it’s incredibly sweet and mind boggling how joe hills and oli theorionsound seemingly met by fated chance and coincidental accident because of the hermitcraft x empires planned crossover, of joe hills spawning and ending close to where oli was coming from on empires season 2, of after the hermits getting back home after being trapped on empires — bringing the empires season 2 cast over via the opened rift, of oli on hermitcraft/streaming it on twitch getting himself accidentally killed in situations and needing anyone free online to help. that being joe, who kept helping and coming to oli when he got himself into situations and trying to keep him alive. and them outweirding and being funny chaotic guys and because oli was playing a bard on empires and is a guy who goes into song whenever irl when he wants, just them connecting and building a unlikely but extremely works well friendship for the while. and coming to the now, august of year 2023, of empires s2 being done, the rift in grians basement being closed to the multiverse of empires s2 before s2 was finished, joe hills a couple days ago on youtube stream minecraft chat messaging cubfan saying he misses oli - his bard, who he knows is in pirates smp now currently, and wants him back and how cub whose been stealing things for the museum should take a piece of the rift or somehow turn it on to work to bring oli back. also oli on twitter replying to joe hill’s tweet progress of his pinball machine he’s making on hermitcraft and wanting to play it. pls. get oli back on hermitcraft, somehow multidimensionally pull him back on, he wants to be on, joe hills misses him, please.
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Not Wholly Evil / Pirate!Eddie au - Series Masterlist
'Do not worry; we shall release you straight back into your father's arms– for a reasonable price, that is,' he looked around at his men, who all once again erupted in a jolly sea of laughter, matching his much softer depiction of humour. 'But for now….' He bend in a bow, dramatically removed his hat as his unbrushed locks grazed the floor. When he rose back up, his grin had spread to the widest corners of his mouth, and his dark eyes were filled with menacing mischief, freezing your core at the thought of what he could possibly be holding back in his mind. 'Welcome aboard the Hellfire.'
Full ST Masterlist - Inbox - Reviewbox
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"semi dark fic" - READ the warnings:. (gun/sword)violence. blood. mention of severe wounds. minor character death. allusions to suicide. kidnapping. imprisonment. alcohol. open and deep sea. pirates are pigs: mentions of non-con, but it does not actually occur. malnourishment and weight loss. paranoia. mention of poisoning. abuse. manhandling. lying.
Chapter 1: The Death of the Red Tail
Chapter 2: Asphodel
Chapter 3: An Affair of Honor
Chapter 4: Columba
Chapter 5: Flintlock
Chapter 6: Shiver Me, Timbers
Chapter 7: Four Corners of Heaven
Chapter 8: Earthshine
Chapter 9: Paragon - [18+ version]
Chapter 10: Lock and Key
If you want to see any more of pirate Eddie [or Steve] requests for one-off oblurbs are open!!!
Chapter 0.1: The Treasure of Old Man Jim
Chapter 0.2: Eddie and Tabitha
Chapter 0.3: A Ceremony of Love
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maybe it's just the Radical Rediker talking, but there's something pointed in the way that, say, popular pirate media like Pirates of the Caribbean dilutes the pirate's freedom to "bring me that horizon" as opposed to, say, "plenty and satiety, pleasure and ease, liberty and power" (Bartholomew Roberts).
broadly speaking, most pirates chose the life in order to escape and revenge the hard labour, corporal punishment, overworking, and unequal pay of merchant/navy/privateer ships; or the privations of their sudden unemployment once a war was over, ignored as soon as their ability to die for the state was unneeded. yes, many were thugs, but, consciously political or not, they were responding to a particular, material reality.
the pirate's desired freedom was from the effects of exploitative modes of statehood and capital production. but popular media usually shifts this into a general desire for freedom: freedom to roam, freedom to love (usually merely a cross-class white, heterosexual union), or freedom from the personal pressures of social norms. it's a vague, ahistorical, post-Enlightenment, libertarian ideal rather than a response to a real social and economic situation.
to be clear, this only really applies to specifically the late golden age of piracy, in the first quarter of the 18th century. earlier generations of pirates/buccaneers often displayed nationalist/religious motives, and were lauded, tolerated, or even encouraged by the French and English states for aiding their fights against the Spanish and Portuguese. only the last gasp of age of sail pirates had a truly anti-national energy, and both figured themselves, and were figured by the imperial powers, as the enemies of all nations.
but if we are to valourise the late golden age pirate, at his best, his ideals were for true democracy, and the abolition of nation, hierarchy, and labour exploitation; not "the horizon". he was striking out in response to specific political, social, and economic oppressions, rather than a general individual restlessness, and that reality - and its similarities to our own - are important.
I dunno, I just... have a lot of thoughts about the defanging of piracy in modern media. obviously there were a lot of things bad about them, too, and the level of egalitarianism varied between individual people and ships. but again, if we're going to be valourising them anyway... there were idealists. and they weren't subtle about they wanted.
"I shan't own myself guilty of any murder", said William Fly in 1726. "Our captain and his mate used us barbarously. We poor men can't have justice done us. There is nothing said to our commanders, let them never so much abuse us, and use us like dogs. But the poor sailors --"
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