged to men) This song is overall about sexual violence and reproductive rights, but these lyrics deeply remind me of Amadeo’s abuse as a child and young man, and of men feeling a right to him and his body because they found him beautiful, angelic.

I have about a million more but I won’t go on too much. Hope you like my choices and give them a listen if you’re unfamiliar with any (to anyone reading this <3)

AHHHHHHH THANK U FOR THIS IM OBSESSED!!!! GONNA ADD THE ONES THAT ARENT ALREADY ON MY PLAYLIST RNN!!! (I already have got not strong enough, Jolene, devils don’t fly, teen idle, and Notre Dame, we r the same person). U get Armand like no one else mutual kittenbradensgf. Devils don’t fly made me laugh because it’s also on my Armand playlist because 2018 AMV YouTube songs r always so Armand to me 😭 !!! Ur so right the lyrics r so him. angel of darkness is on mine and I can’t stay it’s entirely ironic, lmao. Ugh this is my favorite I’m gonna run in a room and listen to these forever, ur analysis is so good

[harveyverse]

I’m your Frozen au what roles do Sodapop and Ponyboy play? Does Darry shut himself away from his brothers like Elsa did, and if he did why? ( I hope these are okay questions- )

They absolutely are okay!!! every question is okay tbh, and I'll answer all of them at some point. I'm just unsure abt a lot of the storyline & on how I wanna present this au if that makes sense?? I rlly wanna write a fanfic but that might be bit too ambitious sksjdjjdd ANYWAYS!! I explained Soda's role more in depth here but essentially!!

Pony takes up the role of Anna (just angrier <3) and Soda takes on an entirely new role instead of replacing a character im the movie. So, Darry shuts out Pony when they're still very young, after accidentally hitting Pony in the head with his ice magic.The Curtis brothers & parents go to those magic trolls and erase Pony's memories of Darry's powers (like what happened in the movie). Up until their parents death, Soda gets along with both Darry and Pony seperately, but Darry and Pony never really interact. After their parents death, Darry shuts himself off from everyone entirely, including Soda. The reason he does that is because he realizes his younger brothers are the only family he has left now and he is SO fucking terrified of accidentally hurting them like he hurt Pony when they were younger. Adding onto that, Soda used to be the only person who could really calm Darry down when he was overwhelmed and struggled to control his powers. So since Darry shut him out & their parents aren't around anymore to help him either, he can't control his powers at all anymore. And it basically becomes this cycle: isolating himself causes him to loose control of his powers -> since he can't control them he further isolates himself :') and so on and so forth

And I realized I never really talked about Soda's and Pony's relationship to eachother aksjsksk They're super close!! It was really tough for Soda when Darry shut him out all of a sudden, which is why Ponyboy lowkey highkey starts to despise Darry :[ Like, Darry pretending Ponyboy doesn't exist since they were children, alright, it sucks but Pony can deal with it. But Darry shutting Soda out?? When Soda is already grieving the death of their parents?? Hell no. (Basically, Pony's coping mechanism is anger and he projects pretty much all of it onto Darry 😔 But don't worry, they make up in the end <3

this for very very long whoopsie. I just love talking abt this <3333 lmk if you have any other questions!!

[corvuscorona]

"You Never Forget Your First Love."

The other day, a mutual (hi! you know who you are I think probably hello hi! thank you for the Posting Impetus!) said something that made me curious (for, like, the 80th time, actually; lol. I Have Thoughts) about something: what's the split on people who subscribe to the "Stranger of Paradise probably intended for us to believe that Jack & Sarah were in love" mindset, vs. not? In general, but ESPECIALLY around these parts.

I genuinely didn't read it that way myself (& I do NOT normally give media (general) this much credit, but the writing in this game is sublime; I had no choice but to fully engage Scholar Mode on it), + I think it's interesting that SPECIFICALLY any of my fellow tumblr people / AO3-heads / Gay People Online / etc. seem to have. (I expect nothing from people who haven't been basting themselves in the same online sub-subcultures as me for over a decade. They're allowed to write wrong things on wikis, and have done so already; it's whatever.)

I wanna metapost badly again, so let's go. Join me. No poll. If you have an opinion on this, I'm looking directly into your eyes and beckoning you towards your own keyboard + also the reblog button / comment section, like a weird ghost. What did you think when you first played the game?? What do you think right now? What are you about to think after you have read a bunch of my words. Tell Me. I Need To Know This.

Spoilers for, idk, everything? Today we will use everything we've got to talk about Princess Sarah.

1. As a Narrative Element

This game makes a point of referring to Sarah as things like "a symbol of hope and peace" as often as possible, & when it isn't doing that she's usually in the role of An Object Or Device Of Some Kind, anyway. She's important because she's capable of holding light and dark in balance & SOMEONE'S gotta hold onto this dark crystal for safekeeping, and also we're gonna need to upset that balance on purpose later. There's that conversation in the Wicked Arbor about whether the Strangers would "choose" her (as opposed to "treasure") as the "reward" for succeeding in their mission[1], & there's the one in the Sunken Shrine where Jed asks Jack what he thinks of her and Jack says that he doesn't care about her as a person[2] BUT that protecting her is mission-critical (lol), too.

Sarah's death is metaphorically charged. It's the point of no return: the dark crystal breaks, the balance of light & dark gets extremely ruined, & Literally All The Darkness In Cornelia converges in one place (Fool's Missive XXVII). That's the payoff for the "symbol of hope and peace" motif, and communicating this idea that "the metaphorical light of hope just For Real Died, Like Catastrophically Imploded, No Take-Backs" feels to me like it was the highest priority here. Second-highest goes to "Jack had way more humanity before, but he set it aside on purpose and is actively in the middle of losing the rest of it." "Sort of." "I'm not getting into what counts as humanity or doesn't because if I did we would be here forever."

Basically, I'm saying that the tidiest read on the situation is "Jack despairs because Sarah dying means in a very literary and final way that everything is ruined forever, which doesn't necessarily have anything to do with, like, Love (romantic)." I don't think the text of the game is particularly signaling that Love (romantic) is involved, and I think that if it meant to, it would be more obvious about it. You could bundle "an romance" into the "humanity" thing if you wanted to, but I'm not inclined to, based on some additional list items that you can read below this one.

[1] The fact that Neon ALSO says she feels bad for her for being thought of in this way only reinforces my conviction that the game is pointing at Sarah & yelling "REMEMBER THAT SHE IS MOSTLY A SYMBOL!", tbh. Who wants to go point out how freaky the mechanics of Being An Royalty are w/ me and the boys??

[2] I will give the Wiki WrongPosters this: I can totally see this as some kind of irony thing, given that he's still missing like a fucktillion of his memories when he says it. However! As mentioned above, I have other reasons not to read it as evidence that he was ever, like, romantically interested in her.

2. As a Sheltered Youth™

We don't have a TON of information to work with RE: Sarah as, like, a person, but here are a couple of hard facts to start with: she's 19 (per the data book, but she'd have to be somewhere in the 18-to-early-20's age range regardless or her whole deal wouldn't really make much sense, imo. She's a baby...!), and she's royalty. I think this ties into her utility as a walking metaphor, among other things; she's archetypically young, fresh, & idealistic. I'd call her naïve but the game obviously isn't interested in portraying it as a weakness, so positive words only; why not.

You could argue that people look to her as a symbol of hope because she hasn't directly experienced enough strife to exhibit hopelessness or fear in response to bad news in the abstract. I find it interesting that before Jack, like, knocks the wind out of her & tells Sophia to take her outside so she can see for herself how bad things have gotten at the end of the game, she says that her duty is to die with her people if she has to, & it doesn't even seem to occur to her that she could lead at least some of them away to safety...? When she changes her mind, she still talks about herself as a symbol before she ever uses the word "leader". She sees HERSELF in terms of symbols and metaphors, and takes action based on her designated role As One Of Those. Not very practical.

There's also the dialogue you can have with the queen the first time you're allowed to run around in the throne room at the beginning of the game, where she asks Jack to smile in front of her daughters (NOT just Mia; daughters, plural). Even if she only means "dude can you be polite please," the fact that this is The thing she has to say to Jack is telling. Is it going to upset your 19-year-old daughter to see that the Guy Whose Job It Is To Kill Monsters looks serious? Why do you think this? Does your 19-year-old daughter understand how serious the situation is, generally speaking? Do you not WANT her to for some reason? Boats don't work anymore unless a weird elf messes with them first. Not thinking very hard about the implications of this is something a sheltered person does.

Residual time loop un-memories aside, a young woman in this situation is so obviously going to have a huge crush on Jack Garland no matter what. He Is So Cool, first of all, & he's also Different from the adult men she gets to see on an everyday basis (family, guards, rando townspeople[3]...). It's not like the political social scene could POSSIBLY be thriving in this world, either; it all seems to be one kingdom we're dealing with and they're kind of busy with the external threat of being Under Fucking Attack By Monsters. Does she even get fun treats like "handsome visiting dignitaries" & what-have-you? The game doesn't present us with any potential options, here. Jack is mysterious, he has special-boy Warrior of Light status, his one job & apparent life's purpose is protecting the kingdom she loves, he's pretty nice to her (even in later cycles he at least goes out of his way to be polite!), & additionally, he's shredded. THIS makes sense to me.

There's a Q&A in the data book that has something to say about JACK as a symbol & what that has to do with this whole thing but we'll get there. We'll get there.

[3] Tangent: what's up with how Cornelia's entire adult male population appears to consist of aging queens. Why did they only make models that look Like That for the NPCs? It's awesome but I have 1 quastion

3. JACK JUMPSCARE !

I'm not about to say that he's just humoring her, or anything, but please humor ME for one second & put yourself in Jack's shoes. Not the default shoes; we can have more fun than that. Maybe the Banded Boots. Blurple ones? Shaped like a cartoon would wear them? Big spikes on the back for no reason? I love those things. Anyway, you're Jack. You're working for literally the king, & the work means Everything to you for reasons you can't even necessarily explain except to say that it JUST does. The king's eldest daughter (very young adult; Never Been Outdoors; a little overly-sociable but nice enough & what do you expect from a princess, anyway) has imprinted on you like a duckling for whatever reason. You would be nice to this person, yes? You'd be patient with her while you're in town. You have Brutal Murders to be doing, but not until, like, 2 days from now, or whatever; you're sharing space with her in some capacity in the meantime & it's in your best interests to keep her happy. (You probably even enjoy doing this, if you're Jack of a Way Earlier Cycle; I'm in no way ruling that out. Sharing your music collection with an enthusiastic Baby Adult? That's fun. I think he was probably having fun. Okay, you can step out of the fun purple shoes if you want; the Humoring Me Minute has concluded; thanks.)

Also, @2000sanimeop and I think that if Jack felt that way about her Astos would have been a little More Something about how much it was gonna suck for him when she died. In Fool's Missive XXVII he uses the word "painful," but that's about it. He doesn't even bring it up in XXV, which is the one where he says he's curious about whether she'd survive being turned into a fiend (side note: Astos fucking rocks. Why did he write that down?? I love him). & Hey SPEAKING OF ASTOS,

4. I wouldn't put Jackstos on a wiki, either.

The writing in Stranger of Paradise, SERIOUSLY, WITHOUT EXAGGERATION, is some of the best I've seen in literally anything ever. It suits not just its medium but also its sort of Place in History Relative to Other Video Games & the things it chose to DO with that medium & that niche INSANELY well. It is CUSTOMIZED. It's SO INTENTIONAL. I can't get too far into this or we'll be here all day, but the essence of what I want to say here is: there are relatively few facts presented to us by this game, compared to the implications we can go about drawing from those facts & other, external sources of context.

Sarah calls Jack her first love; that's a fact. No facts are presented to us that REALLY say much one way or the other[4] about what Jack thinks of this, himself; "fucktillion memories missing" Jack says he doesn't care, but he's missing a fucktillion of his memories, and DLC2 Jack has a set of dialogue options (hi Anne the Malboro I love you Anne the Malboro) that can point either way depending on what the player chooses, which is kind of nothing, on balance. As the audience, we can (should!) draw whatever conclusion we want about it, but none of those conclusions are text.

[4] I WILL GET TO THE DATA BOOK IN ONE SECOND. HOLD ON.

And, okay, please let me level with you. Let's be on the same page. Jack & Astos had some kind of thing going on, imo, OBVIOUSLY, but I want to be CLEAR and I want to get CREDIT for the things I'M bringing to the table to help generate this conviction. I drew that conclusion & I read that reading based on subtext, context, personal history, personal preference, & sheer gay zest for life. It is also, emphatically, NOT TEXT.

Astos refers to Jack with the ol' "...friend" in Fool's Missive XXI. He calls him "my Jack" in Fool's Missive XXXI. Canonically, textually, he has some big fucking COMPLICATED fucking feelings about this man. These are facts. If you're playing this game as Some Guy, I can see how you could potentially absorb these facts & still pay them much less regard[5] than I did & continue to. My argument here is that god I wish I lived in a world where Some Guy could extend the same courtesy to me and not treat Sarah's textual affection for Jack as something that necessarily indicates Some Kind Of Reciprocal Romantic Whatever, Definitely, Obviously, Of Course.

[5] Longer Tangent: I have been informed that the Some Guys of the world are currently pretty good at Recognizing a character that behaves in a way that's Pretty Gay, but tend to stop there, possibly for the combined reasons that A. they're not very familiar with a lot of the the ways gay relationships often work (you know, soul resonance. mutual recognition. sharing a brain etc.) and B. the Object Of Affection is usually the player character and they subconsciously shy away from thinking of a Guy They're Supposed To Identify With as gay. This is practically a lead-in to an entire separate post I could make, so I'll leave it at that, lol.

The writing is too good for that kind of assumption! I'M SERIOUS!! It's mind-blowingly subtle & endlessly fascinating to hold up to the light & view from every possible angle, and "Jack & Sarah were in love" + "Jack & Astos were in love" are BOTH ANGLES. I'm personally very very interested in giving the text credit for that. I think it's impressive. I think it's really, really cool, and I think it was on purpose. Speaking of which,

5. Word of God agrees with me, btw

This is from the Q&A section on page 156 of the Confidential File. The translations below are my own (I think they're straightforward enough, but lmk if you know more than me & I'm actually being stupid in there somewhere. Alt text has the JPN, if you want to copypaste it or something). Someone asked:

Why is it that you established Garland as someone Sarah has a romantic interest in?

The answer is from Daisuke Inoue (director, one of 3; the other 2 are from Team Ninja; he's from Square Enix):

That was because, from a narrative standpoint, we wanted Sarah to be the kind of person who holds onto hope. You can imagine that she saw the "hope" to save the world in Jack, a potential Warrior of Light. Sarah is seen by her people as a symbol of a bright future, but if there were nobody to give her hope, that might destabilize her emotionally. As for whether she felt genuine love for Jack, or just mistook her feelings of admiration towards him for "first love," we'll leave that to your interpretation.

The first time I read this, I thought the question was implying the aforementioned Reciprocal Something, but on closer inspection that doesn't even seem to be true! "思い人" seems to indicate a directional relationship; as in, the question assumes that Jack is an object of affection to Sarah, but assumes nothing about what Jack thinks.

Also, the answer uses the word "初恋" (hatsukoi), which is a very established Concept as far as "first love" goes, but in that one cutscene, Sarah says "初めての恋" (hajimete no koi), which is. Different, but I couldn't tell you how, lol. It's Not The Exact Same Phrase, but I'm not sure whether it's meaningfully different in this context. If I had to guess, I'd say that IF ANYTHING it could be a way of saying "first love" without invoking the cultural CONSTRUCT of First Love (as much)? But it's whatever. The localization holds up. All sources show that Sarah had Feelings about Jack, and all sources CONSPICUOUSLY neglect to mention Jack's feelings about her.

It was on purpose. This is my license to be as annoying as I want for one second here. I am right. All the other writing in this game is notably subtle, efficient, intentional, and skilled, AND ALSO, WHEN do you ever see anyone write such a richly beautiful, mostly-subtextual relationship between two men, which can easily be read as a romantic thing, and NOT explicitly canonize a very possible romantic relationship between at least one of those men and a woman, like not even in an interview or anything. What the fuck, man.

I'm putting away the Respectable Scholar Hat now. This is so funny. The person asking this question didn't EVEN go as far as assuming Jack & Sarah had any kind of Actual Romance going on, & the answer STILL dials it back to "she might have been conflating her feelings about Jack AS A SYMBOL with actual affection, also. We'll let you decide : ) ". This game is everything ever.

[ganondoodle]

Oh man I saw your totk issues post and I agree 100%!! Those are all things that have really bothered me about playing totk, and things that made playing it not nearly as fun (the dungeons, the shrines, the building, etc).

Especially the map!! When I tell you I was so disappointed by the maps on totk, I was hoping for something new! It really just feels like a modded botw, not an official sequel.

I was wondering what your thoughts are on the concept of “what if they had sent link to the past instead”? So the surface map would feature huge differences in the land forms and buildings that exist, and we’d get to see more ganon whenever he visits Hyrule, or go out to the desert to see Gerudo town, etc.

If they really wanted no sheika tech, they could also just have it being newly built? And you could introduce the new characters and such, etc etc.

(I also think the past champions are such a missed opportunity? If botw is about grief and loneliness, and finding hope in the hopeless, and Totk is about coming together despite that, it could have been really interesting if Link had gone to the past! They could have used the past setting as an eerie reminder to what Link and Zelda had lost when the Calamity struck!)

THAT BEING SAID: I’m not as familiar with the legend of Zelda lore, and haven’t played totk very much! I wanted to know your thoughts on this because you seem to have a lot of story and game mechanic knowledge that could explain why this could be a bad/good idea!

(Plus, your discussions are always super interesting to read, as is your custom totk lore, so I’d love to know what you think🩷)

I’m sorry if you’ve already answered an ask like this! If that’s the case, feel free to point that out and I’ll go through your ask tag if you have one:) I hope you have a great day!⭐️

Hi!

im glad you enjoy my rants, i often feel like im being overly mean but tbh were else could i just rant as much as my heart desires without getting spammed by annoying people (certainly not on twitter lol)

i have talked alot, and i mean ALOT, about totk and my issues with it, both lore and gameplay wise, i dont claim to be an expert on any, though i am an old zelda fan and aspiring gamedev, i really only talk about what i feel about it, what i think about it, and by all means im biased as hell xD

if you dont know yet, the "ganondoodles rants" tag is where all my rants go, so if you are interested in reading more on my totk thoughts thats the way to search (given tumblrs search in blog works ..)

and to answers your question, i have touched on it briefly, sending link back in time before the shiekah tech existed would have been an easy way to excuse how they jsut got .. rid of it, bc they didnt, it literally didnt exist yet- and for reusing the map- though that argument falls a little flat bc ... they coud have already done that in present totk, like i brought up in one of said rants, things like flooding gerudo desert, collapsing death mountain, drying out zoras domain etc, and changing the location of the main populations would have already done alot without having to redo the map in its entirety;

the little changes to map itself really wouldnt that big of a deal if they didnt also send you to the EXACT same locations AND repeat the SAME LOCATIONS AGAIN but in the underground, like thats a fact i have talked about multiple times bc its so illogical in every way, anywhere theres a settlement on the surface theres a bigger mine below, its so stupid, the shrines conenct to a lightroot, the same, again, you dont need to explore bc theres nothing TO explore (its also extra weird bc theres one below taburasa (tarrey town) which .... link literally build with dumsda (hudson) a few years ago .. unless that got retconned too idk wth do i know anymore honestly- AND it makes the sonau extra weird bc why the hell do they have a bigass mine under every settlement ESPECIALLY UNDER GERUDO TOWN like, that just adds to my suspicions towards them)

anyway, link to the past was the point and yes, it could have solved a few issues (mainly shiekah tech and the whole "story" taking place AGAIN in the past completely disconnected from you the player) i personally am not so much a fan of it, but that mostly comes down to me just not liking time travel, i dont like going back in time, i want to play and do things in the here and now, i want to repair the damages of the calamity, find out its origins, maybe fix that too, i love to learn about past stuff too, but that more in text, no literal flashback (unless done well), i want to connect to the past but it also holds alot of mystery that maybe shouldnt be touched upon, some mysteries and unkowns are much more interesting when left as such, i want to THINK about things and come to conclusions that are logical and makes sense in hindsight even if it wasnt clear at the start, i dont want information and what to think about it told to my face over and over like im stupid

after botw i really didnt care much about the past, maybe about the acient hero who alot of people specualted to be of gerudo origin due to its red hair- which also got a monkeys paw curled bc in totk they do sth with but its so stupid and insulting that i do not accept it as canon, say what they want, there are no dog people anywhere in the past nor present botw/totk wtf is that i hate it- and its not even .. why is that the reward for that, it has literally NOTHING TO DO WITH TOTK ITSELF I COULD YELLLL AAAARGH

main point is that really, i wanted to explore the past .. in the present, i hoped to find broken old shiekah structures, old labs and maybe some left over damage and records from when the old king persecuted the shiekah for their tech, i wanted to know where the ancient energy the shiekah used was coming from, what the boss arena in the middle of hyrule castle really was- so many things just discarded and acted like they never happened or mattered; i dont want to travel into the past, i want to discover whats left of it, piece it together, discover dark secrets you can ask no one about bc all that knew about it are long gone- thats what intrigued me about botw, it felt like there was so much left to discover only for totk to throw it all away and just do its own thing .. but not commit to that hard enough either so its neither its own thing nor a sequel-

.. that wasnt really what you wanted to know was it? xD sorry i tend to ramble on if someone seems to give me permission to

to sum it up, i think it COULD work, sending link to the past instead, if done well, but so could canon totk have been, it could have been done well but wasnt for reasons i dont know and tbh even fear bc i worry its sets a dark future ahead of zelda; i personalyl am just not a fan of time travel so i dont have that much to say to it :O

[queen-of-weird-girlboy-nation]

Percabeth, planet au. (Except this is just a draft and is not the final product bc it's messy af and makes no sense)

@auroraofthesun1 @lemonsandsadness @ebony-reine-vibes (thanks for supporting me here it's making me really happy)

So if you've forgotten what which au god represents here u go bc I want everyone to always know and I have the clipboard feature on my phone.

Reminder that even though there are planet NAMES they are not related to the actual Roman gods. Separate thing. Like completely.

Mercury main: sea, stars, mischief

Venus main: sun, leadership, education

Mars: electricity, fire, mechanics

Jupiter: human brain, joy, mischief

Saturn: healing, kindness, flowers

Uranus: anger, war, protection

Neptune: music, beauty/romance, deception

Pluto: home,love, family, death

Perseus Jackson, Son of Mercury-

Raised by Sally Jackson and later Gabe Ugliano, Percy Jackson is the son of one of the most important gods, Mercury. Percys' abilities include general water control as well as more prophetic powers (the average demigod receives 300 prophetic dreams per year is a statistical error, children of Mercury, who's dad is the ruler of divination and the stars, is a statistical error and should not have been counted). As well as this, he also rules over mischief, similar to Jupiter, so those children have more of a mischievous streak.

Percy grew up with his mom and Gabe, and he had to attend school after school due to anger issues, dyslexia and ADHD (everything that affects demigods in pjo also affects demigods here). Tbh percys' backstory is pretty similar to pjo. He receives dremas about the future a lot and is running a small tarot business in every school he goes to. Its not that he really believes in it, but it makes him money and he's...surprisingly good. (Honestly I haven't really worked on his backstory a lot)

Annabeth chase:

Daughter of Venus, the Queen of the gods, meaning Annabeth is even MORE stressed. It also means that Thalia is her sister. Daughter of Fredrick Chase and later Niaomi Chase when her dad remarried, she is the daughter of the leadership goddess. So her powers include enhanced smarts and logic, excelling in the field of academics (with a favourite for architecture, but that's formed by herself, really). She also has light powers and is able to know every single law. All of them, depending on her location (I'm struggling to think of any other leadership ones, if u have any help a sister out?!).

She ran away at age 7, meeting her sister thalia Grace and the child of Jupiter Luke Casteallen (idk HOW u even spell this man's last name). They arrived at Camp. But thalia was HATED by her mother, and vice versa. Thalia was turning annabeth against the gods before Luke even had a chance frfr. Bur annabeth learns to hate her mother, too, partly because of thalia and partly because Venus never actually saved her. But they get to Camp, and instead of thalia being turned into a tree for her insubordination, it's Luke. This is because Venus thinks that if her daughters nearly favourite person, who was also not her child (annabeth, who still had potential to be manipulated) was harmed due to thalias mistake of hating her mom, thalia was follow the gods not to let that happen again. and it does not work. She runs off after a year and often sneaks in to try and get annabeth, who is mostly a vulnerable, lonely child who is in a camp which she was already skeptical about, is left to basically fight for herself and be very much manipulated by her mom. Who does. She manages to convince annabeth that thalia was wrong, that the gods love her and if she does everything her mother says, she can be a minor god one day and be loved by everyone

And it works. After years and years of convincing, she basically grooms her own child into being the perfect godly daughter and leader of the Venus cabin. While also being mean to her half the time. :) After a while, thalai realises that she's basically never going to get her little sister back or at least the one she knew. :)

I hope this wasn't bad :)