"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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The vulnerability makes him twitchy. “…Hi, Twilight. You look a little less like shit since last I saw you.”
Art for chapter 17 of A Dark Among the Lights by LuckyLectio on AO3. A story in which everyone is happy to stop and talk through their problems without running away or anything silly like that :D
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I don't think pit madness is WHY Jason decided to become a serial killing mafia boss, I think he just did that shit your honour.
but I do think it probably played a factor in how he could have been manipulated into such extreme behaviours given the circumstances
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I need people to realize that any care shown by JC does not somehow wash away his shittiness. It's the equivalent of telling a battered woman her husband obviously cares and loves her because he kisses her on the way out the door (never mind her face is black and blue). If an abuser makes a nice gesture, he's still an abuser. 🤷🏽♀️
People excuse child abuse in a way they wouldn’t domestic abuse* because they do not see children as full people. Jiang Cheng smacking Jin Ling around is a hard line only for some readers, but quite a few others would feel perfectly alright with marking Jiang Cheng as a great guardian if the physical abuse never occurred, even as we watch him verbally and emotionally abuse Jin Ling before the first hit lands in canon. Just watch how they downplay Jiang Cheng’s abuse of Wei Wuxian because it’s “just words” that they can brush off. “All bark and no bite” they call him, ignoring how those words clearly make Wei Wuxian never want to be around Jiang Cheng again. “All bark and no bite” they call him, despite the fact that Jin Ling constantly runs away from Jiang Cheng because of those words. Idk, sounds like the bark comes with a lot of bite.
*people will only admonish domestic abuse in hypothetical situations, cause if people actually cared about physical violence between partners, it would not be socially acceptable to discuss the ways in which people “acceptably” physically abuse their partners to “keep them in line,” much like how people discuss children. This is a gender- and sexuality-neutral observation.
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sometimes i think about how sam was always meant to outlive dean and how HARD he tried to change that. His big brother is dying of a heart attack, his big brother is dying of a car crash, his big brother is dying over and over on tuesday, his big brother is dying by the hellhounds, his big brother is dying by his hand, his big brother is dying in a barn and i just. fuck. your elder brother will always die first, that's the way it's supposed to go kid.
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I feel like I'm going insane. That episode read to me as a lot more tragic than other people are reading it. Yeah they were racist and rich and spoiled and awful but they were just kids. They were all just kids. Lindy was absolutely terrified throughout the whole thing and clinging desperately to what she knew, which was terrible. They could've had the chance to learn and become better but they chose to go die and it's infuriating and tragic because nobody deserves that. Nobody deserves to be eaten by slugs or die of exposure in the woods. Nobody deserves to suffer like that. But they chose it rather than let the Doctor help them because they'd rather stay in their rich white supremacist bubble and he just wants to help and there's nothing he can do.
Maybe it's because one of my core beliefs is that nobody deserves death and suffering. Nobody. Even the worst person on earth can learn from their mistakes and come back and change and everyone deserves that chance. There's no such thing as too late. But they're never going to get that chance because they actively rejected it and to me that's still very, very sad.
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i love how in enkanomiya the prophecy of the hydro dragon ( & the rest of the sovereigns eventually ) coming back was seen as a bad omen since the fear was that the moment the hydro dragon returned then it would begin to lay waste on humanity ( who was not at fault for the war with the primordial one as they were fruits of that by extension ), but now there's nothing to worry about because furina ( whole furina ) took it upon herself to get this hermit dragon integrated into society & took advantage of his disinterest & indifference to shift it into a more positive direction & prevent it from getting negatively influenced somewhere else or by something or someone else.
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Friendly reminder that Francesco Coppino and Prospero di Camulio, contemporaries who were literally getting their information from predominantly Yorkist circles, were both explicitly clear that it was Henry VI who decided to surrender Berwick to Scotland.
Camulio: "King Henry has given away a castle [town] called Berwick, which is one of the keys of the frontier between England and Scotland."
Coppino: "[Scotland has] received from the same Henry the town of Berwick, on the frontiers of Scotland, which the Scots have long claimed as their right from the English, as the excellently well furnished guardian of their frontiers, and the place to which King Henry repaired as an asylum after the battle."
The idea that Margaret of Anjou was principally involved in the surrender, or that she was the one who actually made the decision, is based on nothing but assumption. Two direct contemporaries, both speaking of ongoing events as they unfolded, who were both getting information from Yorkist-held England, both clearly believed it was Henry who was responsible for this course of action. Neither of them mention Margaret. Sure, you can argue that it was merely rhetorical, and that they were simply automatically attributing such an important decision to the King rather than the queen - but rhetoric is nonetheless extremely important and helps us understand how historical figures were perceived at the time. Margaret's enemies would surely not have hesitated to broadcast her involvement had it actually been true, and Coppino in particular had shown no qualms about criticizing her in favor of the Yorkists before. If she was genuinely believed to have been responsible, and if the Yorkists were actually claiming that she was at the time, I see no reason why Coppino or Camulio would not have emphasized her role in their letters. What these samples instead indicate is literally the opposite: that their contemporaries - probably including the Yorkists who were putting out the information that Coppino and Camulio reported - actually believed that Henry was the one making the decision. I think it's a very large and very unnecessary stretch to go against actual evidence and claim otherwise by placing the responsibility on Margaret instead.
Additionally, these small samples may also reveal what people at the time - once again including the Yorkists - actually thought of Henry's role in the war on a broader level, away from direct Yorkist propaganda which would obviously and perhaps understandably seek to de-emphasize it: namely, that Henry was perceived as the one making decisions and deciding the courses of action for his own side.
Source: Excerpts from the Calendar of State Papers and Manuscripts, Existing in the Archives and Collections of Milan
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