idk what teenager needs to hear this but for the love of God do not vape
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i dont understand how shippers can actually ship jimin and jk. watching their interacts seems very platonic to me, brotherly at most. like, am i missing something in their interactions that makes people go "oh yeah, they're dating?" i mean, i act all affectionate and touchy with my close friends like jimin does, but i've never dated any of them? people are allowed to be affectionate and playful without having to date
...to be fair tho, there were at least two rumors of me dating like two different close friends floating around my homophobic religious school because im so affectionate, so anything is possible i guess 💀?
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thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.
thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.
no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.
compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point.
instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.
those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.
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1 (One) more art of these two @vyl3tpwny
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More tiny eclipse pls 🙏🥺
UH UH ALRIGHTY!!!
BEAN ECLIPSE THERE YA GO. Also just Sun's whole behaviour about it. He's Winning. Sun's kinda fixed up the timeout corner cause Eclipse is there a lot (surprisingly he DOES stay there. Lunar say's it Eclipse's brooding corner now.) Lunar makes funny faces at him until eclipse either throws something at him or Earth takes Lunar away.
Eclipse: Denies Uppies and Attention, Gets the Corner for Crimes.
Lunar: And you thought me wrong for Uppies brother. Perish in the pits of fluff and playbars. Relinquish your vertical memoirs. They cannot help you now.
ALSO UH BONUS BEAN'D OTHERS??? Sun and Moon were suppose to be the Swap Au's boys. Then I was tasked with Bloodmoon and then Earth.
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Hey! It is so interesting to me when people hate on things created by the people they hate (not bashing here just wondering, for each their own). It is just for me it always was the same thing as - my country is run by terrible people, but there woudn't be the place where I can feel more at home than this room I am in. Same always was with HP. I will hate Rowling for every shitty thing she said/did, but hp fanfics/books will always be my safe haven. It's not hers anymore, it's mine.
Anonymously coming into a trans person's private messages to tell them that hating on the creations of the most famous transphobic creator in the world is 'interesting' to you as though this is merely a thought experiment and not something with tangible stakes is a choice, anon.
Here's the thing. JKR isn't dead, she's not a philosophical concept (like a nation), she's not a government. She's a living person still using the profits of her creations to hate on and harm trans people and actively influence trans dehumanising laws.
Anyone who gives her money via buying her books or merch actively and explicitly contributes to these actions and this hate. I don't think your analogy is comparable, so I'll give you another: It would be like if you were a domestic violence victim, and I was a huge fan of Chris Brown (a very famous domestic violence abuser) and went into your personal space to anonymously tell you how 'interesting' it is that I can separate the art from the artist. That his music is 'mine now' while fully knowing that a domestic abuser is benefitting from my listening to his music and spreading this rhetoric about him. I'll tack on a 'but he's bad' to cover my bases, but that's it.
Just...why.
Our lives are not thought experiments. It's not 'interesting' that many trans people can't and won't separate the art from the artist while the artist actively uses the money from the art to harm us and increase hate crimes against us. It's devastating that more people don't understand why this is such an issue.
HP is not yours, anon. Not in the same way it's JKR's. You don't own the IP. You can't use the profits from it to help marginalised people. You can enjoy it in your mind, and privately, and among folks who feel the same way as you, but speaking about it favourably in public with zero caveats allies you with the most public and infamous transphobic mascot and influential figure in the world whether you like it or not. Even with caveats, it still harms more trans people than it helps.
Being reminded of the person actively working to increase the number of draconian laws around our rights, who has the endorsement of Putin and has empowered trans haters in the US, is not an 'interesting' little experiment for me, it's actively painful and hurtful. I'd rather you just bashed outright so I could delete the anon message rather than explain why our lives are interesting philosophical think pieces.
If this is what you're choosing to do with the part of HP that belongs to you and is now yours, by anonymously coming here to tell a trans person these things as though you expect any answer than the one I'm giving you now? Well, that sucks too.
Enjoy the IP and make it yours if you must. Stop telling trans people about it anonymously. And if you can't stop telling people how much you like HP, for god's sake, warn them first so they can decide if you're safe enough to keep interacting with.
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Hey guys don’t worry about why I’m asking this but say I am in the process of drawing Elden Ring characters as Disney’s the Robin Hood esc furries and I don’t have an exact list of what character would be which animal. Allegedly I already have a few of them planned out (most of the roundtable), but I would love to have idea thrown at me like spaghetti at a wall.
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god damn i do not post often but can i talk about intentionality for a second?? one second please
i'm gonna be talking about bg3 but this really applies to any fandom space. people will, surface-level, agree that a Black character is not getting enough content compared to their white counterparts because it's. obvious . take wyll, who is several hours behind on voiced lines compared to other origins despite being one of the original five (before they added karlach and whiteified her too but that's another post). it's hard to deny cold hard facts
but then instead of engaging in content that uplifts Black characters and creators, they'll go right back to pumping out more and more content of just their white faves. on its own, it's not actively harmful, but here's what the implication is, whether they acknowledge it or not: yes wyll has less in-game content, yes his writing didn't get the attention it deserved, therefore i don't like him as much. it only perpetuates wyll's lack of content by contributing to his sidelining in fandom spaces
what i would love for fans who claim to be allies to do is to step out of the comfort zone of their initial favorites (which can, in fact, be biased!) and start pursuing content centering Black characters with intentionality. like all things, anti-racism (actively pushing back against racism rather than simply "Not Being Racist") takes practice and effort. you can't really agree with us that wyll needs more content, then in the same breath say that it's because of that that he's not interesting to you . the point was right in front of you doing a jig and you still missed it
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my theory on essek's 9th level spell is that it's a flex slot he saves for Wish. i don't know that he's saving it for anything in particular, though Wish can be used to cast Demiplane at 9th level. i also suspect this was how he cast Antimagic Field; he was similarly reluctant to cast that (said essentially "if you fail i have a backup plan") and waited until BH failed first. essek definitely strikes me as a guy who likes to have an ace up his sleeve and being able to cast ANY spell of 8th level or lower is a very powerful tool.
actually Wish is a free no component resurrection, though idk if Essek would be willing to blow a Wish on resurrecting someone he doesn't know. plus I doubt he would use Wish for an actual Wish unless things were extremely dire, but having that option in your back pocket considering the current circumstances is a good idea.
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It's okay to just be binary you know
It's also okay to let trans people do whatever they want forever. Hope this helps.
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Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.
Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.
How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!
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Marvel really is so stupid if it thinks all the queercoding would distract my undiagnosed adhd writer brain
"I have been tasked with overseeing the end of your universe" by who bitch 🦉
"my superiors deemed you special" I have trouble believing B-15 has a folder in her office for The Specialty: Deadpool. Even more improbable for Loki to be the superior in question as he's collecting calluses from holding the multiverse together
"I want to be the TVA" FRANKLY ⁉️ either Kang is speaking through this office man somehow, or Paradox is simply one of those characters who are resistant to change. He is me I am him. Which leads me to educated wish that they bring him back so this part of his character can be explored.
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― Voting as Fire Extinguisher, Kyle Tran Myhre
Hockey Poetry Post 48/?
(Photo credit: Dave Sandford, Chase Agnello-Dean, link, Chris Sweda, Debora Robinson, Bill Smith, Jeff Haynes, Chase Agnello-Dean, Jeff Vinnick, link)
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First, suffer my Projmoon Arbiter colored Qorvex, second-- note how all the concrete ridges either float off of or splay open on Qorvex's 4 while firing off the death beam? Well.....
There is no vent or open space to intensify the beams under the codpiece. Instead there is schmeat. So.
Albrecht designed Qorvex to be packing a magnum down there on purpose.
WHY.
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Oh! I nearly forgot, but can I ask the significance of this panel?
It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?
(Also, I just wanted to compliment you for this panel)
(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.
The second time I saw it, I started to wonder
Because Dee himself doesn’t really look aware of what is going on behind him.
And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.
Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)
Oh!!!
(Quick test of my ability to find which chapter stuff happens in)
I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.
I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)
So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)
And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!
Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...
I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂
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