#otherwise no meaning behind going for that one

[aethien11-blog]

NOTE: I DO NOT OWN ANY OF THESE CHARACTERS. (Also, I’m a sappy, silly, dork at times. Sorry not sorry.)

The boys reactions to learning their s/o has been kidnapped

Fem Reader x : Muzan, Gyutaro, Rengoku, Sanemi

WARNINGS: use of ‘naughty words’, mentions of blood, rape, mutilation, death, violence, and possible spoilers. 

MUZAN KIBUTSUJI

It was supposed to be your last day under the sunlight, that had been your request. Muzan had found you far too intriguing (he would never admit to actually having developed feelings for you) to leave you as a mere human, and you for your part had fallen hard for the red-eyed King of the Demons. Granting you one last day in the sunlight was a small price…or it should have been.

Muzan’s nerves were already on edge. He did not like you being away where he could not watch you and be certain of your safety, but Douma had humans with you, other humans that were to see to your every desire for the day. Muzan had ensured they would have ample funds to do so. It would be fine, at least that’s what he kept trying to tell himself all the way up until Douma appeared before him and tossed a mangled human at his feet. 

Muzan had seen Douma assume many expressions and faces over the centuries, but the death glare down at the now legless man at his feet did not help Muzan’s nerves. Before Muzan could snap at Douma that he did not require anyone else to do his hunting for him, Douma snarled at the human. “Repeat what you just said to me.”

Muzan actually took the time to look then and noticed the robes the man wore. He was a member of Douma’s cult and his face looked vaguely familiar, but the words he uttered through pain stilled the Demon Lord’s heart in his chest, before his blood raged to life through his body.

“T-took her.”

“What do you mean by that?” Muzan's quiet question that was laced with a thousand promises of pain beyond imagination if the answer received was anything but pleasing.

“S-swords. Men with swords. They,” the man coughed another pile of blood at his feet before he stopped breathing. 

“Demon slayers, my lord,” Douma answered from a prostate position.

Before he could blink, Douma’s head was snapped back, clawed hands fisted in his hair forcing the multi-colored eyes to meet the furious ruby of the Demon King. 

Slowly, as if dragging the words from the pits of his now hollow stomach, Muzan ordered, “Where…is…she?”

Douma blinked only once before he heard the familiar strum of the biwa and four other demons appeared on the floor behind him. 

*******************************************************************

You sat up, still with your hands bound before you, in front of the men gathered. There were two women but you would not look at them. All you could feel was cold fear and rage. They had been going on for hours now, asking questions that you gave only short, curt replies to… if you answered at all. 

“You don’t seem to understand just what kind of monster that man is!”

That did it. You snarled out, “You don’t get to call him a monster when you are the ones that murdered my escorts.”

“It might seem that way,” one of the women spoke up and you snapped a glare at her smiling face. Her bangs hang loose, but otherwise her hair was drawn back in a bun, behind a butterfly of all things. You silently scoff at the concept. “We were actually saving you.”

There was no keeping the scoff silent that time. 

The smile faded from her face barely before she forcibly replaced it. “We were.”

“From what? A happy life?” You didn’t wait for any of them to answer. “They were to escort me to gather the rest of my matrimonial supplies and you killed them and you expect me to believe a single lie that drips out of your open maw.”

“This poor woman.” The giant rubbed his beads between his hands again as he began crying. “He has deceived her.”

“She’ll need to remain restrained.” The heterochromatic gaze made you shiver on its own, nevermind the albino snake slithering over his shoulders. “She managed to do quite a bit of damage to slayers that rescued her.”

“Captured,” you snipe back. “Not rescued.”

“Look, sweetheart,” the large man with gems hanging from his hitai-ate on either side of his face began in a far gentler tone than the rest had used, “you’re safe now. The demons aren’t going to get you here. That’s what we call rescued. Yeah?”

You scoff and purposely turn your face from him. As if. Muzan was nothing but gentle with me and would murder any demon who tried.  Your eyes find his face and harden into (e/c) chips. “You are the only ones to cause me harm.”

“Do we know why Muzan wanted her?” the man with hair akin to living flame asked loudly. It was like he didn’t know how to talk if he wasn’t shouting and much like your lover, the noise grated your nerves. 

“Nope,” the flamboyant shinobi answered. “She still won’t say.”

“I think we should schedule a watch. Make sure no other demons come looking for her,” the scarred over man stated.

You couldn’t help the smile that crept up your lips then. You do that. Your gaze fell to the now setting evening sun. It was beautiful, the vibrant blue shifting into orange and red hues as if the sun itself knew what you did.

“It won’t matter,” you stated proudly. Your heart beat in your chest steadily and you smiled pleasantly at the fools before you whose mouths dropped at the beauty you could radiate. This view was for him, for the thought of your Lord that you knew was coming for you. “You’ll all be dead by dawn.”

Despite their pestering, you said nothing more for the remainder of the sunset, slowly watching that brilliant orb sink below the mountains with a radiant smile placed on your face. In its final glory, the sun painted the sky a vibrant vermillion that evening and you could think of nothing more than the beautiful red eyes of your Lord and the arms you wished so desperately to return to.

GYUTARO SHABANA

Gyutaro smiled his too wide smile down at the necklace. Daki had helped him select it. She didn’t understand his obsession with you but she did like that you at least caused her otherwise maudlin brother to smile once in a while so she was tolerant of you. It wasn’t like you’d ever compare with her in his heart anyway, right?

Gyutaro adored the way you would take his face in your hands and smile at him, telling him that he didn’t need to bring you things. You were just a simple farm girl after all. Such finery was for high class ladies.

“I’m just happy to see you again.”

The memory of those words made his grin go wider. His hopeful eyes met his sister’s. “Should I ask her… to become a demon like us?”

Daki smiled fondly and squeezed his shoulders in a hug. “I’m sure you’ll know that answer when it's the right time. For now, the sun has finally set. I’ll step back. Go to her.” And with that she surrendered full control to him and Gyutaro stood, gently cradling the gift for you in both hands.

************************************************************************

Gyutaro arrived at your meeting spot, in the shadows of the fields and froze. The door to your home was never left open. Cold panic sank in his stomach as he sprang across the fields. Your father always kept a single light in the window, but the house was dark and the closer he got, the more he could smell the scent he recognized immediately…blood.

Frozen in the doorway, the scene before him turned his stomach. The walls were spattered in blood, the two little bodies of your younger siblings both mutilated. There was a woman on the bed, older, must have been your mother. Gyutaro looked away. What had been done didn’t need to be guessed at. 

The man on the floor, a large pulsing gash of blood still seeping out into his garments still, mumbled and Gyutaro leaned closer.

“Sa-save…ha…Took…y/n.” It was the last wish of your dying father.

I’m not eating that, Daki echoed through their link but he barely heard her for the blood filling his ears.

His kamas appeared in his hands to a blood curdling screams that erupted from him before his feet were moving. The bandits had left obvious footprints to follow and this wasn’t the first time he pursued humans, but it was the fastest. His vision clouded in red as he saw only his target, only the patterns of feet and something heavy being dragged between them. He would get there. He would find you and save you and convince you to become a demon, so no one could do this to you ever again.

KYOJURO RENGOKU

Kyojuro hummed to himself as he opened the doors to his home one handed, balancing a load of groceries you had asked for on the other hand. His lovely wife sending him on errands first thing in the morning was nothing new. After all, you saw to the whole estate and made sure Senjuro was getting his study time in even when Kyojuro was away.

You supported your husband in everything, especially in being a Hashira and striving to improve the Corps from the top. Kyojuro chuckled to himself as he thought of your insistence that he take a Tsuguko so he could eventually retire.

“I do support you, my light. I just,” you had paused to blush that pretty blush he loved so across your cheeks back to your ears, “sometimes I want you to myself too.”

“Y/n! I’m back!” he called with a grin as he set the items down in your kitchen. 

When you didn’t immediately answer, Kyojuro’s brows furrowed and he began wandering the estate calling to you. 

Finally he stepped out into the yard and raised his arm, calling “Kaname!” 

Kaname alighted to his raised wrist and peered up at him. 

“Kaname, I cannot find y/n anywhere. Could you find her?”

“But of course.” And Kaname alighted once more. 

Kyojuro’s earlier smile failed to reappear as his instincts overrode his gleeful personality. Something was wrong. 

“Brother?” Senjuro called as he walked out onto the patio.

Kyojuro walked over. 

“Are you training, y/n again today?” Senjuro asked, glancing about for you.

Kyojuro couldn’t resist the smile that took him then. “I was actually looking for her. Have you seen her?”

Senjuro seemed almost to freeze, staring up at his brother as if he might have grown another head. “But she went into town with you…to get your steamed buns, right?”

Kyojuro laughed then. “That woman. Such a handful.” He grinned at his little brother. “I hope when you marry, that you find a more docile wife.”

“I don’t want to marry at all. Those things are trouble,” Senjuro shot back. 

Kyojuro’s hearty laugh filled the courtyard. 

“Seems the boy at least learned something useful from your wife,” Shinjuro jibed. “Probably should go after her though.”

“And why is that, father? Y/n is capable after all.”

Shinjuro glared heavily at him. “Because capable or not a woman shouldn’t be on her own. Now get going!”

Kyojuro caught the sake bottle hurled his way and set it gracefully on the porch before grinning down to Senjuro. “When I come back, we can all train.”

“Lotta good that’ll do ya,” Shinjuro grumbled and wandered off. 

**************************************************************************

Meaning to surprise your husband with his favorite steamed buns, you had slipped into town after he left. What you had not intended, was to be held up before you could leave. The men blocking your way were not on the list of things that needed handling today but it seemed, they were going to insist. 

“Please stand aside. I need to get through.”

Their sick chuckles were really answer enough but you held hope one of them would see sense and move.

“Pretty thing like you shouldn’t be wandering about alone. Why don’t we keep you company?” was followed by another round of chuckling. 

“I am never alone. My husband’s light accompanies me everywhere. As does his strength.”

“That light’s welcome to come with us too,” one sniped on a grin. 

“Yeah. Your husband’s light can shine on my cock all it likes.” Another round of chuckles as she sigh and slowly shake your head.

“How uncouth.”

SANEMI SHINAZUGAWA

Sanemi grinned as he bowed off to Muichiro and Iguro. 

“Thanks for another fun night.”

Iguro only scoffed and Muichiro cocked his head to the side. “Your standards for fun seem very different lately.”

Jumping on the chance, Iguro teasingly asked, “Is it because of y/n?”

“Pft, as if,” Sanemi snarled, turning away, though neither sparring partner missed the dusting of pink over his cheeks to the question. “Man can’t enjoy a good sparring match now or something?”

“I didn’t say that,” Muichiro started as he began walking away. “Only that you seem to have gotten stronger since you began dating-”

“We’re not dating,” Sanemi snapped quickly.

“Uh-huh,” Iguro agreed sarcastically. “You’re just training and fucking. No one calls that dating. Oh, and living together. And eating together. And -”

“Shut up, snake head, before I really give it to ya.”

“Give it to her. I’m out of here.”

Muichiro smirked before putting it away and continuing his walk. They would walk together as usual for part of the way back so he could ask after. 

And when they were nearly to Shinazugawa’s residence, he did. “Are you going to allow her to join the corps?”

Usually, Sanemi would snap at the question but this time, he didn’t get the chance.

“Lord Tokito! Lord Shinazugawa! Thank goodness!” the out of breath kakushi managed as he doubled over before them heaving breath. “Miss y/n…and mister Kanamori…have been….captured.”

Sanemi’s feet were moving before the kakushi could finish their report. YOU IDIOT!! How could you let yourself get caught?! Sanemi dodged between branches of the forest at a full run. He had trained you better than that. Even made you promise not to join the corps if he trained you personally and now…

“Dammit!”

“I don’t think expletives will help us find them any faster,” Muichiro commented from his side, keeping up with his stride nearly soundlessly. 

************************************************************************

One hand to the weapon, the other set out beside you as you spoke, though never turning from the opponents in front of you. “Stay behind me, Mister Kanamori.”

“I’m so sorry. I feel I should be the one protecting you,” Kanamori stated meekly, though he obeyed. 

You couldn’t help but smirk. “Then you don’t know my lover,” you stated as the other hand set to the hilt. “Now come at me, you bastards.”

Special thank you to Miss Vry for helping me with tags :D

[kinkyrafe]

sub!rafe kinktober prompts

hello my loves,

I know the sub!rafe fandom is pretty small but nevertheless a couple of people were interested in a sub!rafe kinktober, so let's do it! I know this is super spontaneous and there's not much time to prepare now but even if we get only a couple of drabbles, headcanons, moodboards or digital art posts here and there I'd totally consider this a win. use whatever prompt you like, join in at whatever day you like and tag your work #sub!rafekinktober -- I'd be super happy if you tagged me as well so I can repost your work even if it doesn't show up in the tag.

the prompts

Oct. 01: "Your body wants it, even if you say otherwise." Oct. 02: "You don’t get to decide when it ends. That’s my job." Oct. 03: "Show me how obedient you can be." Oct. 04: "Tied up and nowhere to go just how I like you." Oct. 05: "Does that feel good?" Oct. 06: "You're not in charge here, no matter how much you want to be." Oct. 07: "I really need to get out of my head." Oct. 08: "Are you sure you want to challenge me when I literally have all the control over you?" Oct. 09: "This is impossible." Oct. 10: "You’re not getting free until I’m satisfied." Oct. 11: "I've done worse to you before, come on." Oct. 12: "Be good and spread your legs." Oct. 13: "I can feel how badly you want it, but that doesn’t mean I’ll give in." Oct. 14: "There you go, baby." Oct. 15: "Ready to beg for me?" Oct. 16: "Is that what I think it is?" Oct. 17: "Sit still or I'll stop." Oct. 18: "Every time you listen, you make me proud." Oct. 19: "How does this position feel?" Oct. 20: "You’re trembling. Is it from fear, or from wanting more?" Oct. 21: "I could also distract you from work." Oct. 22: "It's an order!" Oct. 23: "You gotta work for every single orgasm." Oct. 24: "No hiding." Oct. 25: "Let go. Let me take care of everything." Oct. 26: "You’re perfect for me." Oct. 27: "You did so well today." Oct. 28: "Now where’s the fun in that?" Oct. 29: "Hands behind your back." Oct. 30: "How are you so good at this?" Oct. 31: "Make the most of it."

I love quote prompts and I really hope you do, too. I briefly considered providing scenario / activity prompts but even (or especially) within the BDSM community, the kinks are so diverse that some kinks would have been left out and at the same time, I myself just don't want to write certain kinks -- if that makes sense. with the quote prompts everyone can choose the kink and the scenario for themselves.

enough with the rambling. one more disclaimer: you'll probably see me violate my own schedule. I'm pretty sure I won't be able to write 31 drabbles. I'm currently aiming to upload every second day of October, starting on the 2nd (lame, I know). however, to make up for it, I'll try and use two quote prompts in one drabble.

alright. I hope you'll enjoy this -- I sure as hell will.

let's ruin this b**** (with love).

happy kink season, my loves!

xx bab

_______

@yagirlwrites @audzss

[ryescapades]

can i request narumi x gojo like reader (like extremely overpowered and yk gojo stuff 😝) because ur dazai fics are just mwah! could they be and captain and they're vc is like suguru :>

thank you !!!!

limitless | kaiju no. 8

characters: narumi gen x gn gojo!reader

contents: sniper!reader, attempt at humor, fluff, some OCs, a lot of made up plots bcs this fic wouldn't exist otherwise (feels like i was world building ngl), reader's division number is not mentioned, narumi appears like in the second half of this, hint of rivals(?) + idiots to lovers

a/n: i hope i did your req justice, tqsm nonnie! lmk if you're satisfied with this or not (bcs im kinda not) almost made reader and their vc become a doomed yaoi couple just like satosugu 2k wc

"ehhh, another mission?"

your vice-captain, akira rolls her eyes at your grumble. "yes, another mission, captain. the higher-ups have requested for us to be there as soon as we possibly can, for the location is said to be in an uptown city of tokyo, a few hours from our base, so we ought to dispatch early," she explains.

"blegh, i bet the old man shinomiya is laughing at me right about now. we literally just returned from a mission like two days ago, akira! he sure loves working us to the bone!" you complain as your hand continues to work, cleaning the glass lens of your sniper rifle's scope.

akira throws a flat look. "maybe because we're the only unit in the defense force that specializes in kaiju intelligence? dummy," she says pointedly, causing you to wave her off. "nah, semantics."

she sighs, shaking her head. "in any case, we need to get ready now. we have to dispatch in about half an hour," your vice-captain's words go into one ear and out the other as your mind drifts away, thinking of how you can possibly sneak away to buy some nice treats while in tokyo.

hm, preferably those ringo apple-custard pies... your mouth waters at the thought.

less than five hours later, you find yourself strutting in the hallways of the ariake base, with akira following close behind.

"how many times do i have to remind you to tell me first if you wanted to make a detour mid-way," akira pinches the bridge of her nose, and you pout slightly. "i didn't even take that long, mind you!" you argue, though the way you dust off the sweet pastry crumbs off your lips doesn't really give the impression that you sound apologetic at all about it.

"captain, you keep forgetting that we have a meeting to get to. you should try to be more considerate towards others' time, you know?" she chastises, making you shrug dismissively. "you're too uptight about everything, akira. loosen up,"

already used to your petty remarks, akira crosses her arms and narrows her eyes at you. "what was that? you wanna take this outside, y/n?" the way she drags the syllables of your name daringly has you smirking, eyes glinting dangerously as you flex your hands. "oh yeah? and what if i say yes?"

what both of you don't realize is that you've walked far enough to reach general shinomiya's office, the sound of the double doors opening snapping off the tense rope that connects your challenging gazes together.

the two of you straighten up awkwardly, whistling a mindless tune and fixing your uniform respectively to pretend like you weren't about to start a scuffle just a second ago.

hasegawa, the one who had opened the doors raises an eyebrow curiously when he sees you and your vice-captain. "seems like they're already here, general shinomiya." he announces over his shoulder before giving a respective nod and taking his leave.

as you enter the office, general shinomiya gives you a long, pointed look. "you're late." your nose scrunches at the comment, "only by fifteen minutes. chill out, old man."

"what they mean to say is—" akira immediately speaks up, frustrated at your lack of manners, but shinomiya isao raises a hand with a shake of his head to interject. "never mind that. we have more pressing matters at hand,"

as he drones on and on about the details of the mission, you're barely listening to any of them when one particular statement catches your attention.

"do your surveillance for at least two days before you clean up and come back to report. i'll send in narumi as well for some extra hands."

like a puppy hearing the sound of kibble food being poured in its bowl, your head perks up in interest.

seems like this mission won't end up being a bore, after all.

˚ ༘♡ ⋆｡˚ˏˋ°•*⁀➷

"akira... i'm bored,"

you can almost hear your second-in-command's teeth gritting against each other. "that's the sixth time you've said that, captain." she says, her voice crackling through your earpiece. "wait, really? maybe i should say it another time—"

"please, don't." she interrupts with a huff. "you don't know how many nights i've spent wondering how your impatient ass got this job,"

you're about to counter when a new voice chimes in through the comms, "they're good at this job, that's why." a smile grows on your face at the statement. "ren, of course! this is why you're everyone's favorite," you cheekily say.

your operations leader snickers at the quiet but still audible vomiting noises akira is making. "i'm flattered, captain. but i do agree with vice-captain akira. given how our division is all about stealth and patience, it is quite the surprise someone like you sits at the top," ren muses.

you click your tongue, the small 'tch' sound only providing more amusement for your two subordinates. "you deserve a headlock for that, ren."

be that as it may, you are indeed good at your job. appointed as the captain of a special intelligence unit for the defense force, your division is tasked to undertake any job that requires kaiju surveillance, where you discreetly observe and study the behaviors of these monsters, especially the new species before subjugating them once your task is completed.

where do you think all those official kaiju encyclopedia books and websites get their information from?

your missions are all basically just field trips, to be frank. you command officers who are specifically trained in stealth and espionage, with your sharp sniping skills second to none in the defense force.

your beloved vice-captain, the talented officer that she is, unluckily holds the job of patrolling the perimeter and taking care of any kaiju that happens to stumble upon where your sniping port is set up. can't have the sniper getting jumped now, can we?

pulling your eyes away from the scope, you mindlessly tap away on the side of your sniper gun. "anyways, how's captain narumi doing?" you ask.

the division has very few recruits every year, due to the fact that not everyone can master the perfect form of stealth and spying when it comes to such untamed creatures. with the unit being the only unique one, your officers are often dispatched at various locations at the same time.

thus, the subjugation after the observation is usually carried out with the help of other divisions. and that's where narumi comes in.

or rather, he actually does come in. like, legit.

"worried about me?" the man himself steps into the empty room of the desolated building you're currently positioned at, his bayonet held close to his side. your brows quirk in amusement at the question, "yes, actually. i was worried your... extravagant method of killing kaiju is going to get us spotted sometime soon,"

narumi feels his blood thrums in his ears. he doesn't know what it is about you, but every time the two of you interact, he just gets frustrated and bothered. how are you so... infuriating?

"excuse me? i know perfectly well how you handle your operations, thank you very much!" he exclaims.

"oh? is that so, akira?" you inquire into your earpiece, wanting to poke fun at the first division captain further. he tenses slightly as he's reminded of his recent kills.

a big tease just as you are, akira hums, "well, i certainly heard him gloating with the other officers after his first kill earlier. he was probably doing his usual egosurfing... and the second kill was obscenely loud too. and then there's the—"

"okay, i think they get it now, vice-captain." narumi cuts her off in a snap, crimson hues dusting his cheeks. you smirk, about to make another retort when ren's voice intervenes you.

"emergency, captain! there's a kaiju about less than two kilometers away from the town!" your pupils flare in alarm just as akira voices out her surprise, "wait, what? there shouldn't be any of them so close to the human settlement. is it a stray?"

without focusing on ren and akira's discussion, you sling your sniper over your shoulder and go to head out of the building, "i'm going after it," you announce.

as you walk past narumi, he grabs your arm to stop you. electric sparks jolt underneath the material of your suits and into your skin, though neither of you seems bothered enough to acknowledge it. "there could be more than just that one. i'm coming with you," he insists, unaware that he's leaning into your space to get his point across.

what is it with him and needing to be closer to you? narumi can never figure out the answer to that even if he was aware of it in the first place.

you didn't expect him to suddenly be all up in your face like that, so your hand automatically shoots out towards him, a palm splaying over his chest to hold him back. realizing how weirdly intimate the touch is, you move to pull away but your hand unconsciously lingers, dragging itself down the metal chestplate of his suit before finally retreating in a matter of seconds.

the loss of contact nearly burns you from the inside out, and you hate admitting that it's not in a bad way. not at all, not ever. something about narumi gen just flares you up deliciously, and you're more than happy and willing to crash into this man's blazing inferno.

perhaps you're just as hopeless as he is in that regard.

with a shrug, you throw a sanguine grin at him over your shoulder, "even if you weren't here, narumi, i can handle them just fine. this is my forte, and i'm the strongest one here." shivers run down the back of his spine, the knowing glimmer in your eyes almost making him visibly and audibly swallow.

he doesn't doubt that sentiment. not at all.

narumi knows how strong and skilled you are. if ashiro mina is known with her extremely explosive power, you're known with your hawk's eye trait. you're good at predicting just exactly where the kaiju's core is supposed to be, courtesy of the years of meticulously studying the monsters.

'how am i different to ashiro? hm, let's see... to put it simply, ashiro is the type to spam her high-damaged gun. like a reaaally offensive dps, you see. while i prefer to go with that one shot one kill style,' you'd often say. as a chronic gamer himself, he understood that crystal clear.

as the two of you exit the building and make a beeline towards the direction of the town, a few kaiju that you had surveyed just a few minutes ago turn their heads in attention when they hear your rapid footsteps.

your annoyance rises when they start advancing towards you, all feral eyed and inhumane. "sorry but i really don't have time to waste on small fries like you," you mutter as you take out your handgun.

the next thing narumi knows, their cores are precisely struck with your bullets, including the kaiju whose humongous tail almost swiped at you two from your common blind spot, one which he could've taken down. with his RT-0001 retina, he was less than one second away from taking that one out!

"oh, would you look at that! i saved your ass, narumi! aren't i the best?" you boast, causing his imaginative feathers to ruffle. the respond he's about to give doesn't get to come out, as you manage to irritate him even more.

"by the way, don't you think you should slip in some more trainings everyday? you play enough games as it is. at this rate, you're gonna get weaker than me, you know?" you remark before swiftly skipping away, your tongue sticking out in jest and leaving narumi to deal with his own agitation.

you're literally a menace in narumi's eyes, but his curiosity is boundless. as he moves to follow after your tracks, he keeps asking himself why he just cannot seem to stop wanting to get know you more.

nah i'd win, *dies immediately after*

ps i love when gojo made that digimon ref in s2 he's such a nerd pls. also there's like one hidden ow2 ref in there somewhere. like using pharah and widowmaker in regards to the difference between ashiro and reader

taglist: @maruflix @iamjellyfish @ouiouimochi @yueliie @justwinginglife @lumiambrose @minasfwoopyponytail @17020 (i hateee it when the tags are not working :c )

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[bloggingboutburgers]

I was reading through some of the recent asks on this blog, and I was reminded of this time a couple months back when I was explaining to my brother (who knows jack shit about ace stuff) how I feel like I’ve learned how to put myself in an allo perspective out of necessity, and how it stings when he acts like sex appeal is the singular reason someone might enjoy something.

He seemed a bit offended. He told me that he believes that, as an allosexual, he could never understand an ace perspective, just as he could never understand a female or transgender perspective, and thus he felt it would be disrespectful to assume otherwise.

And like… sure. You don’t know what it’s like being aroace in a world that constantly conflates and centers romantic and sexual relationships, but is it really that hard to imagine how an ace person might feel about something? Maybe I’m just biased, but extrapolating the way you feel about people you don’t find sexually attractive to everyone doesn’t seem like a very complicated thought exercise.

I love my brother, but he can be real insensitive, especially when it comes to my asexuality. I don’t think I’d personally call him an aphobe, but he definitely has internalized aphobia that he’s doing nothing to fix.

To be honest, I think the main issue here is accepting you'll never truly understand vs assuming everyone thinks like you by default... It's not the same thing. Sure, it's fair to consider that it would be disrespectful to assume you'll ever understand such a unique life experience that you don't share... But that has nothing to do with acting like your own experience is the only one that'll ever be relevant, and that everyone shares it. So... I'm not sure I see his point.

Yeah, it's very possible, even just basic reality, that you'll never understand a life experience you don't share yourself. But that doesn't mean you can't hear out a person who tells you they live through that experience, and you can't consider said experience and be respectful of it (...tbh that's kinda what we have to do with straight people and allosexual people all the time ourselves, isn't it). If it meant that, we'd still be very much behind as a society. I'm really sorry you're going through that... Always reminds me how blessed I am that my own bros are as supportive as they are. I'll never take that for granted.

[jamiethebeeart]

The Fate of the Dead

(Go to the end for prompt source and ao3 link) Chapter 1:

Sam was able to see the future. 

“A gift” her grandfather whispered on his deathbed.

“A curse,” her mother sneered. 

“Hope,” her grandmother said. 

“Witch” her playmates said. 

One move to a rinky dink town later and even though her parents didn’t say anything, Sam understood – keep quiet, say nothing, and everything would be fine.

-

While the first few years of Sam’s life were a whirlwind of activities, fancy parties, and frilly, fashionable dresses, the next few years were quiet.  Living in a small town where no one knew who the Mansons were, was an adjustment.  Sam, even at her young age, could pick up on the quiet resentment from her parents.  The sidelong looks at the TV over news of celebrity parties, the glance over at Sam when reading the Socialites section of the newspaper, and the way that they frowned when Sam started talking about her visions.  By the time Sam entered 1st grade, she stopped mentioning them to anyone, family or otherwise.  Why would her parents care about the sight of blood on the playground, or the car crash on the interstate?  They couldn’t stop it, and Sam couldn’t either – not without knowing information like “where” or “why” or the most important of all – “when”. 

-

Walking into the 2nd grade hallway, she found her teacher waving students in that they recognized from open night into the classroom.  As Sam approached, the teacher brightened, “Hello Samantha!  Walk right in, there’s a seating chart at the front of the classroom.  Please find your seat and sit down.  Class will start soon.”  Nodding, Sam walked into the classroom and saw a large easel with sticky notes plastered to it.  Each one was arranged into groups like the desks behind her.  She located her seat, turned around, and almost ran into a boy with black hair.

“DANNY!”  A woman slid to a halt, bumping the classroom teacher a little as she caught herself on the door post.  A backpack held up in one hand and breathing hard, like she’d ran to the school.  After a moment, she looked up, “Danny, you forgot your backpack.”

The black haired boy turned around, “Oh!  Thanks Mommy!” he grinned as he ran back to her. 

Sam stopped, shocked – not because of the almost run in, but because that boy looked like a younger version of the one she saw in one of her oldest visions.  The only recurring one she’d ever had.  As the boy shooed his mother off and turned around to head back to the easel, Sam woodenly headed to her seat, refusing to look up from the floor.  Swinging the straps of her bag over the back of her seat, she smoothed her skirt, and sat down.  She blinked a few times, fighting back tears.  Not all of Sam’s visions were unpleasant, but the ones that were, tended to be rather extreme – this particular one included.  She had almost convinced herself it was a recurring nightmare rather than a true vision, but there was no way she could have imagined those screams.  She breathed in and out to calm herself like her mother showed her, fists clenched under her desk, hidden, like her father.  As the thunk of a backpack landed on the desk next to her, she shook her head a little and looked up.  “I’m Sam,” she introduced herself to the boy next to her.  A hand stuck out in his direction.

“Tucker,” the boy grinned, as he shook her hand.

By the end of recess later that day, Danny was sporting a bloody nose, Tucker was on the ground, and Sam stood in front of them, glaring at the blonde kid who started it all.

“Step aside, if you know what’s good for you!” the kid said, trying to stand up tall, chest puffed out.

“You can’t hit a girl!” Danny yelled around the hand clutching his nose.

“Yeah!  That’s, like, super mean!”  Tucker said as he started to stand.

“I might!” was the response.

Sam glared harder, “You can try.”

“Move!” Dash screamed.

“No!” Sam screamed back.

“Over here!  There’s some little kids fighting!”  An older student was yelling across the playground, motioning for a teacher’s assistant on recess duty to come over.

By the end of the day, Dash was suspended and Sam had made two lifelong friends.

-

“But Saaaaaam,” Danny whined, “why do we have to go the long way to the park?”

“Yea, Saaaam whyyy, my feet already hurt from PE today,” Tucker said, a few steps behind the other two.

“Because I said so,” Sam rolled her eyes.  “It’s nice out today - why wouldn’t we take advantage of it?”

Danny slowed down to settle beside Tucker and stage whispered, “I think this is payback for painting the inside of her locker pink.”

“No.”  Tucker solemnly said.  “She’s just trying to kill us.”

Danny nodded, “Aaah, that makes sense.  Do you think she’ll at least pay our funeral expenses?”

Tucker snorted, “She should at least pay for our coffin lining.  I’m thinking light blue.  Sam, what do you think?  Light blue?  Or should you do green for me?”

Sam rolled her eyes and turned around to walk backwards to talk to them, “I think you two are melodramatic and insufferable.”

The boys laughed at her, seeing the uptick of her mouth.  They walked a little faster.  Sam turned back around right before Tucker slung an arm around her shoulders as they fell in step with her. “So, a bottom of the line white?” Tucker asked.

Danny gasped, “And here I thought Sam wasn’t like those, quote, ‘basic bitches’.”  The boys cackled as Sam shrugged Tucker’s arm off with a huff.

“First – I called them shallow.  Second, I would at least spring for a black lining.  If I can’t convince you two to go goth in life, I’ll have to make it happen in death.”  Sam held her head up in mock snootiness before side eyeing Danny and laughing at his grimace.  They made it to the park walking past the people walking dogs and others playing with young kids to the far end.  The trees started to get dense and the park area slowly transitioned into proper woods.  They could hear birds quieting down as they pushed aside branches and went through some bushes.  A slight breeze pushed through their group as they came upon the dry creek.  Stepping on the large stones in the creek bed, they made their way across to a fallen tree on the other side.  Tucker and Danny let out twin groans of relief at being able to plop down.  Sam made a face at their antics and took the seat in between them.

“So,” Sam started.  She refused to look at either one.

The chirping of the birds started up again.  Danny shifted his foot around at the dirt under his shoe, looking up at the sky.  Tucker took off his glasses to clean them off on his shirt.  After putting them back on, Tucker raised an eyebrow, “So?”

Sam laughed sheepishly, “I forgot.”

“What?!” Danny blurted out, taking his eyes off the clouds to look at her.

“Yea! What?! You’re the one who wanted to take us out here today!” Tucker added on.

“We could be at home playing DOOMED, ignoring our homework, instead of out here, tired, overheated, and ignoring our homework,” Danny said.

“That’s it then, I guess I’ll have to take out my homework and have you help me.”  Tucker paused hopefully.  “Unless you suddenly remember?”

Sam furrowed her eyebrows, looking down, “No.  Let’s do our homework.”  She unzipped her spider backpack to pull out her binder.

Danny looked behind Sam’s back at Tucker mouthing, “Are you serious?!?”

Tucker widened his eyes, shrugging and shaking his head towards Sam, “Sorry?!?!”.

Sam sat up with her binder and pencil, cutting their silent back and forth short.  “Alright.  Is it going to be English or History?"  She looked at Tucker, down at his untouched backpack, and then back up.  “Seriously?”  A signature Sam frown was gifted upon him.  “You were the one to suggest this.  Hurry up.  As soon as I’m done, I’m leaving you two behind in the woods.”  At the thought of having to walk back by themselves, Danny and Tucker scrambled to get their backpacks open and homework out.  Sam smiled a little.  As much as she loved these moments, she was already mourning their end.

Prompt: You can see visions of the future, but you learned long ago to keep them to yourself. Now, you have to speak up or risk losing everything you love. Source: https://prowritingaid.com/fiction-writing-prompts

The Fate of the Dead - Chapter 1 - J_Bee - Danny Phantom [Archive of Our Own]

[mzannthropy]

Reading The Rose and The Yew Tree by Mary Westmacott, aka Agatha Christie, and it's so good to be reading a book by her for the first time, not an experience I get to have now as I've read almost all her books.

Also I can totally tell it's her, just not a mystery novel. As I aways say, she was a good writer, she just happened to excel at mysteries.

[that-spider-fan-over-there]

Something about Izuku I keep thinking about is how much he's a downright hypocrite and the only reason he isn't called out on it is because he's one for himself and not for others and at the core of it all it boils down to his pending childhood issues and the *vaguely gestures* "relationship" he and Katsuki have- I mean, just out of the top of my head:

Wants to be a strong and dependable hero but is at his weakest when he's alone.

Says to Himiko he would never hurt someone he loves but was the reason Katsuki was forced to dance with death until his own sacrifice. Hell, I'm expecting him to actually accidentally hurt Katsuki (Physically? Emotionally? You decide) next time they talk.

Wants to save people with a smile but barely cracked genuine ones during his battle with Tenko- I can think of two(?), and even then those felt more like a resignation (379 and 412 iirc) than actual smiles.

Being aware Kacchan's a jackass, fine, but the entire "Imitate the people you love/admire" themes, having an attitude when heated or absolutely Done with anyone's BS (makes sense for someone who grew up besides a kid in the Inferiority-Superiority Complex but still) and "This is a battle between All For One and One For All, you can't keep up" is still very much pot calling the kettle black (it's because his "arrogance" is rooted in selflessness and desire to be useful but that's for another day)

Deadass called All For One out for being a lonely man pretending to be a "Demon Lord" yet will not admit he himself thinks a he's just a lonely kid pretending to be a hero; and by the time he seemed to be growing out of it: Paranormal Liberation Front.

"IT'S YOUR POWER, ISN'T IT?!" Cool, nice of him to comfort Shoto and try the same with Touya, now if only he could do the same in regards to himself and OFA-

Wasn't able to connect with Tenko at all and that's why he failed but it's wild to me he'd still the one who even at surface level could relate to):

Spinner, because they're nerds who were ostracized based on Quirks/lack thereof looking for a purpose and were unable to help him because of AFO's interference;

Himiko, because they want to be like others (because they hate themselves at least a little bit) but also show love in a way others wouldn't accept and;

Touya, because they wanted to prove they could be useful to others and be heroes to the point of actively harmed themselves while using their own Quirk.

Hell, when you think about it he related to the crying child but he could've used Literally Anything from his relationship with Katsuki to try and reach Tenko, but of course he didn't, that means he'd have to think about his own issues and yet he saw Tenko's issues no wonder he didn't get the job done-

Also can we talk about him saying he relates to Ochako confronting Himiko but she actually succeeded- Or even Shoto wanting to forgive Endeavor; I keep recalling both Ch. 322 him saying he won't forgive Tenko for anything he did (understandable but still) and Tenko going "And I won't forgive anyone". Connecting these three instances are huge stretches, I know, but really, he hasn't addressed the apology he got- combined narrative punishments for empty platitudes.

Kept saying he needed to improve in his control with OFA: had to get beaten up during his internship and in the Summer Camp for that lesson to stick... Then he heard the words "Control Your Heart" and decided to Not Address It At All.

Supposed to surpass but he's really All Might's successor in every way that counts: Smile so nobody will worry, keep fighting even though you are destroying yourself, be so selfless you'll make your friends desperate enough to make you stop for your own good, hide every single thing you can about yourself, the only difference is in the bed they made: Toshinori lies in omission most of the time, and Izuku thinks he lies in white when almost every other character's in the dark, but as long as there's a dream of bright smiles in the future, who cares they're now forcefully entangled in this nightmare, right?

And these are just the examples I can think of the top of my head, there might be more, but. No wonder we've been "panicking" (let's be real his therapist already scheduled him for Ground Beta atp-) Shoto and Ochako brushed him off by accident in Chapter 425, it's the consequences of his hypocritical ass coming back to bite him-

(I am not hating on him, by the way, it's just something about him I wanted to point out. I like that aspect of his. Makes him more human. But jeez can someone call him out and make him practice what he preaches? XD)

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[yeonban]

Speaking of psypass, Tobias is such a wildcard when it comes to how he'd react to an enforcer trying to run away... He doesn't view that as a betrayal just as he doesn't view fellow inspectors changing jobs or enforcers being forced to relocate to another division as a betrayal. It's part of the job. The only reason he would consider it a betrayal is if the enforcer in question worked with a criminal behind his back to run away or otherwise get him killed. But besides that? He doesn't careee. What he'd do depends wholly on how he'd feel on the day they try to run away and how close he is to them/to sb who cherishes them. He can't exactly let them go since that'd end up being HIS trouble (at most he could let One go in his entire career) but if he's feeling nice he'd hunt them down and allow them to live, not telling anyone that they tried to run away. If he's in a bad mood, though, or they've betrayed him somehow, they would be dealt with in the way protocol dictates. Maybe even Worse. 😭

[bylertruther]

"there's no basis or case to be made for will having powers" okay then genuinely please explain any of the following now after watching season four:

why does the upside down look like hawkins and is presumably stuck on the day will arrived despite the fact that vecna was there first and has been residing there this whole time? if vecna was capable of reshaping the world, as he's stated he wants to do, why hasn't he done it in his own world? why is he so intent on seeking out the person for whom time apparently stopped if it's all just coincidence? if will didn't do that and he doesn't have powers, then why didn't time progress or the setting change once the teenagers got there? why was time only influenced by will and will alone if he has no powers whatsoever?

how was will able to call joyce multiple times? the only person we've seen so far be able to do something similar is eleven when she would channel what she heard through the radio. electricity doesn't work in the upside down, so how did will do that? why did it cause a shock and ruin the phone, the same way that the radio went up in flames when eleven did it, if he doesn't have powers?

how did he manage to wake joyce up at one point? (it could've been her imagination, but the show made it pretty clear that joyce had been right about everything the entire time even though everyone thought she was crazy, and will was wearing the same outfit but he looked and sounded distressed + exhausted like he may have been while hiding in his upside down version of the house.)

how was will able to see his mother and guide her with the lights to the place he was hiding?

how was will able to see the letters she wrote on the wall?

how was will able to light up the lights that fast and sometimes simultaneously? especially with the lights that were on the ceiling? the way he communicated with joyce isn't totally similar to the way the teens communicated with the party in season four. he's too short to reach the ceiling and he doesn't have elasti-arms or super speed, so he couldn't have been touching that many lights that fast all by himself with his own hands. if anything, it's more similar to the training exercise brenner had the lab kids do, because they didn't need to touch the lights (obviously) to control them. so, how do you explain that if he has no powers?

how did he acquire true sight before his possession? the doctors thought it was ptsd and all in his head, but just like with joyce, we come to learn that will had been right the entire time. the mind flayer was real and it was coming for them all and eventually it did. how did he know that? how could he have had such knowledge before it ever melded minds and bodies with him? no other powerless human could do that, so how do you explain it?

if will is truly a powerless human being, why did vecna hunt him down? we know that vecna stalks his prey before he strikes. we know that "the monster" followed will from mike's house all the way to the shed where they vanished without a trace. we then saw it stalk will again and eventually possess him. will said that vecna wanted to kill everyone else, but not him. why? we know that vecna doesn't care about people. so what did will have that he wanted so bad? what was it about will that made him more valuable to vecna—a self-perceived god among useless, pitiful, and brutish men—alive than dead? what was it about will, a supposed powerless and normal human boy, that made vecna want to spare him and use him? if he wanted access to the lab, weapons, or tools that could bring down entire nations and rendered millions around the globe defenseless to his attack, then he wouldn't have picked a sweet twelve year old boy who lives a tiny little life in a tiny little town who just wants to hang with his friends and play games. unless... he was the key to achieving his plans? but according to this argument that will is just a normal boy, why is it then that vecna did all of that if will isn't capable of anything?

additionally, we know that gates are opened with a psychic connection. when the psychic connection was made in that shed, will entered the upside down. there, he was hunted for a week. why did the demogorgons kill and eat everyone else, but never will? why did they only carry him to the library aka the source of it all? why didn't they treat him roughly or eat him like they did all of the others? will didn't suffer any serious damage from the upside down, so he couldn't have been "dead" for long when his parents found him. why was it different with him? why did he get special treatment even in hell if he's just a boy?

why does will still sense the creatures of the upside down even after he's been exorcised? how is it that the psychic connection is still there? how is he still able to know what vecna is feeling, the kind of state that he's in, and what it is that he's planned? how does he have this connection still even though he shouldn't if he's Just Some Guy?

if will was just a normal, powerless boy... then why did a self-proclaimed god try so hard to recruit him more than once? why did it hunt only him? why did this god want to kill everyone but him? why did this god deem him more worthy and useful in life and at his side than in death? why did it seek him out and not eleven, a girl who actually has powers, powers that were once stronger than his own even and that he clearly wanted as we saw in s3? why is the upside down stuck on the day will went missing, despite it clearly being inhabited by other creatures that we assume to be more powerful than him? why is will going to be central to season five, the season where it will all come to a close and we'll be learning about the upside down and more, if... he's Just Some Guy that had to brave it for a week and that's it? why did season four (and the show overall, but said outright and explicitly here in 4x09) reiterate that it has always been vecna and that will has always been his victim/in his sights/connected to him? why did vecna choose will byers, who some of you claim to be Just Some Boy, of literally all people on planet fucking earth to achieve his plans?

vecna stalked will. he hunted him. and when his plans were foiled, he tried again. when he couldn't do it his way, he sought to kill eleven so that he could absorb her powers (s3). and now, they're back in each other's heads. the silver cat fed when blue met yellow in the west, but they're back now and we've been told that this is only the beginning. if will is just another powerless human, then what is the point of any of that? how do you explain everything that we've seen? how do you explain the choices these characters have made and continue to make? how do you explain away the connection that they keep drawing our eyes to? the connection that shocked the duffers and made them ask jamie if he'd seen the scripts when he brought it up (that it all goes back to will, how everything and everyone is connected to will)? the connection that they themselves are saying we'll see clearly in season five?

that isn't even scratching the surface of all the obvious instances where they make it clear that will is vecna's narrative foil, because that would make this already gargantuan post thirty miles longer.

they wouldn't have done everything that they've done over the span of multiple seasons now if it was just for nothing.

it doesn't make sense if will is just some normal kid and a random fluke in the master plan. the writers could've had vecna pick anyone. they could have made it so that will's connection was severed or lessened, but they didn't. they could've admitted that will was just a meaningless casualty, but they didn't because he wasn't. it wasn't a random animal that took will, he wasn't possessed for shits and giggles, and he doesn't continue to have that psychic connection for no reason. they don't tell us that nothing is a coincidence and they don't have the characters themselves remind us that they need will just for it to be... nothing.

will knows what's coming, what's happening, and the condition of the person who will do it all. why have him experience all of that, and even be able to in the first place, if he's... powerless? how do you even explain the connection in the first place? no other character, not even the ones cursed by vecna, are able to do what he's done. how is that not considered a power? and how do you write off the hours of content that you've witnessed as nothing?

clearly, at some point you have to realize that something is going on, no? like, you don't even have to take my (one-too-many) word(s) for it. jamie and the duffers themselves have been saying it over and over again. so... honestly, what's not clicking?

[gooeykit]

Hey you/your friend/your alt acct can go anon in my ask box again 😘🥰💋

what?

[mazojo]

I am too dumb for Jujutsu Kaisen

[ariascent]

WAUGH. girl (gnc) send help.

[alexclaain]

I dont really know how to explain this, but every religion gives me an ick if it's starting to lean into the more radical sides and excludes or oppresses people. And it's weird to me how there are people who will claim you're (religion)phobic, if you call out the bigotry.

[screampied]

JJK men reaction to us saying it’s impossible to make us orgasm/cummm? 🥹

໒꒱ ₊˚ ‘ SLUT STRETCH ME OUT ! ’﹒⺡

gojo & geto, toji, sukuna, choso

𐚁̸ warnings. fem! reader, unprotected, backshots, praise, dirty talk, spanking, hair pulling, gojo and geto eating you out at the same time, choking, overstim, squìrting, daddy kink, díck slipping, mdni.

✰ TOJI FUSHIGURO

“fuck are you even talkin’ about.” toji scratches his head, watching as you straddle his lap. you had a mere pout go against your lips before struggling to get your words out. his voice pitches, a deep and rough low. needless to say it turned you on, quite more than you thought it would. “speak up. don’t like when ya mumble.”

“i’m serious,” you chastise, eyebrows sweetly furrowing. “no guy’s ever made me um— finish.”

toji had an unreadable expression, your breath hitches once he grips your hips before giving you an intimidating stare. “riiiiiight,” and he’s clearly not taking you serious. if anything, toji finds it insulting. you nearly moan, scooting up against his lap just to feel his bulge prod underneath your shorts. “and i’m a virgin,” he scoffs underneath his breath—you gasp, watching as he makes you turn around, facing the opposite way. your chest hits against the soft padded mattress before he trails a hand up your ass. “we can fix that problem right now, princess. just watch me.”

“how?”

“how?” he mocks your tone. “don’t ask stupid questions,” he spanks your ass, and you moan from the sheer recoil. for a split second, it tickles. yet that’s when he softly caresses the palm of his hand against his skin and you bite your lip once you suddenly feel the plump tip of his dick graze against your slick entrance. “now now, bend that ass over ‘n i’ll show ya how. how ‘bout that, girl.”

he was so mean, so sassy too. the air around you grew so thick. it made your toes curl, just knowing toji’s eyes was leering towards your rear the entire time. “good girl. like that. ass up ‘n face fuckin’ down,” and embarrassingly enough, you were already so soaked. sopping right through your pretty panties. he gets ahold of your ass, making it scoot up high before seconds later he’s deepening himself into you. “mhmm,” he grunts, feeling your warmth swallow him whole. toji’s cock was so thick, the hefty girth— you could feel your tongue start to shamelessly salivate. “no one’s really made ya orgasm, princess?”

“n— no,” you whine, feeling your slick coat him from all the way down to his base. your legs spread just a bit, and he’s just about halfway in before your lips part, forming into a cute 'o'. “think it’s some kind of scientific—”

“okay girl don’t piss me off,” toji grits, and once he’s finally in, a single thrust was just enough to send you straight over the edge. you kneeled on the bed, the right sight of your cheek presses against the sheets before you moan. “ain’t nothing scientific about this. y’er gonna have an orgasm. just trust me.”

you mewl each time he gives you a spank, a mean spank that merely rings throughout your ears. toji’s thick cock brushes against your entrance, and once he starts up a pace— it’s over.

toji’s pace, his movements . . it was simply delicious.

such sloppy rude hips smacking into you, you’re barely even clinging onto the bed by this point. your back is arched and by this point you’re being fucked against your own mattress. it was always known, whenever toji fucked… he fucked hard.

he loved you, but his striking disrespectful hips always said otherwise. this entire angle was purely amorous. this was always his favorite point of view, you with your ass all up, face being pummeled into the whitened silky sheets. everytime, you start to whine once you felt toji deepen his hits just a bit further. so good that he leans up directly close to you. the back of his foot prods against your neck and you feel his sock rub further down against your skin— the cottony wool that runs behind the back of your head sends you chills.

“t-tojiiiii, fuckkk,” you’d whimper, feeling him literally fuck you with his foot just resting against the back of your head. he was so lazy.. so lazy and yet you never failed to throb from it everytime.

“that’s not my name when ‘m deep inside this nasty cunt, girl. let’s try that again.” he gruffs lowly.

“fucking..” you grumble, cutting yourself off. he always found your attitude to be so amusing. toji leans up close, a hand wrapping around your neck as he’s still pounding such thick inches into you, ruthlessly. “daddy, think ‘m gonna cum. i—i feel it.” you spat, cutely wriggling your hips against him.

such a cute whiney voice, his length stretches so deep within you that it makes your eyes roll and roam everywhere. he’s just gifting you with hit after hit. your jaw just drops down the moment your left leg starts to profusely twitch.

once a sudden wave of nerves bundle and brew up inside you, you whine out a sweet, “oh my g-godddd,” whilst he’s still maneuvering plenty of circles against your pussy. you’re just here, arched over, bent over for toji fushiguro like some slut. his slut.

“good girl,” he huffs out, slowing down a bit. “relax for me, yeah. shut that mouth ‘n listen to how sloppy this pussy gets just for me. all for me.”

those two weak legs of yours, they felt like mush. shakey and just utterly useless. he spanks your ass a final time before he rubs tender circles against your throbbing sopping pussy that’s just barely getting over its recent euphoric release.

“she’s got so much to fuckin’ say, listen to her with me,” he whispers, using the entirety of his wrist to rub between your legs— he’s still plugged into your cunt with his shaft, yet he’s multitasking by playing with your pussy. you whine, your legs trembling in arousal and he just lowly chortles.

“awww. no back talk now, huh?” he purrs before playfully tugging your hair back, leaning to lick a long stripe down your neck. “exactly what i thought. can’t fuckin’ orgasm my ass.”

✰ SUKUNA RYŌMEN

“hm? never orgasmed before huh? greedy fuckin’ girl. ‘n here i’m thinking my fingers was just enough for you.” sukuna teases and you’re just speechless. he’s holding them up for you with the most cunning grin plastered on his face.

you moan, feeling him sink two thick pairs of digits into your slick heat. he sneaks a chaste kiss near your inner thigh before leaning in to press his lips against your pussy, savoring the sweetened taste. “kuna that’s not what i mean— i just, i want you to make me finish.”

“nah. don’t try ‘n correct me, little girl,” he grouses. “you are greedy,” he grunts, giving your cunt a swift spank to make your thighs twitch, “but fine. if you wanna orgasm that bad, i’ll give it to ya.” he mutters, warm minty breath going against your clit.

your sheeny lips part and part from the way he’s fingering you and eating you out, lapping you up so sloppy like— his lips latch and lock against your folds and your eyes just roll all the way back, wayyyyy back into the depths of darkness that your skull provided. he was so filthy, he just couldn’t help it.

you kiss your teeth freely, feeling his two fingers vigorously insert deeply. in and out, in and out. he’s prodding against that spot repeatedly again and again. it was nothing but a mere sight, all of the stimulation combined had you tongue tied and cross eyed.

“f-fuckkk, ‘kuna— sukuna.”

“shut the fuck up ‘n give me that orgasm, woman,” and your head gets all fuzzy— he’s so mean, giving your cunt even more various spanks, the palm of his hand is coated in nothing but your wet arousal and it’s so cute. “i gotta spank again ‘n again just to have you finish on me?”

“don’t tell me what to d— do.” you protest.

“last time i checked, i know how to make myself cum…. unlike someone,” he grunts with a menacing glare. it was so unintentionally sexy.

his cruel eyes stare right into yours before he sits up, spitting right on your pussy. a wet long glob trickles down and it’s so messy, he’s so messy.

he runs his middle finger down your slit and his eyes never once leaves your cunt— not even for a moment, a split second even. you meet eye contact again and as you hold the bottom of his chin, his fangs poke out. sukuna’s entire chin was covered with nothing but your sweet wetness. he laps it up slowly with his tongue, making sure you watch his every move before going back to plant a kiss against your throbbing entrance.

your were so close, never once staying still. you just squirm and squirm. gradually, you felt something start to unhurriedly build up—you couldn’t exactly pinpoint the feeling…. however, both of your ears started to burn up hot, electricity’s pulsing through you all at once. “i feel something s-sukuna.”

“course ya are” he hums cockily with a low raspy laugh following shortly after. once you wrap a hand around his length, you moan once he smears his throbbing leaky pre-swollen tip against your pulsating entrance. “messy little girl. so eager ‘n all just for me. can’t help but be nasty for me, huh.” and within quick moments, he already feels himself starting to bottom out. sukuna groans, feeling you selfishly swallow him up and it’s so warm. immensely, your walls grip around him tightly and you feel yourself reaching a specific shock waving peak. “let this pussy make a mess on me, don’t gotta be shy,” he hums. “it’s just you ‘n me here, girl.”

not only do you orgasm— you end up squirting all over him too. it comes out in a quick spray, and it’s so much that your maw drops and your eyes become insignificantly droopy.

it’s so adorable, at least in the curses eyes. sukuna barely gave you a few of his rigorous thrusts before you’re already losing yourself, your hearing turns into complete white noise. “o—oh my goddd.” you’d sob out, and he smirks.

sukuna gives you a chaste kiss, only to quickly pull away to teasingly lick against your bottom lip. “nasty little girl. didn’t no one tell you to fuckin’ squirt on me.”

“s— sorry,” you moan, feeling yourself still continuously throb. your orgasm took nearly everything out of you, you were panting and you watch him kiss you again and again, tasting the own flavor of yourself on his tongue. he pulls away, his pearly white fangs playfully biting near your lip before he brushes a thumb against your lip.

“that’s not what i wanted you to say, girl.” he rasps.

your body felt so tingly, for a moment you’re confused before you slump forward into his chest. “i— thank you?”

“and?”

“i love you, sukuna.”

“i love you too, brat,” he breathes, and as a thumb of his strums against the top of your lip, he snarls lowly, staring right into your eyes before squeezing your lips together. “now open your mouth. i want you to be more of a messy girl ‘n taste yourself some more. say ah.”

✰ SATORU GOJO & SUGURU GETO

“guys i’m not joking,” you protest between your words two best friends. you lie against between the two of them, basically sandwiched them both before a cute pout forms against your spit-glossed lips. “i literally can’t orgasm. i read somewhere ‘n think it’s genetic or something.”

geto chuckles. “genetic, hm?”

gojo leans near you to press a kiss against your neck.

“mmm. maybe you just haven’t found the right guy to do it right,” and you moan once gojo trails a hand down to part between your legs. “ooh i know. how ‘bout you let me ‘n sugu try to fix that with our tongues? maybe that’ll help.”

“for once, satoru doesn’t have a dumb idea.”

“shut up, man.”

once you tell them to go ahead, you suddenly found yourself being laid flat.

you mewl out a sweetened whimper, your ass raised all up in the air. geto runs a thumb down the slick part of your entrance before lapping his tongue against your cunt. his technique was always so filthy, eating you out like a starved man.

his tongue, it was so lengthy—you felt it skim all throughout your folds, occasionally sucking against your clit. your entire body tremors before you feel gojo lean in to slide his tongue against your puckering neglected hole. “so greedy. takin’ us both, right pretty girl?”

you whine at geto’s words, feeling the sensations of both of them eating you out— at the same time too, one focusing their attention towards your clit, another towards your ass. gojo moans, warm breath fanning against you before he repeatedly delves his tongue inside. he was so sloppy, breaking his lips away on occasion to spit before lapping it up for a final time. over and over, geto’s flicking his tongue against your sensitive nub for the umpteenth time and your body immediately starts to quaver. it felt too good, extremely. your mouth starts to grow dry and your toes just curl up with such quickness.

“f— fuckkk,” you’d sob out, wriggling your ass against geto’s face and he just snickers. he kisses the fat of your ass with a smack from his palm, and you moan. pretty soon, your thighs start to ache and you were merely drooling. “don’t s-stop, keep going pleaseeee.”

“taste so sweet,” gojo huffs out in frantic breaths, still running his pink tongue against your rim. you don’t think you’ve ever experienced something as lewd as this before—especially with the two of your best friends. the three of you fooled around a bit, practically inseparable, maybe occasionally eating you out every once and a while … but this? not by a mile.

geto smiles, already so pussy-drunk. your slick coats near the very bottom of chin—gifting it with your sweet wetness. how generous, as his tongue mindlessly hovers against your cunt, he gives it another long suck. each flick against your nub made you start to see stars— it was apparent, you were practically numb, although, you started to feel it. a sudden incoming wave approaching at a high chasing speed. you weren’t sure what it was but it was oddly unfamiliar.

“you’re being stingy, sugu,” gojo grumbles, shoving his best friend aside before rolling his tongue against your cunt also— you were just soaked, you heard a single slurp from gojo’s mouth and you had just about had it. a rippling tingle emerges, and static just pours right out of your hot-tempered ears. your orgasm was so cute, it was a mere squeak.

whilst you dissolve into pleasure, succumbing to whatever lewd voice that had you in a tight chokehold— geto’s still dragging his tongue against your clit before he turns toward gojo. “i’m the stingy one?” and right before gojo could reply with something snarky, he leans in and kisses gojo.

he moans, kissing back right away. the pure taste of your honeyed slick that ran down both of their chins, they tasted it. geto snickers, watching gojo suddenly form into a puddle, such an easy pushover. while they kissed, he pulls away before going back towards your cunt, spitting on it before pulling gojo’s head close to make out with him again— they both lock lips while fighting over over your cunt.

“s-suguru, ‘toru—” you’d moan, the arch in your back never subsiding.

“kiss me again, sugu—”

“no, satoru. this is about out girl. not you.”

“hmph, don’t gotta be so rude.”

✰ CHOSO KAMO

“you—you can’t orgasm either?” choso says with a sweet look of surprise. he has a genuine reaction, dark pools of eyes staring into you as you’re just barely hovering over his leaky tip. “thought it was just me.”

“really?” you murmur, not expecting that to be his reaction. choso had the cutest expression plastered on his face. he was sweating, a plethora of sweat droplets race down his bare chest before he clings onto your waist. with a nod, he skims his eyes down towards your body before shyly darting away. “you’ve never had a orgasm?”

choso replies in a timid tone, a weak grin forming on his lips. “no. that’s … kinda why i was gonna ask if we could make each other finish together,” and his face turns completely flushed—it’s adorable. “of course i-if you want to. i just … just wanna make sure you’re feeling good too ‘n not just me.”

you lean in to kiss near his cheek and he moans just from the simple touch. a sweet mewl departs from his lips, and once you gradually make your way onto his hardened length, he sighs deeply.

“let’s do it together then, baby,” and choso’s droopy eyes stare at you once more. it’s cute, he swallows thickly before feeling you slowly bury his cock right into your gripping walls. you lean in to plant a wet kiss near the crook of his neck before you started to move. “hey, look at me.”

“i— i don’t like when you call me baby,” he pouts, feeling you start to create a rhythmic pace. your hips moved so slow against him, pretty soon choso’s dark irises started to roll swiftly in harmony. “it’s embarrassing.”

“it’s cute,” you tease, rocking back and forth. everything felt like an illusion—just being engulfed in your wet heat, it was a dream. choso couldn’t even try to suppress the lewd moan that leaves his lips each and every single time. “you’re even more louder than me, baby.”

“shut up, ‘s not t-trueee,” and his words briefly drag before you quicken the movement of your hips by default. choso’s sat manspread, and he’s just about to lose it. your pussy grips against him tightly, and it’s so good that he’s huffing out white breaths of air each time. “y—you’re such a,” and he pauses before groaning. his left thigh starts to bounce, a cute attempt at trying to keep up with your pace and that��s when he feels his dick pound into you again and again. thwacking, it became repetitive, he’s captured in a hypnotic trance all because of your hips. “love how you fuck me s-so good, pretty girl.”

you continue to pepper his twitching mouth with kisses, and his hands roam up your waist before pulling you back against him.

“c—chosooo,” you’d hum out, although in comes out sounding like a soft purr. you were perfect in his eyes, even your smell. it was simply enchanting, so sweet. your perfume wafts against his noise before within seconds later the crown of his cock meets that particular spot. “do you— do you feel it too?”

“i feel it baby, ‘m gonna cum i— i think,” and he sounds unsure, his voice was so shaky and he holds you right into his arms. his warm embrace, choso’s breathing patterns became quaky, it was so cute. how his naturally low voice pitched, a fiery pools into the lower depths of your abdomen as you grind against him at a much more fast tempo.

choso’s jaw then abruptly tightens once his dick ends up slipping out of your cunt — he pouts, his tip now smearing against your cunt before he freezes and before he realizes, he’s already cumming, hard. “o-oh shit.”

even his swears were cute, choso grunts the moment his now flaccid dick sprays the entrance of your pussy with stringy ropes of his cum. velvety ropes, he’s feeling a spring coil tightly and you ended up following shortly afterward.

you moan, grinding against his now soft shaft that was just laid underneath, not even plugging you inside anymore—you shut his moans up with a simple candied kiss. choso trembles, parting his lips before gripping your ass. each moan that escapes from his lips sounded even more pretty and melodic.

once choso breaks away, a pretty sheeny cobweb of spit departs from his lips and yours. you watch as he brings a hand between your thighs.

“s-so much,” he pants, smearing the tips of his fingers with his own seed. he liked admiring his own mess he always created inside of you. it was lewd, yet he wanted more. more of you.

“let’s .. let’s do it again. please? i— i wanna be dirty for you, please. this time i… i wanna see how a human squirts, princess. teach me?”

[unproduciblesmackdown]

more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair.  More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking.  Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction. 

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are:  "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself.  They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory.   As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it.  Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")