the moon will sing a song for me (i loved you like the sun)
zutara month, day seven: divine intervention, @zutaramonth.
summary: when zuko takes the lightning aimed for katara, it takes a little more than her usual healing to get him back from the brink. feat. yue's words of encouragement and empowering influence on katara, medically necessary bloodbending, and a zuko who is too out of it to understand much of what is going on, but that's okay. katara has him.
content warnings: general references to violence and wounds, nothing more explicit than the show.
notes: title is from "the moon will sing" by the crane wives. yes i do too many lyric titles. no i will not stop <3. idk when sozin's comet officially ended but for fic purposes we are imagining the timing makes sense for the moon to be out after the agni kai. two pieces of dialogue were taken from the show.
Zuko groans as he's being turned over. His bones feel like liquid, his skin set alight, his heart like a crater in his chest.
Katara, he thinks, he tries to say, he doesn't know.
Katara looks at him with a worried expression, her lips turned in a frown, her eyes wide with fear and sadness as she presses a watery hand to his crumpled, prone form.
She is worried but alive. She is alive, and if she is here, then she must have defeated Azula.
Katara is alive. That is what counts. This was his destiny, then. To save her.
It wasn't a bad note to end on.
Zuko closes his eyes. There's a hammering thud in his chest. He is so tired. Normally, he'd associate the feel of it with exertion, or else desperation, and he would feel frantic. But he is so tired. He has been so tired.
"No," he thinks he hears Katara say. It sounds like she's underwater, or perhaps he is. "No, Zuko, don't you dare."
He struggles to open his eyes again because he doesn't want her to sound so angry with him and doesn't want her to be sad. It only feels like a moment has passed, or maybe it has been hours.
She is looking up. Pale, yellow light shadows her.
Katara is speaking with the moon.
The moon is also a girl.
Someone told him a story like that once.
A spirit, he thinks a little redundantly, with white tresses of hair and a glowy form and a gentle smile. The moon spirit?
Zuko jerks, a spasm of his body as he lights up again with the pain, and Katara looks back to him, alarmed.
"—but you know another way," the moon-girl insists softly to Katara, whom Zuko looks at as her mouth sets in a thin, determined line. Unless he's imagining it all, which is possible. "And I am here with you now."
After a moment's hesitation, Katara nods and sets her left, water-encased hand against his chest again and raises her other in a motion he faintly recognizes.
"This is going to hurt," she says warningly, sadly. "But it will help. I think. It has to." She shakes her head, torn.
Zuko doesn't know what's going on, but if Katara says it will help, that's all that really matters.
"I trust you," he slurs. Is that him? Does he sound like that?
Katara blinks. Zuko watches tears slip from her cheeks.
And then, it starts. She did not lie about it hurting. Despite himself, Zuko feels his body rising from the ground in pain and panic, and Katara has to keep him pressed down. His blood is boiling, his chest swelling. This must be what dying feels like. But then, he's pretty sure he was dying before. He supposes it's a process.
"—sorry, sorry, I'm so sorry—" Zuko makes out the words, faint in his ears, though Katara sobs them out.
Eventually, though, the beat of his heart evens. His blood begins to simmer down. The pain melts.
He watches as Katara pulls back, resting on her knees. The moon-girl smiles down on them before fading back into being just the moon, high in their war-torn sky again.
Nothing that just happened makes any sense, Zuko decides dazedly. But it was Katara who saved him, and that made all the sense in the world.
"Thank you, Katara," he rasps, looking up at her through heavy eyes. Looking at her made everything in the world seem alright again.
She looks down at him with a soft expression and a watery smile.
"I think I'm the one who should be thanking you."
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“Why a temple? Why now?”
She is only a voice, barely a presence, but her notice shakes the mortal beneath her. The reply comes slowly, fearfully:
“Because you are needed. By me. By so many others.”
A goddess can smile even in the silent, sightless nothing. “I have learned to love the little altars, the songs, the stories. But you no longer celebrate your harvests. There is no need for a temple to beg my presence.”
“I am not here for the harvest,” the exhausted mortal speaks. Her voice is painfully familiar, like every human voice, but more so.
“Then why are you here? Why am I here?”
“Because I cannot find my child.”
The goddess opens her eyes. The mortal before her is shaking in her worn down shoes.
“Because you lost your daughter once. Because you did everything to get her back.”
Her gaze is endless, and the silence gaping. But when she replies there is less of divinity and more of hesitance in her voice.
“There are many versions of that story.”
The parent’s eyes are bloodshot, wide awake and stubborn. “But you find her in every single one.”
The goddess lifts her head and looks around. It is a poor excuse for a temple. There are no columns, no statues, no sheaf of wheat, no offerings. Just empty chairs, and coffee cups, marker stained maps, and missing posters lining the walls.
And in the midst of it all, a woman who looks almost too familiar.
A plastic clock ticks to one past one, and the goddess Demeter seats herself under the roof of her new temple, a ripple of blind perseverance and unflinching hope rushing into the night.
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