#place in each other's lives

[clowndensation]

x if anything about this feels like it doesn't fit, that's because you don't understand the profound effect charoum and gorty have had on each other.

[wingsofhcpe]

actually there's a huge difference between queerbaiting/"Hey guys look how gay these two are haha they're definitely gonna end up together, give us views uwu oh- never mind oops they're going to superhell" and "Hey it's 2004-2012 and there's no way we can get away with having our protags/main couple be two gay men but we really want to show these two are soulmates so we'll do it through subtext and underlying messages and by literally telling you over and over again their relationship is the most stable and important in the entire show, and the ending will imply they lived and died together", and it's insane that some of yall don't see how these two are not the same fucking thing.

[carnivalcarriondiscarded]

warlock wizard Wally scribbles... Thinkings! oh and a bonus bard-ish Barnabys in the corner for flavor

outfit ramblings:

first of all that is a Terrible rendition of what Home looks like in my head. i just needed to fill empty space </3

the staff was the toughest part honestly. bc it Had to be paintbrush-themed, but then halfway through scribbling i was like "oh shit. there are only so many ways to draw a paintbrush-wizard-staff and Weevmo already hit it out of the park." so if you're seeing similarities! you're right! i tried to make it as different as i could! there is Inspiration from their marvelous design, however accidental or subconscious! Apologies!

he gets a pointed hood instead of a hat because a) it looks great on him! and b) it has less of a chance of messing up his hair! also c) it helps muddle the difference between Wizard and Warlock. typically hoods have evil/duplicitous connotation - blur the lines! i want his long gloves and forearm wraps to have the same vibe. his neckerchief is a big help in hiding Home's seal!

his layered (loosely apple-themed) capelet (which the hood is attached to) has a nice high collar & hides the details of his loose shirt - eye embroidery! and some flowers on the shoulders but yk, mostly eyes. on one side of the shirt buttons has open eyes, the other side they're closed! there's also one big eye on his back!

his belt buckle is two halves of an apple! he wears tall thigh-high boots w/ low heels to feel Taller! he has a book-holster hooked to the back of his belt, which holds his grimoire! and he has a lil thigh-bag that has been magicked to be Bottomless and warps size! he can fit pretty much anything in there! canvases! paint! apples!

his half-skirt thing (idk what the word for it is!) is really plush, like a quilt - his capelet is the same fabric. soft, cozy. sometimes he'll use the skirt thing as a blanket in a pinch, or as a picnic placemat!

is his outfit a little Complicated? is it annoying to replicate? yes and yes. but im a maximalist at heart and Nothing But The Best for the blorbo <3 layers my beloved <3

[skrunksthatwunk]

learning some new things in mordhaus tonight

[cemeterything]

the silt verses is not "the homestuck of podcasts" it's the it's always sunny in philadelphia of podcasts

[gingerswagfreckles]

How is the Musk vs. Zuckerberg cage fight not all over tumblr immediately this is insane this is God's gift to mankind this is the funniest thing that's ever happened in the history of planet earth. Eat the rich???? Eat the rich??!!?!?! We aren't going to even get the CHANCE to eat the rich bc they are literally, LITERALLY going to kill each other with their teeth!!!!!

[cementcornfield]

The relationship with you and Joe. Give us a little inside look.

We know each other off the field too, we go hang out at each others' houses. I try to get him outside with me sometimes...he does a little bit, but that's not really his comfort zone, I be trying to get him out his comfort zone, just open up a little bit.

I like it - Joe, don't be such a quarterback nerd all the time!

I mean, nah, you can be a quarterback nerd, cuz you smart, you super smart brother, I love it.

[revletter]

One of my pet SMRPG headcanons:

The first time Peach uses Come Back to revive Geno, he is absolutely floored. How is she tapping into star magic? Especially when the Star Road is broken? And how is she doing it this expertly? He can't even use it this way.

Plus, to him specifically, it feels so much better than a Pick-Me-Up. When the doll's senses are knocked into next week, the star inside is still perfectly conscious, just kind of stuck in a void. This means he's also fully aware at the moment of revival, which - via a Pick-Me-Up - feels every bit as disorienting as when he first possessed the doll, plus he's not in control of the timing. Every single time. He deals with it.

But this? This is transcendent. Even in the blank darkness he's stuck in, he can see the star come down. It gently tells him it's time to come back, and politely leads the way there. There's never time for a conversation, but often, he knows its name.

During their adventure to restore the Star Road, Geno probably doesn't tell the rest of party this. After all, the result is functionally the same, and he doesn't want them to use resources non-ideally just so he can be a little more comfortable. But every time a star deposits him back onto the battlefield in Peach's arms, he thanks every celestial authority he can name for the opportunity to know a person like this - and marvels a little more at just how much of her potential she has yet to discover.

(PS: I've been wanting to delve into lineless art, and found a workflow in Clip Studio I love for it! Maybe this will help me get a little faster...)

[sonofatoasterwaffle]

Timber Timbre

The firework that sets him off is probably a Roman candle, and way closer than all the other ones have been, by Hen’s estimate. Eddie is on the ground before she can say anything and Hen’s blood runs a little cold at the realization of what’s happening. 

“Eddie,” she says gently. “It’s still fireworks, it’s okay.” 

Eddie is squatting low behind the kitchen island, head down, and he’s visibly shaking. He nods jerkily, but his breathing doesn’t slow at all. Hen’s heart hurts, but she’s careful not to get too close. She’s well versed in many a mental health crisis, but what to do when your friend is having combat flashbacks feels a little out of her depth. She gets low with him, keeps her tone soft and even. “How can I help, Eddie?” 

His eyes are wild when they meet hers, his hands clenching around nothing like he’s physically clinging to the present. “Can you-“ he stutters. “Where is-? I need Buck.” 

Hen is on her feet as quickly as she can without startling him. “I’ll find him, okay? You stay right here.” 

Downstairs, Buck’s holding the heavy bag for Chim, saying something that was probably meant to be encouraging but comes out more antagonistic. Their shift into being brothers has obviously been going well. They both stop in their tracks when they see the look on Hen’s face. 

“Eddie needs you.” It feels important to say it the way he did.

Another firework goes off then and Buck pales. “Oh, shit.” 

Then he’s taking the stairs two at a time with Hen and Chim not far behind. “Kitchen.” She calls after him. 

Eddie is where she left him, but now his hands are pressed against his ears. Buck squats down in front of him slowly, ducking his head so he can catch Eddie’s eye. “Hey, hey, it’s okay, it’s me, I’m here.” He says, like it’s definitely not the first time.

He looks back and Hen and Chimney, whispers, “Can you guys sit with us a second?” 

They nod, taking their places off to the left across from them, backs against the kitchen counter. Close enough if they need help, far enough away to keep their bubble intact. Hen’s grateful for the direction, and when Bobby comes out of his office, she waves him over, finger to her lips. He doesn’t question it, just squats down on Hen’s other side. 

Eddie shudders, breathes hard out of his nose. Says, “Buck.” Real soft. 

Buck nods, scoots closer at the recognition, reaches out to run his fingertips feather-light over Eddie’s forearms. “You’re in LA, Eddie. At the 118.”

Eddie gasps like he’s just reached the surface of water. “Doesn’t- doesn’t feel like it.” 

Buck grimaces. “I know. I know, let’s go through it, okay?” 

Eddie nods, once, lets Buck take his hands and keep going. “I feel,” Buck prompts. 

Eddie closes his eyes. “Panicked.” 

Buck nods, soft look on his face like pride. It makes Hen’s eyes water. Their boy has grown up so much. 

“Because the fireworks made me think about,” 

“The chopper going down. Getting shot at while the fire was burning. Greggs.” Eddie grits out through bared teeth. 

Buck rubs his thumbs over the backs of Eddie’s hands. “But if I look around I can see,” 

Eddie forces his eyes open with what looks like immense effort, trains them on Buck for a solid ten seconds before he looks around the rest of the room. “You. The 118. Bobby. Hen. Chimney.” 

He looks at each of them in turn. Hen nods encouragingly, waves a little, which seems to increase the recognition on his face. 

Buck smiles at him. “Yeah, that’s good, real good.” 

Some of the tension seeps slowly from Eddie’s shoulders, and Buck rewards it with a squeeze of their joined hands. “Tell me what day it is.” 

Another firework goes off in the distance and Hen wants to murder someone. Bobby looks like he’d help her without a second thought. The fucking audacity to set off explosives when you live by a firehouse is astounding. 

Eddie winces but Buck stays firm with him, tapping his fingers rhythmically against Eddie’s knuckles. “What’s the date, Eds?” 

“Fourth of July.” 

“Exactly. Which means,” 

“Morons.” Eddie answers, rote, like he’s been trained. The way Buck’s handling him right now, Hen supposes he has been. 

“You got it.” He praises, pressing forward until his forehead rests against Eddie’s. “Chris was excited, though, remember?” 

“Poke cake.” Eddie responds and Bobby smiles. 

Midwestern traditions often mystify Hen, but Christopher was so excited to make that weird jello cake with Bobby and Buck that she couldn’t help but decide she loved that one. They spent all evening in Bobby and Athena’s kitchen last night, making gratuitously American dishes that should be objectively gross but that Denny and Chris were wild for. Poke cakes with red and blue jello, things being called “salad” that have never and will never be salad, and burgers that were always a welcome staple in Grant-Nash cookouts. 

Buck is tapping his fingers on Eddie’s knees now, alternating as he prods Eddie to talk him through Christopher’s latest science project. Bilateral brain stimulation, her brain provides. Works for most long-term trauma treatment but can also be helpful during flashbacks. Evan “Internet Research Extraordinaire” Buckley certainly hasn’t been a slouch in this endeavor. 

As he talks through Buck’s prompts, Eddie is slowly relaxing, sitting up on his own a bit more but shifting closer to Buck, tension slowly bleeding out of him as he points out the things he knows, the things he can see, what Bobby made for dinner, what Chimney’s favorite show is right now, what class he helped Hen run flashcards for. It makes Hen’s heart grow too big in her chest. To know that they’re a part of Eddie’s recovery, of him feeling safe. 

“Where are you, Eddie?” Buck asks again after a few minutes of this. They’re side by side now, shoulders brushing as they lean back against the island cabinets. 

Eddie takes a deep breath, sags a little against Buck. “I’m in LA. I’m at the 118 firehouse. You’re all here with me. Everyone’s safe.” 

Hen smiles encouragingly at him, Chim says, “We’re here for you, man.” 

Eddie looks away, mutters, “Esto es tan vergonzoso,” color staining his cheeks. 

“Nuh uh.” Buck answers, firm. “None of that. No tienes nada de que avergonzarte.” 

Hen knows Buck spent a while in Peru. Bartending, she thinks. She’s heard him speak Spanish to people on calls before, but his accent has historically been horrendous. It sounds like being in the Diaz orbit has been helpful for that. Hen doesn’t speak Spanish well, but she’s been in LA long enough to get the gist most of the time. 

“Sorry you guys had to see that.” Eddie apologizes anyway, ignoring Buck.

Bobby shuts that down immediately. “Everybody’s got their demons, Eddie. We’re just happy we can help with yours.” 

He tells Eddie he should take the rest of the night, even as Eddie protests that he’s fine and he doesn’t want to leave them hanging. “It’s just a few hours, Eddie. Take him home, Buck?” 

Buck nods, looking relieved that he didn’t have to ask permission. Eddie still looks a little mortified, but it’s tempered by Bobby’s careful hand on his shoulder. “Get some rest, and I’ll see you tomorrow.” 

“When do you think they’ll give in and just get married?” Chim asks after Buck bundles Eddie into his Jeep. 

Bobby snorts. “I’ve had the paperwork ready to go for years.”

Also on AO3

[molagboop]

Noise game.

[anotherdescentintomadness]

The YiZhan Bubble Universe

For @bjyxobsessed

[clowndensation]

louis, lestat, and their single bed as a motif louis puts into his own story, but refuses to explore, is literally one of the sexiest parts of the show. it speaks volumes about a level of fulfillment and freedom that louis feels by being with lestat that he rarely explicitly comments on when he's relaying his story to daniel, which feels extremely relevant to his overall reluctance to examine the parts of his relationship with lestat that he really enjoyed.

because louis is a character who's hyper aware of how he presents himself. he's lived his entire life projecting a certain masculine, heteronormative image, and he's aware of how deviating from that presentation has implications that impact how people view him - from enjoying the opera, to the presentation of his nails. the fact that he moves in with lestat and neither of them ever put a second bed into any room in the house as a level of plausible deniability is so huge and oversight by so cautious a character, it can only be read as deliberate - especially when the conspicuous lack of a second bed is pointed out to them by both antoinette and a literal police officer. in an existence where you don't sleep in a bed, the bed becomes a symbolic object more so than a practical one. it's louis choosing to deliberately transgress against the societal expectations he lives out when he leaves his house, a bit of presentation that actually amplifies his truth as a gay man living with his partner, rather than masking or hiding himself, like he does for the outside world.

[ladybugkisses]

while we're still on the topic of Rocky and my sona having kids i wanna share an idea before i forget,

she's always said she'd never get married and have kids- it's just not the life she wanted. she wasn't even capable of falling in love anyway (and y'all know how true that ended up being /sarcasm)

so imagine her surprise when Nina shows her some photos of Rocky as a kid and her brain goes "okay i want one of these"

[numbuh424]

this is where I'm currently at emotionally btw.

edit: some people are asking for the link, so here it is! I made this immediately after waking up this morning and still feeling sad about them. enjoy! (or not? I guess?)

[apollos-boyfriend]

OKAY FINE I LIKE THE BLUE BIRD PROJECT THEORY NOW. but only if all the islanders get to also be fucked up federation experiments. as a treat

[soplapinga]

Okay okay I agree with everyone talking about the possibility of Pluto finally getting to go to France and meeting Duke in one of his shows, but I now raise you: What if they met BEFORE and Duke was actually the one to tell him about France and the lights and everything. What if Duke were the reason he wanted to go there in the first place. What then.