#please correct me

[drowninnoodles]

[sapphireknightdrawing]

JUANAFLIPPA! And also those other guys i guess.

(id & translation attempt under cut)

ID: Three pictures on one canvas. The first depicts Philza and Juanaflippa facing each other with Charlie on the ground. Juanaflippa is saying "My name is Juanaflippa. You killed my father. Prepare to die." The second depicts Charlie and Marinara arguing in the background, while Juanaflippa sits in the front, crying. She is holding a small trans pride flag with her tail. The third depicts Juanaflippa just standing, with "Juanaflippa Slimecicle" written above her head. Juanaflippa is drawn as a green dragon egg with glasses.

Translation attempt:

mi nombre es Juanaflippa. Tu mató mi padre. Prepárate para morir.

MUY ALTA DISCUTIENDO

Juanaflippa Cicle de Slime

[tweeksandturns]

So...

Scar Impulse and Gem were trying to get Grian to work on the back of his base, but Grian didn't want to, so he grabbed ahold of scars adhd (talked about seeing the tunnel-bore) and the two of them went there. Scar and Grian pressed a button too many times, and it blew itself up.

Doc was angry (of course, he had the rights) so he got back at them by, 1. breaking Grians nether portal so it was one sideways block, and 2. getting wither skulls to float in Scarland.

Neither side did much after this for a while, but eventually, Doc got a purple crown and put it on a Zombie in front of Mumbos base.

Grian, under the assumption that anyone with a purple crown would be Mumbo's best friend, Killed the zombie for the crown. He didn't know that Doc had made a redstone contraption so that when that zombie died, it blew up the entrance to Mumbos base.

Grian physically, spiritually, and emotionally didn't know how to fix that, but Mumbo more or less found it funny.

During this time, Zedaph was trying to find a dragon egg, and had gained some information that Grian had a ton (from duplicating them), so He went to Grian for it. Grian built an elaborate treasure hunt for the egg Zedaph wanted, and at one point, got Zedaph to blow up a wall in docs base (a wall that Zedaph didn't replace) in order to find the next clue.

Grian and Scar(Read: Poultryman and Hotguy) entered the perimeter, and created their own redstone contraption that spawned thousands of chickens into the perimeter (and also unintentionally moved the ender dragon because that area was chunk-loaded I think).

Doc got kinda angry, and Teleported the chickens into Grian's base, which let the chickens roam free anywhere they could. At some point, I think it was proxy honestly, Mumbo got involved. Doc, in his angry, created an insane dragon egg duplicator and dumped all of the eggs onto the three of their bases. (THIS MAY HAVE BEEN AFTER THE ENTIRE BUTTERCUP THING, I DO NOT REMEMBER)

Mumbo, Scar, and Grian team up, and call themselves the buttercups, because buttercups are poisonous to goats (albeit the fact that Doc is a butterfly now, not a goat). They build some camps on the edge of the Perimeter, and Grian writes "Live Laugh Love" on Docs walls. Doc HATES this, and Ren (I don't know when they teamed) builds a secret area underneath the Buttercups camp so that they could hear whatever the Buttercups were planning.

The buttercups plan to put another motivational quote on the perimeter, and Doc outs him and Ren, and the two sides decide, "You know what. Robots." and get their robots to fight for them. The buttercups buttercupbot explodes, and dies, but gets rid of the goat's ability to move.

Ren and Doc, have a backup plan though, and the two of them get on the butterflies that Doc built, and speed toward Grians and Scar's bases. Mumbo, Grian, and Scar stop them luckily, but it was kind of close. Doc and Ren lose for then, but Doc doesnt stand down.

Doc builds an intercom that plays his voice (and that also caused tango to leave because the range was scuffed for a bit) and he also got rid of the "Live Laugh Love" sign replacing it with "GOAT: Grind, optimize, automate, thrive."

He also puts a large target on the button half of it, with 4 target blocks in the middle.

Scar gets the wonderful idea of "Why don't we fly into the target blocks" and so he and Grian do. Neither of them thought that that would actually set off the target blocks, but it does (because apparently, players are projectiles) and the Redstone sets off a little animation that Doc made and blows up the buttercups base.

Doc left to go on vacation before this, but Grian and Scar made a new Base in the form of a Cherry bonsai in the flowerpot they made for the buttercupbot. Nothing has happened since that we know of.

(SOMEONE PLEASE CORRECT ME IF I MADE ANY MISTAKES, THIS MESSAGE HAD A LOWER THAN 100 CHARACTERS LEFT, OUT OF 4000 ON DISCORD)

[hammill-goes-fogwalking]

The issues & beauties of German music

(70s Kraut Rock )

Here, NOT ONE SINGLE SOUL talks about Krautrock 🌿 it seems like dead & forgotten (except CAN)

which is sad about this phenomenon :/ the only ones paying attention are prog magazines and music connoisseurs

Everyone talks about the Scorpions and Rammstein (in fact it's quality). Sometimes Boney M but... it's always the same: good music is too elite for the masses.

Even the band Eloy. Prog fans love them- the most listeners come from other places of the earth but not their origin country. Often a fault of the music industry, critics as well as the radio stations which really neglected these now in modern times.

//

The rhymes & language, pronunciation

Sure, worse languages exist. But to be honest, can you relax, with the German language? There's no flow at all, nothing like Italian or, you know, English. It's a popular opinion and what speaks against it?

Depends on the way someone sings and per region there is a difference but some harshness is always there.

//

Sung in English example: Eloy (again)

Some people are totally fine with the accent (their whole discography is in English sung by Frank Bornemann!!) others have problems getting into this band. Depends on the listener.

What often happened was that the groups had a British singer...

//

Old fashioned names

For example British rock: someone asks you, you say your idol is some random Jeff or Pete or whatever their names are. What about German musician's names? They're called Dieter or Jogi or Herbert or Udo

"Who's your favourite musician?" - Jürgen xy (sorry shouldn't sound mean)

People make jokes about old fashioned names, then why blaming yourself and getting sideeyed.

This is all a matter of coolness, let's move to the music...

//

A few information

Okay don't judge (seems extremely stereotype now) the people, musicians of the 60s and 70s were the first generation after WW2. You can imagine. The children of ex- patriots. They wanted to change something. BUT!! They were BOUND in the roots of their country.

There was a scene and later with many students and discotheques. There were artists from all over the world. The music is innovative and you can hear it even clearly. You can also hear their protest, spirit and the diversity of sounds.

There is nothing you can call THE Kraut. It's practically impossible to sum the sound up. Actually it's not a genre. That one word represents all the music made in Germany

//

An example.

You hear the instruments? The bass, drums, hard guitar, organs, saxophone EVERYTHING WORKS. SO FINE MUSIC.

Listen to it, create your own opinion.

Notes

1. So many songs by this one group called Lied des Teufels? Yeah. They're not known at all. That singer sounds like imitating Ian Gillan- Everyone can TRY to copy but they do it in their own style which is not copying, it's storytelling. (Kind of)

2. THE WHOLE THING SHOULD NOT MAKE ME SEEM PASSIONATE OR SOMETHING BECAUSE I DISCOVERED KRAUT LITERALLY YESTERDAY

3. Probably it's something that gets boring really fast

//

So...

Skillful musicians w/ ability to express themselves and the problems of their country. Wether the singing style is something for you or not- there are countless of other groups.

We HAVE TO speak about these forgotten acts again & give it a chance

[kindheartedgummybears]

oh, hello Wick fandom!!! How have you been? Still full a p3dophiila and inc3st? Yes? No? Not Really? Okay well I'm not sure, But I can see that you're still deader than the Weaver family sooo.... Thats unfortunate! I may try getting back into this fandom and game not sure yet. Give me 5-7 business days.

[angelcovesys]

kicking myself in my shins becayse my memory is dogshit and i get pronouns esp neos wrong a lot. maiming killing inject all the knowledge directly into my brain stem

[ltleflrt]

I was just wondering whether Dean's foreskin will be back when he gets healed by Cas, or if it should following canon logic(?)

Very weird and random question that came to mind. So I immediately had to ask you for your opinion lol

HAHA OKAY! I'm not sure why you thought of me for this, but it's a fun thought exercise, so I appreciate that you did 😆

I guess it depends on whether Dean was circumcised in the first place. There's a possibility he wasn't, although that is pretty rare for men born when he was. I am only a year younger than him and I didn't even know what a foreskin was until I was 19, and the first man I met who had one was from the UK. So, it's likely that Dean was circumcised.

Now, we know from canon that Dean's scars were gone, so Cas did some healies while rebuilding Dean. But I've always liked the headcanon that if Dean were trans, that Cas would have given him the male body he wanted during the rebuild, so I like to think that Cas took a peek to see if any of those scars were special to cis!Dean too. And most cis men would freak THE FUCK out if their dick were different. Dean didn't make a peep in canon, so I'm gonna assume that's a scar Castiel kept in place.

There's also the fact that the angels of SPN seem to be more Old Testament, and I think that circumcision was the norm among Jewish people, so Cas might have seen the circumcision and went "ah that's normal" and kept it.

Then again, if Dean weren't circumcised and Cas was like "oh I better fix this for him" and Dean woke up in a grave with a circumcised dick, it would be objectively hilarious to see how he would have reacted to that....

But I'm gonna go with, he was probably circumcised and Cas restored that for him. If not for Dean's comfort, then for old religious reasons 😁

[takebugs]

My Unhinged Theory That Paul Is a Liar and Actually Instigated the Fateful Meeting Between John and Himself

I will open this tinhat tirade with an invitation to absolutely rip me to shreds with hard facts and discredit the ever loving shit out of this post. Please, please prove me wrong. Please let this be just the insane chain linked events that my mind has conjured all on its own. I only ask that you review the evidence (albeit based on personal anecdotes rife with their own inherent bias) and my own interpretation based on my (woefully limited) knowledge of one Paul McCartney. If you dare to get into this crazy hellhole, then please read on...

tl;dr Paul went through hot girl summer and then scammed Ivan into introducing him to the hot Teddy Boy he kept seeing around.

Alright so we’ve all heard the age old story of how Paul and John met. It was July 6th, 1957, fate intervened and all that jazz. Or in the words of Paul:

“My memory of meeting John for the first time is very clear. … I can still see John now - checked shirt, slightly curly hair, singing ‘Come Go With Me’ by the Del Vikings. He didn’t know all the words, so he was putting stuff in about penitentiaries - and doing a good job of it. I remember thinking, ‘He looks good - I wouldn’t mind being in a group with him.’ … Then, as you all know, he asked me to join the group, and so we began our trip together. We wrote our first songs together, we grew up together and we lived our lives together. And when we’d do it together, something special would happen. There’d be that little magic spark. I still remember his beery old breath when I first met him here [Woolton church fete] that day. But I soon came to love that beery old breath. And I loved John. I always was and still am a great fan of John’s  -Paul in Bill Harry’s, The Paul McCartney Encyclopedia, 2003

Another account of the meeting by Paul is as follows:

“I remember coming into the fete and seeing all the sideshows. And also hearing all this great music wafting in from this little Tannoy system. It was John and the band. I remember I was amazed and thought, ‘Oh great’, because I was obviously into the music. I remember John singing a song called ‘Come Go With Me’. He’d heard it on the radio. He didn’t really know the verses, but he knew the chorus. The rest he just made up himself. I just thought, ‘Well, he looks good, he’s singing well and he seems like a great lead singer to me.’ Of course, he had his glasses off, so he really looked suave. I remember John was good. He was really the only outstanding member, all the rest kind of slipped away.” -Paul McCartney, Record Collector, 1995

But let me posit a different take on that day.

So we know for a fact that Ivan Vaughan was the one to “officially” introduce Paul to John. He was a boyhood friend of John’s and later a schoolmate, and friend, of Paul’s. We also know Ivan was a sometimes member of the Quarrymen himself, playing tea-chest bass. So as the story goes he invited Paul along to the fete to see the Quarrymen perform, and during a break in their sets he brought Paul back to meet the group (although I have seen variations of the exact time at which the meeting occurred). 

Here are some quotes that I think shed some good insight (although likely biased and likely subject to the fault of anyone recalling past events) on the actual meeting:

“Just then the side door opened and Ivan breezed in, panting for breath as though he had just run a marathon. “Hi there, fellas. Look, I’ve brought Paul along.” The next figure to step through the doorway was Paul McCartney carrying his guitar. I think I was the only person in the group to look up as Paul walked over. John, by this time, had gathered another chair for himself and had his feet up, intent on replacing the broken string on his guitar. I knew Paul from the Institute and he recognised me. “Hiya, Paul, glad you could make it,” I said. Paul’s face relaxed a little as he saw a face he knew. “Hiya, Len.” There was no response from John; he didn’t even look up. After Ivan had introduced Paul to the other members of the group, he then approached John, who was still engrossed in tuning up the guitar string he had just put on. He looked up as if to say: “What are you bothering me for now?” It was an impatient sort of look. “John, this is Paul. Paul McCartney, you know. I told you that I would bring him along.” John took his feet off the chair and said simply, “Hi Paul,” then carried on tuning his guitar. There was no shaking of hands, and he didn’t stand up to greet him. Paul just stood there. “Hello John,” he said in his polite manner. “Do you need any help with that?” John pulled up the now vacant chair. “Yeah, okay. Sit down.” Paul sat down, took John’s guitar and handed him the guitar that he had brought along. Paul’s guitar was left-handed and so his guitar was strung the opposite way to that of a right-handed guitarist, but that didn’t matter when it came to the simple tuning of a guitar. “Hey,” exclaimed John as he inspected Paul’s guitar. “It’s strung the other way round.” “Yes, I play left-handed.” Paul then took a pitch pipe guitar tuner out of his pocket, playing the first in an open manner and at the same time blowing into his tuner. “There, that’s better. I’ll just check that the other strings are in tune.” The rest of us looked on admiringly as Paul showed his dexterity with the guitar. “Hey fellas,” said John, looking at us, “he’s good – we’ll have to have him in the group.” As I explained previously, this was our joking response to anyone that ever showed musical talent, rather than a serious or literal proposition. He was not as yet officially inviting Paul into the group. Ivan looked on happily with an expression which seemed to say: “There, you see, I told you he was good, didn’t I?” “Thanks Paul, it would have taken me ages to do that,” said John sincerely.” -Len Garry, John, Paul, and Me: Before the Beatles, 1997

“Right off, I could see John was checking this kid out,” says Pete Shotton, who was standing behind John, off to the side. “Paul came on as very attractive, very loose, very easy, very confident – wildly confident. He played the guitar well. I could see that John was very impressed.”  -Bob Spitz, The Beatles: The Biography, 2005

“Paul must have picked up on it, too. He seemed to zero right in on John, whom he recognized as the band's legitimate front man. Not wanting to lose his edge, he launched into his own rendition of "Be-Bop-A-Lula." It impressed John that Paul knew all the words; John could never remember them, preferring to make up his own as the rhyme scheme required. Paul's version of the song drove harder, was sharper, bringing the tonic fifth in on cue, which the band had simply ignored. And he sang it with all the stops pulled out, belting it with complete abandon, as if he were standing in front of his bedroom mirror, without anyone else in the room...” "It was uncanny. He could play and sing in a way that none of us could, including John," Eric Griffiths recalls. "He had such confidence, he gave a performance. It was natural. We couldn't get enough of it. It was a real eye-opener." After listening to Paul play, John recalled, "I had thought to myself, 'He's as good as me.' Now, I thought, if I take him on, what will happen? It went through my head that I'd have to keep him in line if I let him join [the band]. But he was good, so he was worth having. He also looked like Elvis. I dug him." -Bob Spitz, The Beatles: The Biography, 2005

“I also knocked around on the backstage piano and that would have been ‘A Whole Lot Of Shakin” by Jerry Lee. That’s when I remember John leaning over, contributing a deft right hand in the upper octaves and surprising me with his beery breath. It’s not that I was shocked, it’s just that I remember this particular detail.” -Paul McCartney from Philip Norma, John Lennon: The Life, 2008

So what exactly about any of this is important? Okay so here is where my theory comes into play. I present the theory that Paul went to this fete with the sole intention of meeting John and performing for him. Why, you may ask, am I making this assumption? Well let me provide you with some further information.

Paul McCartney, as interviewed by Sean Ono Lennon for Lennon at 80, revealed to Sean that he had actually known of John prior to their first official meeting.  You can listen to the full interview here: https://www.youtube.com/watch?v=iCe8fdBeTCs&ab_channel=GisselaPereyra

But for the sake of this deranged rant here are some quotes:

“The funny thing about your dad was that I'd seen him around a couple of times, because I realised later what it was, my bus route, he would take that bus, but he would be going to see his mum who lived kind of in my area. And then he’d take the bus back up to his Auntie Mimi's. So I'd seen him a couple of times and thought, ‘Wow, you know, he’s an interesting looking guy.’

“And then I once also saw him in a queue for fish and chips and I said, ‘Oh, that's that guy off the bus’.” “I’m talking to myself, in my mind I thought, ‘I saw that guy off the bus, oh he’s pretty cool looking. Yeah, you know, he’s a cool guy.’”

Asked if he knew John was a musician then, the Beatles star replied: “No, I knew nothing about him except that he looked pretty cool.

“He had long sideboards and greased back hair and everything…it was the Teddy Boy look, yeah.”

“My friend Ivan, who I knew at school, was a friend of John's and took me up to the village fete, introduced me there.

“So it was like, ‘Oh, that's that guy who I've been seeing.’”

“And then obviously I knew he was a musician because he was in the little band, The Quarrymen, and I got to sort of hang with them in the interval.”

-Paul McCartney, Lennon at 80

So we know that Paul knew John before the fete, not only that but he was clearly interested in John. Paul thought John looked hot cool and wanted to get to know him. And then seemingly did nothing about that for years until the fateful meeting? I think not.

So the second part to this unhinged hellscape is Chubby McCartney. Yes, my friends, Paul McCartney believes in hot girl summer.

In an interview with Russel Harty from 1984 (you can watch the interview here: https://www.youtube.com/watch?v=JoqWlb2lXXs&t=2221s&ab_channel=sirpaulru) Harty talks to Paul about how he was a “fatty” (yikes). Paul seems visibly uncomfortable when a picture of himself as a 14 year old appears showing a cute, chubby version of himself. They kind of move past the topic quickly, as Paul explains it was a touchy subject for him.

If you are wondering what exactly Paul looked like then here you go:

This, my dear, dear friends, would have been the Paul that encountered John prior to the fete. We do know, however, by the time Paul joined the Quarrymen he was much trimmer and taller as often happens with teenagers.

Sure there’s still the baby fat in his face, but a much more acceptable, or what I'd assume Paul thought was acceptable, look.

Based on the above information this is my theory: 

Paul was embarrassed and uncomfortable with the way he looked. He saw John, a teddy boy, around Liverpool that he really dug but was afraid to talk to him because of how he (Paul) appeared. Over the course of a year or so he managed to grow into himself more and no longer felt as self conscious about his appearance.

Paul is friends with Ivan who is a member of John’s group. There is no way Paul would be unaware of Ivan’s involvement with the Quarrymen. How would Ivan know Paul would be interested in seeing the Quarrymen unless there was some level of awareness? Sure, maybe they were friends who didn’t talk about those things, but don’t you find it way less likely that Ivan, part of a musical group, wouldn’t tell Paul, someone who clearly enjoyed music, about his involvement in a musical group? 

So yes, even if Paul did know about the Quarrymen that wouldn’t necessarily mean that he would know that John was the same person he had been seeing around Liverpool. I acknowledge that big black hole of doubt that throws a wrench into this whole depravity of thought, however the level to which Paul performed at the fete just won’t leave me alone. Not only that, but wouldn’t one assume that if Paul was friends with Ivan he would have gone to watch him perform with the group at least once? 

Either way, by all accounts of that “first” meeting Paul didn’t just play something for the heck of it -he went out of his way to show off. He played the guitar backwards, sung not one, not two, but three songs?? One of which was the same song John had just finished performing??? He fucking tuned John’s guitar with a tuner he just so happened to be carrying with him? How could anyone just pull any of that out at the drop of a hat if they weren’t trying to be impressive, or impress someone? It’s almost as if Paul had been prepared to give a show, almost like he knew he would be performing with the intent of making a strong impression. He even fucking wore a sparkly white sports coat, who the fuck does that if they aren’t trying to look their best for SOMEONE!!??

Also, in the Len Garry quote he mentions Ivan saying he had told the group he would be bringing Paul around. Doesn’t that sound like a purposeful introduction? Doesn’t that seem like a premeditated, planned out event instead of some fateful encounter???

GUYS WE ALL KNOW PAUL CAN BE A MANIPULATIVE BITCH, SOMEONE WHO IS KNOWN FOR GETTING HIS WAY BY MANUEVERING PEOPLE. IS IT REALLY SO FAR FETCHED TO MAKE THIS ASSUMPTION!?

So, to make an incredibly long theory short, I believe Paul went through a glow up, convinced Ivan to introduce him to the Quarrymen with the sole intention of showing off to the hot cool teddy boy he had seen around town, then ghosted them until he got back from camp (what about the time we met? well, I suppose that you could say that we were playing hard to get) and joined the group. 

Thank you and goodnight.

[just-trying-my-best-everyday]

Okay Lingfan Nation, I bring devastating news. Our best angst trope, where Ling asks Lan Fan to call him by his name instead of with an honorific, has absolutely no basis in canon. He never, ever seems even remotely distraught by the formality.

[gaasublarb]

Hobie's Accent Challenge/Practice

I tried to find a sentence with every english phoneme and this came up.

That quick beige fox jumped in the air over each thin dog. Look out, I shout, for he's foiled you again, creating chaos.

So here goes /)////(\ Wish I knew more IPA

Me:

ðat quick bæj fahx jəmpt in ðə ær ohver ɪch thin dahg. Look owt, aɪ showt, for hɪs fohɪld you əgin, crɪæding kæahss

Hobie:

Tha' quick bæj fox jəmpt en ðə eh ohvə ɪch thin dog. Look ow', ah show', foh 'ɪs foɪld yə əgen, crɪæ'en kayohss

[smpsys]

Jestem z kaczka. Oni są ładne.

[ladycrimsonandblack]

This is going to be a weird one, I can already tell. Just look at that... thing growing out of his back. 

[onlytibki]

so i saw a video recently about the proper way to store katana on a wall

-no link because i forgot which one i'm sorry i'm an awful librarian

but basically 2 notes. (1) apparently, hanging a katana on a wall with the handle facing right is only done when the owner of the house/katana is at war, because it's easier to reach. It's also like a subtle (in that particular Japanese subtle way) "fuck you" to any guest invited over because it basically screams "we ain't trust you you're about to catch all of this blade".

Honestly, constantly having them facing that direction in a violent place like the OP world makes practical sense. Furthermore, I figure it's a really nice touch if purposeful, because the Arlong Pirates, driven by rage, bigotry, and racial injustice as they are, would likely see themselves as constantly at war against their human oppressors (despite making themselves the oppressors over humans on the island). Even their guests, that Rat Marine motherfucker, were potentially enemies and the sword was kept in that position of war.

(2) second note, apparently you're supposed to set them blade pointing up, or else the blade will dull or even break through the sheath (there's a Japanese word for the sheath, the proper term, but I can't remember it). So I'm no expert on katana or even any degree of Asian culture, but there's two takes from that: (a) some fucker is guilty of Sword Crimes and Zoro's gonna have yet another reason to kill them or (b) the katana is taken down and used so often that it never has time to incur damage from being hung up long-term

[aroacesafeplaceforall]

hi there! i was wondering if you could give me some help on my sexuality? I'm genderfluid (specifically fluid between girl and agender). i am romantically and sexually attracted to men only when i have an emotional bond with them. however, i am sexually attracted to other genders regardless of an emotional bond, but i am not romantically attracted to other genders in any way. so i guess im demiromantic towards men and demisexual towards men - are there specific labels for this? im also only sexually attracted to non-men (*regardless of emotional connection*) - are there also labels for this? ty!

I’m not going to pretend I’m an expert but here’s a few I think might help.

Demisexual is where you have to have a emotional attachment before you have a sexual one

Demiromantic is the opposite, where you have a sexual attachment before a romantic one

Omnisexual is kind of like bi sexual with a preference (masc, fem, other)

Bisexual is equal attraction to people

hope that helps!! There’s a bunch more terms that I might find later if you need more!! Stay safe and remember it’s your fucking box!!

[hammill-goes-fogwalking]

What’s your recommendation for prog rock songs? I want to get into it but some songs are just way too long.

Okay first: there's an issue with YouTube videos about getting into it. People show a handful of HUGE SUCCESSES and EPIC MILESTONE ALBUMS with 10 minute longtracks? They're used to 20 minute tracks and forget that seven minutes can be long for newcomers

How to get into prog

For me personally, the best way to get into the genre is to find one band or two that really are something you can build on. Then you fall into that circle of constantly discovering new (old).

To the songs: find your kind and grow on the music

I recommend to start with the 80s stuff and then dig deeper by the time

(songs get longer in order)

^ first progressive-proto metal song ever. Nobody talks bout it

don't start with Gong or Arthur Brown or Magma

Honestly I'm also at the beginning, started in April. The prog I like are the small obscure groups. Here a known one among the unknown

^ nice album (song gives strong summer vibes)

^ song that got me into progressive jazz fusion (⁠*⁠_⁠*⁠) you won't regret a short listen

//

There's prog from all over the world. From Italy, from France, from the US

But Britain rules

There was prog in the 80s, there's prog in the 21th century

There's electronic prog, there's acoustic prog

There's evil prog, there's harmless catboy prog

//

Take your time no rush y all

[raspberry-sham]

REMMEBER THE ONE POST WHERE I TALKED ABOUT MIC MELTING FOR PLOT PURPOSES?