#peter krieger

[hijolehijola]

Urbanity, Culture, and Politics

Sin embargo, como muestra la historia de las polis griegas entre la democracia y la tiranía, ese equilibrio entre la metafísica del poder y su concreción en la ciudad es frágil. La lección histórica de esos tiempos, también de la historia política de la ciudad Siena, indica que hay que luchar por la calidad de la vida ciudadana. Producir y recibir tales imágenes, como la del buen gobierno [en la pintura mural] de Siena, requiere una cierta cultura urbana. Según su origen en latín, cultura significa una actitud agraria, el cultivo de un campa para que florezcan la plantas.

However, as is shown in the history of the Greek polis' inbetween democracy and tyranny, that balance between the metaphysical of the power and its concretion in the city is fragile. The historical lesson of those times, as well as of the political history of the city of Siena, indicates that it is necessary to fight for quality of city life. To produce and receive such images, such as that of the good government (in the mural painting) of Siena, requires a certain urban culture. According the origin from Latin, cultura signifies an agrarian stance, the cultivation of a field to make the plants grow.

  En sus formas compuestas, el verbo colere, raíz del sustantivo cultura, indica refinar (excolere), elaborar (percolere), reconstruir (recolere). Estos ejemplos muestran que el concepto de cultura, ya en los tiempos romanos antiguos, fue ampliado a otras áreas de expresión humana, como las artes y las ciencias. No obstante, a pesar de las diversas formas en que se amplió el concepto de cultura, desde sus orígenes agrarios, se mantuvo la idea esencial de que la cultura no es un regalo, al contrario, es el resultado de un trabajo duro. Como el campesino lucha con su terreno para cosechar, el ciudadano lucha con su campo urbano para ganar una convivencia armónica. Cultivar la ciudad requiere aprovechar el potencial y asumir la responsabilidad. Cultura, en este sentido básico, no es una decoración de la política, sino uno de sus principios generales. Cultura exige una capacitación para arreglar los conflictos con racionalidad y control afectivo dentro de la comunidad, incluyendo la definición de límites de cada articulación espacial-arquitectectonica dentro de los muros de la ciudad. En fin, cultura implica la conciencia colectiva de valores y restricciones a favor de la comunidad.

In its composed forms, the verb colere, root of the substantive 'culture', indicates 'to refine' (excolere), 'to elaborate' (percolere), 'to reconstruct' (recolere). These examples show that the concept of culture, already even in ancient Roman times, was extended to other areas of human expression, like the arts and sciences. However, in spite of the diverse forms in which the concept of culture extended itself, ever since its agrarian origins, the essential idea has been maintained that culture is not a gift: on the contrary, it is the result of much hard work. Just as the rural peasant struggles with his land to produce crops, the city-dweller struggles with his urban field to obtain a harmonious cohabitation. Cultivating culture requires taking advantage of potential and assuming responsibility. Culture, in its basic sense, is not a political decoration, but rather one of its general principles. Culture demands the capacity for resolving conflicts with rationality and effective control within the community, including defining the limits of each spacial-architectural articulation within the perimeters of the city. Summarily, culture implies the collective conscience of values and restrictions in support of the community.

  Todas estas descripciones comprenden le que se llama urbanidad. ¿Pero, por que, en estos discursos, se distinguen los términos “cuidad” y “cultura urbana”? El termino, “ciudad” se apoya en el concepto latino de civitas, que define una estructura metafísica de convivencia entre ciudadanos, con sus reglas sociales, sus leyes, costumbres y rituales. El termino complementario a esta superestructura virtual es urbs, palabra que indica la estructura material de la ciudad, sus muros, calles, casas. Las piedras de la urbs preservan y confirman definitivamente el espíritu de la civitas. Por su función mnemotécnica, la urbs sirve como instrumento educativo a sus habitantes. Por ello, la cultura urbana es algo muy concreto: es la verificación de lo que quiere la comunidad ciudadana.     

All of these descriptions comprise what we call urbanity. But, why then, in these discussions, do we make the distinction between the terms "city" and "urban culture"? The term "city" is supported by the Latin concept of civitas, which defines a metaphysical structure of cohabitation between city-dwellers, with its social rules, its laws, customs, and rituals. The complementary term to this virtual superstructure is urbs, a word indicating the material structure of the city, its walls, streets, houses. The stones of the urbs define and definitively acknowledge the spirit of civitas. By its mnemonic function, urbs serves as an educational tool for its inhabitants. Urban culture is something very concrete: it is the verification of what the urban community desires.

Paisajes Urbanos: imagen y memoria, Peter Krieger, 2006

[dcbinges]

The Power of Shazam! #9 (1995) by Jerry Ordway & Peter Krause

[nathalieskinoblog]

[nofatclips]

De Selby (Part 2) by Hozier from the album Unreal Unearth - Video directed by Wolf James, starring Domhnall Gleeson

[thekylemeredith]

This week on the KMW podcast, it's McKenna Grace (Ghostbusters), Peter Capaldi, & Jack Antonoff!

And on WFPK, I'm joined by Robby Krieger (The Doors), Julia Michaels (Disney's Wish), Vince Clarke (Erasure), Nathan Stewart-Jarrett & Niamh Algar (Hulu's Culprits), & Caleb Followill (Kings of Leon)

[leflyingrodent]

All Phin Mason namedrops/mentions post-MSM:MM:

Despite Insomniac's best efforts to pretend she never existed and that both her as a character and her storyline with Miles were completely irrelevant Phin has a few rare or totally missable mentions in both the Marvel's Spider-Man 2 prequel comic, as well as the game itself. Here are all of them:

Marvel's Spider-Man 2 (prequel comic) mentions:

WARNING: The following images contain spoilers from this comic's storyline. If you don't want to know any details of it without having read it first, look it up online and read it before scrolling below

Phin gets mentioned in 4 different panels throught the comic. 3 by Miles and one by a random henchman working for Hood:

(Kind of an unrelated side note, but I do not like how Miles namedrops Phin by name twice in front of criminals who didn't know she was the Tinkerer. Specially since, unlike Otto, who was entirely exposed as Doc Ock after the first game's story had ended, only Miles himself, Simon Krieger, Rhino, Ganke, Aaron and Rio knew of her dual life prior to her death)

Okay, that's all the comic had to offer in this regard. Now let's shift focus on:

Marvel's Spider-Man 2 (the game) mentions:

I'll clarify right off the bat that I'm not including the bits of Phin getting mentioned in the Mister Negative boss fight, as those are unmissable and thus irrelevant to the compilation I'm making

The first one to mention is the one most will likely be familiar with, as visiting Phin's memento in Trinity Church not only has Miles mention her, but doing it is required to get a trophy and is therefore part of the process to earn the game's Platinum Trophy:

However, what you might not know is that, if you visit Trinity Church again after completing the main story, you'll get the buttom prompt to interact with the memento again, and Miles will have a different dialogue, which gets us our second rare namedrop in the game:

The next one can be listened to after taking a picture of the Photo Op of the hot dog champion at Coney Island, in Downtown Brooklyn. If you open the Collections section on the menu and play the audio of this location only as Miles (if you're playing as Peter you'll get a different and completely unrelated dialogue), he will mention an eating competition he and Phin did against the champion:

And finally, we have this dialogue:

This is the rarest of them all by far, as you can ONLY get it once per savefile (either brand new or New Game Plus) and if you have tutorials enabled in the settings beforehand and open your first Tech Parts stache as Miles. If you have tutorials disabled or do have them enabled but open the first stache you find as Peter, you won't get to trigger this dialogue at any other point in the entire playthrough of that save file

Aaaaand that's all I manage to find. If anyone has another unusual dialogue in the game or other suplementary material of the franchise that mentions Phin, do let me know and I'll add it to the blog

I have other blogs planned for Phin, so stay tuned!

[tuesdaynightmusicclub]

Shan Tuesdaynightmusicclub's Top 50 Favourite Guitarists Ever

Still less embarrassing than Rolling Stone's!

50. Ritchie Blackmore

49. John Fahey

48. Marnie Stern

47. Peter Green

46. Pete Townshend

45. John Squire

44. Tony Iommi

43. Bob Weir

42. Mark Knopfler

41. Lee Ranaldo

40. Brian May

39. Hubert Sumlin

38. Kim Thayil

37. Masayoshi Tanaka

36. Carlos Santana

35. Eddie Van Halen

34. Keith Levine

33. Peter Buck

32. Dimebag Darrell

31. Mick Taylor

30. Dave Navarro

29. Wata

28. Eddie Hazel

27. Robert Fripp

26. Thurston Moore

25. Ernie Isley

24. Tom Verlaine

23. David Gilmour

22. Syd Barrett

21. Michael Karoli

20. Mick Ronson

19. Tom Morello

18. Mdou Moctar

17. Robbie Krieger

16. Jimmy Nolan

15. Chuck Berry

14. John McLaughlin

13. Glen Buxton

12. Guthrie Govan

11. Steve Howe

10. Daron Malakian

9. Jerry Garcia

8. Matt Bellamy

7. Frank Zappa

6. Buckethead

5. Carlos Alomar

4. John Frusciante

3. Johnny Marr

2. Django Reinhardt

Jimi Hendrix

[omegaremix]

Summer 2000 Mixtape.

Bustah Rhymes f. Raekwon & Ghostface Killah & Roc Marciano “The Heist”

Lord Tariq & Peter Gunz “This Cold World”

Phat Kat “Dedication To The Suckers”

Aboriginals, The “Number Theory”

De La Soul f. Redman “Oooh”

Royce Da 5’9” “Boom”

Guiro f. DJ Spinna “Solevision”

Dilated Peoples “Work The Angles” RMX

Slum Village “Raise It Up”

Kool G Rap & RZA “Cakes”

Ruff Ryders f. Snoop Dogg & Scarface & Jadakiss & Yung Wun “World War III”

Planet Asia & Talib Kweli “Don’t Let Up”

Yak Ballz “Nasty Or Nice”

M.O.P. “Ante Up”

Slum Village “Climax (Girl Shit)”

Mack 10 f. E-40 “Can’t Stop”

Big L “Holdin’ It Down”

Barber Shop Emcees “Money, Music, And Women”

Lonnie Liston Smith & The Cosmic Echoes “Aspirations”

Galt McDermott “Ripped Apart By Metal Explosions”

Les McCann “Valarta”

Richard “Groove” Holmes “Onsaya Joy”

Bob James “Caribbean Nights”

Lonnie Liston Smith & The Cosmic Echoes “Expansions”

Steve Davis “It’s All Because She’s Gone”

Mahavishnu Orchestra “Resolution”

Randy Crawford “Street Life”

Earth, Wind & Fire “Brazilian Rhyme (Beijo Interlude)”

Lonnie Liston Smith & The Cosmic Echoes “Colors Of The Rainbow”

Andreas Ammer & FM Einheit Sensation Death

Damage Manual “Sunset Gun”

Apoptygma Berzerk “Eclipse”

Front Line Assembly “Fatalist” (Rhys Fulber RMX)

Subconscious label Wild Planet

Caspar Brotzmann & FM Einheit Merry Christmas

Assemblage 23 “Bi-Polar”

Invisible label Drug Test Volume I

Andreas Ammer & FM Einheit Deutsche Krieger

Christoph De Babalon If You’re Into It I’m Out Of It

DJ Rap “It’s Good To Be Alive” (Deep Dish RMX)

Stereolab “Metronomic Underground” (Wagon Christ RMX)

Primal Scream “Kill All Hippies”

Squarepusher “Tequila Fish”

Hanin Elias In Flames 1994-1999

Underworld “Bruce Lee”

Genaside “The Genaside Will Not Be Televised”

Kraftwerk “Expo 2000”

Squarepusher “Central Line”

southpacific Constance

Harry Pussy Ride A Dove

Relapse Records label Japanese / American Noise Treaty

[kwebtv]

Raid on Entebbe - NBC - January 9, 1977

Historical Drama

Running Time: 150 minutes

Stars:

Peter Finch as Yitzhak Rabin

Charles Bronson as Brigadier General Dan Shomron

Yaphet Kotto as Idi Amin

Martin Balsam as Daniel Cooper

Horst Buchholz as Wilfried Böse

John Saxon as Major General Benny Peled

Jack Warden as Lieutenant General Mordechai Gur

Meshach Richards as Major General Allon

Sylvia Sidney as Dora Bloch

Robert Loggia as Yigal Allon

Tige Andrews as Shimon Peres

Eddie Constantine as Captain Michel Bacos

Warren Kemmerling as Gad Ja'akobi

David Opatoshu as Menachem Begin

Allan Arbus as Eli Melnick

Stephen Macht as Lieutenant Colonel Yonatan "Yoni" Netanyahu

James Woods as Captain Sammy Berg

Harvey Lembeck as Mr. Harvey

Dinah Manoff as Rachel Sager

Kim Richards as Alice

Aharon Ipalé as Major David Grut

Mariclare Costello as Gabrielle Krieger

Larry Gelman as Mr. Berg

After the Uganda–Tanzania War, Tanzanian troops discovered Bloch's body in 1979 in a sugar plantation around 20 miles (32 km) from Kampala, near the Jinja Road. Visual identification was impossible because her face was badly burned, but the corpse showed signs of a leg ulcer. A pathologist working with the Israel Defense Forces formally identified Bloch from the remains. Her remains were returned to her son in Israel, where she was given an Israeli state funeral. She was buried in Jerusalem's Har HaMenuchot Cemetery. (Wikipedia)

[spider-xan]

I wonder if Insomniac not wanting to make characters too unlikeable in the second game stems from dumb criticisms to the Miles Morales game. Namely, lot of idiots continue to say that Phin was too uniquely difficult or unlikeable to sympathize with despite not coming close to what Otto intentionally did, so Insomniac in response may have written Harry's character to try to avoid this reaction. Likewise, many people complain about the Miles Morales game not giving "nuance" to a character like Krieger, who's willing to kill his employees and poison people in Harlem for profit, and instead depicting him about as unsympathetic as you would expect that type of person to be. Therefore, they double down on Norman truly loving his son to avoid being seen as depicting him as "too cartoonishly evil" like people said about Krieger. Tangentially, I'm also wondering if them not killing off Harry was partly influenced by the worry that it would seem too similar to Phin's death.

Yeah, I honestly wouldn't be that surprised if the backlash against Phin may have had some influence on the decision to write Harry as being a perfect paragon who has little to no agency and therefore no blame as Venom (possibly, the last third of the game really can't decide on what exactly is going on with him and what his goals are) - and it's frustrating bc while I understand some of the criticisms of the writing for Phin, a lot of the complaints seem to come down to people being much harsher on a teenage Black girl than a middle-aged white man for similar actions, even though I feel like Phin's motivations feel more sympathetic than Otto wanting revenge for being humiliated (which is fine, I actually like that Otto is petty, egotistical, and not completely sympathetic, and I think Insomniac did a better job with this type of Doc Ock than Raimi Spider-Man 2 imo) - which is weird bc I don't doubt that Harry being a white man would afford him a degree of leniency that Phin would never get, even if the writing for her was perfect, where her being a stupid bitch would have people praising him for being complex and sympathetic.

Granted, I do feel like there are at least two factions of Harry fans where one likes Harry as a complicated messy character with flaws and the other likes him as a perfect cinnamon roll who did nothing wrong, and you can't satisfy both for obvious reasons, but I do feel like a more flawed Harry with genuine resentment issues would have driven the plot better, esp when he's supposed to be the main villain and the whole symbiote amplifying your worst traits and emotions thing - though the symbiote issue is not exclusive to Harry bc I feel like the game was reluctant to have Peter be truly awful in the black suit beyond almost killing Kraven bc even the almost killing MJ thing was just the symbiote piloting his body while he slept and not something coming from him, but that's a whole other discussion.

The whole thing with Norman is weird bc I think you could have him love Harry while still being a terrible father and set up some of the plot beats better without sanitizing Norman - like I said elsewhere, if they wanted to have Harry being jealous of Peter bc he thinks Norman wants to replace him after he dies, it could be seeded earlier where Norman seems to be hinting at it (which would be in line with him being an evil CEO who would reasonably be looking to secure his legacy) and have it actually be a thing than a misheard conversation where no one is at fault for anything; but between that and the complaints about Krieger, I feel like this goes back to this weird thing where writers and audiences prioritize likability, relatability, and being sympathetic as the most important characterization traits, so even evil characters get watered down - but you can have dynamic compelling characters whose actions are understandable, and I think that's more interesting than everyone having a sob story and soft personality where you want to be their best friend.

The interesting thing about Harry is that in the early draft script outline, he was originally supposed to die, and the early version of that final post-game EMF mission was like, a posthumous message Harry would leave for Peter in case he died - I suspect both Phin's death and Aunt May dying bc of Peter having to make a choice played a role in letting Harry live bc three games in a row where a loved one of the protagonist dies as the ending would be repetitive, but it makes the ending and lead up to Norman presumably becoming the Green Goblin as revenge weird bc 'I'm going to kill the Spider-Men bc they saved my son's life like I told them to, but he ended up in a coma, which is not good enough for me bc I'm an ungrateful asshole' is like, sure, I guess that's how you can make it work, but it's convoluted and inelegant compared to, 'I'm going to kill the Spider-Men bc they killed my son' and it feels like they wrote themselves into a corner due to both choices made in past games and where the next game had to go.

[docgold13]

I think it's better to just try & Make Peter's B or C-listers more competent for Miles to fight (Spot, Hydro Man, Ringer, Grizzley, Kangaroo, & Lady Octopus are ones that come to mind) & morph into his personal Rogues.

Like nobody knows how to make a Good supervillain these days (the good ones are very few & far between) & Miles OG villains aren't anything to ride home about. Maybe Rabble, or Simon Krieger, But I dunno how many care for Assessor, Alan Davis has become more & more a good guy in media than an outright villain(so he's disqualified), & nobody liked Ultimatum.

Across the Spider-Verse certainly made a strong case that a c-list villain like The Spot could be made into an A-list threat.

Still, villains are often a product of their times... as such there is always going to be room (maybe even a necessity) for brand new villains.

[dalekofchaos]

Ultimate Spider-Man fancast

My other Marvel fancasts

Spider-Man

X-Men

Fantastic 4

Other Marvel characters

Miles Brown as Miles Morales

Shemar Moore as Jefferson Davis

Roselyn Sanchez as Rio Morales

Hudson Yang as Ganke Lee

Amandla Stenberg as Phin Mason

Skai Jackson as Hailey Cooper

Jenna Ortega as Barbara Rodriguez

Storm Reid as Starling/Tiana Toomes

Rowan Blanchard as Bombshell/Lana Baumgartner

Tom Holland as Spider-Man/Peter Parker

Donald Glover as Aaron Davis/The Prowler

Rico Rodriguez as Fabio Medina/Egg

Alan Tudyk as Simon Krieger

Ving Rhames as Tombstone/Lonnie Lincoln

Donnie Yen as Mister Negative/Martin Li

Vincent D’Onofrio as Kingpin/Wilson Fisk

JK Simmons as J. Jonah Jameson

[dcbinges]

The Power of Shazam! #9 (1995) by Jerry Ordway & Peter Krause

[nathalieskinoblog]

[filmspun]

2023 Oscar nominations :

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

[caxycreations]

Short Stories Masterpost

Canon

Kaleb's Killer Business - Notable Characters: Kaleb, Bruce | TW: Death, violence, criminal behavior

A Display of Power - Notable Characters: Kaleb, Devon | TW: Death, violence, criminal behavior, foul language

The Vampire's Den - Notable Characters: Ryder, David | TW: Mature references

House of Cards - Notable Characters: Ryder, David

The Sergal - Notable Characters: David, Luka

Trace's Plan - Notable Characters: David, Trace

Cyrus' Party Trick - Notable Characters: Cyrus | TW: Self-Harm

Birth of an Immortal - Notable Characters: Cyrus | TW: Self-Harm, violence

Testing the Waters - Notable Characters: Cyrus | TW: Self-Harm, graphic violence

The Voice of Authority - Notable Characters: Krieger | TW: Manipulation, Forced Action, Hypnosis | NOTE: OUTDATED

Recess with Luka - Notable Characters: Luka, Olivia

Display of Aggression - Notable Characters: Kaleb, Devon, Bruce | TW: Violence, Foul Language

Zephyr's Nightly Duty - Notable Characters: Zephyr | TW: Spirits, Death

Unexpected Guest - Notable Characters: Zephyr | TW: Spirits, Death

The Immortal and the Kage - Notable Characters: Cyrus, Peter | TW: Graphic violence, gore, fighting

The Date - Notable Characters: David, Ryder | TW: References to homophobia

Adoption Day - Notable Characters: Davina, Moss | No TW

I will update this as more stories are added <3

Tag List

Tagging cause these people seem to enjoy my work! If you want to be added (or removed) from the tag list, just let me know!

@heavensfallenfaction @moremysteriesthantragedies @thetruearchmagos